#cannot draw perspective for my life

[ryomaandgundhamkin]

nexus doodle!!1

another day another nexy doodle😓… (its 1000dg farenheit here)

my goofy ass does NOT know how to draw perspective 🤩!!

glad I didn’t flip canvas hahahaha - more satisfied than eliza ever was rn❤️ (ref)

THIS ONLY TOOK ME 1 HOUR. pure cookage. (AND IT WOULD USUALLY TAKE ME LIKE- 4 HOURS AT LEAST)

anyways nexus fanart uhngaeegnaeechnudgc (im not crazy over this emo teen in this artstyle help)

BUT I LOWKEY LOVE THAT ONE THUMBNAIL ARTISTS ARTSTYLE❤️❤️ they make nexus look so sigma ohio💯

(update; I flipped canvas😭)

[ask-the-completely-sane-clown]

Wait— you HONK when you laugh⁉️

-anon 69

Yes, and he also squeaks and the other would make fun of and tease him for it all the time

[deathandthemaiden23]

bro psa sketchfab has free 3d rips of death's character model (and also puss and kitty) from the dreamworks racing game and my eyes are pissing tears of joy

[ragnars-tooth]

I should not have been taught so badly for 3 years that i genuinely have to google how to find job postings in my field. "Get a degree!! Get a degree!!" for why. To be laughed at by out of touch tutors and not taught anything? It's certainly not going to help me get a job because i CANT FIND THEM. "People will see you went here and that will give you credibility." Will it roderick. Because I now know not to trust a motherfucker who went here 💀

[cryptidofthekeys]

learned that I can k i n d a doodle Streber

huh

...Interesting

[eye-of-malice]

*fires lesbianization beam at hildavio*

bonus fem ravio lesbian panic

[wannabespacesmuggler]

L.H. | When You Call My Name

Masterlist | Buy me a coffee

Summary: Decades after the events of 1973, Logan finds himself drowning yet again at the bottom of the Potomac River. Luckily, you're there to help pull him out of his nightmare.

Pairing: Logan Howlett x Reader

Warnings: depictions of drowning, mentions of death, discussion of nightmares, Logan's claws make an appearance, mentions of religious trauma and biblical imagery, mentions of abuse (it's on sight when I see you, William Stryker), mentions of self-deprecating thoughts, hurt/comfort, angst with a happy ending, not really a warning but set after the events of Days of Future Past, loosely based on "Like a Prayer" by Madonna, Logan's POV, gender-neutral reader

Word Count: 2.4K

Author’s Note: So this one got away from me and my own religious trauma may have taken over a tad bit — sorry in advance (If you find comfort and solace in religion, more power to you. This is simply written from my own perspective and lived experience.) This came to me while listening to "Like a Prayer" by Madonna for the thousandth time since seeing Deadpool and Wolverine. Intended this to be shorter, but then I got possessed by some fanfic phantom and this was created. Super proud of the finished product though — hope you all enjoy.

As Logan’s eyes shoot open, he’s only got one thought running through his mind: his lungs are on fire. He attempts to move but is met with a sudden searing white pain shooting through his veins. His eyes, still adjusting to the eerie darkness surrounding him, search for the source of his injury. Panic rises in Logan’s chest as his gaze follows the metallic glint of rebar weaving through his body. He attempts to draw in a shaky breath, and his chest burns as water fills his lungs. 

No. 

It can’t be.

He’s drowning at the bottom of the Potomac River.

Logan wants to scream out of frustration, but it’s impossible. He has no more air left in his lungs, and he has no hope of reaching the surface to take a much-needed deep breath. Even if he could endure the agony caused by his body’s movements, the weight of the rebar Erik impaled him with is pinning him to the riverbed. He’s going to die here. 

Cold. Alone. Suffering.

And yet, a sudden tranquility washes over his body and mind as he realizes that maybe he can finally rest in peace. He knows he placed his trust in the right people — somehow, Charles and Hank will find a way to stop Erik, and finally, the world will see that not all mutants need to be feared. He did his part — he brought everyone back together against all odds.

Logan knew the risks before Kitty sent him back in time, but there was no other choice. Because he also knew what the future would hold if he did nothing — he’d watch the sentinels eviscerate the last of his friends until he was the only one left. And that’s not a future he can live with. But what he can live with is no one remembering his life before 1973 as long as they’re safe — as long as you’re safe.

His body relaxes at the thought. He may not have a future with you in this new timeline, but knowing you’ll have the life you’ve always dreamed of puts Logan’s mind at ease. You’ll finally be able to live a peaceful life teaching at Xavier’s School for Gifted Youngsters instead of being forced to play the part of a loyal soldier. Although Logan is deeply saddened by the fact he won’t be a part of this new life, he has more than enough memories of you from his timeline to keep him content in the afterlife.

Logan’s eyes flutter closed as he begins to feel himself slipping into unconsciousness. His regenerative abilities may be able to keep the rebar from killing him, but it cannot save him from asphyxiation. But before he can completely drift off, something grabs his body, pulling him towards the surface. Once free from the river’s grasp, he begins coughing up water. His body desperately gasps for air, and it feels like his lungs cannot get enough oxygen. 

Logan finds the strength to open his eyes and takes in his surroundings. It’s bright — too bright. He blinks several times to adjust his vision to this sudden change. His attention gets drawn to the sound of several men talking in hushed voices. And as he looks up at his rescuers, the panic in his chest starts growing like a wildfire through his body. Logan might have let out a dry laugh at the sight if he wasn't in excruciating pain. Because instead of being met with any type of salvation, Logan seems to have been cursed with eternal damnation, no matter the timeline,  in the form of William Stryker. Some things never change.

He’s younger than when Logan met him in his timeline, but as Stryker smiles down at him, Logan knows this is the same man — the same sick, twisted man he knows all too well. Panic turns into terror as he realizes what he’s about to endure. Agonizing years of torture and torment that he’ll be burdened to forget. He can’t do this again. Not after knowing a life full of not only hardship and loss but also friendship, laughter, and love. He can’t let Stryker take that from him — all those years of happiness. He can’t let him take you.

Stryker opens his mouth to speak, but instead of his condescending tone, Logan hears your voice call his name. Logan’s brow furrows at the sound. Maybe his extended lack of oxygen caused some sort of brain damage. But then he hears it again — a voice he’d recognize in any timeline. Your voice.

And suddenly, it hits him. This isn’t happening. There’s no river, no pain, no Stryker. This is a memory — a nightmare. 

His eyes snap open, and his body jolts forward until he’s sitting up. He coughs hoarsely, as if his body is still trying to expel imaginary water, as he attempts to catch his breath. A layer of sweat has formed over his toned body, and his muscles flex as he rolls his shoulders back. He shakes his head roughly, trying to get a grip on reality.

And then you say his name again. 

His head snaps up, and he looks at you with wild eyes. You’re standing across the room — arms wrapped around yourself tightly as you watch him worriedly. You take a hesitant step toward him. Logan’s brow furrows at your unsureness, concerned about what he might have done in his sleep. But then he follows your gaze to his extended metal claws, and your hesitancy becomes understandable. This isn’t the first time Logan’s claws have come out in the middle of the night. His eyes nervously scan over your body for any injuries he may have inflicted as he retracts his claws. 

“Did I hurt you?”

You immediately cross the room as he speaks. Logan watches as you climb onto the bed and sit crisscross before him between his legs. You gently take both of his hands in yours and pull them onto your lap — the hesitancy long gone in your actions. 

“No, Logan. I’m okay.”

He lets out a relieved sigh as he leans forward until his forehead meets yours. He takes a moment to simply relish in the warmth of your touch. Logan relaxes his tense shoulders and melts further into you as you draw lazy circles into the palm of his hand. 

“Where’d you go?”

You pull away slightly to meet his eyes, and his breath hitches. Regardless of how many lifetimes he spends by your side, he’ll never get used to the fondness in your gaze as you look up at him. He remembers waking up in this timeline, thinking he actually did drown at the bottom of the Potomac River. Because this had to be heaven: having you tucked neatly into his chest, legs tangled up with his, steady breaths fanning across his neck. But as he felt you stir in your sleep, arms tightening slightly around his waist, he realized that this was real. He’d come to terms with his own death because at least his two hundred years spent suffering on this earth would mean something. But then he woke up from that nightmare, and he’s spent every day since then wondering when he’d inevitably be pulled out of this dream — waiting for history to repeat itself yet again. But he’s still here — and so are you.

“D.C., 1973.” 

You hum quietly before bringing his hand up to your mouth and placing a tender kiss to his palm. Logan waits for you to ask another question about his nightmare, but you silently return to tracing circles into the palm you just kissed. He shouldn’t be surprised; you know him better than anyone by now — better than he knows himself. You know not to push him. And he appreciates it more than you’ll ever know. After years of having his autonomy stripped away, you wait for him to come to you — allow him to open up at his own pace. Soothe him whenever he feels that he is sliding backward instead of moving forward. Healing isn’t linear. This has become your mantra for him on the nights when he’s sure that he’s slipping back into the past — when he longs for the familiarity of his vices and self-destructive tendencies. And you sit next to him with relentless patience through the highs and lows as he continues to navigate and grieve the fifty years he lost.

He’s come a long way since he first woke up. And he still has a ways to go before he can say that he’s processed everything he’s lost. Truth be told, he’s not sure he’ll ever truly heal entirely from his past. But you tell Logan that it doesn’t matter. Every time he begins to think that he’s too damaged — too broken — you reassure him that you love him as is. But he still tries to piece himself back together, for your sake. Tries to open up — to show you that he trusts you more than anyone he’s known during his two hundred years across two separate timelines. And so he continues, letting you into the depths of his tortured mind.

“I was drowning. Again. And it all felt so real. I couldn’t breathe, and I was sure I was slipping into the darkness, but then Stryker was there…”

As Logan trails off, he notices how your body tenses at the mention of Stryker’s name. Your hands tighten ever so slightly around his, and Logan lovingly sweeps his thumb over your knuckles. He knows that name holds as much weight to you as it does to him. He knows about the years of abuse you endured at the hands of William Stryker. He vividly remembers when you confided in him. After months of running into each other in the middle of the night, Logan found you silently crying with your back pressed against the railing of your favorite balcony in the mansion. Without a second thought, he slid down next to you and wrapped an arm around your shoulders. He didn’t know you — not like he does now. You’d recounted how you first met on Three Mile Island when Scott and Jean brought him to the mansion. And he was thankful for the small piece of his past that you gave back to him. But under the dim light of the night sky, you revealed precisely what you endured during your years of captivity at Stryker’s facility. And that night, Logan made it his life’s mission to get revenge against the man. Not for his sake. No — for you. He would tear Stryker apart limb from limb for what he had done to you. 

“You aren’t there. He can’t hurt you anymore.”

Although the words are directed towards him, he knows you’re equally trying to convince yourself of that fact. He knows that even though William Stryker is long dead — after Logan made good on his promise to you — he still haunts you. Unlike Logan, your trauma does manifest in the form of nightmares but insomnia. He thinks maybe this is why the two of you work. After years of feeling alone in this world, Logan finally found someone who understands him and what he’s been through. Although your torment isn’t identical, the similarity in your stories bonded the two of you together. You help him piece together the shared fragments of your past as you heal alongside him. 

“I know, you pulled me out.”

Your brow furrows at his confession. He lets go of your hands and gently holds your face. Your face flushes as he openly admires you. The faint light of the single side table lamp that Logan had left on softens your features, making you look damn near angelic. Logan isn’t a religious man, but his mother was. He was a sickly child before his mutation restored his body. His mother would often sit by his bedside with a bible in hand. And on the nights when he wasn’t delirious from his fever, he would listen to his mother read to him. One verse always stood out to him: “God is faithful, and He will not let you be tested beyond your strength but with your testing He will also provide the way out so that you may be able to endure it.” She meant for the words to comfort him, but the words only angered him. 

He remembers finding himself down on his knees multiple times during his years as Stryker’s mindless, faithful soldier. Praying to that same God that his mother once trusted to save her baby boy from the illness slowly degrading his frail body. He begged Him for salvation — to be given the way out that was promised in the bible verse his mother once recited. But instead of an answer, Logan was met with silence. So if the years of physical and psychological abuse he endured were nothing but a test from the Lord above to prove his faithfulness, then that’s no God worth following. 

“I heard you call my name, and it brought me back home.”

God never did anything for him. He didn’t bother protecting the innocence of a broken, misguided child. He refused to provide respite from the harshness of humanity. He never offered him any form of help or guidance during his times of greatest need — but you did. Without even knowing, you came into his life like an answered prayer.

Seemingly at a loss for words due to the intensity of his gaze, you grab onto the front of Logan’s t-shirt and pull him into a tight embrace. Your hands slide under the white fabric and slide across the contours of his back. He melts into your touch — finding relief in the direct contact of your skin on his. He’s never considered himself desirable, but you hold him like he’s something to be coveted. And then you murmur his name again. It’s barely a whisper, but the sound rings in his ears because your voice is heaven-sent.

“You’re a goddamn saint, you know that?”

A melodic laugh escapes your lips as you shake your head at his words. You pull away from him slightly and tilt your head up to meet his gaze. 

“I’m nothing special, Logan.”

You don’t mean it in a self-deprecating way. Logan knows that — knows that you simply see yourself as ordinary. But you couldn’t be more wrong. Because you might not actually be a saint or an angel, but you are the only person in two hundred years who’s managed to restore his faith in what this world has to offer. 

“Well. You’re special to me, sweetheart.”

[writers-potion]

Let's Talk About POV for Dark Fiction.

Deep POV

Deep POV is like real life - we only know the perspective of one person. These POVs have the effect of drawing the reader in so deep that they forget they're only reading words on the page.

You can write a "deep POV" in first, third or even second person, as long as the narrative is concentrated (and limited) to the mind and emotions of a character.

For most dark, horror-like stories, deep POV is the best choice.

However, there are some drawbacks:

You won't be able to describe important events that happen outside of the POV character's sight - you'll have to use phone calls, television news, or telepathy.

You cannot directly show what the MC looks like unless you have their friend comment on it.

When the POV character dies, the story is over.

To convey what other characters feel, you need to rely on dialogue and body language.

Here are some tricks to engage the readers:

Don't state that the character saw/heard/thought/felt something. Just describe what the experience is like.

Show how the weather and the temperature affect the POV character.

Shows how emotion affects the POV character's body.

Show how emotion affects the POV character's body - especially fear in all its forms (anxiety, terror, panic, shock, etc.)

Serial POV

Alternatively, you can use more than on character's POV, one after the other. Short stories would use this less often, but if your story is long and your MC dies in the middle, you'd want to use this format.

Serial POV doesn't give the same intense experience, but the flexibility in the narrative is well worth it.

Omniscient POV

This is where you would drop into a character's head for one paragraph, then jump into another.

To make this work, stay in one character's head for a short time, but avoid making mid-para POV switches. Insert at least one POV neutral sentence before you enter the next character's head.

Other POV Styles to consider!

Cinematic POV: This is like a video camera - it sees everything, but only from the outside, not inside anyone's head.

Fly-On-The-Wall POV: Here, the POV is a person but somehow not involved in the action and has no stake in the outcome.

Detached POV: This is a dry, factual reporting style, such as a newspaper article or official report. Horror stories narrated in this manner can be chilling to read.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! 

💎Before you ask, check out my masterpost part 1 and part 2 

💎For early access to my content,  become a Writing Wizard 

[fipindustries]

i already mentioned in the past that a friend of mine trained an AI on my drawings so that it could replicate my artstyle, a fun thing is that it fed it a bunch of drawings i made of myself so most of the things it creates look like self portraits i could have done

other just look like random cool guys i could have come up with

(i fucking love the guy with short hair and lipstick, he looks fucking sick, i am 100% using that design)

first of all, i cannot begin to descrive how mindfucky and trippy is to see drawing that *could have been done by me* but werent. every time i see them i have to catch my self for a few seconds wondering "wait, did i do these and forgot????"

second, because i didnt do these they are not worn on my eyes like a drawing i would have made, these are fresh images to my brain. i dont have a memory of having done every line and curve and having observed it a million times as i was doing them, thus the illusion of life is a lot more stronger for me.

so with all this is mind, this little excercise is allowing me to do something i always craved for but that i could never get. to see my own art from an outsider's perspective. to be able to appreciate my work from the point of view of someone else. how does my drawings look to others. i can do that now with these.

and let me tell you, not to sound too conceited but, damn, i really like what i see. i can now see what everyone else sees in my artstyle, its fun! its dinamic! its really expressive in a way i never noticed! and yes, the noses! oh my god the noses! and the way the lips curl and tighten.

on top of that, as i said, a lot of the overfitting in the model is directed towards self portraits that i made of myself, so the AI will tend to use many of the faces and features i use to depict myself. now you have to understand i identify quite strongly with my own drawings. i said often that i see more of my self in my drawings than i do in a mirror.

with this in mind its also super trippy that my friend basically has a fip generator.

every time i see things like this i cant help but go "OMG, THATS ME! THAT IS ME!"

(this final piece was actually done by me, lol)

so yeah, this has been all very illuminating

[godbirdart]

Looking at your recent commissions, those backgrounds are soo pretty!! Do you have any tips for backgrounds? I always struggle with them :>

aAA many many thanks!!

backgrounds can absolutely be a struggle but they don't have to be! they just require a little more creative planning~!

whether it be a commission or a personal drawing, if I'm building an elaborate art piece i focus on establishing the background First.

the background is the stage for your character! planning the background first will make it easier to tailor the character's actions and how they interact with the environment around them.

planning the background first can be the difference between your character standing awkwardly front and center with the setting going on behind them, or actually participating in their environment.

if i'm super stumped for background ideas, i browse stock image sites to get inspiration. sometimes it helps to doodle on an image to generate some ideas - kinda like you're playing with JPEGs like dolls.

that said - while i'm pinpointing WHAT i want to draw, i keep the ideas loose. i don't want to focus on the itty-bitty details until i've got the overall aesthetic and layout in mind, as i might get inspired to add something in later!

THUMBNAILING

if you're planning a big piece it can be helpful to break it down into something bite-sized before you go all in and start lining or painting. these are "thumbnails" - fast little sketches that establish the scene in a way that doesn't consume a lot of time or effort. it's also great as a little perspective exercise as a treat.

here i decided i want to draw a character walking home in a back alley street. with these photo references in mind, i can plan a layout and how the character will act in the scene. is this a candid shot? are they posing cutely? are they looking down at us in a tense way? there are many ideas to be had!

after you've chosen the layout / vibe for your idea, you can scale up your thumbnail to your preferred canvas size and start fleshing out the details. be sure to keep referring to your reference images to get additional ideas, such as storefronts, items, props etc!

3D MODELS

If you're trying to create a unique environment that photo references simply cannot help you visualize, 3D models exist! This gives you that ability to rotate / scale things for better visualization. Clip Studio has a vast catalogue of 3D models to download For Free that you can fiddle around with. i know there are many 3D builder sites out there as well, though i've never made use of them so i'm afraid i cannot recommend any off the top of my head. hell, you can even use the Sims game to design a setting and go from there!

also if anyone is going to come into my house and say 3D models are cheating: they are not. using a 3D model to better grasp an angle or get a better idea for perspective is not cheating. using 3D models to help plan the environment in your art is not cheating. they are no different than brushes; these are tools made to HELP YOU. use them!

PERSPECTIVE

perspective and angles can make a HUGE difference in the art piece. there's nothing wrong with static long shots! if that's what you want to draw, do it!! there's no right and wrong here!

but if you're finding your work to be a little robotic and stiff, slap an angle in there. consider an overhead view. these same techniques are applied to photography and film! nothing wrong with wide shots, but every once in a while it can help to throw in a dutch angle.

if there is one note i'd like to leave off on, it's that your backgrounds do not have to be 100% accurate-to-life to be Good. unless realism is something you're really striving for in your style, don't feel compelled to nitpick every brick and leaf in your art. us artists can tend to over-prune our work until our art looks a little bare and soulless. flaws can give your work character, and that's often a lot more appealing than how accurate the scale ratio between background building A and building B are [again, unless you WANT to go for that realistic look then you can fuss over those details all you like].

i hope this helped a little! MY APOLOGIES FOR MAKING IT SO LONG AH

[wrens-writings]

The Monster’s Gone

: ̗̀➛ Percy Jackson x platonic! child of Poseidon! reader

: ̗̀➛ in which big brother Percy saves the day

: ̗̀➛ oh gods, folks. here it is! my first piece of writing posted to tumblr. i have absolutely zero clue about what it is that i’m doing, but here we go!

: ̗̀➛ WARNINGS: bad writing (probably), allusions to angst. i don’t think anything else? lmk if i missed anything 🫶

percy adores being a big brother. someone that only he gets to pick on? that’s a bonus, yea, but the real reason he loves it? watching his little siblings grow up and experience the things their lives would offer.

with tyson, percy was his friend before he was his brother, but he still helps him to understand the world above the sea when applicable. tyson is like an overgrown puppy, a comparison that many people, including sally jackson herself, have pointed out.

and then of course, there’s sweet little estelle, who has her whole life ahead of her that percy just cannot wait to be a part of.

but then comes the outlier. you. don’t get him wrong! he loves you as much as he does all of his siblings. but you’re so traumatized that he just… doesn’t know what to do with you?

when he got to camp for the summer, excited and eager for a killer two and a half months with his girlfriend and his best friends, he was taken aback. normally, himself and tyson were the only two to be in poseidons cabin. yet there you were, a small 11 year old wringing their hands together in cabin 3.

percy had looked at you, eyes wide and full of confusion. “annabeth.” he murmured to the pretty blonde who stood beside him.

“yes, percy?” she responded carefully, seemingly already knowing what he was going to say next.

percy turned to his girlfriend, his face twisted with conflicting emotions. “why is there a child in my cabin and where did they come from?”

and thus begins the summer of percy jackson awkwardly tiptoeing around his new sibling. annabeth had explained to him that the poor kid was chucked into the foster system at a young age, forced to be exposed to more horrors than he would’ve liked for a sibling of his. but with those horrors, came a small issue.

how was he meant to get to know you if you were scared of your own shadow from the trauma you experienced? he knows firsthand just how terrifying this world can get. hades, he fought the chimera when he was just a year older than you and would’ve died if it weren’t for poseidon himself!

it isn’t all bad though. percy knows a handful of things about you. he knows that you like the beach (which, hey, so does he!), he knows that you like spicy food, reading, drawing, and he knows that you’ll probably shit bricks when you inevitably encounter your first monster.

the poor boy has this innate desire to protect you in the way you’ve never been protected before, but he’s so afraid to make you upset or uncomfortable. he’s stuck at a crossroads. so, what does he do?

wallows in his own mind because adhd is a bitch! eventually, despite his whining and complaining at the idea of hurting you, annabeth and grover manage to talk some sense into him.

“guys, i- i don’t know. they’re so young and so scared of everything. how would i even-“

“percy!” grover cuts him off, his eyes narrowing at his best friend. “think of it from y/n’s perspective. they show up after getting exposed to a world they are actually so scared of, and the only thing that makes them feel better is the promise of a big brother.”

percy sits in silence, his ears burning red with shame. annabeth puts her hand on his arm softly with a kinder approach. “just go talk to them. i promise they won’t bite you.” she reassures him. ever the daughter of wisdom, that one.

percy nods and stands up, intent on finding his new sibling, wanting to put them at ease, even just a little bit. he sets off, initially heading towards the beach.

when he arrives, his lips tug down into a frown. despite the beautiful scenery of camp, especially the view from the beach, you aren’t here. he peers through the pretty, looming trees, trying to catch a glimpse of you. his frown only deepens at the sight of your book bag, but no you. “y/n?” he calls out, his voice laced with fear.

when he gets no response, he scoops up your bag and carries it with him towards cabin 3, figuring you just forgot it like the absent minded kid he hopes you are. except, you aren’t in the cabin either. now he’s starting to worry.

he puts your bag down on your bed neatly before rushing back out. he double checks the beach— nothing. he checks the dining pavilion— also nothing. he looks around the arena, the climbing wall, the archery range, even stopping into the infirmary to see if you’re laying there injured and no one thought to tell him. but he turns pale as a sheet when will solace tells him he hasn’t seen you.

percy runs into the forest, uncapping Riptide as he leaps over a fallen log. of course, you probably just wandered off by accident. after all, why would you leave your book bag at the beach?

a scream that sounds heartbreakingly like you echoes from further in the woods and instantly he heads in that direction. didn’t anyone tell you that the woods are full of monsters?!

he breaks through the trees, slashing his sword clean through a hellhound as it lunges towards you. after a terrifying few moments alone while he secures your safety, percy takes you into his arms.

the hug is tight, protective, full of warmth and love, fear and panic. “shh, i’ve got you…” he whispered in your ear, trying to soothe your fearful blubbering. “the monster’s gone. he’s on the run, and your big brother is here.” he reassures you, pressing a soft kiss to the side of your head.

he doesn’t care about the tears that soak his shirt, or even the snot that does the same thing. all he cares about is that you are safe and not injured. he pulls back from the tight hug briefly. “hey, kiddo. you hurt anywhere?” he whispers, his voice strained and fragile.

“n-no. ‘m okay…” you stammer out, your own voice matching his. he kisses your head again, breathing out a sigh of relief. “thank you, percy…” you whisper quietly in his ear. you can’t do much besides whisper at this point, and who is he to judge?

percy squeezes you tighter, his body shaking from the fear of you being hurt “always, kiddo. i’m always gonna be there when you need me. rain or shine, day or night. i’m your big brother. that’s my job.”

soooooo…? gimmie your thoughts, pls!! bare in mind that i’m scared shitless of constructive criticism tho 😭🤚

i’m not the greatest at writing fanfiction but i’m really eager to learn more. your feedback is much appreciated 🫶

[ssplague]

Benighted Beloved

Prologue

Dragon King Bakugou x Reader

Haven’t decided on the title yet, didn’t want to take even more time to get this out.

Warnings ⚠️ BRIEF Mentions of attempted assault, sex trafficking, & murder.

As the last of the moon’s ethereal, silver light disappears from the skies, a harsh wind begins to blow. This kingdom’s inhabitants are hidden away within the confines of their homes. The silence is daunting as the wind begins to howl through the previously bustling capital streets.

Within the dimly lit castle a woman stares through the her window before shutting the drapes tight.

The atmosphere within the fortress is riddled with tension; Murmurings of prayers can be heard from various servants pausing their duties as they move about. Her bosom heaves rapidly from panting breaths, she fights in vain. Stubborn to prevent the vision attempting to shine through, ignoring the now blurry edges of her eye sight. Ebony hair is sticking to her sweaty face, she’s only standing on shaky legs from leaning against the edge of her vanity table.The door of her bedroom swings open and immediately slams shut. A man has come to see her, he’s briskly crossing the room, before coming to a stop at her side.

“What ails you?” The tired man asks, helping the woman stand upright by allowing her to hold his arm. Continuing to assist, despite her uncoordinated shuffling to sit on her bed. “If you are to be given a prophetic message, why fight it? Her majesty wishes to know what you have seen”. The woman wraps her arms around her middle, sharp nails nicking at her flesh as she draws in a shaking breath, “This night is tainted by darkness, the goddess is unable to grant us her full protection while her light is repressed…if my body will hold out until the darkness recedes, perhaps tragedy will be prevented from falling upon our kingdom once again”. Light from the single lit candle casted half of her face in shadow. The oracle was ashen faced, her black bangs plastered against her forehead, droplets of sweat leaked down her face onto the floor as she rested her elbows on her knees, shaking hands massage her temples.

“You cannot alter fate Midnight, you are destroying yourself all for the sake of delaying a message you were chosen to deliver” Aizawa says with a heavy sigh, rubbing at his eyes “I know you continue to blame yourself for the death of King Masaru but even the queen herself told you that you were not at fault, you relayed the message, and it was something that simply couldnt be remedied..”.

A shuddering breath racks the oracle’s body and she begins falling forward, only for the exhausted man to catch her,

“Stop this! You are going to die!”.

Midnight knew she was on deaths door, her body would give out soon, unless she relents…

Once again the bedroom door opens silently, the snap of it shutting alerts the two occupants of a new comer entering the room.

“Do it for the sake of the child, if you wish to atone for the death of its father then guide it as it grows, inform the future leader on how to avoid whatever negativity may come beforehand, so that it can be properly dealt with” the stern but soft voice of Jeanist seems to have been able to break through the oracle’s stubbornness.

“Normally only one of you would need to be the scribe for this session…but I would prefer it if there were two perspectives on whatever I report, considering the situation…” requests Midnight as Aizawa allows Jeanist to help the frail woman sit up. Making one more request as the blonde man fluffs and rearranges the pillows behind her:

“Please light the ceremonial pouperie and hand me both selenite and tourmaline towers”.

At the beginning of her life Midnight had been gifted with the ability to predict small things such as who would win a foot race or what she would receive for her birthday. As a teen her visions changed into predicting who would find love and eventually how relationships would end. Life was not always kind to her, and once she reached her late teens she had been enslaved and forced into prostitution.

Luck had been on her side as an adult; One night as the ebony haired beauty made her way through town. She had come across a drunken man attempting to asssault a young woman. Her amethyst eyes catch the glint of an intact bottle neck laying discarded on the alleyway’s grime crusted cobblestones. Those muffled cries of the female being violated brought her back to when she herself had first been enslaved. Slinking up through the shadows in silence, the angry woman would later on be compared to a panther as she came flying out of the darkness. The brute didnt have a chance to fight back as loose shards of glass were shoved into his eyes, the jagged spikes of the bottle were repeatedly slashed and thrusted into his neck, face, and chest until the pig was unrecognizable.

The woman she had saved turned out to be the daughter of a duke, visiting from a completely different kingdom. “Please accompany me for my journey home, your bravery will bring you great favor with my family, im offering you a new life, a fresh start”. Once the dutches and duke had learned about the gift of sight their daughter’s savior possessed, it was only a matter of time before Midnight was called to advise the current king and queen of her new home.

The darker haired man uses the candle to light to light the bundle of herbs, the scents of sage, lavender, and jasmine fill the room quickly.

Both polished stone towers are pressed into her shaking hands, Each man stood at the oracle’s bed side with quills poised and ready. Only then does the ritual begin;

She always hated lowering the walls of protection that had been built around her psyche. It made her feel as though she were stripped naked, vunerable, about to have her dignity snatched away, and soul crushed. Of course those feeling were always what prelude a tainted and unfortunate vision. Her eyes buldge in their sockets as they widen, her plump lips fall open and an amplified emotionless version of her voice spews out the sacred information from her gaping maw.

In this realm,

a blessing descends,

a child of fate,

Whose power immense,

destined to determine

earth’s fate

Born beneath the moon's shadow,

a tale quite bizarre,

A beast hides within,

a spirit touched by mar.

Not at the outset,

but time's relentless flow,

Unveils a name in

history's annals to grow.

Victories numerous,

A heart encased in sin

With a chance encounter,

love's dance shall begin.

Strings of fate weave

a love, pure and oh so divine,

The dragon king seeking

a mate with whom his

Soul shall intertwine.

This love is true,

by impurity shunned,

Great Darkness out shone

by Celestial radiance

Who’s light could

Outshine the sun

Blessings abound

if the moon's grace prevails,

However her failure

unveils hate

as darkness assails.

The Earth shall quake in fright

silence descends in despair,

The dragon king ruthless,

his mate to ensnare.

Land soaked in blood,

tainted with gore

at that moment

T’will be decided

peace within this kingdom

will become a distant lore

Decay befalls living souls,

cursed evermore.

Oh how can one’s feelings

spin a tale so profound?

For only true love shall

Determine whether darkness

Or light shall abound?

In a wing located on the complete opposite side of the castle, a feminine shriek is permeated by the sharp wails of an infant.

“It’s a boy your majesty!” Exclaims a mid-wife who held the freshly delivered baby.

She is quick to clean off the continuously shrieking child, immediately swaddling him in a soft blanket. Queen Mitsuki held out her trembling hands to receive the bundle of joy. “He’s beautiful my lady, I’m sure the king is looking down from heaven with pride” stated one of the other servants as she took away the soiled linens. “Yes he is…my beautiful little boy…my precious Katsuki” the queen whispered, kissing the boy’s head. His tiny whisps of blonde hair tickled her face as she holds him close. A little fist slips out from the blankets, waving about as his wails grow louder. Another servant enters the room, her arms laden with fresh blankets and sheets, “The moonlight has returned!” She happily reports, setting down the bedding and drawing back the curtains some.

Soon as those first rays of the shining silver light landed on the baby, his shrieks cease instantly. Finally opening his small crimson eyes to stare up at his mother, a goofy smile appearing and soft cooing replaced his cries. Everyone in the castle seemed to breathe a sigh of relief as the dreaded eclipse had come to an end.

“My Katsuki, you’re going to grow into a strong, dependable man, eventually you’ll become the greatest king the world has ever seen…isn’t that right Masaru?” Mitsuki snuggled the baby, tears rolling down her cheeks. She wasn’t able to see the man standing beside the two of them, but Katsuki could. The spirit of his father placed its hand on his little head, and the baby began to giggle happily. “I cant do much in this form, but I’ll do whatever I can to help you make the right choice when the time comes…take care of your mother for me…I love you both so much”.

A/N: We’re starting a NEW series!

What did you think? Pay attention to that prophecy, any ideas on what it’s talking about?

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[accio-victuuri]

CHILDREN’S DAY CANDIES. 🍭🍬

let’s call this part one of today’s cpns cause i’m waiting for xzs side to share stuff and knowing that LOZ just wrapped, we might get something on that too. but i can’t wait to scream about these! good turtles really got the sweets for today!

let the two cute babies invite you in… ⬇️⬇️⬇️

to those who have no idea what this holiday is about, then this might help you.

starting off the day with yibo’s audi ad. he really remains unbothered despite all the chaos, it’s business as usual on his side. and that is the reality of his life: it goes on. no matter what happens or who try to bring him down. he will continue to shine ✨ the story for the ad was so interesting, it was so nice to see him “cooking” and it’s giving me flashbacks to his other efforts. this is more of me as a cpf thinking about how yibo could also be making an effort on his own to cook, even if it’s not elaborate dishes. the fandom loves to paint xz as the “wife” who does the cooking but maybe yibo does too? and that grocery scene? AAHHHHHHH! domestic yizhan is my weakness. so while they walk into a store all dressed up like that, the thought makes me somft. considering there is a possibility too that they will be in the same city soon 🙏🏼

then xzs reposted menghai’s anniversary post which some are saying is unusual for them but who knows. WHAT GETS ME THO IS THE CAPTION. the fuck.

WHO FAMOUSLY SAID THIS? to the point that it became a tagline for the fandom. Yibo. Yibo during all the drama that happened during Hidden Blade’s showing:

WYB: like what the director & that audience said, a movie can create a lot of thoughts but u still need to continue with ur life. for Wuming, i hope we can exchange sincerity with sincerity. we made this movie with our heart, so we sincerely hope that people will like the movie.

I’m not sure if this is some usual line or saying in 🇨🇳 with some literary relevance but the fact that it is associated with WYB gets me! XZS is known to do really good captions but using this? after all that happened with magnolia noms? i think it is not a coincidence. this feels like an indirect message. i am positive that they really intend to wish menghai a happy anniversary but the hidden meaning is not lost on me.

not only that…. they seem to match yibo-official’s caption too.

The wind blowing in the wilderness // The wind galloping in the wilderness 🍃

the wind. in the mainland, WOF title is called Wind Chaser. i can understand it from YBO’s perspective and why that was included. but XZS? another coincidence????

and the caption for YBO had a paper plane which is a symbol that we associate with them 🫶🏼 ( i have a post for this but i cannot find it lol. if someone here does, please comment. )

and as for the drawing, it’s very common for cpf to think that xz made it. not saying that ybo has no team of his own that can do it for him, but more of this is xz’s love language. making art for the person he adores. the fact that the t-shirt chibi yibo was wearing is inspired by that video of him dancing in 2011 was a nice touch.

the cartoon was supposed to be based on the photo which was from the olympics performance rehearsal — but to make it fit the Children’s Day theme, that was added. it is made by someone who loves him!

not to mention some other details that stood out to us. i bet you can analyze each in every composition of it and make a cpf analysis but these are the interesting bits:

but i’m more partial to that pig nose on the shoes! hahahahaha! when fans tease yibo, he becomes a pig instead of a lion/panther and this cheeky addition i feel like can only be added by someone close to him. a person who can get away with it 😂😂😂

the photo used had him with the green/pink shoes! plus the video shared, THAT HAT! ( i linked part 3 of my cpn post in but parts 1&2 are there for those who are not familiar or want a refresher) ! he is showing off again! can’t blame him tho.

sources: one / two / three / four

-END.

[needle-thread-thimble-spear]

Revolutionary Girl Utena and Epistemic Violence

or

Why Anthy is not a trans girl (but she is to me)

~~

Ohtori, as any good setting tends to, carries a lot of thematic weight. It’s a fairy world, where metaphorical illusion blurs personal hopes over a poisoned interior structure, to the point where an outside perspective may struggle to distinguish between what a character is thinking and what is actually happening. Time and memory are suggestions whispered in the ear of its students, a cyclic hell where the same puppets are played in position, memories broken but dreams intact, to test new victims and forge new swords. A kingdom of nowhen, ruled from above by a king that refuses to see that the prison he built cannot ever free him. A hierarchy where the misogyny taught to children to prepare them for the grown up version is baked into the very structure of the world, belying a culture of horrible sexual violence. And at the very bottom of that hierarchy, the victim-witch, is the kings own sister. A sort of broken Omelas, where one girl must suffer forever and ever, not to end the suffering of others, but to keep them in the dark. Especially her brother. What Ohtori is, and the hierarchies that it represents both within the work and outside of it, hinges on the suffering of that girl. And, maybe more importantly, her silence.

~~

Revolutionary Girl Utena changed my life. I’ve been saying this nearly two years now, mostly as a joke, but with distance I can see it really isn’t. When you are in the depths of an abusive relationship, it is extremely difficult to see what’s happening to you. I don’t wish to dwell on my own story here too much, but how can I ignore it? RGU was the language I used to understand what had happened to me. Images from the show flit through my mind as though I were a Tamarian. Utena, in the window. Anthy, with the candelabra. Utena, her hands cut with thorns. Anthy with the white beret. After finishing the show for the first time I felt sickened. Not merely because of the subject matter depicted, raw and horrible as it is, but because I saw myself in it. Why do I feel such a kinship with Anthy?

I think, dear reader, you may be able to imagine the horror inherent to that realization. You might have felt it, you may be feeling it now.

It seemed obvious to me then, for reasons I could not begin to fathom, that Anthy was a trans girl. Reeling from my first watch, this felt like the only conclusion I could draw though I couldn’t tell you why. For years, I have drafted and redrafted essays attempting to justify this feeling. Recently, I posted an reading of Miki as a transfem character, and I don’t feel particularly strongly about that reading! Sure, aspects of his character were relatable to me, I could draw analogies well enough, but that was completely secondary to my actual goal. Practice for the transfem Anthy essay. Looking back on what I’d written now, I don’t. Hate? What I wrote. There’s definitely some aspects I’d repudiate now. If you enjoyed reading it, if it meant something to you, I’m glad. But even as I was writing it it felt incomplete and limited. And I believe I understand why.

What did I get wrong about Miki and Kozue? What lies in Ohtori’s heart? What lies in that bed of rotten rose petals?

We all know what does, but we do not want to see it and certainly don’t want to talk about it.

It’s Nanami’s disgust with Anthy, with herself. It’s Miki and Kozue’s confused but earnest posturing. It’s Utena looking up at Akio, it’s Anthy’s vacant stare.

Even here, I’m speaking in abbreviated reference. But it’s abuse, sexual, at times incestuous abuse, that touches every character in RGU.

I’d recently seen a few posts which I think hit on a really common phenomena among fans of the show. Our own stories, our own disgust, our own fears and our own traumas, sort of get in the way when we talk about RGU. I think it’s a natural consequence. RGU deals with heavy subject matter that is very difficult to sit with. I don’t think it’d be incorrect to say most western fans of RGU are queer in some way. We’re much more likely, as consequence, to suffer from interpersonal abuse. And naturally, we are drawn to these characters since they represent, with so few holds barred, some of our worst experiences. But does that make them like us?

For the record, I think it would be ridiculous to suggest that RGU isn't a queer show and that it isn't filled with queer characters. But, for as obvious a conclusion as this is, a surprising depth of that queerness is veiled in subtext. It’s worth considering, the endless arguments over whether Anthy and Utena are lesbians or bisexual, is sort of inconsequential. The important thing is that they have escaped, together! We could suppose that, were Ohtori a real place, we could go track down the two of them and demand from them an answer. How do you feel, Anthy, about your attraction to Akio? What does that mean to you? Would you please quell that horrible disgust we feel thinking about it? Inquiring readers would like to feel better know!

When one leaves Ohtori, one leaves the view of the audience. Utena and Anthy are in love with one another, but what that means to them (and themselves) is out of our reach.

And yet, I can’t seem to shake my original conclusion, from my first watch. Surely it cannot be intended! Hell, even the fact that Anthy is desi is sort of incidental to any commentary on social injustice, the motivation for depicting her (and Akio) this way was to exoticize them relative to the rest of the school. So is this image of Anthy as a brown trans girl, her position in Ohtori being a result of transmisogyny, some western myopia? Mere projection of the aggrieved self on a character who, by her nature, absorbs the feelings and impressions of those around her?

Sort of?

Revolutionary Girl Utena was created in a Japanese cultural context, to be sure, but it’s worth noting that while the precise execution of (trans)misogyny and other gender injustices may vary from culture to culture, patriarchy isn’t exactly exclusive to the west. There is a lot of different directions we could run in here, but the one I want to focus on is epistemic violence (a good primer linked here if the term is unfamiliar). *

In Ohtori, all girls are like princesses, unless they are like witches. And, sooner or later, all girls are like the rose bride, the doll-witch, the synthesis. This is how patriarchy works. There is a concept of “permissible” femininity, and an “impermissible” feminity. There is the wife, the mother, the domestic servant, who is permitted some limited social power by her utility to a patriarch (primarily as a mother to trueborn children). Then there is, well, everyone else. “Loose” women, sure, but also those who have been damaged by sexual violence. Those who cannot bear children, because of some accident of their physiology. These women are used, for feminized labor, for sex, but because of the stigma associated with them and the issues they present toward patrilineal succession, they are subject to various censure. One does not talk about survivors of sexual violence or sex workers in polite society. It is possible for some to travel between these two categories, although it is far, far easier to go from “type 1” to “type 2” than the other direction. Indeed, for some it is not possible to have ones “virtue” restored. If we aren’t being reduced to predatory inhuman monsters, trans women, both a hypersexualized object of intense fetishization and incapable of bearing children, are placed into the second category automatically. Lots of would be abusers are happy to whisper in our ears, that they will treat us like we are “type 1”, but invariably they do not.**

The most maddening thing to me about being a trans woman is this, inability for anyone to see the violence that happens to you. People don’t believe you can be the subject of (sexual) violence, even though the fact it occurs to you, regularly, should be obvious to anyone who thinks about how we are perceived for just a moment! You cannot speak up without sounding delusional, it can happen right in front of a stranger, your best friend, and they wont bat an eye. That you are so incredibly disgusting, no one would want to hurt you that way.

Anthy isn’t a trans girl. But the system that silences her, treats her like she deserves her victimization, that she is irrevocably tainted by her relationship with Akio, the system that keeps us, the audience, from internalizing the dreadful truth of her character, this veil of silence, of covered ears and closed eyes, is extant in the lives of all misbegotten gender-oppressed rejects. If we are going to draw analogies between ourselves and Anthy, or Utena, or Nanami, or any the rest of them, we need to pull back that veil. Indeed, it's confronting (and then escaping from) that choking, word-stopping bile that sits at the core of RGU's thesis. I don’t think it’s wrong for us to relate to the characters in RGU, and write about that. But we might stop to consider why before we do!

*If you’re curious to read more about patriarchy across cultures, here is a really incisive article on the phenomena of third sexing, the operation of (trans)misogyny and gendered violence in parallel across cultural contexts, and how that relates to the western and desi sphere (but also more broadly).

**It should also be noted that there can be no comparison of suffering of anyone under patriarchy. Even the most vaunted cis man, I suppose. But there can be a comparison of power, and this is why we discuss it rather than throw up our hands.

Thank you for reading, I think this is the last I'm going to write about RGU for a while, though there's quite a bit I want to say about Utena and Anthy's relationship. So someday, I'll get around to more! And a perennial thank you to @empty-movement for the high quality archival images.

[torialefay]

🌕 Moon in Libra ♎️

bangchan as your boyfriend series!!! (pt. 4)

(based on astrology)

✨bangchan x reader (f); fluff & sad chan :(

✨word count: ~3.5k

✨4th part in a series!!! together, let’s take a look into chan’s natal chart to see what type of boyfriend he would be!

✨i will give a synopsis of what each chart placement means throughout the series (for all my non-astrology friends out there <3) and how that would affect channie in a relationship. head to my masterlist to check out the rest of the series <3

✨ author’s notes:

(1) i am doing brief (just bullet points/highlights) astrological compatibility readings if anyone wants one! if you’re interested, message me your birth date, time, and location OR lmk your placements. i’m gonna limit the reading to include you x 1 skz member only! just specify who you’d like.

(2) the aspects in this reading are based solely on my opinions and interpretations! nothing about a person is set in stone simply because of astrology. please don’t use anything i say as canon :)

(3) there is mention of another fandom in a not so great light. this is purely fictional and no offense was meant by including them. it’s simply for the storyline.

✨warnings: none

✨tldr: chan just wants to be loved.

Moon in Libra:

The Moon represents the deepest parts of yourself, the parts you are usually not even cognizant of. It is the basic energy that resides within you and what you radiate in the most still of situations. Your moon sign usually controls you in ways you aren’t aware of and draws you to certain people that you cannot explain.

• Moon in Libra has a deep NEED for love and beauty in their lives. This can be seen in the deepest parts of them. They are able to see the beauty in every person, and usually can see each person as who they really are instead of the mask they are showing the world. Because of this, he prefers to get to know people well before pursuing them in a relationship.

• Moon in Libra also highlyyyy values balance and peace in their lives. If they suspect that you are bringing drama into their lives in any way, they will most likely (very kindly) cut you out of their life. They will feel bad about it, but they need to protect their peace in order to feel comfortable in the world.

• Because of Libra’s tendency to be people pleasers, they truly seek external validation… they can take criticism very harshly. They do not like the drama and do not want to be involved in a scandal of any kind. It can, in fact, crush them, but they are too self sacrificing to say anything. They just want to make sure that people are pleased with them and they will do whatever they must do to get that.

Chan’s Moon in Libra is also in the 6th house (the house of work, routines, and health)

• Because of this, the balance in his life likely plays a largeeee role in how he performs during the day in work, in carrying out his plans for the day, and in how healthy he is staying.

• His Venus (beauty, love, and sensuality) and Mars (aggression and resolution) are also in the 6th house, meaning that if any aspect of his romance, emotions, or conflict are out of whack, so is he. He simply cannot get his work done or perform well. He is too in his head. That makes him push even harder.

*Important tidbits I learned from analyzing Chan’s natal chart!!! If you take ANYTHING away from this series, please let it be this:*

• Chan has a Libra placement for his Moon (emotions), Sun (personality), and Mercury (communication). This makes him a SUPER LIBRA. He basically identifies with it on another level.

• Here’s the problem: Libras are totally giving of themselves. Completely. They quite literally turn into whoever you want them to be. Because of that, they can really struggle with self image, not only in terms of wanting to be seen in a good light, but most importantly from the perspective of not even knowing themselves.

• Since they don’t have any one SET personality that they present to everyone, they don’t know who they are. Not fully. They may have some idea. They may know that they love people and that they think they are good people, but when it comes down to it, they feel lost.

• So what happens when you have this Libra energy in Sun, Moon, and Mercury? You feel hollow.

• It is very likely that at the end of the day, when all is said and done, Chan feels like the shell of a person. He works so hard for everyone around him, but who is he without that? If he were on his own, and if he didn’t live to please others, who would he be? Nobody. There would be no person underneath the mask. And that scares the fuck out of him.

• He NEEDS to be needed. It isn’t that he likes the attention, but he needs it to survive. Because without it, he is nothing.

—————————————————————

Focusing in now on only the Libra Sun (personality) and Libra Moon (emotions) for Chan:

• As I’ve previously discussed a million times, Libra suns need to be liked. They need harmony and balance, and they feel this through blending fully with others.

• Libra MOONS on the other hand, have a deeper desire. They don’t necessarily want to be loved on what they do, but for who they are and the way they think. Libra moons truly believe that they ARE good people who want to help. Because of this, their harmony and balance instead comes from KNOWING they are good, so they shouldn’t care what other people think of them.

• This manifests in Chan as having this war within himself of caring so much about how other people see him vs. knowing that he shouldn’t give a fuck.

• But at the end of the day, he does give a fuck. And that kills him too.

• So now, not only does he feel hollow on the inside, but he also KNOWS that he cares too deeply about shit that doesn’t even matter. But he can’t. help. it.

• He lives by the mantra “Just enjoy”, because it is something he so badly wants to be able to do.

• He likely manifests this in severe anxiety and not being able to sleep because of it. Throwing himself into work, because who is he if not the producer that his fans know and love? Laughing as much as he can to attempt to fill up the void inside of him.

• He only knows himself in relation to others. The worst thing he could ever experience is being on his own.

• This is likely why he struggled so bad in his trainee days. When everyone else got cut and he was the only one left.

• I’ve heard him explain before that it was a very dark time in his life, and that Stray Kids coming into his life is the only reason he is alive today.

• He is not over-exaggerating. Stray Kids literally gives him life. Without them, he feels like he is nothing.

• He simply cannot exist without them.

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The last thing that I will add:

• Chan wants SO BADLY to learn how to not give a fuck. He NEEDS someone who can teach him that.

• He NEEDS someone who can show him how to find himself. He NEEEDS someone who will see the parts of him that he cannot see.

• If he can find someone to do this, this person will be his soulmate, I promise you.

As your boyfriend:

• “Hey there, pretty girl.” “You look so beautiful today.” “How did I get to lucky?” Chan tells you these things every day, leaning in to peck your forehead. Words of affirmation are his love language, so he would make sure you got them constantly.

• If you’ve had a long week at work/school, Chan is taking you somewhere beautiful on the weekend. Somewhere that the two of you can enjoy the beauty and the calmness together. Aka, he’s definitely taking you to a giant botanical garden, just to walk around and look at the flowers together. Walking hand in hand, he’d make sure to take breaks occasionally to get a candid photo of how pretty you look with the flowers in the background. You’d wonder off to a tiny side path, taking you to a small fairy garden with lights and a small bench. You would sit, just admiring the lights. Even though you weren’t supposed to, Chan would pick a flower off of the ground next to him and trim it down to just the right length. He’d place it in your hair, resting in the crook of your ear. He’d giggle at how cute you looked. Just like a little garden fairy.

• Chan would adore being your center of attention. He says he doesn’t, but it absolutely makes his heart melt to know that you were thinking about him. Whether it’s a painting, a song, a poem, a muse in any form, his inner self can’t help but to feel so seen.

• He loves it when you obsess over him. No, like actually he loves it. Again, he says he doesn’t, but the way it makes him feel is like none other. The fact that you think that highly of him to pour your entire self into him fills him up with love to the very brim. And he would absolutely be the same with you.

• He LOVES when you ask for his help or his advice. If you ever include the phrase, “I just wanted to know your thoughts because I really value your opinion”, then boom, he’s in love. Feeling needed gives him purpose in life.

• He would adore when you would dress up for him. No occasion, just to look pretty for him. Even though he thinks you’re always beautiful, the fact that you put in extra effort just for him to have something pretty to look at would really make him feel loved. Bonus points if you tried a style or a new item that he talked about really liking.

• If he had a hard day at work and came home to a home-cooked meal and a warm bath waiting on him, he would probably get so excited he wouldn’t even make it to the bathtub, being too busy hugging you.

• Chan is absolutely the type to avoid drama, and especially avoid you having to get involved in any drama at all costs.

• But your boyfriend was no novice to how cruel the online communities could be towards him.

• The week’s newest scandal: that he was saying nasty things about ATEEZ behind their back.

• And damn, did he get a lot of flack.

• What was the proof you may ask?… A tweet. A fucking tweet some random account (that was created 7 hours ago) sent out saying that she had been behind him and heard him saying awful things while on the phone with a friend. As “proof”, she posted the back of a man’s body who had on a black beanie, black hoodie, and black sweatpants.

• You had to give it to her, that was the iconic Channie outfit.

• But what she failed to realize: your man is literally 171 cm… no way in hell is he towering over everyone else like in the picture she posted.

• STAY knew that, but you know how the internet goes. One bad word, and the world is trying to cancel you.

• Well that “you” is now Channie. There’s been an all out fan war between STAY and ATINY to the point that it is now trending worldwide. ATINY trying to trend “#bangchanisoverparty” and damn, it was kinda working.

• When you both saw, you talked to Chan about it. He assured you that he was fine and it was nothing to worry about. He knew who he was and that’s all that mattered. If things got out of hand, JYP would make an official statement saying that it was not him in the photo and they would investigate into the account that posted about it.

• You were so proud of your boyfriend for how much he had overcome to be able to feel that way. You knew he struggled with a lot, and although you were helping him, you were so happy knowing that he was okay.

• Well, until you woke up in the middle of the night to hearing Channie crying softly, lying in the spot next to you.

• You listened quietly, pretending to still be asleep, so you could check on your boyfriend while still allowing him to have his own space.

• Your heart almost shattered as you heard him start to actually sob, reaching his hand up to his mouth in order to stop any sound from coming out.

• Even in his most desperate hour, he didn’t want to wake you. He didn’t want you to know.

• So you just laid there, eyes darting off to focus on the moon, while your back was turned away from him. Listening. Just listening.

• After a couple of minutes, you heard the sobs start to resolve, and deep breaths in began. Good, he was finally starting to feel better.

• You heard the bed sheets rustle a bit as he made the tiniest, slowest movements to reach for his phone on the nightstand.

• You knew that’s what he had to have been reaching for, as you saw a quick, bright flash of light coming in from behind you. You relaxed into the mattress as you heard him typing in his passcode, hopefully to play some light, soothing music to fall asleep to. You didn’t hear anything for the next couple of minutes.

• Content that Chan had successfully cried himself to sleep, you rolled to your other side to curl your body into his. You wanted to feel the warmth of his back pressed up against your chest. To rest your hand at the nape of his neck and hold on for as long as you could.

• To your surprise, your roll over did land you on top of Channie, but a very much awake and very much still on his phone Channie.

• He looked just as startled to see you, dropping his phone down onto his chest. His eyes were red and puffy. The rest of his face followed suit. You hated to see him cry, but you had to admit that he looked like an adorable little fluffball like this, especially with the curly hair all fluffed out from “tossing and turning” you guessed.

• “What are you doing up?” you whispered, playing dumb. You relaxed your hand on top of his chest and heaved your face down into him. You lifted your eyes up to look at his. So beautiful in the silver moon’s light.

• “I thought I heard my phone go off,” he lied.

• “Oh yeah? Who would be calling in the middle of the night?”

• “Minho. He probably went out for a few drinks, I don’t know. I didn’t answer it and was gonna text.” Damn, this boy was gonna do everything in his power to not admit to you that he was just crying.

• “Okay baby, let me know what he says,” you nuzzled into him, ready to watch this shit show of a lie go down.

• You watched as he quickly snatched up his phone, bringing it to rest right in front of his face. Not before you saw what he had actually been doing though.

• He’d been on twitter reading through comments. “#bangchanisoverparty” was pasted into the search bar at the top.

• You felt your heart shrivel up. Why does he do this to himself? Why does he care so much about what other people think about him?

• You sat and stared off, not sure if you should mention anything. You didn’t want to make things worse. But then again, what kind of girlfriend lets her boyfriend lay there and cry himself to death?

• “There,” Chan said, turning his phone off and laying it back on the bedside table. “I texted to see what he needs. Hopefully he replies back soon so I don’t fall back asleep and miss it.” This man is one good ass liar. Kinda scary now that you think about it, but whatever, that’s besides the point.

• “You’re a good friend Channie,” you scooted up to make sure your face was resting into the side of his neck. One arm extended around him to cover him in a light hug, and you just held him there for what seemed like an eternity. Finally, your eyelids got heavy again and you fluttered them closed.

• No more than 10 seconds later, they shot back open. You had felt a singular drop of water hit your face. A tear. He couldn’t lie now.

• You raised up to be above Chan, one hand still over his torso, and the other propping you up on your elbow. There were a few stray tears covering each cheek.

• The one hand moved up his body and slowly wiped at the tears on one side, making his perfect complexion visible once again. You kissed over the area with a touch as gentle as a feather.

• “What’s wrong baby?” you whispered while your head was just over top of his own.

• “Nothing baby, please go back to sleep,” he choked out, letting a light sniffle escape him.

• “I’m not going back to sleep until you talk to me.”

• “Please, y/n. Please just go back to sleep.”

• “No. Talk to me. Why were you on twitter?”

• He looked mortified. He didn’t answer. He just laid there, looking off to the side with an expression on his face like he could start crying again at any moment.

• You relaxed off of your elbow and sunk back into him again. You tangled your hand into his hair and started playing with it. Rolling it around in between your fingers. You started combing your hand through it in tiny strokes. You were learning to relax into the silence.

• You let the whole weight of your hand rest onto his scalp, running down it and to the nape of his neck. You repeated this a few times, hoping that he would get some light tingles over his body and start to perk up.

• You slowly moved your hand to caress the top of his ear, running a finger along the outer rim. Your touch was so slight that he couldn’t tell if he was imagining it, but it did soothe him. He thought about how reminiscent it was of what he would always do- touch his ears to calm himself. You knew this too of course. That’s why you were doing it.

• Chan knew why you were doing it too. You knew him better than he knew himself.

• You continued to stroke along his ear, adding more fingers and more pressure until you were massaging his ear lobe. Pressing your fingers into the skin of the area right behind where his ear met his skull. You massaged a low place here, rubbing small circles with just enough pressure.

• You slowly continued to drag your hand down to his neck, working again now in light strokes to feel all up and down the side and front. So smooth, you thought.

• You followed suit with your lips, pulling them to the area just between his ear and jaw. You planted a slow, low kiss to his most sensitive area.

• You felt the familiar sensation of wetness again. The taste of salt. Of course it had been another tear resting there for you to find and take away. You wished you could take away all the pain.

• You finally moved your hand all the way down to find his. You gave it a small squeeze, and then brought it up to relax over your own situated on his chest right over his heart. You sat in silence, feeling the strong beat inside. Just enjoying the warmth of his body underneath you.

• “You are so perfect,” you kissed his arm, admiring how hard his bicep was.

• All of a sudden, his stillness turned into a sob again. He tried to break his hand away from yours so he could cover up his eyes and the rest of his face.

• “No baby, you let me keep this hand,” you whispered. “It’s okay to cry, but at the end of it, I need you to know how loved you are. How so many people would kill just to see a smile on your face. How you can make a person���s day better just by being in it. How every time I look at you, I think that there must be a god, because how could there be something as perfect as you without a creator to make it?”

• You heard his tears stifle. He let out a weak smile. Your heart reciprocated the gesture.

• “There’s my beautiful boy,” you kissed his temple.

• “Now tell me baby,” you leaned back up to rest your forehead just on top of his, noses almost touching. “Do you think a life so full of love like that is worth crying over?”

• His tiny smile turned into a big one, leaving his bashful dimples on display. He took a moment and wiped his eyes with the back of his hand.

• He let out a small giggle. “No,” he looked into your eyes.

• “Good answer,” you leaned your face in the tiniest bit to touch a kiss on top of each eyelid. Satisfied, you resigned to your position of curling up next to him, head positioned to fit perfectly to his neck, two hands holding both of his own.

• “I love you,” he murmured.

• “I love you too Channie. And I wasn’t lying, you really are perfect. The last person left to convince is yourself.”

Moon in Libra.