there are so many things i want to say to strangers and won't be able to. i adore watching them, admiring them for as long as possible before they catch my gaze and i have to turn away. i smile and go back to the window, but i yearn to see humans in the natural habitat, laughing alongside one another, decorating themselves with the jewelry and clothing that makes them feel good, nodding their heads along to lovely music. i will never be able to watch them long enough. i will never be able to compliment them all. i will never be able to love them enough. but i must try.
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i’ll just be having a normal night and then i remember how the first time colin kissed pen you can hear him panting into her mouth and then i’ll remember how every time he’s near her after that he can barely breathe or you can hear his heart pounding and then i’ll remember how he couldn’t even tell her his feelings during the ball because he literally could not breathe with her right there in front of him like she was stealing all his air again and the way he looks down at her mouth was like he so desperately wanted her to make his head stop spinning and fill his lungs with her because she’s consumed him and then i’ll remember–
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the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!
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the last time I made a post about a character type I really like it went well, so here's another one: I love a character who is a piece of shit loser.
Let me explain: a very specific kind of piece of shit loser. This is a character who is almost never (at least not at first) a major protagonist or a major villain. They might be a mercenary or thief or black-hat hacker or in some other sort of antisocial "bad guy" line of work. They are some sort of henchman, or at least have strong henchman energy: dangerous and/or talented in specific skills perhaps, but also, importantly, undeniably a loser. Their personality sucks. They're uncharismatic and unpleasant. The heroes interact with them only when they must-- and this character deliberately cranks up the cynicism around especially sunny or optimistic heroes. They know the world is a cold, hard place, and the only thing they trust is cold, hard cash (if they're even getting paid for this shit). Things like "hope" and "friendship" are for suckers.
Until... somehow, some incident or confrontation or compounding sequence of events puts a crack in their armor. It's a crack where the light can get in-- and also, alarmingly (to others and to them), shine out. It turns out this piece of shit loser had a little spark of goodness buried deep inside all along, and no matter how much they dig in their heels and insist they don't care, their conscience is steadily pulling them over to the "good" side, and it's winning. And the heroes know it, too: this character might still be a piece of shit loser, but now they're their piece of shit loser, and there's no going back.
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If Dc could stop passing around friends and love interests that’d be great. No really. Just make new characters.
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TROP S2 SPOILERS
Nobody better say anything bad about my girl Earian she is being manipulated through her grief by the men in power around her and it's making it hard for her to discern right from wrong. I'm not saying that her actions are justified, I'm just saying that she misses her brother and dearly needs her dad, but at the moment she is all alone and that can mess a person up
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13 is an utter awful rat to Graham in It Takes You Away, she treats him horrifically as she loses her patience and therefore temper with him and never bothers to apologise for it, but nobody notices because she didn't raise her voice and it wasn't in a situation where she'd be expected to mother him, so it sailed over peoples heads. She lost her temper and she got Mean. She didn't get shouty, she got mean. She's not a yeller when she lets her anger loose, she's sharp and cruel and so very deliberate. And that doesn't track with peoples stereotypes of women, does it? Women are shouty and Shrill when they're angry, apparently.
She does it to the master in the timeless children, she's sharp and mean and cruel and never once raises her voice when she does it (she actually lowers her voice when she's being really mean btw). This did Not happen when you're thinking it did. Not in the matrix room. She had no idea she was scoring a hit against him there because she didn't understand what he was thinking (because he'd deliberately mislead her). It was in another part of the episode. She scores a hit and almost makes him cry and nobody cares or notices because it's not in a situation where she's supposed to be mothering him while he's all sad. He was being a jerk, she hit out deliberately below the belt and won that round, the end.
It's no that I think 13 isn't at times objectively shitty as a person, because she IS, she certainly was to Graham in the moment above. It's just that instead of looking at the Actual moments on screen when she sucks and dragging her for being shitty person, people have to resort to making up things to accuse her of that are Very gendered (as in, things women are going to get slammed for in society based upon sexist ideology) that never even happen, simply because they didn't pay enough attention to notice her being a crappy Person to drag her for that/they don't actually care if she's in general a lousy person at all.
Because they don't Want her to be a crappy person, that doesn't achieve anything.
They want her to be a crappy Woman.
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Tress scratched the best itch for me, I’ve been craving a good fairy tale and it was just perfect. I kept slipping so hard into the fairy tale aspects that I kept getting caught by surprise whenever a cosmere thing stopped beating around the bush and revealed itself, actually. While I’m sure that wasn’t fully the intention, it was a really fun way to read some brandermansanderman coming fresh off of sunlit man and how intensely locked in I was with the Connections. Genuinely Tress is such a fun little romp. I love girls who sail in fucked up seas and this is a genre I want more of please thank you.
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