#classical opera

[luciferslilith7]

You said home & I embraced myself

@luciferslilith7

Source:📍 pinterest

[classycoffeesublime]

Night drive home from the theatre, discussing classical music and falling deeply in love

[theres-rue-for-you]

gaston leroux being the most unserious writer moments in TPOTO:

-raoul scaling down a tree to see Christine while she’s roaming the moors at night mid breakdown

-one of the opera staff claims that christine has friends plotting against Carlotta, to which another staff member goes ��christine has friends?”

-gaston describes a toad coming out of Carlotta’s mouth and then goes “lmao I’m just messing that didn’t actually happen” what a troll

-the unnamed narrator holding Richard’s hand for and I quote “a few minutes” because he saw the opera ghost and got scared

-raoul straight up crying during a performance because christine sounds nervous

[raeyeon]

Thee Jessye Norman.

"O hehrstes Wunder" at the Metropolitan Opera, 1989.

[spacenoirdetective]

Greg Hildebrandt, illustration work for "The Phantom of the Opera" by Gaston Leroux

[unamazing-sheep21]

The many uses of a Byronic Hero

chair ( Jane & Edward - Jane Eyre)

Pillow ( Christine & Erik - Phantom of the Opera)

Car ( Catherine & Heathcliff - Wuthering Heights)

Water dispenser ( Edith & Thomas - Crimson Peak)

[miyamiwu]

How to say “I love you” in Blue Lock

I don’t really want to play soccer, but being with you isn’t a pain, so it’s fine.

Now that I can fight without you, being with you is even more fun

And then there’s this asshole...

I made it this far because of you. Since you allowed me to play soccer freely, I’ve grown this strong on Bastard München. But I can’t climb any higher that way. I figured that out in this match, I no longer need the freedom you give me. Forget about me, Ness. Find yourself a new king. It’s easier for me to live in restriction.

[escapismsworld]

📍Opera Garnier, Paris

[funeralgreys]

I can’t stop making fake dr who instagram posts and I’m making it everyones problem. Bonus goth opera:

[garternstocking]

[ereyies]

i love my gothic literature menaces and they love me

+bonus

he’s not gonna pretend he’s on the phone because he meant every word and wants him to hear it

[tossawary]

I don't have a solid plot attached to this idea, I don't currently really have the desire to drop everything to go write "The Hobbit" fanfiction, but for a while I've had the idea of *gestures vaguely" some post-canon story (probably some form of fix-it) taking place before, during, and after a grand dwarven opera performance in Erebor.

Because I am absolutely certain that the Lonely Mountain had an absolutely stunningly beautiful Royal Opera House (and plenty of other, less grand performance halls) that, at the city's height, was putting at least one show every single day. Orchestral symphonies, operas and operettas, dramatic plays, dance performances... you name it, they had it and more. The various cultures of Middle Earth evidently ADORE music, dwarves absolutely included. The Company all bring instruments to Bag End to play and sing themselves off before their quest!

Also, beyond the music side of things, with how dwarves are named as master crafters? Smiths and toymakers and magicians? No way that they did not have some of the most gorgeous costumes, sets, and effects on the planet. Dwarves would go WILD with their articulated stage puppets, I know it.

One of my biggest issues with the film trilogy is that it failed to deeply explore the Company as people who had lost their home, beauty and culture included. Smaug not only killed countless people, entire families, and leave many of the survivors poor and desperate, the dragon went on to hoard their heirlooms and life's work and leave these priceless gold treasures UNUSED. It is an additional heartbreak to imagine Smaug tearing through Erebor neighborhood by neighborhood, house by house, so that he could tear out every gemstone in, say, mosaic made by someone's grandmother that sat above the breakfast table every morning. To think that Smaug in the aftermath tore magical lanterns off the walls, the sort that might have been decorated with animals or flowers, to make some daycare walkway just a little more cheery for the children, and in his greed left a dead city in the dark.

The live-action movies put both Smaug and the Balrog in these... absolutely enormous chambers that serve somewhat unclear purposes. The king's treasure vault and a former marketplace, I think? (Moria has been raised by goblins, I can forgive the emptiness.) It's a quick visual depiction of Thror's uncontrollable gold lust to give him a Scrooge McDuck room, sure, instead of anything with an actual organizational system (normally, I assume dwarves are big on sorting their vaults if they have one). Super big columns and hallways and staircases do somewhat effectively communicate the "lost glory" of Moria (I am very fond of these movies!!!), even if I also think it's not as interesting as it could have been. And the other obvious purpose of big, open warehouse-like spaces is 1) it's easier to animate the big creatures moving around in them generally and 2) it allows the films to show off the full-bodied visual spectacle of their big creatures.

But I think it would have also kicked ass to put Smaug in Erebor's former Royal Opera House or something, some enormous theatre decorated across generations. That could be big! The ART (statues, fountains, banners, windows, general architecture) that you could put on the exterior, which has had its face ripped open for the dragon to get inside? The ART that you could put INSIDE (mosaics, murals, and more) as Bilbo sneaks inside? Ohhh, you could include so many potential lore references with thematic relevance!

Also, Bilbo could get jump-scared by old articulated stage puppets or something. IT'S THE DRAGON-! Oh, no, it's some old opera prop. (Yes, we're talking more about an actual adaptation of "The Hobbit" rather than fanfiction concepts now.)

Sure, there's raw material treasure and coins hoarded here in this place, but there would also be musical instruments and toys and household tools and cookware and fancy dishes, wedding jewelry and anniversary gifts and family shrines and festival costumes, fountain statues and street lamps and mailboxes and business signs, and other evidence that people really LIVED here. These are all ordinary objects that Bilbo recognizes from the Shire.

We could tie these objects directly back to objects we saw featured in Bilbo's home early in this adaptation, which he was trying to "protect" from the dwarves during their "That's what Bilbo Baggins hates" song. There are half-burned portraits of people's late parents here too. Did he think that there weren't any dwarves who made doilies or handkerchiefs embroidered with flowers? Of course they made things like that too.

It's perfectly symbolic to, say, place Smaug's bed in an area like the king's throne room. The dragon is now the King Under The Mountain. But I think it would be deliciously haunting to have the throne room of Erebor be empty, the throne half-broken, the silver stripped from the walls and moved elsewhere, because Smaug doesn't care about Thror's old audience chamber. What's a dwarf king to a dragon? He burns the same as all the others. The dragon has instead made his bed in a beautiful public place of art and culture that was for the people, by the people, surrounded by the lovingly crafted belongings of the ordinary people he killed. Gold is gold to a dragon whether it's in a coin or a candlestick.

I think if you really want to sell one of the key messages of "The Hobbit", which in my opinion is: "If more of us valued food and cheer and song above hoarded gold, it would be a merrier world." then you ought to throw yourself behind EREBOR being a place where food and cheer and song had value, not just the Shire. Thorin isn't lost at the end because he's a dwarf and dwarves don't value such things, but because he as a specific person who makes the mistake of weighing pride and gold over people, and he comes to regret that on his deathbed.

So, back to the fanfiction idea, I think that Erebor had music again in it as soon as dwarves started living in it again. It will take decades and decades before the Royal Opera House is half as splendid as it was before, and there is a performance there with beautiful costumes and puppets and sets comparable to those that came before, some traditional historical show that is part of specific seasonal holiday for dwarves. But that very first winter, when the future still looked grim, I think the dwarves cleared out a small stage and cast the roles of this traditional musical retelling of their history among them, based on who knew the parts best, because they aren't just miners and smiths and soldiers, and there was music again in Erebor that winter despite all the damage that the dragon did.

[ineedhjalp]

Edwin Payne canonically reads cheap romance novels with gay male characters and likes them. Just in case you didn’t know

[reveuseinflorence]

O Fortuna

Velut luna

Statu variabilis

Semper crescis

Aut decrescis

- Carl Orff, Carmina Burana

[the-gilded-chronicles]

The Grand Foyer of the Opera Garnier, Paris, France

The grand foyer is 154 metres long, 13 metres wide and 18 metres high.

In order to complete its decoration, the Opera’s architect, Charles Garnier collaborated with the painter Paul Baudry(1828-1886) who at the time was in Rome painting replicas of the Sistine Chapel. In its tones of old gold, this vast space was created at the most prestigious level of the theatre close to the first-category boxes. It was intended to be a place to rest, stroll, and mingle with high society.

[dethkrypt]

PARIS HILTON as AMBER SWEET. as seen in Repo! The Genetic Opera.