#but I wanted to include as many people as possible

[fandomsandfeminism]

How would Ted Bundy do in a society which fully prioritized social services, restorative practices, prevention and treatment to the extent that all prisons have been closed? I dunno, man. But that's my point- neither do you, but you picked him because you think the answer is "he'd just keep killing people no matter what" and there's no evidence in the world I could present that would prove otherwise.

Look, there's two ways to think about this-

1. The practical. Full prison abolition is a long term aspiration. There are many many steps between where we are and that, and each one is better than the last. The second to last step would be 99.999% prison abolition with just 1 facility left to house those for whom nothing else stops them from being an active and ongoing threat to others. And even if you think THAT is the last actual realistic step, not 100%, you advocate for 100% for as long as you can because you want to make sure that anyone who can be helped IS. You advocate for 100% to make sure we don't stop at 99.98% if 99.99% is possible.

2. The theoretical.

I don't think any human is born evil. I don't think any human being is inherently so broken and so tainted and so foul that nothing in the world could ever help them. I think the only limitations are time and resources. And I think that whether or not that 100% abolition is ever practical given the limitations of human time and resources, it is something that philosophically it is important to hold onto.

Prison is dehumanizing. And the declaration that some people can only ever be dealt with no matter what except prison is dehumanizing. And once you cede that *some* people can and even should be treated that way- I think it allows us to be complacent with things we should not be complacent with.

It's very clear that we agree on most points of this issue. That the prison system only makes our society more violent and more dangerous. That it functions as legal slavery. That it is used as a weapon against already marginalized communities. That we need to get rid of it. Your hang up is on that last prison cell and the last person who you think deserves to be in it. But that's the thing about systems and rights- once you decide that prison is something that a person can deserve, then the powers that be get to decide which people that includes.

You think people used to argue that "we can't stop cutting off the hands of thieves- some people will never stop stealing unless you do." There are so many ways in which societies used to punish crime that we *no longer do.* we don't tar and feather people. People arent drawn and quartered. We don't stone people and whip people or lock them in pillories. The systems that replaced those punishments didn't *end crime*, but it did better society. Ask yourself why prisons couldn't be the same.

[almacambiondaughterofsaleos]

The First Two Seasons Should Have Been About Collecting As Many Guests To Prove The Hotel Could Work

Seriously, the hotel guests could have been characters developed from the early concepts including Mimzy, Baxter, Crymini, and even Villa. Sir Pentious and Cherri Bomb joined but it was muddled down by squishing in the heaven plot line that shouldn't have been there when we are not yet establishing characters. Seriously, by getting as much guests as possible you could work towards developing side characters we can come to enjoy and attach ourselves. They don't have to be the center of every episode but we can see them converse among the main cast and their fellow patrons so we can feel the hotel is thriving and might have a chance. Also we can have different characters try out the hotel for different motives than redemption like Mimzy using Al to hide her from loan sharks and she obliges. Cherri Bomb joining to be near to Angel Dust and gradually dropping her more toxic enabling traits to become a better person for his sake.

Seriously, there was so much potential in patron hunting yet it was thrown away to get too fast to the grand stuff. That would mean leave Lucifer for season three so that the heaven half can be used for later but be in the lingering background. I could see each patron coming in and having their own song that tells about themselves and their motives in life. I also would loved it to show how they got into hell and none of that I am a victim of society bs, but genuine things they did in life that condemned them and then realize over the series they need to improve themselves to become better people.

I am thinking they should make Villa a hellhound hellborn who joins because she could be a worker for Velvette and wants to get away from her. I think it could open the idea of Charlie also looking out for hellborns and could double the hotel as a refuge. And to emphasize the Crymini is a hyena and a sinner.

[cipheramnesia]

My hypothesis, untested as yet, is that when it comes to addressing disenfranchised people in the USA, and possibly similar countries, being targeted by a conservative and/or authoritarian government through laws or policiea designed to worsen the lives of said disenfranchised people, or place them into elevated danger, hypothetically I think any approach to addressing or redressing that situation needs to direct focus exclusively at the particular people who compose said conservative / authoritarian government.

My basis for this hypothesis is the oft mentioned but rarely applied idea that the members of a disenfranchised group shouldn't have to symbolically represent the entire group. Seeing as how no one single individual or collective can ever singularly represent all human experience, and as a general recognition that we do not want to be dragged down in puritanical politics or calvinist christofascist dogma, it behooves of to recognize that even people we do not like will be targeted by systemic oppression, and will not serve as the symbolic ideal of a disenfranchised community, and those people are not less deserving of an equitable life. That kind of idea, even if tending to be forgotten in the heat of the moment, is pretty solidly accepted theory.

So coming back, my hypothesis is an extension of this theory. Any of us as part of disenfranchised groups should reject the castigation of targets of the hegemony for their failure to meet our ideals, and focus those feelings on how to push back at the people who are implementing and enforcing the actions which target us and others like us. Unfortunately it will mean we all have to live with a lot of behavior from allies which we personally or collectively would like to see improved, because those improvements also offer long term benefits.

However, my hypothesis is that if the focus and direction of our actions remains unwaveringly directed away from our fellow targets of fascist or authoritarian or hegemonic violence and oppression, then we will find greater and better success overall than attempting to self-correct inward at every substandard element.

I think being vulnerable means being part of an unyielding wall that resolutely points action at the oppressors, and away from the oppressed, and that even includes the oppressed who don't act as part of the wall. To point to another theory of society, conservatives and authoritarians like to foment outrage at "free riders" who benefit from society while contributing nothing. However, as we also know, part of a functional society means that we must agree to carry free riders, because the benefits of a society are specifically intended this way. "Free riders" can also be the sick or elderly or poor or disabled, and society is meant to ensure those same people have the same equitable treatment and benefits as everyone else. It is established theory that we cannot cull some idealized human wheat from hypothetical human chaff. We never know and can't make that determination. Society must include all of us regardless of perceived contribution or it is not a functional society.

So my hypothesis is again an extension here, if no one disenfranchised individual or collective can be held as the ideal of the disenfranchised group, and also if we must accept that society supports all memembers with nothing witheld contigent on the member contributions, then i.y hypothesis we come back to having to support people who we feel have not supported us. Not as individuals, but collectively, as many overlapping and interlinked disenfranchised groups, it is our obligation to turn the response against the oppressors. And in the USA, especially now more than ever, we can easily find the specific conservative republicans who are most responsible and work at targeting them politically to resist their individual efforts collectively. As we select these individuals and focus on them, my hypothesis is that their reduced effectiveness or their elimination from power, will slow or restrict the larger authoritarian appartus operating in the USA generally. It will work but it means letting go of targets which are within easier reach because they are part of our collective network of disenfranchised groups.

There are many, many easy individuals who can be targets of collective action, people who push for our military budget, people who lobby against bodily autonomy, people who work against voting rights. They are a big machine but we out number the individuals who make up the parts. Somewhere near any and all of us is a far right republican working in a small part of the machine within our reach. Their position and purpose and politics are public knowledge. Any time you're mad at someone under attack by the conservative policies of the USA, turn that on the smallest and weakest republican in government you can find. Lobby against them, run against them, show up to their meetings or office and waste their time, call their constituents to make them angry about their republican representation. Do any little thing that acts outward. They're not all untouchable capital hill politicians who can ignore their unhappy majorities, but those untouchable people at the top can't get anything done without the little goobers at the bottom.

My hypothesis is that if we take all the energy we direct inward and point it at the easiest republican targets in the USA, we end up showing we can win, and making every next republican in line a weaker and easier target.

[lipstickchainsaw]

Act 3 mostly left behind the elements of the show that I was most interested in, and had the most to say about, but I do want to talk about episode 7, which was fucking gorgeous and extremely well done.

I've seen people say that the good timeline Ekko and Heimerdinger find themselves in is the result of Vi dying, as if this timeline is a Wonderful Life view to paint Vi as the 'real' jinx, but I don't think this makes sense (for one, I don't think this episode gives us a new perspective on Vi, and Vi isn't the one seeing this, so it isn't giving her a new perspective on herself, either).

No, the point of Ekko's half of this episode is to give him a new perspective on Jinx, by showing him who Powder could have been. Last season, he was the most prominent person to argue that Powder was dead, and that only Jinx remained within the girl he was once friends with. This is not an unreasonable position for him to hold, given that she's killed a bunch of his friends in the Firelights over the course of his resistance to Silco's regime.

But this girl he meets here is not Jinx, and when he sees her, he initially reacts with the same hostility he would to the one from his timeline. Even when he figures out that he's in a different timeline, he isn't able to get over that, to stop projecting the image of Jinx onto this young woman who's done nothing wrong and suddenly sees her boyfriend acting so cold and distant to her.

This culminates in him asking the (really insensitive regardless) question of whether she was the reason Vi died. He has so internalised the view of Powder as Jinx/as a jinx that anything having gone wrong must have been her.

But she shoots back that, really, that's on him way more than it is on her. It's downplayed in season 1, but Ekko is the one behind the inciting incident of the show. To wit, he rips Jayce off, charging him double for the stuff he's buying, and then sends his friends to rob the guy's place, little rascal that he is. It was a fun little prank for a kid to play on some rich idiot who could just bounce back from that anyway, right?

And then everything went horribly wrong! Ekko lost his mentor, his closest friends, one of whom came back different, as his home was turned into a twisted parody of itself, and he had to find himself a sanctuary from which to launch a resistance movement.

We're naturally drawn to compare this Powder and our Jinx, but I think the subtler difference here is between the two Ekkos. It doesn't get a ton of emphasis, but we see from the way the people around him respond to him that this Ekko was very different, too. He hasn't had to grow up way too fast, and take up way too many responsibilities for someone his age. He hasn't become as angry as the Ekko we know, hasn't had cause to rage against the many injustices of a system stacked against him on both sides.

This Ekko is a relaxed, content, brilliant and recognised for it, genius little inventor, with a beautiful girlfriend who loves and supports him in his endeavours, and a wider family looking out for him to prepare him to step into a wider world of great possibility.

The way he conceptualises himself, as a resistance leader, a fighter and a protector, a boy saviour, he isn't ontologically any of these things. He isn't condemned by fate to step into those roles, doesn't become them out of some innate characteristics he just has. He is that way because circumstances forced him to become that.

And the same is true for Powder, for Jinx. She isn't inherently a jinx, regardless of what anyone including she herself may believe. She isn't the manifestation of misfortune for all, and he knows this. When he took her down in S1e7, and Jinx showed the suicidal Powder inside of her, he recognised this, and it's what stopped him from killing her then (even if she tried to blow him up.)

Even in that episode, she confronts him about this, calling him 'the boy saviour' in a tone that's halfway to an accusation. 'Why didn't you save me?' is what she halfway chokes out, where was her saviour (much in the same tone she'd use for herself when announcing herself as 'your big fat hero', because she wasn't able to believe in that concept either)?

Neither of them was able to address the matter then, because Ekko was still reasonably upset about the people she killed, and Jinx was dealing with a lot of complicated feelings she was expressing with violence, but it's his time here, with this Powder that gets him to reconsider.

'I've never seen you give up on anything,' and all that.

It helps that he meets a different Jinx who is, with some effort, willing to let herself be saved without trying to kill the person saving her.

(And not to be too down on our Jinx, Vi's death clearly hit this Powder hard, and she never quite built up the confidence to pursue her own ideas as a result.)

[sufferu]

Bravo to you for choosing not to let Rem be forgiven so easily. Honestly I've never been a big fan of Rem as a character, sometimes her endless pandering and obsession with subaru just really annoys me instead, and I've never understood people looking at her doing all that and then saying “Wow that's so hot I'm so jealous of Subaru!”

As for the ones who want her deeds to be easily forgiven by everyone, my personal guess is that they all only care about her body and the unheathy way she forces herself to act like the perfect waifu just for Subaru's sake, but subconsciously they can't stand the shit she did either, so they secretly want their favorite waifu to be a perfect being without flaws. But to me, isn't it essential to love a character and accept their flaws as well? They did wrong things, but there's no doubt THEY did them anyway, and that is part of what makes them who they are. Another thing is that forgiveness has to be earned, we're not cruel, coldhearted, or closeminded for not forgiving someone who hurts us. So I too agree with that anon who thinks WHDAA cast need to to beat some sense into Subaru on way too forgiving and tolerating the people who have hurt/killed him.

But now that you've decided to do that, beware of those rabid Rem stans coming after you and I'm worried that their harassment goes overboard and affects your personal life

I will say — I believe that Rem and Subaru’s canon dynamic is one of the most intriguing and multifaceted dynamics in the entire series. Their parallels regarding their insecurities and family members, their mutually codependent tendencies, the way they run the risk of becoming each other’s perfect enablers, the genuine sense of love and affection that runs parallel to the unintentional toxicity fostered within their relationship — it’s all really interesting stuff. In fact, exploring their dynamic through the lens of outsiders (including amnesiac!Rem) finally getting to peer under the hood is one of the main reasons I wanted to write a react fic at all.

As for why people like her — honestly, I think it’s kinda easy to guess? She’s a very cutely designed anime girl, she’s incredibly well-voiced, her insecurities are genuinely relatable, she’s got a super awesome oni power-up transformation, her morning star lends itself to some of the best choreographed action scenes in the series (or at least Season 1), she appeals to the whole “submissive maid” aesthetic that she knows Subaru finds attractive (and that also appeals to the target demographic of Re:Zero specifically, let’s be real here) — and frankly, there are so many scenes in anime where characters we’re supposed to like do fucked up shit that it’s not difficult to just…gloss over the whole “tortured the mc for several hours” part of her character. It’s understandable, especially if you’re not an insane person who spends all their time hyperanalyzing the anime they’re a fan of like I am. I don’t think it’s really that far of a leap for her to develop such a massive following, she was basically designed to be as popular an anime waifu as physically possible.

But then, that clash can become…a little uncomfortable if you’re writing a story where “Rem tortures Subaru” is a major plotpoint, and if you don’t want to reevaluate their entire relationship, it makes sense to find a way to just — get the characters to move along, much like a lot of the irl audience does.

But I really like toxic characters and angst and complicated relationships and all that fun stuff, so that’s what I’m gonna focus on. —Also Rem is WORSE in the LN. Girl starts fantasizing about whisking Subaru away while he’s practically comatose from shock (second Arc 3 loop) and then also makes a comment like “even if he had tried to assault her in her sleep, she knew she never would have resisted” like GIRL??? The idea of not tapping that insane well of potential drama is ludicrous to me lmaoo— especially because I really don’t care about maintaining the status quo ;)

(Also frankly, anyone who would start seriously harassing me over whether or not I share their opinion about a fucking anime girl is too pathetic for me to care about. I honestly don’t think I’ll get that big of a response — especially not on Tumblr “Gay Website” Dot Com — but even if I do…I don’t care, lmao.)

[librarycards]

Jenny Odell: I sometimes feel that in an individualistic culture, people get freaked out by the idea of being tied down or responsible for anything. Thinking about a gift economy, they might say, “I want the gift part but not the accountability part.” Lately, I’ve been volunteering in this native plant restoration group, and one of the most surprising parts has been how enlivening it is to help keep something else alive (I’ve never had a garden before). Sometimes I truly can’t tell whether I’m giving or getting. What are some ways that you see participation in a gift economy changing the participant’s sense of herself and her place in a network? In other words, is participation itself part of the gift?

RK: Yes. Exactly. Participation is part of the gift, where giving and getting meld into one another. A garden teaches you that every day. Gifts and responsibilities are always coupled to each other.

Of course, you’re right that given our hyper-individualistic culture, many people are not eager to embrace responsibility. Its often confounded, I think with the notion of “obligation”. Obligation feels to me like an involuntary demand on our time and energy, imposed from outside without the assurance that you’ll benefit in return. I’m sometimes reluctant about that, too. But, responsibility is an invitation to respond to need, an opening to reciprocity in which the benefits flow both ways. The benefits of participation in a gift economy are not only flowing to the gift recipient but the giver as well. Working on your restoration project, or any other gift exchange strengthens your own sense of agency, doesn’t it? It awakens care and compassion, builds relationship and nurtures your own identity as a person of capacity, of having enough abundance in your life that you can share it. I think it contributes to a sense of purpose, which we know is good medicine. It reminds you that you matter, that you’re part of something. That’s a big reward.

I find that some of the times that I feel most fully alive are in experiences of shared physical work in community with others. Like an old-time husking bee or shared planting. We’ve lost so many of the opportunities for that and gift economies provide the opportunity to work in common, to satisfy the need for belonging. And when that work is on the land and the benefits flow into our neighborhood of many species, the benefits are multiplied beyond the boundaries of ourselves.

JO: There is a really beautiful analogy you draw between the economy of nature and the human gift economy. Asking what in the gift economy functions as the “sun”–the constantly replenishing source of energy–you speculate: “Maybe it is love.” Reading this, it occurred to me how love is in essence a surplus, the force that gets things going. Could you speak more to the emotional and practical role that things like love and gratitude play in a gift economy? And how do they change the way we see “resources”?

RK: The fundamental currency of a gift economy, is relationship, not money. I suppose it’s what some people call “social capital”, but I’m not fond of that term. Participation in a gift economy could create a whole continuum of relationships, from the warmth of being cared for or an expanded sense of justice to just plain neighborliness. This can create a sense of security because mutual reliance grows from gift exchange. There is a sense of satisfaction in being able to give, and a sense of kinship in being able to receive, when we share the mutual acknowledgment of human vulnerability. For me, that continuum of relationships includes the possibility of a currency of love and gratitude that motivates the gift exchange, which is the source of the flow, between people and between people and the earth as well.

Gift-giving is a way of saying “I see you.” I see what you need and I see what I have to share. My well-being is tied to yours and yours to mine. It develops a trust that when I am in need, there will be abundance shared with me. The giver and the recipient are honored at the same time. That seems a lot like love to me.

Robin Wall Kimmerer, interviewed by Jenny Odell, Gift Thinking. [emphasis added]

[revvethasmythh]

So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?

I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.

[communist-hatsunemiku]

Ok I genuinely did not want to make this post. I've drafted many like it, but didn't post them because I didn't want to deal with a bunch of people freaking out.

But this shit has gotten so ridiculous and stupid.

You've seen newer watermarks that look like this. Repost is prohibited, do not use for AI blah blah blah. This one specifically made me want to write this post. It's the addition of "do not repost to other sites" that stuck out to me. This type of thinking around art and media generally is incredibly bad and dangerous, in a world where lost media is a real and increasing phenomenon, this "movement" among digital artists to try and limit how and where their work is distributed on the internet is short-sighted and asinine.

I understand not wanting your work used without your consent, I understand not wanting people to profit off of your work without you involved. I truly am writing this post from a place of good faith for artists because they do so much for me in terms of creating Miku art. Miku art is fully my bread and butter on this blog, it's why I run it! I am not wanting to come off as dismissive of people's desire to not be exploited for their art work. I fully believe that the moral panic surrounding AI has brought all these concerns about reposting and "stolen" art to a head and I think these watermarks are a result of that.

That being said, I just cannot abide by these "do not repost" watermarks anymore. If we actually followed this logic to it's end point, the internet would be a bleak, lifeless place where everything is behind paywalls and you can't even save images to your harddrive, or even screenshot things! The art world would shrink and shrivel, and all of our lives would be less rich for it. We are all already so starved for genuine human connection and expression and this "do not repost" shit is antithetical to that. This even applies to the trend of asking for permission to repost a piece of artwork. I think it's a nice sentiment and shows someone is operating in good faith, but ultimately is misguided. If you are going through the effort of asking permission, you are also going to be providing sources and links on the actual repost. Someone unconcerned with permission, watermarks, or even providing a source, is not going to give a shit you said "DO NOT REPOST".

I think there is more to say about all of this, and I'm not addressing the AI concern here, I want to keep this post relatively short. I want the takeaway to be that we all need to stop and ask ourselves what exactly do we want the internet to be like. Because this mindset I'm seeing now sucks shit, for artists and their supporters alike.

Going forward, I am going to change how I format the art posts I make. To make the artist's social media more prominent, and include more than one link if possible.

[purrple-sectors]

I had this post on my drafts for months ngl and I think with everything that's happening (and to not let it rot on the drafts) it should be shared

----

With the Lando hate train going on, and many other hate trains, I feel like there's some things that need to be said related to fandom and hate culture in general, this is not only about Lando and it applies to any driver

It's very valid to dislike, lose respect, and/or hate a driver to some degree, but death wishes, including wishing for a serious crash and general hate speech is NOT OKAY in any way

There's some very valid stuff to hate about a driver, but not all things they do are valid to hate, for instance many of their actions are reasonable and not properly wrong, I'm talking for example about when they complain on the radio when they're genuinely struggling with the car

It's okay for people to like a driver you dislike and it's okay for people to dislike a driver you like, don't harass fans for having opinions different than yours

Refrain from using isolated quotes or sentences from drivers to base all your mindless hating but also defending, context matters like the question they were answering, what they said before and/or after, try to understand the situation in a wilder angle before making assumptions and spreading misinformation

Avoid generalising actions, the drivers are human beings, and humans are very complex, only bc they did/said something shitty once, that doesn't mean all they do is always with malicious intent

I know we are on a time where media impressions are so absolutely central that it's normal to question the motives behind some statements, but that's doesn't mean they are all done with manipulative intent, yes we can never be sure but that also means that we aren't sure if it was truly a pr manipulative move

Try to not claim that you know for sure the true intentions of a driver when its not disclosed and the comment/action itself is very dubious and/or not very serious, you can guess it but you shouldn't go around saying that what you think is the factual truth, you don't know them personally and what is going on on their heads, a comment you may feel like it was made with ill intent, could have been done very innocently and naively. I'm not saying that it always happens however at least try to consider that it may be a possibility

Don't go overanalysing and dissecting a driver's every action and words with the purpose of only finding things to hate on them, not only is quite disrespectful it's frankly borderline obsessive and creepy

If you want to truly hate, there's specific places where you can do it, but don't let it bled to spaces like Twitter and Instagram comments, places where most drivers (like Lando) are very present and can see not only the hate directed to them but also the hate directed to other drivers. This also include spaces where drivers' close ones can see the hate, mentioning in particular Max F's twitch chat.

But be aware that if you're hating/speaking ill about a driver on a social media platform there may be people that can get uncomfortable with it and block you as they should. DO NOT make it personal or weoponize it, they have every right to block you if they feel uncomfortable and dont want to see your content

Lasty if you ever feel like your mental health is in stake bc of f1, turn it off and give it a break, your mental health shouldn't dependent on some drivers that don't even know you, its okay to feel this way but it's imo unfair to blame on a driver for their performance when theyre simply doing their job and doing their best

On a final note all the drivers have done something shitty and/or had shitty attitudes at some point but many people are clouded by judgement and mindless hate some drivers without acknowledging (and refusing to) that their faves also did things wrong, please avoid doing this, not only its very hypocritical but its quite a dangerous mentality of "My fave cant do any wrong" that can easily be translated to day to day life, try to be critical on serious situations, and hold ALL drivers accountable for things they said/done, not just the ones you personally feel to! You will come across as quite hypocritical if you just select a few drivers and not hold anything accountable to others (especially if they're your faves) and in the long run is not a very good look

To sum up just practice basic human decency, this is mostly my take of view so take it with a grain of salt if it pleases you so. This applies to any driver and I'll add more if I find other things to say. To any new fans out there the only thing I ask you is to try to educate yourself before jumping into any hate train, give yourself a chance to form an opinion and then see which part or side of the community you relate most, don't let others dictate your opinion.

[she-is-27-i-checked]

I come to you, oh High Priest of Horny Sunday, with a puzzle I’m stuck on. I say this with love and affection for all and a desire to keep everyone feeling welcome and horny on our most holy day. It’s awesome that so many people have loving wives to brag about in detail…. But for those of us who don’t, it’s kind of a bummer? And becomes a little “Ah this is for people who currently have partners, not me. I am embarrassed and sad I can’t participate equally and disappointed in myself that their fun makes me feel bad.”

Putting our heads together, is there some tag or something to sort this so everyone can continue to have fun, including feeling welcome and joyous in their wife-bragging? There’s not an easy answer here and the last thing I want to do is quash anyone’s Holy Horny! But maybe I’ll be taking a step back otherwise.

Hi anon,

Firstly, thank you for coming to me about this. I love this little community and the last thing I would ever want to do is cause someone to leave it with my silliness - so I am very motivated to reach a solution here, even if that solution ends up being me shutting up a bit.

Secondly, it seems like this is the kind of issue which is going to require a little back and forth to reach a solution, so if you are comfortable doing so please do slide into my DMs and we can chat about which content in particular gives you The Sads ™️ and which you still want to see. I assume blocking the entire #📯💒 tag is not what you want here? (If you want to talk to someone objectively nicer than me hit up @modestflamboyance or @jamie-clayton and talk it out with them. I will enact whatever you guys agree to 🫡)

Perhaps it's simply a matter of consolidating our #wifeposting #wifeguy #mrs27 tags into something we all use to denote such content? Or do we need to separate generic wife stuff from horny wife stuff?

With regards to the questions and polls and such, believe it or not we do put a fair amount of thought and discussion into making them as inclusive as possible - albeit the "we" I'm talking about is 3 people married to women so perhaps we could use your input with that?

Anyone please feel free to hop into the notes of this post if you've got any ideas or if you've got your own concerns we could work out together as well...

With love and appreciation to the wholes Rizzles fam, who have made me so so happy since I found you.

- your devoted court jester 🃏, 27.

❤️🧡💛💚💙💜

[buckets-and-trees]

UM, HOW FUN WAS GETTING TO LIVE THROUGH THE DOCUMENTATION OF YOUR REACTIONS TO THIS CHAPTER?!

Thank you for taking me on that journey with you! 🥹

When I had this idea, it was all about Steve and reader. When I started writing it, I realized there would have to be other characters in their orbit constantly, and that's been kind of a fun challenge. I rarely care about shaping the ensemble - at least not with this much of a focus - but it's so many layers of story elements! Campaign team/barely any time to ever be alone, let alone alone time with each other. Campaign team in relation to the reader getting to know people - and some of them know about the arrangement, but most don't, and how that plays into things. Plus how they act toward each other around other people. I'm glad they're parts of the story that are standing out rather than just feeling like we're getting through them to get to a plot point.

And the kisses! Can you believe that wasn't even my original intent with including that scene? 🤣 It was getting Steve to do a TikTok/build up his feeling like the campaign is so showy + reader having another regular moment with Bucky and Sam, and then when I was in the middle of it, I was like, 'oh, wait... this is perfect...' Especially a dramatic kiss and then something more real. 🥹

And the debate prep scene was one that I've really been waiting to get to because it - again - was doing so much for me in terms of the plot development for them. Reader going after Steve instead of Bucky or Sam, Steve being pushed, Steve somewhat losing it, Steve saying some really poignant pieces, and Reader recognizing his frustrations and soothing that a little bit, but also calling him on stepping up and not falling into blaming others because he has to harness that ability (and logistically his right by his role) to captain this ship.

...

And then Josh Connor.

Okay, first, I didn't remember that I named that reporter Andy so I dom't think it's in relation to Andy Barber... (truthfully, I was thinking about a possible Andy x Reader in relation to this campaign, so... I think I was just picking a normal name)

And then Josh.

👀

I won't answer ALL your questions there because... I think you don't TRULY want to be spoiled, plus so much of it will be answered at the beginning of the next part. But I will say that of course Pepper knew.

And because I managed a diabolical mention that went under the radar...

I wanted to leave the tiniest breadcrumbs so that when we got here, it would likely be a 99% shock, but something I knew we were moving toward the whole time. MWAHAHAHAHA!

DON'T REVOKE OUR MARRIAGE LICENSE! I think the way things will unfold will be acceptable. No one will need to sharpen any knives, but there might be some wringing of hands because it's not nothing obviously.

Love you endlessly, and appreciate all your sharing here! 🩵

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: coming 11/29

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

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[istharoth]

In love with a 2-D Character?! Mortkranken Edition!

Blurb: In which you are a character in a popular game the Tokyo debunker boys are coincidentally in love with.

↪ Yuri Isami:

Boy oh boy, he does not play games but it's a game which includes anomalies? Something his occult (in this AU) self is intrigued by? He's definitely picking up the game

Obviously, at first glance he knows you're a great doctor, just like him, so he selects you.

You like Classical Music too? Hello?! He's longing for the day you become real because you're everything he needs.

Someone he can speak to on an intellectual level (and possibly learn from?) he's not going to let that chance go!

He also probably likes Jin's favourite character but you dislike them. So what? He likes them so that doesn't matter. (though he's a bit curious to know about the animosity)

He's the kind of person who would slowly change his habits into yours

Oh, that brief mention of your coffee/tea order? Yeah, that's his daily drink now.

Oh you like chemistry? Guess you and him have chemistry *wink wonk*

Isn't big on merch I feel but also gives collector vibes.

Let's go with the latter, he's a collector. Merch? He's going to get it.

He likely started the game later, so he missed out on some official merch. He's looking everywhere for that limited merch

HE NEEDS TO GET HIS HANDS ON THEM

If not, you'd be disappointed, and he'd be disappointed.

Intensely in love with you, definitely has a shrine of you.

Was squealing when you and he held hands. HELLO?! BEFORE MARRIAGE?!?

Has mediocre luck overall but calculates how much he needs to get you and efficiently gets you. (by not pulling on other character banners)

He's trying to get your SR maxed out, also will not listen to people who say a certain set is better for you. No. whatever goes with your colour scheme is best for you.

↪ Jiro Kirisaki:

Does not play games. Even if he does, forgets to log in.

Very easygoing, and likely doesn't have the story completed but feeds on fan stuff.

I feel like he wouldn't like the entire nurse x doctor thing in fics because it reminds him too much of his own job and he wants to relax. (To all the doctors and nurses out there, we appreciate you in this household.)

Coffee shop AU? Possible. "And they were roommates?" Maybe. College AU where you both have different majors but come across each other one too many times and have the same friend group but you're intensely awkward around him? YES. (but that's my preference)

Selects you as his first choice!! YEAH and pulls on all the banners cause he literally couldn't care who he gets.

*Cue SSR* "...okay, anyway." *does a 10 pull on the other banner*

Goes to cons only to come home with a thousand less bucks than he started with.

Generally likes your voice, and has a playlist of the songs your voice actor has covered. He's hoping they can cover some of his favourite songs.

You know that one Turning Red scene where the MC is drawing herself and that guy at the store? YEAH. THAT'S HIM.

Except his yume is faceless, and he doesn't post any of it online.

Definitely respects you, even if you're just a character in a game. Also! Has a fan account, but he rarely ever uses it. It's just there to retweet fanart of you + official pictures cause he loves you.

Prev [Obscuary] [Case Closed]

[habijob]

Soooo, Sebastian’s marriage lore has been ping ponging in my head like the pecking DVD logo for the last week.

And the reason being that when looking at it, it does not come with any explanation whatsoever. Which seemed to have resulted in many people getting... let’s call it “overworked” over it.

Including me.

But not because of the related discourse... drama(?) on the official pressure discord.

No, it’s been on my mind for the last week, because the inclusion of this lore doesn’t make sense... yet.

Pressure is stated to be in alpha. And the devs are working on adding more content to it; so any new lore surrounding our favorite pool noodle fish can happen to come across as “incomplete”.

Because it is *incomplete*.

And the marriage lore is this exact thing. It was added for reasons during the friendly fire update I don't want to pin point down, because I want to avoid talking about the drama itself and just want to talk about the ring and the photo.

So, what do I mean by it feels "incomplete". Well, it lacks an explanation how Sebastian got into the possession of these *personal items*.

"But Habi, why aren't you questioning then anything else on his design? From where did he got his clothes?"

I dunno. Maybe these clothes are his personal belongings. Maybe Urbanshade had allowed him to have "free time clothes". Or maybe these clothes were something he found within Urbanshade after he caused the lockdown. Idk, maybe there an entire pecking area for prisoner theater and he got the outfit from a chest with costumes in it. Maybe his pecking jabat shirt thing was part of a pirate costume. Or that green dude that is apparently part of the canon narrative gave him these clothes. Who knows, but it doesn't matter, because these clothes can be seen as not personal belongings.

However a wedding ring and a photo of his wife are personal belongings. And considering Urbanshade seems to be a horrible, horrible company according to the "discord lore", so I have to wonder how Sebastian was able to get these two items (back?) during the lockdown.

And because this bugs me so much, my brain has spent the last couple of days figuring out ideas, on how to answer these questions. So that this marriage lore doesn't feel "weirdly ducttaped on" anymore.

Question 1: "How did the photo and the wedding ring end up in Urbanshade in the first place?"

-> Well, according to a (rather sparingly) google search, death row inmates are allowed to have small amounts of personal belongings.

So, Sebastian could have possessed the photo and ring since he was sentenced to death. And then when Urbanshade scooped him up, he simply took these two items with him.

Like, here's an idea, this guy maybe didn't even know he was getting declared dead by Urbanshade, after he was tranfered over to Hadal Blacksite. So, he always believed that his family and his wife think he's still alive, but well, somewhere else entirely. Not knowing, that they got told he was dead.

Only later learning that he was declared dead by Urbanshade BUT also declared innocent by the authorities, once he had gotten his file into his fingers uh claws?

Question 1.5: "Wait, but isn't his wife also in Hadal Blacksite, if we consider that in that one ref sheet she seems to have void mass tentacles?"

-> She is currently not in the game as an entity or NPC or whatever. Therefore, we are gonna ignore her existence for the sake of keeping this simpler.

Question 2: "What happened to the ring and photo when they were in Urbanshade? Did Sebastian have them the entire time or not?? Because he didn't have the ring and photo before the Friendly Fire update"

-> Well, there are multiple possibilties to this one. The first idea is yes, Sebastian was able to have them the entire time, and that he didn't wear the ring or have the photo with him can simply be explained as "game's still in development".

Another possibility is that some asshole working at Urbanshade took these two things from him. Maybe a guard or a scientist, because they saw Sebastian with these items, and thought that this death-sentenced, 9-people-murderer LR-P doesn't deserve these items.

And so they disappeared.

Question 2.5: "If someone took them, then how did Sebastian find them??"

-> He simply stumbled upon them during his scavanging through the facility. Like, he probably didn't even actively look for them, because he was just trying to find useful stuff, but then he found these very important items to him.

Question 3: "The ring doesn't make sense. His hands and therefore fingers are larger than normal, how can he have such a large ring."

-> I actually attempted to explain this (and the previous question) with a comic of mine. The simple answer is, he probably made himself a new ring, so that he can wear this symbol of his marriage and find comfort in thinking about his wife.

Question 4: "But shouldn't Sebastian maybe realize that his wife could have moved on? It's been 12 years."

-> This man is running on various things like stress, anxiety, adrenaline, low sleep, and what else you can slap into this poor man during a lockdown that he caused, because he wants to break out. So him being very hopeful about his wife is probably one of the only comforts he currently is able to have. Let him have that.

-> Second answer though, now not ignoring his wife anymore. She is probably just somewhere around in the facility, working together with Sebastian, or Sebastian is working on getting her free from wherever she is contained. Who knows? (Well actually, Zerum does, but we don't. Which is why everything here is my speculations.)

But anyway, now the ring and the photo can make sense, and I can hopefully move to being crazy about other stuff related to him.

Late edit; bonus question:

Question 5: "Okay, let's pretend Zerum is in the facility. How the peck did she end up in the facility too?"

-> Perhaps the photo was the reason. Urbanshade knew this is his wife, and when Sebastian became more hard to deal with, they would threaten him with his wife. Eventuall leading to them bringing her down to Hadal Blacksite (somehow).

And then experiments on her ensued ú_ù

[antibioware]

I will say its funny to see how many people, INCLUDING THE SHOW ITSELF, justified all of Caitlyn's actions as "but Ambessa manipulated her 🥺🥺" as if she wasn't already deumanizing zaunites all on her own and hadn't pushed Vi into becoming an enforcer by weaponizing her guilt for the death of Cait's mother and as if she hadn't decided to gas half of Zaun with a pretense of protecting the citizens. Like a cop is a cop after all. If they wanted to give her a ""redemption arc"" away from police state and fascism, they should've SHOWED it beyond just saying she knows she did bad. So much possible interesting political implications and character development cut off from the show to make space for more and more and more plotlines rather than just. Taking the time to digest anything.

This without even touching the fact that Vi this season got so little in terms of development/screentime/self reflection. She's barely a shadow of herself from season 1. What was the point of her underground boxer bender? It brought nothing. It got solved in less than an episode. Are we ever gonna acknowledge that she almost killed her own sister because she thought it was the "right thing"? Her reunion with Jinx in act 2 feels too damn rushed. Is her ending up with Cait at the end a happy ending, or is it just to show that she literally has nothing else left and she's reduced to being with someone that betrayed her trust and expectations multiple times, without it ever being properly addressed?

Ironically, the lesbo shit was better handled in the season where they didn't even kiss.

[freewilllife]

It's more that it was the safest option that led to no deaths than about rejection.

If it was never an option to begin with, it is ridiculous to blame him in the first place. This should be at least obvious to Yona, especially since it was her father that directly told her that he would never let her marry Soo Won.

All 3 of them think he is selfish, Su-Won included.

This is even more hilarious. You know, I actually analyze a story by what is given in the texte and story and not by mere words of characters. Especially characters that harbor a grudge against him...

And both contradict themselves pretty easily.

Yona had even to admit, that he did not become king for selfish reasons.

Hak is even admitting that he would be not able to sacrifice for the country...and telling this to Soo Won = admitting that Soo Won sacrificed much for it.

In fact, he is one of the most selfless people in the entire manga.

Not even his revenge happened, because he just wanted to avenge his father.

=> In fact, he even gave King Il a chance to demonstrate that he was right. King Il however wished to play martyr.

=> Soo Won killed a person that hurt him in the deepest way possible...taking one of his parents away, while feeling 0 empathy for the child that he clearly completely abandonned.

=> Soo Won obviously also did it, because he wished for Kouka to survive.

2. Soo Won has always struggled to fulfilll the desires and wishes of other people...

Yona has started to like Soo Won, because he cared for her "like a mother"...or tried so as a 9 year old boy.

Heck, he even dreamt of sacrificing himself for his father.

=> The pic with little Soo Won and the big crown demonstrates greatly, that Soo Won became the hope for a bunch of adults, that should have protected him...

a) His mother leant on her son instead of caring for the boy who just has lost his father

b) the followers of Yu hon and Keishuk considered him the next messiah/ Yu hon´s double.

Later Hak projected on Soo Won his desire for a just king...

Geuntae saw in Soo Won the shadow of Yu hon.

Soo Won has become an illusion and image for so many people, that I honestly don´t care anymore, what they say about him. The texte, the story speaks a different language.

3. In his quest to become a good king, Soo Won completely surpressed his personal feelings.

It is mentioned by Zeno that Soo Won surpresses his feelings, Min Soo also takes notice of this and Lily, also notes that he doesn´t lose himself in personal, selfish desires.

4. Choosing Yona was most likely the less selfish act, he could have done...

Soo Won hates Hiryuu, harbours a great deal of negative feelings for the person that is responsible for his misery and still, he understood that Yona might be the only one that has a great deal of influence on fate.

En plus, he also understood that Yona is part of the already established tribe leading the country. If he had chosen a person from another tribe, this might have created strife among the tribes that don´t get along well.

Yona also has the same "problem" as him as people project greatness on her...which could be used for her becoming queen.

Once again, Yona´s remark of Soo Won "being selfish" is funny, if you consider that she condanmed a great deal of people for her "found family".

Ever since Su-Won made the decision to make Yona the queen and Yona heard of it from Hak instead of him, I've been quite curious about what they'll say to one another when they finally meet face to face again. I don't know, I feel like that encounter just going to be different from all the others, intense. Because both have acknowledged her as his equal, just not directly to one another yet.

First there’s a political side. Whether Yona wants the throne, whether Su-Won really wants to pass it down. There is also the emotional side.

Yona remained calm (though disgusted) when she commented that Su-Won was selfish, but that was still from a distance. Which is why I can't shake the thought that Yona could be absolutely livid if Su-Won actually manages to enter the chalice (especially if it's with some intention to "save" Yona and "sacrifice" himself like some fear).

If it happens, can we get a scene where she slaps his face? Tells him to snap the fuck out of it? Stop making all these selfish decisions for her? To not put her on a pedestal and be so suicidal all of a sudden? That she's not a damsel in distress who needs saving, that she'll find a way to make the dragon gods to understand? Because such a scene will actually be a good subversion of expectations. Kusanagi has done it before, so this would be a great opportunity.

I mean Yona's already said it in her mind. "Don't you dare die as you please. Rely on those around you." She even said it to Hyu-ri. She just has to actually say those words to Su-Won himself.

Yona did disappoint me in the recent chapter because she became quite literally a damsel in distress (how else are we supposed to describe her in that scene), but a hypothetical scene like this would make up for it. It would return her agency. And honestly I've been dying to see a scene where Yona just lets all the resentment out instead of constantly suppressing it for the country or because she wants to be the better person. The dragon gods said she was also selfish, so let's see that side show a bit more.

[57sfinest]

calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.

in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.

but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 

and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.