"Can you just pretend to love me tonight? Please?"
Simon's never gotten a request like this before.
He's never had any qualms about selling his body. Whether it was for his cock, units of his blood plasma, or his war honed body. He's always done what he's had to - anything to stay off the streets and keep a full belly.
The girls who've paid him always wanted a brute, someone to mount them and take them for all they were worth. That was what he was used to, not some doe-eyed sweet thing begging him to be gentle.
"I want to feel loved." You admit, leaning back on the motel bed, thighs crossed in nervousness. "I um...I know I'm not very pretty-"
Simon leans forward on his knees and kisses you gently. Well, he tries to. The tip of your teeth graze painfully together as he mouths you. You squeak beneath him, hands going up to his shoulders to try and push him off on rabbit instinct. He pulls his mouth off of you just enough to mutter an apology.
"Sorry." He swallows.
You look up at him with impeccably beautiful eyes brimming with tears. You seem to finally understand there's nothing gentle about him even when he tries to be. Simon wants you to call him off, send him out of the cheap hotel. He knows he can't be as sweet at you want - as you deserve. He's just physically not built for that. At least, he's sure of it nowadays. He has a brief memory of holding his newborn nephew but it slips away just as quickly as it came.
"Can we just...go slow?" You ask again. Simon can hear the waver in your voice. You're unsure if you want to continue, but you seem to trust him for some reason. "Really, really slow?"
"Yeah."
He can do slow. He can do glacial. If there's one thing he can do, it's be measured, methodical. He wasn't a Lieutenant for nothing.
For the first time in years, he takes his time. He's used to the fast paced, hungry fucks that pay his rent in thirty minutes. This is...new, not wholly uninvited. He kisses down your collarbone, down the swell of your breasts. He nips at the lacy fabric (you dressed up for him when he was expecting just to rip it all off) as he makes his way down further. He laps at the skin beneath your belly button, making your belly flutter. Ticklish. He likes that.
Simon noses his way between your thighs, easily spreads your legs with his thick forearms. As he kisses down your cloth covered mound he admits he likes how you smell. Usually the taste of women turns him off. He prefers men, but desperate women pay more. You're desperate alright, although its a different type of desperation. Something about the nervous wetness staining your new panties has his cock jumping in his trousers. He presses his nose to the fabric, inhales deeply, and relishes in your shy squeak. Simon starts to understand your desire.
You want to be explored, mapped, and consumed slowly. You want to give up control but feel as if you can stop at any moment. You want to be seen, tasted, then completely devoured.
Instead of slipping your panties to the side, he licks his way down your thighs. You squeal and try to squirm away from the sudden sensation but he doesn't stop. He kisses down your calves and across the top of your feet. His hands are so large that they wrap around your soles completely. Simon pushes them up until they're up by your ears. He knows the position is uncomfortable for you, but he likes the view of your soft, cloth covered mound.
He nips at the back of your ankles and calves, licks down the expanse of your thighs, ans nuzzles into the gusset of your panties. Simon relishes in the squeaks and gasps ans twitches of your expectant body. It's been so long since he's teased someone, much less a sweet lil' thing like you.
Your scent is heady, comforting, nothing like he's experienced before. He finds he really likes just inhaling you in. You whimper, thighs shaking already. He hasn't even licked you yet. Simon finally admits to himself that you're stroking his ego.
He plants a firm, sweet kiss to your cloth covered cunt. The fabric is practically soaked through. He can smell your taste on the tips of his lips. His curiosity wins. He takes a firm, long lick from bottom to top. Simon tastes you, but also the flowery tang of your favorite fabric softener. You taste good. He wants more.
Simon finally releases his hold on your thighs. On instinct, or perhaps strain, they fall apart. You try to sit up but he tugs your body further towards the edge of the bed. He can feel the tension in his old knees from kneeling, but he ignores it. You've opened up your body to him. He wants to take full advantage of it.
Simon goes back to lapping at your clothed cunt. He doesn't stop until his tongue is raw from brushing repeatedly over the stitches. Drool drips down his chin.
"Off."
You huff in confusion, trying to sit up. Instead. With too easy of a tug, off come your panties. There you are. Simon knows he should slow his movements but he doesn't care. You haven't stopped him yet, and he'll be damned if he doesn't get those sweet lips in his mouth. He spreads you apart with his middle and forefinger. You're a sight to behold. Perhaps not pornstar perfect anatomy, but you're delicious looking nonetheless. He eyes your glistening, dripping slit. As bad as he wants to force his tomgue deep inside you, instead he presses a firm kiss to the hood of your clit. You jolt, trying to back away or pull him closer, he can't tell.
Simon follows your movement. He mouths hungrily at your clit, flattens his tongue and practically drools against it. He laps at you with a muted fervor. He doesn't want to hurt you. He can tell you're sensitive. It must've been awhile since the last time you'd had a man willingly do this for you. A damn shame.
Your shaky little moans are like music to Simon's ears. He follows them like a map. He circles your clit, traces the entrance of your hood, even dips lower to tease the sides of your inner lips. You seem to like that alot based on the sounds you make. He sucks on your inner wings and you squeal, thighs wrapping hard around the sides of his head. He does it again and and again until you're hiccuping in delight. Your slick drips down his chin and throat. You're such a good girl for him.
Simon knows he's going to make you cum, it's just a matter of time and technique. He has both on his side. He uses his other hand to pet at your entrance. He tries to commit your anatomy to memory, and so he takes his time dipping the pads of his fingers against your fluttering slit. Despite it obviously having been awhile, your cunt holds no resistance. In fact, it practically swallows up the tip of his middle finger. Fuck yeah, that's what he likes to see.
With measured ease, Simon slips his whole finger inwards and upwards inside of you. You keen and gasp and he can feel your insides twitching. You're tight. So tight he can feel his finger already starting to cramp up from the resistance.
If he's going to fuck you right he's still got some work to do.
3K notes
·
View notes
the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
10K notes
·
View notes