Marvel had their own Nightwing back in the day: Nightwing Restoration Services, Ltd. Misty Knight and Colleen Wing's detective agency together. And honestly: it's a clever name for a detective agency. They really had the perfect names for it. Also, i will admit to probably works as a ship name for the two of them. Nightwing sounds like the perfect ship name for those two, although you may need to make it clear you're not talking about the DC character.
Also, if we want to get petty: Marv Wolfman was Marvel's editor when Chris Claremont made the name of Nightwing Restoration Services, Ltd. So Marv Wolfman definitely stole the name for his Teen Titans series later. I don't blame him (it is a great name), but it's clear he probably did steal the name. And if he did, I find that funny.
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Does Genshin the game really care all that much about the morality of their characters?
Like a story is allowed to pick which elements it draws attention to in order to make the points it needs to make. So Scaramouche is granted an arc revolving around regretting his actions and admitting he’s done wrong, because his character is based on Buddhism and such story explores the concept of karma; while things like traveler committing genocide against the Tanit tribe and wiping out an entire clan in Inazuma is never questioned as the correct course of action, because the story doesn’t see any value in its moral dilemma —universally, this is not an acceptable thing to do, but the story had no points to make about it.
Fontaine so far is the most complicated nation in this aspect, where the story doesn’t bother all that much with the heavily charged morality (or lack there of) of life in the city, even though there’s so much that could be explored. For instance, something I keep complaining about because of the inspirations on Metropolis: the fact there are citizens living in the sewers and how ex convicts stay in the prison after completing their sentences due to the discrimination they face outside. Fontaine is highly unequal, yet the writing is not concerned with giving these aspects any more depth than an acknowledgement.
Perhaps as an audience we’re not meant to dwell on it, the story had other goals that it has achieved. But it also conveniently avoids placing responsibility or blame on the main and playable characters, specifically characters like Neuvillette and Furina who had been ruling the nation together. If we paid too much attention to these issues presented in the city, we’d start wondering why Neuvillette’s infinite compassion doesn’t extend to the children who play in the sewers and the prison. It’s almost like the writing intends us to observe these narratives in two different planes, divorced from the main storyline played by the main characters.
And that’s fine, I don’t personally mind suspending belief over something like this.
So I wonder if Arlecchino’s character will go a different route about the fact the orphanage is a child soldier factory. It seems she inherited it as part of the punishment for killing Cucrabena, and she takes care of the children in making them stronger to survive the harsh life they’ve been handed. It would be hypocritical, like the things I named earlier, to address Arlecchino’s moral dilemma without burning (heh) other main characters.
Because, first, why are there so many orphans in the nation where children are born by wishing at the fountain? In theory, there should not be this many unwanted children. Second, if there are this many orphaned children that the Fatui are taking advantage to fill their ranks with them, why hasn’t the government done something about it? Do they think it’s an appropriate measure, since the kids get a chance to survive and get extra criminal skills? Focalors’ plan relied on the machine accumulating power from the trials, so were the orphaned child soldiers the price to pay? Either by feeding the machine with criminals or by imprisoning their parents so they’d end up orphaned. There’s a lot of crime that goes unpunished in the city, for example, by individuals engaged in child trafficking, to the point characters like Wriothesley in his youth or Arlecchino take justice in their own hands. Nobody batted an eye to Cucrabena’s battle royale orphanage either. And the institute pays little attention to the freak accidents that kill workers.
So, at this point, is it really worth it for the writing to address the moral dilemma of Arlecchino’s orphanage without altering the perception of other characters like Neuvillette? It certainly could, and then just never mention how the entire system allows for it to happen, but me as the audience can’t say that I will care all that much. The writing has gone out of its way to downplay the buildup to her character, even adding new dialogues that exonerate her from what happened in the fortune slip quest in Inazuma, since that was the fault of the previous Knave. And the orphanage itself is a punishment imposed on her by the Fatui.
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every time I slightly modify something in my game files and suddenly it DOESN'T crash anymore just to crash five minutes later I just feel bullied
I long for the day someone really does find a definitive fix for it
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as an aroace person with limited sexual experience, no interest in watching porn, and poor sex ed as a teen, there IS something simultaneously funny and vaguely tragic about being 28 adult years old and realising how extremely tiny your frame of reference is for genitalia and deciding you should expand this to better understand bodies (yours and others). and then you're just there like "okay so what the fuck do I even google right now, anyway"
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Why would anybody read fanon when yours is an example of how cancerous it is 💀
anon did you think when i said "read fanon" i meant fan canon instead of... Frantz Fanon, author of The Wretched of the Earth?
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