#cast and crew treat it the way the fans treat it
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ghostboyhood · 2 months ago
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sold
should i watch interview w the vampire
puhlease also tell me in tags why, i have two shows to finish first so i need motivation to start this one too
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obxanon · 6 days ago
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Addressing the OBX drama and the speculations:
Was JJ’s Death planned?
No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.
Did the writers/producers create an uncomfortable set?
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No, they didn’t. This post is not true. The brothers were never inappropriate.
Was Madison a bully on set?
I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 
Was Rudy’s decision sudden?
Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.
Was there on set drama between Rudy and the Pates?
Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.
Why did every ship but Jiara get a still?
The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.
Why did the cast chemistry seem off in part 2?
They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.
Was there alternate endings?
Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.
Did Rudy and Madison talk on set?
Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.
Why did Jiara have “less” than everybody else?
It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.
Was Elaine uncomfortable with Jiara scenes?
Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.
What is the Rudy and Madison Drama?
Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 
It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.
Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.
Should the Writers/ Directors/ Producers stepped in?
Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”
What’s going on behind the scenes right now?
A mess. They knew it would be bad but infact it is worse and they know that.
Am I reliable?
Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.
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nobodyfamousposts · 1 year ago
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Scarlet Lady Essay: Frightningale
Yet another essay for @zoe-oneesama. Because you deserve it.
I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.
So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.
I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.
Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!
And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.
The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode. 
That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.
But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?
Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.
And Zoe did both of them.
If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.
Miraculous doesn't really do this.
Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.
It isn’t even just about the heroes.
It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.
But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?
It’s Sabrina and Lila. And their individual stories have led up to this.
As such, this episode—which was mostly filler and all around forgettable in canon, matters here.
It’s where Sabrina and Lila reach the culmination of their respective character arcs. 
Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.
Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.
Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.
Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.
Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.
And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted. 
Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?
And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.
Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target. 
And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.
And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.
This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this. 
So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.
And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.
I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.
In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.
To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.
Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?
Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.
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All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.
Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.
So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last. 
And with this, we get the full roster of friends-turned heroes.
Except for Alix. Poor, poor Alix.  ;_;
Your day will come.
In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.
And isn’t that what separates the heroes from Scarlet Lady?
But there’s a third important aspect of this episode.
This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity. 
Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.
We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.
Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.
Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.
Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.
But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?
And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.
Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!
It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.
This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.
And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.
Then there’s the love square/hero shenanigans.
Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.
Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.
Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.
This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!
It’s just another aspect to this episode that makes it enjoyable.
So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.
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zee-rambles · 2 years ago
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Lets. D0. This.
(Please note: Post will be updated as I find more resources and think of more strategies)
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(Please do not re-use gif without permission…unless it’s to save Rise…)
Mutant May
YOU can watch Season 1 and Season 2 of RISE right HERE!
So I’ve seen a a lot of people still wondering if Rise of the TMNT can be saved.
There’s is a lot of hope, especially with the boom of fans joining the fandom after the movie dropped last year, people making more art on tumblr, twitter, tik tok, and so on. But also a a lot of doubt, especially after JJ Conway’s post on twitter.
BUT…I still think there is a chance…a GOOD chance. WITH ORIGINAL CAST AND CREW! Why?
We live in the internet. Information is more then easy to get out now thanks to social media. There is all kinds of ways to get the word out to people. Let’s abuse it. 😎
Fans have brought back shows before.
We need a MAJOR push through social media, more fans, more art, it’s up to us…and I think we can do it!
Fans convinced Netflix to bring Sense8 back for a finale
Fans convinced fox to bring back “Futurama” after it was cancelled in 1999.
Hey Arnold got the jungle movie thirteen years after the show was cancelled
Animaniacs got a 3 season revival 22 years after it stopped airing.
Brooklyn 99 was cancelled in 2018, and the fans convinced NBC to pick up the series.
Arrested Development was canceled after 3 seasons, but AFTER it was cancelled, it grew an audience and they made it come back!
Fans saved the original Star Trek in the 60s with letters.
They did it. Why can’t we?
So what can we do?
Well…
1. PETITIONS TO SAVE RISE that we can all sign…
PETITION 1 (The strongest one, but the more petitions signed, the better!)
PETITION 2
PETITION 3
PETITION 4 (save the content that was cut/we missed)
PETITION 5! (Make an ROTTMNT season 3)
2. Pester Nickelodeon and Netflix on social media (THE BIG ONE Y’ALL, THIS IS THE MOST DIRECT AND IMPORTANT)
Be polite, be non-toxic (don’t be rude or mean, the boys would not want that, and the Nick/Netflix won’t listen), but be LOUD, PASSIONATE, AND ANNOYING! Ask for DVDs of the show/movie, and then BUY THOSE DVDs!
MAKE SURE TO ASK FOR THE FULL ORIGINAL CAST AND CREW TO COME BACK, INCLUDING ANDY SARIANO AND ANT WARD.
Sample DM/Letter (but try to come up with your own. Too many repeats and they will ignore it)
“Dear Nickelodeon/Netflix/Viacom, I can’t tell you how much Rise means to me, and I really love that you put the show on air. But it was not fair that the show was cancelled before it got the chance to reach the audience it deserved, only because of a few bad reviews and a lack of advertising. The show is great, there’s tons of fans, tons of art, and people, including me, want so much more! Please bring it back! We want the original crew to come, Flying Bark, for the show to get it’s full second season restored, and it’s five season run like it was originally intended. People hated the 2012 TMNT when it came out, but it got it’s chance and now there are people that love it. Why can’t Rise of the TMNT have the same? It’s clear that the creators love their work and there’s a growing fan base for it. Rise just came out at the wrong time, but it deserves it chance to shine.”
The more personal you made the letter, the more you say what Rise means to you, the better.
As for me? I’m sending them a picture of Pizza Pigeon with the #wewantmoreriseoftheTMNT and #saverottmnt
Request movies/seasons on Netflix.
Ask for Rise Season 2, another season, another movie. Just keep asking!
Nickelodeon’s facebook page (Look, I know that facebook is a relic at this point, but the more people go there and PESTER Nickelodeon, the better!)
Rise’s facebook page
Leave good reviews. Share. Leave TONS of comments
Nickelodeon’s instagram
Nickelodeon’s Twitter page (treat carefully, there be Musks out there…only use if you are over 18)
Nickelodeon’s TikTok
Niceklodeon’s letter inbox
Nickelodeon, 1515 Broadway, New York, NY 10036
Rugrats was brought back because fans bombarded Nickelodeon with letters saying they wanted it back. Might as well cover our bases. This one is a BIG DEAL!
Nickelodeon’s Corporate Number
1-212-846-2543 Call them! Annoy them! Ask how we can get their attention! Tell them why you love this show! Why it deserves to come back.
Contact Paramount
Paramounts Request form
Official Fan Page Rise’s Instagram
The more followers the better.
Netflix’s instagram
Netflix’s facebook
Netflix’s Twitter (Treat carefully. There be MUSKs out there…only use if you are over 18)
SPAM NICKELODEON’S EMAILS!
If anyone has any more, any deeper more direct points of contact, or more ideas, please share!
3. Leave good reviews for Rise anywhere and raise awareness everywhere you can!
One of the key reasons Rise did not do too well because it was unfairly review bombed before people could give it a chance…so get out there on tik tok, IMDB, Rotten Tomatoes, and ESPECIALLY youtube.
Make reviews! Analysis! JOKES! Support other content creators! When the Rise Reanimated video comes out, share it like no tomorrow!
No one paid attention when How to Train Your Dragon came out, but word of mouth and people saying it was good, made it the success it was. Let’s repeat history!
Anytime there is NEW RISE CONTENT on Nickelodeon’s YouTube channel, watch it, share, spread it.
Share this post on social media, across various sites, use the information here to spread awareness about how people can help and what they can do. Be relentless! (Like Leo in Lair Games)
Ask influencers to review, react, and give RISE a chance without placing judgement.
4. Make. ART!
Draw, Write, TWEET, Make MERCH, Sell MERCH, Make Tik Toks, Videos on YouTube, posts on instagram, discord, what pad, demanding more Rise, spreading the word, and just showing how much you love this show! Not only will it attract attention, but it’s also good for all of us. There will be more Rise content either way.
Make sure to @ nickelodeon on ALL of your art! SPAM THEM! ANNOY THEM! DROWN THEM IN LOVE FOR THIS SHOW! Demand DVD’s and Blue rays of the SHOW AND THE MOVIE! It’s not fair that we can’t have access to it!
PLAY THIS GAME!
If you see official Rise MERCH in the while, buy it if you can! Also support as many rise content creators as you can. If you can’t draw? Write! If you can’t create! Like! Share! Comment! Support each other!
Rise April ART Challenge
Keep in mind…there WILL be pushback.
Companies as big as Nickelodeon and Viacom care about their bottom line: $$$…money. BUT pushback, whether they are taking down your videos on Tik Tok, striking artists on twitter, mean that they’re taking NOTICE. So don’t. Give. UP!
One last thing to remember: DO NOT harass fans for enjoying other versions of TMNT
Even though Rise is the first and only TMNT I have ever loved, I don’t believe in shaming other fans for looking forward to, or enjoying other TMNT series. Gatekeeping like that was what stopped Rise from (heh) Rising as high as it should have. All Rise fans are welcome, and all TMNT fans are welcome. Rise deserves to reach more fans, it deserves another season, and it does not need to knock down other TMNT series to do it. Show them your love and your need for more Rise, without making other TMNT fans feel unwelcome.
Share, spread the word, give it your best shot! A village can move MOUNTAINS! SO let’s do it.
So that in the near future…we can MAKE THIS JOKE!
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We all deserved SO much better. The cast, the crew, the fans. We got one beautiful, amazing show, full of great writing, amazing rep, and thoughtful commentary. It hurts so much that we'll never get to see it end the way it was meant to.
And it almost hurts even worse because of how much more we know now about how hard it was for the crew to tell the story they wanted because of cut time and huge budget cuts. We had to fight so hard for a second season, and they still didn't even get to tell the full story they wanted to. This show outperformed on every level and was treated with so much disrespect, and it was amazing in spite of it, and it's over too soon.
I'm so grateful for what we got. But we deserved better.
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kitscutie · 1 year ago
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hey! I'm not sure what all to put in an request. I'd love a kit connor x reader (fem preferred) about dating or fluffy things! Legal age of course
you belong with me (kit connor x fem!reader)
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𝗉𝖺𝗂𝗋𝗂𝗇𝗀: 𝗄𝗂𝗍 𝖼𝗈𝗇𝗇𝗈𝗋 𝗑 𝖿𝖾𝗆!𝗋𝖾𝖺𝖽𝖾𝗋
𝗐𝖺𝗋𝗇𝗂𝗇𝗀ꜱ: 𝗇𝗈𝗇𝖾!
ꜱ𝗎𝗆𝗆𝖺𝗋𝗒: 𝗒𝗈𝗎𝗋 𝖺𝗇𝖽 𝗄𝗂𝗍'ꜱ 𝗃𝗈𝗎𝗋𝗇𝖾𝗒 𝖿𝗋𝗈𝗆 𝖿𝗋𝗂𝖾𝗇𝖽ꜱ 𝗍𝗈 𝗅𝗈𝗏𝖾𝗋ꜱ 𝗐𝗁𝗂𝗅𝖾 𝖿𝗂𝗅𝗆𝗂𝗇𝗀 '𝗁𝖾𝖺𝗋��ꜱ𝗍𝗈𝗉𝗉𝖾𝗋'.
𝖺/𝗇: 𝗁𝗂! 𝗍𝗁𝖺𝗇𝗄 𝗒𝗈𝗎 𝖿𝗈𝗋 𝗒𝗈𝗎𝗋 𝗋𝖾𝗊𝗎𝖾ꜱ𝗍 𝖺𝗇𝖽 𝗍𝗈 𝖺𝗇ꜱ𝗐𝖾𝗋, 𝗋𝖾𝗊𝗎𝖾ꜱ𝗍ꜱ 𝖼𝖺𝗇 ᖯ𝖾 𝖺𝗇𝗒𝗍𝗁𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 ꜱ𝗈𝗆𝖾𝗍𝗁𝗂𝗇𝗀 𝖺ꜱ ꜱ𝗂𝗆𝗉𝗅𝖾 𝖺ꜱ 𝗍𝗁𝗂ꜱ ^ 𝗈𝗋 𝗍𝗁𝖾 𝗈𝗎𝗍𝗅𝗂𝗇𝖾 𝗈𝖿 𝖺 ꜱ𝗍𝗈𝗋𝗒 𝗍𝗁𝖺𝗍 𝗒𝗈𝗎 𝗐𝖺𝗇𝗍 𝗐𝗋𝗂𝗍𝗍𝖾𝗇! 𝗋𝖾𝗊𝗎𝖾ꜱ𝗍ꜱ 𝗈𝗉𝖾𝗇!
It all started during lockdown. You received a call that you had gotten the role of Florence Smith (a very British surname) in the new show 'Heartstopper'. You were already familiar with the comics - perhaps even a fan.
Florence was Imogen's shy but sweet friend that tended to sit in silence while the other characters spoke, though she did have some key roles too. Most importantly being that she was Nick's girlfriend at the start of the show until he realises he has been hiding his true self and meets the wonderful Charlie Spring.
Their relationship was supposed to be pre-existing, supposedly having dated for a year which meant you and Kit had to seem pretty comfortable and 'in love'. Even when you had just met.
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The rehearsals began and all of the cast met, including you and Kit. The first time you saw him it almost felt surreal, he quite literally embodied your ideal man. Golden hair that fell effortlessly into all the right places, freckles littering his skin in a way that reminded you of constellations and most importantly and amazing personality.
You were shy at first, much like everyone, you had only done small jobs and this was completely different, an actual Netflix show with seasoned actors. It was a lot of pressure.
He never made you feel like the under dog. Like the one who didn't know what you were doing, in fact, he went out of his way to help you out. Pointing out who did what, talking to a crew member when you weren't quite sure what to say and it all warmed your heart.
It didn't take long for you two to become best friends. You were both in your final year of A-levels and it was complete and utter hell, though he made it a little more bearable. Both of you were currently working at D's in drama which wasn't quite ideal and so, you became revision buddies.
Days at each other's houses turned into nights together, and it all just felt so incredibly right. You never had a friend as good as him, someone who treat you so humanely, even if that was the bare minimum.
It all scared you to be honest, feelings evident to everyone except him. Even fans.
They would point out the small things, like how you would sit on Kit's lap whenever there were no chairs available in the back of one of Tobie's vlogs, even though Joe and Bash did the same. Or the way the two of you were often seen playfighting in the back of behind the scenes clips.
It wasn't like you hadn't kissed before, practically every scene your characters shared up to the break up contained a kiss and so it became easy to see it all as, well, real.
The hugs, the handholding and the pecks on the cheek. It all felt so real and then it was gone. And filming was over.
It didn't really effect how often you saw Kit, the cast became best friends outside of filming and so you still saw him every day, though it felt different.
The bubble you had been living in no longer existed, the two of you were real people not characters and even realer was the crush building inside of you for your 'best friend' and no matter what Joe told you, you couldn't see the boy liking you back.
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Shortly after filming ended the first season got released and it was crazy. Not only did you have an influx of followers but an influx of people 'shipping' you and Kit.
It was stressful, feeling as though your secret was being revealed even if Kit saw it all as fans being fans, it was as if they could see right through you.
The two of you would laugh about it, the way they made compilations of him 'being in love' with you for ten minute straight. Or how they would tweet that you held onto his hand for a little too long at a red carpet. Deep down you both knew, it meant more.
Slowly he began to flirt, little things to gage your reaction, and when it made you blush instead of laugh and slap him in the face he realised maybe the theories weren't all that crazy.
Flirting became out right date proposals and it all felt so surreally perfect. He could have anyone and yet he wanted you.
By the time filming for season two rolled around the pair of you were official and known to the public, not exactly on your own terms but there was only so long you could walk on the street together without giving into the urge of holding his warmer hand.
Now instead of playfights and handshakes the cameras would catch the two of you napping together on set or cuddling on the sofa in a cast mates living room.
"I love you." He told you one cold night in December as you watched 'The Grinch'. It was your favourite Christmas movie. He knew that.
"I love you too." You replied, leaning up to place a kiss on his jaw line from your position lying with your head in his lap.
You knew at that moment, you belonged together.
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crooked-wasteland · 18 days ago
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Sir Pentious and the Importance of Narrative Structure
There are some aspects of Hazbin Hotel that leave me genuinely blind-sided. Like standing on the sidewalk when you suddenly witness a catastrophic car crash only for someone on the other side of the road to get distracted from rubbernecking and cause a second collision . That is the only way I can describe the feeling I get whenever I think about how the series handled Sir Pentious.
I have never seen a show fumble such a big plot point, not once, but twice and in the same exact way. First in the episode where the characters are engaging in “trust exercises”; the narrative entirely neglects the cast of Husk, Pentious, Angel, and Nifty for a very rudimentary plot that feels straight out of season one Steven Universe for Vaggie and Charlie. Instead it skips to them returning to the roof as a group and Angel Dust carrying Pentious and that is the end of the series attempting to show this bond until the second to last episode. Which also just does nothing with the first opportunity to watch that assumed relationship actually come together.
We never saw them actually help each other during the Turf War, but there was an opportunity that would have worked even with zero changes to the rest of the series to rectify that fact and it would have only cost at most 90 seconds of screen time:
Just have these characters talk to each other and treat it like it means something.
And it’s not hard to figure the reasoning of the writers was to have the reveal that the side characters didn’t leave be the big cherry on top this episode’s happily ever after. Instead, it's a completely forgotten plot point that only keeps the audience from ever believing these characters cared about each other enough to mourn one of them being killed off in the most abrupt way.
Sir Pentious’ death was pathetic. The heroic buildup to him buying the others time is undercut by his actual uselessness. And that compounds the problem with the fact his death is an intentional joke, but simultaneously supposed to be an impactful character moment? That isn’t how you get an audience to laugh while crying.
The art of achieving that dram-ody effect is fundamentally based on two grounded principles: familiarity to the character and pacing. Building up to sadness is a process, and trying to achieve something as primal as sadness requires some surprisingly complicated setup. In an undeveloped prefrontal cortex, the brain is still hardwired to mirror as a form of empathy. It’s why so many young fans can say without irony that Pentious dying is “Sad”, because they are caught off guard by his sudden passing to then be inundated with the named characters crying and being sad. They are sad because the characters are sad, but there was no one crying for Pentious like the characters are, not without a psychologically concerning degree of parasocial attachment. It’s “Sad” as in its “disappointing”, but the animators intentionally attempt to highjack the wave of disappointment to convince a child audience that they are feeling a different kind of grief.
And it didn’t need to be anything special, even a cookie cutter “Power of friendship” scene would have still fixed that gap enough to at least allow for a course correction later on and presenting the characters as more fleshed out. If time constraints were really that large of an issue, setting yourself up to succeed by laying the foundation to fix these narrative gaps is the only way to rectify it. Especially with announcing an already pre-approved second season that the crew would have been parallel planning for and thus had knowledge on where to save certain aspects for later.
To be frank, this is why people remember Helluva Boss’ first season so favorably, but it ultimately suffered the opposite issue. Season 1 of HB had a better grasp of setting up plot points early and giving themselves enough space to keep people theorizing and allowing them the opportunity to adapt the characters and narrative dynamically. The whole allure of the series originally was anticipating the payoff for these “mysteries”. It is just that the series had no intention of utilizing those mysteries for any meaningful narrative and quickly killed them off to focus on a predictable and uninteresting ship.
And I am sorry to snatch those rose-tinted glasses, but the first season wasn’t good, we just had clear narrative gaps that felt intentional and anticipated a story/arc/effort where there was no intention behind the scenes to really dedicate any resources to it. And alternatively HH is being handled far less skillfully from the jump, so it attracts the audience that will dedicate themselves to it (children) without any expectations in regards to quality.
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wellofdean · 4 months ago
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Sorry ,for me personally, it has to be out loud acknowledge to even remotely make up for how badly they treated fans over the years, the out loud queerbaiting in one breath and mocking in the next. The in text gay jokes, sexism and homophobia. The digs at their own fans.
They want the credit without having to do it. Again. They want the pat on the back they need to earn it this time.
Years of baiting for views and profit needs a payoff imo. Sorry people downplaying how important the canonization of this ship in particular is just hurts to see over and over. Stop letting them off the hook please. You deserve more. We all do.
It’s important. It does matter.
The cas/destiel hope baiting continued with the Winchesters and that’s why I’m at a put up or shut up moment with Jensen and the writers. He and Danneel kept the hype up every week that the show was airing all the while knowing cas doesn’t even get a name drop. He’s not even hinted at. Mary/john paralleled destiel so many times yet refused to call it want it was.
They could have shut it down week one, they interacted on tweeter a lot during airing and knew what fans thought there was going to be an acknowledgment or hint that never happened. They are smart people, they saw the speculation and hype but didn’t step in with a gentle ‘sorry guys this is about the new crew’ they fanned the hope instead with ‘something big happens’ that was just dean meeting the new team.
Loved the Winchesters as a show, sad it got dropped cause I loved the new cast so much. That said the baiting hurt and wasn’t necessary, the show was good.
Everyone is looking back with rose colored glasses and rewriting history. But things were ugly with the spn team/cast/writers at times. The homophobia was pretty out loud in a way it was allowed to be in the early 00s. They’ve grown and that’s wonderful but it still happened.
They need to earn the praise they want imo. No hate! Glad you are happy! just feels a little unfair to say we should all let them off the hook again and be happy with nothing while praising the benevolent straights. Just my two cents 😅💚💙
I want to answer this sympathetically, because I know it's disappointing that no one has been willing to just say "Dean and Cas are gay for each other" out loud, and I don't think there are many people in this fandom who picked up what the narrative was putting down, and were not disappointed in the finale for LOADS of reasons, only one of them being that Dean never had the chance to acknowledge what Cas said to him. I understand your feelings, my anonymous friend, I really do. I too found the end of Supernatural deeply frustrating, because they managed to erase the meaningful journeys of every single character, not just Dean, though what they did with Dean was the worst. I completely understand wanting them to JUST FUCKING SAY IT. I do. I get you. I simply do not agree.
My argument, which I have made many, many times, is that what you want is THERE in the narrative. They made Cas Dean's ride or die, they made it obvious that Dean can't carry on without Cas -- that the loss of Cas means Dean loses his will to live. That was explicit. They made it clear that more than anyone else, EVEN Sam, Cas is essential to him. They structured the narrative around Dean and Cas's emotional beats. They let Cas say the obvious thing out loud, and then showed us Dean behaving exactly as Dean would in a situation like that -- in the midst of his existential crisis about who he is and whether he has ever had free will, and with the world falling around them -- they showed us Dean unable to speak, unable to respond but overwhelmed with emotion. Like, remember that when Mary died when Dean was four, he was unable to speak? Is it really so hard to imagine that he loves Cas with all his heart? To read love in Dean's watery eyes, and the way he chokes down his heart and begs Cas not to do this? Not to being saying goodbye? I mean... I CAN DO THAT MATH. Literally everything about the story supports it. IT IS THERE.
Fandom always argues: if Cas were a woman, we wouldn't have any questions, so what I am just wondering is, why do we have questions again? Is it because we (homophobically) can't just see it for what it is because it's gay? Because, when it's gay we lose our ability to interpret narrative, and we need to be told, like we are 5 years old, what's happening in a perfectly obvious story? Or, is it a skill issue? Is it because we need the creators of the story to affirm our interpretation? We need the actors to just TELL US what they meant when they did that thing with their faces? Do we need their permission to understand it for what it is?
I've said many times that calling what happened on Supernatural 'queerbaiting' because no one ever made out or fucked on the maps table is really offensive to me actually. Don't you know that there are queer people in this world who never get to live their truths? Who just ache and yearn and want, and never get to have? Like, that there are in fact queer people who are afraid to say what they feel, or who don't understand or embrace who they really are and what they really need until it's too late? Are those not QUEER EXPERIENCES? I love Dean and I love that story because it's queer as hell and it makes ME feel seen, because I am like him! I am a queer person of his age who didn't ask myself those questions seriously enough in time! My own queerness is very fucking real, and it is UNLIVED. That HAPPENS to actual queer humans, and like, it's not queerbaiting when it's just queer, but didn't tell you the queer story YOU wanted it to tell. You saw years of tease? I saw years of choices, and love, and accretion of deep wells of emotion. I saw a clear romance, and a character becoming. It was a story I needed, AS A QUEER PERSON.
And the Winchesters was just joyful if you went in with that understanding of the previous story. It was like getting an A+ in Supernatural week after week from Dean himself. I can accept that the stars didn't align for Cas/Misha to come back in the first season, accept that if he were coming back, it needed to be more than a cameo to make it right, and that it didn't work out. I am so sad it was cancelled, but I can accept that it was leading someplace it didn't get to go. That's not queerbaiting, either! It's telling a story that was aborted, and I think if you don't see that, then that is DEFINITELY a skill issue.
I'm not looking back with rose coloured glasses; Supernatural is fresh in my mind. I watched it again without the internal pressure of expectations that aren't going to be met, and let it tell me what it was really doing all along. I am happy. It's a really compelling, deeply romantic, deeply queer story. I don't need permission from anyone involved to think that, and I don't need it explained to me. I understand wanting it to just be fully explicit, but I would not trade the story it did tell for a simpler, less engaging one, that asked less of me. I love it very much AS IT IS.
And, please: point me to this fabled abuse of fans. I have never really seen an example of it that is not easily debunked with a little bit of context.
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nymeria1105 · 7 days ago
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Imagine waiting two weeks for this episode, imagine going to bed expecting to wake up and find a super sweet I love you scene, imagine taking the phone and open twitter as the first thing you do as soon as you open your eyes, so excited and with a smile already forming to your face and discover that...
But more I think about it and more the break up doesn't make sense, why bringing back a character like Tommy, when they could have use a random new character, why create a friendship with Eddie, why writing thing like "I kind can't stop thinking about him", "Tommy is good for you" or the mummie grave scene (or, actually, all their scenes in the previous episode), when you already knew it was supposed to end like that at the beginning of the season??
And the break up scene, I mean they both actors were amazing in that, but if you think about the character pov, the break up was unnecessary, they could talk about that, they could postpone the "living together thing" and the fact the Buck didn't even try to stop Tommy...not a single tear...
And then, from his interview, we now know that Lou wasn't expecting this end...
No...something isn't right....my theories are:
• They're trolling us and this isn't their end
• Something is happened BTS that make change the writing of the storyline
I'm really sad...and if I have to be honest a little bit pissed off for the way Lou was treated, he has always shown not only that love and enthusiasm for the character, he was always kind and funny with fans and he had to endur insults, death threats and all kinds of online bullying and no one of the cast has never shown for him, or publicy support him...they didn't have to do much but maybe it would be enough just involved him in some BTS picture, c'mon Guys... Oliver has photographed everyone on the set, main characters, guests, extras, set crew, directors and never, never a photo with him... 😑😑😑
Sorry I'm venting...I don't wanna blame anyone...but I'm really disappointed 😔
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poomphuripan · 5 months ago
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EXCLUSIVE INTERVIEW: My Stand-In’s Up & Poom get candid about the hit Thai drama
First of all, we would like to congratulate you guys on the success of My Stand-In. And we are only 6 episodes in! How does it feel?
Up: Thank you very much! I promise it will get better and even more intense in the following episodes!
Poom: We’re very happy with the results thus far. Everyone worked very hard on this project, including the cast and crew, who all wanted to produce a great work that fans would enjoy.
Ming seems to have changed a lot when the new Joe sees him. But do you feel that he has sincerely changed and realised his mistakes?
Up: As the one who plays Ming, I really think he has sincerely changed, but does he actually realise his mistakes- I would say you guys gotta stay tuned for the subsequent episodes to find out!
Poom: From the viewer’s perspective, it is clear that Ming has changed when it comes to treating Joe. However, his personal traits remain the same – still being somewhat selfish. What stands out is his love and patience for Joe.
Despite everything Ming has done, we see Joe starting to melt a little especially when he sees that Ming has been waiting for him all these years. Do you think Joe should give him a second chance?
Up: I would say he should! He wouldn’t know what happened to Ming during those two years, what he has been through and how much he suffered.
Poom: Joe might still be confused because, for him, that process might be two years to Ming but it felt like it was just a day ago for Joe since he was in a coma. He might need time to think and observe Ming further. Deep down, I believe Joe will eventually forgive Ming.
If you guys could meet Joe and Ming in real life, what would you like to tell them?
Up: I would tell Joe to keep on fighting and grinding, you got a lot on your shoulder right now, but I know it will pass! For Ming, please stay calm and control your emotions. Everything will get better if you balance your heart and mind.
Poom: I wouldn’t say anything to Ming because I wouldn’t dare to approach him. For Joe, I would like to encourage him, to believe that the bad times will soon pass, and to wish for his happiness.
No spoilers but how do you guys think fans will react after watching the finale?
Up: No spoilers but it’s just gonna get more intense right till the finale so buckle up and be prepared for any possible plot twist!
Poom: I’m pretty sure fans will cry due to the mix of emotions—happiness, sadness, joy, and relief.
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My Stand-In has quite a lot of emotional scenes. How do you recharge after filming such scenes?
Up: To be honest, emotional scenes are energy-draining, and as an actor, we will need to recharge. However, I think it’s important and healthy to handle emotional scenes correctly, as it can sometimes permanently damage the actors’ and actresses’ emotional health. 
One thing I love the most about working on emotional scenes with Poom is that we pass positive energy to each other even before the scene starts. We would find each other and hold hands or hug each other before filming these scenes, and that helped us pass through almost any difficult scenes. 
After we ended work each day, we would take a quick trip before going home to a nearby restaurant just to get a light meal and talk about the scenes (we filmed). That definitely helped us recharge and get rid of any negative energy we might encounter each day we were filming My Stand-In.
Poom: Definitely felt a sense of relief completing them, as there was a sense of anxiety about the heavy emotional scenes beforehand, and also letting the characters’ stories unfold. 
Your reactions to watching My Stand-In were hilarious. When you watch your own shows do you watch it as a fan or are you critical about your acting?
Up: Actually I do in both perspectives. We watch it as a person who would like to enjoy a good show which is usually while filming the reaction videos. However, when we are alone we would watch it and criticise our own acting and what we can do to improve in the future. We share this common goal and passion for our acting career, and we truly believe that self-development is critical in this career path.
Poom: I normally do like to watch my own performance to analyze whether it was a good job or not. If there are areas for improvement, I will note them down and make adjustments in the future. For the good parts, I work on enhancing them further.
Is there anything new that you’ve learned about yourself while filming My Stand-In?
Up: I really enhanced and further developed my skills in acting. I felt that I got more mature in my acting career. But the best thing I felt that I got from filming My Stand-In is that I got to play it with the best partner I could ask for, Poom who shared the same goal, passion and vision for this career path. I would like to thank him very much for being such a great partner.
Poom: I learned that when you commit to something sincerely, no matter the outcome, you’ve done your best. Effort never betrays anyone.
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When you are not working, what is it that you like to do in your free time?
Up: If I get a day off (which rarely happens), I would just wake up and enjoy myself with a good book and cup of coffee. Or even go out for a round of golf with my friends.
Poom: I like to sleep, watch a comedy, listen to music, and play some games.
Your roles in My Stand-In are quite different from what you guys have done before. As actors, what is it that attracts you when you are deciding on a new project like My Stand-In?
Up: Being someone I couldn’t be in real life challenges me to grow as an actor, and every role I take on gives me the chance to try new things. I’m therefore quite open to new and difficult opportunities and that’s how I decided to work on this project.
Poom: As an actor, this project is very interesting because the character has a lot of emotional depth and many interconnected stories. The characters are quite complex, and the fun script and good production made it very appealing.
Up, you have a knack for picking up projects that tend to go viral such as Girl From Nowhere and Lovely Writer. And now My Stand-In! Did you know they would become hits back then or was it a surprise?
Up: It was all a surprise, the only thing I aimed to do was to continue developing my acting skills ever since my early years in this career. One thing I truly believe is that no matter how long it takes, your skill and talent will eventually be noticed. 
Poom, it must have been quite a struggle since the pandemic happened right during the start of your career. So, what motivated you to keep going and find your success?
Poom: Love for acting, respect for the profession, and the joy of doing it. 
After such challenging roles, what would you guys like your next projects to be? Something funny, lighthearted? Or similarly dark and full of angst?
Up: Actually we talked about this too. We would take up any opportunity presented to us. Because with a great partner, no matter the role we’re taking on, we know we will give it our all and do our very best to become a better version of ourselves.
Poom: Every project is challenging because each character is different. If possible, other than having a great partner back with me, I would like to try a project with even more action scenes. 
Well, we have been loving every minute of My Stand-In and will definitely be tuning in for the upcoming episodes. Any last words for your fans?
Up: Thank you very much for all your love and support, without you guys, we wouldn’t be here today. Please stay tuned for My Stand-In! And we hope that you will love all the characters as much as we love them! Thank you!
Poom: I have nothing to say but thank you. I feel deeply grateful and appreciate the fans very much. Everything we do is to make the viewers happy and entertained. If everyone enjoys it, we are happy too. Finally, I want to thank the fans because, without them, I wouldn’t be here today. Thank you.
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ofmdrecaps · 17 days ago
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10/26/2024 Daily OFMD Recap
TLDR; S2 Finale Anniversary! Rhys Darby; Taika Waititi; Con O'Neill; Kristian Nairn; Samba Schutte & Damien Gerard; Rory Kinnear; Other Fandom Petition; Fan Spotlight: Cast Cards; AMuseOfFyre; Love Notes; Daily Darby/Today's Taika;
== S2 Finale Anniversary ==
It's been a year since the finale of S2 aired crew! What a year it has been! Our friends over at @adoptourcrew asked some important questions and would love to hear from you on their various socials!
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Source: Adopt Our Crew Twitter
== Rhys Darby ==
Rhys is announcing his Midwest Comedy tours going on in Indiana and Missouri! The Helium Comedy Club in Indiana information is here and Missouri is here!
Source: Rhys' Instagram
== Taika Waititi ==
Taika out and about!
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Source: Instagram
== Con O'Neill ==
Con was so appreciative of everyone coming to join him and the folks of The Men out at Alnwick Playhouse!
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Source: Con O'Neill's Instagram
Deepest thank yous to the super sweet Radical Hysteria on Instagram for being kind enough to share these adorable shots with Con! It looked like everyone had such an amazing time!
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Source: radical_hysteria on Instagram
== Kristian Nairn ==
Kristian was out at MCM Comic Con in the UK-- and god to meet up with none other than Dogpool!
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Source: Kristian Nairn's Instagram
Kristian's also got a new event happening in Dundee, UK on November 29th! For more info, check out Progressia Events!
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Source: Progressia Events
Annnnnd if that wasn't enough, Kristian's also going to be at Beastly Books in Santa Fe, New Mexico on October 31 from 7pm -8 pm! To learn more, checkout Beastly Books!
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Source: Kristian's Instagram
== Samba Schutte & Damien Gerard ==
Call of Duty: Black Ops 6 released on the 25th-- and guess what? Both Samba, and Damien voice characters in the game! Yannick and Harry Stone!
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Source: Samba Schutte's Instagram / Damien Gerard's Threads
Oh, and just by the way, Good Dead Entertainment has reported Advanced Chemistry has a 100 on the Popcorn Meter! Great job everyone! If you're still looking to help get Samba recognition, you can still do reviews on Amazon and other sites! For help on where, you can visit the repo for more info.
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Source: GoodEntertainment Instagram
== Rory Kinnear ==
Our favorite Badminton Twins, Rory Kinnear..and well Rory Kinnear is going to be playing in the latest season of The Diplomat on Netflix! It premieres October 31st!
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Source: Netflix Articles
== Other Fandom Petitions ==
Some other fans are hoping to get a full 6 episode series after the latest news about Good Omens only getting a 90 minute movie! They were so kind over the past year in sharing petitions for OFMD renewals, if you have a moment, and are willing, can you do a quick signature for them?
== Fan Spotlight ==
= Cast Cards =
More Cast Cards tonight from the ever-wonderful, sweetest person ever, @melvisik! First up is Rhett Giles! One of our Segment Producers! "Segment producers exist in television programs such as morning news shows. They produce the various “segments” in the show, such as a cooking, local news, or special weather report segment. They’re typically responsible for writing about stories assigned to them in. their production system from their Executive Producers, who get their stories from their news source like CNN." - The Film Fund
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Next up is just a PLETHORA of awesome Stunt Performers! James Gerardi, Kieran Gallagher, Matthew Lorenceau, Raw Leiba, Tait Fletcher, and Steve Brown!
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Source: @melvisik's Twitter
= A Muse of Fyre =
Another absolutely stunning muppet by our dear friend @amuseoffyre-- this time featuring Calico Jack! I am floored at how that mustache turned out!
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Source: amuseoffyre's Instagram
== Love Notes ==
Hey lovelies <3 I hope your weekend ended up treating you well. Sending some mini-love notes your way tonight. Good luck on the week ahead!
instagram
instagram
Source: NewHappyCo Instagram
== Daily Darby / Today's Taika ==
No theme, just hair! Gifs courtesy of some of our Gif-Maker Extraordinaires, @fandomsmeantheworldtome and @fuckyeahworldoftaika <3
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jjclopelover · 5 months ago
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How he talks to/about her v.s. How he talks to/about him
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I'm back with more analysis' about JJPope and why it's better than anything either of them had with Kie.
Today I'm talking about JJ and how he speaks of and to them and why the difference in how he does it speaks VOLUMES.
JJ talking about Kie (S1): "Of course, I'm hitting on her. She's a super-hot, rich, hippie chick, slumming with us. Why? I can't figure it out either, but who cares, bro? I know that door's locked because I tried it. Have you?"
JJ talking about Pope(S2): "Ain't all that bad. Just look at the guy over there. He would do anything for us. That's a Pouge if I've ever seen one. Bone-deep. That's just one man's opinion, though."
THE DIFFERENCE.
JJ talking to/about Pope:
"For once in your life, trust someone else."
~~~
"You're the golden boy."
~~~
Topper: "Hey, I just wanna make sure everyone here is okay with ending up in federal prison."
JJ: "Uh, if it gets to that, yeah, I'll do it for Pope."
~~~
"I'm here for you, Pope. Welcome to my world, okay?"
~~~
JJ talking to/about Kie:
"And you--I mean, you're already rich as fuck anyway. Why would you bother?"
~~~
"Okay. Not all of us can afford unlimited data plans, Kiara."
~~~
"Hell of a job melting it down, Dr.Frankenstein."
~~~
(I don't need to put anymore as all of JJ's quotes for Kie are from the first half of S1 lol.)
As you can see, JJ speaks highly of Pope and lowly of Kie. He sees being a pouge as a badge of honor and gave Pope the highest honor. He sees Pope as someone he can relate too and shares a deep connection too.
He doesn't see that with Kie.
And I hear Jiara stans saying "What about S3? He was so worried about her and went back to get her!"
And to that, I say, "Yeah...cuz it's JJ."
His number one trait as a character is his loyalty. It's his best trait as it shows how much he will do for his friends. But also his worst trait as he puts his friends over his own being and in the end it only hurts him.
JJ would have reacted the same if it was anyone else in that situation.
Like when John B was a wanted criminal, JJ did anything for him. (risking to get arrested himself, shooting cops, and being by his side when he was on the run)
Or when Sarah is dealing with Ward or Rafe, JJ is always watching over her. (running after a car that held a drugged Sarah unconscious in the back, jumping in a shipping crate to get her and the cross back, staying by her side, and keeping an eye on her when John B was found guilty in court.)
And even Cleo who just joined the crew, JJ makes sure to treat her like the rest of the pouges. (like when he praised her for convincing Pope's parents to let him go to South America)
And we all know that he would do the same if not more for Pope. (going to jail for him, almost getting arrested for him again, taking over an entire boat of men to get his cross plus Sarah, risking being seen with him at Midsummers when he was supposed to be undercover, taking a beating from his dad for him, fighting for him at the outdoor movie, being super protective about him anytime he was around Limbrey and Renfield, keeping the secret that Pope was the one who actually sunk the boat and lying to the others, bringing Pope to his cousin Ricky's house to save his life even tho Ricky was still pissed at him for stealing his ambulance.)
And many, MANY, more.
The way we are introduced to JJ who loves and protects Pope but pushes Kie aside
versus
The way they "built up" S3 JJ for a toxic relationship with Kie but as a result of that he has to push Pope aside.
The writers and creators gave us s1 JJ, that's how his character was made and supposed to be portrayed. S3 JJ was built off toxic fans who threatened their way into an unfortunate canon ship.
Toxic stans = Toxic ship.
You Jiara stans wonder why JJ felt out of character, or why the Jiara chemistry felt forced or fake. That's because it was.
You can't force chemistry.
All the OBX cast did chemistry reads to see which duos worked together as a couple and which didn't. But the one duo that did not do a chemistry read was JJ and Kie (Rudy and Madi)
why?
because the creators saw no need. as they weren't even thinking of getting those two characters together. JJ was supposed to end up with Cleo. That was one of the many reasons Cleo came back as a main character.
What they would do with Kie and Pope, I don't know and I don't care. But Any ending would have been better than canon Jiara.
Anywaysssss
JJ treats Pope like he's his partner
and
JJ treats Kie like she's his sister
But let's be honest...we all see that, don't we?
Editor's note: Sry this took so long lol, life's been busy :)
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eddiediazismyhusband · 4 months ago
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you know it really speaks volumes when you see people on here who are afraid to post opinions/theories about a certain ship bc they don’t want an influx of hate and vitriol in their inbox from people who up intil a couple months ago were super on board with that ship themselves
like there is so much hate and violent behavior coming from some of these people and it’s concerning how we can’t enjoy characters/a ship that have been developed over six years just because they think their plot device character is the most important thing to to the show and that he plays this integral role despite having less than 30 minutes of screentime, and not having appeared in almost 6 years (his first appearances where he was only important as sn antagonistic plot device for two poc)
every fandom has drama, and there is no such thing as a perfect fan… we are all human beings, we all have flaws
but the fact that the fandom is being policed so hard by these people to the point where cast and crew are being harassed over this random character, screeners are being sent death threats for talking about what was literally shown the show, queer people are being called slurs and/or having their queerness invalidated for having valid qualms with the way this storyline has been handled
this is worrying behavior and it’s not acceptable from anyone regardless of who they ship/don’t ship…. and the fact of the matter is most of this behavior is stemming from that half of the fandom
i personally as a queer person don’t wanna see a relationship on tv in which a long-term main character is throws together with a poorly written character who has zero chemistry with him, as well as treating him with disdain and disrespect at every turn. that’s not the representation i want to see on my screen. i don’t want a queer character who has had no signs of change from when he was making casual racist and misogynistic comments in the workplace; whose only “growth” are two throwaway lines that don’t even acknowledge his involvement and complacency in the bigotry. i don’t want s character whose blatant racism is blamed on the fact that he was closeted. to me that is not good representation- that’s weaponizing queerness to say that it’s okay for queer people to be problematic because they’re queer which is NOT true at all…
your queerness does not erase your bad behavior
your queerness is not a get out of jail free card
and seeing it portrayed as such in a huge network tv show while simultaneously dragging queer women of color through the depth of despair, and completely destroying the development of another heavily queer-coded poc character by having his son taken away in one if the most egregiously poorly written and out of character plotlines of the series is such a massive disservice to queer fans- whether they accept to see it or not- bc when this is how we are portrayed in media, this is how people begin to view us
and especially in the US, this is not something i want to see going into the 2024 election when queer rights are actually being threatened by one side while the other is actively supporting genocide
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natrogersfics · 4 months ago
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The Anthology - Epilogue
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Artwork by @faith2nyc Read on AO3
This would never not feel like a fever dream.  
That’s all Steve can think about as he smiles for the sea of flashing cameras before him, the massive poster of Captain America in his stealth suit towering tall in the background. It feels like just yesterday that he had walked onto set, hoping along with the rest of the cast and crew that they would do this project that meant so much to people some justice. And now here they are, prepared to show the world the final product.
He poses for a few more photos and signs a handful more autographs before Maria finally ushers him further down the carpet and straight into the path of the lively host waiting by the entrance to the theater, her camera crew hovering all around. 
“And here we have the man of the hour!” the host announces as he nears, and she turns her mic towards him. “How are you feeling tonight, Steve?”
“I’m extremely excited, Darcy,” he says truthfully, watching as she lights up in pleasant surprise that he had remembered her name. “We made this one as a love letter to all of Cap’s fans, so fingers crossed that they like it.”
Darcy beams. “I’m sure-” she begins, only to pause when she’s interrupted by a chorus of excited squealing. They both look up the carpet to see the cause of the commotion, prompting Darcy to chuckle. “Seems your costar has arrived.”
“Seems so,” he manages to say. Part of him is aware that Darcy still has her mic extended to him and that he’s now frozen stupid while on live television, but he doesn’t care. There’s nothing, absolutely nothing, that could pry his eyes away from the sight of Natasha slowly descending the carpet, looking every bit the movie star that she is with her hair falling in loose waves down her back and her lips painted crimson – a few shades deeper than the little red number she has on that hugs her in all the right places and falls just a little past her knees.
Natasha’s eyes meet his as she approaches, her lips lifting in that soft smile he knows is just for him. “Hi there.”
“Hi,” he says, offering his arm out for her to take. She links her arm with his, allowing him to guide her until she’s standing by his side. She looks even more ethereal now that she’s right next to him, and for the briefest of moments, it’s as though he forgets how to breathe. He sighs as a smile all but threatens to split his face in two. “You look stunning.”
“As do you,” she says, and he swears he sees a hint of a blush pave its way to her cheeks.
“The one and only Natasha Romanoff is here with us, ladies and dudes,” Darcy says, and it’s only then that he remembers that he’s still halfway through an interview. If Darcy is at all piqued by his lack of attention, though, she doesn’t show it as she turns excitedly to Natasha before pointing to the cameras. “Wave to everyone at home, girl!”  
Natasha chuckles, waving into the camera with her free hand. “Hi, everyone!”
“Natasha, can you tell us what your experience working on this movie was like?” Darcy inquires.
“Oh, it was magical,” she says. “Honestly, the cast and crew just gelled so well. We really became one big, happy family out there. Which is all you can really ask for when you spend months shooting for hours on end.” She turns towards him, her smile growing wider. “And, of course, it’s never a bad day at the office when you get to work with this one.” 
“Can confirm that lots of people were jealous of your job, yes,” Darcy says, causing both her and Natasha to laugh and him to sheepishly shake his head. 
“I will have the people know that she is also a joy to work with,” he says, leaning closer to the mic before looking back to Natasha. “Getting to watch her work every day was an absolute treat. There is simply no Black Widow without her.” 
“I paid him to say that,” Natasha quips, still holding his gaze even as she attempts to brush off his compliment. He winks in response, eliciting another smile from her. 
“Speaking of the people, though…” Darcy’s words cause him to turn back at the host just in time to see her eyes dart between him and Natasha before zeroing in on the hand Natasha still has resting on his chest. “I’ve been sent to do their work here, so I have to ask. There have been… discussions, if you will, on the interwebs these past few weeks about Cap and Widow’s chemistry maybe, possibly, extending beyond the screen...” She wiggles her brows. “Would either of you care to set the record straight right here, right now?”  
He chuckles at the conspiratorial smile that finds its way across Darcy’s face, and as he looks at Natasha next to him, he lifts a brow up in a silent question. They’ve discussed this ad nauseam at this point, and while he knows, unequivocally, what his answer is and that hers is exactly the same, the fact of the matter is that there would be no going back from this. His next words will alter the path of their lives moving forward, and he wouldn’t dare pull the trigger without her consent. But then her lips curl into that trademark smirk of hers, and that’s all the confirmation he needs to know that they’re on the same page. 
“Actually, Darcy, we would…” he says, his eyes never once leaving Natasha’s. From his periphery, he sees the mic that Darcy pushes closer to him, anticipating his response. He knows the words he wants to say, has rehearsed them in his head more times than he can count. Even so, he decides to let his hand slide to Natasha's waist instead, pulling her to him. 
“What are you doing?” Natasha asks, her eyes lighting up in a mix of surprise and amusement just as Darcy lets out a gasp. 
He doesn't respond, opting instead to lean down and slant his lips over hers. In an instant, they’re engulfed by the sound of the crowd cheering around them and of the cameras furiously flashing away, memorializing this moment forevermore, but he lets that all fade away as he deepens their kiss.
“Think that’s clear enough for them?” he asks when they finally pull away, smirking when she just snorts, pushing playfully at his chest. 
Chapter 8 | The Anthology Masterlist
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gentlebeardsbarngrill · 7 months ago
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04/15/2024 Daily OFMD Recap
TLDR; David Jenkins; Taika; Samson Kayo; Kay Buchanan; Nathan Foad; Watch parties; GLAAD LAST DAYS; Fan Spotlight; Love Notes; Daily Darby / Tonight's Taika.
== David Jenkins ==
Okay so I apologize all-- somehow I missed that all the David Jenkins pics going around were NEW. I don't know why but I thought they were from a while back. My taxes brain really has me messed up. So these are from the past 2-4 days. Now it makes a lot of sense too as to why everyone's been honking louder! You can see him there at WB Studios, and yes that is him with OFMD fan-stickers on his laptop.
Source: Kinga Malisz' IG
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== Taika Waititi ==
A small glimpse of Taika and his ginormous doe eyes on the set of Klara and The Sun. Src: Vas J Morgan's IG
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== Samson Kayo ==
Samson was out in Abu Dhabi U.A.E sporting his Prada Sun Glasses! Chaos Dad and Samba happened to pop into his comments as well! Thanks @ashes-skye for pointing out these great photos! SRC: Samson's Instagram
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== Kay Buchanan ==
Our lovely leatherworker Kay Buchanan posted lots of cool things today on her instagram! Stede's Dagger Sheath
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Next up was the Gunpowder Pouches for OFMD
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== Nathan Foad ==
Some first shots of Nathan in his role in #LovesLabourLost! Src: Royal Shakespeare Company IG
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== Watch Party Reminders! ==
== Flight Of the Conchords ==
Season 1 is done! Season 2 starts tomorrow with Episodes 1 and 2! Join Save OFMD Crew, and @/ iamadequate1 this week for Flight of the Conchords watch parties! You can watch each day at 4pm PT, 7 pm ET, 11pm BST! If you don't have access, feel free to join us on the #RhysDarbyFaction Discord server, you can hit me up for an invite.
Hashtags:
#FlagOfTheConchords
#OurFlagMeansDeath
== LAST CHANCE FOR GLAAD ==
Voting closes in two days, get your votes in while you can! Remember: you can vote more than once. 😉🏴‍☠️
IMG Src: @saveofmdcrewmates
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== Fan Spotlight ==
One of our crewmates @/RabinaryCode on youtube has put together this cute Queen Parody for Rhys! Give it a listen if you have some time :) Vocals: @ferventrabbitao3
Lyrics: @tanteclem
youtube
== Cast Cards ==
To quote @melvisik "Tonight is Ian Alda (yup, related to Alan Alda) playing the clerk... reads notes Clark Clerkwell... person who told Stede he's dead "
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== Love Notes ==
Hey lovelies. I hope you all are having a fresh start to your week. I've heard good news and rough news, so I truly hope if you have good news, it stays that way and if you have bad news, it looks up for you!
I really am so glad to see people clowning though. I know no one wants to get their hopes up, but it's nice to see that kind of energy flowing through the fandom again. We deserve a little treat of hope once in a while and it warms my heart how much people are running with it.
Hope is the dream lovelies. All things spring from hope. Don't give up on it. Even when things feel the worst, hope is what keeps us going. I have so much love for you friends. I know we have our bad days, but I hope you know that no matter what happens me and the crew will send you love. We love sharing this space with you. Rest well lovelies. Some quotes about hope tonight:
"The soul should always stand ajar, ready to welcome the ecstatic experience." - Emily Dickinson
"The future belongs to those who believe in the beauty of their dreams." - Eleanor Roosevelt
== Daily Darby / Tonight's Taika ==
Sorry, tonight's theme is just... this interview because every time I see it it makes me smile so horrendously huge. I love them so much and certainly together like this. The goofy bastards. Gif Courtesy of @captain-flint
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randomgirlyoudontknow · 8 months ago
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No one will probably read this, but as a long-time fan of ATLA (as in, I literally watched the show as it aired in 2005-2008), I wanted to share my thoughts on the live action. Let it be known that I am far from an ATLA purist––the original certainly had its own flaws and aspects that didn't age well, in retrospect. Despite the generally negative reviews I've seen from the fandom, I was actually very satisfied with this adaptation! But I’ve seen people saying that the characters were butchered, that it’s a soulless and superficial reproduction, and those who liked the live action aren’t capable of thinking/watching critically, which I wanted to push back against (I mean, I’m working on a doctorate in literature…I am quite literally incapable of watching anything uncritically).
The shift in tone to a darker, more mature one was a positive change, imo. It is definitely a much angrier show than the original, even if some of the characters were not as fiery as they should have been (*cough* Katara *cough*). Overall, while there were certainly decisions made that I didn't agree with (mainly related to pacing and narrative), I thought the cast and crew really captured the spirit of the original, and even added depth and nuance to parts I felt were initially lacking.
In general, I really appreciated the added emphasis on the cost and suffering of war and imperialism, as well as the depiction of the physical effects of bending. Now, I realize this is largely a matter of personal preference––for example, I'm very interested in depictions of war in fiction (I mean, my dissertation partially covers the impact of WWI on avant-garde art & literature, so...). But I've seen several claims that the live action glorifies war and violence in a way that is meant to traumatize the viewer, and I simply don't think that's true? While the original handled war, genocide, trauma, etc. in a phenomenal way for a kid's show in the early 2000s, it was also still sanitized when it comes to death and injury, to an extent that I feel like we, the viewers, almost lose sight of the fact that bending KILLS. Sure, we were exposed to its after effects, like the death of Katara and Sokka's mother or Zuko's scar, but there's something to be said actually seeing and acknowledging the very palpable danger that something like firebending presents.
I've even seen someone say that the show's depiction of "gratuitous violence" constitutes a "profound misunderstanding" of the source text, which I think is frankly a bad faith take. The death and violence, though more realistic, is still not a major focus of the show, nor is it glorified in any way. A glorification of violence would look like indiscriminate killing and maiming for the sake of edginess (looking at you GOT). We would see graphic depictions of death and injuries, which simply does not happen in this show (they even joke about the fact that we never see anyone die in Ember Island Players). War and fighting are still treated with the same depth and gravity as the original, only this time, the severity of its consequences isn't obscured from the viewer.
I also thought the show's handling of trauma (especially Katara's) was excellent. The choice to have Katara's mom's death revealed in flashbacks (specifically when around firebending) was something that really stood out to me. And the new characterization of Bumi, which I realize was quite unpopular, was another change I quite appreciated. His bitterness and cynicism seemed more in-line with someone who had endured 100 years of war and the suffering of his people at the hands of a brutal imperial force. Lastly, I was pleased to see the narrative attempt to address the role Iroh played in the Siege of Ba Sing Se (something that was absolutely missing from the original). The Earth Kingdom soldier confronting him and calling him a butcher was a powerful moment, for me. I truly hope the show continues to dive into this aspect of his character in future seasons.
Speaking of characters, I loved that we got extra background and insight into several of the characters. Zhao, for example, was unexpectedly quite funny, and his actor really did a phenomenal job of fleshing him out and making him feel like a real person (as slimy and smarmy as he was) rather than a stock, cartoon villain. And I have to give kudos to the actors who played Sokka and Zuko––they both did an incredible job of embodying their respective characters, in a way that felt highly reminiscent of the original. In particular, I thought the handling of Zuko's backstory was truly outstanding––perhaps even better than the original.
All in all, I felt the live action did a really nice job of balancing the darker sides with the light. While I've seen fans complaining that the show doesn't have the same goofiness and lightheartedness, I actually thought the humor worked really well––it was one of the few times I felt the overly ironic, Joss Whedonesque one-liners actually fit. Sure, the humor was a lot drier and more toned down than the original, but I nonetheless thought it carried the show's spirit well (loved that they let Sokka say “ass” not once, but twice). There were moments when I genuinely laughed out loud! I also appreciated how, despite the more mature tone, hope, friendship, and harmony still remained the most important aspect at the end of each episode.
There's a lot of room for improvement, but I was overall very satisfied with the live action, and I'm very glad that the series has been renewed. I'm very excited to see what the cast and crew does with the rest of the show!
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