#continuing my first watch

[cloth0]

Look, look, all I'm saying is, in The Office 8x06, there is this moment right, where there's the Doomsday device and they've already got 4 strikes, and Angela says something about some numbers to Oscar, and he does this quick mental counting and realizes he made a mistake, THE mistake they were supposed to ABSOLUTELY NOT DO, and panic strikes HARD, and first he breathes out the cutest oh no ever, and THEN, JUST IMMEDIATELY AFTER THAT, he calls out, in the tiniest most terrified voice

"Andy-"

'nthin much really, just something that will play non-stop in my head while I lay awake in my bed tonight.

[jojaxcola]

the jojamart mockumentary that constantly plays in my mind

[ next ]

[worm-on-my-way]

do drugs kids :)

[r0semultiverse]

The code at the end of the credits in the FNAF movie spells "COME FIND ME" btw for those without captions.

[panthermouthh]

“You doubtless recollect these papers. Here they are. Everything is related in them which bears reference to my accursed origin… the minutest description of my odious and loathesome person is given, in language which painted your own horrors and rendered mine indelible. I sickened as I read.”

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[tango-but-everywhere]

bogos binted?

mumbo, wild life 5

[ID: a minecraft screenshot from within the spanners’ tnt minecart tower. from left to right, impulse, pearl and tango are all facing the viewer, though pearl is looking at tango. end ID]

[secriden]

It flays me open to see the way Style is so clearly choosing to love Fadel. The way he does this with eyes wide open, fully seeing and knowing and understanding that Fadel is very much a man with parts at war within himself, who is far from perfect and moreover who will stubbornly cling to his flawed perspectives -- and yet Style chooses and keeps choosing to love Fadel anyway.

And while there is a helplessness to Fadel's love for Style, it is juxtaposed so very beautifully with the way Style's love for Fadel is filled with intention.

It's kind of wonderful how there's nothing idealistic about Style's perception of Fadel. Watch how long Style freezes when Fadel first pulls the gun on Popcorn and Jimmy. Even as they're starting to run away, Style remains petrified, his whole focus fixed on Fadel's hand, on the gun with a (steady, this time) finger on the trigger.

And again, when Fadel threatens to shoot Jimmy, Style's whole body actually jerks in alarm, hands hovering as if he's caught in indecision, before he stands up and tries to physically stay Fadel's hand. Style is acutely aware of the violence that Fadel is capable of and it legitimately terrifies him. Not just because of the physical training that makes Fadel so effortlessly, instinctively lethal, but even more what it says about his metal state and the emotional scars he carries to be able to hurt without thought or care.

It's easy to forget that Style's boldness and defiance in the face of Fadel's threats does not mean that he is unaware or in denial about the deaths which Fadel has orchestrated and been involved with. The choice to keep Popcorn and Jimmy alive is only significant if Style understood that Fadel was fully capable of clinical murder given the justification of being attacked by them.

He's also unflinchingly honest about questioning if Fadel's moral judgement is one that should be trusted. And even more significant is that he calls out how wrong it is that Fadel thinks he has the right to stand as judge and jury at all. It’s kind of wonderful how Style’s love not only doesn’t blind him to Fadel’s faults, it even makes him see the situation more clearly because he so genuinely wants what is best for Fadel.

And we find out this episode that Style is absolutely right to ask those questions!! Fadel has been lied to, used, manipulated; but there's an undeniable aspect of Fadel on some subconscious level choosing to turn a blind eye and trust that Lilly was giving them the 'right' targets in spite of the fact that he knows Lilly isn't a good woman (because we've seen Fadel's fear of her in the way he tries to protect Bison from their 'loving' mother). I remember wondering in episode 1 if the supposedly ethical 'cause' is one which Fadel truly believes in, and I think the fact that he has already tried to leave once tells us that on some level, a quiet voice inside Fadel whispered that there was a falseness at the centre of his crusade.

But the Fadel of right now isn't willing to face this truth just yet. He is still reeling from the discovery of Style and Bison’s double betrayals, still hurting from what he thinks is his unreciprocated love. Right now, Fadel still wants, still needs to feel like he has some control, still needs the wilful self-deception of thinking that his life before Style (without Style) was enough to make him happy. And Fadel would rather pay the price of loneliness (and continuing to hurt someone he knows he still loves) if it means feeling as if the ground he's standing on is solid.

But Fadel has never prepared for someone coming into his life with not only the unwavering determination to look beyond his mask of hostility, but also the ravenous desire and tender care to search and reach for the soft fragility of the light inside his heart. Because as much as Style was challenging and questioning Fadel in this scene, he was also so very clear about the things he sees in Fadel that are worth treasuring. Just look at the gentleness in Style's eyes and the soft way he says "you're pretty decent at your core". The way Style refuses to let Fadel maintain his facade of careless cruelty and clinical detachment to killing, but claims with unshakable certainty that Fadel has never been that self-serving as to kill solely for money.

Style desperately wants Fadel to see the good in himself and to understand and acknowledge that he is so very, very worthy of the adoration Style wants to give him. Can we just pause and take in for a moment: the weight of Style's affection as he presses worshipful kisses to Fadel's injured arm; a silent apology for the hurts already inflicted and wordless promise to care for all of Fadel's injuries in the future.

Style (rock concert; episode 6): "You're doing a lot of second jobs aren't you?" and "Try being someone you want to be."

But Stye's love for Fadel also gives him the courage want better for Fadel. He isn't content to just accept Fadel's life as a hitman; and now that all the secrets are gone, he dares to bluntly ask the questions that he had to hide behind veiled words in episode 6. Style is determined to hold a mirror up to the life Fadel has been living and force Fadel to see the ways it has been eating Fadel up on the inside.

Style is forcing Fadel to face the reality that he does have a choice, that he has options outside of merely surviving this horrible life he feels bound to by fate. (And once again he is right!! Because oh, the harrowing knowledge we, as the audience, now have that it wasn't even fate -- it was the machinations of an evil, scheming, conniving woman who took two grieving and traumatised children and twisted them for her own use! T_T).

But the best part? The part that absolutely fills me with an almost hysterical delight? Style makes it absolutely clear that he isn't asking Fadel to face any of this alone. Because Style understands that Fadel is genuinely terrified -- Style is asking for Fadel to reach for a future together with him beyond this life of a killer, to step off the edge and choose to trust Style again when neither of them know what they'll find at the bottom of that fall.

So Style takes that drop first because what Style does this episode makes me truly feel insane:

He freely calls Fadel faen and owns the unspoken implications of love, commitment, and devotion in that term of address. He promises, over and over that he won't run from Fadel; that his continued presence by Fadel's side is a choice and not a reaction to the gun Style is careful to show he is not intimidated by. He stays unflinchingly honest in everything he does throughout their journey: from his frank desire for Fadel's kiss, to the harrowing vulnerability of his very real fear of death; from the way he obeys Fadel's order to push the car, and also how exhausted he was from the exertion, to the way he stares at the water Fadel is drinking and pointedly says nothing (refuses to ask for any water himself) and then calls out that Fadel offered it to him without prompting.

Style wants Fadel to know that he's seeing everything, that he can hear the silent cries of reluctant care from Fadel's heart, even if Fadel's words are still filled with cold and cruel dismissals, because it makes Style's declarations of love and devotion all the more weighty.

When Style said, "I promise that no matter who you are, I'll still like you" in episode 5, Fadel couldn't trust his words because he didn't have the context of Style already Knowing. But Style has been freed from the shackles of his own lies now; freed to give his promises to Fadel anew with the knowledge that both their secrets have already been stripped bare.

And this time, Style fully respects the boundaries Fadel sets, and acknowledges the storm of anger and hurt in his heart. He isn't demanding for Fadel's forgiveness, nor is he denying that Fadel feels that he deserves recompense.

I remember reading a few takes that Style is simply "restarting" or "continuing" his courtship and episode 8 has totally shifted my perspective on that.

This courtship isn't a parallel, this is a juxtaposition; and the biggest indication of that is the way Style refuses to take anything that Fadel does not give him freely. Style will put himself on display, will offer is body and his heart and ask for Fadel's touch, Fadel's lips, Fadel's heart -- but yet at each crucial moment when Fadel rejects him or turns away, Style's reaction is only one of understanding and compassion and acceptance. Look at the stark difference in these two moments. Look at Style's selfish determination to take in episode 2 as compared to his selfless acceptance of Fadel's right to reject his offer of affection in episode 8.

Because this time his love is real. This time, it's not just empty words dangled to bait a trap accidentally designed to work uniquely for Fadel's fragile heart. This time, Style will place all of his vulnerability in Fadel's hands and take the risk that Fadel will hurt him, that Fadel will be cruel to him, hell that Fadel may actually still kill him at the end of their journey, because Style has made the choice to put Fadel's happiness first. And this is so fucking incredible because I don't think Fadel has had anyone to do that for him since his parents died. Khun Mae certainly didn't, and Bison is his younger brother and the one Fadel has to care for, the one he's responsible for. Who, then, has been around to truly look at Fadel, to see into his heart and the things he desires in his darkest moments, and give him not only what he thinks he wants, but what is best for him?

But the beauty of their narrative is that love has given Style eyes to see true; to see behind Fadel's walls and masks and cruel facade, to the heart of the a man who is still bound up in his trauma and old hurts and isn't ready to let go of his past for the future Style wants to offer him. And all that he saw was worth enough that even with Fadel's gun at hand, even with Fadel sitting literally naked and vulnerable and partially incapacitated because of his broken arm, Style's choice is still to stay.

And I am brought to my knees by this choice because it isn't a thoughtless or careless one: Style literally vows to give his life on his quest to win Fadel back. This is a promise to stay by Fadel side until Fadel either kills him or becomes ready to walk away from his life of violence, because they both know now that these are the only options left.

But Style sees enough in Fadel to make wagering his very life worthwhile, because there's no price Style isn't willing to pay if it means the chance to hold Fadel in his arms again and receive a kiss freely given from the lips of the man he loves.

[blaithnne]

CBS Ghosts is my new guilty pleasure so take my new OCs. The Blanchet family were distant French cousins of the Woodstones who visited the house in the early 1900s, only for a violent house robbery to take the life of their youngest daughter, Mercedes, and her loyal self appointed guard dog, Horse. Only 8 years old, it takes some time for Mercedes to understand her fate, and for some time she’d be very distressed that her family seem to be ignoring her. On the bright side, the other ghosts are there to try and make things easier, though the misfit collective have a hard time caring for a child given their circumstances, and conflicting ideas on how best to raise a little girl.

Of all the ghosts, she is closest with Thorfinn. He has a soft spot for the little girl.

[fruitbythefoot7]

bylerween day 1: horror au

scream (1996) but make it byler pt 2: electric boogaloo!! (this time with 100% more blood!)

@bylerween

[hysterical-random-things]

Soundwave Superior Back when I decided I wanted to get back into drawing transformers and interacting with the fandom, I decided to start off with attempting Soundwave. Now that it's been a bit over a year since then, I figured i'd be fun to do a redraw of the piece and compare how I'd draw it now :> Comparison under the cut

[pharawee]

Imagine being the personal assistant of some rich asshole CEO who threatens to get HR involved on your first day because the cleaners moved one (1) box on his desk 10cm to the left. Oh, and apparently he also got it on with you once (while you were still sporting your "I just started working here!" haircut) but it's ok because there's no (lmao) feelings involved, so you agree to also manage his personal appointments, so now you wait in his BMW (because OF COURSE it's a BMW 🙄) while he's off two-timing some girl with a guy named Kim, but it's totally fine, it's ok, it's because he doesn't know how to love anyone, it's really quite tragic. So anyway, you have this picture of you and your asshole boss (probably screencapped from the company cctv??) right next to your bed because you have no taste and standards whatsoever, but now you're thinking of quitting after five years of micromanaging him via your personal google account (only of course you aren't WINK WONK don't we all quit eventually~) and your boss won't let you because no one's ever said no to him before and he'd rather just continue sexually harassing you.

Oh, and also you live in a parallel universe that exists without any meaningful scene transitions whatsoever, so you constantly jump from the past to the present without any kind of strong notion of who any of the characters even are.

And that's Bad Guy My Boss. 🥴

[scribbling-dragon]

the omen of death shows up in a double denim outfit. wyd?

[christine-ye]

Nice 👍🏻

[seonghwasblr-moved]

Seonghwa ☆ 5OTD

[imkazz]

saiki k season 2 lore is insane

cant believe some of my moots said there was barely any lore or character development until the last 2 episodes because what the fuck is thissss (huge spoilers)

making this more organised than my last post about season 1 and the finale

teruhashi at first i really really hated her- of course, i loved and adored her as a character but as a person? no. she is a play on the anime trope of 'perfect mary sue girl' and its so fuckin weird becuase its both exactly that and exactly the opposite. she is perfect and looks beautiful and nobody can compare and basically everyone is falling in love with her or completely and utterly jealous of her- exactly like one of those stereotypical girls in those kinds of animes. but then at the same time shes not. teruhashi is intelligent, cunning, calculating, and puts up a delicate facade practically 24/7. she knows her abilities and utilises them to her absolute fullest, and i completely respect her for that. teruhashi recognises that she is 'gods favourite' and she is not shy in the slightest to manipulate that to ensure she gets the advantage. however, this knowledge of everyone else completely obliterates her own self-perception: she believes that she herself is the very role she is acting. teruhashi is determined that she is absolutely kind and perfect and is in no way wrong with anything she does. and with her lack of experience involving rejection and plainness, she completely overlooks saiki and is utterly confused with him as a whole. and at first, teruhashis obsession with saiki is about getting him to just become another guy- get him to say 'offu' to her. she bugs him, follows him, comes up with ploys, manipulates the world around her to try and get it to happen, uses all of her skills to her advantage, only for nothing. i didnt like her as a high school student to another because she painfully reminds me of a lot of girls i was friends with.

but then as the series goes on...... teruhashi changes. i think it was a gradual thing (such as teruhashi becoming friends with yumehara, even- i dont think she actually had female friends up until yumehara because of the amount of guys around her +the fact that all other girls near her would get overshadowed), but it really showed up for me in episode 17 of season 2. where teruhashi got jealous of aiura (fuuck i gotta talk about this diva). yeahhh it was not pretty. teruhashi began changing herself so that saiki could notice her (and i notice that before, teruhashi had only tried to use her own personal skills to get him to say 'oh wow' so this is the first time shes tried changing herself) and i found saikis attempts to dissuade her interesting too. typically, with all of his attempts, saiki would go into her mind and use his powers to try and turn her off, but this time, he actually told aiura to do it.

i think it was also very interesting that aiura was also changing around her appearance, as it really helped set things in for teruhashi. as they both changed what they were like (teruhashi for a boy (saiki), aiura for a girl (teruhashi)) so teruhashi was only getting more and more confused with that bit. 'if im getting more gyaru and aiura more kawaii then why isnt he reacting to either of us?'. and then saiki gets aiura to talk to teruhashi, and i also found what aiura said to teruhashi interesting. it was all that stuff about saiki and what kind of girl he liked. and i really think that she was telling the truth. i really feel that aiura was just saying things about saiki about a whole for all his relationships, romantic or platonic. he likes people who stay true to themselves. kaido is unafraid to feed his delusions/imagination (whichever you please), toritsuka is always honest with saiki (even if nobody wants to hear that pervy stuff), aiura is unafraid to be boisterous and stylish (even if she is a little bit freaky), kuboyasu is genuinely trying to become a better person (even if it sometimes doesnt work), akechi is determined and didnt let saiki sway him (despite all the obstacles that saiki put in his way), nendo is undoubtedly stupid but he is still kind (saiki watched him jump in front of a truck to save a kid thousands of times), on and on and on.

not only that, it is painfully clear to us the viewers that changing appearances doesnt matter in the slightest to saiki- he only sees it for like 3 seconds (i think he said) before it becomes muscle. curling hair or applying makeup or having more meat on the titties doesnt matter to him at all. what matters is what happens in their head, because while he doesnt get an extensive idea about their outside, he gets overly surrounded by everything on the inside. and thats probably why aiura saw that and said that to teruhashi (even if she cant explain the full reason). so teruhashi returns to normal and says that she will make saiki gasp with her own abilities.

but the strange thing is that shes already given that speech before. i cant say exact episodes from the top of my head but she has totally already said that she would use her charms and looks and sweetness to make him say 'offu' and he has always tried to dissuade her using his powers. but it was this one that made him gasp. and like. i was not expecting it in the slightest ok. but i think it makes sense- she has discovered that she can be confident in herself as a person rather than just her natural looks and is determined nonetheless. i think that saiki recognised around this area that she genuinely liked him as he was, even if she had thought he was 'gloomy and hard to read' (i believe she thought that when with his perv grandpa?) she still wanted to be around him and still had that crush. i love how when teruhashi is talking with other girls (kuriko too, but in this specific case im thinking about is rifuta) about her crush on saiki kusuo, that she would mention that at first, it was pure spite and disbelief that anyone could ignore her like that. and then, teruhashi wouldnt fail to continue and say that she grew to have a genuine crush on saiki that wasnt built upon annoyance at the fact he walked past her. and he discovers that he doesnt particularly mind being the object of her affection (unless her fanbase gets in the way oof) so i think that the offu from was a sort of embarrassed yet begruging acceptance towards this parasite of a girl who has attached herself to him lol

aiura shes sososo cool. i love the freshness(?) of her personality for the rest of the cast. finally a female psychic and i am in love with herr. at first i was a bit skeptical with the whole 'finding my soulmate' thing and i was cackling when saiki was just like 'ah yes she is legit but i am Just Better'. and then she continued to show up more and i love her. shes so quirky and very different from the other girls, who we see as much more feminine and in tune with romance anime tropes than anything, and then she comes in with the gyaru style and i love that so much. not only that, her slang and way of speech compared to the other girls (teruhashi, yumehara, mera) is also very interesting.

not only that, i really loved seeing the anime through her eyes and the auras of other characters including the shock-comedy of saikis. then, as she finds out about his powers and all i really loved how they worked together. i know a lot of other characters also saw that, seeing through teruhashi who commented that they were like the 'opposites attract' trope with 'boring' and 'flamboyant'. but then i also really liked how they worked even without any of the other characters opinions. aiura is still not giving up about the whole soulmates thing and saiki just lets it happen. because his ulterior motives is that she would ward off teruhashi so he begrudgingly accepts her to be near him as she pesters him to date/bang.

and then adding toritsuka into the paragraph, the pk psychic kids are golden. i love love love their dynamics. saiki has more respect for aiura only because he holds none for toritsuka. toritsuka sees saiki as superior and saw aiura as a pair of boobs in the beginning. aiura wants to be with saiki and just hates toritsuka because he tries to flirt. and for every mission they try to do together it always ends up in comedy. when saiki turned kaido and nendo to stone? holy fucking shit that really summed up what they were like. the psychic kids really are a weird band of teenagers with powers and it really showed their personalities in that meeting because. aiura stripping in saikis bed and toritsuka peeking through the door and saiki only sees a pile of muscles on his bed and a perv watching through his door. like cmon

i also want to dig deeper into her powers. she is completely ok with people knowing about her powers (like toritsuka but unlike saiki). she uses them to help people out (unlike toritsuka but like saiki). she uses her powers to her own benefit (like toritsuka but unlike saiki). she doesnt want to burden people with her powers (unlike toritsuka but like saiki). i find them soso interesting too because she questions why saiki doesnt use his powers more openly esp because he just has so many at his disposal. and then he sort of shows her why its a bad idea to so openly help people out by the result of mera and her father and i feel like she toned it down a bit after that too (at least publicly).

childhood lore this was insane. the buildup and everything and how it was presented. it first started with akechi being introduced as a new student and it was already unsettling to see saiki be actually a bit nervous about this guy. and then even more of a shock to see this guy blatantly ask saiki if he was a psychic because what- how the hell would this guy suspect, much less know?! and we learn that they were classmates in elementary school and we see a barely-there flashback to saiki standing in a classroom with childrens bodies scattered around him. so the suspense has started. and then we continue to get pestered by akechi but we know what he wants, but not why and thats the whole deal of it. he is the embodiment of those anime characters who are scarily good at deducing things and has a perfect memory too which makes it all the scarier because we know hes not an idiot unlike the rest of saikis friends.

and then to actually know what happens while saiki is going back in time to change it? masterpiece. we learn more about why akechi is pursuing this answer along with what actually happened to make that happen, along with why saiki cant change it without some sort of grave consequence. and the new knowledge that saiki as a kid without limiters is stronger than teenage saiki with limiters is even scarier because of course saiki wouldnt be able to stop himself.. truly an op main character. i also found it interesting how saiki k (the anime) manages to reuse powers over and over too and in such creative ways and in strange comebacks. he went back in time for his parents, he rewound the earth to one year prior because of the volcano, relived the same moment of nendo dying like thousands of times.. they really only ever hinder him.

and then to know what happens? i thought akechi was a creep for following/knowing everything about saiki but.. knowing everything that he knew at the moment? makes sense. definitely creepy, but much better understood. i feel like it was a good decision from saiki to tell him about his powers. if this isnt the first time theyve been like this, then it really does make sense. they were kids. they still are kids. and omfg saiki saying "i decided not to tell anyone about my abilities after that" because all it did was get akechi into more trouble from bullies. but they are now teenagers and have better cognitive understanding than when they were elementary kids so i feel it was justified for saiki to tell akechi because, after all of that trying with time travel, saiki couldnt stop the series of events unless he was making the world suffer. and akechi deserved at least a bit of closure about what actually happened and why saiki left.

and i feel like this series of events is also what makes saiki who he is in the beginning of the anime. he doesnt want friends at all because if they found out about his power they would be curious and want to know more and blab about it to others. and saiki knows the result from having lived it. because if he gets attached, people he loves get hurt. trying to make friends only causes suffering as akechi got bullied for claiming all those things and saiki hurt other kids using his powers because his emotions got out of control (rightfully!! he was like 8 and his best friend was getting bullied!!! of course he wouldnt be able to control any outbursts).

shipwrekced shipwrecked. i cant forget about this one but i was saving this. i realise i didnt write any notes for this one because i was wayy too focused on the actual happenings to comment. because what the fuck. 

yeah that about sums up what i thought at first.

the tropes. holy shit. they added so so many tropes into this one it was. the teenagers on a ship get shipwrecked on an island. all they have are the clothes theyre wearing and miraculously the pantry which washed ashore along with some supplies to build a raft. like all the typical anime things. and even when they suggest to build a raft, saiki agrees with them because its a good cover up. and i really loved the stereotypes that were put upon them: the loner (saiko), the cannibal (mera), pretty woman (teruhashi), leader (kuboyasu), idiot with good ideas (nendo), then saiki and kaido as the ‘followers’ or ‘helpers’.

then i found how saiki got them out genius, despite the fact he was panicking in the beginning about how to fix it. like of course he should be panicking because you cant see any rational way to get out of the situation without telling the rest of them about his powers. and so he tries to keep them alive for a little bit (going home and sleeping, buying food :sob holy shit bruhh), and then when he finally finds a way out (the raft) they play it off as stupid despite being such a stereotype of any shipwrecked movies. and even teruhashi realised that something was off, right? how his clothes were perfectly clean and all, but when he ‘went to work’ (i totally thought he was off to kill something with the saw helpp), he came back dirty. and of course! only saiki would make a whole new island near japan as a way of keeping his powers secret..

i honestly have no idea how to feel about this because.. how did they move on so quickly?! your students/classmates got trapped on an island for a couple of days. shouldnt this be a bigger deal- shouldnt saiki be known as ‘the kid who got trapped on an island’? like bro…. anime logic (if anyone else could. tell me what the hell was up with the shipwrecked episodes other than being satire towards other shipwrecked medias and being a bit of a comedy along with character development towards some characters like saiko)

friends+classmates so like. kuboyasu is a previous gangster and trying to become better/normal (anime trope). and kaido has middle schooler syndrome and thinks hes so cool (/affectionate). they are the two people you would least expect to become besties right. and yet they fit together so well. kuboyasu wants to become normal while kaido wants anything but. kuboyasu is actually strong and able to protect people while kaido can only dream. and it really shows during that mugging episode where kaido knows about kuboyasus past and yet still tells him to run. kaido is so weak and delusional that he probably gives kuboyasu a reason to remain calm and to 'protect his innocence' while kaido wants to be jet black wings and protect everyone no matter their pasts or abilities despite constantly failing and getting into danger and needing that saving himself. and even after that, they continue to hang out with or without others (such as building that fort or taking motorbike classes together??? or even may i mention when kaido trapped himself inside the coffin and kuboyasu was trying to coax him out). so then imagine my shock and delight when they started calling each other shun and aren like OMFGG?? calling people by their first names in japanese culture is a sign of being close with each other (such as chiyo and kokomi). theyre always in close proximity to each other and i adore themm

okok then saiki. and his friendssss. these episodes as a whole just show how much hes grown to care for themm. he follows yumehara and her boyfriend-sworn friend(?) to ensure that neither gets hurt from their misunderstanding. he warms up the classroom for all his classmates because he caress. he foils the plans of the news team to make teruhashi look bad. he stops hairo from getting killed during a robbery. he makes kaidos prank actually happen. he tries to throw akechi off in order to protect both of them from his power. he fucking saved yumehara from falling to her death. he gets beaten up by some fourth graders to help out yuuta. he gets everyone to return their gifts to mera on her birthday. he uses hypnosis to get his class to look better while they perform that play. he catches teruhashi before she falls and carries her to the nurse. he probably wouldnt have done half those things in the first part of season 1. so many of those require him to genuinely care for the people hes helping and not only that, some of those things draw attention to him and he would only let that happen if he truly cares for who he is aiding.

then to add to more about relationships between characters that arent saiki. kuboyasu and saiko. it definitly started as a hate-hate relationship. but then we see saiko crying in the bathroom because mean things were written on his desk and then we also see kuboyasu had tried to clean it off before saiko got there. my heartttt. not only that, but saiko who didnt care about peasants who went out of his way to redo his mansion to fit their tastes? and at first it was for his own ego (so similar to teruhashi omfgg) but then just like her, saiko began to actually care and didnt even understand it himself about why he was so focused on getting them to like him. and ofc he is an ass. he rolls down the window only to close it and drive away because its cold. he withdraws funding from the play just because the class was going behind his back. but its barely his fault. everything is handed to him on a silver platter and he doesnt know better. while kuboyasu had to work for everything. before he was working as a gang leader but now he is working towards being better. and aughh

world lore first off i need to say that the foreshadowing for this was INSANE. do you hear me. i am shaking you by the shoulders while i say that i am still utterly speechless by the implications and impact of episode.

the fucking volcano. holy shit. holy shit. there is so much i have to talk about considering the anime +worldbuilding +foreshadowing +buildup. this is a comedy anime. this is an anime that makes fun of anime tropes constantly. girl running to school with bread in her mouth. background characters. siblings who are a lil too freaky with their siblings. mary sue anime girls. the idiot friends. and then this???? the fact that saiki has been in a time loop for the same year for four years straight is. its literally mentioned by saiki himself when he says 'you might notice something off about this anime' and its poking fun at the fact that high school animes always loop around in order to continue publishing (like how its meant to represent just one year for the main character but theyve had seven winter episodes/chapters and three birthdays for a character). its poking fun at that bit and it uses saiki himself to do it.

the worldbuilding and foreshadowing come hand in hand. in the episode where kuboyasu was first introduced, toritsuka began talking to him about being a transfer student. when kuboyasu asked when toritsuka had entered he said 'second term of second year' so the same as kuboyasu. and we brushed it off as toritsuka being a dumbass. because of course we would, of course kuboyasu would too. but fuckk. we have four transfer students in one year all in second term?? we thought it was just a fucking anime trope thing again. but no. it was all purposeful. and then to add to that, we already knew that saiki had time travel powers. he could control time, we know from his restoration along with (later on from this episode) how he travels back through time for his parents. it was all deliberately set up in that way and so just holy shit.

and now i have to actually talk about that segment itself. the earthquake in the beginning was seemingly comedy and then we see saiki training. cool but not too big of a deal. and then he starts telling us about what the fuck is up just as he tries to stop the volcano. like excuse me?? i found it so very interesting that he continues rewinding time in order to build up his powers daily yet keep the volcano from exploding and intertwining both the time powers and mind control in order to achieve it. and hes gone through second year of high school four times, yet his parents know. it was crazy how nonchalant they were about it too, saying 'oh he can always do it again right' like he is saving the world. how much longer would he do it? how much would he be willing to do? i find saiki so very interesting because he could always just. let the volcano explode but it is in his core to be kind and to help the ones he loves (including the rest of japan). he tries and he knows his limits and yet he is still ready to try again with a new set of abilities.

final thoughts before reawakened too hyperfixated. OOF. anyways im so sad the anime is almost over (for me loll). its sucked me into its grasp because it has everything im looking for. as a high schooler i love all the shenanigans but then as an anime lover i enjoy the satire tropes and as a theatre kid i love the gags and commentary and as a person who looks wayy too deeply into things i love the implications and dark undertones of the series.