#but i’m really mad
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rynli · 4 months ago
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officer now is not the time to obsess about your sexuality
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anna-scribbles · 1 year ago
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last one i promise(<—lie)
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sesamestreep · 2 months ago
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speaking of “day of the dove”, it deserves to be famous just for the part where the Klingon captain is talking to Kirk and Spock and his wife who’s just been beamed aboard comes up and starts laying into him and he goes “my wife and science officer” by way of explanation and introduction and it cuts to Kirk and Spock looking at them like this for no real reason
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which could mean nothing
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trans-androgyne · 21 days ago
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It doesn’t matter how you try to justify it, any amount of framing transfem transitions as a glow-up but transmasc transitions as a glow-down, even as a "joke,” hurts people. Stop saying things that discourage us from transitioning, it isn’t funny, progressive, or acceptable. If you say you find men and masculinity “boring” compared to women and femininity, A) skill issue, us queer and trans folks do some awesome shit with it, and B) so what, I’m transitioning to align with my gender, not to appeal to your interests. Feeling more comfortable in my body is an upgrade no matter what and also I look hot as hell doing it. And if you claim we can take it because we somehow already get privileged/rewarded for wanting to be men/masc, you’re just flat out wrong—transphobia and misogyny exist and already discourage us from embracing masculinity at every turn. Transmasc transitions are beautiful and radical. Show them the respect they deserve or get out.
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shepscapades · 5 months ago
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Your highness… I don’t feel so good
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electricwalkman · 2 months ago
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Oh my god Agatha became a witch killer to “survive” because she knew that the more bodies she left behind, the longer Rio would have to stay away from Nicky and the one night they don’t & Nicky says “we can go kill more witches tomorrow” THAT was when Death caught up with Nicky and had to take him i need someone to hit me with a car-
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frindoka · 4 months ago
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[the curtains close for a show that used to be yours.]
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thenameisgul · 5 months ago
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it’s actually no surprise that how many angels who actually care for Cas seem to hate Dean and Sam.
because from their pov sam and dean are the bad influence that got their indomitable leader of the garrison Castiel to stray from his path and become this sidekick to two humans
everything Cas gets out of this transaction, this family of his, love, friendship, companionship, feelings, hopes and dreams are things that are alien to the angels
samamdriel said it best, ‘too much heart was always Cas’ problem’ but he said it like it was a bad thing
but for Cas it’s the reason for his existence since he found his family and that’s why he’s the perfect blend of humanity and angelic existence. he’s the middle ground that never was before 🥺
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sydneys-adamu · 6 months ago
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I’m just not surprised. this is the exact way we were told he was going to be acting. like a new york ego maniac that drives everyone crazy especially syd. idk the more I think about it the more I get everyone’s frustration with carmy but like he’s supposed to make us wanna rip our hair out. like he’s supposed to be annoying and ruinous. there would be very little story if he wasn’t. we always naturally wanna see things work out nice and easy and joyous and perfect but it was never gonna be a straight upwards line like that.
I actually think that this season showed syd’s feathers more than anything. marcus makes a speech about how special it is to have someone pay attention to you and really consider you and then right after we have syd literally adjusting the margins so carmy would be more comfortable writing. and he’s so taken aback by someone doing something so small for him like it’s nothing. like despite the fact that he’s driving her insane, she really cares about him, and her wanting to leave has so much to do with not him but how he’s acting, alongside the fact that she wants to have a voice in the kitchen he keeps on saying he’ll give her and then doesn’t. it feels like she knows this isn’t who he is and she keeps waiting around to see if he’ll open up to her but it doesn’t happen so then we have half conversations and half truths that are frustrating and so true to character.
one thing that was made blatantly clear is that these two are so hungry to know the other more. they want to be more involved but are both so emotionally stunted when it comes to each other they don’t know where to start. like when they look into each other’s eyes the words just go out the window. when they’re not talking about work they don’t know where to go from there even though they want to.
I can easily say I have never seen chemistry the way these two have it. you can do whatever you can to wipe it but you can’t. even if you don’t give them a big table scene it’s still there. it’s always going to be carmy and sydney, even if they can’t find each other yet. what they want and where they’re at are two different things and it may take a bit for them to get there. I think the not knowing of it all is intoxicating.
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doctorsiren · 6 months ago
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Can you draw reigen ridley
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this is what you meant, right?
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skyenish · 2 months ago
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CW: Blood, Knife | For Halloween this year, my Yuu decided to go as American McGee’s Alice! | Twisted Wonderland OC art ✏️ |
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whimsyprinx · 2 years ago
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“people who don’t block and report bots are why they’re still here” actually staff not properly dealing with them theirselves is why the bots are still here, not people who got tired of having to block and report several bots a day
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drusill-a · 6 days ago
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[WWDitS finale spoilers]
Aside from the obvious – the gross shipbaiting and mocking naive viewers who dared to believe an m/m dynamic could be treated as anything other than the butt of the joke – my biggest issue with the WWDitS finale is that it’s an ending that could have made sense… but at most after s2. Back then, we were still watching a story about characters who didn’t share any particular bonds (except for Nadja/Laszlo) and who were entirely static, unaffected by the things they experienced.
The thing is, the creators themselves realized you can’t build a long-running story on that formula – eventually, the characters had to evolve at least a little, and their relationships had to deepen so viewers would have any reason to root for them. And so Guillermo’s position in the group began to change – first, he earned their minimal respect, then a very solid place, until finally, in season 5, all the other characters had reached a point where they didn’t even hide that they genuinely cared about him a lot. The same happened with Colin, who at first was completely left out by the other housemates but gradually earned an equal spot in the group and developed that stupid yet sweet bond with Laszlo (erasing those memories was, imo, one of the writers’ biggest mistakes). Laszlo showed himself capable of empathy, which he proved again in s5 by helping Guillermo, and even Nadja, who used to completely disregard everyone’s feelings, had several moments in later seasons where she openly cared – at least in her own way –  about the others.
And of course, that’s how we got the romantic subtext between Guillermo and Nandor. Over all those seasons – from s3 up until s6 – I was certain it was a classic will they, won’t they dynamic that would end with them getting together. I just couldn’t believe the writers would spend the last 4 seasons making their relationship more equal and showing Nandor’s journey to realizing Guillermo genuinely mattered to him, only to do nothing with it – or worse, regress them back by three seasons. But the late s6 Nandor’s “no homo” attitude has very little in common with the Nandor from seasons 4 and 5, who was openly pining and lusting after Guillermo.
From Guillermo’s perspective, this ending is an absolute tragedy – even the end of the previous episode gave him much more hope. Maybe he’d lost his lifelong dream and still hadn’t found a new purpose, but he had found a family and a place in the world, with a potential chance to build something meaningful with Nandor in the future. I don’t understand why this episode had to undo all of that – to show us that none of his friends really listen to him, that the power dynamic with Nandor will always be uneven, and that ultimately he wasted 16 years, and no one would really care that much if he left. Considering how great Guillermo’s development was, especially in gaining confidence from s4 onward, this ending feels so unfair and insulting to his character.
I feel like the writers’ biggest mistakes have been forcing a return to the status quo after every season. After the breakup in s3, the characters should have stayed apart for at least an episode or two. Colin should have remembered that Laszlo raised him, and they should’ve kept their funny, fucked-up father-son relationship until the end of the show. Guillermo should’ve been a real vampire for at least a full season—or, in my opinion, permanently—because, as it turns out, the writers had absolutely no idea what to do with his character once he lost that goal. Relationships that had evolved shouldn’t be randomly reset by a couple of seasons just because the writers couldn’t be bothered to put in the effort to write anything new for them.
You can’t have your cake and eat it too – if the writers were so dead-set on giving us an  ending that says “nothing in these characters’ lives matters, and nothing will ever change,” they should have made the show half as long and spared viewers the trouble of getting invested in character and relationship arcs that ultimately went nowhere.
This is a comedy show that was supposed to make people feel better. After this finale, I feel mocked by the creators for believing that the queer ship they sold me for 4 seasons had a chance of being treated equally to an m/f ship. I’m also sad because the characters were regressed and left stuck in eternal limbo, and generally I feel ridiculed because the writers openly made fun of us for getting emotionally invested in the story they wrote for us.
And maybe the biggest crime of these last few episodes was that they weren’t even remotely funny—so you can’t even say they prioritized comedy over character development, because it failed on that front too.
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mytearsrricochet · 11 months ago
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not speaking up about Palestine is genuinely one of the most cowardly things Taylor has done and I’d be lying if I said I wasn’t wildly disappointed in her over it. I’m sure someone will take this as hate or bullying or whatever but it’s just like. absolutely the loudest silence she’s ever had. especially being famously close to the Hadids. even Jennifer garner’s daughter wearing a watermelon shirt generated $120,000 worth of aid for Gaza. no one even knows her daughters name. imagine what Taylor could do and chooses daily not to do.
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ladyofthevalley · 4 months ago
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People who don’t understand the Arya and Sansa sibling bond obviously didn’t have WWE style brawls in the middle of the living room floor with their sibling.
You can hate each other, say heinous things, full on battle until first blood.
But you’re still siblings,
all the Arya-antis and Sansa-antis are placing too much weight on the events of kings landing.
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eli-am-confused · 5 months ago
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I think them as a childhood group of friends cold be very fun! Like they kinda work as a Scooby Doo/Solve It Squad kinda group except most of the crimes are actually supernatural and connected to the occult (I’m sure that’s a thing i guess Gravity Falls?) thinking of calling them the Hatchet Catchers or something like that?
Anyway Duke mostly handles the “civilian” stuff (talking to witnesses and adults) and patches everyone up with the first aid kit he keeps in his bag. Holloway is also very good with adults but she mostly handles research and take-down. Wiley is more the action type but he has a way with cult members that can get kinda creepy at times. He also sews which is fun! Sheila is best as long-cons and waiting shit out, she’s also very good to have in a fight.
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Here’s them as teens too. This is like a month or so before the Accident™️.
Duke(definitely lying): Sorry dad. We’ll never sneak onto an active crime scene again.
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