#but what would be best within that context is to tell them THEIR LIFE is the most important thing | Explore Tumblr posts and blogs

thecoolerliauditore · 2 months ago

Note

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

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fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

youtube

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

youtube

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

#asks #random thoughts

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eoieopda · 1 year ago

Text

meet me at the bar (ksj)

You're supposed to be staring down the barrel of the last — and most important — examination of your life, but you only have eyes for your study buddy.

Pairing: Kim Seokjin x AFAB!Reader Type: One Shot | Fluff w/ Smut | 18+ — Minors DNI Word Count: 7.5k AU: Law school, study-buddies, best friends to lovers, highly educated idiots in love CW: Bad jokes, Latin, fingering (v), unprotected sex (p in v), Seokjinnie hits it from the back. A/N: My inaugural Seokjin smut is dedicated to my donsaeng-in-law (see what I did there?) @yoongiphoria, who is now embarking on this stupid, stupid gatekeeping journey IRL. Best of luck, my lil love. I'll be waiting for you on the other side of the war! MJ FIGHTING ~ Big ups to my other lil love, M, for beta reading 💕 I posted an epilogue drabble on 7/26/23. Also: This is written based on my experience in the American legal (educational) system. I was, frankly, too lazy to study up on South Korean law for a fanfic, lol. ⚠️ 18+ only ⚠️ minors will be blocked, on sight. my content is not for you. i do not want to interact with you. please respect my boundaries.

You are not spiraling.

You are a paragon of health and wellness, you tell yourself as you gulp down a mug of coffee that is still far too hot, like you’ll die without it.

More bitter than the taste on your tongue is the realization that you might die with it — your third cup in fewer hours. As far as you can tell, though, it’s a win-win situation: You’ll either generate enough anxious energy to finalize your property law flashcards, or you’ll drop dead before you have to review them.

And you won’t have to take that exam…

And you won’t have to pay off your student debt…

Besides, you figure, the stomach ulcer you’re likely inflicting on yourself will be infinitely less painful than dragging your under-caffeinated corpse through yet another day of studying. Another eight, consecutive hours spent forcing forgotten subjects back into your maxed-out brain.

It’s worth it, you repeat to yourself, though this gauntlet has turned out to be a full-time job that steals, rather than pays. You can faint on top of the finish line, so long as some part of you crosses it.

You should be used to it by now, running a marathon at a dead sprint. That’s all you’ve ever done — push yourself. You attended your first day of preschool and never stopped, never took a breath. Through elementary, middle, and high school; then for four years of university. Going, going, going.

Stumbling through that eighteenth lap around the track, you kept going because — well, being a student was all you’d ever been. That’s your toxic trait, you’ve since discovered. Your concept of self is rooted exclusively within the context of a classroom.

You didn’t know it at the time, but your decision to take the Law School Admission Test — or the HellSAT, as you’ve come to call it — might have been the start of a quarter-life crisis. But you didn’t stop there. No, you took that score and ran with it. Slapped it onto every application as a desperate plea for acceptance.

When you received your admission letter, you were a bright-eyed twenty-two-year-old with a bachelor’s degree and a vaguely defined dream.

Call it naïveté or call it gravitas, there wasn’t a doubt in your smooth little brain that law school was the logical next step to take. That being intelligent and hard-working made you well-equipped for the challenge that came with pursuing a Juris Doctor. After all, you’d spent nineteen years delaying gratification — what difference would three more make?

Within the first hour of your orientation, you — a professional student — had already learned something new: You were a masochist and, frankly, somewhat of an idiot.

Thankfully, you weren’t alone.

Sitting — dissociating, more like — at a nearby table was a lanky boy you’d first noticed on your tour of the law building. His glassy-eyed stare was aimed somewhere in the middle-distance, and even though his slightly agape mouth said nothing, it communicated everything. He was the only other person in that atrium who looked the way you felt: scared shitless and riddled with buyer’s remorse. A can crushed under the boot of self-doubt.

It was the first time you and your wobbly knees went running in his direction, but it wouldn’t be the last.

He was so deep in a daze at that moment that he didn’t notice the way you threw yourself into the open chair next to him, didn’t look up at the scrape of wooden legs against the granite floor beneath them. He nearly jumped out of his skin when you announced your presence with words, however.

It was less of an introduction — the way people in a society tend to greet each other for the first time, ever — and more of a twister. Words whipped through the air at a dangerously high velocity, no syllable ending before you started on the next. Just one breath, a few consonants, and a pair of dark eyebrows shooting up to cower behind his bangs.

“Was — was that Korean?” He asked when you finally ran out of wind.

Judging by the way his wide eyes softened, you knew he wasn’t making fun of you. You’d simply scrambled his brain so thoroughly that you’d transcended the known limits of language.

More of a question than an answer, you peeped, “I think so. Maybe?” You wavered with a sigh. “I’m no longer confident that I know any of the things I thought I knew, though. So, um, don’t quote me on that.”

“You’re giving me too much credit. I didn’t catch enough of whatever that was —” He gestured vaguely. “— To even attempt to quote you.”

Within seconds and without knowing, he’d disarmed the bomb ticking away in your gut. He must’ve sensed it, too, because his face lit up so completely that you had to look away. One glance at the floor-to-ceiling windows confirmed that the sun hadn’t reappeared at that time of night.

That rush of warmth you felt then — that absolutely insane brightness — was powered exclusively by the grin taking up the entirety of his face. If that megawatt smile alone hadn’t rerouted your oncoming anxiety attack, the distinct, squeaking laugh that erupted out of his chest would’ve done the job.

You doubled over, either under the weight of your own giggling or with the relief you felt in finding someone equally lost. Eyes swimming with mirth, you wiped wetness from your cheekbone and snorted. “Was that a windshield wiper?”

“No, that was embarrassing.”

The tips of his ears and the apples of his cheeks went some dizzy shade of pink.

He rubbed sheepishly at the back of his neck with one hand and held the other out to shake yours.

“And I’m Kim Seokjin.”

Now, when the door of your apartment flies open without warning, it’s that same savior standing on your threshold. That designation may be melodramatic, but if that brown paper bag contains what you suspect it does, it’s deserved.

Seokjin, patron saint of breakfast sandwiches, flops down on the couch that stretches along the opposite side of your coffee table. From where you sit on the floor — hunched over your notes like a hobgoblin — you reach out your expectant arms and make grabby hands in the space between you.

You see mischief flash in his eyes, but only for a second. In the next, he’s pretending like he doesn’t see you; doesn’t hear your petulant little whines. He extends long legs out over the cushions, clutches the bag to his chest, and lets his head roll back to rest on the couch’s arm.

“Wanna know what I did today instead of practice essays?” He asks, eyes unfocused on the ceiling above.

All you actually want is whatever that smell is. You can’t stop staring at the bag of food in his hands. If you try hard enough, maybe you can summon some sort of psychic energy, make it levitate towards you.

He doesn’t wait for your response. “The math.”

“Huh?”

You frown; and as you do, you reluctantly shift your gaze from Seokjin’s hands to his face. He isn’t looking your way, but you can tell he’s grimacing based solely on the way his jaw twitches. It’s a miracle he hasn’t ground his teeth to dust over the past three years, given how often he makes that face.

In an attempt to ease the tension in his posture, you tease, “Didn’t we go to law school because we can’t do math?”

He cracks an unwilling smile. A tiny one, but a smile nonetheless. Without turning his head, he extends his arm out in your direction. In the split second it takes for yours to spring forward like a snake, that blessed bag dangles; the scent of sausage, egg, and cheese wafts through the air and restores your will to live. Clutching your prize, halfway to feral, you tear into it without hesitation.

As you bite off more than you can chew, Seokjin prepares his rant with a sigh, “So, consider this.”

“Mmphf,” you advise through a mouthful of greasy bliss.

“Bar exam prep takes eight weeks, right? If we’re only counting business days, that’s forty — forty days, for a minimum of eight hours each.”

He becomes more restless, the more he talks. Heated, he sits bolt upright and turns wild-eyed to you.

Oh, he’s gone full-tilt insane.

“Three-hundred-and-twenty hours, then. And if you think about that in terms of our clerk wages —” He slaps his hands down on his thighs for emphasis. “— at 2,625 won per hour —”

Then, he points to you, as if the increasing volume of his voice wasn’t already holding you hostage.

“— we’ve sacrificed nearly two million won in income, just by studying for this fucking test.”

You swallow down the last bite of your sandwich, which you downright hoovered while Seokjin took the path of most resistance. After clearing your throat, your interjection overlaps with his next point:

“Seokjinnie, why didn’t you just double our monthly —”

“That’s after we paid ninety million in tuition, hundreds of thousands on study materials and registration fees —”

You cut him off. “Is this your way of asking me to Venmo you for breakfast?”

He freezes, caught fully off-guard. Shocked eyes widen like you’re the ridiculous one. “Of course not!”

He waves you off like his thoughtful gesture is no big deal. Then, like he’s tired himself out, he sinks back onto your couch. From his back, he grumbles with crossed arms, “‘M just sayin’ that I’m tired of this shit.”

You can’t help but giggle at the pathetic pout working down the corners of his mouth. “Felt,” you agree, though it feels a little bit like a lie.

Truth be told, you feel more awake now than you did ten minutes ago, and you can’t attribute it to the coffee — not when the evidence so clearly indicates otherwise.

Over the course of three years, you’ve built up quite the case against yourself. You’ve made the following findings of fact:

Whenever he pops up, Seokjin brings your mood up with him. Even now, as he marinates in anguish on your couch, his presence gives you a reason not to beat yourself unconscious with the four-kilogram prep book that sits beside you on the rug. Makes you hate your circumstances a little less, if only because you share them with him.

And, for a rapidly deflating balloon, you have to concede that Seokjin looks stunning this morning.

Unlike you and your day-three hair, he somehow had the energy to wash his. The mid-sections of some strands are still damp; the parts that aren’t frame his face in fluffy waves. His shampoo is something fruity mixed with something crisp — grapefruit and mint, maybe? — and it floods your senses, causing question marks to replace any coherent thoughts you might otherwise have. You’d be lying again if you said you didn’t want to find out for sure how soft those tresses really are.

The verdict?

Well, the jury’s still out, but you know you’re guilty.

If being down this bad for your best friend isn’t a criminal offense, it should be.

You shake your head to clear it. To smother the flame licking up the inside of your belly, you grab the certified mood killer off the coffee table and hold it up in front of you. Surely, the cure for a sexual tension headache is an eight-centimeter stack of color-coded, neon index cards covered in information you shouldn’t need to memorize in the first place.

“Exam’s in one week,” you say with a shiver.

Seokjin rolls onto his side to look forlornly at you. You are not looking at his bare hip bone, which appears where the hem of his shirt shifts from the waistband of his joggers. Nope.

You continue the search for the point you’re trying to make. “I can barely spell mortgage, let alone explain what the fuck to do with one.”

“Don’t think I know what land even is at this point,” he sighs. Dejected, he lets his arm go limp. It spills off the edge of the cushion and dangles until his knuckles brush against the rug. “What is this property you speak of?”

Biting back a grin is impossible, so you press your lips together instead. Just like that — just by Seokjin being Seokjin — the hellscape you willingly walked into gets a little brighter. Maybe, you think, you can do this.

You look down for a moment to shuffle up the cards you spent the better part of two days preparing. As you stare down at the staggering amount of knowledge you might be tested on, you can feel the crease returning between your eyebrows. Your grimace is back, too, like a reflex.

If you make it through this experience without premature wrinkles, you’ll be shocked.

There’s shifting on the couch ahead, but you don’t look up until Seokjin breezes, “From this angle, it almost looks like you’re smiling.”

His arm is no longer dangling off the edge of the couch. His entire upper body is. Knees now hinged over the backrest for balance, he’s upside-down and smirking impishly at you.

He has to know you’re in love with him, right? How could he expect you not to be?

You clear your throat and arch a single eyebrow as a challenge. “What is the rule against perpetuities, Seokjinnie?”

Like you, he can recite it in full at a machine-gun rate of fire. It’s been beaten so far into your heads that you might utter it on your deathbeds, with your last gasping breaths.

“No interest in land is good unless it must vest, if at all, not later than twenty-one years after some life in being at the creation of the interest,” he responds with a smug smile. “Easy.”

It’s your turn to smirk.

“Great. Now, what does any of that mean?”

Without missing a beat, he fires back, “Does anyone know?”

“Absolutely not. Next question!”

Having had the same day, every day, for seven weeks straight, Seokjin is struggling. He’s spent hundreds of hours on the same routine, feeling beaten down and burnt out, all the while. It goes like this:

Every morning, he wakes up and goes for a run in a feeble attempt to feel something other than dread. After that, he eats a lackluster breakfast, and then he promptly chains himself to his desk. When he finally gives himself permission to get up again, it’s dark out; and he’s too brain dead to check the hundred or so notifications that amassed on his phone during his fugue state.

Scratch that. There’s one person he responds to, no matter what. As far as everyone else is concerned, though, he’s a ghost.

Today is the first day out of the last fifty-five where Seokjin doesn’t feel like his brain is being hydraulically pressed. For the first time in too long, he fell into an old routine; one he’s missed. It started with a shower — and honestly, that was overdue — then, he swung by the café he’s frequented over the past three years. There, he made his usual order.

One iced americano, and one sausage-egg-and-cheese croissant with extra hot sauce.

Before he walked back up the block, he downed the former, but he didn’t touch the latter. The latter wasn’t for him, anyways. None of the breakfast sandwiches he ever stops for are.

The subsequent hours looked semi-similar to the three-hundred-and-twenty he’s already devoted to studying. Well, sort of. To be clear, the subject matter still sucks, and he’s still angry that he has to touch it at all, but he isn’t waiting for the sweet release of death in the same way he has been all summer.

This might have something to do with the fact that, for the first time in nearly sixty days, he’s not on his own.

More than that, he’s with you.

Having switched away from covenants, easements, and servitudes, he feels a slightly less stupid. Contract law is a little more straightforward and a little less caked in colonialism. Unfortunately, after six hours of burning all his brain cells on shit like liens, Seokjin has begun his descent into madness.

The worms are digging in, he can’t focus, and neither of you can stop — fucking — laughing.

“I’ll give you a hint,” you giggle, shifting in your spot on the neighboring cushion. You give his knee a pat that feels a tiny bit patronizing, but that makes his pulse race, nonetheless. “It’s a Latin term.”

He snorts so loudly that you do a double-take, just to make sure it wasn’t a sneeze. You both stare at one another for a beat, then comes the eruption.

“It’s all Latin!” He roars.

To muffle the way he’s wheezing, Seokjin slaps his hands over his face. It’s already tear-stained from his abject failure to keep his shit together. At least he can attempt to hide how red he knows it is.

Your laugh comes straight from your belly. You double over completely when his comes out in squeaks, hand reaching out to squeeze his forearm. It used to bother him, the sound he made when he truly loses it, but it doesn’t any more.

How could it, when it makes you cling to him like that?

Wiping at your cheeks, you take a deep breath, then sigh, “Does it help if I give you the translation?”

He doubts it because you just pinched your bottom lip between your teeth, and now, his mind is blank.

Really, it’s a fucking miracle he graduated at all with you around. You and that face you make when you concentrate have always made it impossible for him to do so. It’s why he wasn’t paying attention in class when this shit was taught in the first place, he realizes now.

To cool himself down, Seokjin grabs the Camelbak bottle off the coffee table, realizes too late it’s yours and not his — oh, well — and shoves the straw into his mouth. He nods once, firmly, and sucks in as much water as he can.

It all sprays back out of his mouth when you say:

“Naked promise.”

He had always wondered what his life would look like if it ever flashed before his eyes. Now, he knows. It’s not a montage of his finest moments, the most recent of which would not have made the cut. All he sees is you, wide-eyed, glancing between him and the wet spot that’s now soaking through your sweatshirt.

You press your lips together, probably to keep from laughing in his face. It’s a valiant effort on your part and a kind gesture, but honestly, he doesn’t deserve it. His fingers twitch as he clutches the bottle, wanting nothing more than to dump the remaining water on his face. He embarrasses himself more often than not, but this stings his cheeks like a sunburn.

“I am —” he raises his hands, flustered, “So sorry. I don’t remember waking up in a sitcom this morning, but I, uhhh, clearly did.”

When you stand up, you’re grinning. And not in that scary way you do when you’re about to retaliate for some prank he’s pulled. No, that look on your face is genuine amusement.

Thank god.

You shrug as you cross your arms over your torso and grip the hem of your sweatshirt with both hands. “All good, Seokjinnie,” you laugh. “This needed to be washed, anyway. You see that coffee stain?”

No.

No, he does not see that coffee stain because the tank top underneath your sweatshirt is clinging to the wet spot as you tug the top layer up your stomach. He feels bad for staring — really, he does — but fuck, your skin looks soft. Like, so soft that he has to grip his water bottle to keep a grip on himself.

Eventually, your tank top separates from your sweatshirt. It falls back down to where it belongs, to Seokjin’s dismay, and the sweatshirt keeps going.

“Nudum pactum,” you remind him as you pull the drenched hoodie over your head. Playfully, you toss it at him. It smacks against his chest, splays out over his lap.

Once more with feeling: thank god.

You sink back down beside him on the couch, and he can’t help but notice that you’re the tiniest bit closer than you were before. It’s innocent, just your bare knee bumping his shin as you re-cross your legs. Still, it leaves his tingling through the fabric of his joggers when you don’t move away.

The silence surges as it settles, crinkling like static in his ears. He almost doesn’t hear you when you ask him again: “What’s it mean?”

Uhhhh.

“It means —”

Unfortunately for him, the water he just forcibly ejected from his mouth didn’t help him. His throat is dry now, and he sounds strangled, he’s sure. The way you’re watching him so intently doesn’t help one fucking bit, either.

Are you doing that on purpose?

You nudge him physically this time, knuckles connecting gently and playfully with his leg. He wonders if you can hear his heart hammering against the wall of his chest in all of this quiet. You might, he figures, especially when you tuck your hair behind your ear.

Instinctively, his eyes flick down to the length of your neck. Without a curtain of hair in the way, it’s even more exposed skin that he doesn’t know what the fuck to do with. Making matters worse for him, you tilt your head to the side expectantly. His breath catches when he tears his gaze away, back up, and sees the way you’re looking at him now.

You are absolutely — without a goddamn doubt — doing this on purpose.

If that’s the game you want to play, Seokjin can play it, too. He turns away from you to set the bottle back down on the coaster he took it from. As he does, he finally answers your question — the nonchalance he’s faking even sounds convincing.

“It’s an unenforceable promise,” he replies casually. “One with insufficient consideration.”

He rights himself in his seat, stretches a bit further backwards until he’s resting comfortably against the arm of the couch. You hide it well, but there’s a hint of a pout on your lips when you clock the newfound distance.

Check, he smirks to himself, your move.

A flash of pink slips out. Your tongue wetting those lips before you prompt him more quietly than before, “And consideration is…?”

He slips up, makes the mistake of noticing the rise and fall of your chest as you take measured breaths. So, he sees, you’re buzzing with anticipation, too. He wonders if it’s him that’s having that effect on you, or the circumstances.

For all he knows, it could be pent up steam that you need to release. Stress weighing down your body that you want to get off.

Fuck, he wants to get you off.

He swallows thickly. “Can’t get something for nothing. There has to be an exchange, otherwise it’s meaningless.”

You say nothing, so he keeps talking.

“Quid pro quo, essentially,” Seokjin adds. He chuckles slightly when he realizes. “See? Told you. It’s all fucking Latin.”

The corner of your mouth twitches at his joke, but you don’t make a sound. The hand that previously pushed against his leg inches closer, just barely. It’s such a small shift that you don’t seem to realize that you’re moving it.

Maybe you feel that pull, too; the one he’s been fighting since you barged into his life without warning.

Maybe the consideration has been there from the start; a promise for a promise. I’ll jump if you do. Because it’s always been that way, hasn’t it? Since orientation.

Pulling all-nighters in the library, developing matching caffeine dependencies, getting sick too often from the strain of it all.

You and him.

Laughing quietly in the back of lectures, cold sweats through cold calls, bitching about unpaid internships while you spend indisposable income at the bar down the block without acknowledging the irony.

There are only two real differences between this night and that first one, he notes.

Now, Seokjin isn’t questioning every decision he’s ever made that led him to this point. He’s not scared shitless, not really. Not when you’re around.

You cut through the silence with a sigh that’s barely more than an exhale, so breathy that your voice dissipates as soon as it hits the air.

“Seokjin.”

He could probably hear a pin if you dropped one — can hear everything you don’t say. It’s all packed tight inside that utterance of his name like gunpowder, locked and loaded.

So, who shoots first?

You shift again. Now, when you speak, it’s deliberate and in a language he can parse.

“Tell me you want me, too.”

Bang!

His body answers for him, pushes off from where he leans until he can get his knees underneath him. He’s waited three years to kiss you, but he can delay gratification for the brief time it takes to overtake you. Pinned with his palms bearing weight on either side of your head, you wind up caged in and breathless beneath him. His right knee occupies the space between your spread thighs.

Again, it’s a miracle he’s made it this far with you around.

He hums, beyond pleased with the position he finds himself in. “Maybe. Tell me if I got the answer right.”

“Oh my god.” You toss your head back to the extent that you can, which admittedly isn’t far. Your frustration rolls off you in waves, heat palpable. “I’ll kill you, I swear.”

“Sounds admissible to me,” he teases further. He flexes an eyebrow. “Isn’t that an exception to the prohibition of hearsay evidence? Speaks to motive, I think.”

Seokjin has no idea why he’s riling himself up like this. If he could shut up — just this once — he could be kissing you by now. You seem to be aware of that fact, too, because you grip his shirt so desperately, one right move might tear it.

You huff out a laugh despite the circumstances, “This friendship is over, by the way, in case that’s not clear.”

That tiny smile on your face spreads to his. Not over, he knows, just modified. Amplified, finally. Knowing that, he continues to push his luck.

“Can I make one more joke?”

“So over!” You emphasize with a wail.

He takes a second to center himself before hitting you with award-winning drama, sincerity dipped in the kind of humor he never misses out on with you:

“You have adversely possessed my heart.”

Your jaw drops at how stupid that line was, but you reign it in just in time for his lips to crash into yours.

It almost knocks the wind out of him, the way the pieces fall with force into place. They slot together easily, just like you do. With fingers clinging, the weight of his body molding overtop of yours.

You kiss him until he forgets what life tasted like without your tongue licking into him, your little moans melting in his mouth — until you break apart, gasping for air. Panting, you ask, “Do you have any idea how long I’ve been waiting on you?”

He doesn’t, no, not at all. Thankfully, you take his stunned silence for what it’s worth. After relinquishing your grip on his shirt, you bring your hands up to cup his face gently in your palms.

With you touching him like this, he has no option but to stare down at you. Bit redundant, he thinks, since his focus has always been locked right here, right on you, by choice. Given that, it’s a little funny that he managed to miss every signal you’ve apparently sent him. But really, it doesn’t necessarily surprise him to hear that he’s even dumber than he thought.

You kiss him slowly this time, briefly, before nipping affectionately at his bottom lip. It drives him exactly as crazy as you want it to; makes his cock twitch inside his joggers, makes his brain foggy with a potent combination of fondness and filth.

Do you have any idea how many times he’s thought about this? He’s genuinely wondering because even he doesn’t know. He’s lost count of all the times he’s watched you nibble on your own lip and wished it was his instead. A million or more, if he has to guess.

Seeming to sense the way you've scrambled his brain, you nudge the tip of his nose with yours and giggle.

Seokjin can’t help but grin. “What’s so funny?”

“Thought of a good one,” you answer. Your smirk does his head in. The contrasting, goofy wiggle of your eyebrows squeezes his heart. “Better than yours, I think.”

He kisses you quick and hums, “Oh?”

You nod.

The suspense is killing him. So is the way your clothed cunt grinds ever so slightly against his thigh.

Fuck.

He wants you, he wants you, he wants you.

“You gonna make me come, Seokjin, or do I have to wait for you to file a subpoena?”

You may have to seek a refund for the prep course you paid for.

For as long as you can remember, you’ve learned best through application. You could read the same chapter, over and over, and not absorb a word. The same was true with lectures, even more so when they’re pre-recorded rambles by the weirdest adjunct professors known to man. Sure, you may eventually memorize concepts this way, but they don’t sink in deeply enough to stay. You can’t use them in any way that helps you.

To no one’s surprise, no part of your civil procedure lecture sticks until it falls into your lap.

Strike that.

Until Seokjin loses his balance in trying to take his pants off, and falls onto your floor with a yelp.

A moment or two passes while you stare at each other in shock, but that dissolves quickly. And so do both of you, right into another fit of laughter that makes your shoulders shake. Then, you jump to your feet and hold your hands out to him.

Seokjin accepts them, though he doesn’t rely on them at all when he stands back up. He seems more than content just to hold onto you, whether or not he needs you to keep him steady. You have no complaints, for once in your life.

Shaking his head, he chuckles, “Venue change?”

“I think —” You hum and kiss the column of his throat. He swallows hard enough that you feel his Adam’s apple bob against your lips. So sensitive. “This is what they call forum non conveniens.”

He’s having none of that, and you don’t necessarily blame him. As it turns out, the shoe isn’t terribly comfortable when it’s on the other foot.

You’re lifted without warning, bent over his shoulder, and hauled off in the direction of your bedroom before you can even squeak in protest. You drop like a bag of dirt — albeit a beloved bag of dirt — onto your mattress once he reaches it; his lips are on yours to swallow the gasp before it can leave your mouth.

As eager as his mouth are his hands, roaming down the curve of your waist and over your hips. With fistfuls of the pajama shorts you hadn’t bothered to change out of, his head dips down under your jaw. The warmth of his breath is quickly replaced by that of his tongue, flicking a short, languid line along your neck.

“Want you so fucking bad,” he breathes. A shiver shoots straight down your spine and you keen, head crashing gracelessly back against the pillows. “Just like this.”

And he means it — you can feel how true it is with him settled between your spread legs. He presses his hips forward to meet your clothed cunt, cock teasing you through four goddamn layers’ worth of fabric.

His lips flutter against your earlobe just seconds before his teeth graze your flesh. He continues, voice vibrating through his chest to yours, “All the time.”

You outright whimper when he grinds against you a second time. Halfway to crazy, you knot your fingers in his hair and wrap your legs around his back in a silent plea for friction. So hungry for him that it aches.

“Seokjin, need — oh, god.”

You lose your train of thought the second his hand slides into the gap between your bodies. Long fingers slip below the waistband of your shorts and panties, too. He doesn’t stop there. Not with fingertips whispering over the mound of your cunt, not until he finds you wet and wanting.

So wet that you can hear it when the pad of his index finger runs along your slit.

His mouth curves against your neck, prompting you to shift your head on the pillow. You tilt your neck just enough to meet his eyes.

To your surprise, he’s not smirking. Not even close. If anything, he looks awestruck. Like he’s finally realizing what he does to you, how your body reacts to him. From the looks of it, that discovery is flipping his whole damn world upside down.

For once, Seokjin doesn’t crack a joke and neither do you. It’s quiet, save for your tiny gasping breaths and the ripple of his fingertip swirling over your clit. Even the moan building in your chest gets the memo. It disappears somewhere in your throat when — fucking finally — that middle finger penetrates you.

And god, he sounds so wrecked when he finally speaks.

“Tried to imagine it a thousand times, you know,” he murmurs.

You clench around his finger as it curls upwards, shiver when he starts to stroke the sensitive spot along your front wall. His thumb picks up where his middle finger left off, pressing against your clit in a way that makes you mewl.

Seokjin only stops talking to kiss you deep and leave you dizzy. It’s too brief. If asked, you’d never be able to quantify what amount of time is enough, but you know that wasn’t, so you pout.

Ignoring your little whines, he continues with a hum, “How perfect you’d feel, if I ever got this lucky.”

Oh, Jesus Christ.

You laugh as you say it, but you’re dead serious: “If you keep talking to me like that, you’ll never be able to get rid of me.”

Marry me, why don’t you? Beautiful bastard.

“Threat or promise?”

He adds a second finger; and suddenly, you’re not laughing anymore. No, the strangled sound you make while you grind against his palm isn’t funny at all, but you can’t care about that now. Your focus is stuck on remembering how to breathe. In, out. On the stars blinking behind your eyelids when they give up and flutter shut.

He works you open for him like he’s already attuned, like it’s the fiftieth time he’s finger-fucked you and not the very first. And, quite frankly, it’s embarrassing how little time it takes for him to pull you apart at the seams.

No one has ever made you cum with such little effort. You’re scared to learn what it’s like when he tries.

You catch the triumphant gleam in his eye in the split second before you bury your face in the crook of his neck. He’s earned it, you suppose, so you’ll let him relish the personal record he’s managed to set on his first time out. You might even let him brag about it, so long as he continues to make you tremble like this.

“Shit,” he chuckles low near your ear.

If he sounds muffled, it’s because you’re still waiting for your system to reboot. He knows this, knows how fucking sensitive you are, and slides his fingers out of you as slowly as possible. Still, those aftershocks throttle you; the unintentional stimulation makes you jolt.

“Yes,” you nod helplessly, squeezing your eyes and jaw shut simultaneously. “Shit is right. Perfect analysis, no notes.”

A chaste kiss is placed on your temple. It’s petal soft and subak sweet, but it functions like a defibrillator. Within a split second, he’s revived you. Eyes now open again, you exhume your face from where you buried it and blink up at him. Warm brown eyes light up when you reappear.

He’s so fucking beautiful that you almost want to avert your eyes. Key word: almost. You’ll drink in the sight of him until you drown, you think.

Seokjin looks concerned. With a shy smile, he checks in: “You okay? We can stop right now if you’re not.”

You don’t know who they are, but you know that they don’t make them like him anymore. Which is a fucking bummer for the rest of the world — just not for you. This one is all yours.

“You quitting on me, Kim?” You let your knee fall inwards to nudge his side, and you pretend not to notice how boneless you still feel. “Didn’t wait all this time to tap out early, did you?”

He rolls his eyes, but he’s grinning, nonetheless. His warm palm massages the outside of your thigh affectionately, if only for a moment. Then, he pats his fingertips against the same spot. “Shorts off, champ.”

You follow his instructions and move to shimmy out of them, but not before snorting, “Champ?”

“Fine. Old sport?” He offers with a shit-eating grin. Your shirt smacks him in the face once you peel it off and chuck it at him. He pouts. “Hey!”

“Thanks, I hate it.”

He tugs his shirt over his head, launches it over his shoulder without looking. Your unabashed stare immediately clocks the slight hint of his abdominal muscles. Lean, but not sharply contoured in a way that looks painful to touch. Soft. Perfect, even.

What lab were you engineered in?

“For someone with so many opinions, you don’t offer many suggestions.” He shoots you a pointed look while he unties the knot at his waistband drawstring. “What’s your proposal?”

You’d love to bite back at him. Really, you would, but he pulls his boxers down alongside his joggers, and every meaningful thought you’ve ever had goes flying out the fucking window. All that’s left is I want you, I want you, I want you.

Automatically, you reach out with a tentative hand, craving nothing more than to feel his velvet length in your hand. To your surprise, he stops you. He catches your hand in his, lifts it to his lips, and brushes a kiss over your knuckles.

“Rain check, baby,” Seokjin smiles against your skin. There it is. That’s the one. “Need to fuck you, posthaste, or I’ll simply pass away.”

You open your mouth to comment; he breezes right past you. He points to the mattress, then to the wall to your left. “On your side, love.”

That works, too.

“Face away from me.”

Never in your life have you moved so fast, all but throwing yourself down where he told you to. As you land with a slight bounce, you mouth to yourself, Posthaste? Nerd.

A second slips by, then Seokjin slips into the space behind you. His lips tickle the back of your neck when he kisses the base of it, causing you to gasp yet again. Maybe that’s just how you breathe when he’s around — like you don’t know how.

His hand drifts down the length of your side, passing over the doughy flesh of your ass. He gives it a squeeze for good measure — because of course he does — but he doesn’t linger, not now.

That hand continues until you feel his fingertips scratch affectionately at the back of your right thigh. He doesn’t need to ask; you lift your leg, allowing your knee to hinge overtop of his hand. Now that his hands are occupied, you offer yours to assist.

This time, he doesn’t stop you when you wrap your fingers around his length. And fuck, there’s so much of it. Part of you wants to ask where the hell he thinks he’s going to fit all of it, but you’re not a quitter, so you keep your mouth shut.

Seokjin shivers under your touch, breath catching in his throat so blatantly that you can hear it right behind your ear.

“Hmmm,” you tease, squeezing the crown gently as you circle your wrist. “Does that work for you, champ?”

His forehead drops against your shoulder. The groan you force out of him is twice as long as necessary, followed by an unwilling laugh. “You’re right, okay? You’re fucking right. It’s awful. Just so fucking bad.”

Your thumb swipes over his leaking tip, smearing the bead of pre-cum waiting for you there. You’re relentless. “Sure you don’t like old sport better? Huh, buddy?”

“Baby,” he warns. There isn’t much heat to it, but it burns white hot in your core anyway.

The stretch of his cock does, too, when you finally stop fucking with him and start letting him fuck you. The breath he holds as he enters you slowly is let out in a shuddered groan when he bottoms out. Perfectly full and fully incapable of teasing him further, you simply melt back against his chest.

He’s careful to start, testing the waters and refusing to push you too far, too fast. You want more, though, you always have. Greedy, you rock your hips back against him to force him deeper into your weeping hole. He takes the hint, fingertips pressing bruises into the underside of your knee as he picks up his pace — and you’re far too blissed to care.

He pistons into you eagerly, deliberate. His hips clap against the flesh of your ass, but the sting of it all can’t compete with the way he splits you open. Makes you reach back to cling to any part of him you can get your hands on, claim whatever you find for keeps. Buried to the hilt, and somehow, he’s still not close enough.

You’re close, if your fluttering walls have anything to say about it. You’re babbling, too, so lost in pleasure that you can only repeat — over and over — how fucking perfect he is. How perfect for you he is.

Seokjin peppers kisses down the curve of your shoulder as he thrusts. It’s the only real indication you have that he’s at a loss for words, too; that he’s compensating for the quiet. He kisses you with an open mouth, teeth grazing the space he finds, leaves a mess on your sweat-slicked skin.

“Fuck,” he grunts. You mewl. “Can’t stop thinking about —”

“Just like that, please.”

“— how many times I could’ve —”

You wail, “Shit, Seokjin, don’t stop. I’m so close.”

The staccato strokes will be the death of you, you’re sure of it. Thankfully, he doesn’t stop. Not when he kisses the back of your neck again, and not when he murmurs directly in your ear, “— had you like this, if I’d said something years ago.”

Please, please, please.

It’s all you can say, again and again, as if he isn’t already giving you everything you want before you even ask for it. Responding to every movement you make, fucking into you with precision so that each vein of his cock brings friction where you crave it. Fucking you through your orgasm when it catches you in a riptide and sends you reeling.

“That’s it, baby.” His voice is soothing despite the recklessness of his thrusts. “So good for me. So fucking good.”

You’re still gushing when he snaps his hips forward and stills, cock twitching as he lets himself go inside of you. Still trembling when his head droops forward to nuzzle against your shoulder blade, and when you feel his breathing begin to slow in tandem with yours.

Once he pulls himself out of you, a few moments pass in fucked-out silence. It’s comfortable, if you ignore the mess between your thighs — and you do, for now. Your brain is too busy to waste time on that.

You’re exhausted and bordering on delirious when you say it, but that doesn’t make it any less true:

“I might love you, probably.”

He doesn’t respond immediately. He doesn’t move either, which makes you wonder if he’s fallen asleep with his face smushed into your bare back. But you feel the tiniest exhale through his nose; the kind of laugh you get from him when he’s too tired to be any louder.

His reply is muffled, lips still pressed against your skin, but you hear it perfectly.

For the record, he probably loves you, too.

Epilogue, posted 7/26/23.

final a/n: i have a follow-up drabble planned for these two! stay tuned 🥰

likes are always appreciated, but it's feedback that means the most — whether that's in a comment below, PM, reblog, tags, etc. tysm for reading ✨

tagging: @borahae-k @i-purple-buff-bunni @pamzn @myimaginationsrunningwild @nonbinary-demonbrat @jihopesjoint @cyanide-mustard @xjoonchildx @bbyorchid @persphonesorchid @quarter-life-crisis2 @zelchena @withluvjm @firesighgirl @whatthefsposts @iadelicacy @chimmisbae @cowboylikeyoongi @sailoryooons @axialitae @ugh-yoongi @minholykingofkorea @kookstempo @gimmethatagustd @Ahhhhhhhhhhhhhhhhhhintothevoid

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the-cat-and-the-birdie · 7 months ago

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In the past, I’ve spoken AT LENGTH about Hobie Brown’s dialogue lines, and it’s because I think every single one of them are interesting on their own level - each telling us more and more about his character.

I’ve almost gone through them all - ALMOST. But if there’s one line that I find to be super interesting - and super misunderstood - it’s this one.

What does Hobie mean by - “Eh, What of it?”

It’s one of his shortest lines, but I think those four little words can tell us a lot about Hobie, not because of what he said - by WHY he said it.

Often when people reference this line, they say that this shows that Hobie is unaffected or apathetic to canon events - either as a whole, or his own. We usually assume that this is some insight into his background in some way.

But I think this might be something else. Would you believe that this line was him looking out for Miles?

It’s been a while, but hear me out on this. So the question I’m answering today is - ‘Why does Hobie say this? And what exactly is he trying to tell Miles?’

[A SHORT-ish essay where I break down one of my favorite of Hobie's lines. Because I miss writing essays lol]

---------------------------------------------------------

Now, I know we all know the context of this scene - we’ve probably seen it dozens of times now - but I just want to reiterate why we’re here in this moment and what’s happening, just so we can begin to get inside Hobie’s head.

The scene takes place shortly after Miles meets Miguel, and in order to explain, Miguel gives Miles a seemingly rehearsed speech starting with ‘This is Everything.’ The ‘Everything’ speech is a basic introduction to the Spider-verse, to canon events and how they bind all Spider-people together.

At this point in time, Miles has not mentioned his father or his incoming canon event. And Miguel has made no indication that he plans to tell Miles that he’s an anomaly - there’s no reason to, so long as Miles plays along.

So from what we can tell, this speech is something every Spider-person gets.

But what exactly is Miguel trying to do?

I think it’s safe to say that The Spider Society is a cult of personality in many aspects - but not towards Miguel - but towards Spider-man as an entity or, more accurately, an identity.

And in this moment, he’s trying to portray the personal tragedies of Spider-people as a part of a bigger narrative. Miguel is showing recruits that their trauma is not just an individual scar, but a collective one shared for the greater good.

Sounds cultish? Well, because it is. There are many ways you can explain this, but I think Psychology Today’s article ‘Understanding Cults’ says it best.

What does that have to do with Miles?

Miguel is showing Miles his trauma along side all others as a way of ‘creating’ or solidifying his new identity as Spider-man, in order to suppress his own identity as Miles Morales. In order for Miles to submit to canon events for the ‘greater good’, he must choose his identity as Spider-man over his individual identity of Miles Morales.

He shows Miles’ his own canon event, beside dozens of other Spider-people facing the same trauma, in order for Miles to feel included, apart of something bigger than himself. This, of course, is a common tactic of real life cults - the prevailing idea that the victim is apart of a larger, inescapable - often religious - narrative within the universe.

In this moment, Miguel is trying to thread Miles into the fabric of the Spider-verse, in hopes that in doing so - Miles will be more inclined to submit to the tragedy of canon events.

In short, he wants Miles to feel guilty and sorry for those around him.

And it’s working.

Let’s look at the sequence of events in this moment. Miguel introduces Miles to ASM-90, the Death of George Stacy. As soon as he hears the words ‘Captain Stacy’ - Miles looks to Gwen. We can see the concern on his face, and the somberness on Gwen's. Already he is starting to feel the weight of the others’ emotional reactions.

Next, he looks to his most trusted person - Peter B.

Already, Peter B. is facing away, clutching Mayday to his chest. We don’t just get a shot of Peter B’s back - but we also get a shot over Peter’s shoulder. And we see Miles, and his growing worry. This shot signifies, to me, that this moment isn’t just about the canon events of each character - but Miles’ emotional reaction to it.

Miguel’s tactic of guilt-tripping his working. Because look who speaks next.

Miles says to Peter B. - “That happened to you?” - But it’s not Peter who responds. It’s Jess. Undoubtedly, Miguel’s biggest ally in the room. Jess says to Miles -

“And me.”

Jess works for Miguel. And in that moment, it seems like she’s trying to drive home the point that this whole presentation is about. I mean, think about it.

If we are to believe that this speech is a routine one, given to new Spider-recruits to tell them about the existence of canon events, then Jess saying this ALSO isn't unique to Miles. Her saying this, her reiterating Miguel's underlying point in all this -

‘We’ve all faced your trauma - we’re all like you.’

In this moment, we don’t ever SEE a shot of Jess’s canon event - because that’s not the point. We see Miles’ reaction, because that’s what this is truly about. Miles’ feelings, his emotional connection to these people, in order to manipulate him into empathy - and conformity.

But then we get to Hobie.

“Eh, What of it?”

As always, Hobie stands out of the crowd.

He’s always the one to think differently and to choose his words carefully. And we know for a fact, he’s always on Miles’ side.

When we watch this moment, many people assume it’s some insight to his background. That maybe Hobie was responsible for his own canon event, or have grown apathetic to the idea as a whole. And while those are interesting theories - I think the answer is much simpler.

Hobie isn’t saying “What of it - what happened to me isn’t a big deal.”

He’s saying - “What of it? What does any of this have to do with YOU?”

Think about it, most times we say ‘What of it’, it’s meant to mean ‘what relevance does that information have?’ or even ‘why does it matter?’

Let’s look at an example. Let's say someone eats your friend’s powdered donuts, and your friend questions the group, looking for the culprit. Someone might say ‘X, your favorite food is powdered donuts!’ X might say ‘Yeah, and what of it?’ - as in ‘Yeah, but what does that have to do with anything?’, as a way to show that the information being mentioned is true, but also doesn’t affect the situation.

And that’s exactly what I think Hobie is saying.

Hobie isn’t downplaying his own trauma but saying ‘What of it?’, he’s telling Miles - “Okay, but what does all of this have to do with anything?”

What does their canon events have to do with Miles, and his feelings? Why should Miles have to take on their trauma and their pain, when he just got there?

Hobie knows that Miles followed Gwen, and that him and Gwen care about each other deeply. Upon their reunion, Hobie can see that Miles looks up to Peter - he knows that seeing them in emotional pain hurts Miles too.

And Miguel knows this as well. Miguel probably knows that the best way to convince Miles is through Peter, and Gwen.

But that shouldn’t matter. Miles shouldn’t have to relive their tragedies in his own life just because they went through it. He shouldn’t feel guilty for trying to be different or choosing his identity over the mold Miguel is presenting him.

Sure, Hobie might’ve been hurt in the past. He might still be hurting - but this isn’t about him, it isn’t about any of them.

It’s about Miles, so what does his pain have to do with it? Why should Miguel get to bring up their trauma, and make them rewatch it, for the sake of pulling Miles’ heartstrings?

Why should Miguel get to weaponize their canon events for his agenda of getting Miles to conform? What they’ve been through has nothing to do with it. And Hobie knows this.

So literally, ‘What of it?’

In this moment, Hobie isn’t focused on himself - he’s focused on Miles. So when he says ‘What of it?’ this isn’t a comment on his past experiences, it’s a comment on Miles’ current predicament.

‘Yes, that happened to me, but what does this have to do with you, Miles?’

This interpretation follows the characterization we've seen of Hobie this far.

All of his words to Miles are chosen carefully, all of his words are there to back Miles up - and support him in some way. It’s all Hobie’s thinking about.

And we can see it in Hobie’s face.

Back to the scene. Jess says “And me.”

For a second, Miles’ eyes lingers on her. But after a moment, his eyes goes to Hobie. Hobie, the guy Miles has already decided is cooler, more level headed, a friend of Gwen. Already in this moment, Miles it looking to Hobie’s reaction because he no longer sees Hobie as a threat. In this moment, he’s looking to Hobie for support.

But look at Hobie’s face.

For a moment, he looks visibly somber. For a split second, we’re shown the emotion on Hobie’s face, he’s looking down, lost in thought. [I'm screaming iAHHH i want to know what happened to him SO BADLY he looks so sad :((( I'm gonna cry but also I'm editing this drunk so I'm extra emotional :((( Sad Hobie :((((]

And then he realizes that Miles is looking at him.

But why would the animators show us that, if he truly didn’t care about his canon events? What would be the purpose of this shot?

I believe this split second shows that maybe, just maybe, Hobie does have scars from his canon events, ones he still thinks about, ones that still illicit and emotional response from him.

But when Miles looks at him, immediately, his expression changes.

He tucks away his feelings and returns his attention to Miles. He chooses to set aside his aside his trauma, to play it off and hide it away, because he knows that if he doesn't - Miles will internalize that pain, and that guilt.

In that moment, Hobie can tell that Miles is looking to him for some reason. And that reason is support.

In that one moment, Hobie takes the chance to push his own trauma aside - to be the voice of reason for Miles. The voice to tell Miles that ‘whatever happened to us, has nothing to do with you’.

By saying "Eh, What of it?"

These four words, often thought to be Hobie playing it cool, could be so much more.

It could be one more push to Miles to choose his own path - and it echos back to Hobie’s first monologue to Miles:

In this moment, Hobie chooses to remind Miles, that this isn't about them, or what any of them have been through.

It's about him, and his independence. Hobie is imploring Miles to reject Miguel's narrative - to reject the collective identity of Spider-man.

Because to Hobie, that's what being Spider-man means. Independence, and individuality. He doesn't want Miles to carry his burden, or anyone elses.

And I think this line is the perfect example of that, it shows the depth of Hobie's dedication to Miles, and what Hobie believes in.

________________________________________

In every scene, in every shot, and every line - Hobie is looking out for Miles in anyway he can. And although this theory doesn’t tell us much about his past, it re-enforces who Hobie is as a character: an agent of good and a driving force in Miles’ story.

Maybe Hobie does have canon events he’s still grappling with, and skeletons in his closet. Maybe we’ll one day understand the meaning of his blue laces. But in that moment, none of that mattered. This is Miles’ story, not theirs’, and Hobie knows this.

And that’s true punk tactics. I love Hobie Brown so much i could cry AHHHHHHHHHHHH

_________________________

SOOOOOOO I know it’s been a while but if you read this far - THANK YOU SO MUCH. Sorry if I’m a bit rusty at this, but this is something I’ve been wanting to write about for months now! And Im SOOOO happy its finally done GOLLLY JEEEE

Anyway, here’s Hobie. Bless up.

(right is actual photo of me writing this drunk as hell in my bed lmaooooo im so turnt right now Im sorry if this dont make sense anywayyyyy hes so fine whys he so perfect Hobie I Love YOuuuu wtfffff)

BYE.

#god i love him so much #i love him so so so much #spiderman #atsv #spider man #marvel #across the spiderverse #spider punk #hobie brown #spiderpunk #atsv analysis #meta #meta analysis

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da-awesom-one · 11 months ago

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At All Costs (Snowflake Version) - Chris Pine & Idina Menzel

Art I commissioned from Frost_Art on Instagram.

LYRICS UPDATED: 11/7/2024

*DISCLAIMER: These lyrics are fan-made lyrics of a song created and owned by Disney for characters that are owned by both Disney and Dreamworks respectively . No money is being made off of this. This was solely written for recreational purposes.*

Context: This is set during Frozen II, in the middle of the Dark Sea scene. They’ve barely survived the Nokk, and Jack is the most upset he’s ever been. Elsa left him behind not once, but twice. The first when they left Kristoff and Sven behind, and the second when she sent Olaf and Anna away. Not only that, she recklessly runs into the Dark Sea, and that’s not mentioning his fear of water. Coupled with the fear of being sent away, and not feeling like he has a place in Arendelle, he’s really struggling to prove his worth without being selfish.

Love is selflessness, and he has taken that to heart since the events of Frozen 1, where he abandoned Elsa before her parents died, and he did everything in his power to make up for it when she finally sees him again. However, it doesn't always work in the right way. So he’s desperately trying to not be what he perceives to be selfish, for being selfish is what almost lost him his best friend in the first place, and he is deeply afraid of losing his new family. Of losing Elsa.

But somewhere along the way, whether he understands or want to admit it or not, things changed. Jack sees Elsa differently, just as she started to in her late teens, but kept quiet due to what happened and out of respect to her friend, also because she's not sure she understands it either.

They argue in the Dark Sea, telling her he doesn't want to lose her, but right as Jack’s about to say what he actually wants, he relents, saying what he wants doesn’t matter. Elsa doesn’t accept that. Once they get to safety, she tells him what he wants matters to HER.

And he tells her he wants to stay with her forever. That he sees her the way Kristoff does to Anna. But time, fate, what have you, makes it seem like no matter what he does, he can’t. But still, he wants to be with her regardless. Because she is his destiny. And being with her makes him feel better, and whole.

So then he starts singing. And so does she. And for the first time since entering the Enchanted Forest, they're on the same page. Better now than ever before.

Sing = Siiing

(VERSE 1)

J: If destiny is a set-in-stone thing,

Mine would be you.

If you'd have told me the feelings you'd bring,

I'd think them untrue.

Yet I never thought I’d meet someone like you.

Not in this life.

You still amaze me after all this time.

(PRE-CHORUS)

You… pull me in like some kind of wind,

Steer me through all the doubts within,

Make me brave enough to tell ya...

…That I…

(CHORUS)

Love you as one does.

I, I would protect you

At all costs.

Face the storm, and all the odds.

I, I will protect you

At all costs.

(VERSE 2)

E: How to say… the words that I wish to convey?

That I want this, too. Even if I tried to,

I can’t go back to life before you.

If someone tried to stop this, there’s no

Way I’d let that happen.

I'd fight for us in ways you can't imagine.

I’ve felt this once before, so I hope

It would be alright to stand right here and tell you…

(CHORUS)

B: I love you as one does.

I, I will protect you

At all costs.

Hold you right here in my heart.

I, I will protect you

At all costs!

(BRIDGE)

If you're ever feeling like you're lost,

I’ll come find you!

Man all fronts! There's no ocean I won't swim across

To be right by you!

And not just once. Here and now, I swear on my response,

I'll remind you…

(FINAL CHORUS)

I love you as one does.

I, I will protect you

At all costs!

Keep you safe here in my arms!

I, I will protect you

At all costs!

At all costs.

(END)

Debated whether or not to do this after posting the Jack Frost This Is The Thanks I Get?!, and finally hearing this for the first time. I got giddy, as this is definitely one of the top songs from the Wish soundtrack, and it struck me as odd that the villain, who in the movie was married, and the protagonist would sing something that sounded... well, romantic.

After seeing Wish for the context of it, and later discovering the Demo Version, learning that it WAS originally written as a love song, well... I had to go back and tweak my original draft.

@doodlemel's Animatic of them singing this song definitely didn't help, either. XD

I had to tweak bits that weren't making sense for Jack to say, especially parts that Magnifico said in the movie that kinda hinted to his more flawed persona. Because Jack is a good guy, but also someone who has never experienced these kinda feelings before, as well as also dealing with a lot of mistakes and trauma that influence his perception of whether or not his feelings are genuine, and whether he has a right to feel these feelings.

Elsa, for her part. is more straightforward, remarkably. Because I headcanon that she fell in love first, but Jack was being Shonen Protagonist oblivious to it. And by the time he started feeling a spark of something similar, stuff had already happened between them that they needed to clear up. But her feelings for him never really went away, even if she got better at hiding them. So when she hears him FINALLY admit that he feels the same way, she doesn't have to hide anymore. She lets him say his piece, and responds in kind.

Ultimately, I didn't really change much but the first parts where they sing, and parts of the choruses. Especially the “love” parts, as I just HAD to incorporate the original Demo Version into it. It's telling a sort of story. Of them slowly synchronizing once more, and finally ending with them being of one mind and heart.

For to love on a spectrum that has both beings as one, in my opinion, is truly a beautiful thing.

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devdirt · 11 months ago

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Hollow Knight vs. Vivziepop character design language

I know it's kind of a wildcard comparison but Vivziepop is a fan of Hollow Knight and its designs. I wanted to explore how shape language, color usage and storytelling in design are used in both properties.

NPC designs do a great job at telling you the character's personality or occupation without being overly detailed. One well placed trait does wonders, like Cornifer with his bundles of maps or Tuk and her hoarding, scrap salvaging hobbies. Paired with the world it tells two people doing their best to survive their dying realm, one by mapping out the twists and turns and the other by scraping up whatever she can find from abandoned civilization.

Now when we look at visual storytelling in Hazbin there are some good details! Alastor's outfit design and trademark microphone give you old timey host vibes right away. Niffty (my angel) sports a poodle skirt, kerchief around her neck and apron, also telling you her occupation and time period she's likely from. Everyone in this show has a big toothy grin but hers plays well into her hyperactive and always happy personality.

But there are also really poor moments of character storytelling. Everything about Beelzebub has already been said. She doesn't read as gluttony, she doesn't read as a bee, and she doesn't read as an animal tamer. When I look at her I see every other wolf character Viv has ever done. If Jayjay is party wolf and Loona is goth wolf then Beelzebub is lava lamp wolf.

The sins are mostly misses for me. They don't read as their sins or their circus related occupations. Asmodeus has fire powers but doesn't read as fire spinner. Mammon doesn't give off greed at ALL but the jester look works (which is also wrong because he's a CLOWN apparently, not a jester.) And don't get me started on this one.

This is not Lucifer.

Nothing about this reads angel, devil or even pride. This design goes all in on the ringmaster design, which is great for the circus theme! But the apple on the hat is the closest we get to this being Lucifer. I didn't even notice the snake on his hat because it looks like a worm for the apple, and they both cover the crown.

Add a second apple on the cane. Okay, so we know for sure this is supposed to be Lucifer but...why? It's another Beelzebub moment where you're left wondering why the design went in this direction. "Apple" shouldn't be the only giveaway here for the most important man in the world these stories are being told in.

Now let's see the celestial leader of Hollow Knight.

That is a god.

Removing all story context, this is incredibly quick to read. Large wings, all white, glowing yellow eyes and a crown. It looks celestial and it doesn't even need color, which is the point!

Now lets view them both within their stories. Is there visual storytelling when compared to other characters and the world around then?

Hollownest is a dark world where every character is dully colored. The Radiance and her power stick out with a glow, juxtaposing themselves with the dark as the light.

Lucifer does not look any different than most of the Hazbin cast. He has all the red, the same sharp toothed grin, the same body type as 90% of the cast of both Hazbin and Helluva Boss. If you lined him up with everyone else somebody like Asmodeus would be chosen as the obvious leader of Hell with his stature and power in the design alone.

Simplicity can tell an entire story while overextending your designs can muddy it.

Hollow Knight relies on few details and minimal storytelling yet it weaves a tale of an usurped kingdom and a god fighting for revenge. You are void, the world is dull, and god is bright and beautiful and terrifying to your way of life.

Vivziepop wants to weave a complex tale but utterly fails to do so with her designs. I purposely did not bring up Cherri Bomb, Sir Pentious or Stolas' designs since they have elements that were taken from other people and properties. I wanted to focus on what she made with her own hands, and when I narrow it down I do not see the story being told or even what side some characters are supposed to be on. Adam and the exterminators look the same as any demon. The leaders of Hell mostly sink into the ocean of overdone details. When everybody is trying so hard to stand out nobody stands out.

#vivziepop critical #helluva boss critical #hazbin hotel critical #hazbin critical

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patheticmull3rr · 4 months ago

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Teory📔📘; When Blue Meets Yellow In The West

I have been replaying the Third Season for a few days now, and the most iconic phrase within it; "when blue and yellow meet in the west" has made me very curious.

In ST these tones are used to symbolize how couples (both in a friendly and loving context) begin to know or "find" such tones we find in scenes such as

The photos of Eleven and Max;

and on the tiles of the bathrooms where Steve and Robin were;

Just as these tones are found in different scenes used in contexts with couples that were previously presented to us. But what matters here is that this phrase is present in moments prior to which two specific characters are about to share important moments between them.

And ow this symbolizes personal growth for both people.

In the case of Eleven and Max, Max makes Eleven learn that her individual life is much more than what Hopper or Mike tell her, and that there are more better things in the world than "stupid boys."

Teaches her to be herself, and at the same time Max becomes Eleven's first best friend, which is important for both of them even later in the S4. Max provokes in Eleven a feeling of independence and empowerment.

Which she later uses to end her relationship with Mike after he lied to her (I'll talk about that specific scene in another blog).

Also!!: I would like to honor the detail that Max has the green during this specific scene that shows Eleven the Wonder Woman comics, which in simpler words symbolizes the fact that Max already has the blue and yellow in she

Moving on to the Robin and Steve scene, specifically Robin is a character that is used to be related to Steve for the same reason as Eleven and Max.

Of course, each scene is different, but if we realize, in both contexts they have a similar problem, which is love problems.

In the bathroom scene where Robin and Steve talk, Steve begins to give Robin some hints that show that he is romantically attracted to her.

She ends up rejecting him by coming out to him as a lesbian woman, but even so she does not act offended by this, but rather a friendship arises directly between them. something that Steve also needs, realizing that there is more to the world than just wanting to get a girlfriend, and that he still has a lot of internal development ahead of him.

(I will also analyze this scene in another blog)

Taking into account the scenes that we have just rescued where yellow and blue are predominant in both couples, yellow and blue are not as such couple tones, as in the case of Mike and Eleven.

Something that is even somewhat difficult to find using these shades while the two are together, not counting the covers, and also the moments like this one that I have marked.

Taking the fact that explains that in the context of "when yellow meets blue in the west" symbolizing that they are important colors that are taken for important moments and where there is an individual advancement in both people being united.

Why then does the original couple, who are supposed to have yellow and blue predominating in them, not move forward together?

The answer is simple: They do not advance in the way that is expected when being together.

Let's take for example a dialogue that was supposed to be important for both of them, the scene in which they were trying to heal Eleven's injured leg after training against the MindFlayer.

During this scene we are presented with Mike trying to talk to Eleven, as Lucas had repeatedly told him earlier in the episodes after she finished him off.

We can see that during these dialogues, Mike tries to talk to Eleven more directly about how he feels about her, the simple act of apologizing, telling her that he was an idiot for lying to her, or perhaps a simple "I love you, forgive me for not telling you the truth" but while he tries he only manages to stumble over his words and confuse Eleven, not knowing what he was referring to, not understanding Mike's hints in his words and the way in which he himself was trying to tell them.

And can even take into account that before telling him something important he is interrupted by the walkie talkie.

So why didn't Mike just try to tell Eleven directly what he had screamed moments before she got hurt?

It's simple, both had already found their yellow and blue moments before, both realized different things, which later causes their development to begin to fall behind, because they both (specially Eleven) don't need that.

and that's why in this scene, after talking to Eleven about being in contact with her, he acts so confused after she brings up what he had said earlier, and Mike just says he doesn't remember.

That is why when she kisses him and tells him that she loves him, he acts confused, his simple gestures are as if he did not expect that to happen, because he was thinking of saying something very different to Eleven during the failed dialogue they had.

But now, let's see about the yellow one that Mike found when Eleven was not with him.

In which he even had the green with him during that specific scene that I would like to discuss.

Taking into account this specific scene we can realize that it is the complete opposite of how he is expected to behave with Mike, when Eleven tells him that they broke up, Mike does nothing but get upset and go home being angry as hell. same way, but when he has this argument with Will during the pressure of the moment, he simply makes the decision to go after him, knock on his door until he gets tired and tell him that he had been a complete idiot, that he wanted to talk things over with him and without letting him to shout his name and knock on his door.

At the same time, we can take into account that both scenes are totally different, in the scene where Eleven ends up with Mike, there is a big sun, a lot of people, a relaxed atmosphere, but when Mike argues with Will, everything becomes sad, there is no sun, it's raining.

And both end up with emotions twice as strong as they were before.

We can take this as the fact that Eleven had already found her blue, and she felt complete because of it, she didn't need Mike. But in Mike's case everything got even sadder because he still didn't get his yellow, and he felt like he was losing him.

In the case of Robin and Steve, they did not have yellow and blue in their clothes, but there was in their surroundings. I would like to use it in this context to show that although we already gave a more psychological meaning to yellow and blue, the phrase, taken literally can represents a sunset.

and we not only see this in the scene we took, but also in the scene from the season before this one, "crazy together."

and in another scene later, the scene after the fourth season ended

Specifically, I use this because it is an allegory to what I am trying to communicate with this, they are both sitting together, and the sun is touching them both.

At the same time, if I remember correctly, several of the most important scenes in the context of Mike and Will have been after "yellow and blue meet."

I know what you may be wondering, if I'm using the phrase for a more friendly context when putting friendly couples, why specifically Mike and Will don't I put them there too?.

It's simple, because they have already passed that phase, and their relationship has been growing over time, in a more personal and even deeper way even if they were not together, and because the phrase is not only used for friendly couples.

and, no, yellow and blue does not represent Mike and Eleven's relationship, because we can see that after several important moments during Eleven's individual development, she stops using yellow or blue, even during season four she begins to use the blue.

They make it clear to us that Eleven does not need a yellow or a blue to be able to move forward, because if the previous development she had with Max left her.

Is that she can be her own blue and yellow, even another different tone or the one that she wants to use.

For that same reason during the scene where Mike and Will meet after fighting, Mike wears green, hoping that Will could see that he would be both shades for both of them, but, at the end of the day, they would end up completely matching each other.

That's the same reason why, in previous seasons and even episodes within that season, they both continue to use them individually, and have so many important moments together.

Thanks so much for reading. 💛💙

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wispforever · 1 year ago

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Some thoughts on Itachi

So, I've seen a lot of comments circulating about my tags on this post, and I'm intrigued at the interest. I didn't expect it, as I see much more pigeonholing of Itachi's character than honest to god analysis. No hate- I'm no stranger to Kishimoto's writing. Some of his characters were unfortunately butchered or never given the chance to be developed properly, and Itachi is most certainly no exception. That said, I like to grant him a bit more nuance than I see on most blogs. I think people get a little wrapped up in the supposed "moral implications" of exploring how Itachi was also a victim of the system, as well as someone who victimized many people. But it's silly to equate character analysis and context consideration with condoning genocide.

I have a good laugh every once and a while at the metaphorical gymnastics people do in order to stay in the good graces of a bunch of internet trolls who are just Waiting for any opportunity to tell you you love murder and think it's delicious just because you made a post exploring a character's background. Media is grey; it's layered and wonderfully complex. There are many wrongs and rights in every story, and many wrongs and rights within those wrongs and rights. That's what I love about Naruto. Often times it's really too much like real life. Instead of people being black and white, right or wrong, bad or good- they're usually in a tough situation, trying their best and falling short, don't have all of the information, acting with good intentions or acting on what they believe will bring about a lesser evil, and then end up hurting others.

But it is much easier to assign blame and move on. A so-called bad person will always be the perfect scapegoat for issues bigger than them. In Itachi's case, the fascist government in the Leaf. It's easier to say Itachi could have just refused and decided not to be involved, than to recognize that like almost every other character in the narrative, he was under extreme duress, living in a military state. He was a child whose existence, along with all the other children and adults in the Leaf, was only valuable as long as he could serve as a tool for the war machine in the shinobi world's fucked up political system. And saying this is not the same as saying he was not capable of better decisions or that everything that he did thereafter or in general should not be read critically or subject to hypothetical consequences. It is the same as a saying his actions cannot be fully understood without complete context, and the themes of Naruto will never come through if every villain is just "evil" with no further nuance. And it would be boring too LOL

That said, I love to think about Itachi's situation back then. The ages in Naruto are a bit muddled, a little inconsistent, subject to change and interpretation, but Itachi was a child when he murdered everyone in the Uchiha compound. Most sources say he was 13. It should go without saying that someone so young isn't capable of the same decision-making or critical thinking as say, a 30-year-old, someone whose brain is finished developing and has much more experience on Earth.

Itachi's experience at this point in his life is informed by his age, and it's obviously informed by his childhood, as he has no other place from which to draw conclusions. Itachi grew up in a warring state. He saw people die and was subject to extreme violence in his formative years. To make matters worse, he was taught that war was inevitable and the only thing he could do to guard against it was kill others before they got the chance to kill him (threaten the village). Thusly, Itachi internalized at a very young age that what was in his power was to minimize damage (to himself, to his village, and to the world). What was not in his power was to stop this violence entirely (by adopting a critical mindset and going against fascist powers).

A part of this I think people often forget is that Itachi has absolutely nowhere to adopt this mindset FROM, as even though his father and the other members of the Uchiha clan seek equity in the Leaf, if they were to overthrow the Hokage and create a new system, it would still presumably center around the same ideals (minus, of course, the oppression of the Uchiha as a group). Fugaku is the head of the Uchiha clan at this time. As someone who imposed near impossible performance-related expectations on both of his sons, and withheld love and affection whenever they came up short (so often that it was at the cost of having any considerable emotional bond with either of them), there is absolutely no good reason to believe that Fugaku would reform the Leaf using a non-fascist ideology. And if he did, there is no good reason to believe that he would be some kind of visionary LMAO

This is important to remember because when it comes down to Itachi's decision to either kill everyone in the Uchiha compound and his family, or be part of the coup that would overthrow the Leaf, some people treat it as though it's a choice between fascism and non-fascism, which it most certainly is not. And if it was, Itachi, as a child who had grown up immersed in this ideology, would not be able to appreciate the difference. This context allows us to understand further what Itachi was really weighing in that moment. Accounting for his young age and limited worldview, the only valuable difference in this moment to Itachi was the amount of bloodshed that he would "allow" to happen. Essentially, he sees the options as follows:

Either give in to Danzo and kill everyone in the Uchiha compound, or facilitate a coup where the current government is (hopefully) overthrown and risk starting another war.

Here, Itachi pauses. He has known war. He knows how it affects children, adults, families, and whole nations. The peace he's living in currently is bought with blood, but it's the only peace he's ever known. The alternative is horrifying. And a war in this context, Itachi likely thinks, would be his fault, as he has now been put in the position to "prevent" it. Danzo and the whole shinobi system have groomed him into thinking so. Itachi, at age 13, cannot understand that there would be no war; it exists only as leverage for Danzo's argument at this point. His sensitivities are being played on.

Fugaku, though he is not the same as Danzo, offers about as much help as he does (that being none). Fugaku has no interest in avoiding war; if a war breaks out, it's justified because it will still mean his clan will no longer be living in oppression. This idea is valid, as fascist systems and discrimination can only cease to exist when we rise up against them; unfortunately, this most often calls for righteous violence, as the oppressive powers will not be moved with peaceful shows (not to mention they are willing to go to extreme lengths to avoid losing their hold on the people they have crushing power over, i.e. the Uchiha massacre). But Fugaku has no words to explain this to Itachi, who fears the worst and further fears being responsible for the worst. All he does is act as if it's a moral failing that his 13-year-old son is unwilling to stage a coup, which he believes could mark the abrupt end of a peace that's only just begun.

That said, let it be known that Itachi does appreciate this situation with SOME nuance, though it isn't of the kind that might have enabled him to see he was being manipulated. He at the very least understands that Danzo is a warmonger and oppresses those he fears (the Uchiha). He understands that the rights of his clan have been sorely disrespected, and that the issue needs correction. He understands the anger of his friends and family. This is why it takes him much deliberation before he can even come close to making a decision. He plays both sides right up until the end, listening to Danzo, as well as Fugaku and Shisui, paying attention to the current atmosphere in the Leaf as he tries to decide.

It is something he doesn't want to do. Here's where I get to the part I put in the tags of my drawing.

In this situation, it's almost worthless to write an analysis about Itachi's feelings at this time, his understanding of what was actually going on, his loyalty to his clan or his loyalty to the Leaf, because really, he could not grasp it. He was never prepared for this. He never knew he would be asked to make a decision he could only understand as "your family or the world?"

Itachi was put in a position that had no happy ending. There was no decision he could make that would not hurt. That could not result in a cataclysm that split him right down the middle. There was no version of this story that a 13-year-old could carry out thinking "I have done the right thing."

And that's the important part. Both sides asked him to make this decision, and so both sides are guilty of placing an immeasurable pressure on a child who should never have been put in such a position. Regardless of ideology, regardless of price, regardless of oppression or loyalty or devotion or any other thing- someone else should have made this decision for Itachi. Someone else should have been responsible. An adult, at the very least. Someone who COULD understand the implications of both options. Someone who COULD go forward and appreciate the evil of fascism and know that a coup was necessary. Itachi was never capable of such a thing. If he made the "wrong" decision, than every child who can't explain to you what a fascist government in a military state looks like and explain what the difference is between a hate crime and resisting a hateful power, is also wrong. Here is the nuance. These are things a 13-year-old in this universe cannot be expected to understand unless they are taught. And Itachi had no teacher. Quite the opposite. There were only forces pressing him from both sides, saying "choose."

Had his father done this for him, had Shisui been in this position, had any other adult Uchiha acting as a spy been put to this task, it would be a much different narrative. But of course, it had to be Itachi, who Danzo knew he could manipulate. It had to be a child, someone skilled enough to do the job, but inexperienced enough, afraid enough, to be willing to sacrifice everything they had to see the mission through. Someone you could whisper "greater good" to and have them hand over their well being on a plate. Someone who didn't understand they had the power and strength to destroy the system threatening them.

On a narrative level, Itachi exists to illustrate this point. How young people are systematically indoctrinated to serve a greater purpose, be it under a specific government, religion, or otherwise. We see it in real life fascism, in real life cults. There's no mistake. It isn't an accident that Itachi's story begins like this.

Which brings me to the rest of his life. The reason I drew the picture in the post referenced at the top. Itachi's character is a bit of a mystery the rest of the anime. Be that because of bad writing or an intentional omission, his motives, thoughts, and opinions are largely left ambiguous. However, there are still a few moments that interest me as far as the implications of his development.

When Itachi first comes back to the Leaf village, he faces Kakashi. On the one hand, this could simply be a narrative tool- the big bad meets the big good. He takes Kakashi out of commission! The first rogue shinobi we see who is able to defeat the pillar of the Leaf, the Copy Ninja, and without even breaking a sweat!

On the other hand, I find the brutality of Itachi's attack very intriguing. Again, it could be the tough guy act, but he's able to keep three jonin busy easily using standard genjutsu (with the help of Kisame). It wouldn't be a stretch to say that using the tsukuyomi is overkill, and at a considerable price, we learn later.

Why then would Itachi, who has been shown to have excellent battle intelligence, who is strategic to a fault, be willing to jeopardize his health among other things just to... scare the Leaf? Make sure Kakashi wouldn't be a nuisance in the future? Sure, the last one would make collecting Naruto less complicated, but they dispatched Kakashi easily enough, and surely Jiraiya, who Naruto was with at the time, would pose a bigger problem than Kakashi.

It doesn't make strategic sense, which makes me wonder if Itachi has a special animosity toward Kakashi. Being his superior in the ANBU before the Uchiha massacre, someone who was willing to conduct surveillance of the Uchiha compound without question, Kakashi could have become a symbol of the indifference of the Leaf for Itachi. He could very well have been a reminder of the inoperable position Itachi was put in when he was still a child, and Kakashi, of course, was an adult. Another adult who did nothing. Noticed nothing. Did not help Itachi.

And while I'm certain that Kakashi would have taken severe issue with the goings on in the Leaf at that time, judging by his reaction when he finds out the truth in Shippuden, Itachi knows him only by what he did then. Facilitated surveillance of the Uchiha compound, was a supportive superior, but nothing greater. A bystander whose compassion, while well meaning, was entirely unhelpful.

I don't think it's far fetched that Itachi fucking crucified Kakashi because he was so angry at what being in the Leaf did to him. At some point, as he got older, he realized how terrible it was. He realized there were people like him. Children who were "born killers". Pawns in the game of the shinobi powers.

After leaving the village, Itachi joins the Akatsuki, who are also seeking peace through war (another story). He is supposed to spy for them, but doesn't follow through in any enthusiastic way (that we're shown). He works alone for quite some time, or else with a group (briefly he was shown with Conan and Kakuzu). He is partners with Orochimaru before he's expelled from the Akatsuki. He is partners with one of the Seven Swordsmen of the Mist. He grows up and meets many people, sees lots of stories unfold. He learns that he isn't in a minority. Many shinobi are just like him.

And then, as an adult, he is partnered with Kisame, who he finds excellent camaraderie with because of their similar backgrounds. We see in this relationship that he understands what happened to him and what he did enough to acknowledge that, while neither of them are monsters, as many people say, they are human. And humans make mistakes. Humans are complicated. Wrong and right and wrong and right. They understand each other, and Itachi understands more clearly what the world puts these children up to. What it forces shinobi to become. That it isn't all his fault, but he still did it. And so he is responsible. He appears to be able to live with that.

But when he returns to the Leaf, those feelings bubble up. He hates the Leaf. He hates that system. He hates what he did. Maybe he even hates being a shinobi, how his excellence was weaponized, how being an Uchiha doomed him and his clan. And for what?

Itachi is played as a character who is only sensible, only logical, only interested in practical things, has nothing to express. But the way he behaves toward Kakashi in that moment bares all his grief and anger. I just like to think about it. We have so few moments where we get to see Itachi genuinely. The fight with Kakashi, the Sasuke/Deidara fight, his thoughtful moments with Kisame. Just makes me wonder what could've been if Itachi's story had gone a little differently.

Anyway, if anyone would like me to expand on any points or has additional thoughts, feel free to hop in my ask box or leave a comment. Thanks for the interest, I love to talk.

#this is wisp #itachi uchiha #analysis

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thebiggerbear · 11 months ago

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"I hate you." "You have a weird way of showing that." - Tom Hanniger Prompt Response

Summary: You went to visit Tom in the mines for a little Valentine's Day fun. Who knew that one decision would lead to everything that's happened? Will you be able to help Tom or will he be lost to you forever?

Pairing: Tom Hanniger x Female!Reader; Tom Hanniger x Sarah Mercer; implied past Deputy Martin x Female!Reader

A/N: Prompt from @creativepromptsforwriting (#941). This was so much fun to write. I just love this character and there is so much to explore with him. I also really love the dynamic between him and the reader in this one. Hope it came out alright.

I decided to give Deputy Martin a name. He deserves one. Also, I loved Tom and Sarah at the beginning of the movie. I had actually been hoping Sarah would leave Axel and be with Tom again until it was revealed that he was the one doing the killings. That grocery store scene when they see each other again for the first time after a decade...it broke my heart in the best way. Jensen and Jaime did a great job (Kerr too though I hated his character the entire time lol). So I kind of feel a little guilty here but I had to throw in the Sarah factor; not trying to crap on their relationship, I promise.

I tried my best do my research and be respectful in regards to DID (Dissociative Identity Disorder) but also keep this a few years post-movie (2009) while also staying within the context the movie provided but also explore a bit, if that makes sense. Please note I do not work in the psychiatry, psychology, or medical fields. If I got anything appallingly incorrect about this disorder, its symptoms, its treaments, anything, please let me know. Also, I think it goes without saying (but I’ll say it anyway), not every single person who has been diagnosed with DID is violent or a threat to others nor are their alters violent or a threat to others. Obviously, this is just a work of fanfiction based on a fictional story where the main character had an alter that was violent and a threat to everyone. No harm or disrespect is intended with this fanfiction at all.

There is a note at the end.

This takes place pre-movie, all throughout it, and post-movie.

Unbeta'd so all mistakes are mine.

Warnings: violence; description of injuries; blood; sex (smut-light); angst; mentions of murder; semi-hostage situation; threats of harm/murder; psychiatric hospital treatment (I'm not sure if that's an actual warning or if it should be but I'm putting it in case)

Sidenote: I'm sure we all know this but I'm putting here in case anyway: if you ever go into any mines or similar underground structure, please always wear your hardhat and do what your guides/experts tell you/follow the rules to stay safe.

Word Count: 11k+

Taglist: @avada-kedavra-bitch-187; @rieleatiel

Tom Taglist: @heartlessdelusions; @nancymcl

Jensen Taglist: @samanddeaninatrenchcoat; @deansbbyx

You can read on AO3

"I hate you." "You have a weird way of showing that."

Soldier Boy version ✨ Beau version ✨ Dean version ✨ Jenny version ✨ Jason version ✨ CJ version ✨ Rachel version ✨ Anael version ✨ SDV Leah version ✨ Alec version

You pulled up outside of Tunnel 5 in your car, your friends laughing and cheering as you parked. You weren’t as excited to be here but they managed to talk you into it.

A Valentine’s Day party was happening in Tunnel 5 and most people your age were going to be there. Why they had decided on a tunnel in the Hanniger mines as the primo party spot you had no idea. If there was one thing you had learned in your life so far, people were weird and most college-aged kids would party wherever, whenever. Especially in a small town like this one.

You got out of the car, heading towards the trunk, ignoring the dibs your friend Destiny was calling on every hot single guy to your other two friends, Carina and Taylor. You handed six packs of beer out to each of them before grabbing the last one and shutting the trunk lid.

“You okay, Y/N?”

You glanced up to find Carina watching you while Destiny and Taylor were waiting impatiently to get to the party. You forced a smile. “Yeah, I’m okay, Rina. Promise.” She knew how hard this might be for you and you appreciated her checking in with you. She returned your smile and turned to follow your two other friends, with you close behind her.

You passed a few cars until a familiar tall figure entered your vision, sans his usual ball cap. You watched as Tom Hanniger opened the back door of his truck, searching for something. You moved a little closer to Carina and discreetly handed her your six-pack. “I’ll catch up,” you whispered.

She glanced over to where you were staring and gave you a look. “Y/N…”

“I’ll be fine, Rina. You go ahead. I’ll catch up with you guys in a few.”

She seemed uncertain but nodded, doing as you asked. You watched her hurry to catch up to Destiny and Taylor, and then you turned your attention back on Tom. You waited for two people to pass by before you made your way over to him.

He had a six-pack in his hand but he was standing stock still, almost as if he was lost in thought. You then watched as he put the beer back down, holding a hand to the side of his car, and you could tell he was taking a deep breath. Your heart broke for him a little. This couldn’t be easy for him, being here, and being back here especially. You wondered what had prompted him to come here and then you realized, your heart breaking a little further: Sarah.

You pressed your lips together and decided to get this over with. “Hey, Tom,” you called softly.

He spun around, surprised to see you. “Y/N…hey.”

You took him in and you hoped your pain wasn’t showing through. He looked good for the most part, still handsome, still tall and statuesque, his figure being cut from playing football. The only difference you could make out was the nerves that were plain as day though he tried to hide them from you. “How are you?”

He shrugged. “I’m doing alright, I guess. How about you? I hear congratulations are in order. You got into med school. I always knew you would.”

“Thanks,” you whispered. You had worked hard in school, filled up your interim semesters with classes to help you get closer to graduation, studied like hell for the MCAT, and got into the med school of your choice — well, one of them — just like you’d been hoping for the longest time. “Are you here alone?”

“No, uh, I’m here with…” He gestured back towards the tunnel.

“Sarah,” you supplied.

“Yeah.” You could see some of his discomfort showing through. “Sarah.”

You attempted a smile. “That’s good.”

He nodded but didn’t say anything, just kept his eyes trained on the hat in his hand.

You wished things weren’t so awkward now between you. They never used to be.

“I’m sorry,” he breathed, his eyes lifting to yours. “For how things turned out. I never meant— I never meant for any of this to happen.” You could see the regret in them, an echo of some of your own regret.

“I know,” you whispered, your eyes burning at the corners. “I’m sorry, too.”

And you really were. Perhaps if you had been a better girlfriend a year ago — a better person even — you both wouldn’t be here now, feeling as if the blood on your hands would never wash away.

It was Valentine’s Day and you knew Tom was working in the mines all day. He still promised to take you out afterwards, once he’d gotten a chance to shower and clean up. You were looking forward to it.

You had no idea when the thought popped into your head but once it did, it took root and stayed there. Until you found yourself visiting him at the mines. Of course, you’d gotten a lot of dirty and suspicious looks as you dressed in a miner’s uniform and plopped a hard hat on your head (it was the rules). Some guy you forgot the name of the second you’d been introduced to took you down in a cart. While you weren’t crazy about going further underground, you told yourself that once you were with Tom, you would be safe. And it would all be worth it once he saw the present you had for him.

You got to your stop, the guy called for Tom to come down and mentioned he had a visitor, and not too long after, Tom appeared. You grinned at him when you saw the look of surprise on your boyfriend’s face.

“What the— What the hell are you doing here, sweetheart?”

“Surprise!” You hugged him as fiercely as you could with his equipment on him.

He shook his head, smiling as he took in your outfit. “You came all the way down here just to surprise me?”

“Of course I did.”

“But sweetheart, it’s not safe.”

“Don’t tell me that, Tom. I worry about you enough being down here as it is. And don’t worry, I won’t be long.” You smirked up at him and he immediately got your meaning.

He uncomfortably cleared his throat. “I can take it from here, Fred. I’ll call a cart down when she’s ready to go back up or you if you’re still around. Thanks.”

Fred shook his head, most likely knowing what you two were up to. “I’ll be over in 3 if you need me,” he gruffed out. You both watched as the cart disappeared down the shaft.

“Sweetheart, you really shouldn’t have come down. It’s not safe,” Tom told you but you could feel his hand resting on the seat of your uniform.

“I have a surprise for you.”

“A surprise?” He smiled. “What kind of surprise?”

“You’ll see,” you teased. “Is there somewhere we can go?”

He glanced around quickly before taking your hand. “Yeah, there’s a place. Come on.” He led you back up the shaft a little ways and into a pocket, hidden from view. He whisked off his hard hat and yours before eagerly pulling you to him, making you giggle into his mouth.

“I’ve never had a girl visit me at the mines before,” he murmured, kissing your jaw.

“And you better never have any girl other than me coming to see you.” You playfully poked his chest in warning.

“No other girl for me,” he whispered to your lips before kissing you again. “You’re it. Always.”

“Awww.” You began to unzip your uniform, wanting to give him his present already. Something sweet like that deserved a reward.

He pulled back to help you and once the top half was off, his brows drew together in mock confusion. “My surprise is your jogging sweats? I really appreciate the thought, sweetheart, but you could’ve given that to me later tonight and not risked coming down here.”

You swatted at his shoulder, making him snicker, as you slowly unzipped your top half. His eyes followed the trail of the zipper and they widened when you opened the shirt and pushed it back to your shoulders. You smirked, seeing his reaction. He wasn’t laughing or making fun now.

Underneath your sweats, you wore new lingerie you had bought just for this moment. It was a red and white lacy bra that had hearts all over it, ending in a cut-out heart design over your breasts, with a little bow holding it altogether. “You like?”

“I like.” He trailed a finger along the edge of the cut-out heart. “I like it a lot.” He twirled the ribbon over his finger, smirking over at you. “Do I get to unwrap you?” He teased.

You shrugged. “It is your present. Don’t forget about the bottom half, too.” You pushed down your uniform and sweats to reveal similar looking underwear. “But the tie’s at the back.” You leaned forward slightly so he could see. He grinned as he ran a hand over the cut-out heart shape back there, tugging at the ribbon playfully. “So you like your surprise?”

“I love my surprise.” He kissed you as he untied the underwear and let them fall forward into his waiting hand. He stuck them into the pocket of his mining uniform and you felt him begin to touch you in the way he knew you liked. He groaned into your mouth when he felt you. “You’re all ready for me.”

“Of course,” you hummed. “I never half-ass a present.”

He brought his hand down on your bare ass cheek in a slap, making you squeal, and squeezed it. “No, you do not.” He stuck his tongue back into your mouth and you worked to get his uniform unzipped and off of him. He had untied your bra and he broke away from you to take one of your nipples into his mouth. You gasped and arched your head back, your fingers gripping the back of his hair to hold him to you. You let out a moan while he nibbled away at you. He had you on the edge already and he’d barely touched you.

You pulled him back up to you, kissing him deeply, as you started working on his belt. You had just worked his jeans down enough so you could pull him out to stroke him when his hand stopped you. “Sweetheart, wait, wait.”

You pouted. “What’s wrong?”

“I don’t have a condom.”

You smirked. “Is that all?”

“Is that all? Uh, yeah, and that’s a problem. My wallet’s in my locker up top. I know we usually just…you know, if we don’t have them, but uh, I’m not going to lie, I really want to enjoy my present right now,” he ended with a nervous laugh. “Every inch of it.” He slapped your ass cheek again and leaned forward, nipping at your breast before kissing the sting away.

“Well, then it’s your lucky day that I’m the world's most amazing girlfriend, Tom Hanniger.” You reached into the pocket of your jacket and pulled out two condoms, holding them up in front of his face.

He glanced up at you in awe. “You really are.” He snatched the condoms from you, putting one into his pocket and opening the other. You leaned in and kissed the spot underneath his ear while he got ready for you. “I told you,” you murmured. “I never half-ass a present. Happy Valentine’s Day, baby.”

He turned to look at you, holding you steady as he made sure your uniform was covering your back. He began to slip into you and you both groaned by the time he bottomed out, he was a few inches above your lips, smiling. “Happy Valentine’s Day, sweetheart.” He then kissed you and began to give you what you both wanted.

It was quick, hurried, frenzied even. As much as you loved each other, this wasn’t the time or place to take your time. You both could be caught at any moment, it was dangerous like Tom said… You could take your time with each other later.

Tom had to cover your mouth when you came and you’d had to cover his when he crossed the finish line. You’d felt every grunt sound he made against your palm and it only turned you on more. You almost wished you had forgotten the condoms but you knew Tom wouldn’t be deep inside you right now if you had. Tom was adamant about protection, just like you were, but you loved him and trusted him. Plus, you had been on the pill for years but you knew Eli Hanniger had drilled it into his son’s head to always cover it up unless he wanted some girl to put him in a position someday where he’d be trapped into a marriage and forced to share half his money. You tried not to take it too personally when Eli had looked over at you after that little nugget of his own brand of wisdom on one of the many nights Tom had to pick his drunken dad up from the local bar.

Eli couldn’t have been more wrong. You loved Tom but you also had your own goals in life that you didn’t want deterred by parenthood earlier than expected. Not to mention, Tom could be the poorest guy in town and you would still love him and want to be with him. You’d loved Tom since you were five, ever since he’d seen you crying because all of the markers were gone in kindergarten class and everyone was making a picture but you. He came over to give you the red one he’d been using with a cute smile that was meant to reassure you. You’d smiled back at him, sniffling, your face wet, as you both worked together to make a picture. You’d been close ever since.

Once you were in high school, things changed between you. You’d had to watch as he dated girl after girl until finally junior year came. You changed up your look a little, didn’t have your nose stuck in a book every other minute, and the guys began to slowly take notice of you. Tom had been jealous when you told him you were going on a date with one of his teammates. You two had been arguing in his car when he leaned over and kissed you out of the blue. Needless to say, you had canceled that date and Tom stopped hooking up with one of the cheerleaders he’d been casually seeing at the time.

You both were happy. You both attended the same university and you spent the holidays together with your families. Well, you and Tom spent the holidays with your family; Eli wanted no part of it. It was almost as if because you weren’t a mining family or a well-off family, you weren’t good enough for him to bother gracing you with his presence at your dinner table. Just like you weren’t good enough to be dating his son, unlike Sarah Mercer whose parents owned the grocery store in town. That was who Eli kept pushing Tom towards but Tom told his dad he didn’t have eyes for anyone but you. He loved you and someday, he wanted to marry you. Your heart warmed when you overheard him say that. Which immediately hardened when you heard his dad then say “You’re a fool. That girl just wants your money! Sarah’s an actually decent hard-working girl. You’d be better off with her than that other one.” Tom didn’t say anything else and you had gone back to the book you were reading, pretending to be caught up in it, when he came out, hurrying to take your hand and get out of there. You never let on that you’d heard what he said…and what he didn’t say.

And you may have taken the initiative to show him how much you loved him and wanted to keep you with him. Which is why you had risked coming down here to have semi-public sex in a dangerous mine, wearing a lingerie set you would usually never be caught dead in. You had already planned to go all out that evening once you made it to the hotel room you’d reserved in town, but you also wanted to give him something to remember, something he’d never ever forget. Now, you would always be in his mind, having made your mark, no matter what might happen with your relationship. You just hoped you made a mark on his heart, too, at some point while you’d been together, and that he didn’t let his dad’s obvious prejudice against you and your family sway him away from you.

Tom’s head dropped to your shoulder as he attempted to come down from his high, trying to catch his breath. You kissed the side of his head, not caring about the damp sweat or coal mine smell coming off of him. You leaned your head up next to his ear. “I love you, Tom. I’ll love you forever,” you whispered. You knew he heard you when he squeezed you, still panting harshly against your skin.

“Always,” he whispered back to you.

You hugged him tightly then.

A little while later, you were both redressed, hardhats back on your heads as you waited for Fred to arrive with the cart to take you back up top. Tom had called Tunnel 3 to ask him to come back for you. He had his arms around you from behind and he was smiling down at you. “Thank you for my present,” he murmured. Unable to really kiss you or nuzzle you thanks to the hardhats, he pressed a kiss to your shoulder and tightened his arms around you.

“I’ve got another one for later.”

He turned to look at you quizzically which then turned into a glimmer of hope.

You couldn’t help but laugh. “I bought another set. Deep red and more ribbons.” You wiggled an eyebrow playfully at him.

“I fucking love you.” His smile was bright as he carefully leaned in to kiss your neck, making you giggle.

“Hey, lovebirds!” You both looked up to see Fred turning the corner a little further down the shaft, having a clear view of the two of you. “Break it up! I haven’t had my lunch yet and I don’t want it spoiled!”

Tom rolled his eyes but let you go. “Ha ha, Fred. Very funny.”

Fred came to a stop in front of you, scowling at both of you. “Time to go.”

You hugged Tom quickly and then climbed into the cart. He had his hands out around you, ready to assist you if need be. Once you were settled inside, Tom hurriedly took his hat off and leaned in to kiss you.

“Hey, hey! Put your hat back on, Tom! Don’t be even more of an idiot! This whole thing could come down at any time, you know.”

Tom kept peppering your lips with kisses, making you laugh and him smile, before he finally heeded Fred’s warning. He straightened up and slipped his hardhat back on, grabbing your hand and kissing it. “Take care of my girl, Fred. Get her back safe.”

“Yeah, yeah,” Fred muttered and started up the cart.

Tom walked beside you, still holding your hand. “I can’t wait for later.”

You smirked. “I know you can’t.”

His cheeks darkened a little and he gave you a sheepish smile, letting out a laugh. “That, too, but I was talking about our date. I think you’re really going to love the place I picked out for us.”

Your smirk melted into a genuine smile. “I know I will because I love anything that comes from you.” You heard Fred snort next to you but you couldn’t care less. So what if you were being cheesy? It was Valentine’s Day and you meant what you said.

Tom’s smile grew and you could see it reaching his eyes. “I love you.” You both noticed you were about to make a turn that he couldn’t follow you down. He kissed your hand one more time and let you go. “See you tonight.”

“See you then. I love you, too,” you called back to him. You watched as he got further and further away, the last thing you saw being him holding his hand up in a wave as he smiled. You waved back before the cart completed the turn and he completely disappeared from your view.

The date didn’t end up happening due to the collapse that happened later. Word of it spread fast once it happened and even though you knew Tom should be home by then, you still worried. Thankfully, he returned your call ten minutes later and told you what happened. You rushed right over to be with him, all plans for the night forgotten, though Eli was less than pleased. Apparently, word of your visit had spread around the mines well before you had made it to the top.

“That girl is a problem!” Eli yelled. “She’s reckless! And now she’s made you reckless!”

Tom let go of your hand and jumped to his feet. “Don’t talk about her like that!”

You got up and hugged Tom’s arm, rubbing his shoulder soothingly. “Shhh,” you murmured. “Don’t. It’s not worth it. Okay?”

Eli didn’t like seeing that. His face got red and he was louder than before. “It’s like I’ve been telling you! That girl is only after one thing and that’s your money! When are you going to wake up, start using the other brain God gave you, and see it for yourself?” He threw his glass of Scotch at the wall, making you wince at the shattering sound, and left in a huff.

Tom went to follow him, to yell back at him, but you kept him there. “Don’t worry about it. It’s fine. He’s upset. Here, sit with me.” Tom did as you urged and you rested your chin on his shoulder. “Do you want to talk about it?”

He glanced over at you, his eyes glassy. “I think I really fucked up, Y/N.”

“What do you mean?”

“After you left, I went back to work. I was in the cage, adjusting my gear, when the condom and your underwear fell out. I forgot I had them. I picked them up as fast as I could and stuffed them back in but Harry Warden saw.” He shook his head. “He gave me a hard time about doing my job and I told him I had it, I knew what I was doing. They now think he’s one of the miners trapped. He’s unaccounted for.” He compulsively swallowed and turned to look at you, a tear rolling down his cheek. “I forgot to bleed the lines,” he whispered.

Your eyes couldn’t get any wider if they tried. You reached out to wipe his tear away as you tried to rein in your reaction.

“I was thinking about our date tonight, about you, and I got distracted. I forgot to do the one thing I’m supposed to do every day before I leave. This collapse happened because of me,” he choked out before breaking down. You pulled him into you, holding him and shushing him, whispering reassurances to him. All while the heavy truth settled down around you and began to constrict your chest. It wasn’t Tom’s fault; it was yours.

It didn’t surprise you one bit a few weeks later when Tom broke up with you. He explained it as there was a lot happening, he was being blamed for the murders of the other miners that Harry committed, and his dad told him he just needed to continue working and keep his head down. No distractions. Which meant no more you, though Tom never actually said it but you knew that’s what he was implying Eli had told him.

It broke your heart when he broke it off between you but you understood. Tom had basically become a pariah overnight. Once he admitted to the investigators that he forgot to bleed the lines, the town he’d lived in his whole life turned against him. Harry may have done the actual killing, but it was Tom who’d put Harry in that position in the first place, or so they’d said. Some folks even gave you dirty looks in town as well but it was nothing compared to how Tom was treated. While you loved him and wanted to stay together, you could understand if he needed some space. You let him go with a hug, telling him you were still around if he needed a friendly ear, trying your best not to let any tears fall so you wouldn’t make him feel worse. His jaw had clenched but he nodded, choked out a “Thanks”, and walked to his car. You watched as he left, remembering back to the image of him getting further and further away from the mine cart you were in. Once he disappeared down the street, you finally let out the tears you’d been holding onto. A sob tore its way out of your throat when you remembered he had held up his hand in a wave, smiling, while you smiled and waved back. Because all you could think about was what you thought in that moment: Let this be the last time we separate like this.

And as luck and Eli Hanniger would have it, in the next month or so, rumors spread that Tom Hanniger was now dating Sarah Mercer. You didn’t want to believe them, to believe that he’d finally pushed you aside for one of the girls you’d both grown up with who always had a gooey-eyed expression for Tom, the girl his father had wanted him to date in the first place. You didn’t want to believe that he would be so quick to throw away what the two of you had just to make his father happy. But deep down, you knew it was true. Tom had always wanted to get his father’s approval and he always had a soft spot for Sarah so why wouldn’t it be true? You could even understand a little, considering what had happened and Tom was in the hot seat with every resident of Harmony, thanks to you. But it still hurt like hell. You still loved him enough, though, to hope that he was happy.

You pushed those thoughts out of your head. No use in continuing to blame yourself now. It didn’t change anything. “Are you okay…being here?”

He seemed a little caught off guard at the change of subject but then he glanced back at the tunnel entrance. “Yeah.” He turned back to you. “Yeah, I’m fine.”

You nodded and dropped your gaze to the ground, not sure what else to say.

“Did you bring your hardhat this time?”

Your head snapped up and he was giving you half a smile, his eyes having that familiar teasing gleam in them. You couldn’t help but smile back, appreciating the attempt at levity and familiarity. “Did you?”

He snickered and shook his head, biting at his lip.

You chuckled and took a step closer. “How are you really, Tom?”

His smile faded. “Better.” He then briefly dropped his eyes. “Sarah. She helps.”

Your smile dropped altogether and you could feel that stinging sensation in your eyes again. “Oh.” You bit the inside of your cheek to keep tears from welling up. You didn’t even know what to say to that. “I’m glad, I guess.”

His expression fell and he took a step closer. “I didn’t mean—”

You took a step backwards, your hand up. “It’s okay. Really. I’m happy that she’s able to do that for you.” You took a breath. “I should go. Rina and the girls are waiting on me, so… Good to see you, Tom. I’m glad you’re doing well.” You gave him a wan smile and turned to leave.

“Y/N, wait. Y/N.”

You continued walking, eager to put some distance between you two until you could rein in your emotions. While Tom and Sarah might go off in their own section of the mine, you also might have to see them together. And you needed to prepare for that, especially with your last memories of the time you were here and all that occurred after.

You were halfway to the entrance when you heard a scream. You stopped short, wondering if it had just been someone fooling around and having fun though it sounded terrified. You heard it again and before you knew it, people were running out of the tunnel at a fast speed, hurrying to their cars. “Oh no,” you gasped when you realized something was wrong, thinking another collapse must have happened. “Rina.”

You were just about to run towards the tunnel when a strong hand gripped your arm, whipping you around to face Tom. “I don’t know what this is,” he said. “But get out of here. Go back to your car and get the hell away. As fast as you can.”

“What? No! I can’t leave! Rina, Taylor, and Destiny are in there! We came together!”

He framed your face with his hands. “Y/N, listen to me. You need to go. It could be another collapse.” He released you and urged you to go.

“No! I told you, I—”

Just then there were more screams as more people ran out. Tom turned back to you. “I have to go get Sarah. Run back to your car, Y/N! Do the same as these people! I’ll catch up with you later!”

Your eyes widened. “What? No, Tom! If you’re telling me not to go in, you’re not going, either!”

He went to answer you when a guy running past you yelled, “There’s some crazy guy in there killing everybody! Run!”

You and Tom glanced at one another, both shocked. Neither of you knew who the guy was talking about or why this was happening. But that didn’t matter. Screw holding your tears back. “Tom,” you sobbed. “I can’t lose you, okay? I know you want to go save Sarah but she’s probably hiding somewhere with Rina and the girls and they’ll be safe, okay?” You knew that probably wasn’t the case and it was wrong of you not to let him run in to help but you were terrified of losing him. “Please, don’t go in! Please!”

“I’ve got to go! I’ve got to get her! I’m sorry!” He yanked his arm out of your grip and turned to leave.

“I’m going, too! I can help!”

You didn’t make it two feet until you were picked up and placed back down in front of Tom who was ducking his head to look you in the eye. “I can’t lose you, either, okay? I need to know you’re safe. Please, sweetheart, go get in your car and drive out of here.” He picked up a flashlight someone had dropped while running. “I’m going to get Sarah and get out of here myself. If I see Rina and the others, I’ll grab them, too. I’ll meet you at the hospital. There’s probably going to be a lot of people who need help.”

“That’s why I should stay. I may be pre-med but I can—”

He huffed out a breath and leaned down to kiss you. As he had probably planned, it stunned you. He placed his forehead against yours. “Go, baby,” he murmured. “To the hospital. We’ll be right behind you.”

Before you could say anything else, he hightailed it down to the tunnel, running past people who were still spilling out of the entrance but in fewer and fewer numbers. The last thing you saw was him disappearing inside before you turned and ran back to your car. You didn’t feel right leaving, especially with your friends and Tom still in the tunnel, but you would do as he asked. You’d already selfishly distracted him once; you wouldn’t do so again.

You rang the bell of the Hanniger household for the third time, feeling impatience and worry gnawing at you.

You shouldn’t have been surprised when a swaying Eli finally opened the door or that it was only 1:00 in the afternoon yet he was this inebriated. If he were a better man — a better father even — you might feel sorry for him. His mines weren’t doing too well these days.

“What do you want?” He slurred out.

You lifted your chin. “I’m here to see your son.”

He snorted. “You mean my fuckup of a son?” He held the door wider in invitation.

You stepped in before he could change his mind. “No, your son. Not his fuckup of a father,” you spat before storming off to find Tom.

“Sure, come into my house and talk to me like that! You kids have no goddamn respect these days!” He yelled.

You spun around and yelled back, “Go and get another drink, Eli! That’s all you care about anyway!”

“You little bitch!”

You ignored him and ran upstairs to Tom’s room. You found the door closed and you gently knocked. “Tom?”

No answer.

You knocked again. “Tom, it’s me.” You briefly closed your eyes, remembering things were different than they had been the last time you were here. “Y/N.”

A moment later, Tom opened the door and stood there. He did not look well. He had deep, dark circles under his eyes as if he hadn’t slept since what happened. His face was drawn, pale, and it was obvious he hadn’t shaved for a bit. His hair looked as if he had just recently run his fingers through it. He was in a hoodie, sweat pants, and socks. It was hard to tell in this light but it looked like he had lost a little weight.

“Hey.” His voice sounded rough, as if he either hadn’t been using it for a while or he had been yelling and near losing it. You hoped it was the former. If it was the latter, then that could mean possible night terrors and you didn’t want that for him.

“Hey. Is it okay if I come in?”

He nodded and walked away, leaving the door open. After you closed it behind you, you noticed he was trying to cover the messy bed with the blanket. You noticed a stale smell, as if a window hadn’t been opened in some time, and you spied dirty plates spotting the landscape of his room. You also took note of a half-empty bottle of liquor on his desk. “I’m sorry. I wasn’t expecting company.”

“That’s okay. Don’t worry about it” You laid a tentative hand on his back as he moved and was pleased to see him not immediately shirk it off. After what happened with Harry Warden in the tunnel, for a while he hadn’t wanted anyone touching him. “I just came to see how you’re doing.”

“Not great,” he muttered, turning to sit on his bed. You took a seat next to him, waiting for him to elaborate. “I don’t know what to do, Y/N,” he eventually confessed. “I see him everywhere. I see him when I sleep, I see him when I’m awake. I see him everywhere I go, no matter who’s around, night or day. I don’t know what to do.”

Harry had woken from his coma that night and gone on a killing spree. First at the hospital and then at the mines. Right to the Valentine’s Day party that was being thrown. He didn’t care who he came across, Harry killed them one by one. Sadly, Destiny and Taylor hadn’t made it. Rina had; she was injured but she’d survived. Sarah, Axel, and Irene made it, too, though they were traumatized. They were all traumatized, just like Tom. Tom, who had gone back for Sarah, urged her to run out of there with Axel, and had nearly gotten killed for it. When you thought about how close you came to losing him… You really didn’t want to think about it.

You carefully placed a hand on his bicep and when he didn’t tense, you rubbed your thumb back and forth soothingly. “Have you given any more thought to seeing someone…and talking about it?”

He pulled away from you and ran a hand down his face. “They’re just going to think I’m crazy and want to throw me on meds.”

“Maybe not,” you whispered. “You’ve been traumatized, Tom. They might give you medication to help you sleep but trauma isn’t something that has a magic cure all. I’m not a doctor but I would think that they’ll probably recommend therapy. I mean, is Harry…talking to you when you see him?”

“No, Y/N, I’m not hearing voices in my head if that’s what you’re asking,” he snapped before getting up and walking away.

“Tom, that’s not what I— I’m sorry, I know you’re not hearing voices. I was only trying to make you feel better by ruling it out. That’s all.”

He shook his head and ran his hand through his hair. He glanced down at you, his jaw tight. “I’m glad you came here today. You should know, I’ve decided to leave town.”

You were immediately on your feet. “And go where?”

He shrugged. “Wherever that isn’t here.” He moved over to the bed and threw off one corner of the blanket to reveal a bag he had been packing. “I can’t stay here, Y/N. It’s too much. Maybe if I can get far enough away…”

“He won’t follow you,” you finished, still staring at the half-packed bag. You almost had to wonder if he would have told you if you hadn’t shown up today. He hid the bag from you for a reason; he knew you wouldn’t want him to leave.

You should’ve known it was coming to this or Tom would have a full on breakdown. First, he broke up with Sarah. Then he withdrew from the public altogether. Now, he was holed up in his room, never leaving it, and repeatedly being terrified and thus re-traumatized each time he saw Harry. Something had to give; he needed to get out of here.

You felt a lump forming in your throat at the idea of him leaving but you swallowed it back down just as fast. This wasn’t about you. If this was what Tom needed, you would support him. You met his gaze. “Will you call me once you get to where you’re going? Just so I know you made it safely and that you’re okay?”

His eyes softened and he came towards you, cupping your face. “You’ve always understood me. Better than anyone else in this goddamn town.” You noticed he didn’t answer your question and you had a feeling that he planned to leave permanently, never looking back. This time, you couldn’t prevent the lump from forming in your throat or the tears building in your eyes.

“Are you going to be okay?” You nearly winced at the breaks in your voice.

“I will be,” he whispered before pulling you into him and pressing a kiss to the side of your head. Sighing into your ear, he hugged you tightly. “I will be.”

You burrowed into him further, whispering against his shirt, “I love you, Tom. I’ll love you forever.”

You knew he heard you when he murmured back to you, “I love you, too, sweetheart. Always will.” You could hear the breaks in his own voice but still, you smiled. As painful as this was going to be, as heartbreaking as it was, Tom still loved you, just as much as you loved him. Always…and forever.

You were just finishing up notes in a patient file when someone knocked on your open door and stuck their head into your office. You glanced up to find a familiar face and smiled.

“Well, if it isn’t Dr. Y/L/N,” he said, waltzing in.

You closed the file and took off your glasses. “Well, if it isn’t Deputy Martin,” you laughed. He handed you a cup of coffee. “Aww, thank you. You don’t know how much I needed this.”

“No problem. You still take it that way, right?”

You took a sip. “I do,” you smiled.

“So, how’s things in the world of psychiatry?” He took a seat on the edge of your desk.

“Interesting. As always. How about you? How’s things in the law enforcement world?”

“Interesting. As always.”

You chuckled and took another sip of your coffee. “So, what brings you to my side of the hospital? And bearing gifts, no less?”

He shrugged. “I was in the neighborhood and figured I’d check in.”

“Oh? That’s nice.” Chris pressed his lips together and you tilted your head at him, knowing what that little tic meant. “Uh oh. What’s going on?”

He smirked, shaking his head. “I hate it when you do that.”

You couldn’t help but laugh. “Then don’t be so obvious. I know you too well, Chris. Come on, tell me. What’s wrong?”

“Nothing’s wrong. I just… I was wondering if you knew that Tom was back in town.”

Your smile immediately dropped and you placed the coffee down. You put your glasses back on and opened the file back up, holding the pen in your hand as you glanced over your notes. “Yeah. I heard he was here.”

How could you not? It was a small town after all. News and gossip spread faster than wildfire here. The word on the street was that Tom was back to sell the mines and no one was happy about that.

When you didn’t hear anything else, you glanced up to find Chris giving you a knowing look. “What?”

“Has he been by to see you?”

Well, that hurt. You knew Chris wasn’t asking you that to hurt you but it didn’t mean the question still didn’t cause you pain. You shook your head and went back to your file. “No. And I don’t expect he will be.”

Ben had already complained down at the local bar, before Tom even showed up, that the damn kid was going to sell the mines and Eli would be turning over in his grave if he knew. He was only coming into town to sign the paperwork and then he’d be off again to God knew where. He’d even assured everyone he switched the paper signing until the Monday following Tom’s arrival, in hopes that he could get him to change his mind.

When you heard Tom was coming back, you didn’t get your hopes up though your heart lightened at the news. You hadn’t seen or heard from Tom in ten years. He’d literally pulled a disappearing act. While you expected it, it still hurt that he never once called or wrote to you to let you know that he was still alive. Not once.

Besides, you already knew who he’d dropped in to see the minute he hit town. You supposed one needed groceries and toiletries, that sort of thing, if they were going to stay for a weekend they hadn’t initially planned on. And the fact that Sarah now ran the store and was there practically all day every day was just a coincidence.

You knew better of course and you couldn’t pretend like it didn’t break your heart just a little more. So, no, you didn’t expect to see him at all. And as much as it hurt to admit it to yourself, it was probably for the best.

While a part of you still loved Tom and always would, you now had the benefits of maturity, age, and experience. When you looked back on your relationship, it had been one of intense young love and folly for you, first love even. And while you had more compassion and understanding along with a more detached view of things through a different lens now, you could admit there were some things that occurred that weren’t so great. For example, your decision to surprise him in the mines for a Valentine’s Day quickie, all because you loved him so much and was desperate to do whatever it took to keep him with you. You’d put both of you at risk and while Tom was an adult who was responsible for his own decisions, you still took responsibility for being the one to initiate the whole thing. It had been your idea after all. Then there had been his breaking it off with you and choosing to date Sarah not even a month later. While he was single and an adult, free to make his own decisions, the fact that he did it partially to please his father was not an okay reason in your book to hurt you and toss you aside as if you meant nothing. As the adage went, hindsight was truly 20/20. You were no longer that young, foolish girl anymore. If Tom wanted to see you, he would see you. If he didn’t, then he didn’t. It was that simple. You weren’t going to sway things one way or the other.

“Come on, Y/N. I know you just as well. You’re telling me, you don’t hope he stops by before he skips town again?”

You smiled up at Chris. “Not in the slightest.”

You threw on your lab coat, lifting your hair out of the neckline. You twisted your hair up into a bun and stuck a pen through it. You placed your stethoscope around your neck and then traded your heels for the nurse’s shoes you kept in a desk drawer for situations like these.

There had been an explosion at the mines and it was an all hands on deck situation in the ER. So far, two survivors had been found and were being brought in. They were still clearing the mines to make sure no one else had been hurt. You were getting ready to lock up your office and head down to see what you could do to help.

You were grabbing pens to put in your pocket, tossing a red pen back into the drawer, when out of the corner of your eye, you noticed a figure in the doorway.

“Doc,” a man gasped.

“I’m sorry. I’m about to run down to the ER. There’s been an emergency in town and all doctors are needed. I can find you a nurse if you—”

You dropped the remaining pens in your hand when you glanced up to find a bleeding Tom Hanniger standing in your doorway, holding onto his side. “Tom,” you gasped, frozen.

His pained glare suddenly transformed into one of the most terrifying smirks you had ever seen in your life. “Guess again.” He then shut the door behind him, locking it, before he started making his way over to you.

You rushed off the elevator, hurrying over to where a bloodied Sarah was nervously pacing in the surgery waiting room. You noticed Chris was with her as was Deputy Ferris. Sarah’s little boy, Noah, was sitting on one of the seats behind her, playing quietly with his toy.

“Sarah,” you called.

She turned to see you approaching and immediately hurried over to you, throwing her arms around you, beginning to cry. You rubbed her back soothingly and shushed her. “You’re alright now.”

Sarah pulled back out of your embrace. “Tom, he’s… He’s gone.”

You pressed your lips together, your eyes tearing up. “I know,” you choked out. Based on what you had just seen and heard, you knew she was speaking the truth.

She hugged you again and you embraced her back tightly, tears rolling down your cheeks as you saw Chris watching you both. You squeezed your eyes shut and let out a quiet sob when you heard Sarah crying again. You both held each other as you both quietly mourned the Tom you both had loved.

You unlocked your office door and stepped inside before locking it again. You began to empty your pockets of the supplies you’d nabbed when a figure moved from behind a filing cabinet in the far corner and appeared in your vision, making you quietly gasp.

There stood Tom, still holding his wounded side. “What took so long?” He demanded.

Your jaw tightened as you remembered who you were dealing with now. “Sorry, Harry. I had to get supplies without causing any eyebrows to raise. That takes time. Now, come sit down.”

He warily approached and sat down on the edge of the desk as you directed. You snapped gloves on and he moved his hand away from his side when you prompted him to. He hissed in pain as you began to prod at the bullet wound.

“Can you fix me up or not?” He growled.

“Well, Harry, as I told you, I’m not a surgeon. But I will do my best.” You began to gently wipe away the blood, from both the entry and exit sites. “The good news is it looks like the bullet went straight through.”

“I told you that,” he snapped.

“Yes and I’m confirming it,” you snapped back. It was very strange to have someone you hated so much inside of the body of the person you loved most.

“Just do your goddamn job, Doc.”

You snapped up straight and looked him right in the eye. “Let’s get something straight, the only reason I’m helping you right now is because of Tom. I could care less what happens to you, you son of a bitch.”

He gave you that smirk again that made your blood run cold. “And let’s get something else straight. If you don’t fix me up, I’ll kill you. Got it?”

You didn’t answer him. Instead, you grabbed a pad of gauze, dumped some of your finest alcohol on it, and slapped it onto the injury site, making him yell out in pain. You smirked in satisfaction though inside you felt guilty. Sorry, Tom. You really wished you could expel Harry from him, like he was some sort of demon you could exorcise.

“Sorry about that.” You were anything but. “I have to clean the site before I inspect it for further damage.”

His chest was heaving and he was glaring at you. “Just do your job, bitch. Or you’re dead,” he grunted.

You huffed out a snort and repeated the process with the exit site, making him grit his teeth, a pained yell straining against them. You proceeded to make sure there wasn’t any critical damage that you could see and then went about starting to suture the wound. You ignored the grunts and gritting of his teeth the entire time and just focused on falling back on your training. You’d barely flinched when he started drinking your booze. (it was his fault he wouldn’t let you use any needles to apply local anesthetics) When you were done, you snipped the loose tail of the sutures and then bandaged up the area. You quickly cleaned and bandaged the wounds on his face and treated any burns he might have. The entire time you did, you felt pain and remorse for Tom for each wound you found that would now scar his body. Though you supposed scars were a small price to pay considering the explosion he’d been in that could have killed him. Your jaw clenched at the thought and you hated Harry even more.

You finished cleaning him up and threw out the last bit of bloody gauze. “It’s probably a waste of time to say this to you but you need to take it easy with that bullet wound, keep the area clean, and come back in two weeks to have the sutures removed. If any extreme bleeding occurs, you should get to the ER immediately. If the sutures pop out, you should do the same. If you start to develop a fever or other—”

“Yeah, Doc, I got it.” He slowly got to his feet and held a hand to his side. “Not bad.”

You took off your gloves and threw them to the side, crossing your arms. “Am I free to go now?”

His eyes snapped over to you and you could swear you could see a whole other person. In Tom’s eyes, the eyes you loved, you saw Harry, and they were darker and harder than Tom’s green could ever be. Tom clearly wasn’t the one in the driver’s seat, even if his behavior and personality right then weren’t already making that obvious. “For now. But if you screw me over, I’m coming back for you.” A hint of a smirk appeared on his face as if he enjoyed that idea, almost hoping you would give him the excuse.

You knew he was waiting for you to tremble in fear at his threat but you didn’t. “Truly, Harry, I hope I never see you again.” With that, you walked out of your office and you refused to give him the satisfaction of looking back.

You knocked on the open room door and stuck your head in. “Hey,” you greeted with a small smile.

Axel and Sarah both glanced over and saw you.

“Hey.” Axel faintly smiled.

Sarah got up and gave you another hug. You rubbed her shoulder as she returned to her seat next to her husband and you came to a stop at the foot of the bed. “So, how’s the patient?”

“He’s doing well.” Sarah smiled as she took Axel’s hand in hers. “He’ll be in here for a little while but then he can come home.” Axel turned his smile onto her. You glanced back and forth between them. Apparently, that marriage was no longer on the rocks. You were glad for Sarah’s sake, though you still thought she could do better. Despite how things went with Tom, you didn’t blame her or hold her responsible. She had always been kind to you, good to Tom, and you knew she was a decent person. You could almost understand why Tom had loved her so much.

You forced a smile onto your face. “Glad to hear it.”

Another knock on the door garnered your attention. You turned to see Chris walk in. He came to a stop next to you. “Hey, Sheriff. Sarah. Y/N.”

“Hey,” Axel greeted. You gave him a nod and Sarah gave him a smile.

He turned to look at you but you were already steps ahead of him. “Did you do as I asked?”

He nodded. “Picked him up about an hour ago. Had to ask for that town’s sheriff to help but we got him. And he doesn’t know it has anything to do with you. We purposely mentioned in front of him that a store owner from that town called it in after recognizing him from the news.”

“Thanks.” He gave you another nod.

“Wait, what are you two talking about?” Axel asked. Sarah looked just as curious while also fearful.

You pressed your lips together and Chris turned to face his boss. “We picked up Tom Hanniger in the next town over. We have him in custody and we’re starting processing.”

Both of their eyes went wide. “Tom’s alive?” Sarah gasped.

The deputy exchanged glances with you. “In a way but he goes by Harry now.”

“Shit,” Axel breathed. “You need to call in every reinforcement. We don’t have the manpower to hold him.”

Chris held up a placating hand. “It’s already done but trust me, we’ve got him locked down. As it is, the DA and the Judge are deciding what to do with him.” He looked over at you.

“Deciding what to do with him? What does that mean?” Axel’s eyes were on you, too.

“Harmony isn’t the place for Tom to be right now. It’s his trigger and that’s why Harry is currently in control. I’ve asked for a meeting with the DA and Judge Harrison as well as the Chief of my department to discuss Tom’s case.” You took a breath, knowing this next part wasn’t going to go over well. “We’re looking to get him moved to a maximum security psychiatric hospital up North.”

“Are you kidding me?” Axel started to sit up but grunted in pain.

Sarah got up and gently pushed his shoulder down. “Axel, be careful. You just had major surgery yesterday.”

“Sheriff, easy. You’re still healing,” Chris chimed in.

He ignored both of them. “After all of the people he’s killed? People are going to want justice and to see it done here in Harmony.”

You could feel an age-old anger welling up inside of you but you tried to tamp it back down. “He’s not mentally competent to stand trial, Axel.”

“Not mentally competent? Really? That’s the excuse we’re going with here? He was mentally competent when he killed those people! When he lied about it and tried to cover it up and blame me! When he attacked me and my wife, about to kill us! When killed Rosa and came for my son!” He gripped onto Sarah’s hand.

“I understand that. But the law states—”

“No offense, Y/N,” Axel interrupted. “But you’re not an expert on the law. Leave that to people like Judge Harrison who actually know the law.” Well, so much for you keeping that anger and resentment in check.

“None taken. And no offense, Axel, but you’re not an expert in psychological disorders, either. Leave that to people like myself who know what we’re talking about,” you snapped.

Chris laid a gentle hand on your shoulder and held up his other hand in Axel’s direction. “Hey, hey, now. We’re all on the same team here. We all want the same thing.”

You narrowed your eyes at him. “Do we?” He dropped his hand. You then glared over at Axel and Sarah. “Let’s not pretend like you two and Irene didn’t leave Tom there to die back when Harry was on a killing spree which severely traumatized him and that’s why all of this happened in the first place! That’s what started this whole thing!”

Sarah looked ashamed and stayed quiet. Your ire wasn’t really for her anyway. You knew she had been wanting to go back to help Tom before Harry threw that pickaxe. Axel, on the other hand, saw red. “Are you kidding me? We were about to be killed! I had to get her and Irene out of there! Tom would have done the same had it been him and it would’ve been the right thing to do! Regardless, it doesn’t excuse anything that Tom or Harry or whatever the fuck he calls himself now did! And us leaving him alone started this? No, let’s talk about really started this whole thing off! You decided to go down into the mines to give your boy toy a little nookie, he got distracted and forgot to clear the lines, then boom! The mines collapsed on top of Harry Warden and the others and that’s what really started this off! Because Harry wouldn’t have been in the mines a year later, killing people, and nothing would have happened to Tom or any of us! So you want to play the blame game? Look in the mirror, Y/N!” Sarah was softly telling him to stop but he ignored her. “Oh, and let’s not pretend that you’re not doing anything but trying to make excuses for the guy you’re still hung up on after all these years who didn’t give a fuck about you and dropped you like a bad habit the minute his daddy told him to! Who left you behind to rot!”

Your left eye was starting to twitch, something that only happened when you were either very stressed or very angry. Right then, it was definitely the latter. Sarah’s gaze was trained on her hand covering her husband’s and Chris was looking down at the footboard. You forced yourself to speak calmly but firmly. “That has nothing to do with this. It has to do with helping someone who needs help. I’m simply doing my job and the right thing at the same time. When was the last time you could say the same for yourself, Axel?” His jaw clenched but he stayed quiet and you gave him the worst glare you could summon up. “Get well soon.”

You turned and walked out of the room. You were right about one thing; Sarah could do better.

You were waiting for the elevator when you heard Chris come up behind you, laying a hand on your shoulder to stop you. “Hey, hey, hey.” You spun around to face him and he rubbed his thumb back and forth over the fabric of your coat. “Are you okay?”

You unclenched your jaw long enough to say, “I’m fine.”

He nodded and lowered his hand. “You know, it’s no excuse for the things he said but Axel’s in pain right now, he’s not thinking straight, and they just went through another traumatic experience of their own. And they have their son, who was there when Rosa was killed. He’s just dealing with a lot.”

“I get that, Chris. I do. But Tom didn’t do those things, Harry did.”

He sighed and put his hands on his hips. “Y/N, I’m not disagreeing with you but Tom did lie, he covered it up. Like the motel killings. Did Harry drive away from the scene, ignoring the trucker’s dead body in the lot, before we arrived or did Tom?”

You shook your head, looking away from him.

“I know Tom means a lot to you and I respect that. I know you have history and you want to help him.” He cupped your chin and forced you to meet his eyes. “But I also care about you. I don’t want to see you get hurt. There’s a possibility that Tom himself may not be who you actually think he is. Who any of us thought he was growing up.”

You gently lowered his hand. “Chris, I appreciate your concern and I know we had…something between us for a while. And I’m grateful that you helped me earlier, I really am. But I know Tom. He’s not a killer. He’s not Harry. Harry only exists because of the trauma he suffered. He doesn’t even know who he’s killed or what’s happened. I need to get him out of this town so I can begin working to get him back.”

Chris sighed and studied you for a moment. “Then how did he know about Megan and the words written above her body?”

“He got it from the card she wrote. You told me that yourself, Chris, because Sarah told you about it.”

“No, I mean, if Tom saw the card and Harry killed Megan and wrote those words in her blood, then how did Tom know they were written above her body?”

You realized he was making a good point but that didn’t change your mission. “I don’t know, but I intend to find out.” You then got onto the elevator that had just arrived, you and Chris watching each other as the doors closed.

Tom didn’t remember how he got here. He didn’t even remember waking up. One moment, Harry was about to attack him and Sarah wouldn’t save him, again. The next moment, he was in a white t-shirt and white pajama pants, stuck in a cell that looked strangely familiar. Had he dreamt all of it? Going back to Harmony, seeing Sarah again, dealing with that asshole Axel, trying to figure out who the killer was — all of it —had it all been one big nightmare?

He soon realized that wasn’t the case. His lawyer came to see him and informed him of the things he’d been accused of (after the man had been contacted to come back and speak to his actual client). As of right now, he was found to be mentally unfit to stand trial thanks to an impassioned argument by his doctor as well as himself. But that could change at any time. Tom insisted he hadn’t done those horrific things, that Harry Warden did, but nobody seemed to believe him or was even listening.

For the first few days, Tom had been desperate. A doctor came in and met with him, asked him how he was feeling, and then fully explained the disorder he had been diagnosed with. It turned out that he had been misdiagnosed in the last institution he had been in and improperly medicated. That was why the medication never worked. They had been treating him for delusions when in reality he had Dissociative Identity Disorder. He was going to be starting a therapy regimen as soon as possible. Harry had already been involuntarily involved in the program since his arrival here. The doctor also informed him that they had to keep Harry heavily sedated but depending on how things went with Tom, they might not have to do the same with him.

Tom had been completely dumbfounded. It was bad enough that he still carried the trauma of what happened back in ‘98 and it had followed him around for a decade, literally, but now Harry had become a permanent part of him? He would now never be able to outrun Harry. Not to mention, he was now officially on the hook for multiple murders thanks to the surly son of a bitch, even after what happened in 1997 and then a year later when he woke from his coma. Tom’s body count was extensive and he himself hadn’t even done anything. Well, except forget to bleed the lines that one time which led to the collapse that then started all of this, he supposed. So maybe he truly was responsible for all of those people’s horrific deaths, whether he swung the pickaxe himself or not.

One morning before the therapy began, they came to get him and brought him to a room that looked strikingly similar to a police interrogation room, with the two-sided mirror and everything, though there was white padding on the walls. He protested when they strapped him into a straitjacket but they told him it was for his own safety as well as the doctor’s. As if that weren’t enough, two large orderlies picked corners of the room to stand in, watching his every move.

Someone popped their head in to tell Tom his doctor would be meeting with him shortly, they were just finishing up with another patient. All Tom could do was nod. “Thanks,” he muttered.

A few minutes later, the doctor he’d been waiting for walked in. His eyes nearly popped out of his head when he saw it was you. You gave him a small smile and took the seat opposite him. “Hello, Tom. I’m Dr. Y/N Y/L/N. How are we feeling today?”

“Um…okay.” He was still trying to recover from the shock of seeing you there. He hadn’t seen you since that night all of those years ago, right before he left town. He also thought you were working at Harmony Memorial last he heard, a pit stop he planned to make once he’d signed the papers to sell the mines. That is, before everything went to shit. “Y/N? What’s going on?”

“It’s Dr. Y/L/N,” you corrected. “And nothing’s going on. I’m here to evaluate you before we start your therapy regimen.” You opened a file and began glancing at the papers within. “The court requires it.”

Tom felt so lost. It had been hard enough waking up to what he did but now you were here? Clearly his doctor? And you were pretending not to know him? He didn’t know what to think or where to stick his head. “This can’t be real,” he said to himself and shook his head. “This can’t—”

“Shhh,” you soothed. “It’s okay, Tom. This is very real and we’re going to help you.” You clicked your pen and began making notes in his chart.

“Yeah, but you— You’re— And you’re pretending like— This can’t be real.”

Your eyes snapped up to his and you stopped writing. He didn’t know what you saw but you got to your feet and circled the table. You snapped your fingers and both orderlies looked away. “Actually, Tom, there’s something I forgot to mention.” You came up behind him and his nerves began to spike. Was he about to be drugged? Attacked? Would he finally wake up from this nightmare? Maybe he’d wake up to you; he’d give anything to have that happen.

He jumped a little when he felt your lips at his ear. “I’ll love you forever,” you whispered.

Automatically, the corner of Tom’s lips tipped up in a smile. Hearing that from you brought back so many good memories of your times together, of your relationship. He didn’t instantly relax but he felt a little lighter than he had a moment ago.

“Welcome back, Tom. I’ve missed you.”

“I’ve missed you, too, sweetheart,” he whispered back to you.

His smile grew when he felt you brush a tender kiss to the side of his head before you straightened up and made your way back around the table. You snapped your fingers again and the orderlies were now facing forward, watching you both intently.

You sat back down and picked up your pen, giving him a genuine smile. “Now, Tom, shall we get started?”

He wished he could reach across the table and take your hand in his. You still looked at him as you did all of those years ago, like he didn’t have a murderous personality that left pain and suffering and dead bodies in its wake. You still looked at him as if he was the same guy you’d given your heart and body to back in high school. The same guy you’d once told that after you finished med school (when you got in), that you’d want to settle down with him and eventually start a family with him. The same guy you said you’d move wherever whenever for him if he didn’t want to stay in Harmony, if he didn’t want to take over for his dad one day. The same guy you looked at with complete devotion, affection, and reverence that he knew he didn’t deserve. And with you looking at him just like that right now, he knew he still didn’t deserve it but God did he love you for it. You still loved him; it was clear as day in your eyes. He realized then that you had meant back then every single word of what you just said; you would love him forever. He had meant what he said to you back then, too. Though he never should’ve given you up when his old man demanded it. What the hell had he been thinking?

You arched your brows at him expectantly, almost as if you knew what he had been thinking.

He leaned forward a little and gave you a soft smile, hoping you would understand what he was trying to tell you. “Always.”

You returned his smile, giving him a wink. You’d heard him. He began to relax and your smile then turned into a more professional one. “That’s what I like to hear. Alright, Tom. Let’s begin, shall we?”

A/N: For the record, I highly doubt Y/N could have been Tom's doctor, especially since a prosecutor could have argued that it was a conflict of interest and possibly gotten any records she'd made inadmissible. I think, anyway. But it was too fun an idea not to explore. Plus, I'm pretty sure I read somewhere that someone who has been diagnosed with DID is not incapable of being tried by the law for crimes committed, even if it was committed by one of their alters and they are completely innocent (I think). But I couldn't just have Tom go straight to jail in this one or even to trial. I wanted to focus on him coming back and Y/N helping him as well as their sort of reunion.

dividers by @firefly-graphics

#tom hanniger x reader #tom hanniger x female reader #tom hanniger x y/n #tom hanniger fanfiction #thebiggerbear writes #i hate you you have a weird way of showing that

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