#buttons everywhere

[separatist-apologist]

Scottish Cassian part 1 is finished and what I like about it is the ending lulls you into a false sense of "oh they're gonna be mature about things" and then ✨surprise✨

[lux-shitposts-light]

Wait till y’all find out about having everything wired to an auxiliary panel

born to use switches and knobs arranged in a cockpit, each one offering a tactile sensation as you flick it and the mech you're in lurches into action

forced to use touchscreens at your desk

[tipsywench]

Just a few recent photos of Imane Khelif that I thought were great :)

[horsemeatluvr23]

sashwammyvoid !!!! with alcohol marker and fineliners in my sketchbook :D i'm so so pleased w how this turned out n i had so much fun drawing all the little details

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.

[aimeedaisies]

Princess Anne visiting the International Sheep Dog Trials at Syde Farm in Biggar, Lanarkshire on 12th September 2024

[onebizarrekai]

hey guys. send me an ask or a dm if you need me to add shipping to your country when I open my shop; I'm making a list. bigcartel seems to make you add every single shipping fee manually per country and makes you do it individually for every product, so unfortunately trying to add as many as possible doesn't seem feasible. in the beginning, I think it'll be easier if I know which countries have people who are already interested in purchasing things, so let me know.

[kirkwallguy]

ok i complain a lot. but inquisition definitely has the worst loot system in any game ive ever played. none of the da games are great with it but dai is almost impressive with how bad it is

[inkbagel]

Apparently instagrams implementing AI into their platform, and only a lucky few can opt out of having their posts stolen, so guess I’m gonna be more active here from now on hi guys I like cartoons I’m currently fixated on ninjago and totk

I use she/xe/they and my user on instagram and YouTube is MilkBagel. Have fun keeping up with my bad upload schedule idk what I’m doing

[revvethasmythh]

you know, I don't think we talk enough about the most unhinged thing veth brenatto has ever done (wear jewelry made entirely out of buttons, from necklace to earrings to button encrusted bracers, while also having long hair that must inevitably get all caught up in them)

[butchladymaria]

[hellsuwus]

Doodles of my favorite tiefs 🥰🥰🥰

[atickleebelly]

Anyone need a tickle toy?

[windsweptinred]

....

[idliketochill]

How does his shirt work

[cecenyss]

super toxic that boy meets world is from the 90s. so hard to find fans now. but also if it was made today it would probably be horrible and so offensive in some way--which is. interesting. that i genuinely believe a tv show from the 90s is more progressive than some modern media.