#dizzys

[sweetlemondream]

the angel and demon on the shoulder symbolism oh im sick

[chthonicillness]

anyone else uhh..... anyone else ummmm. anyone else. anyone else, anyone.. anyone, anyone. oh god anyone

[uwanosorade]

Source

truly connected people on a staggering level. If you engage with anime, even if you dont like dbz, chances are the anime you like got to you because of dbz's popularity. If you like jrpgs, even if you've never played dragon quest, the games you do love almost certainly became a thing because someone in the 80s loved dragon quest. 68 is way too young but genuinely what a towering legacy.

[frogaroundandfindout]

Bruce gets knocked over the head with a lead pipe and without even looking at eachother dick and Tim start circling around him making tweeting noises

Meanwhile bruce wishes the hit actually knocked him out so he didn’t have to witness his kids acting like this

[seagiri]

up to interpretation

[chuckecheeses]

So much color and tone variation just in the simple and humble domestic shorthair black kitty…

[biggest-gaudiest-patronuses]

"descended into madness" um actually i climbed here? yeah it was a pretty steep journey. yeah the air's pretty thin up here. i think im getting altitude sickness. pretty dizzy actually

[stinkybrowndogs]

I have created the worlds shittiest cattio (a small dog crate i have jimmy rigged out the window) and it is a big hit

[kinsey3furry300]

An extremely dumb guid to “Which famous 60’s/70's Jazz man is that?”

1, Is it Piano lead or Bass lead? If piano go to question two. If brass question three.

2, Does the Pianist sound like he’s taken all the acid, or is there a guy making love to a clarinet?

Oh yeah: he’s taken all the acid alight. Is… is he okay? Thelonious Monk.

Oh yeah, some guy is going ham on a clarinet. Dave Burkbeck Quartet.

Neither of the above: Duke Ellington.

3, If brass lead: is it Louis Armstrong? If Yes, it’s Louis Armstrong. If no, question four.

4, Does the Trumpet player make you feel sad? Even, dare I say, Blue?

Almost? Chet Barker

Kind of? Miles Davies.

If no, question five.

5, Is the trumpet player trying to blow your face clean off? Like, actively trying to kill the first row of the audience? Dizzy Gillespie.

It’s brass led, but Sax not Trumpet.  

Okay, question 6, isolate the stings: is Charles Mingus doing what he’s actually paid to do in the back of the ensemble, or is he dicking around and seeing how far a man can take a double bass before his band-mates kill him?

Seems to be playing normally: Charlie Parker

He’s fucking around in F minor, and also that Bari sax is filthy! The Mingus Big band, with Ronnie Cuber on the Sax.

[davidisen]

Music Safari NYC, the final week . . .

[This post covers January 8, 9, 10, 11.]

Monday, January 8 . . . The Yes Trio at Dizzy's . . .

Aaron Goldberg at the piano, Omer Avital on bass, and Ali Jackson on percussion.

The playing was extraordinarily interactive and collaborative. There were remarkably few "solos."

Frequently the instruments played in dialog, or trialog. It was obvious that these guys have played together for over 30 years.

Tuesdays in NYC are synonymous with Monas! On Tuesday, January 9, the house band was epic.

This is Evan Christopher, distinguished New Orleans visitor Duke Heitger, Rossano Sportiello and Jon-Erik Kellso. Also in the house band, birthday boy Tal Ronen and band leader pro tempore Josh Dunn.

Rossano and I are good friends.

Bass player Tal turned 43 at that gig. Singing, cake, candles, and the whole works.

The music was extraordinary. Evan Christopher's clarinet was over the top, and with Kellso's trumpet, they rattled the roof. I spent most of the night looking at the back of Josh Dunn's head, but that did not diminish my appreciation for his subtle, well-rounded, imaginatively crafted guitar playing. Rossano's piano playing mostly stayed back, in a support role. He finally leaned into it for the last few songs. Tal's bass was excellent, as always.

Two essential people were missing from the festivities. Aidan Grant was out sick, and Dennis Lichtman was in New Orleans. I missed them.

On Wednesday, January 10, the biggest game was out in the Brooklyn jungle - The Big Lazy with special guest Katie Martucci were playing at LunÁtico.

The Big Lazy. L to R, that's Katie Martucci on vocals, Yuval Lion on percussion, Andrew Hall on bass and band leader Steve Ulrich on guitar.

Imagine the music of Dick Dale and Duane Eddy transposed into the information age. Twang-on-twang. The guitar work of Steve Ulrich was remarkably captivating.

Josh Dunn , the leader of the Mona's jam last Tuesday, showed up at The Big Lazy's gig. I never got a good shot of him that night, but now, here he is!

On Thursday, January 11, at Neal's strong suggestion, we went to Sxip Shirey's Hour of Charm at Joe's Pub.

It was more than a set or a gig. It was a revue. In addition to Sxip (pronounced "skip" I think), included vocalist and composer Priya Darshini, cabaret power couple John Coons and Matta Aument, dancer Coco Karol, vocalist Aimee Curl, vocalist Raquel Klein, guitar innovator Asher Kuntz, John Altieri on tuba, etc., and Attis Clopton on drums.

Aimee Curl has a voice I want to hear again!

There was too much going on for me to digest it all. So I'm going to quote from the Joe's Pub publicity.

Shirey tests the edge of music using his vast imagination to create playful and mischievous songs using familiar objects, mutant instruments, electronics and reconfigured sounds. He is a curious combination of composer/ sound designer/ performer meets storyteller/ curator.

John Coons was channeling something I'm just not hip enough, or gay enough, or young enough, or urban enough to get. Mostly. What I could understand of his shtick/poetry/song/standup performance was, yeah, bang-on. Like, maybe, naughty Freddy Mercury playing a small room.

For the grand finale, Sxip did this piece with a harmonica played through a dozen pedals, a bullhorn that made siren and other cop-car noises, and a tuba. It was a caricature of New York City's sonic landscape that rang true. WOW. Or as Sxip might say, "Holy F**k."

"We're not done yet," said Neal. We hopped over to Foxtail, a quiet, upscale bar in the West Village. The house band was "old home."

That's Bria Skonberg and Mike Davis on trumpets, with Conal Fowkes on piano and Tal Ronen on bass.

The master of understatement, Kevin Dorn on drums, Tal on bass, Conal on keys.

Mike Davis, Tal in background.

Bria, playing for Molly Ryan and Kayla Lewis at the bar.

Kayla Lewis. When she sang, it felt like being in the presence of a Billie or an Ella. What a great singer. Kayla! Lewis! The Foxtail thing was simply, amazingly great. I felt like I'd been to church.

On Friday, January 12, the last day of my musical trek, Neal and I hit Joe's Pub for what was billed as a Bria Skonberg/Anat Cohen gig. It was actually two independent concerts, back to back.

Anat and her band were up first.

There were several choros and what sounded like a Monk tune. Each was merely a platform for Anat's incredible musical ideas. Each time I started to understand where she was going, she went off into a new, equally tantalizing dimension. I wish I had a recording.

That's Tal Mashiach on bass. The band also included Vitor Gonçalves on piano and accordion (see below), and James Shipp on percussion and vibraphone.

Vitor Gonçalves anchors an important corner of the Brazilian music community in NYC. His creative force complemented and spurred Anat's playing.

Up next, Bria Skonberg:

I only knew one other person in Bria's band - the awesome Mathis Picard on piano. I'll get you the other names . . . it was a killa band.

Mathis played one amazing solo.

Now I am going home. It's time. But it has been one helluva ride!

This morning Anat sent me this:

[ourflagmeansgayrights]

"killing off izzy after he went through all this growth and finally got to be happy means all that healing was for nothing"

goddamn that is a bleak way to look at life. we all die, man. healing is still worth the effort.

[gotchibam]

Rockruff and Houndoom ko-fi doodle for teethcritter!

[wormzandgutz]

I used this to catch fish

[battleguitar]

awe of she

[ourflagmeansheartbreak]

Thinking how Swede missed Izzy’s redemption arc and Izzy missed Swede’s slut arc. When they met it should’ve gone something like this

[biskyfresh]

just a glimpse into my dark 12 year old self's reality. a full stare into my twisted perspective would make most go simply insane lmao