#but in their roles they are also ugly?????

[oryou-condred]

i wanted to draw a genderbent of my yuu for a while!

basically, the reason why she is so different is bc yuu doesnt really use long hair because he likes it. he uses it bc he grew up around very restrictive gender roles, so he is trying to get rid of his own biases by pure exposition therapy. by that logic, i think girl yuu would be the same, so she would cut her hair super short. the reason that she doesnt straighten her hair is also bc 1. its too much work 2. she looks ugly as hell like that and 3. she did that to her hair for yeaaaaars. so she gets to be wavy while boy yuu gets to use da hair straighter.

and jade, regardless of gender, will be Like That

[loredrinker]

The Role of Freedom and Choice in Solas's Fate

I'm still ruminating on my last post – in particular Solas and his Original Choice (taking a body).  It got me thinking about choice in general and how the freedom of choice impacts a person's evolution and transformation.  And how each of the endings reflect that.

Veilguard spoilers below - and a long post.

The only ending that truly allows Solas the freedom to choose is the Atonement ending.  

Freedom and Choice are Important to Solas

Solas, a man who fought to free his people from slavery for hundreds of years, values freedom and choice. 

Solas hates ignorance and being mindless - because ignorance is not freedom.  There are a lot of great lines in one of his arguments with a low approval Inquisitor: 

He's also willing to kill if ignorance has destroyed something he values (All New Faded for Her).  

True freedom involves the ability to make informed choices.  

Wisdom flourishes in freedom - this allows for choices to be made that lead to transformation and change.   

Pride, in contrast, can be rigid, defensive, and resistant to change. When choice is removed, pride can fester because there is usually no space for reflection or growth.  

Take away the freedom to choose, and you start to strip away someone’s humanity.

Allowing choice and agency creates fertile ground for change and shifting perspectives. Which is strengthened through connection with others.

We saw this shift in Inquisition: 

Perspectives are shifting. 

In Trespasser, a high-approval Inquisitor can tell Solas they’ll prove he doesn’t need to destroy the world, to which Solas replies, “I would treasure the chance to be wrong once again, my friend.” He’s open to the possibility of another path, of a different choice. 

I see proof of this shift in Veilguard. 

In Trespasser, Solas tells the Inquisitor that saving his world will destroy theirs and sounds like he's talking absolute destruction. But in Veilguard, he tells Varric that he’s taken precautions to minimize damage and confesses to Rook that while thousands may die, he’s working to preserve as much life as possible.  

Personal opinion: Some people claim that Solas lies all the time - to himself, to others. Yes, he lies, but all the time? That feels like (to me) a simplistic and one-dimensional view of this character. I love Solas because he embodies duality. He tells the truth and he lies, but his lies are never straightforward. They’re strategic, carefully worded, lies of omission or half-truths.  Saying “he just lies about everything” is too easy. Solas invites us to discern for ourselves, to see him through the lens of the story we choose to believe about him. The game acknowledges this duality when (depending on dialogue choices), Solas tells Rook, “I am, after all, remembered as the god of lies, treachery and rebellion.” When Rook responds with, "Depending on the story.” Solas follows with, “And what story shall we tell now?”  I LOVE that line - it’s like he’s turning to us, the player and asking, What are you going to believe? We have a choice here. 

Back to the main point: is Solas lying about having spirits at the ready? Maybe. But we know Solas is friends with spirits (All New, Faded for Her), and he led spirits in battles against the Evenuris, he spoke with spirits trying to convince some to fight back. 

And Emmrich says to Solas: 

So why is it so hard to believe that he did ask spirits to stand by and help?  

Solas admits that while destruction is inevitable, he’s trying to minimize the damage. Yes, it's still morally questionable, but it shows a shift - a choice to preserve life where he can. 

Choices Shape Us 

The good, the bad, and the ugly - Solas’s choices define him. Prideful Solas makes destructive, terrible, morally grey decisions. He tries exerting force over Rook, manipulates, and attempts trickery. He tries to take away Rook’s own choices when it suits him. 

But we also see Wise Solas guiding and helping Rook. I love this ongoing dance between Wisdom and Pride throughout Veilguard. Which wolf will be fed? 

Freedom to choose is complemented by relationships - connections with others that encourage reflection. Just as Solas’s connections in Inquisition helped him reflect and shift, his connection with Rook - a new mirror for him - will also help him shift. The question is, will it be for the worse or the better? 

So We Get to the End... 

Elgar'nan has been defeated, Rook holds the dagger and now Rook has a choice...which will set the stage for which Solas enters the Fade – wisdom (spirit) or pride (demon).  

Trick Weekes mentioned on Bluesky in answer to a question about Solas's trauma being tied to the dagger. 

 (Here is the original Tumblr post which is a great read) 

With that in mind, let’s examine the endings - and Solas’s mental state - through the lens of freedom to choose. 

The "Normal" Ending 

In this ending, Rook has taken the time to help their companions, resolving their issues so they can make meaningful choices and become stronger versions of themselves. This collective strength allows Rook and the team to overpower Solas. However, Rook chooses not to offer a choice to Solas. Instead, they stab him, forcibly binding him to the Veil, against his will.

The image following this ending shows Solas in his Veilguard outfit, falling backward almost like in a spiral. To me this visual conveys a sense of being out of control - surrounded by darkness and a swirling storm. His mind is clearly not in a good place (he refers to himself a god now). Solas is trapped by force, and left in a dark, chaotic state.

The "Good" (Trick) Ending 

The Trick ending is intriguing. What’s interesting is that it’s called a "good" ending, and I think that’s because, in this ending, Solas still makes a choice. 

Rook and the team outwit Solas, forcefully binding him to the Veil once again. However, within this act of force, there’s a small glimmer of hope - Solas chooses to accept his defeat. He bitterly admits he was bested and calls himself a fool. While Pride may have the upper hand here, his Wisdom isn’t completely lost symbolized by the bright background in the final image. 

Though the image shows Solas falling again, he doesn’t appear to be struggling against it in this one. This tells me that, despite his defeat, Solas’s mindset might still have a chance to recover and evolve down the road. 

The "Bad" Ending 

The bad ending is fascinating to me on a few layers. It's described as the default because it requires the least effort. In this path, Rook neglects their companions’ personal quests, chooses not to help them resolve their issues (which would enable them to make meaningful choices so they can grow, so they can choose their paths going forward.)  Relationships are sidelined, and everyone dies. 

Solas’s state reflects this. He’s snarling, sneering, and fighting, stabs Rook, is consumed by anger, desperation and resistance. Rook chases after Solas as he tries to escape, grabs him from behind, preventing him from moving forward, pulls back on him slightly - then the Fade grabs them - pulling them both back to the Fade (as seen in this video).

He's being pulled - not enough of him to be him. He becomes what battered him, bruised his being.

And the image following this?  Just an image of a memorial.  No peek into Solas's mind, no commentary on it from Varric.  My interpretation? Wisdom (Solas) is gone. 

And Rook?  Not looking good.  The text following says that this "cost many lives, including Rook and the team". This implies Rook didn't make it. 

This ending triggered a visceral reaction in me. To me the message is clear. 

Rook’s decision not to support their companions means the team is unable to grow, leaving them unprepared to face challenges, weakening their collective strength. The absence of meaningful connection (which I highlighted earlier is a part of growth) results in a failure to create the unity needed to overcome Solas - and Rook and the team pay the price for this. For Solas, this lack of connection mirrors his descent into Pride.

Without the influence of reflection, compassion, or alternative perspectives from others, he remains trapped in his own rigid mindset. 

The "Best" Ending (Atonement) 

Despite Solas constantly trying to screw Rook over, Rook chooses to turn the other cheek – and offers him another chance.  Rook also holds Solas accountable, reminding him that by tearing down the Veil, he’s taking away everyone else's freedom to choose - because it’s what he wants. 

Solas is reflective here, mirroring the energy he’s met with. When confronted with ego, he responds with ego; when met with understanding, he opens himself to it. Rook’s willingness to forgive (this offering of another path is an act of forgiveness) and to challenge him, continues nurturing the chance for further change, allowing other voices, like the Inquisitor’s and Mythal’s, to influence him as well. 

But the choice is still Solas's.  

And when Solas CHOOSES to uphold the Veil: 

In both endings where Solas enters the Fade - whether alone or with a romanced Inquisitor - the Fade is bright. In the solo ending, Solas appears to be taking purposeful steps forward, looking like a wise sage. In the romanced ending, he holds the Inquisitor in an embrace, symbolizing connection. 

Both endings show a Solas looking like he was in Inquisition, a reminder of how his time with the Inquisition mattered. The relationships he formed shaped him, helping him build a foundation to move forward, to shift perspectives in order to make new choices. 

As Solas says to a friend Inquisitor and Rook, “Thanks to you, I see another way.” That realization came because Rook and the Inquisitor reflected that possibility back to him. 

And when Solas chooses atonement, he starts envisioning a better future - a world where the Blight is soothed and even the Titans might have a place. But being forced into the Fade? Who knows how long it might take for him to see that path (if at all), or if the resentment from being forced will taint his perspective. 

But again, this is just my interpretation (and still evolving).

The Atonement ending reminds me that people can change, but real change requires freedom, open-mindedness, connections with others and the opportunity to choose. Solas’s transformation happens because he’s given the space to choose his own path - not because he’s forced into it. Along the way, the people who challenged and engaged his Wisdom guided him back to his core essence, allowing him to reclaim his purpose in the end. 

[stiltonbasket]

💙 (blue) for the other ask 🙈🙈🙈

💙: Which character is not as hot as everyone else seems to think?

As a flaming asexual, I'm probably the wrong person to ask about this...or the right person, because to me, nobody is as hot as everyone else seems to think except maybe figuratively? I'm bad at distinguishing whether attractiveness is being spoken of "seriously" or .... theoretically?...or as a joke, or...yeah, I honestly don't know. Characters whose personalities I especially like immediately become adorable to me (if that makes sense) so I get cute aggression every time I see my favorite little guys.

[silusvesuius]

properly drew my 2 skyrimlians; Agnes, the tryhard failure, and the recently born Gorshi, the 'neat' one.. sometimes a good guy, sometimes a bad guy. sort of polar opposites maybe.

and their respective horses !!! 😝🐎🐎🐎🐎🐎

[shorthaltsjester]

sorry if it was unclear but the clarification on ashton's position in 110 that has made the ugliness of his current ideology clear was not the fact that he listened to what was said to him, it was his claim after that "The shard of titan in me, it's good. If things go the way I think they're going to go... I think nature is ready to right itself one way or another. [...] I think the world is ready for a bit more chaos. I think that we could be good for this place and I think we will more than survive the gods, if it comes to it ."

First, claiming that nature as titan has any moral standing at all is a bold move, because then ashton is ascribing the exact same power structure he thinks is inherently horrible with the gods to the titans. the titans are morally neutral if taken to be part of nature, the shard is just power, ashton's assumption that there is something about the titans that makes their responses and role in the world more right, natural, or most of all good is literally just. textbook essentialism.

but second. one of the first pieces of communication in that exchange was a correction of ashton's thinking (one similar to the correction the matron was trying to draw out as she kept bringing up the agency of mortals and their power). when ashton says "i'm a part of you." they're corrected and told that actually she's a part of ashton. in the literal sense this is obvious that the shard is inside ashton, but it also speaks to the pattern of bh looking everywhere but inward for an answer to what they should do, which is rather comedic given the degree to which ashton is willing to reinterpret anything said to them to get a specific answer but not actually uphold their own agency when it comes to 'nature righting itself.'

particularly i find revealing the "we will more than survive the gods" part. even taken as generously as possible and assuming ashton is just exercising his lack of judgement and does mean all mortals in his use of the "we" pronoun there, he has completely overlooked what was explicitly said about how, if the world is remade, only the strong are likely to survive. paired with the notion that the world needs a bit more chaos after spending weeks with several people whose lives have been irreparably damaged by the chaos that the other person in exandria who is appealing to a greater power to free him from the responsibility of dealing with his trauma at any cost... even my best faith still comes out of that looking at ashton (as someone who literally earlier in the same episode pushed back against his party members being optimistic because it wasn't realistic) as someone acting with naive optimism for blatantly selfish reasons. also just, general icky feelings about ashton referring to nature righting itself, the world getting more chaos, if things go the way he thinks they're going to go in vague, hand-wavy fashion when he should well know, punk icon that he is, all the violence those notions include.

[aimless-otter]

Liam moving minis

Bonus: Campaign 2- Episode 43 (After 10 minutes of setting up exact placements of minis)

[vaxyl]

Thinking about Vax'ildan.

Thinking about Vax and hair.

Thinking about a small child running to his mother crying because a bigger kid pushed him into the Gladepools and his hair is all messed up now.

Thinking of him sat in front of the fire as his mother dries and untangles his hair, singing to him in her mother's tongue.

Thinking of him and his sister sitting on stools at the kitchen table waiting impatiently as their mother braids their hair all prettily for the Harvest Close Fair, the pair giggling and kicking their feet as they're asked to "please sit still for just another minute, you two."

Thinking about Vax asking to brush his mother's hair and braid it, so she teaches him how to do it and Vex asks him to braid her hair as well.

When Syldor takes the twins, aged 10, to Syngorn, he forces them to have their hair cut according to Syngorn's bizarre Family Hierarchy Hair Rules;

waist length hair is indicative of political status

hair just above the waist is indicative of being the head of your household

just above the elbow length is indicative of being the household heir

just below the shoulder length is indicative of being respected by your household

hair that's shoulder length exactly is indicative of being from a wealthy household but of having little respect

just below chin length but just above shoulder length is indicative of you coming from a non-wealthy family

hair at chin length or shorter than chin length is indicative that you have been disowned by your family's household

Syldor has waist length silky black hair, which he usually leaves undecorated unless he's hosting or attending a ball

Vax also has silky black hair, Syldor having it cut from just above the elbows up to exactly shoulder length - while Vex has curly brown hair that had also been just above the elbows before it was also forcibly cut to shoulder length exactly

Vax would continue to help his sister with her hair, brushing it and braiding it for her

Whilst Vex slowly earned a modicum of respect through her hard work at school, her hair allowed to grow longer, Vax never gained any respect as he flunked his classes and started to act out, so he had to keep his hair shoulder length

By the age of 16, Vex had her hair back to just above her elbows to show that she's now the household heir - while Vax has rebelled and cut his hair into a choppy pixie cut in an attempt to piss off Syldor

He's forced to wear a wig to social events and he's banned from using sharp objects, but its worth it to him

When the twins run away from Syngorn and end up living in the woods when Byroden is gone, Vex has Vax cut her hair to match his as a symbol of her love for him and Vax cries while doing so because his sister's hair is so important to her

from then onwards, Vax comes to consider both of their hair as incredibly sacred to him, taking as good of care as he can of both of their hair even while living out in the wilderness

they both grow their hair out to be waist length, almost as if to spite Syldor and Syngorn

Vax braids Vex's hair in a way that protects and maintains her curls, while he likes to decorate his hair with small braids with colourful beads through them

When they join Vox Machina, Vax accidentally becomes the resident hairstylist as well as the resident cook - Scanlan, Pike and Keyleth all go to him for hair cuts, hair styling & help with shaving properly

Percy wouldn't start asking for his help too until after they've dealt with the Briarwoods and freed Cassandra & Whitestone

Cassandra also goes to Vax for help with her hair, having him cut it to her shoulders for her after years of Delilah not letting her style it how she wants to

when Grog gets the belt and grows a beard, Vax helps him to style and maintain it

Vax and Gilmore do each other's hair, teaching each other different styles and hair care tips as they gossip - just two boyfriends who have "caring for the other's hair" as a love language, so cute!

Vax and Allura, who are best friends with messy feelings in my fanon, love to gossip over tea and take turns braiding each others hair as they do

and I can so see Vax starting a hairdressing salon in the back of the 2nd floor of Gil's shop

just...Vax'ildan and hair 😭

(I will never forgive TLOVM for the fuckass ugly hair they gave Vax, let him have pretty hair!!!)

[cruelplatonic]

ruminating on 'the vees died despondent nobodies' thoughts

velvette interrogates vox after she hears him give various conflicting and bombastic accounts on air. a selection of these include: blew his brains out on live television, administered the death penalty for killing his "bitch wife," a tragic accident involving two shetland ponies, dubiously legal iranian yogurts, and a whole lot of cocaine. the actual cause was shockingly ordinary- a heart attack in front of the television, alone, his corpse only recovered after two weeks passed. he was watching a game show and his last mortal regret was never even learning who won, because he died during the commercials.

[henrybelly]

honestly when i tried to figure out why some fans are so mad at ivypool these days i was looking through avos and. the scene where ivypool apologises to twigpaw for not supporting sending a patrol for skyclan is genuinely very sweet??

i actually saw someone characterize this as "ivypool forcing twigpaw to forgive her". is it crack you smoke. is that what you smoke. you smoke crack?

[drifternox]

Me, but I stick Gavin in my OC's universe and send him straight to hell

All that you need to know is that Gavin partially works for a very scp-esque organization focused on keeping things outside of the boundary of the dimension's existence from bleeding into it

He still works his normal job, everything is pretty much the same, and his only daily goal is to get home and "use his android boyfriend as a weighted blanket and go to sleep."

sucks that the constant exposure to extra-dimensional shit causes a form of corruption that (while reversible!) is not great

[cerealbishh]

"I relate to Bess a lot. I think that she is someone who is super quirky, I'm a very quirky person! Artist really struggles with feeling validationwith her art and they can be incredibly critical of themselves. And I think that Bess is someone that really cares about other people and I think I care a lot about people, too. Her temper is a little quick, for sure. And that was something that was exciting to play because normally, I try not to make anybody uncomfortable. So I think that was fun, to be a little more sharp and and to find that!" - Brittany on Bess(x)

[catboybatman]

Why is DC's official merch on their website genuinly so ugly like is this not a company filled with artists?? Even if not, they couldn't bother hiring one (1) person for the merchandise department who knows basic fashion or graphic design??

[shredsandpatches]

Our beloved local outdoor summer musical theater venue is doing Les Mis this summer and they're looking for 20 extra singers from the symphony chorus to fill out the ensemble on "Do You Hear the People Sing," "One Day More," and the finale -- it would basically involve a couple of days of intensive rehearsals (necessitating two days of vacation time) and a week of performances, it's after the symphony season is over, and it would allow me to do something I've dreamed of since I was ten.

So why am I waffling about it? Oh right, it's my mother's voice in my head. (It's probably also that recovering from covid has got me worried that my voice won't come back--even just with the symphony there's so much amazing stuff happening this season)

eta: it's actually 10 days that we need to be available for rehearsals, I think, which would make it a lot less doable for me, but idk if the supers need to be there the whole time -- I guess I'll go to the interest meeting in a couple of weeks and find out. We get 180 hours of vacation time a year but I will actually need to take a real vacation at some point

[dumpster-fire-sapphic-failgirl]

y’all the last half of Ep 3 of Tide and Bone was like, the most comforting horror I’ve ever seen?

like, full on sobbing for the last hour or so

and the dread and despair and not being able to change the big things that is a necessary part of eldritch horror

but they did it in such a warm way

and the tears were of grief

for what could have been and what was

but they flowed because of that loving embrace

a sense of home

from what should be one of the most terrifying figures in the universe

it was a fuckin masterpiece

[7thcirclebaker]

When the fuck was I supposed to find out the Gerard Butler, Stoic the fucking Vast, Irish accent so thick you could slice it and fry it, can sing like a fucking Angel

[sagabrielle]

as a person who hasn't read the books; I thought that finale was 8/10. Louis is so crazy but he is so free! and I kind of like the ambiguity with Daniel/Armand. We are gonna have to continue watching to see what happens next season. I have a feeling Armand is back to hiding in a cavern/hole somewhere, and Daniel knows where! ALSO...lestat playing sad music on his ipad in his shack while pretending to play a keyboard. can't wait to see more of this stupid french fuck