#but he's not completely detached

[movie-robotnik-positivity]

To me Agent Stone represents that small shed of humanity Robotnik has left, the one he denies but can't seem to let go of. That irrational attachment and desire for companionship.

And I think Sonic 3 will put that humanity to the test.

[tapestryundone]

when the god was made in the image of a man who infiltrated the mind of said god and in doing so made himself intertwined with the form that god took while also being the cause of that form creating a infinite feedback loop of what caused the god and his creator to evoke the very image of the death the creator feared through the form of an animal representing that concept, and the god has faint, undeniably human characteristics given to him by his creator while his creator retained none of it. fuck

[nalooksthrough]

The thrilling sequel.

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[biblicalhorror]

Aroace Riz real but also Fabian is SO clearly in love with him and Riz has no idea

[thorin]

i don't think you guys understand just how much laios touden means to me...... this is REAL autistic representation

[agenderduck]

It deeply upsets me that there aren’t a lot of analysis posts off of Lesley, at least ones that don’t completely mischaracterize her. Often times Lesley is watered down to just being “Yellow’s Mom” by the fandom and nothing else. Lesley is tragic. She is not motherly, she’s a prisoner. A prisoner in a prison partially of her own design, but a prisoner nonetheless. matpat, and the david theory in general has rotted people’s brains. It’s fine to have an interpretation of a character, I could care less, but it’s an entirely different thing all together to completely miss the point of a character. Watching the line “you’re one of my favorites….” be brushed aside for what is otherwise a completely unserious line is infuriating. There’s no actual proof that Lesley is Yellow’s mother outside of theories. When she says “you’re not my real son” it’s more so in the way that she creator, and he is her creation, not that Lesley is actually an author, she just thinks she is. The trio represent parts of her, almost everything they do is by her hands. They’re miserable because Lesley is miserable. She believes herself to be an author, a creator, but she doesn’t hold any real power, just a small amount. Yellow didn’t scale the staircase on his own, everything was meticulously laid out by Lesley. Because, the truth is, he represents a part of Lesley that she has long since forgotten, the part of her that genuinely wants to change, to progress instead of regress. By giving yellow his batteries and bringing him up stairs, she is checking that she is still alive. That there is still that small part of her that can change.

But, as previously stated, she doesn’t have any real power, and she has no interest in truly changing. She has strings of her own, she can’t change even if she wanted to. Lesley has a tendency of setting up scenarios where the puppets are given a false sense of control. She does it with red in transport, and she does it again in electricity with yellow. In her mind she’s teaching them, teaching them that things cannot stray outside of what she has laid out for them. It’s her own twisted way of helping. Yellow, unlike red, possesses a genuine ability to question things and a natural curiosity. Lesley knows this. That’s precisely why his batteries are denied from him, unless Lesley hands them to him on a silver platter when convenient. Yellow has to pay the price of being constantly disoriented, to be in a constant state of confusion because if he isn’t then that would entail Lesley addressing what is pulling on her strings. The batteries are a threat to this cycle, hence why Lesley gifts him a book of false knowledge. A book of nothing. A red herring. She knows where that book is going, straight into the shredder as it always does. Where it should be. Because ever so slightly out of shot at the end of her room sits a door that creaks open every once in a while and she dare not question it. A door that she ignores as she continues on playing her piano as she always does. As it should be. No questions to be had. Just the keys of a piano echoing emptily in a dilapidated dollhouse, and the ghost of an artist who lost herself eons ago.

[amberedcorpse]

Duke lives in a perpetual state of missing home and being glad he´s not there anymore. Missing the place, it's sights and sounds, but not the people who lived alongside him in that tiny house. Glad that he made them "disappear", glad that he destroyed every branch of his family with his own two hands...But the place, it's trees, the earth and the river-- all of it still haunts him.

[flamestar126]

Game Night with Douglas

Click for better quality

What happens after Douglas leaves for a second

rambling about their outfit in tags

[cuteniarose]

Me: *creates an OC*

Me: *heavily implies OC will meet a bad fate*

OC: *meets bad fate*

Me:

(Alternatively, I may have started it, but @katkastrofa enabled me and now I’m losing my mind)

[watermelinoe]

like yes totk is technically much darker than other zelda games, but is there any emotional weight to it? when the plot consists of these out-of-context cutscenes that you can collect in any random order at any point in the game (or not at all) with zero impact on the plot or link himself? somehow the silly toon zelda game managed to make toon king daphnes of hyrule's sacrifice more heart-wrenching than king rauru of hyrule's, and the toon guy was literally a boat for most of the game

[beastofmoss]

Anyway, here's my fucked up 23 yrold

[ratcandy]

fuck it HOMOPHOBIC SWAN JUMPSCARE

[yvtro]

there's a verse in louise glück's "a myth of devotion" that goes like that:

He wants to say I love you, nothing can hurt you but he thinks this is a lie, so he says in the end you’re dead, nothing can hurt you. 

and it makes me think of how bruce can't come to terms with jay being alive, and how he refuses any kind of emotional engagement with that fact. this verse encaptures one of possible reasons for this refusal so well. it's a form of self-preservation; he feels helpless when confronted with jay's anger and pain. if jason is alive, it means that he failed him again, that he already lost him again. and bruce can't live with that. denial, then.

you're dead, nothing can hurt you.

[soup-sponge]

lockwood (about gravediggers): proper honest blokes, real salt of the earth george: you’ve never even spoken to them! lockwood: yeah, well, they’re a bit scary

[neo-shitty]

finally catching up with bsd after one hell of a month (+ midterms) 🫠