#disney criticism

[tocomplainfriend]

Hey, hear this!

I'm not black and don't know that much about voodou. There are lots of people ready to talk and explain their concerns about their representation in HH. Please hear them! (the amount of disrespect done by a bunch of non-black people upon the topic is disgusting!)

The demonizing and villainizing of this religion has existed since the time of slavery. Using this symbols and closed religion to make a character more "edgy demon evil" is awful. This was Viv doing exactly. I do not believe Al was even supposed to be black/mixed until Viv got told about the use of the religion she was using. All of her main black characters have 0 features. They are just black to profit of "diversity" while she makes no effort to show it or be respectful.

To the people being like, "Aren't you also mad about her representing Christianity wrong???" Based on the fact of how she has talked about Christian people before... YES (I have a whole post about worrying it). But the point brought up is about a religion that's under discrimination based on racism and colonizer mindsets. About a problem that existed when slavery started. Viv is not making a critique or tribute of Voodou she is just using it to make Alastor seem "COOL AND EDGY".

I also do worry of the point she is trying to make about Christianity and believing in it. Specially cause that means her story about heaven and hell could be the blandest immature criticism someone could make. -and sell more people into the idea of "all believers of Christianity are bad people". Which I still hope, it doesn't happen directly in the show. Btw, I'm not Christian! I'm queer and have faced a lot of discrimination that a lot of people justified in their Christianism, I know the level of frustration people feel relating to that. But I have grown to realize, not every person that believes in God and Christ is a bad person. And that I don't get to throw all of those people under the umbrella of "bad" because of how I have been treated.

BTW, this person got blocked by Viv:

ALSO, THIS IS STUPID!

You are crazy to say this. They are many criticisms of Disney, specially this movie. You just didn't see it and decided to tweet this without even thinking of searching for this? Like, have you never heard of people complaining about how Tiana as the first black princess becoming a fucking frog for most of the movie.

Dr. Facilier is a demonization of voodou! Also, Mama Odie is the "Good magic" but realize how she doesn't use the symbols or African masks. But only the bad magic, has it? Most of the representation of the religion is Facilier too, and it's wrongly represented.

EDIT:

NAHHHH. GIRL

[artist-issues]

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

[franki-lew-yo]

Finding Dory was going to have Dory leave on her own and Nemo and then Marlin were going to then go after her, WHICH MAKES MORE SENSE.

Marlin was going to meet the Tank Gang and Gill officially.

The Tank Gang were the over-the-top A-Team of fish and would have helped Marlin and Nemo get to California.

Monsters University was going to open with Mike and Sully meeting in first grade where it would have established they hated each other as kids.

Incredibles 2 was going to show Honey's face and reveal she was also a super.

Incredibles 2 was going to open with a memorial to the fallen supers.

I will never not be mad about these obvious but infinitely better choices for storytelling being axed from the final films while Toy Story 4 gets to exist. It's criminal (not really).

For all my issues with Dreamworks and their apparent recent slump in quality, I'll give em this, they have direction. Maybe you don't like that direction, but it still has something going on.

Pixar's sequels hurt because the studio straight up had a list of 'rules' of storytelling and it's decided to up and throw all that away with the rest of Disney's quality in the last few years. For shame.

[whereserpentswalk]

Someone used "ungood" to describe disney remakes and it's so perfect. "Bad" does not sum up the horrible soulless products created to only fulfil capitalist desires, using artists as tormented vessels, ungood captures it so well.

Artists with passion and vision create bad art. Bad art can have entertaining qualities, and value, and sparks of life inside of them. Teenage fanfic, and b movies, and a young musicians first attempt at smoke on the water are bad, and that's ok. Ungood art does not have the same saving graces as bad art. Ungood art is empty, not just failing at quality but devoid of it.

We need to start using the term ungood. Neither Star Wars episode one, nor Star Was episode nine are good movies, but they don't possess the same lack of quality. The "live action" Lion King movie, and Repo! The Genetic Opera might both be failures at putting musicals on film, but I know which one I'd rather watch, which one still has moments I love, and which one was made to make someone at Disney see a line go up.

[spooky-donut-ghost-house]

Absolutely love that in Loki season 2 they blatantly make fun of Norse culture and say that the wooden Norse Odin, Baldr and Thor statue carvings are "dramatizations" and "highly insulting" and "glorified dioramas"

Real nice Disney real fucking nice/s /neg

[jq37]

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh. 

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad. 

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 

Worst Line: Honestly, this song is too boring to have a worst line. 

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 

I firmly believe someone should go to jail for that. 

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 

It also comes weirdly late in the movie, which isn't a complaint, just an observation. 

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 

MISC

This is just a section for things that annoyed me that didn't fit anywhere else. 

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 

[fancylala4]

This is so stupid. Luca and turning red didn’t even show in theaters and was put on Disney +. Of course they not going to make any money. With elemental, it ended up being a success. It just had horrible marketing and had a slow start at the box office. So the only real flop here is lightyear and that was from an established franchise.

How did they come to the conclusion that they need to make sequels and spinoffs when lightyear had poor box office numbers? And it doesn’t have the same excuse as the other movies listed here. It wasn’t put on Disney + nor did it had poor marketing for a good movie. If anything, it proved that people loved original movies rather than trash ass cash grab movies like lightyear.

Disney is ruining good franchises and companies. It was a mistake that they brought Pixar. It’s such a shame because they were such a good company but now they are focused on making as much money as possible off their movies like Disney is.

[azural83]

The sequel could've been about their dynamic and exploring their new lives but nooo we had to get the "look at how many things we own" disguised as a movie

[ifthesewings--couldfly]

I can guarantee with absolute certainty that when Disney gives you the love story centered movie you’re so fervently asking for, you’ll be dissatisfied with that too.

[the-chemist-1138]

Disney's Frozen is a testament to how many ideas were wasted. And how little in common it has with the source material.

If you read it's inspiration, "The Snow Queen", by Hans Christian Anderson, you can see just how little in common Disney's Cash Cow has with that fairy tale. The fairy tale had so many elements that for some reason, Disney either removed, or changed so much, it might as well been removed...

A grand adventure, worthy of The Hero's journey, not just through the snow. We Start out with our two protagonists. Two youngsters named Kai and Gerda. A Boy and a Girl.

A grand scope of different visuals. A working class village, a vast and colorful flower garden, a grand castle with moving shadows of dreams, a golden carriage, a decayed Robber fortress, a reindeer ride under a sky lit up by northern lights. An Ice Palace.

You already have two characters of equal importance that Disney could have used to appeal to both girls and boys.

Plus, with Kai loving Roses and not being bothered with being best friends with a girl, something taboo in 1844 when the original fairy tale was written, Disney could have been bold and encouraged boys and girls to be platonically intimate, and they could have told boys that it's okay to have feminine interests, to be softies and that you don't have to see every girl as only a potential romantic partner.

For Gerda, you could show girls that you aren't forced to see boys as only romantic partners, and you could have made Gerda a Tomboyish Disney Princess, given her adventurous spirit, determination, and her willingness to get her hands dirty, while also contrasting previous princesses by having her be working class, and not being the damsel, but instead the rescuer, for someone she knows well and loves platonically already, instead of a prince.

Although if Disney decided to make them a couple in adulthood, you could at least make it a "Childhood Friend Romance", not unlike Simon and Nala.

If Disney wanted to poke fun at the "You can't marry a man you just met." You can counter it by having Gerda and Kai, as mentioned before, be adults that know each other well from being childhood friends, thus knowing each other and having a healthy relationship.

In the original fairy tale, Kai gets kidnapped by The Snow Queen. Gerda is the girl saving the boy in this case. You could show boys that it's okay to need saving, and it's not a weakness to need help. Plus Disney could have made jokes where they point out the gender reversed damsel in distress scenario.

For Gerda, you could also show her receiving help, to show a woman being helped out by OTHER WOMEN, and that it's okay to not be perfect and that you don't need to be a lone wolf.

Disney had a great roster of female characters from various walks of life, all of whom have their own goals and agency. More detail is made on another person's blog here. In short, Frozen ends up ber much LESS feminist friendly than the source material.

Plus, the fairy tale had a lesbian coded robber girl! Whom Disney could have made into their first openly gay female character.

The Snow Queen could have been a mysterious anti villain whose goals are intentionally made unclear. To contrast with previous Disney Villains.

Nobody dies in the original fairy tale, so you don't have to alter it much.

You could still emphasize the importance of platonic love. in this case, between a boy and girl, without them being related.

How did Disney reject all of those ideas? How did it take them since the 1930s to try and adapt this story? It was like they were presented with a bottle of high quality vodka... That they proceeded to water down, until the vodka gave up and turned itself into lukewarm water. Why Disney? Why didn't you use any of these ideas?

[impishlavenderthrone]

What the fuck is this

What the fuck

What kind of fucking UE4 hair texture brush, ashy blue, flat nosed, malproportioned, shit ass, CGI rodent is this? And why the fuck are we being told this is Stitch?

This isn't Stitch. This is his ugly disowned cousin, Seam Ripper.

[artist-issues]

https://www.tumblr.com/the-sage-libriomancer/735649361333239808/rewatched-princess-and-the-frog-today-and-honestly

I saw this post and automatically thought of you. They are 100% correct.

Absolutely! You’re correct. Hey, @the-sage-libriomancer , I saw Wish and you’re still correct. The idea of having a star that is a higher power (Evangeline) and then having a character who demonstrates absolute faith in that higher power (Ray) and winds up teaching that same faith to both self-centered-Naveen and self-reliant Tiana? So very Disney.

Sometimes Disney’s Renaissance-era princesses were the Faithful Characters of their own story—Ariel had faith in Eric and taught that same faith to her father, Jasmine (and Genie) had faith in the Truth and taught that faith to Aladdin and the Sultan, etc. And that’s wonderful. Cinderella and Snow White are the Faithful Characters in their own stories, too, so it’s not like that isn’t a Classic Disney idea.

But Princess and the Frog doesn’t do that. It has the princess be the one who needs to learn to have faith. And the prince! That’s much more like dear old Pinocchio. What Jiminy Cricket and Geopetto are to Pinocchio, Ray is to Louis, Naveen, and Tiana. I mean, how wonderful a tribute to Disney, to have the main character be afraid of relying in something higher, valuing love, and trusting only whatever she can accomplish on her own…

…to have her go from that to being willing to give up what she wanted? To value love, plain old love, over career, personal goals, dreams? To change her dream and admit when she was wrong? And finally, to sacrifice herself in order to do what’s right?

Why, that’s Pinocchio. That’s Mr. Banks from Mary Poppins. That’s Alice from Alice in Wonderland. That’s Disney!

Wish 2023 could never.

[franki-lew-yo]

-Fantastic Videos about Animation and Animation History-

The Animation that Changed Cinema by Cinema Cartography.

A wonderful intro into the world of Chinese Animated films by Accented Cinema.

Li Speaks breakdown of the Horseland TV show.

Jenny Nicholson's well-deserved take down of The Land Before Time series of films.

Laura Crone's painful look at the original and then all TWELVE of The Swan Princess movies.

Walt Disney's Snow White and the Seven Dwarfs' crew party with Defunctland.

Phelous' entire playlist on the infamous Dingo Pictures films.

Yesterworld's very insightful history look at The Black Cauldron.

Rankin/Bass history with Quinton Reviews and Worthikids and Nutcracker Fantasy with BenettetheSage.

Ralph Bakshi's Lord of the Rings with Folding Ideas.

Phelous' look at Ralph Bakshi's borrowing between Rocket Robin Hood and Spiderman and also that time Filmation tried to make sequels to Disney films.

Just Lady Emily talking about The Gorillaz history.

BrowsHeldHigh's look at Czech Stopmotion animators Jan Svankmajer with Little Otik and Jiri Trinki with A Midsummer Night's Dream.

Jaccob Geller's heartbreaking deep dive into Don Hertzfeldt's animation (through a single Simpsons gag).

Wonderful introspective videos on Death Note, Neon Genesis Evangelion and Barefoot Gen -cw: violence, child death, crime and sa throughout) with BenettetheSage.

In the aftermath of all....that, I recommend a happier detour into La 'Ron Readus' look at A Goofy Movie.

HBomberGuy's good look back at RWBY and Rooster Teeth.

-cw: discussion of self harm, altrightness, and sa- A sad look into Emily Youcis's infamous 'Alfred Alfer' animations and subsequent fall from grace (into racism).

The Kimba the White Lion vs The Lion King controversy with YourMovieSucks.

CynicalReviews' look at Foodfight, just to prep you for Rotten: Behind the Foodfight by Ok so...

[tocomplainfriend]

This Vodou controversy is making me think about Chucky

People claiming it's closed off to anyone non black are wrong I know a white lady who practices it

I never seen people have a problem with Chucky and his practices which I believe is good presentation of poc and whites working together despite what Chucky did to his teacher of the practice but that's because Chucky is an ass hole he doesn't care about anyone really and that man was good or least they made it seem that way unless things changed in Chucky lore it's been a while

Going to post this here, so that if someone knows about the topic and speak on it! I haven't watched anything of Chucky in ages, so I have no clue about the topic in the movie.

I personally haven't seen a lot of voodou in many stories. I mainly have seen in it is Princess and the Frog, because I like to hear Disney criticism and watch it as a child. Recently enough I have seen it used in Hazbin, when the pilot dropped I had no idea about Al using Voodou. I had no idea that there were symbols in the religion. Which shows how media represents the subject often. I have only known about the idea of the "control of someone else's body with the doll's thing." Only in recent years I have known more about the religion and concepts like, the fact the is closed or etc.

[magnificent-nerd]

Disney mcu: Bucky wasn't Steve's love interest, stop shipping them dammit!

Also Disney mcu: Anyway here's the Winter Soldier storyline but make it Hetero. You're allowed to ship this because it isn't gay! please forget all about the gays now, dammit!!1

Image description: a sneaky camera phone shot of a big screen from a screening of the What If...? season 2 trailer, showing a close up of Captain Carter's face with surprised expression, next to a bearded Steve Rogers (pre or post serum it's hard to tell) wearing the Hydra Stomper suit, and they're about to face off, Captain America: Winter Soldier style

Yes, it's a leaked trailer for What If...? season 2, and we knew this was coming (het-washing SteveBucky) but still 🤣 omg.

The more the corporation tries to deny that Steve & Bucky had a typically romantic storyline in the mcu, the more it tries to retcon that storyline as m/f, the more obviously gay mcu SteveBucky look! Just LOL wtf.

All joking aside, this is the insidious side of What If...? becoming louder.

It was always there right from the start, and these are the points that I find the most insidious:

• het-washing SteveBucky

• erasing Sam Wilson almost entirely (sure, we have to wait and see if he's in S2 at all, but since he wasn't shown in prominent trailer clips, I'm not hopeful) especially at a time when he's had zero promo as Captain America

• the rampant misogyny directed toward character Sharon Carter by the show's writers in interviews

These issues are troubling.

Corporations are never NOT sending messages.

Ask yourselves, why does the Disney corporation push these messages the hardest.

The answer is:

• Homophobia (rewriting SteveBucky as m/f)

• Racism (ignoring Sam Wilson at any opportunity)

• And Misogyny (hating women who aren't their 1 Fave, all other women are a Threat)

As fans, we must start calling this out.

The corporation is drip feeding horrific messages to you.

[erenfox]

At this point I feel as if Disney has ruined everything. Look at the Marvel Cinematic Universe after Endgame. Apart from some rare gems name any movie or show which didn't have some dumbass trope everyone yawns over.

Look at the Percy Jackson show. The actors are good for their age, don't get me wrong, but the screenwriting? The characters have basically no personality. The directing? Too rushed and too slow at times. The plot changes? THEY WERE SO DAM IRRITATING ISTG. The lighting? Half the time I had to squint my already bad eyes to witness what the hell was going on. And this was meant to be faithful to the books.

Heck, forget about MCU or PJO, just look at the recent Disney shows or movies; you'll know what I mean. ESPECIALLY THE LIVE ACTIONS OML-

It's heartbreaking because these are the things not just me, but several other people grew up with, and look how most of it is butchered now.