#but yeah. theyre up now (most of them) so.

[mohntilyet]

not to mention the entire antaam fleet like 😭 that was the PERFECT moment to show off what the lords could do!!! The antaam fucked over rivain, theyve been a thorn in the whole nations side for a long time now, they would not pass up a chance for payback via full scale naval warfare so that the veilguard can do what they need to!! Sure dreadnoughts are dangerous but at this point they probably have tricks up their sleeve, thats one of the few things they have!

also wouldn't it be personal because does solas not try to blow up kont-aar because he's trying to 5d chess tevinter and the qunari into destroying each other. like. i know technically this would not be incredible widespread news because the attack was stopped, but i don't think the wonderful citizens of kont-aar would have missed the tsunami that nearly hit them and the shockwave that actually hit them. rumors go around. and i assume irian/vadis tell varric. who i think would tell isabela. who would tell the group she leads. who would care because ofc, they LIVE IN RIVAIN, and now know that solas and his followers thinks they can trade rivaini lives* to further his plans.

*while i also think there's probably a divide between kont-aar and the rest of the nation, it's one that the rivaini love to jump across and back over. an interesting comparison to be made here with most of rivain having similar sentiments towards dairsmuid and the chantry. like this is the country specifically mentioned to have a lot of citizens who follow the qun/are non-andrastian + it being MUCH more multicultural and accepting than other nations. any attack on rivain, even if it's a qunari settlement, would fan a lot of flames that solas cannot put out so the idea of trying to him taking multiple steps back because he didn't realise how intensely the qun/rivaini/lords would react is very fun for me. it would have been soo interesting for rivain to be a hub for efforts against solas because of how it's not influenced by andrastianism, how he (or his agents) specifically fucked them over, and (maddeningly for solas) also part of this resistance has spirits who willingly guide them against him. this could have even been a plot device where the door goes both ways and solas finds out rook's plans because he manages to eavesdrop through a seer or something.

and on the spirits. all the stuff where the mourn watch regularly communicates with spirits could have been done with rivain as well, and with different takes on being 'friendly' with spirits. iirc there's a spirit in the hall of valor which is so interesting but it's literally just there for flavour text. THERE'S A SPIRIT IN THE HALL OF VALOR THAT DOES NOTHING BESIDES LIKE. SAY HI. ??? bioware i would have liked to see more spirits and seers and the matriarchal pantheists you have talked about please. and also the idea of the peaceful qunari settlement being pushed to protect the country they are part of and what that means for them as qunari vs. rivaini. taash's storyline could have contributed to this . so A LOT less about choosing a side, more about how kont-aar has developed, changed, how rivain has influenced it and what it means to be qunari. not the qunari agents and fighters that we have seen, but their 'civillian' way of life in kont-aar.

complete waste not seeing any of established lore reflected in the lords of fortune or rivain because i stupidly actually thought we were going to see some kind of settlement and be introduced to a very different cultural norms.. in my beautiful mind i like to think taash is a little taken aback by how badly mages/elves/etc are treated. like they understood it was different outside of rivain (they would have been young when the dairsmuid circle annulment happened right? so they don't 'remember' it themself, they likely heard others talking about it when they're old enough to understand) but until they actually saw what was happening first hand, they had a weird dissonance about it. but what we got was a deserted beach, ties to another faction (wardens are fine!! they are great !!!! the fourth blight is interesting!!!! yet they are not the faction with a lack of info about them!!!!!) and also the hall of valor that exists as flavor text with nothing meaningful behind it besides a pub used in a few cutscenes and a minigame.

[ii-meeple-confessions]

It's genuinely so upsetting to see people say Mephone's story is done. No, no. It's Not. It's OK to not like Mephone or his story, but to say it's over is. Silly. He literally just got a new start, we've seen his trauma, we've seen him try and change, and we've seen him loose fucking everything and get incredibly close to death again-- Now it is time to see him heal. His story is not over just because his trauma is????

Mephones narrative is incredibly important as it showcases how irrationally and cruelly trauma can make people act and how people, when hurt, often end up hurting other people. Mephone isn't a perfect victim, and that's GOOD!!! It's such a good perspective to show!!!! Because people in that position don't often get that visibility. But showing how a victim of trauma who has acted cruelly and hurt others can heal and grow is equally as important as showing their struggle, and Mephone hasn't really gotten that yet?

I've also seen a few people complain that Mephone shouldn't get to see the contestants ever again, and I think that's a bit far. He was genuinely friends with a lot of the season 3 contestants like I totally see most of the season 2 contestants not wanting to see him AND THATS TOTALLY VALID, but ??? Mephone wasn't horrible at Every Second of the Day and I feel like a lot of people took the ending of him leaving to mean the contestants hate him, when pickle literally says he forgives him. They SHOULD stay away from each other for awhile, but that doesn't mean Mephone has to give up the genuine friendships he made with Bot, Floory, or some of the others. You know?

Granted, this is all the ramblings of someone whose favourite characters are Meeplers, and Mephone4 happens to one of those. And I'm also someone who deeply cares for his narrative, and wants to see him and 3GS be okay and heal. But I do genuinely understand people who want to leave their ending up to interpretation, I just don't think thats ideal. Oh woe, I'm rambling. Have a super good day/night admin -2G Anon

.

[ahalliance]

qantoine’s coping mechanism to feeling left behind being both self-isolating and becoming possesive of those he cares for is so juicy as a concept . like yeah you go you funky creachure, manifest those complicated and sometimes contradictory emotions

[telesodalite]

I need to be weirder about the scavengers and cannibalism...

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[orcelito]

Shino raising his dead friends and friend's dog from the dead with the power of bugs as one friend's cousin watches [not clickbait]

[rwby-confess]

Confession #118

[rxttenfish]

Is there even any infrastructure for humans visiting merfolk underwater settlements? Or are they too deep for humans to comfortably dive/swim in? Or maybe the merfolk just say, "of course we don't have any support for you under several hundred feet of water. literally why would you even try?"

there's not any infrastructure for human (or any other sophont besides gorgons that already live there, anyhow) visitation! mostly that's because this is a bit of a first contact situation, albeit one that was born more out of political isolationism and not necessarily caring about the land-based sophonts...

basically, the current political entity overseeing all existing or known merfolk settlement is a fairly old one, that slowly grew from a smaller polity into a more all-encompassing unit by swallowing up its neighbors. it's more of a complicated shell game than this necessarily makes it seem - like i said, a lot of time has passed, and significant cultural shifts have happened within that time, as well as shifts and establishment on how its government and policies would function, so it's a little bit more of a larger conglomerate containing within it many smaller governments, who are allowed independent control of the populations within their allotted territories, just so long as they take up the job of translating the broader governmental laws and taxes down onto that population. the details are rather vague, and so long as the results are what the larger governmental body asked, the intermediary areas are allowed a lot of different ways to interpret what that means.

however, one of the things that got lost in that shuffle of politic and history was the presence of merfolk inland. historically, merfolk have actually periodically spent time inland! usually it was still very tied to the water, being more like seasonal beachcombing using temporary shelters and housing, but they utilized the land a lot more for potential resources and ways to live. the nomadic families especially used to take advantage of these opportunities, and there was much more interaction with landfolk in these contexts.

the exact way it was lost varies, in that not everyone agrees what came first or what was the reason or who did what, but most of this was probably limited and then lost due to the larger governmental body, in the process of colonization, banning merfolk from going up onto the land in order to prevent political enemies and refugees from fleeing up and onto the land, using it as a base of operations, or otherwise using it as a means to escape to other bodies of saltwater. like i said, these periods inland were mostly seasonal, and merfolk did still majorly depend on the water, so what merfolk did make settlements inland mostly ended up vanishing over time anyways - either through simply vanishing into landfolk populations, or through dying out, it wasn't particularly sustainable.

but, time still went on, and this ban remained, and somehow it slowly disseminated into popular thought that the land was just not really very interesting in the first place. sure, merfolk knew there was stuff up there, and other animals and even fairly smart animals, but that doesn't necessarily make it worth investigating. travel over land is hard for them, and it's hard for them to live on land for long periods of time, and everything that they need and depend on is in the ocean anyways. there's a lot less space to the land, there's nothing that would interest merfolk, it would be uncomfortable and painful for them to visit (a lot of myths and legends about the land and what lived there got started in this time, with a lot of focus on undead monsters that had dried out and were lit from within by the hateful light of the sun, and a lot of merfolk made a habit of coming up with scary stories about the weird things that must've lived in such an extreme environment), and there was a lot more political movements and such focused on other merfolk to begin with.

even moreso because merfolk still, technically, did go out onto land? it just wasn't very large portions of land, that is. mostly they would set up on much smaller islands and atolls, which would mostly be used for manufacturing or more technical jobs that required being done in the air. they really just needed the space, not anything specific already on the land itself, and the space was all functional, very little exploration or relaxation areas. sometimes these were used specifically to produce novelty items or experiences, but usually this didn't go much further than exploring the uniqueness of being in open air for the first time, and wasn't really pursued as much more than that.

so merfolk still knew the land was important and needed for ecological functioning - something they had learned the hard way, after an earlier period in their history pre-unifying government became known for a particular and acute ecological disaster, felt even harder by all merfolk on account of the properties of water and everyone living in the ocean. they view the land as functional in its own right - a needed recycling facility that operates itself and helps keep them alive, and one in a place that they had no interest in and could set aside for such tasks.

they also knew there was life up there, even intelligent life, but considering the period in time when merfolk ceased interacting with land-based societies, and the predominant view that what makes something sapient for them being a multiplicity and plural nature to it, on top of the complex interweave of language and meaning, they basically just viewed it as "smart animals". i've compared it before to like if we actually discovered warrior cats was real and there was a population of feral cats in a national park that had their own tiny society. it's interesting, for sure, but it wouldn't be the kind of thing that they might feel too passionately about, and can easily pass it off as a curiosity and a thought experiment all of its own.

the fact that this has changed at all, and especially in such a small time frame and with such major turnaround and abrupt interest in the outer governing body is actually really odd, and a major question and mystery in what i'm writing! the starting interest happened only just in the previous generation, and now they're making major steps towards introducing themselves to land-based civilizations in just miranda's generation, even to the point of sending her inland as an ambassador and an active participant in this shift.

most people on the land already knew that someone was in the ocean and actively preventing anyone else from crossing it or even getting particularly close, but they had no context for this any more than anyone else, and thus they might not raise as many questions about why this is happening than they should, especially since they don't know merfolk history. even most merfolk don't necessarily have all of the details of this shift, but they do know more than nothing, and certainly can note how odd it is and how weird such a change is.

likewise, neither civilization has very much to accommodate for the other, given as they barely even knew of each other by the time they were already designing how it was laid out, so the issues humans have accessing merfolk spaces is at least mutual, if nothing else. it's also something very likely to change over time, depending on how said first contact goes.

[skitskatdacat63]

Here is a badly drawn comic of my terrible, awkward group project experience from yesterday. I thought it was very absurd so I wanted to share it other people lol :)

Let me know, how do you find their conduct 😭

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[yingren]

i did most of those prompts from yesterday and the rest are queued or drafted for small changes i want to do before i post them. a nap sounds gucci. as always, yk where to find me. IM or dscord.

[jackass-jones]

Really into the episode of Ouran where this girl confesses her love to Mori but he doesn’t feel the same because he’s into Honey and the girl’s reaction is just like YIPPEE I LOVE YAOI THATS SO COOL FOR YOU YAY 🥰

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman

[liquidstar]

new oc batch ready! 8 more of these guys lol. the whole deal with this set is they’re from the artisan guild- lunar flair! intentionally spelled like “flair” as in “style” or “a flare for ____” rather than “flare”

basically all the members of the guild are different kinds of artists with different niches (and varying degrees of diva-ness). it’s pretty easy to tell who does what based on the everything about them, but if you want more info their bios are still under the cut!

Name: Jupiter

Name Origin: The planet of course

Pronouns: He/him

Age: 52

Guild rank: Guildmaster

Weapon: Lightning rods

Ethos (Power): Gigantomachy. He can make himself (even more) giant

Flaw power is based on: His overly protective nature, especially where the guild is concerned.

Notes: Literally the nicest guy ever until you provoke him though

Name: Erinome (Erin)

Name Origin: A moon of jupiter, the exact meaning of it’s name is murky but it can refer to grace or purity

Pronouns: She/her

Age: 13

Guild rank: 2 star

Weapon: A Book.

Ethos (Power): Poetic Imagery. Illusions cast forth by his her poems that change the appearance of the physical environment

Flaw power is based on: Her escapist indulgence in fantasy

Notes: You know, like, the pen is mightier than the sword and all that.

Name: Pictor

Name Origin: The constellation meaning “painter”

Pronouns: He/him

Age: 23

Guild rank: 3 star

Weapon: Giant paintbrush

Ethos (Power): Ardor. He can create three-dimensional things with his paintbrush. However they are not animate or alive.

Flaw power is based on: His conceited nature in regards to his own work.

Notes: Goes to museums to talk about how he could probably do it better anyway

Name: Oberon

Name Origin: A moon of the planet Uranus, it gets it’s name from the king of the fairies in Renaissance literature. Notably in Shakespeare’s A Midsummer Night's Dream

Pronouns: He/him

Age: 29

Guild rank: 5 star

Weapon: Rapier

Ethos (Power): Fantasia. An illusion of changing his own appearance.

Flaw power is based on: His theatrical nature, of course

Notes: Why is he ourple?

Name: Syrma

Name Origin: A star in virgo, it’s name refers to the train of a garment (Typically worn by actors in tragedies)

Pronouns: She/her

Age: 25

Guild rank: 4 star

Weapon: Giant needle

Ethos (Power): Binding threads. She can create stitches on any solid objects and bind them to each other. Including people- The stitches are manifested energy and do not hurt.

Flaw power is based on: The dependency she often has on bonds- i.e. threads that bind people.

Notes: She makes and models all her own clothes.

Name: Parumleo 

Name Origin: A star in Pisces, it’s name means “small lion”

Pronouns: They/he

Age: 19

Guild rank: 3 star

Weapon: Microphone bardiche

Ethos (Power): Persuasion. If they can make you laugh you’ll temporarily have to follow his orders. Though it’s too weak to call full-blown mind control, and fairly easy to snap out of.

Flaw power is based on: His desire to be liked by others.

Notes: They’re like a lolcat. They can haz cheezburger.

Name: Leda

Name Origin:  A moon of jupiter, the name means swan.

Pronouns: She/her

Age: 28

Guild rank: 4 star

Weapon: Duel ribbons

Ethos (Power): Poise. Complete and utter weightlessness.

Flaw power is based on: Her carefree and utterly absent-minded nature.

Notes: You guys know swan lake right? Well, there ya go.

Name: Styx

Name Origin: A moon of pluto that gets it’s name from the river of the underworld. Yeah it’s also a rock band.

Pronouns: She/they

Age: 20

Guild rank: 3 star

Weapon: Axe-guitar.

Ethos (Power): Vibrato. Powerful soundwaves cast by her axe-guitar

Flaw power is based on: Her brash and blasé attitude

Notes: Calls everyone “baby” or “babe” because they’re a cool rockstar.

[themyscirah]

Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)