like if I were some crazy religious grandmother and my grandchild became some twisted amalgamation of teeth and lion's heads id just think he became god. idk
Some really stupid season 3-4ish mag sketches plus obligatory crumpling Jon up into a ball (And also s1 Jon is there writing his gay little statements whatever).
I say s3-4 cuz Helen ya know here's another Helen under the cut my beloved they could never make me hate you. You are the not a who but the moment the icon the legend:
I'm sharing some more dumbass things I've drawn in another post cuz there are early season 5 references (I'm on MAG 169) so check that out if you're caught up to there if not begone no spoilers for you ok byeeeee
ugh since my adhd is against anything i do and i won't finish it i'll just post my sudden hyperfix on "scylla" from epic the musical. but instead of scylla it's turbug. highly recommend you to listen to the whole song and the second half of it in particular (so you can see my vision and know what i wanted to make)
it was supposed to be a "bad ending" thing with more disturbing turbo-bug, body horror my beloved. idk i enjoyed the process even tho i did only 10 frames lmao
listen. i didn't finish ruina so im probably gonna ask a no brainer here. but do you think in projmoon world some people would view distortions as divinity like fucked up ange- god damn it NVM I forgot carmen was a thing
Something about the sanctifying and distortion of the memory of the 9/11 attacks and its victims by the American far-right.
Idk.
Is this anything?
Give it a few years and they’ll be making fucking stained glass art of it in churches, canonising some of the poor victims, making fucking tapestries and so on.
Jonhelen is on the mind so here is how jonhelen and jmart can exist at the same time-
Jon and Helen do bond over their struggle with humanity and becoming a monster, but Helen still embraces her role as the Distortion and Jon's struggle (the conflict is even worse as he listens to Helen more) ends in him deciding to keep his remaining humanity and he still runs away with Martin to the safehouse
Jon still has to kill Helen because even though they have a bond neither of them can deny, their goals are more important. It's just way more painful for Jon to kill Helen now