#derail and i GET you
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yiffradio Ā· 8 months ago
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ghost-bxrd Ā· 4 months ago
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Prompt:
Brucie Wayne gets into a mild accident in public (read-got hit by a car). And Batman would just walk it off (ā€œitā€™s barely a bruiseā€), but Brucie obviouslyā€¦ canā€™t.
So he has to suffer the ordeal of having civilians call paramedics, getting fussed over, and having-
Having his dead son get into the back of the ambulance with him.
Oh- oh no. He must have hit his head worse than he thought. He thought he was past thisā€¦
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catsharky Ā· 1 month ago
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So while I'm unlikely to have enough time to get another whole comic out before the new year, I recently got hit by the urge to just draw some random facts about Ember that I'm not sure will ever end up showing up in a comic.
I tend to forget that all of her comic appearances so far have given a pretty shallow idea of what she's really like, so I figured this might be a fun way to flesh her out a bit more.
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No idea how many of these I'll end up doing. I have a bunch in mind but I doubt I'll actually get through all of them.
If anyone has anything specific they'd like to know about her, let me know! I can't promise I'll be able to do a piece of art to answer it, but who knows.
I am also planning on answering a bunch of asks some time soon, I just keep getting derailed by other things.
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teddybeartoji Ā· 4 months ago
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vampire!choso struggles with holding back on his urges, he wants to taste you so so bad. nuzzles his face into the crook of your neck while quietly begging for you to let him do it.. he's very handsy too, his fingers have already found their way under your shirt and are now grabbing at your sides and your tummy and your chest he just wants to feel you in every way he can.
he really likes to suck the blood from your wrist aswell. gets down on his knees while you're sitting at the end of the bed and looks up at you with the prettiest eyes while pressing a kiss to your skin before sinking his teeth into you. he lets his eyes fall shut when he finally feels your sweet ichor fill his mouth, humming into you as he drinks away. he also really likes when you play with his hair while he's doing it, he wants to know that you're enjoying this as much as he is. he just wants to be good for you.
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artuurle Ā· 4 days ago
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ends of the earth
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abstract-venus Ā· 4 months ago
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If Payneland has a million fans, Jayden Revri is one of them
If Payneland has 1 fan, Jayden Revri is THAT ONE
If Payneland has no fans, the fucking Netflix execs got him
10 more seasons or 0 more seasons
Canon ship or not canon
He will always support them
Ā”VIVA LOS CHICOS DE MEURTOS!
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starlitsequins Ā· 3 months ago
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because there is so much potential in fiddlestan being exes. like imagine the guy you had a situationship back in 1982 blasted every memory of you from his brain and then has the audacity to show up 30 years later and ask for you to shelter half the town during the apocalypse. AND he now wants to turn your house into a giant mecha to go rescue your twin brother. who he may or may not have had a crush on.
on the other hand. imagine thoroughly destroying your own mind and, as you slowly regain your sanity, you keep getting homoerotic flashbacks about the local conman while you crash at his place during the apocalypse.
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trentcrimminallybeautiful Ā· 8 months ago
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"The fumes make me dizzy, and I overshare. ...Please don't print that."
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lesbianjonimitchell Ā· 1 year ago
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Joan Baez presenting boygenius with the Variety 'Group of the Year' Award:
ā€œIā€™m here to offer the award for Group of the Year to three women who have personally and musically stolen my heart. [...] I believe that the songs of these three women speak to the delicacy of the human condition. And they are in a sense trailblazers, not just with their music and its uniqueness, but in their willingness to speak out for people who are marginalized, and in fact ostracized and persecuted in this society. To bring about any society of decency and caring is going to take a lot of work, and you women have been a part of that work. A word about the music: I was brought up listening to and singing harmonies, and Iā€™ve heard a lot of them in my day. I have seldom heard harmonies as true and as fucking angelic as yours. Itā€™s just a glory to listen to. [...] Actually, they, I believe, will teach us something about the kind of friendship in musicians that I didn't really know back then. I was trying to imagine Crosby, Stills and Nash romping through an outdoor amusement park [...]. Friendship and pleasure and joy and trust, all of these come through clearly to me, and I think we can all learn from that as well."
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that-horny-sideblog Ā· 2 months ago
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me before i realized i have this kink: man i keep accidentally putting my ocs in situations where they're sick/throwing up/passing out. i wish i could write normal shit without derailing the plot to make everyone sick all the time
me now that i've discovered porn: okay blorbo it's designated porn time. you're going to throw up now
the blorbo: actually... i think i will go on a long diatribe about my religious angst
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gurinpotte Ā· 10 months ago
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evidence dump of the brain altering that rewatching atla for the first time as an adult has caused in the past few weeks
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feldsparred-mo-reblogs Ā· 2 months ago
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No nuance november: If your main headcanon for Gabbro is that they are "a stoner" because "they are so chill" I actually don't want to hear anything else you are saying because I am already bored
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hopesallwegotleft Ā· 11 months ago
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"Thank you, Jason. Goodbye, my friend."
The journey of Jason's facial expressions during Salim's goodbye.
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flowercrowngods Ā· 2 years ago
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yearning hours (b-side) ā€” in which being in love can feel like the greatest tragedy of all until you learn that youā€™re not alone (or: bravery, despite everything)
šŸ¤ also on ao3
Steve comes to the quarry when he needs to think. He comes to the quarry when he needs to not think. When he needs to feel this rush of adrenaline that feels so much like monsters are real and the world has turned upside down. Except he isnā€™t going to die here, sitting on the cold ground, legs dangling over the abyss.
Heā€™s not going to die, but life stops for a moment all the same.Ā 
And Steve relearns how to breathe. How to think. How to not think. While the darkness below him swallows it all. The pale light of the moon is not enough to reach the ground hundreds of feet below, or to chase away the complete and total darkness that meets his eyes when he looks down there.Ā 
Itā€™s all-encompassing, this darkness, the vastness of it; Steve sometimes feels like he becomes part of it. Just for an hour or two. Just for the night.Ā 
The cold air that hits his face makes him shiver for a second, and reminds him that he used to think the darkness at the bottom of the quarry had a life of its own. Hell, maybe it does. With what theyā€™ve seen, what theyā€™ve fought, whoā€™s to say thereā€™s nothing down there? Maybe thatā€™s what draws him here so often.Ā 
Does the living darkness know his secrets like the darkness in his room does? Does it listen to him, does it care? Theyā€™re stupid questions, Steve knows. But they carry a hopefulness he wants to preserve. Something that survived the Upside Down, that survives the nightmares and the flashbacks and the post-traumatic stress, as Hopper and Owens call it.Ā 
Thereā€™s something primal about sitting on the edge of such vastness, so much so that it makes his heart beat faster, his breath come shallower, like he is just a second away from falling. Like he has to savour this; this second, this moment, this life, because beyond it, around it, below it, there is only darkness.Ā 
He takes a deep, shuddering breath and lets it all out until his lungs ache. The silence is absolute. He feels like the only person on the planet ā€” but not in the bad, painful way thatā€™s been hiding in the back of his mind for as long as he can remember.Ā 
If he only breathes like this for a while longer, lets the feeling settle, lets the thoughts come and bring emotions with them, he knows that soon the tears will fall.
Tears, because he shouldnā€™t have to sit at the edge of the quarry in the dark of night just to be able to feel. Tears, because he forgot how to be a boy, how to be a person, about three years ago. Almost to the day. Tears, because they all did; but heā€™s Steve. He canā€™t let them see. Wouldnā€™t know how even if he wanted to.Ā 
And tears, tonight, because just hours earlier, Eddie fell asleep while Steve made dinner. His arms were curled around the pillow Steve had leaned against all afternoon, and Steve just stood there in the doorway to Eddieā€™s room, the smell of fresh pasta mixing with that of leather, paperback books, tobacco and laundry detergent that is so purely and wonderfully Eddie that Steve just wants to catch it in a mason jar and open it whenever he needs a dose.Ā 
Eddie had fallen asleep, and all Steve could do was look at him. Smile on his lips, ache in his heart that only grew in ferocity until all he could do was leave. Because friends donā€™t watch their friends sleep. Not like this. Not with their hands twitching by their sides, curled into fists to stop them from reaching out and trailing over soft, warm skin. Friends donā€™tā€¦ They donā€™t.Ā 
So Steve left, pasta untouched. Heart unravelled. Words unspoken.Ā 
He left and sped off until he reached the quarry, a safe place to piece himself back together again ā€” but he doesnā€™t have the heart to leave out Eddie. So every time he comes here and puts the pieces of himself back together, he puts Eddie in the centre. He always does. Itā€™s what keeps getting him in this mess.Ā 
But itā€™s still the closest heā€™ll get to bravery after the Upside Down; admitting, if only to himself, that he likes a boy. Allowing himself to cry about it. To breathe in and breathe out and have the truth unchanged, unchallenged, undoubted.
Heā€™s still breathing when the all-encompassing silence is interrupted, joined by the unmistakeable sound of tires on gravel. Seconds later, headlights illuminate the night, his arms, the edge of the quarry, but still not reaching beyond that. The car comes to a stop but Steve still doesnā€™t move, doesnā€™t turn around, just hopes that whoever it is will just leave him alone.Ā 
Lights go out, the engine is killed, followed by the sound of a car door opening and being closed far too gently.Ā 
Steve isnā€™t too surprised when steps approach him slowly, nor when they come to a stop beside him, chasing away some of the cold thatā€™s been resting over him like a blanket.
Instinctively, he knows itā€™s Eddie.Ā He just doesnā€™t know why.Ā 
ā€œHowā€™d you know Iā€™m here?ā€ he asks into the void, still unmoving.Ā 
ā€œJust knew,ā€ comes the reply, and it sounds so soft, so gentle, so understanding that Steve fears he might fall apart and have to rebuild himself once more. Twice in one night. Wouldnā€™t be the first time. Wonā€™t be the last. ā€œWhyā€™d you leave?ā€Ā 
Because otherwise Iā€™d have crossed the distance and fallen to my knees, brushed a kiss to your forehead and told you dinner was ready. Because otherwise Iā€™d have slid down the doorframe and watched over you, watched you, and the firework of a person that you are even in your sleep. Iā€™d have fallen in love and Iā€™d have fallen, fallen, fallen. So I needed to go where falling is not an option.Ā 
Instead of saying any of that, Steve only shrugs. ā€œJust did.ā€Ā 
Itā€™s lame and unfair, he knows, but talking to the darkness is so much easier when thereā€™s not an audience, and Eddie justā€¦ he canā€™t know. Any of that.Ā 
ā€œCan I join you?ā€ Eddie asks then, and Steve can hear it in his voice that he would leave if Steve said no.Ā 
Maybe thatā€™s why he doesnā€™t; just nods and scoots to the side a bit even though thereā€™s enough room for Eddie to sit just anywhere.Ā 
But he doesnā€™t sit just anywhere, no. He sits down rather clumsily ā€” for which Steve canā€™t blame him, it is a little scary in the dark, and one wrong move could be your very last ā€” and ends up with his arm and shoulder pressed to Steveā€˜s, their legs so close he can feel Eddieā€˜s warmth through the denim.
Itā€™s too much. Itā€™s not enough. Itā€™s dangerous, so close to falling, and Steve scoots to the side, breaking contact. Breathing carefully.
Eddieā€˜s eyes are on him, he can feel it. He doesnā€™t react. It hurts, his entire body aches with how close he wants to be. But itā€™s too much, even for himself to bear. Putting all that on Eddie would be enough to take them both down to the bottom of the quarry, and lower still.
So he swallows. All the words he cannot say, all the thoughts that lump together and clog his throat.
ā€œAre you okay, Stevie?ā€ Eddie asks, and Steve just shrugs again.
ā€œSure.ā€
ā€œRight,ā€ Eddie whispers, then sighs. Itā€™s not a heavy sigh or a judgmental one, but it makes Steve flinch all the same.
Too much. Too fucking much even unknown.
Silence falls over them, the quarry working its magic ā€” or its curse ā€” even on Eddie Munson. Steve wonders if it suffocates or liberates him, but he doesnā€™t dare to ask. It would take too much explaining for the question to make sense, too much revealing himself, too much ofā€¦ Just too much.
He wants to ask. To say something. To scoot back over again, closer to Eddie, and lay his head on his shoulder, bask in his warmth and withstand the magic, the curse, the darkness.
Withstand it, because thatā€™s what Eddie does. He is brave, despite everything.
And Steve is just the boy who sits with darkness at night because he doesnā€™t know how to be brave anymore, not when thereā€™s no question of life or death. He forgot all about everyday-bravery.
But Eddie didnā€™t. Heā€™s still there, still smiling and laughing and teasing his way through life and into Steveā€™s heart and soul.
And Steve doesnā€™t know what to do with it. Doesnā€™t know what he can do with it. Doesnā€™t know how to ask.
Itā€™s no surprise, then, that itā€™s Eddie who does.
ā€œWhat are we doing, Steve?ā€ He sounds a bit resigned about it, and it makes Steve hide away in himself even more, focusing on the darkness beneath him rather than the light beside him ā€” they both leave him blinded at equal measure, but one of them doesnā€™t ask him questions to which he doesnā€™t know the answer.
ā€œWhat do you mean?ā€ he asks after a while, his voice a little off. He doesnā€™t know what heā€™s feeling. Apprehension, maybe. Caught. Uncovered. Exposed.
Beside him, Eddie sighs again, just a little bit, but Steve has always hated that he keeps making people sigh. Makes him feel so fucking small, so incredibly useless.
He raises one leg from the abyss to rest his chin on his knee, because suddenly he feels so heavy that he needs the physical reminder that heā€™s not about to fall. One foot on the ground. Steady, secure, a great illusion for now.
ā€œSorry,ā€ he whispers at last, because Eddie hasnā€™t said anything, has only sighed and created a silence thatā€™s so loud it can probably be heard at the bottom of the quarry, and Steve feels like the silence is his fault this time.
ā€œWhat for?ā€
ā€œDunno,ā€ he confesses, lies, concedes as his house of cards begins to crumble for some reason. The heaviness wanders from his throat down to his heart and settles there, making a home for itself, casting out all the lightness that usually comes when heā€™s around Eddie.
But it seems heā€™s reached his breaking point. It seems he can only pretend to be okay for so long, pretend not to yearn and ache and long for intimacy and tenderness. It seems he can only put himself together again, rebuilding himself around Eddie at his centre, until it would break apart for good. Burst out of his heart, dismantle him piece by broken piece until all thatā€™s left is a broken boy, yearning.
And so he canā€™t stop the tears even if he wanted to. Theyā€™re kind in their silence, streaming down his face without demand for sobs or sniffles. Just breaking free, a simple displacement reaction. Following the physics of emotions.
ā€œHey,ā€ Eddie whispers, reaching out to wrap an arm around Steveā€™s shoulders, pulling him into his side. Thereā€™s that warmth, that touch, that gentleness heā€™s been craving ā€” and thereā€™s that sob heā€™s been suppressing. ā€œHey, Stevie, itā€™s okay. Youā€™re okay. You can talk to me, you know that, right?ā€
He shakes his head into the warmth of Eddieā€™s neck, wiping dejectedly at his tears.
ā€œNo?ā€
ā€œNo,ā€ he whines, sighs, groans, annoyed with himself.
ā€œDonā€™t want to? Or canā€™t?ā€
Both. Neither. All at once.
He shrugs again, still leaning against Eddie.
Eddie, who turns his head slightly and brushes his lips over Steveā€™s hair in what can only be described as a kiss. Except, it canā€™t. It couldnā€™t. It isnā€™t.
Steve begins to shiver against him ā€” maybe heā€™s cold, maybe heā€™s overwhelmed, maybe heā€™s both and neither and everything all at once.
ā€œIā€™ve got you, Stevie.ā€
And then Eddie kisses his head again, and he stills.
ā€œYou canā€™t kiss me, Eddie,ā€ he says, voice still thick, but steadier this time. No more sobbing, no more whining. Just a broken boy, yearning. Always, always that.
Eddie freezes where heā€™s holding Steve, only his arm still moves in soothing, rubbing motions ā€” warming him, holding him, saving him. Always, always that.
ā€œSorry,ā€ Eddie says this time. Except itā€™s wrong. Itā€™s so wrong, and Steve leans back to look at him. Itā€™s impossible to make out his expression in the darkness, but he tries nonetheless.
ā€œDonā€™t be sorry,ā€ he whispers. ā€œJustā€¦ā€ He gestures vaguely, not quite sure what the just entails. Just mean it. Just do it right. Just donā€™t do it out of pity. Just leave me alone until Iā€™m over you even though we both know I never really will be.
ā€œJust?ā€
Steve shrugs. Whispers, ā€œI donā€™t know.ā€
ā€œDonā€™t hide, Stevie.ā€ Be brave, Stevie. Be brave like me.
God, how he wishes. How he longs. How he aches.
ā€œYou donā€™t have to hide, not from me.ā€
Steve huffs and says, before he can stop himself, ā€œEspecially from you.ā€
Eddie pauses and Steve freaks out a little bit, even before Eddie asks, ā€œWhy?ā€ He sounds wounded. Small. He shouldnā€™t sound like that. Never.
ā€œBecause youā€™re gonna see otherwise.ā€
ā€œSee what?ā€
That Iā€™m completely and utterly in love with you. Besotted. Enamoured. All the big words you like to make fun of. All of them and more.
ā€œMe.ā€
Thereā€™s a beat where nothing happens. Maybe time stops, maybe reality resets itself, settling in more comfortably in anticipation of vulnerabilityā€™s fallout.
And then Eddie takes his hands, reaching for them in the darkness and finding them with ease. Like heā€™s done it many times before. Because he has. Just never like this.
ā€œSteve,ā€ he begins, and Steve wants to run again. To hide, to confess to another void, and make Eddie forget this conversation ever happened. ā€œI think I already do.ā€
What? No. No, you canā€™t.
When Steve doesnā€™t respond, Eddie continues, seemingly gathering himself and his thoughts as he goes. Always so much stronger, so much braver than Steve.
ā€œI already do see you. The way you smile at me, light up the whole room with it. The way you hug me, always a little too long, but never long enough if you ask me. I see you blushing, I see you going out of your way for me, andā€¦ And I think, if you knew how to look, youā€™d see the same in me. Because, uh. Because I like seeing you. And I likeā€¦ I like you. Not in a friends kinda way. In a way where I wanna sit beside you all night and talk about deep shit, but I wanna run my fingers through your hair when we do. I wanna play with your fingers when we do. I wanna kiss you when we do, because thereā€™s deep, heavy, traumatic shit everywhere, but thereā€™s also you. And I donā€™t want one without the other. I want you. In that exact way that I see you looking at me, wanting me, too.ā€
Eddie swallows, a little breathless beside him like Steveā€™s not choking on emotion himself.
ā€œTell me Iā€™m wrong,ā€ Eddie whispers then, pressing and desperate and knowing. ā€œTell me you donā€™t like me in a way you think you shouldnā€™t. Tell me I donā€™t see you.ā€
He shakes his head, slowly, frantically. ā€œI canā€™t.ā€
ā€œBecause itā€™s true?ā€
Steveā€™s nodding now, just as frantic, leaving him disoriented and falling, only anchored to Eddie whoā€™s still holding his hands.
ā€œYeah,ā€ Steve gasps, rasps, whispers. ā€œItā€¦ Iā€™m. I donā€™t.ā€ Itā€™s he who swallows heavily now, needing a second or an eternity to process Eddieā€™s words. ā€œYou really mean that?ā€
Eddie nods. He can feel it, somehow.
ā€œI donā€™t know what has you so scared,ā€ Eddie begins. ā€œExcept the obvious, of course, but I feel like thatā€™s only a small chunk of it. But you gotta believe me when I say that I mean it. I like you. So much it makes me stupid sometimes.ā€
Steve huffs, but itā€™s a smile this time. A real one. Tinged with sadness and heaviness and disbelief still, but a real one nonetheless.
ā€œI wanna tell you. All of that. Everything, in my own words. And I will, butā€¦ Eddie, Iā€™mā€”ā€œ Steve starts with a quivering voice but shuts himself up before he can ruin this.
Iā€™m broken. Iā€™m not sure if I can let you. Iā€™m just Steve. Iā€™m bullshit. Iā€™mā€¦
ā€œIā€™m tired.ā€
It has a double meaning, here at the quarry ā€” but he doesnā€™t mean it like that. He wouldnā€™t. He couldnā€™t. He wonā€™t.
ā€œCan you just hold me?ā€ It is perhaps the closest to bravery heā€™s going to get. Tonight, or always. But itā€™s enough. It can be enough.
Eddie hums and Steve can hear the smile, can feel how some of the heaviness inside him dissipates with it.
ā€œOf course, sweetheart.ā€
Steve shivers again as he shifts, lying back so itā€™s only his legs, bent at the knee, that dangle over the abyss now. Eddie joins him, wrapping his arms around Steveā€™s middle and rearranging them so Steve rests half on top of him. It canā€™t be comfortable, but Steve doesnā€™t mention it.
They lie there in silence, and Steve allows himself to let go of the tension in his bones as he feels Eddieā€™s hands travelling across his back in a tender caress. He doesnā€™t quite believe itā€™s real, doesnā€™t believe heā€™ll get to keep it beyond this moment, and canā€™t quite savour it the way he wants to because surely he will lose this, too. Surely Eddie will realise and come to his senses andā€”
ā€œDo you really mean it?ā€
ā€œYeah,ā€ Eddie says, leaning up slightly to brush his lips over Steveā€™s temple. ā€œYeah, Stevie. I really, really mean it.ā€ And then, after a while, ā€œWill you come back home now?ā€
Back home. Home to Eddie and Wayne. Home, because Eddie cares and wants and bravely, bravely asks.
ā€œYeah,ā€ Steve says.
Another kiss to his forehead. ā€œAnd will you stay?ā€
It is Steve now who leans up, hovering above Eddie to meet his eyes through the dark. ā€œI will. I do.ā€ And then he slowly, carefully captures Eddieā€™s lips with his own, sealing the promise and receiving one in return.
Kissing Eddie is a lot like falling, he realises. But there are arms wrapped around him, holding him, never wanting to let him go ā€” so maybe it isnā€™t falling after all. Maybe itā€™s flying.
At home in his bed, Eddie holds him some more, running fingers through his hair long after Steve has fallen asleep.
Theyā€™ll make it work.
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ballpitwitch Ā· 1 year ago
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Keanu Reeves performing at The Roxy in Los Angeles - July 18, 2023
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blusandbirds Ā· 5 months ago
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eli moskowitz - "am i making you feel sick?"
#blu edits#cobra kai#eli hawk moskowitz#demetri alexopoulos#hawkmetri#binary boyfriends#binary brothers#sorry randomly got bonkers about their dynamic in my head again#i love when demetri is spiteful give him edge give him that streak of pettiness he's always been secretly proud of#hes 17 his only sources of true joy are schadenfreude and free food#he humiliated eli at that party and he enjoyed it and yea they make up but he gets his licks now bc he's owed and eli lets him bc he's owed#and eli's approach to redemption is all roll over puppy eyes im sorry i'll do anything 'just tell me im yours' like thatll make it better#like thats productive. but he cant build demetri a sparring deck out of this so if demetri says jump... if demetri says join my dojo...#and so demetri will run him through his paces ragged for penance but it doesnt make it better and he looks at hawk and still feels sick#(and yes he loves him ofc he loves eli but that just adds to his turning stomach every time he sees those eyes looking up at him like that)#(its worse bc its eli making him feel this. not hawk doing something evil but eli trying to do something good and demetri still feels sick)#(because who does that shit and then comes back belly up like letting demetri claw his guts out makes them even)#(because who can claim to love someone and still get a kick of satisfaction out of making eli bleed <- verbally emotionally metaphorically)#(not physically. never physically. obviously. that's eli's thing. and so demetri's a leg up on him.)#^ im promise im a fan of interpreting them where theyre happy too#this derailed from the edit#if ur for some reason reading this then however you first interpreted this is prolly correct. i went a little rogue here in the tags
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