#dealing with dad

[moorheadthanyoucanhandle]

MOTHERS, SONS, DAUGHTERS

Opening this weekend...

Evil Dead Rise--This fifth feature in the beloved horror series that began in 1981 moves most of the action out of the woods and into the city. An earthquake uncovers a copy of the "Book of the Dead" in the bowels of a decaying L.A. apartment building. Near the tome are a couple of vinyl records on which a priest has recorded the incantations necessary to invoke the evil spirits that re-animate dead bodies to torment the living. The kid who finds all this is an aspiring DJ, so he has turntables, so...

Through this laborious set-up, the lissome tattoo-artist single mother (Alyssa Sutherland) ends up possessed by a malevolent force. It's up to her guitar-tech sister (Lily Sullivan) to defend her nephew and two nieces. Gruesome mayhem ensues, hitting on the obligatory tropes of the series--grinning, leering, levitating corpses, oceanic amounts of gore, hurtling demonic POV, the repeated phrase "dead by dawn!"--as well as nods to Kubrick's The Shining and to Fargo.

I'm afraid I've run out of patience with this style of horror flick. Watching a woman's corpse terrorize and murder her children probably wouldn't be my idea of entertainment in any case, but here it's not only unpleasant but tedious. I've grown weary of films in which characters stand transfixed as something ghastly happens in front of them. After a while one begins to suspect that all the interminable gasping and whimpering and slowly backing away may not even really be about generating terror or heightening suspense, but rather about padding a thin script out to feature length.

Sam Raimi's original Evil Dead trilogy was not inconsequential cinema. The "shaky cam" techniques that Raimi and his cronies developed on those indies, out of economic necessity, were highly influential on the Coen Brothers and Barry Sonnenfeld and others. But beyond the realm of technical innovation, Raimi's movies, especially the marvelous Evil Dead II of 1987, had a low-tech vigor, a whimsical sense of macabre comedy and a guileless campfire-story gusto that, combined with the one-of-kind slapstick acting of star Bruce Campbell, made them classics.

Raimi and Campbell are listed as executive producers on Evil Dead Rise, but almost none of the twisted magic of their early work can be felt here. There's some elegance to the production design, and leading ladies Sutherland and Sullivan are stunning, Bukowski-style L.A. goddesses. There's a sweet line in which the youngest niece tells her aunt why she thinks she'll be a good mom someday. And the Hieronymus Bosch-like horror into which the demon's victims conglomerate themselves is a decent Raimi-ish idea, though the CGI renders it soulless.

I'm told that this film, directed by the Irish Lee Cronin, was originally slated to open on cable TV but got a theatrical release after test audiences took to it. So it may be that I've just aged out of this sort of thing, and the movie will truly please audiences. If so, even though it's not for me, I nonetheless find it cheering that people still want to scream in company.

Somewhere in Queens--Less than a month after opening the Phoenix Film Festival, Ray Romano's feature directorial debut opens theatrically here in the Valley. Romano, who co-wrote the script, also stars as Leo Russo, a bedraggled hangdog sad sack who works for his family's contracting business in the title borough. Leo isn't the favorite son, however. His father (Tony LoBianco) shows more respect to Leo's slick brother Frank (Sebastian Maniscalco). Maybe everybody loves Raymond, but nobody loves Leo.

Well, that's not true. His siblings and his wife Angela (Laurie Metcalf) love him well enough, but they don't take him seriously, or listen to him. A sultry widower (Jennifer Esposito) on a jobsite seems to take a shine to him, but he's not the adulterous type.  Leo does have a source of pride, however: his quiet son "Sticks" (Jacob Ward) is a high school basketball star. One night at a big game, Leo and Angela are surprised to learn that Sticks has a girlfriend (Sadie Stanley) they didn't know about. The same night, they learn that he may be good enough for a college scholarship.

Though it's often funny, a forlorn atmosphere hangs over the early scenes of this movie that had me bracing for some sort of wretched tragedy that would leave the characters standing around emergency rooms or something like that. But the story, though it stings, doesn't drag us through the mud; it takes off in unexpected and painful yet believable and sometimes exhilarating directions.

The feel for the setting is convincing, and so is the large cast. The ensemble scenes are well-executed, especially the girlfriend's debut at a big family dinner, where she both irks and impresses the relations with her nerviness. Romano plays Leo as a toned-down version of his stage and sitcom persona, cowed and slow-witted, and his tentative, apologetic boyishness is poignant, even when you can see how his family could find it irritating.

For a while it seems like the film is underutilizing the mighty Metcalf, but finally Angela gets her big moment. Romano lets her articulate the theme of the movie, admitting probably the most frequent emotion of the parenting experience: Fear.

Also opening this weekend, at Harkins Chandler Fashion 20 and Harkins Arrowhead, is Tom Huang's fine comedy-drama Dealing with Dad...

It's slated to play at Harkins Shea and at the Mary D. Fisher Theatre in Sedona starting April 28.

I reviewed it last year, after it made the rounds of several festivals including Phoenix Film Festival. It's very much worth checking out.

[chloesimaginationthings]

FNAF Movie William judges Vanessa's friends..

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[tarvek-sturmvoraus]

bats: tim are you going to tell us anything you did while searching for bruce tim: not unless everyone gets real cool about a bunch of stuff really quickly

[911-incorrect-quotes-dispatch]

Buck: Hey Chris, I'm so happy you are back!

Chris: Yeah, I heard you’re having a child...

Buck: I'm having a what?

Chris, brings out adoption papers: A child. And it's me. Sign here.

[bigfatbreak]

Wait a minute…papa Tom doesn’t seem too hostile towards Nathalie. Or at least she doesn’t seem nervous/blackmailed. Does Tom not know her past allegiances or…is there an alliance in play?

Viceroy employs many in his arsenal, and as far as Nathalie is concerned, Tom is a coworker. :)

[dailycupofcreativitea]

"So then he threw the Dragon Ball into the ocean, but luckily we had the Dragon Radar, so Bulma sent Gohan to get it, and then..." 🫠

(In other words: Trunks finally hears about Vegeta's shenanigans from the Saiyan saga to the present. But the others reassure him that Vegeta's (probably) a team player now, so it's okay!)

[call-me-strega]

Dc x Dp Prompt #23: The Custody Battle Turned Romance

A freshly resurrected Jason is found by Single Dad Danny raising a de-aged Dan and Dani who goes "surely one more kid can't hurt?" and takes him in. Danny helps him deal with his catatonia, trauma amnesia, and other side effects of being undead without the need for a Lazarus Pit.

He takes the kid to a therapist Jazz recommended and supports him thoughout his recovery. They did some bloodwork and found out pretty early on he was The Jason Todd-Wayne but then he decided not to reach out and let Jason decided what he wanted once he was recovered.

Danny, Ellie and Jordan love and treat him like family in a way he's never quite had before even with Bruce. They’re just so open and honest about their feelings and never make him feel out of place. So when Danny ask if he’d like to reconnect with the Waynes or stay with the them, Jason chooses to stay with them.

The world has moved on around them, and so has the Batfam. Jason knows about Tim (and talked through his feelings in therapy). He knows about the foundation Bruce created in his memory and the way he very publicly grieved. He witnessed the news over Nightwing nearly beating the Joker to death. He knows enough to decided it’s better to let the dead remain dead. Instead, he becomes Jason Nightingale, eldest adopted son of a mechanic in the Narrows. The family welcomes him with open arms officially accepting him as a brother and son.

Danny supports Jason to finish his high school and college education and Jason decides to be a doctor as an homage to Thomas Wayne and aspires open a free clinic like Leslie Thompkins. They get his death certificate revoked under circumstances of resurrection (which is a thing that actually exists in public documents due to the resurrections that tend to happen in the DC universe) and legally adopt him so that he can go back to school. However, Batman monitors public records to a degree and this gets flagged in the system bc it’s Jason’s death certificate.

Suspicious, but optimistic Bruce informs the rest of the family what he has found out and ask them to come as back up for when he goes to find Jason. He’s investigated and is sure that the family who helped rehabilitate Jason is clean and nice people but he wants his son back. They others also wanna see Jason but are worried if this is a good idea since Jason hasn’t reach out himself and there is paperwork for an adoption in the system. But Bruce decides to track them down anyway.

Bruce shows up as the Nightingale’s door and asks to see Jason. Danny, sympathetic, agrees on the condition Jason wants to see him. Jason is hesitant, but decided it would be good way for both of them to get closure and agrees. Bruce and Jason have a tearful reunion and a long heartfelt conversation at the end of which Bruce says “Let’s go home son”. To which Jason has to awkwardly break it to him, but he has no intention of leaving the Nightingale’s and returning to the Manor. He lets him know that he’s open to meeting the rest of the family at least once more but that Danny is his dad now and Ellie and Jordan are his little siblings.

Bruce is devastated.

He lets the rest of the family know and they all make their visits while Bruce wallows in despair. Normally he wouldn let it go, but he just can’t stand to lose Jason another time. So he decides to take Danny to court in the hopes of getting visitation rights if not split custody.

It’s one of the weirdest cases to hit the Gotham courts: two dads who were never together in any capacity but aren’t antagonistic of each other, are trying to come to a custody agreement over their adopted resurrected child in family court.

Over the course of the court case Bruce sees what a good dad Danny is and bonds with his two “bio” kids. Meanwhile Danny gets to meet Dick, Tim, and Cass (Bruce’s legal kids as of rn) and gets to talk to them about their experiences with Bruce and how much they want to form/reform relationships with Jason. They do form a healthy respect for each other, and accept each other’s places in Jason’s life.

Court case ends up working out in favor of Danny. It’s split custody but he gets custody of Jason majority of the time (as per Jason’s own wishes) and Bruce and the Wayne's still have partial custody and open contact with the Nightingales.

Over the years kids all start to see each other as siblings and both Bruce and Danny as their dads. By the time Damian shows up Bruce and Danny have been functionally co-parenting each others kids for years. They provide support to each other’s kids that the other parent may not be well equipped to, but helping each other improve.

When Damian does arrive his superiority complex is quickly curbed and Bruce puts him into counseling on Danny and Jason’s recommendation. It takes a while, but Damien slowly finally opens up and gets to act like a real kid. Ellie and Jordan, who are around the same age (maybe a bit younger?), love having him over to roughhouse and play princesses/knights/dragons (but with politics and consequences). Sometimes they’ll go out and trick people into thinking they’re triplets.

It’s actually Damien who first suggests parent-trapping Bruce and Danny so that they can be one big family. He obviously gets Dan and Ellie to agree first. Then the three of them bag Tim and Cass. The five of them approach Dick next. Jason is actually the hardest to convince but the manage to get his approval. Thus, these guys try to set up the Oblivious Danny and the Emotionally Constipated Bruce.

And for Flavor, just when it looks like they’re about to get together, one of their past love interests comes into the mix, re-entering their parents’ live just to stir the pot. (Which ex is up to your imagination: Sam, Talia, Val, Selina, Tucker, Wes, Minhkhoa, Harvey)

[demaparbat-hp]

Izumi (steambaby) sketches.

[bbbbbbbbatman]

Bruce and Clark start dating and Clark finds himself spending more time around the batkids and whenever he's losing an argument he just says "yeah? well I fucked your dad."

It's very effective.

[moorheadthanyoucanhandle]

POP QUIZ

This past Friday Your Humble Narrator had the pleasure to moderate a Q&A with writer-director Tom Huang...

...after a Phoenix Film Festival-sponsored showing of his film Dealing with Dad at Harkins Shea in Scottsdale. It was a small crowd, but they were attentive, and asked intelligent questions. The film plays through May 4 at Shea and from May 12 to May 17 at the Mary D. Fisher Theatre in Sedona. Recommended.

We also tried to take a picture in front of the poster for his flick, but all we got was poster.

[stil-lindigo]

prodigal son.

a sort of epilogue for God of War Ragnarok, since I miss these two so much.

support me on patreon

[fcb-mv33]

We may not have gotten a Max win but we did get girl dad Maxy at a race🥺🥺🥺🤌🫶

[majubengel]

Parents and children~

extra:

[anxi04]

tim and bruce have an odd relationship to the rest of the family. they don’t act like father and son but it seems like they have a “deeper” bond than the others

bruce seems to take tim’s advice more seriously, bruce actually takes a break if tim tells him, tim still gets benched but not nearly as much as he should, and most confusingly, tim benched bruce once. not alfred benching bruce, TIM.

normally bruce has to be forced to take a break, and normally by alfred, but if tim says “you’re benched for a week” bruce? listens?

they have no idea why. some of them ask dick if he knows since he was there but he’s just as confused

and then despite all that there’s also such a strain between them? it’s really on the line of a professional relationship and almost a care taker. it’s very confusing. and then the times bruce gives tim a present or anything like that and tim stops and stares at him for a second, like he’s dissecting bruce. no one is able to fully figure it. until bruce is de-aged to tim’s robin era.

tim is very adamant about most of them, but especially jason and damian, do not reveal their names to him. for the time being they have a strictly professional relationship with their father who doesn’t know them.

they finally get some of the picture when they see tim start acting as bruce’s caretaker. tim switches between being gentle “hey, you need to sleep” to screaming at bruce. it always works. tim knows exactly which version bruce needs and it scares the team cause that has to require some practice

they’re then also thrown for a loop when they hear bruce call out jason’s name in a shocked voice, which makes sense cause he doesn’t know jason is alive but jason still has his helmet on so what? and then they hear a voice none of them have heard. except dick goes pale and jason’s breath hitches. and suddenly tim is responding to jason’s name and acting weird, almost like what some of dicks stories described jason as. and it’s so fucked up when they’re watching time act like someone else and bruce going along with it

the dynamic they’re getting is also fucked up once again when, during one of bruce’s really bad days, tim straight up acts like bruce’s parent. and bruce reacts well.

they’re all horrified by this. the realization that tim and bruce’s relationship has so many layers and that they do act like father and son sometimes. except bruce isn’t the father and tim isn’t the son

[bunnieswithknives]

Obsessed with his brain