#dedicated to my family

[gentle-author]

Χλόη

Ένας τοίχος γκρεμισμένος

Γεμάτος τούβλα αντίρροπα

Και τσιμέντο αλεσμένο

Πατωμα μες στη χλόη και τη βρύα

Καυσόξυλα και τρικυμία

Το τζάκι έσβησε απ'τα κρύα

Γέμισε η νύχτα πίνακες

Και στρογγυλεμένα αγγεία.

Κοίτα με στα μάτια

Χαμογέλασέ μου μία

Να δω το νόημα της ζωής

Μεσα από τα ζαρωμένα σου, τα λεία,

τα όνειρα, τις ελπίδες και τ'αστεια.

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[chippedcupwrites]

Sansa Stark & Sandor Clegane A Girl and Her Dog

♥ all gifs & image edits are made by me quote and painting attributions under the cut ♥

A Game of Thrones by George R.R Martin │ Herbert Thomas Dicksee, The Vikings Daughter │ A Game of Thrones ep. 2x07 & Lord Byron │ Walton Ford, Gleipnir │ "One More Brevity" by Robert Frost │ A Feast for Crows by George R.R Martin │ The Secret of Moonacre (2008) and "Tuned Girl With Her Dogs" by Vivian Nguyen │ professor-pants │ John Everett Millais, The Crown of Love │ A Game of Thrones ep. 2x06 │ "The Lonely Girl And Her Dog" by Justin Gildow │ Aesop's Fables Cigarette cards (Gallaher Limited), The Wolf and the Lamb & White Oleander by Janet Fitch │ A Storm of Swords by George R.R Martin │ Douglas Malloch │ Regency oil painting, artist unknown │ A Game of Thrones ep. 2x09 & "Soap" by The Oh Hellos │ Pandemonium by Lauren Oliver │ A Change of Heart by Sonali Dev │ A Game of Thrones ep. 8x04 │ Edvard Munch, Love and Pain │ "Little Lost Pup" by Arthur Guiterman │ A Game of Thrones and A Clash of Kings by George R.R Martin & Edwin Henry Landseer, Saved │ "Little Lost Pup" by Arthur Guiterman │ A Clash of Kings by George R.R Martin │ "Start Here” by Caitlyn Siehl │ The Blade Artist by Irvine Welsh │ Eat, Pray, Love by Elizabeth Gilbert │ A Game of Thrones ep. 2x07 & Jane Eyre by Charlotte Bronte │ A Clash of Kings by George R.R Martin │ Mufti Ismail Menk │ A Game of Thrones deleted scene │ John William Waterhouse, Tristan and Isolde with the Potion │ "Start Here” by Caitlyn Siehl │ A Game of Thrones by George R.R Martin │ William Chapman │ "Shrike" by Hozier │ Hans Adolf Bühler, Homecoming │ Gale Smith, Promise of Peace │ "The Taming Of The Beast" by Dean Meredith │ Walton Ford, Gleipnir │

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[fanvoidkeith]

sometimes family is a regular man, his surprisingly smart (and capricious) cat, his phoenix husband, the antichrist, an amorphous slime boy, a nature sprite, a gnome, a wyvern, a shapeshifter, a yeti, a much older and more powerful nature sprite, and her girlfriend the mayor

[germultiple]

my take on the wifeys (and the malewife)

[peanutseagle]

sillies under the cut

[chronicowboy]

obsessed with the absence of eddie in buck centric episodes. like i can't explain it very well so this is going to sound incoherent but bear with me here. episodes focused on buck's trauma are always so tightly tied to family, his biological family and the scars they left him with both physical and mental. buck begins and in another life are so heavy on the family of it all and it speaks fucking volumes that in both of these episodes eddie has one scene that sets him apart from everyone else. in buck begins it's the like five second exchange of "i had to do it/i know you did" and in in another life it's eddie being unable to look at buck in the hospital bed. and fuck i don't really know how to explain it without saying things i've said a hundred times before but it's carving eddie out of the family that hurt buck so badly and setting him in his own little category. it's eddie being family outside of the biological barely-a-family buckley family, but it's also eddie being family within the wider 118 family. it's a sanctuary of sorts. buck has the buckleys, buck has maddie as both his mother and sister, buck has bobby, he has hen and chim, he has eddie and the rest of the 118. but buck also has eddie and chris as an entirely separate entity. a family full of trauma (tsunamis and ladder trucks and bullets and lightning bolts) but a family that provides refuge from it rather than causes it. at first it seems odd for eddie to be so absent in those episodes when he's such a huge part of buck's life (and when buck plays such a big part in eddie centric episodes like eddie begins and fear-o-phobia) but it's eddie taking a step back and saying i know you aren't sure of where you fit in because you've struggled with family all your life but we're here, i'm here, whenever you're ready to come home we'll be waiting.

[big-ass-magnet]

KLAUS YOU NEED TO WORK ON YOUR COMMUNICATION SKILLS.

[fjordfolk]

i think one of the biggest challenges with advising new dog people on how to find responsible breeders is teaching them norms. I've spoken to so many people who've started a sentence with "i don't know much about dog breeding so maybe this is normal, but-" and then say the absolute wildest shit I've ever heard in my life. no, it's not normal for a dog breeder to want to talk to your mom because you're 25 and female. no, it's not normal for breeder's dogs to not have been vaccinated because of 'herd immunity'. no, it's not normal for breeders to have 7 litters at a time, expecting 5 more next month.

and what all of these people tend to have in common is that they're just looking for a companion, and they probably did feel bad about the situation. but they didn't have the context to realize just how abnormal it was, so they doubted their own reaction, and really really wanted a dog.

[ddeck]

long lived sw races must be so extra about their hobbies. imagine you live for thousand years and a century of that time you decide to dedicate to making a single big af carpet

[gentle-author]

Christmas with family >>>

[crime-wives]

Send Up a Signal (that everything's fine)

by @coalitiongirl

[chaika-jpeg-sxf]

nice chapter today

[ask-cloverfield]

Wonder if part of the reason he was so awed by this body, was like because when the kid he fumbled saving gave him a physical form, the kid directly based it off what he saw as an ideal hero.

Rution probably needed that

[hubriswest]

i feel i've been neglecting them.... so more re-animator family stuff!!!