#death wishes mention

[just-antithings]

Fictional characters are to antis what "the unborn" are to pro-lifers.

Fictional characters, like the fetus, are the epitome of everything good the anti/pro-lifers wants to demonstrate on their crusade. They're uncomplicated. They're abstract. They are exactly what the arguer thinks they are in that moment. They will never disagree with the arguer and never make demands of their own.

Pro-lifers rarely help born people, and in fact gleefully call for the deaths of born people, because born people make demands, and have their own free wills, and sometimes make mistakes. The unborn will always be a perfect being, a tragedy, a what could have been; "what if the baby you aborted could have cured cancer?"

Antis rarely care for real people, and in fact often gleefully abuse them for disagreeing with their stances, because real people make demands, have their own free wills, and sometimes make mistakes. Fictional characters will always be perfect, and a tragedy, and a what-if; "what if the fictional character knew you shipped them with a literal child?"

Fictional characters are a way for antis to "care" about abuse/rape without actually confronting the reality that abuse survivors, as with anyone else, are messy people who have flaws and don't agree on any one issue. Just as fetuses are a way for pro-lifers to control the abortion debate with an image that is solely about shallow, unearned pathos, and never about the beings that currently occupy this world.

Both are the weak attempts of a person who likes the IDEA of doing/being good, but not the actual work that goes into making the world a better place. You can see it in how they react to anyone who disagrees with them with unrestrained vitriol and hatred. It isn't about "protecting life" or "protecting abuse/rape victims", but about being SEEN as someone who wants to protect life or protect rape/abuse victims.

Sorry for the long ask but I had this thought a while ago and wanted to share it.

Oh yeah they’re very similar mindsets

[just-antithings]

fantastic additions yall but I doubt they’ll be willing to read any of them given that this is their dni

Do not let the antishippers find the Got or House of the Dragon fandom cause they'll cry

Or Labyrinth, or Flowers in the Attic, or any one of Stephen King's books. It's almost as if the wider public understands that fiction can be both fucked up and entertaining without the need for a moral lesson following after, or that it's an indictment that you're going to partake in the things you read about.

Antis are so far removed from reality, and they have to remain that way in order to not have their beliefs constantly challenged and torn apart.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[ef-1]

I remembered in 2021 (?) you posted a video of Daniel breaking down in the cool down room otw to the podium a couple of days after Jules' death and I thought "that's sad, the drivers were really impacted". But my moot on twitter is posting about Jules and she shared that Jules and Daniel lived together and how Jules helped Daniel settle in Europe when he felt so Alone ☹️ do you still have it by any chance?

yeah :( Hungary 2015 he broke down and Charlie Whiting (Race director) and a couple of people from the FIA really freaked out, I think they thought he was gonna collapse or had a health related thing. + he was also uncharacteristically withdrawn on the podium :(

[faragonart]

A great friend of mine passed away earlier this morning to cancer.

He was the toughest guy I had ever known. He was funny and always a big morale booster to our static. He was our tank buddy, our fake melee, our Bonkers Black Mage, he was our raid leader, and he was our best friend.

He was our big little guy, and I am gonna miss him so fucking much.

I lift my flagon to you, Flynt. Love you Sam. Rest in peace.

The theme song he chose for his WoL in Dawntrail...

[piosyne]

My 700th shitty death mark au of the week in which saya survives but as a rabbit and they just get her some assisted talking devices and then she just continues on as normal

[whumpy-wyrms]

The Last Lab Rat #19: Eye Spy…

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content: lab whump, captivity, experimentation, nonsexual nudity, drugging, mind control, panic attack, sensory deprivation, fear of drowning, near death experience, sensory overload, angst, suicidal ideation, winged test subject whumpee, creepy scientist carewhumper

heed the warnings on this one folks… :)

— 

Despite things happening to Dew that he was never thought possible, nothing was making being here a better experience. His body and mind were changing without his control, he hadn’t seen the sun in weeks, and despite trying so hard not to, he missed his old life. But the scientist was more giddy than ever, seemingly too enraptured with the experiments to notice Dew’s obvious sinking despair.

That was all it was, now. The same routine. Torturous experiments that left him in pain, dulling and mind-numbing tests, the scientist’s voice describing it all in his tape recorders, and the small moments of peace and comfort he got inbetween it all.

Dew wondered what would happen next. What the next horrible modification to his body would be, how much it would change him, how much of himself would be left when it was over. He wondered how his clone was doing, if his friends even suspected anything. He wondered how long this would go on for, how long he could last, how long he even wanted to last.

The past couple of days, Anton had been working in the lab alone, on something that was unknown to Dew. He’d brought out a giant rectangular tank of some sort, and had been messing around with the strange liquid inside. He refused to elaborate on it, and Dew had no choice but to ignore it.

So he was stuck in his small room, unable to really do anything besides draw, but even that grew tiring. Sometimes Sasha would show up, but they’d barely talk to each other, neither of them really having anything interesting to say.

His eyes felt mostly back to normal by now, and he was content without wearing a blindfold all the time. His third eye felt natural to him, and he almost forgot about it if not for him accidentally zoning out and seeing through objects sometimes.

The scientist had let up on him too, and Dew was allowed to do things on his own again. He was behaving, after all, and Anton wanted to respect his privacy and space as much as he coul, as if Dew was still a person.

He was still a person. Sometimes it was hard to believe that anymore.

“Dew,” Anton said, though he sounded so, so far away. “Wake up.”

“Huh?” Dew sat up and stretched, wings flapping lightly in contentment. Just another morning.

“Here’s your food.”

“Thanks.”

“You experiencing any more changes with your eyes?” Anton asked as Dew ate his breakfast. The scientist was wearing his weird goggles again, today.

“Nope. Just darkness.” He stared off into space, watching Anton write that down in his clipboard. Then he saw the scientist’s heartbeat through his chest. He blinked, and focused on the blindfold. Darkness.

“Hmm, okay. We have a pretty important experiment today. I’m excited.”

“Aren’t they all important?”

“Well, yes, but this one is…” The scientist waved his hands excitedly. “It will change everything, if all goes right.”

“They all change everything…” Dew mumbled, looking to the ground.

“What was that?”

“Nothing.”

“Anyway, you can take off your blindfold, you won’t be needing it. I’ll turn the lights out when we get there. Oh, and don’t bother putting on the hospital gown. Unfortunately, clothes will just get in the way of this one.”

“Oh… alright.” So it would be something different this time, after all.

They walked into the lab, and Dew could see the giant glass tank that Anton had been working on for the past few days up close. Getting a better look, he noticed it was filled with nothing but a pitch black liquid. He wouldn’t have thought it was glass at first, but the edges of it were thick and clear, so it had to be. The liquid inside was so dark and opaque, and he couldn’t even see through it if he tried, as focusing all his concentration on it just made his head hurt. This was the first time he’d been completely unable to see through something with his new eyes.

There was a ladder leaning against the tank, and the top of it looked like it could be opened and closed. The tank itself was smaller than the giant glass tube filled with green liquid on the other side of the lab, the one that had always been there but to Dew’s understanding, went unused. This one was just a few feet taller than him, and wide enough to hold his arms straight out in all directions, but not much else. The thought of being stuck in there filled him with dread.

He thought it surely had to do with whatever the scientist was going to do to him today. But he’d stopped spying on Anton’s notes and plans after a while, not caring about what happened to him anymore as the tests on his eyes grew more and more mundane and repetitive. This one though, seemed different. Perhaps he should’ve snuck a peak.

“Ah, yes,” Anton began, turning to Dew with that familiar unhinged, giddy expression. “You’re probably wondering what this is, right?” He gestured to the giant tank while casually leaning a hand against it.

Dew faked a smile. “Yeah.” He found the scientist to be in a better mood when he pretended to care about what he was saying, when he pretended to be happy to be there.

“Of course you do,” Anton said theatrically. “This tank here can hold just about anything in it, it’s very strong, impossible to break through. It can’t be moved from this spot, but it can be lowered into the floor, where it’s usually stored and out of the way. But you don’t have to worry about that, I have another way of making whoever’s inside be enclosed in complete darkness.”

“W-wait, inside?”

“Yes! For this experiment, you’ll be going inside the tank. The stuff it’s filled with is what I’ve been working on. When you go inside of it, it will— well, it’d be more fun as a surprise I think. But it’s breathable. You won’t drown in it, if that’s what you’re thinking. It’s perfectly safe.”

Well, shit. “W-what are you gonna do to me?” Dew asked miserably.

Anton adjusted the goggles on his face, making them glow a bright green. He smiled. “You’ll find out soon.”

The entire lab faded to complete darkness, but Dew’s eyes adjusted quickly. The scientist had his night vision goggles on, and was writing something down in his clipboard. Dew waited in agonizing silence until Anton snapped on some black rubber gloves and started preparing a syringe.

“Don’t worry, Dewey. Just two injections. They’ll be over quickly.” The first syringe was huge, almost the biggest one he’d used on him yet. It was filled with a glowing orange liquid, fizzy with bubbles. Anton flicked it hard a few times, and brought it towards him.

Dew was about to ask if he could wear his headphones during this, distract himself with loud music blasting through his ears, but Anton was quick to inject the syringe into Dew’s neck before he got a word out. Pure agony erupted in his veins, just for a moment, but then it was over.

Dew didn’t even have time to process what had happened before Anton was injecting something else into his arm, but a far more familiar and just a little less painful substance than the first. By now, Dew recognised it as something that’d probably make him feel weak and sleepy, a sedative of some sort.

“All done,” Anton said, putting the needles away and walking back to Dew. “Now, we have to wait a little bit for the stuff to set in. In the meantime, you can, uh, take off your shirt and pants. You won’t be needing them.”

“O-oh. Okay.” Dew did as he was asked, and Anton tossed his clothes to the side. “Now what?”

“We wait. Tell me if you start to feel anything, okay?”

“Okay,” Dew said. And they waited. Anton spun in his chair with a smile on his face while Dew stood there awkwardly in the dark, cold and exposed, waiting in agonizing anticipation for something to happen. It was almost numbing, thinking about it, wondering what was going to happen.

A few moments passed, and Dew started to feel strange. His face scrunched up in confusion, then a worried realization.

“H-hey um, Anton?” Dew whimpered, scratching at his arms. “I don’t… I don’t f-feel anything.”

“Good,” Anton mused. “You’re not supposed to feel anything.” He took Dew’s wrist and led him to the ladder.

“W-what?”

“It’ll be okay, just trust me. Now, climb into the tank, Dew.”

Dew stepped towards the ladder, taking apprehensive glances back at the scientist. He put a hand on it, but felt nothing against his palm. “I-I’m scared.”

“Just relax. Climb up the ladder.” Dew felt his body move automatically, the scientist in control of his every action. He watched his hands gripping the ladder and his legs climbing up it, but felt nothing. “Good, that’s it.”

The entire top of the tank was covered by a thick metal lid, with a latch on one side. Dew crawled on top of it, and sat opposite from the ladder. Now that he was free from Anton’s grasp, he realized he was losing more and more feeling in his body. “I can’t- I can’t breathe—”

“You can, you probably just don’t feel it. That’s okay. You’re gonna be okay, Dew.” The scientist climbed up the ladder after him, and Dew sat in place. Anton unlocked the latch, and slid the top half open. Dew could now see the inside clearly, the strange dark liquid only a few inches away from him. He knew where this was going. And he was unrestrained, he could still jump down or fly away from this. But of course, he couldn’t feel his wings either.

While Dew was staring into the darkness of the tank, he hadn’t noticed that Anton started to attach some wires to his skin, long, dangly things that attached to the tank and led to the machines and screens by his desk. Once he was all hooked up to whatever that was, the scientist placed his hands firmly on Dew’s sides, making his hair stand on end. “I’m going to lower you down now, alright? Stay nice and still for me, Dew. Everything will be fine.”

Dew tried to wiggle out of his grip, but he couldn’t seem to muster up the strength. “N-no, please, I don’t wanna do this,” He whimpered.

“It’s okay. This won’t hurt you.” Dew curled into himself as Anton lifted him up, and lowered him down.

Dew expected it to be cold, or warm, or to feel like something, but it felt like absolutely nothing. Half of his body was submerged, but he wouldn’t have even known that if he weren’t looking right at it. His body disappeared under the liquid completely, and the thought of his head being submerged made him want to cry. He grabbed onto Anton’s arms, silently begging him to stop or slow his descent. He tried to kick out, but he couldn’t feel or see if his legs were moving or not, or if they even could. He couldn’t touch the bottom, couldn’t kick his legs to swim, couldn’t keep his head above the surface if he were to be dropped inside.

“Anton, p-please. I- I don’t feel anything. I can’t- I-I can’t even feel my own heartbeat! That’s gotta be bad, right?” Dew let go of Anton’s arms and grabbed the ledge of the tank, scared that the scientist would let go and he’d have nothing to grab on to. “I-I feel like I’m gonna die— I don’t w-wanna die!”

The scientist let go and took a few steps down the ladder, reaching eye level with his test subject. He extended his hand towards Dew to ruffle his hair like he had done so many times before. He laughed maniacally. “Dew, if it was gonna kill you, it would have by now. I would never let anything bad happen to you. You’re completely safe.”

“P-please!” Dew held on for dear life. He couldn’t go under. He couldn’t. “I d-don’t wanna do th-this!”

“Shhh…” Anton said. And despite it all, he still seemed to have a hold on Dew’s brain, forcing him to relax deeper into himself. “Any minute now, you’ll start to get weaker. I recommend getting yourself comfortable in there before you succumb to the drugs.”

“And- and if I don’t?”

“You won’t be strong enough to keep holding yourself up like this. It’d be less distressing for you to go under on your own will. But I suppose it doesn’t really matter; you’ll go down either way.”

“But I…I can’t…”

His words were getting awfully sluggish, and it was becoming increasingly harder to hold on and keep himself upright.

“N-no…”

His eyelids were growing heavier and heavier, and it was taking a great deal of concentration to try and keep his one sense he had left.

“You’ll be okay, Dew. I promise.”

He looked up at Anton with wide, horrified eyes, as the scientist gently pried his fingers off of the ledge, and let go of his hands. Now that he was no longer holding onto anything, and had no feeling in his limbs, he began to sink deeper into the liquid. The last thing he saw before his head was submerged in that pitch dark fluid, was the scientist smiling down at him, the glow of his bright green goggles, and his hand slowly moving the lid closed.

Then, darkness. Complete and absolute darkness. Dew was fully submerged.

He couldn’t feel a thing. Not even the heavy beat of his own heart. He opened his mouth to scream but didn’t hear or feel a single sound come out. He tried to flail his arms, but he had no perception of moving anything at all. His vision was filled with a dark abyss of nothingness, and he definitely couldn’t taste the bile rising in his throat.

He tried desperately to bang on the glass, but with everything being pitch black and his sense of touch gone, it was impossible to know what he was actually doing with his body. He couldn’t tell whether this fluid affected his ability to see through the dark and objects, or whether his sense of sight was gone just like all his other senses.

Dew felt nothing. He felt as if he didn’t even have a body. If he was moving, if someone was talking to him, if he was even breathing— under this strange liquid— he wouldn't know. All he had was his mind, and his terrified racing thoughts to accompany him in this hellish limbo.

Dew felt like he was nothing but a brain in a jar. He felt like he was floating through space with no concept of human existence. No, he felt like he didn’t exist at all.

Wait.

Was he dead?

Is this what death was?

Dew never really thought about what happens when you die. He hoped there was a better place, and that it would be peaceful, but it didn’t matter in the end, because everyone died.

The concept of literally ceasing to exist always filled Dew with a strange feeling he couldn't describe. It was incomprehensible, but he wasn’t against the idea.

But this wasn’t that. Sure, he was floating in nothing but a black abyss, but he still existed. He could still think, and feel emotions, and wonder, and want so, so badly to know what was happening to him.

His life flashed before his eyes. His childhood with his family, his friends, his pets, his hobbies and his passions and hopes and dreams. He thought about happy days, sad days, sleepovers, being alone, camping trips, anxiety, coming out, failing, music, hurt feelings, school, loss, video games, grief, art, regret. He thought about everything Anton had given him, and everything he had taken away. He thought about the lab, his tomb.

Was this really all his short and pathetic life was for? To live, just to die? Just to die here, alone, by the hands of his tormentor during another horrible experiment on him? He never got to say goodbye to his friends or his pets or his parents. He never got to say goodbye.

It felt like an eternity, floating there, wherever he was, or wasn’t anymore.

Time passed on infinitely. He felt himself fading away.

Just as fast as this whole thing started, it ended. Dew opened his eyes— or maybe they were always open— and all five of his senses came back in a heavy, overwhelming wave.

No. He thought. He didn’t want to feel. He was supposed to be dead. He was supposed to be free.

“...ey? Dewey? Can you hear me? Wake up, Dew. Please wake up.”

Dew’s hands immediately flew up to cover his ears, and he squeezed his eyes shut, letting out a pained yelp.

He was out of that horrible tank, laying next to it on the hard and cold floor, and the scientist was looming over him.

And he could feel everything again.

His heartbeat pounded deep and heavy in his chest and echoed through his ears. His eyes were wide and everything was far too bright and intense but closing his eyes meant he’d be back in that dark abyss, and he- he couldn’t go back there again. He felt his wings and their primal, yearning desire to fly, and he flapped them rapidly, feathers slapping against the floor beneath him. It was all too much.

“Dew, Dew calm down.” Anton’s voice was frantic. “You’re okay. I-I fucked it up, but you’re okay. We’re done now, this- this obviously has much more work to be done to it.”

“You said you wouldn’t kill me!” Dew sobbed.

“Hey. Dew, listen to my voice. You’re okay, you’re— look at me,” Anton dimmed the lights in the lab and waited for Dew’s eyes to focus on him— all three of them. “I-I didn’t kill you. Not at all. You- you were just unconscious. You didn’t die, and you’re still alive. You’re alive.” The scientist was stumbling over his words. Dew had never seen him like this before.

“Get the fuck away from me! Let me go! Let me out of here!”

“Okay, okay. Please calm down.” Dew saw the sight of a syringe and began to sob harder, he was hysterical. Anton quickly injected him, though it was hard when he didn’t stop moving. Dew’s struggles started to die down and after a while, he slumped against the floor and stared teary eyed at Anton.

The scientist just kneeled there, at his side, staring at him.

“What the fuck is wrong with you,” Dew slurred. “What the fuck- what the f…”

“Shhh, sh sh sh.” Anton said, and started messily carding a hand through his hair. “Relax, Dew. Calm down. You’re okay.”

“G-go to hell.”

“Shh. Let’s- let’s get you out of here.” Anton picked him up, holding onto him tighter than ever, and carried him to the couch by the kitchen. He laid him down and rested the side of his head to his chest, still clinging to him. Dew laid his head on the arm rest, and used the last of his strength to swat at the scientist with his wings.

Anton curled a hand through Dew’s hair, and wrapped his other hand around his torso. “Dew- Stop that, I’m just trying to make sure—”

“That I’m alive?”

“Yes.” Anton breathed heavily, closing his eyes and listening to Dew’s heart.

“How- how long?” Dew said quietly.

“What?”

“How long did you k-keep me in there?”

“Just, just a few hours, why?”

Tears fell from Dew’s cheeks. “It felt like forever. Like- an eternity. It felt like I was dead.”

Anton just held him tighter.

“I-I need to check your vitals,” Anton said suddenly, but it took him a while to finally move from that spot.

Dew laid there limply as Anton examined him. Sometimes he’d swat at him with his wings. Strange shadows kept consuming his vision and he tried to swat them away too. An icy chill went down Dew’s body as Anton put a stethoscope over his chest. He squeezed his eyes shut. It was all too much. It was all too much.

“Just a- just a bit elevated, but I supposed, that's to be expected.”

“A-Anton?” Dew squeaked.

“Yes?” The scientist turned all his attention to him, like he was the only thing in the world that mattered.

“P-please don’t d-do that to me ag-again. Please.”

“No, yeah, I-I won’t. I won’t. Never again. I’m sorry. I-I’m so sorry.”

That was all Dew needed to hear when he broke down, grasping at the scientist’s sweater and sobbing into his chest. Anton hugged him back tightly, both of them clinging to one another as if their lives depended on it.

“Just let it out, buddy,” Anton said, rubbing Dew’s back and carding a hand through his hair. “That’s right. It’s okay, Dew. Shhh.”

They were like that for a while, neither of them knowing how long. Gradually, they both started to relax, heavy and rapid breathing turning calm and quiet.

Eventually, Dew fell asleep, and after a while of laying with him, Anton stood up. Running a trembling hand through his own disheveled hair, he went to clean up the mess he’d made. He stared at the scattered papers, spilled liquid, dropped pens and broken tape recorders that were littered around his desk, and grabbed a device. He pressed a button, and watched the giant glass tank lower back into the floor.

What a failure. A failure. But he could hardly think about that now. It’d been hours, it was well into the night; what they both needed was sleep. Tomorrow would be better.

After cleaning up the lab, Anton stood up, straightened his lab coat, and walked towards the couch. Dew was sleeping, body exhausted from the day’s events, but he was perfectly okay. He was breathing steady, blood pressure stable, brain active, healthy. Everything turned out okay. This experiment just needed some improvements, was all. They’d try again. …Or not, that was always okay too. Anton had more plans, better plans, than this stupid, reckless idea.

He picked his test subject up and carried him to his room. Anton lingered in his doorway for a little longer than usual, before saying goodnight, and heading out the door.

. . .

Dew woke up later that night. Everything was quiet, and dark, and cold, just like it had always been. He was lying on his back, blinking up at the ceiling, not able to muster up the energy to roll over and wrap his wings around himself and curl up into a ball and cry like he usually did. He just stared, alone and sad. He was glad he could at least see through the darkness, this time.

Dew moved his arms above his head, under his pillow. He felt the cool, sharp metal of his knife.

He could have used it. But he left it sitting abandoned in his pillowcase, day after day. It wouldn’t have been hard for the scientist to find it, or for Dew to get caught trying to stab him. But neither of them did. It existed, unused, as nothing more than something just to have hidden from the scientist.

Dew took out the knife. It stood out in this darkness, the shine glimmering off of his eyes as he turned it around in his hand. He wasn’t holding onto it very tight, he noticed. He was holding it in front of his face, laying down, staring up at the ceiling. If he dropped it, it would land on him. He’d have a scar on his face he wouldn’t be able to explain. Anton would take the knife away in the morning. Dew tightened his grip.

He closed his eyes. Nothing would get better here. Nothing. He was being good, he was doing everything Anton asked of him. He accepted his life here. He would never leave. This was it. This was it. All the pain and experimentation he had to endure every single day would be his life forever. Dew thought things might’ve gotten better if he just complied, but things got worse, he just fell deeper and deeper into his pit of despair. He’d never leave this place, he’d never see his friends again, and he’d never stop being used as a lab rat.

Dew sobbed quietly, squeezing the handle of the knife until his hand started to tremble. He couldn’t take it anymore. He needed the pain to stop.

But he— he couldn’t! Dew had never felt this way before! He didn’t want to die! He didn't!

But he thought… maybe… he’d get to finally escape this hell for good, and see his parents again.

His ears rang, which made it hard to tell if the humming above him was real or not.

No, there was absolutely somebody humming nearby. It was coming from the ceiling— in a corner by the door. Dew furrowed his brows and tried to listen deeper. It was a tune he recognised, but one he hadn’t heard in a long time. The voice sounded smooth and peaceful, and yet shaky and quiet, almost impossible to hear. But it sounded so real. It sounded nice. He must be hallucinating.

Dew thought that if he opened his eyes, he’d be all alone, and the pleasant, comforting sound would stop. But if he didn’t, he’d never know where that sound was coming from. What did he have to lose? Dew opened his eyes.

His heart all but stopped.

Up in the corner of his room was a person. A whole person, just… floating there, curled up in a ball while their dangly locks of hair floated all around them. Their skin was dark, and they wore a baggy yellow sweater, but it almost looked desaturated. In fact, their whole body looked like it was blending into the darkness, blurry and hard to focus on, but so very visible to him. They were humming to themself, quietly, rocking back and forth in the air as if they were floating in space, or in the middle of the ocean. Their eyes were squeezed shut— but it was hard to tell because their hair completely covered one of them— and they didn’t seem to notice that Dew was staring.

He had no idea what to do. He must be hallucinating. He couldn’t trust his mind anymore— or his eyes; they were all fucked up, changed beyond recognition. He could see through darkness and walls and objects, of course his brain would trick him into seeing things that weren’t there. Or even… see through into…

No. No. That wasn’t possible. This wasn’t real. Dew was being silly, and stupid. He should just put the knife down and go to sleep.

But he didn’t want to.

“Hey,” Dew said, sitting upright and pulling the blanket to his chest. He got no response. “H-Hey.” The person opened their one visible eye and looked at him with a blank, but pained expression.

“Wh-who are you?” Dew asked.

A beat. Their eye went unnaturally wide for a fraction of a moment. “You can… You can see me…?” They asked, and their voice sounded soft, yet pained, echoey, hollow, like floating in a cave deep underground, crystal clear water dripping down from the stalactites into a shallow pool, letting out a drop amidst the silence. When they spoke, it felt as if they were all around the room and yet nowhere all at once, it felt as if they were touching Dew’s mind and yet far, far away.

Dew brought his knees to his chest. “Y-yeah. Who are you?” He asked again, voice wavering. “What’s going on?”

They blinked, and it felt like their eye was piercing into his soul. A wave of hazy emotions flowed through Dew, a sense of longing and comfort and relief and horror and suffering and sadness all at once. It felt like an ache of dread deep in his chest that didn’t seem to ever go away. He felt deep underwater, drowning in the energy that emitted off the person in his room. Dew didn’t know how long the two of them stared at each other for; time seemed to have stopped completely. He felt like the two of them were the center of the universe, deep in an endless void, alone. And yet, it felt so comforting— and horrifying— when they finally spoke again.

“I’m Max…” The ghost said. “The last lab rat.”

— 

:)

(max’s pronouns are they/them)

taglist:

@whumpinthepot @shywhumpauthor @whump-me-all-night-long @whump321 @fuckcapitalismasshole

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let me know if you want to be removed or added to the taglist!

[thebad-lydrawn-sanses]

Okay wait so dream had a vision of the future kinda like what shattered dream had and tried to change the future is that what happened?

Dream: my eyelights Nightmare: the villagers are giving us a lot of stuff. it's nice. Dream: my eyelights. Nightmare: i like your new eyelights. Dream: please keep yours. Nightmare: …I'll try?

Villager: Dream, I need to talk to you. Dream: oh! is this about your dislike of my brother or your house burning down? i heard about it. that must've really sucked :) busy lately? Villager: uh- yeah. My sister was terribly injured in the fire, so we need apples for her recovery.

Villager: my mommy told me to give you this Dream: thank you, Charlie. tell your mom i said hi. Villager: it's a pie. Dream: thank you. Villager: she says your brother is a bad person and should be executed. i think i agree, 'cuz he's really scary. Dream: he's really nice. you should be nice to him. Villager: oh. okay! he's still really scary though.

Prophecy Nightmare: HEY. Dream: AAAAAA-

Villagers: "Are you okay?" "Dream, can I get an apple?" "Are you okay?" "Are you okay?" "Are you okay?" "Can I have an apple?" "Are you okay?" "Are you okay?"

Nightmare: are you gonna sleep tonight? Dream: no Nightmare: did i- do something wrong-? Dream: no Nightmare: are you okay? Dream: no Dream: yes

Prophecy Nightmare: LYING TO YOUR BRO? COLD. Dream: god damn it

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[premamelody]

THE END OF ME

(oc)

[russenoire]

that scene in season 1 where teruki hanazawa exorcises ekubo mid-sentence... and shigeo's eyes widen in shock?

i really want to talk about it, specifically the explosion meter accompanying it.

normally, when the teenager's emotions aren't obvious to the audience, that meter relays to us a sense of what he is actually feeling. but we cannot trust the meter here. we see it jump up a few points at teru's 'psycho wave' sending the sleazy ghost to the shadow realms, and remain steady at 50% upon shigeo's recollections of the spirit's unsavory nature. the boy outright tells teru that he isn't bothered. and it's funny!

but shigeo isn't being honest with himself here either.

his face briefly gives his feelings away before resettling into its normal flat affect. (to be fair, what he's really feeling isn't teru's business. this kid is trying to provoke a fight out of him, after all.) after he's basically tortured into exploding, shigeo spends three hours in the pouring rain, searching everywhere for ekubo.

three. hours.

these are not the actions of someone who isn't bothered. letting himself get drenched to the point of sickness,

even though he literally holds the power to shield himself from it,

reads to me like unconscious self-punishment for allowing all this to happen.

after a large chunk of his short life spent denying and fearing them for good reason, shigeo's first impulse is often not to use his psychic powers -- even after his integration at the story's end. i wish this was discussed more, because many watchers cannot fathom why this boy with world-breaking psychic abilities would ever refuse to use them.

also: the explosion meter lying to us / representing shigeo's detachment from his own emotions alexithymia may occur elsewhere in the series as well, especially when he's not close to an explosion; i'm reminded of the tiny dent ritsu's provocation of him makes in it a few episodes later.

[ladyinthebluebox]

to everyone STILL being fucking up their asses about Taash being rude and disrespectful towards Emmrich:

this is World of Thedas vol.1 page 104 btw. kindly fuck off from their tag.

thanks in advance 🖕☺️🖕

[just-antithings]

very normal behavior

All my lovely Antishippers/ normal people are welcome <333 I love y’all smmmmm pls drink lots of water and stay healthy!! 🫧🍍🌴🥥🥭

[spacesapphi]

HES Trio Headcanon Time! (HCs below the cut, this is a long one)

TW for mentions of bullying, death, parental death, car accident, drinking, and neglect

Elliot

- he's 30yrs old and 6'0, very lanky and tall and covered in freckles. His hair is curly too!

- HC for his voice has to be Raoul from Phantom of the Opera, just has that romantic voice that fits him so well

- his family is of Irish descent and his last name is Lillis, which he finds sounds VERY romantic!

- growing up he was so obsessed with classical literature that he would often pretend his life was a novel, narrating his daily life in his head

- LOVESSSS pride & prejudice, Phantom of the Opera, and Les Mis, he'll talk your ear off about them if you let him

- was unfortunately bullied a lot for his interests growing up, even at home. He tried not to let it dampen his spirit, but it was difficult. He channels a lot of that pain into his writing

- his parents never really respected his hobbies, and his brothers weren't that kind in general. Elliot often felt alone in his house, like he was a misunderstood outcast that didnt have anyone. One of his favorite book series as a kid was Anne of Green Gables, as he connected to her feeling out of place and different from everyone around her

- pretty much canon, but he's a lightweight. One drink and he's GONE. Hes gets silly and giggly when he's drunk too

- he's autistic (I feel like everyone in the HES trio is) and his special interest is around literature, specifically romance literature. Anytime he sees something notable happen in town, or a couple do anything he goes "Oh this is just like x character in x book!" And he'll infodump about the story to anyone who will listen (usually Leah or Penny)

- he gets along well with Penny and shes actually been his test reader and editor for many of his published pieces! He always puts her name in the "special thanks" section

- takes much pride in his appearance, especially his hair. Before the farmer arrived he was the one practically keeping Pierre in business for self care products because he REFUSED to go to Joja bc "Do you know how many CHEMICALS are in those things?!"

- maladaptive daydreamer for sure. He gets frustrated with the way he cant stop daydreaming, and how music always seems to intensify it. On one hand, it gives him ideas for his writing, on the other it makes it hard for him to interact with others. When he's home alone in his cabin, Finding him pacing around, listening to his favorite CDs and records is common

- his love language is sentimental gifts. They don't need to be elaborate or expensive grand gestures. If you mention loving a certain food he'll make it for you, he'll get you things in your favorite color just to make you smile. Hes a very sweet man!

- he has a beautiful laugh!

- wears dangly earrings all the time. He likes very sparkly ones with jewels, ones that make him feel like he's in a romantic period piece. He has a killer collection of them!

Harvey

- he's 35yrs old and 6'2, though you can't tell because he's often slouched over (bad habit, he knows. His back hurts all the time). He's a chubby guy too, which makes him feel self conscious, but he learns to love himself :)

- My HC for his voice is Simon Petrikov, specifically the way he speaks in Fiona and Cake, I cannot imagine it any differently LMAO

- Harveys family is of Italian descent and his last name is Russo!

- grew up with just his mom and grandpa. His mom was a doctor and his grandpa was a retired pilot who helped spark his love for flying. He died when Harvey was 12, leaving some model planes and that radio he keeps in his office to him with a note telling him to always reach for the skies.

- Harvey has a bit of a lisp, and spent a lot of time in speech therapy as a kid. Words with lots of "s" sounds are tricky for him

- he actively went through so much testing to be a pilot, but when he got to the actual flight test where he had to get into a plane he got so anxious he threw up and ran away

- he realized then and there that he couldnt do it, and it was a hard reality to face. A lot of crying, and a lot of struggling to accept his dream wasn't attainable. He felt like he was letting his grandpa down, but his mom promised he wasn't

- when he decided to go to medical school, he couldn't decide what his focus was going to be to save his life, he changed it constantly. It took about two years to land on primary care physician and even then he still kept researching other tracks. This would come in hand once he got to pelican town and became the only doctor

- often too exhausted to cook for himself, which is why he buys so much processed food. Shane gives him a lot of shit for it every time he sees him at JojaMart ("don't say SHIT to me at my next checkup if you're going to buy that")

- his eyesight is so bad. He can't see a foot in front of him without his glasses. He's also incredibly clumsy and falls and breaks them often (I mean where did you THINK all those broken glasses you were fishing up were from?)

- like Elliot, was a victim of bullying in school, especially highschool :( Nerdy guy with a plane interest that stuck to himself was unfortunately a prime target, and he found himself in a rough situation. It actually got so bad that he took a special test to be able to graduate early so he didn't have to deal with it anymore. He passed it in tenth grade, and put all his energy into studying to be a pilot until he was old enough to join courses for it

- his mom was his biggest advocate, and was regularly down at his school to yell at administration for letting the bullying get that bad. She loved her son more than anything and would do anything for him. She was the one to suggest testing out of school, not wanting him to go through all of that for years.

- hes still close with his mom, and they regularly call and write letters to each other to keep up. Since Harvey lives so far now, they mostly meet up on important days like birthdays, holidays, and to go visit his grandfather's grave every once in a while

Shane

- he's 30yrs old and 5'7, and he hates both of those facts. Being the shortest man in town and one of the oldest single ones is a bit of a blow to his self esteem. He's pretty bulky too, a combination of muscle from working on the ranch and as a stocker, and fat from drinking and diet

- I go back and forth on his voice HC constantly, but I like the common fan interp of him sounding kinda like Nick Miller from new girl, it fits too well

- Shane is Pennsylvania Dutch on his mothers side and his last name (along with Marnies) is Yoder!

- that being said he knows very little of the PA Dutch language, though Marnie speaks it fluently. He has a bit of an accent from growing up with her

- croc wearer, don't tell me otherwise. He has a few everyday pairs, a fur lined pair for when it gets cold, and what he calls his "formal Crocs" (literally just black Crocs with bowtie jibbits this man is so fucking corny). He has normal shoes too, like sneakers and boots for the winter and work, but nothing beats his Crocs

- Jas has tried to call him dad a few times, but it makes him sad. He doesn't feel good enough to deserve that title, and he feels like he'd be disrespecting his friends by trying to take it over.

- Was in the accident that killed her parents. They took him out to celebrate his 25th birthday, going to a Tunnelers game. They were hit by a reckless driver going far above the speed limit on the way back home, and he was the only one who made it. One moment Shane was having the time of his life with his best friends in the world, the next he's waking up in the hospital finding out they're gone. As a result, his birthday has become a bit of a sore subject, hence why he "was hoping he'd forget" anytime he gets a birthday gift

- his leg got really hurt in the accident, and though its healed, he still often needs compression braces to deal with chronic pain from it. Working at Joja and on the ranch aren't exactly low impact after all

- Marnie is his only bio family thats alive and on speaking terms with him. She practically raised him for the most part, with his dad gone and mother having passed when he was little. His mother was Mona, the same Mona from the cemetery. She was Marnies twin sister, and the photo in secret note 11 is her and baby shane.

- He and Emily were childhood bestfriends growing up, and dated in highschool. They realized after about a year that they just worked better as friends though, and remain besties to this day

- he's transgender he told me himself

- Marnie was also incredibly supportive of his transition and she's fiercely protective of him. He may technically be her nephew but she sees him more as a son and thus goes full mama bear when it comes to him

- even though he doesn't take great care of himself, he makes sure jas is well taken care of, especially after he starts recovery. His clothes may be threadbare and worn, and he may look like he hasn't slept in a year, but Jas will *always* have everything she could ever need... and want. Ngl he kinda spoils her a little, especially after he cuts back and can afford it more. He feels bad saying no to her given all that she's gone through. She has a doll collection that could make the most avid collectors jealous

- he makes sure he spends time with her too, taking days off for festivals because she wants him there, taking the day off for her birthday, and trying his best to be there for her. It's an upward struggle for him to get better so he can be there for her, but he's trying

- after Joja closes down, Marnie offers him a full time job at the ranch, including pay and board. He takes the offer IMMEDIATELY, and does an amazing job at it. She's certain she'll be leaving the ranch to him once she's retired

- if you want to get him to do anything, tell him him it involves chickens in some way. Chickens are his special interest for SURE. Chicken print socks, corny puns, joke tshirts, he has it all. He practically becomes the organizer of the Egg Festival yearly once he's started recovery, putting a crazy amount of work into it to make sure it goes well. Same with the Valley Fair's petting zoo. The amount of pride he gets talking about the animals to tourists is unmatched, and it's one of the few times Marnie gets to see him look as happy as he did before the accident. Those moments are fleeting, but everytime she can see that light in his eyes she feels like everything will be ok.

[formulapookie]

💛💛

Under the cut to read on Tumblr, here to read on Ao3 ch1; ch2; ch3; ch4; ch5; ch6

Les fleurs du mal ch7 rosquez, 3,2k words

The flight is not worth any kind of notice, the air inside the plane feels heavy, as if someone just put tons and tons more worth of weight on Vale’s shoulder just to keep him anchored to the floor and not let him fly away.

The hostess passes by a few times, asking if he wants anything, Vale barely acknowledges her presence, shaking his head and saying he’s ok.

It’s still half an hour to Barcelona. From there it’s less than an hour drive to Cervera.

God he’s really doing this. He’s- what the fuck is he even doing?

They won’t let him near the body, or the fucking funeral for that matter, let alone close to his grave.

But he needs to see him.

Even if it won’t be sunny, happy Marc he’ll look at, but this strange version of him.

Still in his selfishness Vale wants. He thinks he’s owed that. To see Marc. To look at what he did, because he thinks it’s a suitable way to pay for his actions.

He wants to be the one in the front row saying his last goodbye, wants to be the one carrying the casket, it should be him.

Not Lorenzo, not Dovi, not Pedrosa, not Alex.

If he could, if he only could, he would carry him into the church and from there to the graveyard all alone.

He’d cry. Beg for Marc to come back probably. But at least he’d be close.

Unbeating heart next to warm skin.

Vale doesn’t cry often, before this the last time he cried was for Marco.

God how much had he cried for him.

Uccio and his parents tried to get him out of his room for days, he refused to eat, or drink for that matter. He thought about staying locked in there until the same fate that got Sic got him too, so that they could still ride together in the clouds, like he said Marco to be doing.

Only Luca had managed to get him out, shake him from the dark and rotten place he caved himself a shelter in, and bring him back out, but it was a long and difficult task.

Marco, he. He never fully agreed to the version for which he died before. The one saying that the moment he fell and slid on the track without his helmet he was already dead.

No.

He barely agreed to the one publicly accepted, which is that Marco was there, 50/50 with a chance of never recovering and he just sped up the process.

The fact is he believed and still secretly believes to this day that he killed him. Ran him over, snapped his neck, and killed his best friend. Because maybe he would’ve survived, maybe he could’ve gotten better, maybe they’d have raced again.

For what concerns Marc there aren't even alternatives or sets of opinions about what happened, or whose fault it is, or if it could’ve ended in a different way.

He killed him.

And even if he did it unintentionally he feels like he did it on purpose. Revenge, what a sick fucking felling.

It makes you think and act in ways you didn’t think were yours.

He feels his skin itching, cutting into his muscle and he wants to tear it off, but doesn’t move in the slightest, he wants this to hurt.

Pain is a way to punish himself, though not slightly comparable to the one Marc felt, but it keeps him there, tied to reality and unable to escape the fact he hurt so many people just by being an asshole.

He thinks about the night after Sepang. It’s not a good idea.

He gets up and runs to throw up in the toilet, the alcohol and the few bites of food he’s digested are now out of his system, and he cannot think about eating anything right now.

The image of Marc standing before him, pleading and begging for a chance to be them again.

He remembers the almost-tears in the boy’s eyes, those same eyes looking at his souls trying to get a hold of it.

The image of them two makes its way in Vale’s mind.

If someone had walked in, he would’ve seen a 20 something kid getting his heart shattered, trying to pick the pieces up from the ground as Vale kicked them around, smirking with that sick fun he proved that night.

How could he treat the person who loved him the most like that? Leave him to the wolves as if it had always been like this.

Then a memory from Valencia comes up.

The one moment who revealed to him what Marc was going through.

“You like helping him uh? You sucked his dick too? Did you go to him and let him fuck you as a thank you for letting him win? Did he fuck you well Marc? I bet you enjoyed his dick so much given how you ran to me immediately after to suck me off”

“Stop it Vale please”

“Ah stop what? I’m having fun here aren’t you? Does he know how you like to be treated like the whore you are?”

Then Marc had thrown up. Those petals, horribly yellow and blue.

“I’m sorry”

But sorry doesn’t fix anything, doesn’t fix the hole in his heart shaped like a shot wound.

Sorry doesn’t bring Marc magically back and places him onto his plane, sorry doesn’t give him the chance to tell Marc he loved him still.

Sorry doesn’t do anything. It doesn’t even make him feel better. The only thing that could brighten his day is Marc’s smile.

Or a kiss from him, a hug, holding hands. An action that told Vale “I’m here, I’m here with you”

The only noise is the signal that tells him to fasten his seatbelt because they’re landing. No laugh, no “Vale you want me to hold your hand? I know you’re scared of flying”, no little yelp Marc did when they started taking off.

Vale never liked flying. Not private, not commercial. He doesn’t like lots of factors, height, pressure, danger, noise.

He hates taking off and landing most of all.

And when he’s alone he always grips the seat so fucking tight he had to replace armrests more than once. The jet company had told him he should be sure if he wants to have something so fancy he’s so scared of.

He hadn’t cared.

“Vale? Are you ok? You look a bit - a bit pale. Have you eaten? Do you want me to take you something from the bag?”

Vale shook his head, put on a reassuring smile and sat in his seat, Marc beside him smiling so much Vale though it had to hurt.

“Are you excited? For our holiday?”

Vale had gone overboard that time, something he never did for his past girlfriends, not for anyone but Marc. Marc. A shooting star that came into his life to stay.

He planned a 12 day holiday in the Philippines, just the two of them, in this apartment far from the rest of the world, where they could be just themselves without the fear of being discovered.

“I already told you amore no? Really excited, we’re gonna be in this very beautiful house surrounded by nature and near the sea for twelve days, and most importantly I get to have you all to myself for twelve days. I have already planned a few things I’d like to do once there, you know?”

Marc had blushed, looked away.

Of course he “planned” a few things as well, they were completely alone for more than a week, having sex is the most expected thing there.

And he really wants to spend at least two days straight without getting out of bed. Vale’s tension hadn’t worn down during their small chat, Marc could see how he kept on looking outside the window, and how the armrest of the seat Vale was on looked like a wild cat attacked it.

“Vale, are you nervous?” “Uh? No no I’m ok don’t worry baby” “You look strange” “No no I just am really excited about going there with you”

Marc had watched him again, until a particularly sharp noise came from the plane’s engine.

At that, Vale had shut his eyes and his mouth morphed into a thin closed line, even with his eyes closed Marc could feel the fear.

“Vale, are you scared of flying?” “No” “Amor I won’t judge you, but are you?” Vale opened his eyes, the plane was ready to take off. “Yes. I don’t like it” “Ok then uhm I can maybe hold your hand? To make you feel more secure?”

Vale also doesn’t like to ask for help, or make it obvious he needs it, but the way Marc was looking at him moved something in his chest, it made him vulnerable, but in a pleasant way. A sweet kind of it.

“Ok. Yeah yeah ok you can just-“ “Yeah I solemnly swear I will never tell Valentino Rossi wanted me to hold his hand because he’s scared of flying”

They had laughed, and Marc had brought him a kind of warmth and comfort he hadn’t felt in any other moment of his life.

Right now he’s alone. There’s an enormous emptiness beside him. An obvious lack of warmth and doe eyes looking at him with love.

Those eyes, God. How many times has he looked at them, how many times has he seen them open at the first lights of the morning in creamy white sheets they shared, how many times has he fell in love with them.

The memories are almost enough to distract him from the impending touch with the ground.

Maybe the plane will break, or crash. Save the others and leave him a carcass twisted below tons of metal sheets, unrecognizable at the sight.

Maybe this would be the right way to pay back Marc. Maybe just this could be enough. Dying of a horribly painful death, like Marc did. Alone. Cold.

The plane lands, and there’s no explosion or collision. Valentino is alive, and painfully so.

He never understood people who said they wanted to die until now. Because there’s something about thinking that it can all be over, that he can get away with it without having to face the others.

Lorenzo, Dani, Dovi.

They will be at the funeral. They will be on track. And they will know it was him.

The hostess comes up to him, tells him they’re securely landed and he can climb off the plane.

He gets up, a hoodie and a pair of du glasses on. Phone in pocket and some cash in the other.

He doesn’t need anything more, he reserved a car during the flight, it’s already there waiting for him.

He gets off the plane and in the car as fast as humanly possible, fingers tapping uncomfortably on the steering wheel, a tightening sensation in his throat.

He’s crying once again, at this point he’s surprised there’s even tears left inside him.

He stays there for ten whole minutes, then convinces himself he has to do this. He has to go.

He starts the car and gets out the airport, he doesn’t need a navigator, he knows the route by heart, him and Marc made it lots of times.

Once he’s twenty minutes away from destination he feels worse and worse about what he’s doing.

How will he even hide himself? Cervera is not a big town, and he’s not sure Marc’s family chose to have an open doors funeral.

He’s going there blindly, in the vague hope he’ll get to cast a glance at his body.

The graveyard won’t be as much of a problem, he can confuse himself with people who will want to say their goodbye. He’s sure he’ll find a way to sneak in, stay far from the family as he too mourns with them.

The town is packed, as he expected, tons of people gathered there to give their last farewell to Marc.

There’s flags,  cardboard signs, sheets, all in his honor. In the honor of the rider he was. They are mourning the icon, the sportsman he was. Not the man, the wonderful person he actually was.

And it hurts.

To them it’s an idol that died, an inspiration. To him and his family it’s a person, a brother, a son, a friend, a lover.

The square before the Church is barely noticeable, a sea of orange and red combing it whole.

Then he sees it, the side entrance Dovizioso in suing to get in. He can do it. He can get in somehow.

He squishes himself through the myriads of people waiting for Marc to come out, waiting for the men dressed in deep black to carry him out in a coffin.

But Vake knows they’ll never come out from the front door, no they’ll come out the side one, take another car with the corpse and go to the graveyard.

And he’ll find a way to follow.

He doesn’t manage to surpass the barriers tho, he has to just wait, wait until the function is over and he can follow them to the place where his love will be buried forever.

Once he notices the funeral procession, he’s the fastest he’s ever been, running back to his car and quietly following the one with Marc in it.

It feels shady, and it is, but that’s all he can do.

He parks fairly far from the spot where he knows they’ll place Marc, climbs down the car and makes the rest of the way by foot, quietly in the December freezing cold.

He’s lucky, he knows he is, he could’ve arrived too early, or too late, or be recognised and probably publicly executed.

The graveyard is gray, gloomy and unsettling. He can see Alex from this distance, and a priest reciting something.

He wants to be there.

He’s hidden behind a tree, a bit closer now, he can hear the sobs coming from the people there and the incomprehensible words said by the priest.

Alex is holding their mother, their father is just a few centimeters to the left, heavy eyes filled with tears.

Other family members gathered around the coffin crying as well.

Their colleagues stand a bit further, crying as quietly as they can, Dani especially seems broken, hiding his face in Lorenzo’s chest, while he strokes his back gently, Dovi has marks on his knuckles, red and blotchy.

He must’ve punched something at the news.

Once the person Vale supposes to be Marc’s grandmother moves out of the way he can see him.

Soft, pale and pure skin. Frozen, unable to move. Restrained in this position for eternity, It’s a sickening view, it’s unnatural for Marc to be like that.

He wants to come out of his hiding spot, under the soft and cold light of the December sun.

Walk to the coffin, say goodbye, say sorry, cry, beg for him to come back, then accept the truth.

He can’t think of leaving a flower, not with the way Marc died.

And now that he pays more attention he can see little flowers growing out of his mouth.

He’s heard of people whose ribcage got broken by roots and flowers growing out of it, and he’s glad Marc’s situation is not like that.

The unmistakably bright yellow being the only thing of his still attached to Marc.

He makes a small mistake, a little movement and Roser turns around.

He got caught.

Roser just saw him at Marc’s funeral and now he truly is doomed.

Vale begins walking away, wants to run between the graves and go back to his car. Once he’s almost out he feels a hand on his back. He stops and turns around, ready to face a blood thirsty Alex.

But he just sees Roser, eyes red and glassy.

And he feels even worse for it, feels like a fucking cancer once again. There’s hatred in her eyes, rightfully so, and anger, and so much pain. “Take the glasses off”

He doesn’t expect that, but it’s not a punch in the guts, so he takes them off. Icy blue eyes matching with the surrounding atmosphere, eyes Roser notices to be filled with so much more than she thought.

“Why are you here?”

Her English is tentative, broken, but it can transmit all her emotions well enough. Vale can’t answer, he wants to burn a hole into the ground and fucking disappear inside it.

Words are dying inside his throat, he just looks up at Marc’s mother to feel something close to that hate he has for himself.

And there is a lot of it. But there’s also - compassion?

Or at least something that is not just pure pain and anger.

“Rossi. My son loved you” “I know” “You not” “I did. I do now too. I came here to see him I - I’m so sorry, I’m sorry I’m sorry I’m sorry”

The last part he speaks Catalan, which shocks Roser.

Valentino Rossi, the rider, the legend, the man who hurt her son so much is now crying in front of her, knees against the icy-cold soil of a graveyard, speaking her language, saying he’s sorry.

She would want to be strong enough to just leave him there. But this man is crying like a kid lost in the woods looking for someone to help him.

There’s anger in her heart, obviously, lots of it. There’s hate. But she will never not have compassion in her heart too.

The tears, the eyes, the words, they all seem genuine to her.

“estimaves el meu fill?” (did you love my son?)

“sì. no tant com es mereixia” (yes. not as much as he deserved)

“però ara ets aquí” (but you’re here now)

“ja és massa tard. ell és mort”  (now it’s too late. he’s dead)

“ell mai va deixar de pensar que hauries tornat per ell” (he never stopped thinking you would’ve come back for him)

“ho sento” (I’m sorry)

And vale just stays there, crying, but without a sound, Roser standing in front of him. And he wants her to do something, maybe call for Marc’s father, or for Alex, or the other riders.

Instead he receives pity. And a hand on his shoulder.

“Go away before they see you, if you want to speak to my boy you should go to Church, ask for forgiveness, ask for him to be well”

And then she leaves. The mother of the boy he killed leaves. Lets him go, as if he didn’t commit the most atrocious and horrible act towards Marc.

He gets up from the ground, dirt and grass staining his jeans, the cold has made its way inside his bones, under his skin, pointy, stingy. He puts the glasses back on, tears don’t stop falling when he does, the sensation of being observed doesn’t fade.

The ride back is monotone, gray, and silent. The radio doesn’t work, and if it did Vale would turn it off anyway.

He gets to a lay-by and stops, he can’t hold it anymore, he gets out the car and vomits, it's almost just bile, maybe some alcohol still, no food. The image of Marc laying like that is too much.

It accompanies him until he reaches the airport again, leaving the car where he found it, it accompanies him while he climbs on the plane and when it takes off.

It fucking follows him to the bedroom door once he's home.

[punjab-official]

unearthing this meme I made back in November