#can you tell i rewatched

[liloslittlethings]

louis tries to get liam to breakdance but he beatboxes instead

[fights4users]

Thinking about them again your honor.

It’s about how Lora/Yori is always the guide, always knows just where to go and what to do and how Alan/Tron happily go along with it. They trust she knows best (they’re also a total sap about her)

It’s the “if I’m not holding your hand right now I’ll explode”. They’re so touchy and my heart can’t take it? Lora/Yori has a tendency to cling to his arm, press herself into his shoulder and it’s absolutely everything.

Also no one talks about how funny the arcade scene is, Lora is just giggling and dragging him along as Alan is going through increasing stages of ‘oh my god what have I got myself into- what is this guy’ — this arcade serves all ages and demographics and somehow he still sticks out! In this case it’s a reverse where Lora is the one to ‘protect’ him and I’m going to loose it.

[nottspocket]

@habken’s soul eater au has been giving me massive brainworms for a while, so I finally drew something for it! Enjoyyyyy

[bananafire11]

Been drawing dragons lately

[jellyfemmedyke]

The Hobbits being so transmasc coded it's unreal. While they're technically hobbit men, the human men treat Merry as lesser in a similar way that they treat Eowen.

The parallels between the two are immense. Fighting for the right to be seen as equal to the MenTM. Eomer and Theonden telling them they have no place in battle, that it's for said Men.

Both of them attacking the Nazgul and taking him down together, proving that they're equal they're worthy of respect just like everyone else. I could go on. I'm gonna lose it.

[spacedlexi]

wanted to draw something new today :)

[gossippool]

hi welcome back to leanne rewatches deadpool & wolverine and goes insane about every single detail in this movie. in this edition: how logan's clothes reflect the trajectory of his character

1. the suit—inside

so we start off with the scene in the bar where logan appears to be wearing what we're used to seeing him wear. flannels, leather jackets. his outfit and even the setting is not at all unfamiliar for him. but, as we later find out, he was wearing the suit underneath all those layers the whole time.

during his talk with laura, he reveals that he wears the suit to remember those he'd lost, and as a reminder of what he'd done. he's had the suit on permanently for god knows how long, hidden under his clothes. at this point he bears the suit like a cross, suffering in silence under the guise of normalcy, yet sacrificing what's left of his identity by reducing himself to what the suit represents; by taking all the jabs and nasty looks people throw at him that he thinks he's too deserving of to combat.

2. the suit—outside

after wade pulls him out, he has the suit on display for quite a while. on one hand, it shows the fight that's in him now as a contrast to his passivity in his own world. on the other hand, it's also a sort of vulnerability: what that suit stands for and by extension what he himself is is now laid bare to the world. out in the open for people to question. maybe that fight that's in him now stems precisely from this vulnerability.

this vulnerability is both good and bad for him: it causes him to lash out at the questions from wade that he's not ready to answer. it also leads him to open up to laura and finally speak about what happened—who knows if he's ever said any of it out loud before. fun! even with just the suit, we're already seeing some development.

and THIS is where it gets interesting.

3. the white shirt—his mind

the first time we truly see him without the suit is when cassandra nova looks into his mind. i've been going back and forth on whether this is logan's own manifestation of himself or if it's cassandra's, and i still don't know. i think the distinction does matter, but in the end what it conveys is the same.

firstly, another layer of vulnerability again. he's already on his knees for cassandra, submissive—now in his mind he's also stripped as bare as he can be (i think we all know white shirts can sometimes leave little to the imagination). cassandra looks at him and says "you're hiding ... from all the ones you let down." how interesting is that?? if we go all the way back to the first scene, he hides his suit under normal clothes. and he hides this version of him in his mind even further underneath all of that.

secondly and as an extension of that point, white symbolises purity. cleanliness. even a promise of new beginnings. let's tackle this from the two possible perspectives.

if this is logan's manifestation of himself, it would be so intriguing that this is how he appears. maybe it means that despite it all, there's some good in him. maybe it means that deep, deep down, past all the shame and the guilt and the grief, there's still a part of his mind where he can just be.

on the other hand, the white could also symbolise a second chance—like i said, a promise of new beginnings. i made a post about this scene here, but the basic point is that cassandra is offering him something that no one else may ever be able to offer him. a chance to fully be himself, to silence the voices. the white is such a stunning visual representation of what she is saying logan could be if he stays with her. which makes it even more poignant that he doesn't.

4. the time ripper

after this scene, he's in the suit again, necessarily. but then! BUT THEN!!!!! the time ripper!!! y'all need to understand the significance of this scene in all its nuances FR! here you can look at his abs again:

but the thing is we know by now what the suit represents. all his failures, all his guilt, his inability to let go of his past. it represents him. isn't it just so fitting that it's at this point where he saves the fucking world that the suit breaks away. it breaks away from him. he's free. this not the same as him just taking it off, because with it breaking into pieces he literally cannot wear it anymore. this is not just a hugh jackman body appreciation, this is logan finally moving on. this is him realising that he is not a failure, that he is not his failures, that he has something else to live for.

5. him

and oh my god, we finally make it to the extremely satisfying ending. after all of that, we finally come full circle. he's in his normal clothes again, the wife beater and the flannel, except this time without anything underneath. he's no longer defined by that one incident, defined by his mistakes and the people he let down. he is just him.

[snoffart]

The kids of Gravity Falls!!

[matchingbatbites]

Steddie meet-cute where Steve is a queen/contestant on Drag Race and Eddie is the guy he has to give a drag makeover for a main challenge. The mini challenge winner gave Eddie to Steve in an attempt to sabotage him because their vibes are sooo different and doesn't think Steve will be able to make him look good.

Unfortunately for that person, Steve has a competitive streak a mile wide and is determined to come up with something that works for both of them. The two find a middle ground between Steve's pageant glam and Eddie's metal grunge by going with a more Gothic-style Old Hollywood vibe.

Eddie is surprisingly helpful with the costume part of the challenge - "I've been making my own RenFaire costumes for yeeeaaars," - even though he's about as graceful as a baby deer when Steve puts him in a pair of heels.

What's really surprising is that he and Eddie get on like a house on fire. When they're not talking about the challenge or giving shit to the other players in the room, they're completely absorbed in each other.

They learn that for all their differences, they have a lot in common too, including the fact that they're both LA transplants from Indiana, and they've lived only half an hour away from each other for the last two years.

Steve can already feel a crush on Eddie blossoming, but he's determined to keep his focus on the competition - at least, until Eddie asks if there's anyone waiting for Steve back home.

Steve tells Eddie about Robin, his best friend and sister he never had, and Eddie says "But no boyfriend?" Steve shakes his head. "No boyfriend."

"So if I asked to take you out after you win the crown?"

Oh. "Well, we won't know if I've won until the show airs, and that'll be months from now. But I'd be more than happy to go out with you once we finish filming."

Steve finishes out the challenge, not really caring if the cameras were peeping in on that little interaction - if he has his way, he and Eddie will be months into dating by the time it airs.

They don't win the main challenge, but the queen who tried to sabotage Steve ends up in the bottom, so he's not really mad about it, actually.

When they film the grand finale - with Steve still reeling over the fact that he actually made it to the final three - Steve is more than happy to point out Eddie sitting in the audience with Robin.

And then a few months later, Eddie is right beside him when it airs on TV, the loudest person in the bar when it's Steve's name that's officially announced as the winner.

[rad-batson]

*Bruce and 9yo Dick playing chess*

Dick: Okay, I'm gonna take your pointy, sad-faced guy for my horsey guy.

Bruce: Stop, stop. *pointing to Bishop* What is this piece called?

Dick: I call him Dwight.

[wigglybunfish]

What if i drew grown up Little Einsteins. If i drew Big Einsteins what then

[kugiscki]

i cannot wait for yor’s eventual backstory chapter because holy shit. if twilight’s was heartbreaking, yor’s might just send me into psychosis.

this whole idea of this young girl who is forced to grow up extremely fast and single handedly fill in the gaps her recently deceased parents left in her and her little brother’s lives. to drop out of school so she can take on dangerous jobs and ensure her brother is happy despite all the turmoil he’s faced. to have sacrificed everything she could’ve been to guarantee her brother always had a roof over his head, warm (although often inedible) food, and a bright future ahead of him.

then, for her to reach adulthood and feel all the work she did was for nothing because, in her peers eyes, she’s inadequate and bizarre. she doesn’t fit the societal expectations of a woman; she’s considered too masculine, too ditzy, too independent and a woman who doesn’t need nor want to rely on a man—all things looked down on by society at that time.

but then her inner conflicts are finally seen by loid who also had to grow up way too fast. and then she finds a family where she is accepted for who she is—shortcomings and all. and now it feels like everything she did to reach this point in her life finally has meaning: to give back to the next generation of kids what she did not have the luxury of receiving— a stable life without the constant threat of war looming over them.

in short… that chapter and its implications will destroy me.

[hopetilia]

crying again about just how much Daley must have loved Pat.

I mean, he named his son after him (pretty telling alone), he kept Pat's Christmas traditions down to quoting him (presumably) every year - and while he took Pat's role in lighting the pudding, he never used his seat - leaving it empty for yet another reminder of his dad.

I am 100% convinced that he's the one keeping the tradition of coming to the tree every year - like it's debateble how much Carol cared (but she must have, at least a little) but it's so clear to see that Daley loved his father dearly and misses him all the time

[eastofedean]

Dean, riding against the wind back to the sheep in the treacherous, drunken light, thought he'd never had such a good time, felt he could paw the white out of the moon.

[skywerse]

helping hands

[bidamonalbarn]

two little xmen sketches (two pookiebear #1 babyboys)