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torgawl · 7 months ago

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started thinking about "the pale princess and the six pygmies" again and realised the five unloyal pygmies match the sinners of khaenri'ah pretty well.

when the pale princess from the moonlight forest and the prince from the kingdom of light enter the kingdom of pygmies, one pygmy (deformed pygmy) asks her help to save his five brothers who were trapped under different circumstances in exchange for their loyalty to her. and so starts the journey of saving each of the five pygmies.

after saving all the pygmies, she took them to the kingdom of light as part of her people and the pygmies started serving both the princess and the prince. "but they were still heinous creatures from the land of night, and corruption flowed in their veins. as the days traveling to the kingdom of light grew long and dangerous, the root of evil would again blossom in their hearts". the pygmies then started plotting revenge and ended up poisoning the prince.

one of the pygmies though (deformed pygmy), was still loyal to the princess and felt guilty for the plan and so he spirited the prince's body away from his wicked brethren and took it to where the princess was staying. what he didn't know was that the night mother had already found the princess, who she emprisoned. before collapsing, transforming into a pile of sludge and worms, and leaving the pygmy to grieve, she proclaimed one prophecy: "in thousands of years time, my greatest foe will descend. he wields a sword that heralds the dawn and wears armor that can reflect the shining sunlight. he shall destroy my kingdom and bring the prince back to life. the princess will then be free from her eternal torment. until then, i fear not a single soul in the land of might, for nothing will bring an end to my kingdom except for the catastrophe foretold by the prophecy. as for you, the treacherous slave that poisoned his master… fate shall see that you get what you deserve". at last, the pygmy hid the body in a tree hole and walked off alone into the night, into a self-imposed exile.

what specifically caught my attention was the motives each of the five unloyal pygmies gave to betray the prince, which seem to mirror the five sinners of khaenri'ah. and i guess it's also relevant to add that alberich in "the ring of the nibelung" was, in fact, ruler of the dwarves. in this case, pygmies as an allegorical parallel could very well make sense to refer to the people of khaenri'ah.

to make a few of the connections i made between the sinners and the pygmies, i went into speculation and theory territory, so take what i'm saying with a grain of salt. but going into each of them:

hroptatyr means 'sage' in old norse and was one of the many names that odin went by. the one entity in khaenri'ah, who happens to parallel odin and a sage, simultaneously, and who also made use of power from beyond beyond the skies is non other than king irmin. he became "indisposed" during the cataclysm and didn't defend his kingdom, which led to anfortas taking his place as regent. this description of events very much matches what dainsleif told us about the sinners not fullfiling their role and being unable to protect the kingdom. it also adds some context as to why the only justification for why irmin wasn't able to rule at the time of the cataclysm was because he was "indisposed". king irmin is also known to only have one eye so his respective pygmy being "blind" is very fitting.

dain also refers to himself and the sinners as "the six of us". if the loyal pygmy from the book represents dain, this would make a lot of sense. i forgot to add before but the line about corruption flowing through the pygmies veins caught my eye as well as we know the sinners shared this sinful power between them and in "a drunkard's tale", wine is used as a metaphor for the abyss. the sinners are what led to the creation of the abyss order.

from the very little we know about vedrfolnir, he's able to foresee the future. the foolish pygmy envies the smart. pierro is one of theorised identities for "the visionary". besides his title being "the jester" which is pretty much another variation for fool, he has an interesting quote in the 'pale flame' set: "since my level of learning could not compare with the sages, i failed to earn the favor of the previous ruler". it implies he used to crave knowledge, like the pygmy, and it mentions irmin, who he served while he was still in khaenri'ah. pierro is also the one behind the fatui's plans, he seems to always plan ahead and all his goals end up being fullfiled even after many complications. he also possesses great historical knowledge, both abouth the future and past, as he seems to know about arlecchino's history despite being part of the later eclipse dynasty.

surtalogi "the foul" is the one behind "foul's legacy", a combat technique used by childe. he has ties to the abyss and much like childe's combat-hungry spirit, the timid pygmy desired to battle the prince.

the shrunken pygmy is the most straightforward one. rhinedottir is a practitioner of the art of khemia, probably the most proefficient one too. like the pygmy, her focus is on creating life through alchemy.

as for rerir's connection to the carefree pygmy, i placed him by process of elimination. we know nothing about them so i don't think it's possible to make a very factual connection but the pygmy's sentiment of wanting to avenge his situation seems silimar to the feeling behind title "avenger of solnari". despite solnari not having a very clear origin, it either stems from: 'solari', related to the sun; or 'solunar', pertaining to the rising and setting times of the sun and moon, phases of the moon, eclipses, etc. the princess and the prince in the book represent the moon and sun, respectively. and there's also the ties to the eclipse dynasty in khaenri'ah.

another parallel between the sinners is the primordial one and the four shades. but rather than representing each other, they work as counterparts: hroptatyr vs primordial one, vedrfolnir vs istaroth, rhinedottir vs the shade of life, rerir vs the shade of death (?) and surtalogi vs the shade of void (?).

not sure if there's a connection between each of the sumeru akademiya's cardinal sins and the pygmies since they're also six but they seem like sins commited by khaenri'ah either way:

"revering gods without acts of devotion" caught my attention because khaenri'ah is supposed to be a godless nation yet we see hilichurls around the thousand wind temple while also having banners with istaroth's symbol in their camps, as if they followed istaroth somehow. i have my thoughts about some of the other sins (like the human evolution one), istaroth being connected to khaenri'ah, her theorised identity as a moon sister and her possible ties to this book as the pale princess but i think i'll leave that to another day. i'm very sure other people made the connection between the pygmies and the sinners too, i am probably very late to the party but i just wanted to add my two cents on it and make a post with my current ideas on the identities of hroptatyr and vderfolnir. don't trust me, though!! the pygmy isn't the only fool, i'm just having fun thinking these possibilities. thanks for reading, if you did ahah

edit (23/08/24): i never came back to this post but i realised the identities can be easier to infer without speculation, since the names are clearly the opposite of their desires. the pygmy who wanted to see makes sense to be vedrfolnir, the visionary - blind pygmy. the foolish pygmy, the one who wanted to become smart is obviously hroptatyr (and here pierro makes a lot more sense, i know some people theorised pierro to be hroptatyr). the pygmy who wanted courage makes sense to be the timid pygmy, possibly rerir. rhinedottir is without doubt the shrunken pygmy which leaves us with surtalogi being the carefree pygmy. the carefree pygmy much like the deformed pygmy don't really have any desires, but the title "the foul" contrasts carefree really well. wanted to reiterate this since people keep relogging this post. i didn't really go to deep into the sinners either though i will leave here that the name khaenri'ah is possibly derived from an arabic phrase meaning "betrayer of winds" (خائن رياح) and the pygmies betrayed the pale princess and the light prince (represents the sun and gold - end goal of magnum opus) in the book. which leads us to istaroth, "the thousand winds of time". i said i wasn't going to go into it but i cannot stop myself from saying this because i wasn't clear earlier and i feel like this is cool. okay, bye!!

#how to tag this? lol when you write about unknown characters #dainsleif #hroptatyr #vedrfolnir #rhinedottir #rerir #surtalogi #khaenri'ah #genshin impact #genshin thoughts #edit: i made an edit to the post and reiterated the pygmies and the sinners i had originally wrote #i think it's silly to delete the post but i still want to leave what i feel like makes more sense at the end in case anyone reads this

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rainbowberriesandcookies · 23 days ago

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"Orihime being afraid of Ichigo's hollow power shows she doesn't fully accept him."

I see this take and similar ones pop up from anti fans of Ichigo and Orihime and try to say that Orihime is bad, in the wrong, etc. for being afraid of his hollowfication powers when her first encounter with a hollow was her brother Sora.

I know the anime did a lot of damage to Orihime's character - especially by taking these scenes out and altering them compared to the manga - but when Ichigo begins to undergo the same process as Sora, it only makes sense that she's afraid.

Not because she's afraid of Ichigo but because what he can become.

And just like Sora said, "It would be [her] fault"

Also - this is to counter the whole "Ichigo and Orihime were never close/barely friends/just acquaintances" that I see floating around often too.

But all in all - Orihime was never afraid of Ichigo. She was afraid of what he could have become.

As Acidwire, Sora targeted Orihime because of her growing bonds with Tatsuki and Ichigo. He even says that he attacked them because they tried to tear him and Orihime apart and that she already knew why.

For clarity - what I'm about to say isn't me saying that Sora was abusive in life and I'm going to specifically try to use his name as a hollow "Acidwire" as much as possible to express the slight separation between Sora as he was while he was alive and Sora as he was when he became Acidwire.

Especially since early on, it established that hollows - while they were once former humans - often end up being twisted versions of the people they once were.

Now onto the point -

The "You already know why" isn't dissimilar from how abusers, manipulators, etc. often talk to their victims when they're angry or upset. It's similar to the silent treatment in a way where it implies that the victim intentionally made the abuser upset.

He references her prayers for him every day helped ease his own suffering before she became friends with Tatsuki and entered high school before she stopped praying for him altogether. He then says how it hurt him that when she got home, all she would talk about was Ichigo.

For one - the fact that Acidwire knows this proves that Ichigo and Orihime were at least already friends by the time the manga started. In contrast to the anime where Ichigo outright says to Rukia that they've "never had a real conversation"

Anyways - this here in and of itself proves Ichigo and Orihime at least knew each other beyond just acquaintances - because they were close enough for Acidwire to notice and be hurt by it.

She tries to defend herself but he cuts her off before attacking Ichigo again

Acidwire tells her to come with him back to when it was just the two of them. In the context of the story, this would basically be him killing her.

However, this is also a tactic abusers use known as isolation.

When she questions why she should go with him and why he'd hurt Ichigo and Tatsuki before saying that the brother she loved would have never done anything like this.

I feel like in the anime, it kinda breezed by these moments which are honestly heartbreaking in hindsight and key for the leadup to why Orihime was afraid when Ichigo would use his hollow mask.

but Acidwire's response to her refusal and saying that the brother she loved would never do this is to not just harm her, but blame her and say that he is going to kill her.

In the time that she's become friends with Ichigo and Tatsuki and slowly grew happier, Acidwire blamed her for his own despair and sadness.

The kind, loving older brother that she had always known became a monster that would kill her and everyone close to her, and it would be her fault that he did because she stopped praying for him.

Here, it shows how Acidwire views Orihime not as a person who should live her own fulfilling life, but as an object who should live for him because he gave up his entire life to raise and protect her.

Once again, not to say that Sora was an abuser or abusive person, but this line of logic is the same one that abusive and toxic parents often use when it comes to emotionally abusing their children. Saying how the sacrificed so much for their children to control how their children live their own lives when the child never asked to be born. Similarly, Orihime didn't ask to be born or ask for Sora to raise her.

Sora did because that's the kind of person that he is, but Acidwire turns these loving traits of Sora's into a manifestation of abuse.

And even though she has nothing to be sorry for... She apologizes to Acidwire because that's the kind of person she is.

It also shows how she puts on a smile so that way others don't have to worry about her. She didn't want Sora to think that she was sad and hurting, she didn't want him to worry about her so she buried and hid her own sadness.

She apologizes to Acidwire for making him sad and (in what she thinks are probably her last moments) says that she loves him and that she didn't mean to hurt him.

As he's slowly regaining himself, Sora admits that he already knew that Orihime was just trying to shield her sadness from him but still wanted her to pray for him because it was only in those moments that her heart was his.

Ichigo then tells him that it's the same, those who die and those who survive are just as sad as the other.

It's in this moment Sora had fully regained himself, enough to know that he couldn't stay in a form like this or else he'd come to hurt Orihime again. If he killed the little sister that he raised like a daughter over his own heartache, would he have been any better than their own abusive parents?

And finally, the two get to say goodbye properly.

Also - a side note - a lot of people criticize Orihime's passive nature and how she never seems to fight or argue with anyone but it's because the one time that she did have a fight with someone, they died and became a monster.

This entire sequence emphasizes why Orihime always tries to reach out to others in need and never argues or fights. She doesn't want her friends or even strangers, to become like how Sora became Acidwire.

Now, Rukia had changed/erased Orihime's memories following this event but it likely didn't work as intended since during the Rukia rescue arc, Orihime mentions that she's been able to see hollows and spirits ever since the encounter with Acidwire.

Now let's go ahead and jump ahead to VL Ichigo -

Going to Hueco Mundo - Ichigo already knew without having to be told or convinced by anyone that Orihime was in danger. Aizen did his best to make it look like Orihime was a traitor to the Soul Society and Ichigo never bought it

It's being put in plainer and plainer terms that Ichigo transformed as a response to Orihime's call for help.

Even if you want to argue that there was a mistranslation or that Ichigo doesn't directly reference Orihime, even if you remove all of the text the sequence of events goes

Orihime's cries

Ichigo began to move and get up - functionally coming back from being dead

Once again, even if you want to remove the text avoid arguing about whether or not it was properly translated - nevermind the fact that in Japanese pronouns are often omitted and there is a big assumption to just know who/what you are talking about -

Even without text, the images show Orihime crying, and Ichigo beginning to come back to life.

Both she and Ulquiorra question whether that is Ichigo

Now that said, I think that Ichigo vs Ulquiorra is one of the most brutal and best fights in the series. Both Uryu and Orihime know that this isn't Ichigo.

Yet remember how it is established that hollows often become twisted versions of the people they once were? This is a power that Ichigo can't control and yet uses it to protect the person who called out to him.

While I don't disagree with the notion that this is also White protecting Ichigo, it doesn't change the fact that Kubo intentionally drew Orihime and Ichigo rising side by side multiple times. Even without text, Kubo places emphasis on her and her cries for help against VL Ichigo - not White or Zangetsu.

And when Uryu tries to bring him back to his senses what does Ichigo do? Put a sword through him.

Once again, even if you want to remove any and all text, Kubo puts VL Ichigo paneled side by side with Orihime, and when Ichigo comes back to his senses

The first person that he sees is Orihime.

As much as I want, I'll save my yapping about Ulquiorra for a separate time.

But for a moment, even if only briefly, his desires to protect were twisted in a way that hurt those around him, and once again - Orihime was the catalyst.

Ichigo says that he didn't want to win like this - showing that he views fights as something more honorable than what White/VL Ichigo had done. His last memory being that he had a hole put in his chest, also shows that he more or less "blacked out" and had no control over his actions.

What is one of the things established when people become hollows?

That they lose control of themselves and their desires are twisted.

The difference between Ichigo and Acidwire is that Ichigo wants to protect Orihime while Acidwire wanted to own her - which is why Ichigo never directly harms Orihime even as he loses control of himself.

But - all of this yapping is to show how from Orihime's perspective, hollowfication and hollow powers aren't good. They turn people into monsters that hurt their friends and loved ones.

It's also established that Orihime is the type of person who will internalize her own thoughts and feelings (it isn't ""hubris"" as some people call it).

Whether or not you want to argue that it was an assumption that Ichigo became a VL because she cried for help, it doesn't change the fact that she still cried for help and that Ichigo became a hollow/VL.

From her own perspective, she blames herself regardless of whether or not you think that it is an assumption on her part that Ichigo became a VL to protect her.

And after all - why wouldn't she blame herself when her first encounter with a hollow - Acidwire - blamed her for the monster that he became?

I know I skipped over him using his mask in the fight with Grimmjow, but I already yap too much and wanted to try to keep an already long post short(er).

Anyway - all of this illustrates the trauma that Orihime has regarding hollows and hollowfication. It's not truly her fault - yet in both instances she blames herself.

And not just Kubo, but Ichigo himself is fully aware of this.

Which is why when he tells her not to worry and that he's still himself is so important - because it shows that Ichigo has learned to control that side of himself while at the same time, being aware that Orihime is someone who has been traumatized by hollows and hollowfication.

Ultimately - she doesn't want Ichigo to become a monster like Sora. For Ichigo, it's growth in his own ability while for Orihime it's comfort in knowing that Ichigo won't lose himself fighting to protect those he cares about.

In short, she isn't afraid of Ichigo - she was scared of him becoming a monster like Sora had.

#rainbow talking #orihime inoue #orihime kurosaki #Ichigo Kurosaki #Bleach #Pro-Orihime #Pro-Orihime Inoue #Pro-Orihime Kurosaki #IchiHime #anywho - I did my best to leave out any romantic or shippy analysis #bc people will try to twist it to say that I'm trying to push a ship when I'm not #I still tag it as the ship bc I'm pretty sure shippers will want to read it #but i'm fending off Orihime slander that has crossed my tl in one way or another #Kubo also really does have a way of writing trauma that is super subtle #Because one can argue that Orihime becoming so kind and compassionate is a result of the trauma she's experienced #even before the start of the main series considering she was 3 when Sora ran away with her #even if she may not remember her parents specifically and only heard about their abuse #studies have shown even if someone doesn't remember it the abuse they experienced still has an impact on them #but all in all this was really more about Orihime #cause even removed of the text #Kubo drew VL Ichigo side by side with Orihime multiple times FOR A REASON #even if you want to argue those reasons aren't romantic #they're still there for a reason and it's to show how much Ichigo DOES care about Orihime #as well as Orihime's own experience with hollows/hollowfication #her hesitation and fear is a sign of trauma and PTSD even if the manga doesn't expressly say that #and it's something that Ichigo acknowledges and that he and Orihime also work past

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leonardcohenofficial · 8 days ago

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like i do not think we have to reinvent the wheel when it comes to interesting and meaningful theatrical storytelling / i am someone who is wholeheartedly and directly invested in the development and production of new theatre (as this is quite literally part of what i do for a living) and yet i can count on both hands the number of new plays i've read and/or seen this year that i would consider groundbreaking in terms of content form aesthetics politics etc. and the plays and playwrights that purport their work to be oh-so-radical and "out there" and avante-garde rarely are doing anything i find remotely novel + the plays and playwrights that have stuck with me most this years are ones created by artists who i think are invested in (not to sound hokey but) what the art itself is doing and what reactions are drawn upon viewing it and what bigger conversations can occur when we engage with this particular piece of storytelling in this moment

#because for me the purpose of radical theatre isn't simply to smash through boundaries be them formal or aesthetic or whatever it's to tell #a meaningful and impactful story that still has weight on the viewer after the lights come up and you leave the building and go home #the theatre friends i have on here who have done me the great honor of not only allowing me to read their work but trust me and my #perspective enough to give them dramaturgical feedback so excite me with their work because they imho have an approach to storytelling that #resonates with what i think theatre can do and that to me is so exciting to see but i need people to produce their work!!!!!!!!!!!!!!!!!!!!

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ashipikaur · 1 month ago

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GRADATION OF BLUE WHEN I GET YOU

#took me 5hrs for this #but more surprisingly ???? TSKZ? FROM ME???????#i dunno tbh i’m a bug fan of the tskz where it’s non-communicated pining in hs #*BIG #and then every day that goes on they both look forward to what will bloom from the relationship……. but nothing more does #until they drift apart and when they meet again the same spark isn’t there #but the relationship is still impactful!!!!!! and it’s the type of relationship that leaves a mark #i really like that very specific flavor of tskz. aka first time in 5yrs i’ve done content for these two and probs will be a Long while #till next installment #OK ENOUGH YAPPING. tags #kazunari miyoshi #miyoshi kazunari #a3! kazunari #tsuzuru minagi #minagi tsuzuru #a3! tsuzuru #tsuzukazu #tskz #a3!#a3 #a3! act addict actors #a3! art #a3! fanart #a3! game #ashipiko draws ♪

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insertsomthinawesome · 1 year ago

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art slow have a WIP askljdflKSJDLGJSDG -NO ROMANCE INCLUDED-

#Genshin impact #Neuvillette #Wriothesley #neuvillette genshin impact #wriothesley genshin impact #Isa's art WIPs #Isa's fanart #November2023 #Insertsomthinawesome #This may look like whumptober art but it is indeed not aslkdfjLKSDJLKSJDGSDG #Technically I could make it work for whumptober but naaaaaah #i never post WIPs so i figured i'd give it a try #inb4 i never finish this but alsdkjfklSDJLSDG OH WELL #i think it looks pretty now and thats what matters :>#i'll leave it on reblog ig I don't knwo what people normally do but eh i don't care HAHAHAHA #its still pretty even if its not done #I accidently wiped out some minor work last night by shutting down the file without saving #and i'm still bewildered that I did that aslkdfjDSLJSDGSDG

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natjennie · 1 year ago

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i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.

#this is about ghosts but honestly fandom in general #stop pretending the creators of things owe you certain story lines. they're making it not you #i explained it like this to my sister:#imagine you're reading a book and there are sort of hints and scenes that you take to interpret a character as gay #you cite quotes and talk about the themes and the impact of your interpretation #and then at the end of the book the character comes out as asexual.#and then a lot of those scenes and quotes that you were using as evidence for your interpretation-#now they could be construed to have been pointing towards them being ace all along #just because it wasnt the end you fabricated in your head based on your understanding of the hints #doesn't mean it wasnt always the writers plan from the beginning.#AND it doesnt mean you can't keep imagining a world where they're gay instead #it just means that the writer was leaving those clues to point you towards the ending #and you interpreted the clues differently #bbc ghosts #ghosts spoilers #bc like. if last resort was the ending #you could 'read' the whole series with the understanding that they weren't going to leave the house #and the foreshadowing would add up #but now with the special. you can go back and 'read' the series with the understanding that they leave #and it still all adds up. the foreshadowing was there it just meant something different than you thought.#stories have beginnings middles and ends #you predetermined the ending while still in the middle and got mad when you weren't right.#does that make sense?

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awakeskydoesntdraw · 8 months ago

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Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)

The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for Lyney and Lynette's future

I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)

Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways

Meanwhile, Lynette and Clervie are the two closest companions to their respective pair

Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)

Plus, a bit of a smaller connection, but they both have clear sweet tooths

(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)

So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?

Well... Not exactly in a good spot-

To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him

Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it

Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character

If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing

So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave

Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really

#I don't know how right I am with any of this #I may end up deleting this after I sleep #i just think too much about characters I like #I know a lot of people interpret Arle and Clervie as something completely different but I just cant ignore the parallels in my mind #all i hope is that I'm not alone in going insane connecting dots that may not even exist lol #genshin impact #genshin #arlecchino #the knave #clervie #peruere #lyney #lynette #freminet if you squint #rambling #theory #genshin theory #my posts #!Small edit from a few months later! Even though this was made for Arle's quest I still believe most of this stuff #I'm not sure if/when it may become relevant but I still believe its too much to be a coincidence #so im leaving it up. who knows maybe one day when things go insane again I'll get to repost and add more to this

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that-foul-legacy-lover · 11 months ago

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I giggled at this thought so have it as well

Sagau + legacy who tends to hijack Childe at his whims = playable abyss moth :D

oh goodness i was not in a good mood but this made me feel much better thank you

it's a glitch, it has to be a glitch, there's no other explanation for it! you've scoured the internet, watched countless videos, even uninstalled and reinstalled the game multiple times- but nothing could explain why, out of all characters, Foul Legacy had spontaneously become playable and was currently sitting in your party, exactly where your Childe should be. to his credit, he was INCREDIBLY strong, easily sweeping any bosses and enemies you met along the way, but the fact remains that he's not a playable character in the first place! you're worried that your game is being hacked in some way, but when nothing else happens for a few days, well... you can't deny that it was kind of fun to have a character no one else had, and you've always been fond of Childe's Foul Legacy form- you refuse to admit to spending at least half an hour just watching him on screen gushing about how cute he was (he even has his own idle animations!!)

on his end, in the digital world of Teyvat, Foul Legacy is absolutely thrilled that you haven't reacted too badly to his presence- he feared you would hate him for occasionally using Childe's place for himself- he always gives it back afterwards, he promises! Legacy works hard to destroy any enemies in your path, silently trilling in happiness whenever you compliment him. since he's not much in the way of words, he curls up into a comfy Abyss moth ball if you ever put him in your teapot instead of simply standing there, perking up and fluttering his wings when you approach him. and as he promised, he ALWAYS gives Childe back his body at the end of the day- the Harbinger's a little confused and disoriented, but you always greet him enthusiastically when you log in the next day, so he's not really complaining

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