#divorce separation

[stillhere-erehllits]

This a a reminder to not fall victim to the sunk-cost fallacy. Just because you invested time and energy into something, does not mean you should indefinitely waste more time and energy on it, if you decide it’s not what you want anymore. This goes for anything, from books, to relationships, to jobs, to hobbies, etc.

If it’s not serving you anymore, move on.

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[quesocheeso]

Pre-concept (Subject to Change)

Both Macaque and Xiaotian (MK) live in FFM full time unless there’s a special event happening in the celestial realm that requires the royal family being there.

since FFM is a laid back type of kingdom, both Macaque and Xiaotian wear normal clothes, nothing fancy especially not the type of outfits they wear back in the celestial realm

Bonus:

Wukong misses his husband and child L

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[kooldewd123]

it's so funny watching the spanners and the tuff guys both going through their own separate divorce arcs because they're somehow doing the same thing in completely opposite directions. every conversation between the spanners starts with them trying to work together before eventually devolving into yelling at each other and falling apart, and then meanwhile every conversation between the tuff guys immediately starts with them arguing and then resolves with them all saying "alright, let's just agree that we all hate each other, okay?" and functioning completely perfectly afterwards.

[redrobin-detective]

I think one underrated tragedy of Ice King's scars is that he probably took away Simon's sense of levity.

Like in his very limited appearances before Simon is consumed by the crown we see he's kind of a silly dude. In his introduction video, he only put on the crown in order to playfully tease his fiancee. Plus watching him make light of the loneliness and general misery for a young girl in a broken world. He was a dedicated man, who was generous and loved with his whole heart and threw himself one hundred percent into everything he did. He was also a fun lil guy.

But after almost a millennia of being a mad man, the brunt of every joke, someone who only existed as a broken caricature of himself and couldn't be counted on to take anything seriously, I imagine he was done with it. Now he wants to focus back on his academic endeavors, on his role as a father figure in Marcy's life, on being a proper adult. Any attempts to be silly could easily remind everyone - including himself- of Ice King, something he's eager to avoid.

So his jokes and jibes and general lightheartedness turned to sarcasm and self deprecating comments.

[willowser]

touya is halfway through his workday, grease up to his elbows, little jumpsuit half undone down to his waist, when iguchi comes in to tell him "someone's askin' for you out here".

he's not sure who it could be, but there's no telling, so he just decides to take a smoke break and wander out of the automotive garage, maybe imagining one of siblings out on the pavement.

but the minute he sees you, he stops. nearly drops his cigarette on a rough, "oh shit."

it's been a while since he's seen you, a year or two, and the packet of paper in your hand can only mean one, bullshit thing.

"nah, nah, nah, i ain't signing any papers," is how he greets you, shaking his head the minute you start up the path with a big, determined frown. touya doesn't run, but he sure twists on his heel and starts back up the path, too, as you start calling out his name.

practically all of his coworkers are watching when he comes back into view, not bothering to hide how nosy they're being. their audience makes you falter just a tad and touya clings onto it; anything to stop you.

"never a good sign when your wife comes to find you at work."

there's a long silence, from everyone. when he looks back at you—at your manilla folder and carefully stapled documents, your petition for divorce—your eyes are heavy and wet, almost the same way they were when the two of you stood in a courtroom, lying about your age in order to pledge until death do you part.

almost. now they're just sad.

from somewhere in the garage, toga calls out a bewildered, "you have a wife?" that makes him feel a way he can't understand, both amused and devastated all at once.

your wedding ring isn't on your finger, but if he stares long enough, he can maybe see the difference in color of your skin, a former tan-line that's begun to fade.

he sold his for stuff he shouldn't have been buying, stuff that ruined him and you and your marriage, a long time ago.

but touya only smiles, and calls back, "yeah, i do."

[konjiang]

tianshang babysitter au, where TLJ is a single dad, and SQH is the babysitter he hired to care for LBH while he worked.

--

On top of writing PIDW, SQH also worked odd jobs to make money, and this week, he got a more permanent job offer as a babysitter with pretty high pay. He felt completely out of place when he arrived at the huge mansion. He rang the doorbell and jumped a little when he heard a deep voice over the speaker.

"Are you here for babysitting?" The voice asked. Even without seeing this man, SQH could tell he was exhausted.

"Y-yes"

"Oh, thank god! Come on in." The gate swung open, and SQH nervously walked to the door.

At the door, he was greeted by a tired looking dad holding his kid.

"Please take care of him. Whatever you need or want can be ordered with Alexa. His name is Binghe, and he has no allergies. Nap time is at 12" The guy handed the baby over to Shang Qinghua and wobbled over to the couch and passed out.

SQH stared at the Binghe, and Binghe stared back with those innocent looking eyes.

He walked around the house, just trying to find where everything was. On the fridge, there was a schedule including feeding time, nap time, and bath for Binghe, and on the counter, there were dozen clean bottles and formula cans.

The house was stocked with everything.

"Well...Binghe, it's just going to be me and you for the next couple of hours. What did you do for your dad to pass out like that?" SQH asked Binghe. The baby couldn't reply and just giggled at SQH.

The next couple of hours were uneventful, just a regular babysitting job. SQH nearly forgotten that there was someone else in the house until the guy sneaked up behind him as he was putting Binghe to bed.

SQH was going to scream, but a hand covered his hand. And the guy quietly guided SQH out of the room before dropping his hand. The dad let out a sigh of relief before he started to introduce himself.

"Hi, I'm Tianlang, Binghe's dad. Thanks for coming on such short notice, and sorry for passing out. Let's talk a little more about the job."

Now that SQH could see TLJ's face fully, he couldn't help but admire those sharp features. He looked very much like a DILF

TLJ noticed SQH staring and blew him a little kiss, causing SQH to turn red from embarrassment.

"Hahaha. I know I am handsome. You can stare if you want." TLJ was having a bit of fun teasing SQH. His reactions are so entertaining, and after the year TLJ had, he needed a little laughter in his life.

--

That's all for now.

Me: I'm going to finish writing my other AUs

also me: adding another WIP to the list

[whippedstrawberrycream]

Attempting to figure out where the super suit fits in the timeline of Stone's outfits in Sonic 3 like:

we haven't seen it in any of the trailers yet, just sayin'.

[renonv]

F1 Au lore drop bc I wanted to draw these two

The cuntiest, and meanest couple of Formula 1

More on them below ⬇️

Romano and Natalya are husband and wife in this au 🙏 they met through Ivan (who’s another F1 driver) who introduced Nat to Romano because she’s a ballerina and Romano mentioned wanting to learn dancing lol.

Upon meeting eachother they realized they have lots in common, like both are/have to be extremely closeted (and repressed in Romano’s case) and have media and family that’s constantly pressing on them for relationship status updates. They are also almost never home due to having to travel a lot for work.

So it made perfect sense to them to fake date, fake elope, and fake marry.

Now the two of them have a wonderful secretly open relationship where Natalya gets to have girlfriends, and also have a part time job of encouraging Romano to explore his sexuality and get some boyfriends. And over the years of playing husband and wife, they actually have grown really close as friends 🥺 They both come through to support each other at work whenever they have the time ( like in the drawing above, and Natalya will most of the time go along with Romano’s silly requests like mentioning the copious amounts of straight sex the two of them have).

ALSO, important note. Antonio, although a big fan of Romano’s, has completely failed to realize that his crush has a fucking wife. It was a big surprise to him when Francis and Gilbert dropped that fun little factoid the night they ran into Antonio leaving Romano’s hotel room.

More on that later :3c

[neversetyoufree]

Since we'll hopefully be getting out of the VnC hiatus soon, and this new arc seems to finally be turning the spotlight back to Noé and calling out some of his more troubling traits for the first time, I've been thinking a lot about him recently.

I've talked before on this blog about Noé's inability to recognize or process bad things when they happen to him alone. He bounces back from and idealizes almost any experience as soon as it's over, even when he absolutely shouldn't. It's one of my favorite traits of his, and it's been lampshaded a couple of times in-manga. Louis calls out how weird his attitude toward his kidnapping is during the mémoire 9 flashback, and the "be a little bothered" from Vanitas and co in mémoire 57 has the same effect.

We also recently got a whole extended sequence of Vanitas and Domi complaining about how Noé also never anticipates harm before it might come to him. He waltzes into dangerous situations like it's nothing, almost as if he thinks he's unkillable. Combined with the above, this is just more of his strange brand of optimistic denial. Everything is fine in Noéland! It can't possibly not be fine! He always trusts and thinks the best of people and situations by default, never wanting to expect they may do wrong, and so long as a given event doesn't involve harm to external innocents and/or Noé's loved ones that he can't rationalize away, he compartmentalizes and denies harm once it's done. Thus he carries on in blissful ignorance, his past suffering having no effect on the blithe trust with which he treats the world.

But in addition to all that, Noé is also very notably divorced from the consequences of his own actions. It's not that he's *incapable* of considering his own effect on people, and he certainly tries to be kind and decent, but much of the time, it just doesn't seem to occur to him that people will have reactions to the things he does. He does as he sees fit, and when his deeds impact the people around him, especially if they produce a reaction that could upset him, it bounces off his mind in the same way that potential traumas do.

On the more lighthearted end of the spectrum, this leads to things like Noé never noticing when people are attracted to him. It may also have something to do with his airheaded messiness—the way he's always thoughtlessly making a mess of the hotel room and incurring Vanitas's wrath in bonus materials. On the heavier end of the spectrum, this causes a lot of genuine problems for the people around him. He's largely oblivious to the depth of Dominique's mental health problems until she's pushed to her breaking point at the amusement park, despite the fact that he's inextricably entangled in the cause of them. He also completely loses sight of Vanitas's reactions to him when he gets caught up in his protective rage at the start of the vanoé fight, and it takes an outside reminder from Jeanne and a literal mirror to make him realize that his own actions are part of why Vanitas has devolved to such a state.

This lack of self-perception on Noé's part feeds back into the other problems I laid out at the top of this post, his obliviousness toward his interactions with the rest of the world helping to facilitate his denial. It's part of the happy little insulating bubble that he interacts with the world through. And as the other side of that coin, his automatic, unthinking denial of things that could hurt him is part of what enables him to ignore his own impacts on the people around him. You can't reckon with or worry about harming other people when you live in Noéland where everything must be fine. I think the fact that he wants to be a good person that doesn't harm others actually makes it harder for him to confront the truth of how he impacts the world, because him hurting others is a Bad Thing that would cause him mental harm.

We've seen Noé mess up, understand his mistake, and apologize for it before. He apologizes to Vanitas for making assumptions about him after the bal masqué, he apologizes to Vanitas again at the end of the amusement park fight, and he apologizes to Riche for speaking with ignorance about dhampirs. However, I think the bigger a mistake of his is, the more harm it causes other people (and the more understanding would hurt him as a result), the harder it is for Noé to comprehend his wrongs. He's clearly trying to make things right with Domi, and he's told her that he values her, but I don't know if it's yet occurred to him to conceive of their mess as a situation where he's done her active wrong. He also literally passes out on her mid-conversation, leaving Domi and Vanitas to carry him back to bed when he was supposed to be comforting her.

But I think the most fascinating example, the moment where all this comes together into Noé's most feeble and blatant act of denial yet, is the first time he sees Misha after clawing up his face. The anime actually changes this detail, which is its own can of worms to get into, but in the manga, when Noé sees Misha's injuries in the light of day after attacking him, he immediately fucking turns around.

At the end of his wits at the amusement park, Noé claws a child across the face in a fit of anger and protectiveness. I'm not interested in condemning Noé for this, especially given that the child in question was actively trying to stab Vanitas at the time, but I will say that his actions are quite extreme. Given Vanitas's response and the way Misha's injuries are portrayed, I think it's clear that the manga wants us to see how Noé hurts Mikhail as something troubling and extreme. He gives that kid a pretty horrible injury, and Misha will likely have scars on his face for the rest of his life.

And regardless of how justified he may or may not have been in hurting Misha in defense of Vanitas, it's clear that Noé himself is upset by the true extent of what he does to Mikhail's face. When he looks at him in the light of day, when he sees a numb-looking child with his face wrapped in still-bloody bandages, though we only get to see a small segment of his face in that moment, he looks sick. He knows that he's done something troubling, and I'm sure he feels all kinds of heavy and unpleasant emotions.

This is one genuinely bad thing he's done that Noé cannot deny. He can't rationalize this one away and make it all copacetic. He can't conveniently forget the emotional reality of suffering and harm, because that reality is standing ten yards away from him. And he can't just apologize for things either, because apologies cannot undo physical harm, and frankly, I'm not sure he'd be able to give an honest apology for his one. Sickness at the results of his actions doesn't mean he fully regrets hurting Misha, at least not at this moment when emotions are still raw.

But Noé, confronted with this undeniable source of guilt and pain, is still ultimately unable to look the pain he's caused in the eye. A problem piercing through the happy veil of Noéland and forcing him to acknowledge it doesn't mean he's capable of reckoning with that problem. Instead he just. turns away from it.

Noé, forced to acknowledge a harm he's done and unable to employ all the many layers of automatic insulation that usually protect him, physically turns around because he cannot bear to look at the person, the child, that he's hurt. He employs the very last possible form of avoidance available to him, even though it's useless in the ways that matter. Not looking at Misha doesn't mean he gets to un-know the fact that he maimed him, but he simply cannot bring himself to look.

Noé is extremely good at playing "I do not see it" with things that hurt him. He's good enough that I think he has genuinely no idea he's doing it a vast majority of the time. Whatever mental shield he has that's protecting him is automatic enough that the badness that could hurt him doesn't ever even seem to cross his conscious mind. But no matter how automatic and subconscious, this tendency of his is still, and the end of the day, nothing more than an unhealthy coping mechanism, and this moment helps to put that to our attention.

What's the difference, really, between him cheerfully acting like Jean-Jacques and Chloé's assaults never upset him and him turning around so he doesn't have to look at the wounds he gave Mikhail? Noé can't look at pain, can't acknowledge the things he finds upsetting (at least not things that cause him alone pain, as others' pain often triggers his savior complex and spurs action). This scene with Misha throws that into the light, forcing Noé to desperately cling to his avoidance in an obvious and physical way.

Even when there's no way to deny the harsh reality of having done something he finds horrific, Noé Archiviste cannot make himself look directly at a painful truth, be it others wronging him or his own wrongdoing. It takes an external hand to step in and force him to turn his head and acknowledge/reckon with a problem. And even then, who knows if intervention can always be successful.

The start of the dham arc so far has drawn a lot of attention to this pattern of behavior, with Vanitas having to sit Noé down and explain to him in detail why his words said in well-meaning ignorance make Dante so upset. This is Noé being forced to look at a harm he caused because he couldn't or wouldn't look at and comprehend the problem (his fellow vampires' racism) in the situation he was in. But upsetting Dante is ultimately a low stakes problem for Noé. He put his foot in his mouth and offended a peer; he didn't shred Vanitas's little brother. He's able to accept his wrongs and feel his discomfort without resorting to physically turning around and avoiding the issue.

I want to know what Noé will do if/when this arc forces him to confront a source of pain he can't handle in a context that's more high stakes than a social faux pas. I want to see what he'll do when something really forces him beyond his ability to believe that everything is fine. How badly would he have to be hurt to lose his ability to filter an event/events through rose colored glasses? How badly would he have to hurt someone else? Or is his instinctive shield good enough that he'll never get out of it on his own? And if so, who else might step in to make Noé own up to reality?

Teacher and the Archivistes are becoming plot-relevant now, and our attention is being drawn to Noé's issues. I think there might be something coming soon that even Noé can't turn away from and cheerfully pretend isn't hurting him. Teacher even ends his appearance at the amusement park with a little speech about having to "wake and face reality," which makes me even more certain that a wake-up call for Noé is imminent.

Either that, or Noé's going to mess up and hurt somebody even worse than he hurt Misha later this arc, and in that case, we might get to see a feat of denial even worse than him literally turning around to avoid looking at the wounds he caused.

[dreadfuldevotee]

Thinking about rockstar lestat and fun fact that Rocket Queen by Guns n' Roses features vocals from a woman being actively dicked down by Axl Rose in the recording booth. BUT ALSO allegedly He had attempted this with a couple other women but wasnt satisfied with the results. So what I'm saying is Diabolicule Studio session to see whos moans make the Album

[puppetmaster13u]

Prompt 195

“Oh. It’s you.” 

The entity that had been summoned practically growled, a cloak like swirling galaxies- or was it swirling galaxies molded into a cloak- shimmering around their form. One pair of arms crossed over a chest where a star pulsed with the heartbeat of universes, alive yet dying as lazarus green eyes glowered down at the league and bats alike. 

“You know you could, fucking call, right?” they whined, aura of terror suddenly broken, unnatural fear torn away and leaving all of them wrong-footed and confused.

Well, apparently all of them except for Ras, who had an honest to fuck grin on his face, one that looks almost carefree, if a little feral. Nope. No thanks. Not this timeline-

“But phones didn’t exist last we spoke, ya ‘amar.” 

[fantastic-nonsense]

when people learn that Batman and Batwoman are different mantles with different meanings attached to their existence, different legacies to leave, different sets of affiliated supporting characters, and different rogues galleries that have very little to do with each other and aren't just gender-specific titles for the same superhero I will finally know peace

[cerealforkart]

Congratulations to Grant Wilson and Marco Li for being the last couple standing 👏👏👏

[sunlit-mess]

Why do you write mother or father's side why seperated?