#cleaning up after trust
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mikami1992 · 5 months ago
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Supernatural Cops
The fandom has come to the conclusion that all kinds of supernatural or unusual things happen in Amity Park and people take it like any other Tuesday.
Still, I wouldn't be surprised if this place is the only place in the country (not to say the world) that has a police division in charge of handling Cults

Yes, in Amity Park there is a group of police (not to say half of all the police in the city) that are dedicated to controlling cults and their peculiarities, because we must remember that, despite the reputation of being a tourist trap, this town in the middle of nowhere has the reputation of being the most haunted place in the country (or the world), so it wouldn't be crazy to say that on certain dates of the year many "tourists" (cough cultists cough) arrive who come in order to do "events" (cough rites cough), so whether they want it or not, someone has to control that the limits on how they are "celebrating" are not broken
 and to top it off, the limits of what the city considers acceptable is a greater margin than other places, so it has become common for some groups to come back later.
So yes, Amity Park has one of the most effective police departments in dealing with cults and supernatural beliefs, not only are they effective in identifying participants, most of the time they know what kind of cultist they are dealing with, whether they are just playing a game or are the real magic business and how dangerous/troublesome they will be in the end.
What's more, this group is so good at what they do, that many times the inhabitants of Amity Park prefer to call them instead of the GIW (they are too destructive and there is still no 100% reliable insurance that will pay for the damages they cause), when it comes to a problem with a ghost and the ghost child is not around.
and that competition is more noticeable when other cities in the country begin to ask for help with some unknown cults that are appearing rap
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dungeons-and-dragon-age · 8 months ago
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Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)
#lay rambles#my ocs#oc: liam hawke#oc: lilian hawke#both my hawkes are very social w their friends but i love comparing their boundaries around it#theres variation in rules for specific ppl with both of them ofc but theres still general differences#with liam its all very open and everyone can p much come and go whenever#they dont get extra keys (theyll get lost and he doesnt want randos finding them lol) but they know where to find the spare key#and bodhan and sandal and orana know to let them in whenever#hes very lenient in this this regard but he does have rules abt what he does and doesnt want them to do#mostly its about not making too much of a mess lol bc liam prefers to clean himself#(he doesnt trust the crew with his household and also he has particular ways of doing things and Hates when theyre done differently)#so things like keep your dirty garb at the entrance dont cook by yourselves (this was banned after they did it one (1) time lol) etc#also no fucking allowed. do that somewhere else for the love of the maker he does NOT want to walk into that in his own house#(and it also comes back to liam not trusting them with cleaning but also Not wanting to clean that up lol)#also he is not fond of them going into his room uninvited. most of the house is chill but that is *his* space#he accommodates these rules by e.g. having spare slippers and a little washing basin in the entrance hall for dirty shoes/feet#always makes sure to have snacks in stock that he knows they like#food will have notes abt what to leave for leandra/orana/etc but otherwise food is prepared with his friends in mind#and in general he'll make sure to adjust the space/routine in little ways to accommodate them#(air out when fen isnt there cus he doesnt like drafts; keep curtains open cus anders prefers open spaces; etc)#lilian on the other hand doesnt like when her friends come into the estate without a heads up (cept for emergencies)#but once they have her 'ok' its basically mi casa es su casa#dont yknow. overdo it and get too rowdy but otherwise do whatever#however. she also expects everyone to clean up after themselves. she aint here to play maid and youre all adults#also liam has a general 'please try to not be too wild when leandra is here' and lilian doesnt#not cos she doesnt care but cos leandra is bothered by sth she can speak up herself#oh and lilian uses the basement space as temporary refuge for anyone who needs it (mostly escaped mages)#also side note: both offered gamlen to stay but he refused (out of pride/remorse)#...this got long and i ran out of tag space lmfao so this is it for now xD
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loomingcastle · 4 months ago
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Sorry my Spanish is so rusty so it might not make sense đŸ„Č I understand it perfectly I just can’t say my own sentences most of the time-
(Not the second page being such a downgrade compared to the first I’m sorryy aaaa)
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Error please let him go please let him go-
Translations:
“No! You’re full of lies!”
“But I don’t know what you’re talking about!”
“I didn’t do anything!”
“You never believe me.”
“When I’m trying to help you!”
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sysig · 1 year ago
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Delusions (Patreon)
"Could I have your hand, sir?" Max didn't move, which Dexter was, sadly, getting used to.
"Sir?" Max jerked, then turned and stared at him, lost and blank. "Your hand, please."
Max's hand lifted shakily, and he laid it gently in Dexter's upturned palm. Dexter gave a quick and quiet "thank you," then turned it over in his own hand, observing him closely.
Too closely - his knuckles were rough and his fingernails were dull and cracked in places. His once-soft, not-a-day-in-his-life-subjected-to-hard-labour hands were now, already, toughened and split and scarred in places, especially the heel of his palm. He turned it over again, this time to stop looking so intensely. He had only wanted to give it a cursory glance to begin with.
"Do you know what I see, sir?" he asked as conversationally as he could manage, running his fingers along Max's abused flesh. He seemed to be at least half paying attention, his eye gazing down between them, and he'd occasionally twitch, encouragingly Dexter thought. He seemed to want to curl around him, then stopped and shook, his hand squeezing into a fist. Dexter coaxed him back out, encouraged him to hold himself lightly.
"What do you see?" He was almost startled by Max actually continuing their conversation, that happened so rarely now, shaking and quiet as it was. He took a deep breath, was he really going to do this?
"I see a hand, with five fingers." Max remained quiet, though his brow curled, and a guarded look came into his eye, though he still wasn't looking at Dexter. He felt a pang of guilt, but he had to try. "What do you see?"
Max's eye unfocused and began to water. He looked up, but not enough to reach Dexter's gaze in return, instead staring through his chest, and he felt just as hollow and empty as he must look to him.
"Do you take me for a fool, DAX?" Quiet and as close to angry as he'd heard since they'd been here.
No, not angry.
Betrayed.
He swallowed down the stinging lump at the back of his throat. He had to put on a brave face, had to keep his composure if he wanted Max to get better. That was the only thing he wanted, more than anything.
"Of course not, sir. Genuinely, what do you see?"
Max pulled his hand away and turned his body, his bandaged side facing Dexter. Shutting him out, pointedly. Dexter's empty hand curled into a fist, he was no better.
"Please, don't..." Max took a shallow, shuddering breath, and several beats before he spoke again, even quieter. "Don't ridicule me." Dexter could hear his breath catch, and he wanted nothing more than for this all to just stop.
"Sir, I didn't-"
"I've had enough of that." He shook his head stiffly, the action strange and wrong, like he had forgotten how. He stilled, his head turned even further away. "More than enough."
#Doodles#SCII#Helix#ZEX#Dexter Favin#And a drabble-fic under the cut#I ended up writing that the night after I read - I was a bit too inspired while busy so it's a little on the unfocused side haha#I would've cleaned it but I worry it wouldn't make it out of that stage! Please enjoy it for now <3#This set is mostly periphery ideas - inspired by events rather than directly shown â™Ș I suppose the first two kinda count tho#But they're more directly of the little scene I wrote ouĂČ Poor ZEX </3#And Dex! He's usually so capable! But he's stretching himself so thin ahh it's hard to watch in the best way#Of course he doesn't want to give ''Max'' over to just anyone - anyone at all really - both of their trusts have bottomed out#But how much could he reasonably care for him in that state? When he's still being actively haunted and most importantly - Not Max#He needs helps he needs support he needs to sleep and shower but a second with his eyes off Max and - then what? He'll immolate from fear#It's hard to imagine him crying but pushed to this extreme? To the thought of losing Max utterly and completely? Hhhhh#I do also just love him being possessive even outside of how terrible the situation is - he's always had his glimpses but this situation#Brings out the worst in him <3 In terrible ways#Really his method is just setting ''Max'' up nearby and prompting him over the sound of the shower like that's not nerve-wracking at all#Like he already doesn't answer half the time if that#As for the mini fic I was really interested in Dex's line about indulging ''Max's'' delusions#Apart from the fact that they're not delusions - not that anyone believes him outside of the Institute - what it means to indulge is weird#I saw one example of how to handle delusions that stuck with me - how not to deny them outright while also not reinforcing them#Since it's not actually helpful to be told ''That isn't Really happening to you'' when to you - to ZEX - it really is! How invalidating#And so rather to take the approach of ''I don't see/feel/hear what you are - I can't find any evidence of it myself'' and extrapolating#Dex taking the approach of ''What reality are you experiencing right now?'' and trying to build from there!#Unfortunately ZEX has already been treated like....well like all that - he's not in the mood for games even well-intentioned ones#He /knows/ he's in a human body. He can feel that and see that and understands that. It doesn't change who - what he /is/#The idea of a completely broken ZEX is so sad to me :( He's so strong and prideful and vivacious - Max really is another him </3#It's not the same but he was saved from death! To fall into torture... But even despite that I want to see him succeed! As much as he can#Even in that small and shaking way I want to see him be hateful and spiteful - angry. Powerful <3 Fighting ♄
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2sw · 2 years ago
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You got to wake up. because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Supernatural S8E08 Hunteri Heroici ( + S8E06 Southern Comfort )
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spotaus · 4 months ago
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Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it đŸ«Ą
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
#spotatalk#i'm just gonna drop this in the queue I guess?#but I'm writing this on the last day of june so....#whenever this rolls around will be a jumpscare abd a half I guess?#I think honestly I coukd do a full breakdown of the Crew and why they're all expressions of me but like#quick summary is#Reset: Wants approval from people but mostly clings to the past. is afraid of losing his brother and acts on it to bring him back. i#<- I lack that conviction to do whatever you have to to get your way. i worry my brother and I have a weird gap between us we wont repair#Orchid: Uhhh woman. lots of pressure that she had at one time that's now no being pressed but she still tries to live up to it also.#<- I don't like the pressure of being a woman. also gifted-kid who cannot move past the pressures imposed to be 'perfect' and it's screwed#Stereo: Pulled into a situation he doesn't want to be in initially. it's bad for him but he likes the people so he decides to stay#<- I see the good in people. even when they hurt others around me. I was a bystander often and should've left the situations. paralelling.#Monochrome: Afraid. No purpose or preperation in life. soneone offers to guide him and he takes that offer because it's better than home.#<- Kinda self-explanitory but I've got little direction and feel lost a lot of the time. If I'm given a path I usually walk it no hesitation#and... for fun let's do some others!#Haphazard: Cleaning up after others since childhood. he's never really gotten a break and sees any sort of mess as an enemy#-> He's fixing rifts in universes I gotta patch relationships. there's so much conflict and I'm always so overwhelmed by it#Lost: He's got amnesia. no clue where he is. where he's from. who you are. who he is. he'll know when he gets there. he's sure.#-> I've been hsving minor issues with my memory for years. i coukd be forgetful but sometimes it just escapes me and that's spooky#Teddy: Isolated in her universe for years. she self-mutilated until she liked herself. when she finally met people she compulsively lied#-> Much more extreme version of how isolated I sonetines feel. hobbies can't replace human interaction but it's hard#oh and Ichor: God who loves mortals but cannot seem to find ones who will prove hin right for his trust and care#<- I've got a big heart. i express it often but the sentinent is scoffed off a lot. I get beat down about it and just keep moving forward#Pretender: Knows who he is. however the world doesn't like it much so he acts how they expect him to or isolates away#<- I still present femme when I'm nb/agender. i bend and break to people's perception of me. if I can't solve something I run.#okay I feel more insane than when ai started but these stupid skeletons have helped me through so many mental health problems it's only a#little bit funny 🙏
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thetomorrowshow · 1 year ago
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knowing what the cards were
hi besties enjoy (or scream at me)
cw: past major character death (and mourning thereof), violence, blood
There's a pond in Rivendell, down the face of the mountain a little ways, right in the thick of the pine trees that grow all the way down the side. It's far enough away from the main city (and any outlying buildings) that likely few have ever even seen the pond, a place too insignificant to be worthy of any sort of attention. Despite this, the pond and its surrounding trees have always been a beautiful, peaceful location. The pond has only ever had the clearest water, carried down through a small stream from the melting snow of the high peaks.
Now, in the dark of night, water skimmers skate along the surface; a couple of frogs sit on rocks at the edge. Otherwise, there's no sign of life. No fish, no creatures poking through the trees to find a drink here.
The pond is a small, unseen place of tranquility, particularly at this before-sunrise hour, when even the owls are sleeping in their nests. The night is still, the forest silent, and the pond a dark reflection of all the unheard and unseen.
And Scott, sneaking out of his bedroom window like a guilty teenager, goes to it.
He had discovered the pond in his youth, a quiet hideaway from his brother and his parents and all their politics. He hadn't gone there frequently, only when everything really became too much and he had to get out before he exploded.
The pond had always had a calming effect, apart from the real world, a tiny piece of grace and solitude.
He chooses it now as the place not for its seclusion, nor its beauty, but for its lack of living creatures.
He doesn't know what's going to happen when he uses the artifacts.
Again, Alinar had been frustratingly vague on how to use the artifacts. There'd been something about magic, and something else about learning how the artifacts interact with him, so Scott hopes that using them before facing Xornoth in battle will be all right. He doesn't really understand what it means when it talks about interacting with him, but a test run never hurt anyone.
He already sent Gem the instructions (recipe? Scott really doesn't know a lot about magical terms) for the crystal that they need to trap Xornoth. She and Katherine are going to be working together on that, as far as he knows. Lizzie and Joel are occupied with the war. Pix has been out of contact for weeks. Pearl is maintaining neutrality. Shelby hasn't responded lately.
So it's up to Scott to execute the rest of the plan, not sure who he can even turn to for support in this. After all, only the Champion of Aeor can unite and use the artifacts to trap Xornoth in the crystal.
Scott lands carefully on the mossy ground beside the pond, wings drawing up behind him. The moon has disappeared beyond the mountain, but the sun hasn't yet begun to rise. Perfect time for experimental magic.
Scott pulls his Cod-woven bag off his shoulder and sets it down on the moss, leaning it against a small boulder, then slips off his soft shoes and sets them neatly beside it.
He doesn't much care for the feeling of damp moss under his socked toes, but a glance at the grass to his left tells him that it would be infinitely worse (and far more wet) to stand there.
Should he even be wearing socks when he puts the boots on? Will that ruin the . . . magical connection, or something?
Scott strips off his socks and stuffs them in his shoes, just in case. Then he unlatches his bag and pulls out the boots, which he sets atop the small boulder.
They glow, he realizes, the runes casting a very dim blue light over the leather and stone beneath. Scott stares at the glow for a moment, surely only bright enough to discern due to the almost non-existent light cast by the stars above, then reaches into his bag again, where his fingers meet the chilled gold rods of the antlers.
He withdraws the crown as well, sets it on the boulder. It glows as well, just the slightest bit, the gold clear against the dark background.
That's got to mean something. Maybe all ancient, godly artifacts glow like that.
There's really nothing else to wait for. At any moment, a servant could come knocking on his bedroom door, summoning him for matters of war, only to find him missing.
He should pray. Right? He is trying to get Aeor's attention, after all. 
Haltingly, Scott kneels in the grass, grimacing when he feels the knees of his black trousers instantly become soaked. He's not really any good at praying, but he can give it a shot.
"Um," Scott says awkwardly. What is it the priests always say? "O Aeor, God of us all and of those below, God of the mountains and . . . and of the snow, God of the day that conquers the night, God that now slumbers until the world is returned to thy light. Uh. . . ."
The introduction part feels clunky and must actually be more ornate than that, but Scott can't quite seem to bring it to his remembrance, even with however many years that he's been hearing it. It's good enough, though, and now he ought to continue—but the prayers differ after that, a thousand and two different ones for any situation. And Scott, after he recited the main forty for his religious tutoring, made no effort to keep them memorized nor learn any of the others.
"Aeor," he says after a few moments of deliberation, dropping all attempts at following a prayer, "if I truly am your chosen, consecrate these holy objects now in me. Show me . . . show me the way. Help—help me."
Did Alinar ever kneel alone in a forest, praying for any help that his god would give? Did Alinar ever feel entirely inadequate for the job that he was faced with, for the mantle of Aeor's Champion?
Years ago, reading Alinar's tales, Scott would've laughed at such a thought. Alinar had been foreordained, had perfectly completed every task set for him. Never was there any doubt that the task at hand was beyond his reach.
But now that Scott's in the hero's story, he can't help but hope it's normal to feel like an utter failure. Normal to be scared. Normal to feel totally, utterly lost.
Scott stands, brushes off his knees, and pulls a boot on.
It fits perfectly, of course, his foot sliding into place with ease. He laces it up as tight as he can, the boot going a bit higher than halfway up his calf. The other is no different, though his fingers fumble on the white leather of the laces and it takes him a moment to get it pulled as tight as he wants it.
Okay. He has the boots on.
Next step.
Scott straightens, and with mounting anticipation and shaking hands, he lifts the crown of antlers onto his head.
He waits.
He doesn't . . . he doesn't feel any different, so far. Maybe . . . holier, maybe?
He flexes his toes in the boots. They aren't stiff at all, the leather well taken care of but fairly worn-in.
He tilts his head from side to side. The crown feels almost weightless, impeccably well-balanced. It isn't in any danger of slipping, either, set firmly on his head, fitting as perfectly as the boots do.
Now. How is he meant to test these out?
Scott takes a tentative step forward.
There's a sudden, crinkling-crackling sound from his feet—Scott looks down—
The edge of the pond is frozen.
There's frost under his toes. The edge of the pond is frozen.
There's absolutely no way.
He takes another step—more crackling, the ice spreads another foot down the pond.
Carefully, Scott puts some of his weight on the ice.
It holds. More spreads, even.
He puts both feet standing on the now half-frozen pond.
It doesn't even crack.
Ice magic, then. The boots have some sort of ice enchantment, likely written into the runes. That—maybe he's meant to freeze Xornoth? Freeze him, so that he can't get away from the whole crystal ordeal. Or maybe use the ice to freeze him to the crystal? 
And when thou hast the daemone at thy will, binde it to the cristyl.
That . . . that might be right. Right? It's probably more than normal ice, it's probably strange magical ice. Something that can bind.
Scott crosses to the middle of the pond. He's walking on water, practically. The pond is just freezing around him, making a large path for his next step before he's even raised his foot.
Jimmy would have found this so impressive. He would've stood on the shore and sputtered, mouth hanging open. Scott would've laughed, and held out his hand, and brought Jimmy out onto the ice to stand with him. And then, gazing at his perfect lover with his permanently-messy hair and his still-shocked expression, he would have kissed him.
And it's for Jimmy that Scott is going to end Xornoth.
He can't kill Xornoth, the book had told him that much. Their souls are connected, some sort of confusing reincarnation of spirits kind of thing that Scott doesn't really understand. He needs to bind him to the crystal in a ritual that he also doesn't understand, but if the boots have an ice enchantment to freeze Xornoth in place or attach him to the crystal, maybe the crown just gives him the magical authority to command Xornoth to go into the crystal? Or something like that?
Scott points at a sleepy-looking frog. "Don't move," he commands with all the power he can muster.
The frog doesn't move. But it probably wasn't planning on it, anyway.
And part of the intrinsic elvish magic that he already has is the strength of suggestion. If he tells someone not to move, really tells them, with power, chances are they won't move.
Will the crown just amplify that magic, then? Or will it make it literally impossible to break a command given, since the power comes from a god and not just a normal elf?
Well, at least he figured out what the boots do. He really ought to get back—he's already spent enough time away. A servant could have alerted the entire palace by now if they knocked to find him missing.
Scott heads back to shore and unlaces the boots, stepping out of them and into his own shoes (he doesn't bother with his socks right now, tucking them into his pocket). Then he puts the boots and the crown back in the bag, beside a small book that looks . . . unfamiliar.
When did he put a book in his bag? Especially one that looks so . . . ancient?
Frowning, Scott pulls it out and cracks it open.
The text isn't anything like what he's used to, blue lines thick and letters big, with no discernable spaces for words. It takes a moment of staring stupidly at the large letters before he has the sudden realization that this is a book in that form of Oceanic that he was meant to give Lizzie. He's already given her the book, but he remembers that it had a smaller book inside. It must've slipped out at some point.
He'll probably see her soon, right? War negotiations have constantly been taking him or one of his advisors to and fro, so surely there'll be someone to give it to her, if not him precisely.
So Scott puts it back in his bag amongst the artifacts and takes off, flying straight back to the palace and landing on his bedroom windowsill, crawling in.
Unnoticed, the touch of his fingers on the window frame leaves frost.
-
When Scott wakes up (blurry nightmares of chains and indistinct threats), he feels cold.
He must've left the window open. He's done that before, woken up to a little bit of snow on the windowsill after a late-night flight.
And his bed's been rather cold as of late, missing the heat of another body.
But when Scott opens his eyes, his favorite blue blanket is white.
He sits up, confused—and snow falls off of him in little showers, clumping onto his blanket in the creases.
Why is there—?
There's ice on his bedside table, just a thin layer of it. Snow on the bedknobs. Snow on the rug.
And the window is closed.
The low fire that's usually still a bed of hot coals in the mornings is emitting zero warmth, the coals black and cold. The lantern on his bedside table has gone out.
Scott throws his legs over the side of the bed, ignoring the cascade of snow that falls to the floor. How did—what?
The boots.
Are they still active even when he isn't wearing them? But—had something changed when he put them on? Is there a way to turn them off?
Scott fumbles around his bedpost until he finds his bag hanging, from which he pulls out the boots and turns them over in his hands.
"Stop," he says, voice still heavy with sleep. "Just . . . don't."
Nothing changes. Did it work? Are the boots still freezing the room?
Nothing really looks like it's melting, but there isn't anything new in the room, either. Scott sets the boots aside (and they feel normal, they aren't covered in frost or anything) and stands up, stumping over to the fireplace on numb feet. He stokes the coals, trying to bring any bit of warmth back to the room, but there's absolutely nothing left to be brought back.
He doesn't keep a flint and steel in his room. Usually a servant cares for these kinds of things, but he doesn't want a servant in here to find his room frozen. How on Aeor's green earth would he explain that?
He has to have a flint and steel in his travel kit in the closet, right? Scott ducks into the closet, finds his travel kit thrown on the floor where he left it after the funeral. He picks it up, rummages through it for a moment. Sure enough, tucked into a part of the leather kit is a small flint and steel, right next to a small hunting knife and needle and thread. He pulls it out and heads back to the coals. He can do figure this out. No need to panic.
There's a little pile of logs by the fireplace, which he shakes the snow off of before tossing them in, hoping they aren't too damp or anything. That would be just his luck, the inability to light a fire in a frozen room.
Thankfully, they aren't too damp. It takes a couple of tries with his numb fingers to get the flint and steel to strike a spark, and another couple tries to get it to light, but it lights nonetheless.
Once the flame takes hold, the room immediately starts to feel a bit warmer, and Scott shudders as his fingers start to tingle with pins and needles. Right, that's taken care of. Maybe now he won't freeze to death.
And then he remembers that there's quite a bit of ice and snow in his room, which will all be melting shortly.
That might be even worse than all the ice, and it's with a panicked hurriedness that Scott starts scooping up the snow in his bare hands and running it to the window to toss it out. He gets a good bit of it (at some point he lifts his blanket off his bed and just shakes it out the window) out, but it's already starting to melt and he can barely feel his fingers and the rug squishes under his feet—
Knock-knock-knock.
Scott curses, wipes his hands off on his dressing robe, and has his hand on the doorknob before he realizes he isn't wearing his veil. He curses again, doubles back to his closet. He doesn't have time to pin the whole thing on, he doesn't have time for any of his—
Scott pulls a veil on over his head and doesn't even bother with any of the pins and ties. It's a long one, meant for trips out, but he just adusts it until his eyes are in the eye-slit and hopes that he doesn't have any hair sticking out.
Then he can get back to the door (he trips over the trailing veil, it wouldn't be long enough to trip over if he'd tied and pinned it properly) and crack it open, sticking his head out.
Surprisingly, he finds not a servant, but Galidre, a junior member of his council. Galidre bows, black robes sweeping the floor.
"Your majesty," they say, straightening. "A representative of the Undergrove is here to speak with you."
"Shubble?" Scott asks, a little bewildered. What does she need?
"Not—not the ruler herself, but an ambassador. I believe they are requesting sanctuary, Milord."
Sanctuary?
That doesn't make any sense. The Grimlands haven't really mobilized anything concrete yet, and as far as Scott was last aware, Mythland and the Lost Empire were both still attacking the Ocean Kingdom.
But Scott doesn't ask questions. He just withdraws and gets dressed (properly pinning his veil this time), then grabs all the towels from the washroom and lays them on his bedroom floor to try and soak up some of the water. Hopefully nobody comes in to clean his room or gather his laundry while he's out.
Last of all, he steps into his very normal boots, pulls on his black gloves, and sets his crown atop his veil.
Perfect. He looks the pinnacle of 'king-mourning-his-fiance', no doubt about it.
He misses Jimmy.
And just as Galidre had suggested, in the meeting with the representative of the Undergrove, Shubble's people are looking for sanctuary.
"There's so few of us, your majesty," the gnome implores, twisting his mushroom hat between his hands. "Less than eight thousand at our last count. We do not ask for you to provide for us, but if we could come to just the foothills of your lands, someplace safe for our children, we promise all able gnomes will serve in your armies."
That isn't asking much. It's asking far less than Scott would have asked, had the situation been reversed, and Scott's bruised heart aches at the humble plea. Can he even bear to turn them away?
"I will . . . I will discuss this matter with my council," Scott tells him, glancing between Galidre and Aphoras, the two advisors present. "I don't wish for any to be harmed while it is in my power to stop it."
If Shubble's worried, it means fWhip is getting ready to attack. Or maybe that Sausage and Joey are leaving their battle, hoping to strike Scott in his complacency. Something's happening soon, and the Undergrove cannot protect itself.
He doesn't want to uproot the gnomes from their new home. The gnomes had appeared in his childhood, three or four thousand of them moving from some unknown, conquered land to take up residence in their own small corner of the world. They've nurtured and cultivated that corner, built a city and begun farms and families, until it became what it is—a lovely little civilization beginning to thrive. To take that away from them would be cruel.
But he has to do it. To save them the destruction of their entire culture, he has to pull the gnomes away from everything they have.
He could make the decision here and now. His mind is already made up, he won't need to discuss this with his council.
But as the gnome hops down from his too-big chair, bowing deeply, Scott knows that there's another way.
He has to end the war.
-
Ending a war is easier said than done. For one, Scott still doesn't really know how to use the artifacts. The crown remains stubbornly unforthcoming with what its use might be, and the boots. . . . Well, the boots don't stop. The next morning when he wakes up, his room is frozen again—and the morning after that. Scott stops bothering to melt it and just pins a 'do not disturb' sign on the door, before moving to sleep in Jimmy's almost-untouched bedroom. That one freezes, too, as well as the sitting room, and Scott gives up on trying to stop the boots from freezing things and just piles blankets onto his bed and puts pans of hot coals in between the sheets for when he needs to sleep. Otherwise, he just stays out of his room and pretends like it isn't covered in ice.
(He doesn't notice, but frost spreads under his desk, and his untouched cups of tea ice over, and every tear he cries freezes on his face.)
(Others notice, though. Ilphas stares when a wave of Scott's hand sends a streak of frost along a wall; a servant cleans his office and is bewildered by the ice everywhere; the eldest of the palace begin whispering rumors of Aeor's Champion, remembering the old songs.)
For another, Scott doesn't really know how or where to meet Xornoth to defeat him. Does he just go outside? Call his brother's name? Hope the demon shows up, despite the wards around Rivendell preventing his entrance?
He really doesn't want to summon the demon. Somehow, that seems like a poor idea. Some part of Scott is certain that demons have the most power right as they've been summoned, and whether that's true or not Scott doesn't want to test. And he'd absolutely rather not have Xornoth in Rivendell.
The only thing he can think to do is meet Sausage's armies at . . . well, at the border of Mythland. It would be a bold show of support for the Ocean Kingdom—he would have either to march his army through Mezelea or sail across the ocean to reach Mythland. It should only be a move to make if he's certain that he's ready to fully enter the war, or if he's certain that Xornoth will be there.
And suddenly it doesn't really matter, because three days after the ambassador from the Undergrove arrives, he receives communication that fWhip has set out for Rivendell, thousands of soldiers at his command.
His hand is forced. Scott sends Gem a quick message, asking if she's been able to create the crystal. When she responds by gushing excitedly about the properties, he tells her to meet him at No Man's Pass, on the far East border of Rivendell.
It only takes two days to mobilize the advance party of his army, prepared as he has been to enter the war. He can but hope (and dread) that Xornoth will be there.
So Scott swallows down his anxieties about not being able to figure out the artifacts (and he really has tried, but he's only had them for a little over a week), swings the Codmade bag with both of them inside over his shoulder, and rides out to meet Xornoth.
With any luck, Aeor will guide.
-
It's a cold morning when Scott steps out of his tent, ready to treaty with fWhip.
Their armies had met the day prior, and both of their generals had agreed to a meeting between leaders to see if they couldn't come to an arrangement of some sort. So Scott steps out, dressed in his most moveable mourning clothes (a short veil tight enough to be almost a scarf around his face and head, a hood pulled over that, billowy black trousers and a belted tunic with an open-front surcoat) and the Boots of Alinar on his feet, the Crown of Alinar a conscious weight in the Codmade bag at his side.
And when he enters the treaty tent, set on a cliff overlooking a rushing river in the shadow of one of Rivendell's mountains, with Ilphas at his side and two guards behind him, there are more people in the tent than he expected.
fWhip he notices first, dressed in his usual black coat and scarf, standing between two guards of his own, elytra clicking idly. But next to him is Sausage (naturally Scott wants to kill him), and next to him is Joey.
Which is entirely unexpected, because as far as Scott is aware, neither of them brought their armies—or any sort of guard—with them. They must have flown over for this confrontation in particular, as if a war wasn't currently happening, as if their own soldiers aren't dying right now.
Scott can barely muster disgust past the fear (fear of what will happen, fear that it won't work, fear because these three men tortured him again and again and if all fails, he'll be at their mercy again).
Also present is Gem, wizard's staff in one hand, a leather bag swung over her shoulder, and Katherine, wings fluttering anxiously behind her.
"I'm here to keep the peace," Katherine says immediately. "I don't know why everyone else is here."
"I'm here because Scott asked me to be," Gem pipes up.
"I'm here to see my Xorny," Joey says obnoxiously.
It's less the idea of Joey dating a demon and more the idea of Joey dating his brother that makes Scott want to vomit. Out of all the men in the world, he picked Xornoth? And out of all the men in the world, Joey is his potential brother-in-law?
Sausage shrugs in a way that makes Scott want to kill him. "I just wanted to see it all go down!" 
"Me too," a voice says behind Scott. Scott whips around—Joel's standing there, looking entirely unrepentant.
He was counting on the fact that there would be some factors within his control, such as who was present—he had only anticipated himself and fWhip and Xornoth.
"All right, this is far too many emperors in one tent," declares Scott. His feathers are standing on end, all of his nerves jangling. This isn't good. Something is going to go sour here. Especially adding Joel to the mix. Joel is hotheaded at the best of times—in the middle of a war, in a tent with the enemy? Scott doesn't trust him to keep cool.
Scott almost doesn't trust himself to keep cool.
"It's like a House Blossom meeting all over again," Sausage says, voice cheery in a way that makes Scott want to stab him through the heart.
"Hey, I'm just here—"
"This does concern me, after all, it's about—"
"Well if it concerns you, then it concerns—"
"—for everyone, so they—"
"—is that Lizzie said that—"
"My lords and ladies, your presence is acknowledged and appreciated," Ilphas steps forward, checking over their shoulder at Scott. Scott nods his go-ahead—he's never been so grateful to have political, stuffy advisors who know how to be polite.
"This is, however, a meeting between Lord Smajor and Count fWhip, and as such, no other rulers are permitted to be in the tent during the meeting."
"Aw, come on!" Sausage whines. If Scott could kill him without breaking a million laws right now. . . .
But they all clear out, even as Joel walks backward, glaring hard at fWhip.
And Scott is left alone with the man (and their combined guards and Ilphas).
fWhip nods toward the table and two chairs that have been set up in the middle of the tent, a clearly-just-unrolled red rug underneath them.
Scott waits. He doesn't plan on implying that he's at fWhip's command.
After a long moment, fWhip shrugs and sits.
It's the little things.
After waiting a sufficient amount of time to establish that he is the one running this conversation, thank you very much, Scott sits across from him.
He's about to speak. He's about to open his mouth and demand a conference with Xornoth. He's about to end this war.
But fWhip leans forward, a small smile playing on his lips.
"I heard it wasn't exactly quick," he says lowly, and Scott has a moment of confusion—quick? what wasn't quick?—before fWhip continues.
"Not as long as Xornoth was gonna make it, of course," he says, eyes fixed on Scott (and goosebumps spontaneously appear all over Scott's body as he flashes back to those six days in captivity). "If Xornoth got your little fish boy, he was gonna make it long. I heard some of his plans—something about making you watch as he slowly skinned him—?"
Before he even knows what he's doing, Scott's on his feet, hand dragging fWhip up by his collar, pulling him halfway across the table as the man lets out a surprised, choked noise.
"Milord," says Ilphas sharply, tugging on the back of Scott's robe.
Scott shoves fWhip back in his chair (which rocks onto its back legs from the force), hands shaking—whole body shaking, trembling with something like the grief-stricken rage Lizzie had shown at Jimmy's funeral. He—just to casually—casually mention torturing his dead fiance and—and Scott knows he's doing it on purpose, he knows it's to get a rise out of him, and he finds that he just doesn't care.
fWhip's guards step forward, though, weapons raised, and with Ilphas firmly pushing down on his shoulders, Scott sits back down, his gloved hands balled into fists.
He isn't going to stand for this. He isn't going to let fWhip sit there and just speak such filth about his beloved.
But he can't do anything. Not yet.
It gives him a bit of satisfaction to see fWhip ruffled, collar upturned and hair out of place. But fWhip just fixes a stupidly smug look on his face and crosses his arms.
"Scott, we both know you can't threaten me anymore," he chuckles. "Not since I beat you, whipped you, branded you with my own signet . . . there's absolutely nothing about you that I find scary. You've literally begged me for mercy way too many times for that, my friend."
Scott forces himself to breathe deeply, let his fists relax, even as the faded whipping scars on his back twinge in memory. He has to—he has to get control of himself, he has to conduct this in a kingly manner. It doesn't matter that he was tortured by this man, it doesn't matter that his fiance died mere weeks ago (over a month ago, his mind supplies, it's been over a month and the world has somehow gone on), it doesn't matter that he's only a hundred and nine, for Aeor's sake, he is a king and he has to act like one.
"We are here—" he starts, but fWhip interrupts.
"Xornoth only wants one thing. Well," he laughs a little, "a couple of things. World domination is pretty high on his priority list. But he wants you to give up the god, Scott. He already knows you're Aeor's Champion or whatever that is, so you are his best chance at finding the other one. After all, you've got a very rare direct connection to a god yourself!"
That . . . that doesn't make any sense.
The other one? Aeor is the only god that Scott knows of that happens to be living (other than Exor, who Xornoth is already irrevocably bound to). Are there others alive? Others that he's somehow meant to know about?
It doesn't really matter, Scott supposes. He's here to end this war and that's allowed.
"That subject is not the purpose of this meeting," Scott says stiffly, ignoring the chill that runs down his spine at those words that he'd heard so many times in his nightmares. "The purpose—"
"Yeah, yeah, you want me to not bring the war to you or something, trying to convince me to leave your people alone," fWhip waves. "Your people mean nothing to me. I'll kill them if you make me, but if you don't want me to do that, I have a couple of terms. So—"
"That is not what I intended to discuss," Scott says icily, smoothing out a wrinkle in his tunic.
fWhip raises an eyebrow. "Oh, yeah? Then what?"
Scott leans a bit closer, all of his instincts screaming for him to move further away. "I am here to demand a meeting with Xornoth," he says, forcing every ounce of cold anger that he feels into his words. "He has tormented these lands for long enough. My business is with him and him alone."
fWhip scoffs. "If you've got business with him, you've got it with me," he says. "So, go on. Say your piece."
You know what? Sure. Scott doesn't mind killing two of his tormentors in one go. First fWhip, then Xornoth. He can absolutely do that.
But Ilphas's hand falls on his shoulder, as if they know exactly what he's thinking of. It would be very, very bad politically to kill fWhip right here and now.
"You misunderstand me," Scott says, and his stomach flips because this is it, it's time to save the world and he doesn't know if he has the strength to do it, and he doesn't let his voice waver but he does let his breath catch— "I mean to kill him."
fWhip bursts out laughing. "Sorry—are you serious? You kill Xornoth? Like, I admire the initiative, but you're the weakest person I know! At least, the weakest living person."
Scott ignores the jab at Jimmy, as disgusting as it is. He just settles back in his chair, crosses his legs.
Eventually, fWhip stops laughing, and his cheerful demeanor drops into a glare alarmingly quickly, quickly enough that it unsettles Scott more than anything fWhip's said so far.
"Your funeral, Smajor," he says darkly. "It'll be nice to get you out of the way."
The lamp on the table goes out, bathing them in a cool dimness.
Scott's heart leaps into his throat.
He doesn't dare breathe in the sudden stillness.
The lamp flickers back to life, the once-yellow flame now a deep red.
The tent, which had been almost frigid for some reason, rapidly begins to heat to an unbearable temperature. Sweat breaks out on Scott's forehead, rolling down his back, dripping down his cheek. It's like he stepped into the Nether, hot enough that his head starts to feel dizzy and his stomach unsteady.
The table begins to rattle, quiet at first, then faster and faster and louder and louder. The ground begins to shake, actually, rumbling and trembling, and the tent walls are flapping in a sudden roaring wins and Scott knows he's coming he knows he's here—
The tent pulls free of the stakes and completely flies apart, the red light spilling outward over the darkening plain, much further than a lantern's light ought to go. Scott shoves back his chair and stands, surcoat whipping around him, searching the skies for any sign of his brother.
Scott's never really seen the demon up close. He's briefly seen him (outside of their youth) twice. Once was from a distance in the End, Xornoth standing atop a tower to watch the battle to save the dragon. The other time was just a brief encounter, Xornoth appearing behind him while visiting the Overgrown close to a year ago, seemingly to do nothing but spook him.
And now, as Xornoth appears before him, Scott loses sight of all his anger. He can't feel anything but cold fear.
Again, Scott's never really seen the demon up close. And as he stares now, feet rooted to the ground, he doesn't see a single sign of the brother he once knew.
Xornoth, like Scott, is dressed all in black, but where Scott's mourning clothing is carefully fashioned and clean, Xornoth's black robes are torn, his dark armor unshined and grimy. His feet are shod with armored boots, his hands with leather gloves, and upon his head is what could either be a literal pair of black antlers or the red-streaked crown of Exor's Champion, a crude mockery of the one hanging at Scott's side.
His face is distorted, blackened, eyes bulbous and entirely maroon, mouth far too large and cutting jaggedly into his cheeks. His ears are still somewhat elvish, poking through his straggly black hair (which had always been purple as a child), which trails down his shoulders and chest.
Whatever that demon is, Scott can barely picture his brother in its place.
Yet it is his brother, here and now, and Xornoth is standing atop a boulder on the edge of the cliff, dark veins of red spreading out from it through the earth, cracking apart stone and solid dirt. Soldiers and rulers that had been milling about leap back, weapons raised.
And echoing through Scott's head and bones and the stifling air around him is a voice that hasn't haunted him in decades.
"Well, brother," Xornoth says, their blackened lips stretching inhumanly, pointed teeth bared. "You think you can destroy me?"
Scott's really starting to think he can't. The very air is thick with the stench of brimstone, so much so that members of his army are doubled over coughing, and the wind is howling and the skies are dark and there's maroon smoke rising from the ground and Scott can't breathe, he's choking on his own air and he doesn't even know what he's supposed to do—
But he doesn't fall to his knees, even as Katherine does beside him. He doesn't cover his ears and squint his eyes shut, like Joel does.
Instead, he fumbles open his bag and pulls out the Crown of Antlers, which he trades out for the crown on his head.
And Xornoth's smile falters.
His gaze travels down, down to Scott's feet.
Scott taps a booted toe against the ground.
"That's right," Scott calls out, above the whistling of the furnace-like wind and the coughing of the soldiers. "I have the artifacts. I'm going to bind you and your master, never to return again."
Almost as if caused by his words, spoken with a conviction that he forces himself to feel, the wind changes directions. The sweat on Scott's back freezes. fWhip, mere steps away from Scott, coughs, his breath appearing before him in a puff of smoke.
"You don't know how to use those," Xornoth sneers, but despite the years it's been since they last spoke, despite how unrecognizable he truly is, Scott knows his brother. He knows that when his voice becomes harshest is at his moments of uncertainty, determined to command his way out of any problem.
That means he's scared. He knows what Scott can do to him.
(Even if Scott doesn't know it himself.)
"Gem," he calls over his shoulder, and within moments she's at his side. "I'll need you to hold the crystal while I bind him, all right?" he says, quieter.
She nods, reaches into her sleek leather satchel and pulls out a huge, clear crystal, bigger than Scott's own hand. It shimmers slightly, gold specks scattered throughout that somehow shine with the sun hidden by the dark grey skies. She hefts it up, mouth in a grim line.
Scott nods back to her, then takes a step forward, one arm up to shield his eyes as the wind and heat get stronger the nearer he gets to Xornoth. Another step. Another.
There's a crack in the air, deafeningly loud, and Scott only has a moment to register that Xornoth has vanished in a cloud of black smoke before a literal tentacle bursts out of the stoney ground right in front of him, sending chunks of rock flying, and wraps around Scott's middle.
It lifts him into the air, a sizzling sound and uncomfortable heat against his body and wings telling him that it's burning through his clothes and feathers, and Scott struggles against it to try and pull his wings free but it's holding tightly to him, raising him higher and higher into the air—
And then it stops.
Ice is gathering where Scott's fists have been beating against the tentacle, gathering and spreading down, and though it melts almost instantly it simply reforms, until the tentacle begins to slowly recede into the ground.
Scott stumbles out of its grasp and onto blessed solid ground (he loves being in the air but not like that), and Xornoth himself appears right in front of him.
The demon moves, arm reaching out, mouth stretching open, Scott's arms fly up to shield his face—
"Stop," Scott gasps blindly, putting as much compulsion as he can into the one word, even though he doesn't even know what he's commanding Xornoth to stop doing.
The wind calms to almost nothing. Ice crackles across the ground. The air becomes frigid, though the terrible smell still lingers.
Scott lets his arms lower from blocking his vision, terrified of what he might find. Dear Aeor, his legs are utterly trembling, but he doesn't have the time to collapse.
And he finds that Xornoth is standing motionless before him, face twisted in rage.
"Gem," Scott says, voice too loud for the sudden silence, heart pounding in his ears. "The crystal—Gem, now—"
Gem hurries forward, holds it out, and Scott musters everything he has in him and commands, making the words up as he goes, "Xornoth, Exor, and those demons within you, I bind you by the power of Aeor to this crystal, never to be free from it again."
He waits, breath tight in his chest.
Nothing happens. Xornoth glances down, eyes catching on Scott's waist, and chuckles.
"I bind you!" Scott says again. This has to work. He has the crown, he has the boots, he has the crystal, this should be working—
He shoves all the imagined power he can through the air, as if to push Xornoth bodily into the crystal, this has to work he's getting desperate—
He's knocked backward with a sudden force, a blast of frost and ice coming from his own body, and Scott hits the ground and rolls through the dust, bumping his elbows and knees and hips, his veil getting caught under him and tearing down off his face.
He lays there for a moment—he can't afford a moment, but he can't breathe—and when he gets up, pushing himself up on his gloved hands, he sees—
Xornoth is frozen, a giant block of ice encasing him. The crystal is on the ground, twinkling under a blanket of frost.
And Gem is on the ground too, slumped as if dead, hair white as snow.
No—no—
"What'd you do to my sister!" fWhip shouts, rushing forward to Gem. He kneels down beside her, pulls her into his lap, starts shaking her.
Scott struggles to his knees, tugs off his torn gloves with shaking hands. He didn't—he didn't mean to hurt anyone, he didn't mean to hit Gem—he doesn't know what he's doing, he was just trying to fix everything but he doesn't know how and he doesn't know what to do—Aeor, please—
He stumbles up, the lace of one boot getting caught under his foot and coming entirely undone.
Ice is everywhere. Great chunks of it around the plateau, coating every bit of ground in a sheet, the one tree growing in the tough dirt entirely uprooted and frozen.
Those members of his and fWhip's armies that are closest to the treaty grounds are dusting frost from their uniforms, some of them picking themselves up from the ground where the force of the blast had knocked them.
He didn't know the boots could do this. He didn't want to do this. He didn't mean for this to happen, he didn't want this to happen—
"You—!"
And before Scott can even really process everything, fWhip is barreling into him, sending him right back to the ground with an "oof".
"I'm gonna—" fWhip starts, straddling Scott's stomach, eyes wild and face red with anger, but a CRACK! that shoots through the air gives him pause.
Everyone, slowly, trancelike, turns to where the frozen Xornoth remains, and the large crack that's splintering down the ice encasing him.
With strength that must come from Aeor himself, Scott shoves fWhip off (he ignores the way fWhip's jacket goes stiff with ice) and rolls to his feet, stumbling toward Xornoth, scooping up the crystal on his way.
And then he doesn't know what to do.
He holds up the crystal beside the frozen chunk of ice that holds Xornoth, willing it to do something, anything.
"I bind you," he chokes out, pressing the crystal through the crack and into Xormoth's chest. "Come on. . . . I bind you!"
The ice shatters from Xornoth with a wave of heat that blasts Scott back, knocking the crystal from his hand as he once again hits the ground hard on his back (all the breath is forced out of his lungs and it hurts) and slides a couple of feet, feathers turning the wrong way and getting torn out.
Scott scrambles to regain his bearings—he can't breathe and everything hurts—but before he can even get from more than a sitting position, a foul-smelling boot kicks him in the chin and his head snaps backward, sending him back down.
He opens watering eyes, blinking several times to clear their blurriness, arms splayed out at his sides. Xornoth stands over him, radiating heat, the dark clouds in the sky behind him seeming to swell.
"You think you can trap me in a little piece of glass?" Xornoth growls, and when Scott again tries to get up, pushing himself up with his arms against the gravelly ground, he again kicks him down, knocking his head against the stone.
No. No, he has to save them—he can hear people shouting, he can hear screams, he's Aeor's Champion, this isn't how the story is supposed to go—
Xornoth laughs, cruel and derisive, before bending down over Scott and gripping one gloved hand in the front of his tunic. He drags him up, up to standing, his tunic tearing just slightly.
Scott can barely even struggle. His body feels like jelly, wings hanging limply behind him, legs almost unable to support his own weight.
He tried. He tried so hard.
Xornoth's face is so close to his that Scott can smell his reeking breath, see how the points of his black teeth glisten with saliva, but he can't even find the strength to tip his head back, get away from him.
"Even your little fish boy fought harder than this," sneers Xornoth, only loud enough for Scott to hear, and Scott's heart breaks.
Jimmy.
He just wants Jimmy.
Somehow, if Jimmy had been here, it all would have been okay.
A tear slips down his bare face. Scott swallows back a sob, brings up his fumbling arms and weakly pushes at Xornoth's hand.
Ice spreads across his glove, and Xornoth hisses before throwing Scott down. He lands hard on his side, feels one of his ribs crack with a flash of white-hot pain, and he can't do anything but lie there and try to breath through it.
"I am Xornoth," the demon declares, voice echoing around the cliff, and the armies waiting on either side quiet, the only sound Xornoth's voice and the once-again rushing wind. "I am the ruler of this world. The so-called king of Rivendell tried to challenge me, and has failed. If any of you who followed him wish to feel my mercy, give up your arms now."
Scott knows his people. He knows that despite his youth, despite some unpopularity among older generations, his people care too much for him (for tradition, for his family) to renounce him.
And he can't let that happen. He's done for. He failed.
Rivendell needs to surrender.
Scott raises his head, just a little bit, some grit that had been stuck to his cheek falling to the stony ground, and looks around—there.
He catches Ilphas's eye—Ilphas, standing at the forefront of his army, their grey cloak slipping from their shoulder and hair out of place but their chin held high and stance dignified—and ignores the abject horror painting their face, then gives the tiniest, most minute nod.
They blink several times, and if Scott didn't know any better, he'd think they were crying. They nod in return, though, and turn away, calling instructions to surrender.
Xornoth nudges Scott with the toe of his boot. "This is your king," he spits. "And he is dead."
Before Scott can do anything, before he can so much as move, another maroon tentacle cracks out of the ground beside him, burning hot, and wraps around his legs.
It's all Scott can do not to scream—this tentacle is far hotter than the other, burning straight through his trousers to his skin, but before he can try to squirm away, it drags him up into the air upside-down and throws him.
Scott doesn't even have time to process the wind rushing through his ears before he slams into the ground, knocking his head against a rock in a way that makes his vision flash black and grainy and sends pain jolting through his entire head.
Xornoth stalks toward him, he sees, through blurry vision red with pain, he says something—something terrible and pulsing—Scott scrambles back, his palms bleeding against the rough texture of the cliff, he just has to survive he just has to survive—
Xornoth grabs him by the right wing, pulls him up as the delicate bone strains, Scott tries to even out his weight to his feet but he can't find his footing—
The bone in his wing snaps and Scott doesn't have the energy to scream, his breath releasing in a little gasp. No . . . no. . . .
He meets Xornoth's eyes, the world hazy.
There's no pity to be found in those dark pits. No mercy. Only satisfaction.
And Scott knows, right then and there, with a clarity that cuts through all the pain and haziness, that he's dying.
He failed.
He failed all of them.
And with a burst of hot power from Xornoth, Scott is once again flying through the air and then he's falling, down, down, the wind buffeting his back as he goes over the cliff, his right wing thrown uselessly this way and that as his left wing tries valiantly to save him but his weight is too much, and with a gross clunk and a white hot burst of pain, it slips out of the socket.
Before Scott can scream, before he can pray, before he can do anything but twist his body in the air to face nose down, he hits freezing water and blacks out.
The last thing he thinks, mind desperately spinning, is that at least he won't have to live so alone anymore.
-
His body aches, pulsing up and down, from the tips of his fingers to the ends of his toes, traveling up each limb and down each vein. Everything hurts, in ways that he can't quite understand.
The stag steps carefully through the forest, over gnarled tree roots and clumps of grass, each step rocking him from right to left.
Scott takes in a slow breath, body slumping further against the stag. The fingers of his right hand loosely grasp its hair, his left arm hanging at his side.
He just wants to fall asleep. He's so tired, and it all hurts so much that he can't even think. He just wants to sleep.
But he blinks slowly instead, watches as a squirrel skitters up the bark of a huge oak tree. A deer pokes its head out from behind a birch, its ears twitching curiously. Somewhere in the branches above, a chickadee sings its repeating song.
Scott lets his breath out in a long sigh. His body rolls with the slow trundle of the stag, jostling his various uncategorized wounds.
He swallows, throat dry.
Maybe he can sleep here. On the back of the stag. Let it carry him to wherever it intends to go.
He's so tired.
The ground below gets softer, bit by bit, the dirt becoming darker, the grass more frequent. The stag's hooves begin to leave impressions in the ground, the grass springing up after every step. A frog croaks from nearby, low and long. The leaves on the trees start hanging lower and lower, dripping down into puddles of murky water.
And then, the dirt now mud and squishing with every step, the stag stops.
Scott should see why it stopped. He should lift his pounding head, see what's before them, because surely if it's important enough to stop the stag he has to see what it is.
But he doesn't have the strength.
As his body is pushed, further and further—
After a long moment, the stag bends its neck, head dipping low in an arc, and Scott begins to slide forward, his fingers slipping from their limp grasp, his body leaving streaks of red in the brilliant white hair.
He slowly slides further, further, until he rolls between the stag's antlers, his tunic catching on a sharp antler and pulling a long tear down the side, before he slowly falls into a clear pool of water.
He sinks, red billowing up in the water around him—
Sinking, water filling his lungs, so much weighing him down and down—
Down and down, until his toes meet silty mud at the bottom.
He hangs there, in the water, letting it wash away his aches and pains and all the blood, and he sighs, bubbles spilling from his lips.
He's so tired.
A fish swims up to him—a cod—
Hands under his arms and pulling at his tunic, dragging him up onto a rocky shore scraping his back—
It noses at him, pokes him hard in the chest—
Pressing on his chest, harder and harder, again and again and it hurts—
And then swims up to between his eyes (it takes a moment to come back into focus) and stares at him, eyes large and somehow desperate.
And he sees, wavering in and out, desperate and beautiful brown eyes.
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kitkatt0430 · 12 days ago
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Lance was, perhaps, not the most observant guy in the universe. He acknowledges this fact, accepts that's a thing about himself. It's fine, he's still a cool guy for the most part.
Still, he was pretty shocked about the whole 'Pidge is a girl actually' thing. Not because there weren't, like... signs. Which Lance did, in fact, pick up on. He has sisters; he can, in fact, recognize when a person with a uterus is having a bad week and needs chocolate to stave it off. He has, in fact, bribed Pidge with chocolate to calm the hell down a few times since he - she, gotta remember that now, she's a she who hers - was assigned to the same team as himself and Hunk. (It's been more than a few times and Lance maybe wishes he'd thought to stop Blue off at a convenience store to buy a few cases of Pidge's favorite chocolates before blasting off into space.)
But... having a period does not make someone a woman. Or girl. Whatever. It just made them someone who possessed a uterus.
So this whole time Lance had just been assuming that Pidge was a trans dude. Or trans masc with a preference for he/him pronouns. But, like, apparently she's just pulling the 'Princess disguises herself as a man' routine, except she's not the Princess in this story. She's the genius inventor/mechanic. Which is just as important as being a princess, not that Lance is going to share that nugget of wisdom with actual-princess Allura.
And the annoying thing is no one else apparently came to this extremely obvious conclusion that Pidge was just trans and so he's the only one who is just... confused that he - she, dammit - is not in fact a guy. It's a little annoying really.
(When Pidge comes out a few months later as nonbinary with a preference for she/him pronouns, Lance finally explains the whole 'trans guy' assumption. Because it turns out he was actually right. Mostly anyway.
Pidge - I hate to say it but... Lance was right. I'm not a girl.
Lance - Hah! I'm allowed to be right sometimes, ya know?
Keith - Only once a blue moon.
Lance - ... was that a Lion pun?
Pidge - *giggling*
Keith - ... maybe.
Meanwhile Shiro and Hunk are explaining human gender as a social concept to Allura and Coran who are relating it to Altean social concepts that are at once both similar and very much not. Apparently they've been letting the humans use whatever pronouns seem appropriate due to translation convention - it's not like human languages have the right pronouns for their actual genders anyway.)
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harlequinoccult · 1 month ago
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"OH MY GOD THAT'S HOW THEY KNOW EACHOTHER!!" <- me having an epiphany when you suggested Carter was the one to give Ariel his fake documents
anyway i had to get off anon for this one, just wanted to give u this super messy sketch i made of my specialest boy, w his mask on bc drawing faces is hard-
how does he see anything w that thing on? great question!
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drawing has been hard for me to do recently, but i want to come up w a OD design so i can draw them being freaks together. maybe one day ill actually manage to do it-
anyway, just wanted to do this as a lil thanks for taking an interest in him and even helping to make his backstory make more sense one way or another XD
i hope you're having a lovely day! your IF has made a bit insane, so thanks for making it, i have two more freaks i can ramble abt later on if you're ok w that! don't forget to hydrate!!
-🩊
I love hearing about and seeing people's mcs and ocs and im glad i could help 😌
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carnivalcarriondiscarded · 1 year ago
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Imporant qestion:
Does Howdy x Barnaby exist in the fantasy au?
of course! who do you think i am! i am a laughingstock enthusiast first and a human being second!
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aeolianblues · 4 months ago
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good god girl, maybe some of us are not vegan because we eat chicken like once in three months?? Would reduction not be a more productive goal of vegan activism than outright banning? Like if your arguments are that animals are being eaten, then you’re being unrealistic about the entire actual concept of the food chain. Humans are omnivores, you do not need to change that to achieve your goals.
A vegan lifestyle is also entirely the product of your geographical location. If you live somewhere that shit does not grow, what are you going to do?? I just think about the difference between food options in India and Canada, for example. India: between the tropics (tropics and equator even, in fact). All-year-round sun, there’s pretty much always stuff growing. Different kinds of land will mean you can grow everything from staples like rice and wheat to vegetables, fruits and plantation crops. It’s reflected in the cuisines: Indian food has a much, much wider offering of vegetarian food, and many more Indians have restricted diets that more or less overlap with vegetarianism. Because crops grows. Locally.
Canada. Harvest in the fall, from November to March, your fields are practically unusable. Compare the prices of fresh produce in (and now I’m being generous to give you a highly populated, non-remote province here for an example) Ontario. Ontario has farms where in the fall you get fresh autumn vegetables and fruits. You’ll also get them in larger quantities. It is way cheaper, fresher and also uses less energy and fuel to transport the vegetables like 50 km from farm to market.
Come the winter and nothing grows. If you look at most vegetables you’ll find on store shelves in December or February, and most of it is either imported from warmer regions of the US (often the case for chains that are in both countries) or from South American countries (sometimes SA -> USA -> Canada). The importing has to go through cross-country customs, had to be driven for days, is less fresh or rich in nutrients by the time you get it, and is more expensive. Of course. And we all come out of it poorer. Is it any wonder why people will eat meat? We’re even talking here about a place like Ontario, very well connected on North American trade routes. Can you justify someone in Yukon deciding to eat meat over a $17/lb. green veg? Be for fucking real

There simply cannot be a blanket-global solution to animal products. You’ve got to work with what your geography has to offer. It’s the same thing we say when we say that avocados have an environmental cost when you expect them to be available year-round in places they don’t grow. We encourage people to go for more local produce there, and I think the same should go for all parts of your diet too. If your animals are local, then their footprint is lower than importing kiwis from New Zealand to the US. I don’t see how that’s hard to understand.
#veganism#the first para is a rant bc someone was being an idiot but I mean the rest of it most sincerely:#YOU HAVE TO WORK WITH YOUR GEOGRAPHY#capitalism has you thinking the whole world Is this flat homogenous thing#and all things can be solved by ‘buying (new solution)!’ *Buy!* our new Vegan Leather and feel good about yourself!#(<- plastic that will end up in a dump as Indonesia’s problem; not the pontificating American vegan’s)#*~Buy!!~* our new honey substitute! 100% cruelty free by avoiding the bees; even as the bees literally continue to make honey anyway#(<- monocrop agave fields in Mexico can deal with your misplaced guilt for you đŸ„°đŸ’•)#Like. At least have the courage of your convictions and quit sweetener entirely if you’re#concerned about both cruelty (which honey harvesting is not but okay) and sustainability. Or switch back to sugarcane.#Unless of course sustainability is simply someone else’s problem 😊 (hi third world!!)#My problems with veganism the movement are also my problems with the west; you all are really fucking hypocrites.#We have to go cleaning up after you guys all the time. You HAVE to work WITH your geography; not against it#Plants are not some miraculous catch-all solution. And mate; you’ve got to kill a plant to eat it too#Plants are alive; trust me. If you don’t eat anything for fear of killing it you’ll either be living on roadkill and infect and die#or you’ll end up killing yourself out of not! eating!#; you can’t eat rocks. All food was once alive.
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mattodore · 26 days ago
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matthias's face card is so insane here i almost didn't notice that his hair got chewed up by gshade
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i-love-tubbs-the-cat · 4 months ago
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going to clean my house and try to exterminate the various bugs living here now đŸ’â€â™€ïž wish me the best of luck i'm scared out of my mind
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suckinitup · 5 months ago
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we didn’t know magnus as much as we’d like but i wouldnt be surprised if he had some classic “Kill Vampires but Never Humans” rule. That said i think arthur bennett has literally eaten bigots when theyve been out and mistaken as a couple and it caused one of the most tormented “OH NO HES HOT” “HES A VAMPIRE” gay murder horror complex of magnus’ LIFE.
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gotta-bail-my-quails · 12 days ago
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man i thought i moved out to escape my family but it turns out i've jumped from the pan into the fire because holy shit my guys what the fuck??
#at least at home we have people competent enough to not flush wet wipes and tampons down the toilet#let alone FOOD???#and we don't leave our dishes out for so long by the sink that they start to RUST#like ok my lil brothers make a mess sometimes and accidentally shat on the floor a few times but at least they're fucking children why tf#should i deal with shit water because of your incompetence#and yknow i can deal with noise. im the noisiest at night at home b/c i always go shower late but im not fucking SCREECHING and chatting#so loudly you'd think i was at a concert or some shit#and this bitch?? can't comprehend i just want to not have crumbs all over the couch???#like girl. how did this become a slight against you. why would i ask you to keep the couch clean b/c you slept there once or twice#BITCH I CLEANED THE COUCH COVER ON MY OWN DIME *BECAUSE* I KNEW YOU MIGHT SLEEP THERE AGAIN & WANTED IT TO BE CLEAN FOR YOU#YOU NOT ONLY INSULT ME BUT ENTIRELY MISCONSTRUE MY KINDNESS TOWARDS YOU??? WHY WOULD IT BE DIRTY B/C YOU SLEPT THERE???#you can't make this shit up i hate having roommates holy hell#only slightly made up for by the fact i get a room to myself these days#the other one smells like weed all the time and the other other one doesnt wash her hands properly after using the toilet + keeps her dishe#out by the sink + doesn't pick her hair up#also i'm the youngest so that's just even sadder#i was also the youngest last year and bitch. you have no idea#this is what being the eldest sibling does to a mf#not really related but they made the ugliest doormat ever i wish i had been there to stop them from that atrocity#and why do they not take their shoes off. girl i mop the floors like every 2 weeks#it's fucking clean trust me just take them off bitch#am i being holier than thou? probably but fucking DESERVED#i can't be taking care of people two years older than me like this. yall have too much fucking drama
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vanityangel · 10 months ago
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Rhea Ripley bullying the cameraman as she made her entrance for the SmackDown dark match was pretty cute WWE SMACKDOWN (FEBURARY 2, 2024) đŸŽ„ My Video
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