#but god i hate it because it's ~different~

[hotshotsxyz]

living lies and compromise

(8b spec) (buddie) (879 words) spoilers for 8x08! set a few days after eddie returns from texas and i still managed to make it angsty :) i bet you'll never guess what band i stole the title from

The knock on Buck’s door isn’t entirely unexpected. He doesn’t know what to do with it, though, doesn’t know how to exist in this strange liminal space where Eddie’s back but everything is still different.

A few months ago, Eddie would’ve used his key and walked straight in. A few months ago, Buck would’ve welcomed him with open arms. As it stands, he hesitates. Just for a moment, but—

It’s been a long time since Buck was hesitant with Eddie. He hates it.

He opens the door, and the smile he greets Eddie with feels brittle and fake.

“Hey, man,” Buck says, trying trying trying to make it come out right. He hears it, though—it doesn’t sound the same.

“Hey,” Eddie replies. He hoists a six pack in the air, and if Buck squints he can almost pretend this is exactly what it used to be. That they’re what they used to be.

“Come—come in,” Buck invites. He can’t remember the last time either of them waited for permission like this.

Eddie swallows visibly and steps into the loft for the first time since—god, he’s not actually sure. Right after Halloween, maybe?

“Thanks,” Eddie says. He drops the beer on the counter but makes no move to grab one.

Silence stretches between them. It’s not uncomfortable, necessarily, but it’s also not the kind that falls when everything that needs to be said is out in the open and everything left can wait.

“I thought you’d be happy to see me,” Eddie says finally, achingly quiet.

Buck shakes his head. “I am, of course I’m happy to see you,” he says.

“Please don’t do that.” Eddie’s eyes are wide and sincere, and if Buck’s not careful—

“Eddie,” he says, pleading, “I am, you have no idea.”

“Then why…” He gestures vaguely at the space between them. Why the distance? Why the reticence? Why aren’t they falling together the way they always have?

Buck bites his lip and steps into Eddie’s space to grab a beer for himself. He retreats, but he doesn’t go far.

He pops the cap off and sighs. “You left,” he says simply.

Eddie stumbles back against the counter. “But I came back,” he says. “And I thought you understood.”

Buck offers him a sad little smile. “I did. I do. But—coming back wasn’t the plan.”

“Did you… not want me to?” Eddie asks, small and a tiny bit incredulous.

“No,” Buck says, watching as Eddie’s disbelief turns to hurt. “I didn’t want you to come back. I needed you to.”

A wounded noise escapes Eddie’s lips. “I did,” he says.

“What about next time?” Buck asks. He wishes he didn’t sound so raw and ragged, but it hardly matters when Eddie’s the one listening.

“What?” He breathes, punched out like a cough.

Buck looks over Eddie’s shoulder, out the window and into the vague glow of night in Los Angeles. He takes a swig of his beer.

“I need you, Eddie, I still—the whole time you were gone it felt like—like I was missing a limb. And I can’t—I can’t keep needing you like this, not if I don’t get to keep you,” Buck admits. “So I just… I have to figure out how to stop. But I can’t do that when you’re here.”

“Don’t,” Eddie says desperately. “Please don’t. I’m here, okay? I’m not going anywhere. You have me.”

“I’m not sure I know how to survive believing that again,” Buck replies.

Eddie takes a step forward, close enough now that Buck can feel his breath ghosting across his skin.

“Look at me?” he asks.

Buck’s never been able to deny him much of anything.

“I kept looking for you. I’d see something funny and I’d turn, because I wanted to see your reaction. The front door would open, and I kept thinking you were going to be the one to walk through it. Hell, every time I went to the grocery store I wanted to call you to make sure everything we needed was on the list.”

“Eddie,” Buck breathes.

His hand drifts toward Buck’s shoulder, just like it always seems to, but this time it doesn’t stop. Eddie reaches until his fingers are resting against Buck’s neck and his thumb is slowly sweeping across his jaw.

“You need me?” he asks.

Buck nods.

“Good,” Eddie says in a rush of air. “Because I need you too, okay? So please don’t stop, please don’t pull away. I’m sorry I didn’t ask you to come with me.”

“I’m sorry I didn’t ask you to stay.”

Eddie’s shoulders slump. He takes the last step forward and pulls Buck into a tight hug.

There’s this thing Buck’s been trying not to look at. It’s been growing in size, taking up more and more of his field of vision since the moment Eddie left for Texas. It’s been fuzzy and hard to discern, difficult to ignore but easy to avoid putting a name to. As he melts into Eddie’s arms, though, everything comes into sharp relief.

It’s need. It’s want. It’s love.

And the thing is, Buck knows how this goes. But what the hell? It’ll be a privilege, getting his heart broken by Eddie Diaz.

He clings a little tighter.

[s1m0nth3swag]

Could you write “How would Viktor does when reader has depression”.

Of course! Thanks for the ask pookie :)

These r a little short because I am still ill (and my head is literally killing me as I type this) but Viktor is more important than getting well!! (Also bawling my eyes out after act 3, even though I'd still love Viktor nonetheless, machine or not, he's getting it)

WARNINGS/ CONTENT INFO: Mentions of Depression (obviously), GN!Reader, sweet Fluff, Viktor has no clue what he's doing in all honesty, he tries (and succeeds) to be sweet

2 Stories - One more casual/not yet dating and the other is established relationship

You've been off lately, Viktor had noticed. Isolating yourself bit by bit, looking more tired and overall acting just weird. You've had your phases before, but this one was too long. It wasn't like you at all. You've barely even spoken to him or Jayce, when usually you'd yap both their ears off about whatever topic you had learned about the previous night. Now, the lab was silent. Jayce was away on some Council party, and god knows Viktor would never start a conversation on his own while working. Though, he couldn't focus tonight. He mindlessly tinkered with small parts that laid around his desk, his thoughts clouded with the question of what was bothering you. Whatever it was, it bothered him as well. He'd never say, but he missed the cheery and chipper way you'd usually be.

"Are you... alright?" He questions after a while, clearing his throat slightly. This was already too awkward for him, but he did care. Totally just because the atmosphere of the lab would suffer if you weren't your usual self. He noticed the way you shifted uncomfortably as he glanced over to where you were sitting, like you were pondering how to answer. He wondered why you'd need so long to think of an answer, as if you couldn't tell him the truth. "I'm fine. Just a little tired, I just haven't been sleeping well." You answer, a soft, akward chuckle slipping from your lips. Viktor doesn't like that answer. You're different from how you are when you're just tired - not that he actually paid attention to that, but you weren't on your fifth cup of coffee yet. Actually, you hadn't had coffee at all today, another unusual happening. He sighs softly, and you immediatly know that he's gotten into questioning mode - he was a scientist after all. He really couldn't help it. "You can talk to me, you know? We don't have to be lab partners and nothing else, we can be friends." He speaks, his voice softer than before. "What's bothering you, hm?" Viktor adds, turning his chair around to look at you properly. It's your turn to sigh, letting your head hang slightly. "I've just been... feeling off. Like, actually tired but in a mental way? I don't know how to explain." You mutter, awkwardly averting your gaze from him. "We should take a day off, then. Do whatever you want instead of working." Viktor answers casually. "I don't want to miss important stuff in the lab Viktor, I can't take a day off." You throw back at him. He huffs, a slight chuckle filling the room. "Not you. Us. Maybe all three, if Jayce is willing." He clarifies, already noting it down in his notebook to make sure that day off actually happens.

Viktor noticed the moment he woke up next to you. You'd fallen into another slump. He could tell just by the way you didn't just not want to get up - it was a physical challenge for you. He's seen you like this before, though usually it didn't last too long, at least not that he's noticed, maybe only a day or two at most. But by now, it's been almost a week, and you haven't spoken to him about it. You've been more abrasive, have started caring less about your personal hygiene, and while Viktor doesn't mind, he always hated when you didn't take proper care of yourself. He wanted you to feel good, not fall into a depressive hole. He offered to take a shower or bath with you, to make a game out of brushing your teeth, but you had shut everything down. It wasn't because you didn't think the ideas were sweet, but more because you didn't think you even deserved that much effort. Viktor had to helplessly watch you get worse, and he couldn't even do anything to properly help. It was absolute hell to him.

He'd had enough, wanted to be mad at you, even, but he couldn't blame you for it. He could, however, force you to stay cuddled up in bed with him. You liked staying in bed anyway, and cuddling with him was always one of your favourites. So, here you two were, snuggled into the covers of Viktors way too confortable bed. "You know that I love you, right?" Viktor mumbled, his accent more heavy with sleep. He didn't say it enough, at least that's what he thought. "I do know..." you answered, just as sleepily. "I know you can't control this.. but let me help you, please? I know it's hard, trust me I do, but I hate having to watch from the sidelines as you get worse..." He sighs, pressing a kiss against your forehead. "Let me just be there for you, yeah, my dear?" Viktor adds, pulling away slightly to look at you. "Alright.. I'll... I'll try, I promise." You answer, scooting back towards him so you could press your face into the crook of his neck, basking in his warmth for a little longer.

[strnilolover]

vampire!matt calling himself a monster and asking human!reader why she loves him but she makes sure he knows that he's not a monster in her eyes

living like a vampire wasn’t always bad — there were a lot of pros that came along with it. Like the strength and the heightened senses and such.

But, the cons of it is what really fucked with Matt’s head a lot. Even though he’s been alive for 121 years and 100 of it has been spent like this — feeding on humans was the one thing he hated doing. Criminals or not — just the knowledge that he’s taking someone’s life from them is something he can’t always stomach.

So one night after feeding on some dude in a random dark ally, when he was supposed to be home with you — made his mind run in circles as he made his way home for the night.

He doesn’t understand how you could love him, or what you even saw in him. He’s a monster — a no good who feeds on other people and who could potentially hurt you without meaning to.

When he had gotten home, walking through the door and taking his shoes off — you were immediately up and bolting over to him asking questions about where he was.

“Matt? where were you? i tried texting but you didn’t answer-“ your eyes flicked down and caught notice of the blood staining his mouth. Flicking back up your eyes were wide. “-were you feeding?” you asked, but it wasn’t in disgust, just curiosity.

And — Matt felt a pang of guilt and doubt run through him. He thought your tone of words were different, his mind warping them to seem as though you were utterly disappointed in him.

His eyes darted from yours, nodding slowly. “I couldn’t help it i…there was just this urge — god - i watched the life drain from his eyes. I’m such a monster.” he said, the last words mumbled under his breath.

His gaze remained away from yours, “I’m sorry..why — why do you even love me? what is there to me that you find so good?” he rambles.

Your brows pulled together, a frown tugging at your lips. “Matt baby-“ you bring a hand up to his face, turning his head back to look at you. He looked so…sad. You shook your head, “-you are not a monster. and i love you because you are you. i don’t care that you have to feed on humans or other things just to keep yourself strong and alive — at least i know you’re taking care of yourself when you do. I know you would never hurt me, and you mean the world to me. okay?” you whispered, bringing your thumb to wipe at the blood.

“You are not a monster in my eyes — and you never have been. I see the man who let me take photos of him at the park..the one who sat with me at a café just to talk and watch me drink coffee even though you don’t like coffee.” You said, now moving his face to yours and pressing a kiss to his lips. Matt froze, eyes wide before melting into your touch, reciprocating the kiss.

His arms coming up to wrap around you, landing on your lower back to pull you closer.

Matt’s mind subsided, letting your words sink into his bones — his soul. And before he could register what he was doing, his body moved to push you up against the wall close by.

Pulling away, you both panted — breaths mingling with one another’s. “You mean it?” he whispered, his breath hot against your face. You nodded, “Wouldn’t lie to you baby.” you said, smiling before your hands grabbed the collar of his shirt and smashing your lips back against his. He let himself believe you — his nerves calming.

And the rest of the night was a blur.

© strnilolover

[solidaritygaming-fanblog]

right. So I'm kinda insane and found another song to talk about in some life series / evo context: Copycat. (Song will be linked at the end of the post!)

So, many people headcanon Jimmy and Grian being brothers- and it makes a lot of sense. They're both dirty brown haired, have dark brown eyes, are British, bird coded, have warring personalities, and actually are associated both with yellow, and then one other primary color- Grian taking red, and Jimmy taking blue. Even their main colorations show a kind of "parallel difference" between them, with recently, Grian being associated with red and purple, and Jimmy with blue and yellow.

Now. Recently Jimmy did some lore of him praying to the Watchers. And back in Evo, Grian was taken into the Watchers ranks- so there is some repeated or rhyming elements in their arcs. However, I raise you this- Jimmy is Grian's "replacement", or basically, a backup for if he defects from the Watchers. That's why he has such a deference to them- its hard coded into him. That's why he's acknowledged them so much recently, because Grian's slowly leaving, and they're beginning to get Jimmy to replace him.

For a long time, those two have had a sibling dyanmic- Grian, the older, stronger, and smarter brother, and Jimmy, the younger, weaker, stupider sibling. Grian basically torments Jimmy for his own amusement, and the Watchers let it happen- if Grian ever defected, they could simply feed Jimmy praise -you're better than Grian ever could have been, hes weak and you're incredibly strong, of course we will listen to you- and he would instantly be completely loyal to them.

The song has a few choice lyrics I'd like to point out:

"We get along just fine!" "I say everything you like to hear..." "It's funny how much I feel like I'm looking in a mirror!"

Say "Hello! What's up with you?" "I'm starting to talk like you do..."

"We've grown apart this time, I can't figure out the reason why." "It's funny how much I'd kinda like to see you cry."

"I've become what you like! I am what you wanted, right? Sacrificed all that I know, I have taught myself to let go!"

In any case, the main motif of the song is losing your identity- and that's exactly what's happening to Jimmy, memories of servers being scrubbed as the Watchers prepare him to take over Grian's position. The whole chorus is Jimmy giving in to the Watchers, and thinking about Grian in anger- he pushed him too far, yes, of course- the perfect way to get back at him, to team up with the eldritch gods Grian hates. Grian said he should be stronger- well now look at him! He's one of the strongest beings alive! He is now what his brother wanted him to be, perfectly made in his image.

Oh, and in case you need further convincing, look at how Grian's wings are usually portrayed. Scarlet macaw- red, blue, and yellow. Now look at Jimmy's wings- nearly always yellow, but in Wild Life, he's become a parrot. His wings are blue and yellow now. I bet he sometimes sees little red feathers and rips them out, desperate to distance himself from Grian- unfortunately, his brother.

Meanwhile, Grian doesn't know what's up with his little brother, and is desperately trying to get him back, to prevent him from making the same bad decisions he did- maybe even losing some of his Watcher powers as Jimmy's power begins to eclipse his own.

Link+ a lil more below the cut. This post is too long already. Whoops

Okay I can perfectly see in the "Copy that copy cat!" bit in the chorus, different sprites show up with every beat. The first four are of Grian (followed by a short animation of him saying the line) hitting poses, with maybe each sprite having a little refrence to a different season or series they have been in together. And then it swaps to Jimmy, facing towards him, hitting the same poses, with matching refrences. However by the end of the song, Jimmy takes charge, doing the poses first and surrounded by eyes- and Grian, trying (and failing) to match the poses and control the eyes, confused why he's lost his power.

Give my boy Jimmy the power. Grian has tormented him far too long.

[xxcallmemaryxx]

hi!!! i love your works<3

could you maybe write vessel x reader first date?

A sappy first date with the big guy. He’s a bit nervous. But so are you.

Vessel x GN reader.

Under the cut ~ <3

It’s a nice place. It’s quiet, the lights are dim, the booths are made in such a way that it’s like you’re on a whole other planet when you sit in them. Which normally, would be phenomenal. Having such a level of privacy while enjoying your dinner, it’s perfect. But this time it feels like a curse. Like the world is working against you. Because sat across from you is Vessel. He’s in a freshly ironed button up, a dark blue that looks almost black under these lights. His hair is combed back out of his face and he looks at you like you hung the stars. It’s awful.

It’s your first date.

And he’s doing absolutely everything right.

The problem is, every time your eyes meet you’ve half a mind to tell him you love him.

You’ve known each other a while, and he’s always had that effect. But here, on your first date, when the tension between you two is burning up the room and the feelings you kept hidden for so long are pretty much sitting on the table in front of him? Yeah long story short you’re both clearly nervous as all hell and neither of you know how to approach it. Telling him you love him in a panic attempt at easing into the night probably isn’t the way to go. But this date is just so different and it feels so real, your panic stems from more than just wanting to break the ice, it’s coming from the little voice in your head that’s telling you if this date goes the way you want it to… he’s it for you.

You can only hope to the god he spends so much time worshiping that he feels somewhat the same way.

You like Vessel.

You want him to like you back.

“Look, uh… we don’t have to do this. I’d never want to push you.”

His voice, which you’re sure is proof of heaven alone, snaps you right out of your panic. Then, gives you even worse panic.

“Huh? Why?”

There’s obvious worry in your tone, you know it. He picks up on it, because of course he does.

“I just worry you’re not really present. I’d hate for this to be something you’re just trying to get through, sometimes two people just aren’t supposed to go there… you know?”

His eyes are cast down. He doesn’t want to watch you agree with him. He can’t do it. He can’t make himself watch you sigh in relief. He can’t make himself watch you realise this was indeed a mistake. He can’t make himself smile at you as you tell him you’re sorry but he’s right.

“Oh god… Vessel I’m so sorry.”

Hm. If you listen close enough… you might just be able to hear the sound of his heart shattering in his chest over the clinking of the cutlery throughout the restaurant.

“No, please it’s okay. It happens. You’re still my-“

“It’s just been a long time since I’ve been this excited about a date, got a bit lost in my own head there for a moment. I’m sorry. I’m here I promise.”

Oh fucking Christ thank Sleep one hundred times to the moon and back again. His heart thumps wildly against his ribcage, he’s almost positive you can hear it. And he doesn’t even attempt to hide the sigh of relief that escapes him and the happy smile that graces his lips.

“That is… yeah that’s a relief. I won’t lie to you.”

He huffs a nervous laugh as he fiddles with the tablecloth hanging over the side of the table between you.

“I mean, there wouldn’t have been any hard feelings of course… but I’m really happy you still want to be here.”

You’re silent for a moment while you decide whether or not what you’re about to do is a bad idea or not. But you want to show him you’re serious about this date, you want him to see you enjoying his presence. You need to snap yourself out of it and make some moves.

So you get up.

His head snaps up and he watches you slide out of the booth with a look of complete dread. He straightens up. His hands fall to his sides and his face turns beet red. His jaw opens and closes as he tries to force words out but no sounds escape him. That is until you round the table and slide in next to him.

You offer him a little smile as your side presses against his. Your knees bump together under the table and your hands brush as you situate yourself. He uses his other hand to press his face into it. His voice muffled slightly as he groans quietly into it.

“Fucking Christ… you’re going to send me into an early grave.”

You can’t help the laugh that escapes you. You purposely bump his knees with your own this time, trying to lighten the mood a little.

“I’m sorry… did I scare you?”

“Yes. Yes you did. I thought I’d ruined it all.”

He laughs a little, and he looks down at where you’re pressed up against him. His cheeks are flushed but he looks happy. His eyes sparkle and when he grins down at you, all his teeth are on full display. It’s the kind of smile that would make your cheeks hurt a little bit. The kind that’s a bit awkward and feels too big for your face.

It suits him.

“I’m sorry, Vess. I really like you, I was worried about it not working and kind of got too deep into worrying about it.”

He blinks down at you, it’s a slow blink, his cheeks are still tinted red from your close proximity and you swear for one moment it looks like he’s got hearts in his eyes.

“Don’t panic, love. It’s definitely working.”

His voice is low, it changes the mood almost immediately and all of a sudden it’s too warm in this booth. Who’s idea was it to cozy up to him like this. It feels like you’re suffocating again, he’s so overwhelming when all he’s doing is speaking to you.

He was right before, the tablecloth that hangs over the side of the table really is that interesting. You can’t stop yourself from fiddling with it, you’re starting to feel awkward again. You hear him force a deep breath into his lungs above you before his very large very beautiful hand encompasses your much smaller one, and intertwines his fingers between yours. There’s a slight tremble, you can feel it when you squeeze his hand tight enough. You’re positive doing that made it worse but it’s so endearing that you can’t even feel guilty.

Everything about Vessel is so endearing.

“Thank you for saying yes to me.”

If you weren’t sitting so close you probably wouldn’t have heard him. He gazes down at you, eyes so full of hope. It makes your throat close up and need prickle through your chest.

“Of course, Vess. You thought I would have said no to you?”

“No. I didn’t think you would…”

Cheeky fucker.

“… but I’m just so happy you said yes. I’m excited to be here, like this, with you. I’m sure it’s obvious.”

You lean up and press a soft kiss to his cheek, this causes a chain reaction, starting with his furiously blushing cheeks (yet again), then he smiles so wide he has to look at the ceiling just to calm himself down, his breathing picks up and his hand squeezes yours where he’s holding it in his lap. He looks back down at you with a smile that says a lot. It’s a wobbly smile, his chin wrinkles up and his eyes squint a little. It screams hope. Like most of his body language does tonight. But this smile is the epitome of ‘I know you know exactly how I feel about you and I know you feel the same way.’

Nerves and excitement crackle in the air between you.

“I’m excited too. For tonight. And for our next date. And the ones after that. I’m sure that’s obvious.”

He nods at you, his wobbly smile grows. Somehow, you didn’t think it could get any bigger but it does. He’s gotta cast his eyes down, he looks at your intertwined hands and nods again, at them… to himself… to you? You’re not sure, but he’s sure of whatever he’s nodding about. And that feels good.

.

.

.

<3 <3 <3

Thank you for reading.

[marvelfanfn2187a113]

Control Contained

Loki & teen!reader

Requested by Anonymous

Synopsis: the Avengers take you in when you develop powers, but no one seems to be able to help you control them—until a certain god of mischief steps in

Warnings: panic attack. Canon? Who’s that? We’re setting this in the Avengers compound like it’s 2012, deal with it.

“Hey, I need you to focus.”

You swear Steve—yes, the Captain America—had said that to you at least a dozen times, but you still couldn’t quite get it.

“It’s not working,” you insisted.

“That’s because you’re not focusing.”

“I’m trying!”

Steve’s eyes softened—you hated it when he did that, it meant that he’d given up on being Captain and was ready to be Steve; it meant he thought you were done for the day.

“Look,” he sighed. “I think maybe you’ve had enough.”

“My powers always come out when I can feel them—“

“But that’s dangerous,” Steve argued. “Strength has to be controlled.”

“Yours,” you corrected. “But mine is different—mine is like Loki’s.”

“Not this again,” Steve sighed. “We talked about this. Loki isn’t trusted enough to train new recruits, especially not you.”

“What do you mean especially not me?” You asked.

“Well, there have been a few incidents,” Steve said.

“That was right when I found out about my powers,” you said. “I’m better now. Besides, no one got hurt.”

“Not yet,” Steve said. The grimace on his face showed that he regretted the words the moment they left him. “That’s not what I meant. It’s not your fault, I know you’re trying—“

“But I’m so dangerous that you don’t think I should be around bad influences, is that it?” You took a deep breath, trying to curb your growing frustration. You could feel your powers pulsating beneath your skin.

“That’s not—“

“Why am I even here? So you can keep an eye on me?”

“Kid, stop, I didn’t mean—“

“Forget it.” You shook your head. “Just forget all of it.” You turned to go, but Steve gently grabbed your arm.

“Wait—“

“I said forget it!” You jumped in surprise when a burst of orange shot from your hands, blasting Steve back against the far wall.

Your breath hitched in your throat, and you stared with wild eyes at your friend, your mentor, an avenger, lying on the ground because of your powers. Powers you didn’t know how to use, powers that could hurt people. Steve groaned and lifted himself to his feet.

“You need to calm down,” he barked. “You can’t just—hey, easy, just breathe.” Steve’s tone softened when he saw the way you were trembling and struggling for breath. “I’m totally fine.”

“I’m sor—I’m—I…” you backed away from the man, staring down at your hands. Why had you done that? What if it happened again? You saw Steve approaching you from your peripheral, but you weren’t about to let him.

What if you hurt him?

You wouldn’t give yourself the chance. You turned on your heel and ran out the door before Steve even got close to you.

…

Loki was a bit wary of being around the new teenager in the tower—mostly because the other Avengers side-eyed him every time he so much as spoke to you, as if they thought he were corrupting you.

He felt for you; he couldn’t imagine having to learn about his powers surrounded by—to your eyes���a lot of heroes, nearly all with superhuman abilities. It had been just him and his mother when he learned how to use magic, and he hadn’t even let Thor watch.

It was as if his train of thought summoned you—if only for a moment. Loki barely had time to spot you before you were brushing past him and running for your room. That was abnormal; you always greeted him, always.

“Are you alright?”

The slam of your door was his only answer.

…

Someone was knocking. You’d just hurt Captain America, your heart was pounding, you couldn’t catch your breath and someone wouldn’t stop knocking.

“Y/N? It’s Loki, can I come in?”

Your breath caught in your throat—you couldn’t answer.

“If you don’t answer me I’m going to come in.”

You opened your mouth to try again, then stopped. Did you even want to tell him to go away? After all, he was the one you’d wanted to train you.

But what if I hurt him?

It was too late, the door was opening—

“It’s alright.” Loki was in front of you before you’d even seen him enter the room. “Take a deep breath.”

You tried—you really did—but you couldn’t manage anything better than a wheezing cough before you went back to hyperventilating. Your head was fuzzy, your knee was shaking, and you just couldn’t breathe.

“Ok, too late for that,” Loki muttered to himself before reaching for you and grabbing onto your hands.

“No—“ you managed. You didn’t want to hurt him.

“It’s ok,” Loki assured you. “It’s ok. I want you to let it go—all that power that’s going through you—let it go.”

It was now that you saw the bits of orange floating around your fingers.

“No,” you whimpered. “I can’t control it.”

“You don’t have to,” Loki promised. “You can’t hurt me. Let it go.”

You closed your eyes tightly, forcing a breath in, then harshly out. With your breath, you also forced out your powers, pushing them away to where they couldn’t control you.

“That’s it.”

You snapped your eyes open; the orange of your powers was flowing over Loki’s hands and morphing into green. He was absorbing your expelled energy.

You kept pushing, forcing the magic out until you were spent and collapsing in Loki’s arms.

“It’s ok now,” he said softly. “Do you feel any better?”

You slowly pulled away, taking one deep breath, then another.

“Yeah.” You nodded. “What—what was that.”

“You were having a panic attack,” Loki said.

“I got that—I meant with the magic.”

“You’ve been tamping down your powers and your emotions for too long, haven’t you?”

You swallowed. “They—the avengers—they said I had to have control.”

“You can’t have control by shoving down your emotions,” Loki argued. “You’ve got to feel them, otherwise your powers will build up until they just want to explode. If that had happened somewhere else, it could have been bad. But I know how to absorb energy so it couldn’t go anywhere.”

“I don’t want to hurt anyone.” You sniffled.

“Hey.” Loki patted your shoulder. “Your emotions won’t hurt people if you don’t bottle them up like that. I can teach you, really teach you, how to control your powers, and you won’t have to stop feeling. I’ll talk to the team; we will. We’ll convince them, ok?”

“Ok.” you nodded, the ghost of a smile flitting across your face.

“Ok.” Loki stood to leave, but you stopped him with a question.

“Hey Loki?”

“Yes?”

“Where did you learn all that?”

Loki’s face twisted in a smile.

“My mother helped me—when I was just about your age.”

[nqueso-emergency]

Hey hi hello! The way the cast said goodbye to Callum after last night’s episode really showed the strike difference to how they treated Lou when he left. This plus the way the breakup felt so disconnected from the Bucktommy storyline makes me think that something happened behind the scenes. I don’t know if OS or/and the rest of the cast had an issue with Lou and that’s why he left so suddenly or was it the awful hate that Lou got. But their silence feels almost weird. Oliver never posted a bts photo of him. He barely mentioned Tommy (or God forbid Lou in interviews) Kenny and Ryan who previously have said nice things about Lou were also silent. I know you don’t know, but do you think the BT break up was a last min change due to bts drama. There’s also discourse on twitter about OS not liking to share the fame from Bucktommy with Lou. I honestly don’t know what to think - it all feels just plain weird. And also do you think that if there is btw drama the negative way that the GA reacted to the breakup can possibly bring back Tommy/Lou? Thanks! 🙏🏻

You asked a ton of questions but I'm only saying one thing.

If Lizzie’s interview didn't exist none of this would be an issue. No one would be comparing Callum leaving to Lou leaving. Because, without her interview, there's nothing else to suggest Lou is gone permanently.

Which means that the GA is banking on the idea that Buck and Tommy will find their way to one another again.

And I know people hate how they're referring to Tommy as a drug or addiction to Buck but we need to remember that this show is written for the middle-aged white woman who loves Angela Bassett and/or Peter Krause. So, by them using words like, "craving," "relapse," "jonesing".... they're telling the audience that Buck is struggling way more than they're even showing on screen and that even if he dates someone else, Buck will always be a recovering addict of one Tommy Kinard.

[vellazx]

Inspired by one of my friends prompts — Law x Reader (gender not specified) — Angst / Fluff

You were a Straw Hat.

The most perfect person in the world for him — on a different crew. You were someone who he couldn’t reach, no matter what he did.

He fell for you. Hard.

You always liked him. He was a pretty boy; perhaps the prettiest boy you’ve ever seen. Ever since you laid your eyes on him two years ago in the auction house in Sabaody, you couldn’t stop thinking about him.

Hells, you didn’t even speak to him.

At first, he just believed you were some diehard simp who wasn’t genuine towards him. So he shrugged you off.

He was always rather insecure, not capable of believing someone actually loved him. Romantically, at least.

You talked (pestered) him the whole time he was on the Sunny due to the newfound alliance he made with your captain. Honestly, you didn’t really do a good job at hiding your feelings.

More like you didn’t even bother to hide them in the first place. You were so direct with him about how you felt.

Still, he wasn’t phased by your endless compliments and attempts at making him open up.

One night, however, he wasn’t in the best mood.

He said you irritated him. Bluntly.

After that, you decided to leave him alone. It felt unusual around the Sunny without your constant rambling. For some reason, his heart ached without your warmth by his side.

He told himself you meant nothing to him; only a temporary ally with good fighting skills he couldn’t risk losing.

However, in Dressrosa, when Doflamingo managed to capture you and him both, you acted strangely.

You saw how distressed he was, being helpless before the Warlord. Behind that tough exterior, there was a little boy, scarred from his past.

And, oh, how absolutely protective you got.

Doflamingo was holding you up by strings, blood spilling from every wound they cut into your skin. But you still retaliated.

Risked getting killed to escape the strings, all because you didn’t want Law to feel helpless. His emotions were through the roof whenever he realized you were trying to meaninglessly fight back. For his sake.

When you got out, you were a bloody mess, barely able to stand with how wobbly your knees were. Some of your bones were even broken.

He asked with wide eyes, “What were you thinking?!”

You simply smiled, and said, “You hate him, don’t you? I didn’t want to sit around and do nothing to help. We’re friends, aren’t we?”

He met your gaze with an unfamiliar softness you’d never seen before. His heart skipped a beat.

That’s when he realized.

You fell first, but he fell harder. Way harder.

The whole time you were in Zou and Wano with him, he couldn’t stop staring at you. You shone like an angel in his vision. All your features amplified to make you more ethereal.

His teeth ground against each other whenever you got too close to one of your crew mates. Especially the blond cook. He swooned over you, and you laughed so wholesomely in response.

What he would do to just steal you for himself.

When Kaido and Big Mom were defeated, the whole country celebrating by holding a feast, Law offered to look around at all the games set up throughout the capital.

Happily, you dragged him around, completely forgetting that day when he said you were annoying.

He couldn’t stop admiring you as you indulged in the games.

His heart raced.

Ba-dump!

Ba-dump!

Ba-dump!

Gods, he couldn’t take it anymore.

So, he dragged you away, into a nearby alleyway. You flushed, asking him what was wrong. He was so red in the face that he looked feverish.

He hadn’t even touched you, yet he was drunk off of you. That same warmth he craved and missed.

Before you could question him any further, his lips brushed against yours, his hold on your wrist tightening. You gasped against him, not expecting the intimate contact.

Eagerly, you kissed him back.

He loved you too much for his own good.

“Come with me. Please. Leave this country with me.”

“Tra-.. Law. You know I can’t… I can’t do that.”

Fuck.

When he had to leave you behind, it felt like he was leaving half of his heart behind. With someone else. Under someone else’s supervision.

If anything happened to you, he’d steal you away without even asking for your permission.

But if something happened to him…

He just wanted you to know that he loved you.

[illbegottenfaith]

handwritten - theo nott x reader

yours and theo’s story as told through notes passed in class

a/n - came up with this quick idea to release some pent up creative energy while mulling over lucky pt 3. will prob make this an ongoing series for small ideas I can’t get fully fledged fics out of. easy to write, easy to read, enjoy!

tropes/warnings - fluff, a minor hinting at angst, newstudent!theo, estranged friends to lovers

word count - 1.5k

Monday, 10.07 am, Charms

Hey. You might want to pull your nose out of that disgusting textbook for once.

We’ve been over this. Just because you don’t understand something it doesn’t mean it’s disgusting. It’s very disrespectful.

What is disrespectful is you not paying attention to our year’s hottest new commodity - emphasis on the hot. I must say, he fills out that uniform quite nicely.

I’m sure he does.

C’mon, you’re not even a little bit curious? Just a peek?

Y/N? Hellooooooo? 

Oh my god. I know the guy.

???

What is he doing here? Last I heard he was being homeschooled.

Know him how??

We went to the same primary school. We were…friends.

Riiiight.

Don’t get any ideas. I haven’t seen him since I was ten. And he looked very, very different back then. Had a ratty sort of face. I can still kind of see it, actually.

Oh, Y/N, how could you say such awful things about his beautiful face! Oh dear, that bone structure…

Quiet, you. He’s really…grown. He’s so much taller now.

You know what you should do? You should offer to help him catch up.

On five years of school?

Oh, please, he was homeschooled. He had to have learnt some things. Who is he, anyway?

Theodore Nott.

Now that’s an Old Money name if I ever heard one.

Ivy. Be nice.

So? Is he? Old money, that is.

I…suppose so.

Are you sure you two were friends?

Yes. It’s been a while, that’s all. I just…wow. I can’t believe he’s here. Like, right there. I didn’t know if I’d ever see him again.

What happened?

He moved. I was starting at Hogwarts. We lost touch, it happens.

But now he’s back! Yay! Did you see those sinfully blue eyes of his?

Ivy, you have a boyfriend.

I know. Ivan agrees, by the way.

That he’s hot?

Yes.

He’s sitting on the other side of the room. When did you have time to discuss this??

Just now. Right in front of you. What did you think all that eyebrow-waggling was about?

I thought you were having a stroke. Merlin, the two of you are perfect for each other.

Don’t change the subject. He’s not gay, is he? Your friend? All the hot ones usually are.

I wouldn’t know, now, would I? I haven’t heard anything about him in years. Ivy, leave him alone. Please don’t harass the poor guy, sexually or otherwise. And quit it with the notes. He’ll notice.

How??? Has he got eyes on the back of his very nicely shaped head? He’s busy with Flitwick anyway.

Trust me, he’ll see. Nothing gets past Theodore Nott.

Monday, 2.15 pm, Potions

Well?????

Well, what?

The chat!!! Your chat!!!!!! With Mr. Theodore Nott!!!!!!!!

You have to quit it with the caffeine. You’re far too excitable after lunch.

The chat!!!!!!!!!!!!!!!!

It was fine. It was…nice.

Uh-huh.

He goes by Theo now.

Okay. I’ll pretend I care about that.

It was all very casual, very superficial. It was really just us exchanging pleasantries. Oh, right. He asked me to accompany him to Quidditch tryouts.

You??? But you hate Quidditch.

I know.

Please tell me you didn’t say that.

I didn't. I just said I didn’t know much about it.

And?

He said that didn’t matter. He just wanted me there for moral support.

Then what was with all the turning red halfway through? You looked like you were going to combust.

Was it that obvious?

Ivan had some pumpkin juice ready, just in case.

It was nothing. I just wasn’t expecting it, that’s all. He called me his good luck charm.

!!!!!!!!!!!!!!!!!!!

You’re going to rip a hole through the parchment.

AWWWWW

So?? Did you say yes??

I said I’d think about it.

BOOOOOOOO

Come on, Vee. He’s been flying since before he could walk. He always talked about joining the big leagues, you know. He knows everything there is to know about Quidditch, so of course he’ll make the team. And it’ll have nothing to do with me.

But he doesn’t even have any friends yet :(

That’s because he hasn’t talked to anyone yet.

Y’know, Romilda Vane wanted to know why he was talking to you of all people.

What’s that supposed to mean??

Eh, you know. You can be a little…snippy.

I am NOT snippy.

There it is. The snippiness.

Whatever. It’s all so pointless. Come Thursday evening, he’ll have joined the Quidditch team and he’ll be hanging out with, y’know, those people, and we’ll be ancient history. He’ll make plenty of friends. He just doesn’t know it yet.

Okay. If you say so. Also, at lunch, I finally tried that thing you’re always talking about, “applying myself,” and I found this article on his dad in the library. From 6 years ago.

Don’t you want to know what the article said?

You could have mentioned he was a death eater, you know.

I don’t care about that, by the way. You used to be friends and that’s good enough for me. But, Y/N, he was arrested six years ago. And you haven’t talked to Theo in six years. But there isn’t any kind of connection between those, is there?

Y/N?

Do not make me throw this at you. I know how you feel about paper cuts.

Tuesday, 3.03 pm, Defence Against the Dark Arts

Where’s your friend?

?

You know. Who you’re always passing notes with in class?

You noticed?

Hard not to. It makes you all fidgety and annoyed.

Yeah, well, Ivy’s an annoying person.

I’ll take your word for it. What do you have after this?

Transfiguration.

Wow. That’s one of the harder ones, isn’t it?

Er, depends on who you ask, I think.

Still brilliant as ever, then.

Shut up. I’m not half the swot I was in primary school. 

I never thought you were a swot. You were just…enthusiastic.

That’s sweet of you to say, Theo.

Huh. I thought I’d always be Teddy to you.

We’re not ten anymore, Theo. I can say your name perfectly now.

That’s good. So, have you thought about it?

Thought about what?

The Quidditch tryouts. You’re the only person I know here so you have to say yes.

I don’t know. Some of the girls look pretty interested in getting to know you.

What?

Nothing. I guess I could swing by for a short while.

That’s my girl.

Thursday, 8.37 pm, Common Room

SO?????

He got in. Obviously. Was there ever any doubt?

Did he run up to you? Did he hug you? Did he pick you up and spin you around???

Witch Weekly is a bad influence on you.

Details, please.

He hugged me. Kind of. Nearly tackled me, he was so excited.

you are SO his good luck charm!!!!!!

Friday, 11.17 am, Defence Against the Dark Arts

Witch Weekly?

It’s not mine. I’m holding it for a friend.

Right.

Really, I am. Ivy’s a fiend for these but she has this Charms test coming up that she absolutely cannot fail.

I believe you. ‘Top 6 Magical Contraceptives for the Modern Witch’ doesn’t sound like your kind of reading material.

I’m sorry, I didn’t mean to embarrass you. I was only having a little fun.

I’m not embarrassed. Are you embarrassed?

Erm, no, but you’re very red. Do you need to see the Healer?

I’m fine. It’s just hot. And no one calls Madam Pomfrey ‘the Healer,’ by the way.

Ah. I see.

Is there a point to all this? Did you need to ask something?

Oh, right. What are you up to on Saturday night?

Saturday? Dunno…wanted to take a crack at that Transfiguration essay.

Excellent. I’ll pick you up at 8.

Oh?

It’s nothing. A couple of the guys on the team wanted to celebrate with drinks at Hogsmeade. Everyone’s bringing someone, and I thought it would be nice if you came. Being my good luck charm, and all.

Oh, Theo, you probably don’t know this since you’re new and all, but going down to Hogsmeade is only permissible on certain weekends. And only start a couple of weeks into the term, so not yet.

Did you just -? Oh my god, you did. You laughed at me. You laughed at my note. Out loud. You’re lucky you’re in Slytherin, you know. Snape usually goes absolutely ballistic if anyone interrupts his lesson.

I’m sorry, I forgot what a stickler you were. I just - I didn’t think I’d miss it.

Please, Theo, forget the drinks. I cannot in good conscience stand by and let you break so many rules. You’ve been here less than a week!

Guess you’ll have to keep an eye on me. Make sure I stay out of trouble.

Exactly.

Great. See you Saturday at 8.

[dearmyloveleys]

;-; i just wanted to say ty for all your posts in the fof tag. now i'm thinking about ying lei and his yeye ying zhao... and now there is no one left to guard the mountain, but ying lei died in the same way as ying zhao, saving people he cares about

Don’t mention it! I blorb too much about things I really like it embarrasses me at times. I’m just glad you like my takes!! Anyway:

😭😭😭😭 this drama exists to hurt us,, I think more than dying for people he cares about (because nearly everyone who died did that), Ying Lei's characterisation and death provides a unique but tragic pov within the main cast

Ying Lei my poor Ying Lei. We don’t really talk too much about him don’t we. So let’s just talk all about him. CHARACTER ANALYSIS TIME YAY

Ying Lei is unadulterated sunshine and has a good heart. Morally, he is on the same page as the rest of the team. Yet, it absolutely breaks my heart that his fate is to be an outsider within the thematic concern of choice in FoF and resultingly, in the narrative.

His place in the overarching thematic concerns of FoF is unclear when we first meet him - he is simply a wandering half mountain god half demon with a bright disposition. But as with many characters in FoF, their appearances aren't just for naught. Ying Lei's representative theme - the freedom of choice and the ability to choose one's identity - finally shows itself in one of the most beautifully written (am biased) episodes of the series, Episode 17, which is all about choice.

In this episode, Ying Lei vents his displeasure of the Wilderness towards grandpa Ying Zhao

"I hate this place. I hate the Wilderness. It's so bleak and desolate. (…) If I have to stay here forever, I'd rather die. (…) I like the mortal world. I like everything that is vibrant and lively."

To which grandpa Ying Zhao gives him his blessing to head to the Mortal Realm,

"…as your grandfather, I respect your decision. You can be a Mountain God or an ordinary person."

His next sentence cements the plight of many demons (and humans) we encounter in the story,

"For many demons in the Wilderness, their lifelong dream is just three simple words… Have a choice."

These three words all the more juxtaposes Ying Lei's freedom to choose his identity, against every other character who faces this fate of not having a choice.

The Lie Demon, unable to say her true feelings until her moment of death, and Fei, who shares similar sentiments as Ying Lei about the mortal world,

"I'm a beast of calamity, I don't deserve to live in the mortal world. But I really like the bright lights, the liveliness and happiness, and the prosperity here." (Ep 13)

And Zhao Yuanzhou, where even in the same Episode 17, echoes Ying Lei's words,

"If this world gave me life to be manipulated by malicious energy, then I'd rather die."

Same words, but a different way out. Or there isn't one at all.

Ying Lei is the only one whose fate hasn't been carved out in stone for him. Even after Ying Zhao's death, he is still able to leave Kunlun Mountain and rejoin the team because he has the support of other Mountain Gods watching over the temple. He is by no means a pampered and spoiled person but he swims in a wealth of freedom. His bubbly, charming and affectionate personality is a physical manifestation of his unburdened self, unbeholden to any ending, except for the one that he wants.

And yet, he chooses a life with the group of people who never have had the option to choose what and who they want to be. Wen Xiao, the Baize Goddess; Zhao Yuanzhao, the vessel of malicious energy; Bai Jiu, determined to bring his mother back; Pei Sijing, the forced breadwinner of her family's martial heritage. To show his determination to be with this group, he never again dons the mature get-up (full sleeved robes and long hair) - his representation of maturing and accepting his responsibility as a Mountain God - after returning back to the Mortal Realm. Rather, he dons the get-up he first roamed the Mortal Realm with (or similar), metaphorically putting aside all that celestial burden in exchange for the friends that he desires. Just who in the group can as easily shed their very roots and history? His precious freedom to choose ironically makes him the outsider in a group whose only wishes are to be able to choose.

He gets along with the team, but no matter how many times he ties the knot of fate around them, these people were never his fate to begin with. Fate found the rest of them and demanded they be bound. Ying Lei wrestles that rope of fate, trying to get in, albeit with rejection. The narrative demonstrates this:

The team was initially formed without him, and he joined later them of his own accord - his own choice - while the others literally were forced to sign a death contract to be together. In the later episodes, his affection for Bai Jiu is often overshadowed by Bai Jiu's respect for Zhuo Yichen. He also continually tries to get both Bai Jiu and Zhuo Yichen's approval - head pats, anyone? Zhao Yuanzhou doesn't trust him to look after the dragon scale. In their conversation with Bing Yi, their team count is five, instead of six. His closest companions within the team are each other's confidants.

Even at his very end, the narrative still denies him a fate with them. He dies for Bai Jiu who is the only person he loves wholly, and fades away before Bai Jiu wakes from his coma. Neither gets to say goodbye. Bai Jiu who genuinely mourns his death, dies for Yichen. In a story where the cyclical nature of fate runs deep, there is no thread of fate that leads back to him. There is no resolution or reciprocation for Ying Lei's soul and sacrifice. Every thread is cut and never retied, no matter how he tries. Siheng has Sijing left to remember him. Yichen keeps Baijiu close to his heart. Wen Xiao and Yichen wait for Zhao Yuanzhou to return. But no one truly reminisces Ying Lei. The only people to do that are dead.

Ying Lei's tragedy lies in his freedom to choose. In a world where most fate is predetermined and choice is a scarcity, his death is all the more painful as every act is a conscious choice toward an unknown end. He carries a burden after all - the burden of writing his own story. And he braved each step with that brilliant smile of his.

我爱这个世界更多 又如何 So what if I love this world even more? 越平凡越长久 The more ordinary it is, the longer it lasts 月亮跟着我点头 The moon nods along with me 简简单单入梦的人最温柔 Those who step into dreams simply are the gentlest 分不清眼泪和酒 真让人挠头 This inability to distinguish between tears and wine, really makes one scratch their head 月亮和小狗默默跟我走 The moon and a puppy walk with me in silence 岁月从不停留 Time never stops once 少年也不回头 This youth also never turns back 他把故乡和爱留在身后 He leaves behind both his hometown and love

- 英雄不磊落 (Heroes Are Not Upright) | Ying Lei's Theme

[lavatory-sealed-hanako-kun]

Words on Chapter 120

“You became what you hated most.”

Point Nr. 1: When Teru attacked Kou with spirit lightning to save Nene, Kou was already a ghost.

I am going to throw out a seemingly controversial take here immediately: Teru did NOT KILL Kou and additionally, there are NO PARALLELS between him and Hanako/Amane within the current events and arguably most of the entire manga. Especially not in relation to his hate of Hanako for having killed his twin brother.

This is going to be a very detailed and long one, so have fun.

In chapter 118, Sousuke and Kou are dragged into the exact same door, next to which Aoi later finds Nene's hair clip laying around. We know from the current chapter that this door leads to the basement of the Red House and the opening of the well. We also already know what purpose this well had, since it was established in chapters 68 and 80, that this is the well leading into the pit to which the Kannagi were sacrificed as offerings to a god.

It's a pit of sacrificial corpses, which due to the events of chapter 118 where Sousuke and Kou were dragged into that door and down to that basement, as well as this current one where Kou's possessed spirit tries dragging Nene into it, is clearly a spot still piled up with sacrificial bodies, nowadays the victims of the Red House. And those two boys were both thrown in already.

So now back to the scene where Teru attacks Kou!

Teru specifically uses his spirit lightning to slash at Kou’s hand gripping onto Nene. His sword blade never comes anywhere near Kou's body and we know for a fact that, while spirit lightning can hurt humans who are to some degree supernatural-

It has never been shown to go so far as to chop off limbs or leave very long lasting damages. (Which again, Kou’s hand being chopped off wasn't from Teru's blade either, it never came anywhere near Kou or Nene.)

After the attack, Kou's entirely blood and gore-free wound is shown and he suddenly starts crumbling into mist, exactly like most of the supernaturals did throughout the manga, showing us that this is exactly what a supernatural looks like when they’re exorcised!

Point Nr. 2: Teru knew Kou was already dead.

Alright, buckle in.

When we see Amane kill Tsukasa in flashbacks, it is bloody. He's got him pinned to the floor, using a knife to stab him in the torso, clearly spaced out in some way but committing a very real murder on a very real, living person beneath him.

Without even fully getting into just how completely different Teru's and Kou's dynamics are with each other, in comparison to the situation Amane/Hanako and Tsukasa have going on, you can't just claim that two characters are “parallels” to one another simply because they both happen to have siblings? Tsukasa and Amane were twins, Teru and Kou are not, they’re not even each other's only siblings, they have Tiara there too. Amane was never the one to sacrifice his childhood and future for Tsukasa's wellbeing, he killed him. Teru didn’t take his brother's life, the Red House did.

Tsukasa and Amane always had a very strange dynamic, glued by the hip and overly dependent on one another, Tsukasa even sacrifices animals and later himself to the wishing entity to grant Amane a chance at life without constant pain and illness. For several reasons Amane wants less and less to do with his brother as time goes on, they're still close, but Amane’s keeping his secrets from Tsukasa, and he in turn even accuses Amane of wanting him gone again. Amane immediately refutes that, yet still through a series of still somewhat unclear events, Amane later ends up brutally killing his own brother with what looks to be a kitchen knife (so very likely at home) on the floor, very dazed, but clearly intending to hurt Tsukasa.

Now back to a member of the “I professionally catch strays from the fandom” trio.

I’m going to remind everyone of the fact that this isn't the first time Teru has attacked Kou with his spirit lightning within the last few chapters. A couple chapters prior, when Sousuke invites Kou to search the school for his missing upperclassmen, they encounter the Red House. Aka Tsukasa's possessed soul most likely, since it only seems to take on the appearance of victims it already devoured and we know from the Yugi family photo in chapter 119 that Tsukasa must have died either before or after he went into the red house as a 4 year old, since he doesn't show up in the photo even when he would've still been very young. (This is a bit of a timeline discrepancy, considering the clock keepers went back to 1968 and not 1959 when Tsukasa first goes into the Red House, but I won't get into that right now.)

After this encounter, Kou gets possessed from chasing the entity around and right as he's about to seriously hurt Sousuke, Teru interrupts them by blasting Kou with spirit lighting, a thing he acts VERY CALM about (keep that in mind!). His stance is measured, he's clearly using a lot of force here too despite not using his preferred weapon, it even leaves Kou knocked out and a bit charred on the ground, but clearly not severely hurt in any way.

When even Akane points out how this was a bit overboard, Teru basically assures him that this wouldn't actually hurt Kou, he consistently has a ton of confidence in his brother's toughness.

This also shows he has experience with also using spirit lightning on possessed people and that it proves severely damaging or even fatal on supernaturals, but seemingly never on living humans.

And yet, attention back to the moment it all goes down: Teru is clearly screaming Kou's name in distress, moving to slice the space BETWEEN him and Nene, intending likely to merely free Nene from Kou's grip. If his intention was to just exorcise the entity possessing Kou’s body like he did earlier (in a very calm manner), why didn’t he just blast Kou with spirit lightning again? Why was he screaming his name with a face of agony before even making his attack?

It's because he already knew by this point, that wasn't Kou's living body, that was his ghost. Kou was already dead. He was too late to save him and now all he can do is stop him from dragging another victim down into the well.

Point Nr. 3: But how did he notice?

We can guess Teru has almost completely different senses from anyone else in the cast. He feels and notices things even Kou, Nene and Akane, all of whom can see supernaturals, don't notice. He mentioned seeing literal cracks between the near and far shores in chapter 73, he saw Hanako looking like that on the rooftop, he was the only one to immediately react to Nr. 6’s ambush attack and he is the ONLY ONE in the red house to feel a cold dread and fear of something powerful overcome him, a sensation neither Kou, Akane or Nene felt at all in the house. And again they can all see supernaturals, but they're not attuned to them like he is.

He could see down that well in complete darkness, immediately knowing that what he was looking at were the corpses of Kou, Sousuke and countless other victims. Akane needed a flashlight to get even a glimpse of what had made Teru collapse at the sight, he couldn't see it immediately, no one's eyes are as sharp as Teru's.

He knows supernaturals, he knows the clear difference between a ghost and living human, even when others can't see those. He knew from the moment he laid eyes on his little brother standing on the edge of that well, that he was already dead, a spirit walking without a living body.

He never “killed” Kou, there is no parallel between him and Hanako. He exorcised the shackled spirit of his beloved brother, possessed and puppeteered around by the red house to lure in more victims, because it knew they'd let their guards down around the sunshine boy Kou. He was one of Nene's best friends after all. 

Kou didn't want this, he would have never wanted to hurt Nene or lure anyone else to the same fate he and Sousuke endured here. In his very last moments, there was no anger, no blame towards Teru for attacking him to stop him from dragging Nene down. And none of the morbid fascination and happiness Tsukasa felt at being killed by his own brother.

All he felt was glad that Nene was safe now, hoping he'd get to see her again when the world turned back to how it once was. 

Endword!

So there you have it. Usually I don't make these kinds of commentaries for things I read, because quite frankly I don't care and I’m too busy to make these, thank you for sticking with me through this because huuhhh it took hours to make dear god. Props to everyone who makes these more often, solid troopers fr. I’ll make an exception for TBHK this time (and maybe if I’m asked to again)- solely because I see so many takes that I find are just very strange or completely wrong and that last chapter had me actually super interested in this series again.

I will take this is due in part to the very young average age of readers for this series and the fact it is often (as much as I enjoy reading this hot garbage, find its worldbuilding super fun and love the characters in it), just genuinely not a very well written series. It has an immense amount of plot holes, inconsistent character writing, situations for the sake of it with no proper set up and lets down on a lot of mysteries it builds up because it never resolves them, even several arcs later.

Anyways, if you disagree with my points and/or want to add something to this, feel free to comment, reblog or send in an ask about it. I think discussing stories does the best job at letting people realise things they never noticed before, so I highly encourage doing that lol. Also you made it to the end of this, you get a cookie. If I could bake cookies..

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[chaos0pikachu]

Anon I get what you're saying but for Sanji's general queerphobia/misogyny/transphobia to be a flaw there would have to be some sort of acknowledgement or specific framing as such in the narrative. It's just a gag; it's meant to be comedic - it's not, but then, it's also a very old gag.

Oda has credited Dragonball by Akira Toriyama as one of his big influences - not Dragonball Z specifically but Dragonball.

I specify b/c early Dragonball is much different from the modern conceptions about DBZ which is more familiar with western/english speaking fans due to how the dubs were released.

And like, Dragon Ball also has a lot of these pervy gags, and characters. Master Roshi gives Goku a "mission" in order to be trained by him to find him a hot woman with big breasts. Krillian bribes Roshi with porn magazines to accept him as a student. Oolong kidnaps young women in a village to be his brides. There's lots of sexual gags involving Bulma. In the first world martial arts tournament, a female martial artist strips down to her underwear as a fighting tactic to distract her opponent in order to win.

I list these because 1) in each case they're meant to be gags - Dragon ball was originally a gag and action adventure comic not the battle comic it's become more known for - 2) this is the series Oda credits as being heavily influential on him, and 3) this was extremely common in animanga of the time (the 80s).

Even Rumiko Takahashi of Inu-yasha fame and one of the most well known women creators in manga used this as a gag and often: Urusei yatsura, Ranma 1/2, Inu-yasha, and Maison Ikkoku.

My point is, it's not a flaw, it's a gag. I hate to say Oda is a product of his time but, well, he's a 50 yr old man who isn't unique to his generation. I wish he was, but he isn't. One Piece is very much a product of it's time and is just a very rare piece of media that's still alive and kicking much longer than a lot of other pieces of media from one singular creator. Which is why certain parts feel very dated - like Ussop's racist character design, Sanji's perv gag, the okama - all these things were, unfortunately, much more common and considered "acceptable" in animanga 20 years ago.

You can see them falling more and more out of favor in more recent series - the perv char isn't as common, tho they def still exist like Mineta from MHA, or Spirit in Soul Eater, there's more Black chars that aren't based off minstrel artwork thank god, and the okama gag seems to have mostly died out.

OPLA is just giving One Piece a much needed update especially in specific aspects like Sanji's dated misogyny gag.

I love Sanji with all my heart but I'm not blinded by the fact that his animanga self is also very flawed. OPLA gave him the rizz early animanga Sanji was known for and I understand why a lot of fans complain about his not so very appealing characteristics (like his chivalry towards women being over the top and his not so subtle transphobic/queerphobic attitude). Those aspects of Sanji's character are what makes him a flawed and complex character. He isn't perfect and that's the point. And just because Oda-sensei writes Sanji that way it doesn't automatically mean he echoes the same sentiment. Other characters, most notably Luffy, don't even react the same way because they are different people.

And for how OPLA is going to adapt Nami and Sanji's relationship, I think he'd be a total pushover for her and Nami can be her manipulative (affectionate) self. Sanji takes pleasure in being of service to women. It isn't as obvious but he does still serve (meals) the men in his crew even if he's angry and rude about it.

I'm a big supporter of flawed characters -- people are flawed! writing anyone as "perfect" is boring! purity culture in media is harmful! there should always be room for growth! and i know that sanji is a complex character with a lot of good attributes. i know writers giving characters problematic/negative traits does not reflect on their own personal beliefs.

BUT a direct translation of animanga sanji's "flaws" to live action would have been bad. casual fans don't have hundreds of chapters / episodes to get to know him. the writers had four episodes to give him a backstory, dreams, a personality, and above all make him likeable.

I think there's plenty of things in the live action that make him complex -- including his silly little hissy fits, the way he said cocktails, and the way he's a big fucking sycophant for luffy after one compliment. we don't need over the top transphobia/queerphobia/misogyny to have an interesting, flawed character

[fiftysevenacademics]

I've seen a few posts critical of the plot of Fangs of Fortune, and other comments elsewhere about it being style over substance.

On some other post, I commented that if you're looking for a tightly constructed, linear plot, you'll be disappointed. The plot is fine, but a large part of the story is told through what people too easily dismiss as "style" instead of witty dialogue or whatever.

You can tell a story through different mediums, and in this show, visual storytelling reigns. The music does a lot of heavy lifting, too. We shouldn't shortchange the writing: there is some amazing dialogue that is skillfully deployed to develop characters.

But it's true that plot devices sometimes appear from out of nowhere and there is one thing that, to me, is borderline ridiculous. But by the time it happens I was so emotionally invested, I chose to just roll with it.

But this is the difference between telling a story in straightforward narrative style, and telling a story using the language of dreams or myth. We've all had dreams that affect us profoundly, that convey a message even if they sound nonsensical when we try to explain them. And myths frequently involve characters having sudden knowledge or being sent on a task or quest that doesn't make sense as a way to solve a problem.

The point of both dreams and myths is to make sense of contradictions and dilemmas in our personal lives and in our cultures. This is why dreams have emotional resonance even when they don't make sense, and why myths sometimes resonate over centuries or even millennia.

Fangs of Fortune is based on ancient Chinese lore about mythical creatures, and it would have been a shame to shoehorn them into a narrative limited to human motivations, goals, and abilities. I hate media that tries to rationalize mythical beings, and love Fangs of Fortune because it refuses to do this. It takes the viewer on a gripping emotional journey through the lives of characters whose motivations are partly relatable and human, and partly in the less knowable realm of gods and demons that humans have always used when pondering the great mysteries of life, like the nature of love and sacrifice, and how we should behave in the face of loss and injustice.

A lot of people try to make "dreamlike" shows and movies and few succeed. Fangs of Fortune, for me, sets a new standard in how it can be done.

[idontlikeem]

hi! i'd like to talk about losing. you don't have to read this if you don't want to, but i wanted to write it, and guess what, it's my blog. i just like this team a lot and i'm feeling a little maudlin about my guys and a little sick to fucking death of the shit i'm seeing all over kingdom come from 'fans'. so here we are.

So You Became A Fan Of A Living Legend But The Hockey Team Is Bad: a commentary.

look. this is not the most fun i've ever had watching hockey, and i'm quite sure a lot of people feel the same way. the penguins are bad this season! they were bad last season too, but there's something very special about the extent to which they are shit right now. and those are not fun games to watch.

but here's the thing: who cares.

like, idk. there's so much god damn negativity surrounding this team and its performance right now, and i'm guilty of contributing to it as well, because yeah of course i'd rather watch a team win in decisive fashion most nights. of course i'd rather dream about may and june and the stanley cup. of course i want to watch that happen again for my favorite players. like, duh.

but. it's probably not going to. not if these players get what they want, which is to play together on this team until they're ready to retire.

and you know what? that's fine. if they're fine with it, who on earth am i to not be?

i think we all have the same reaction when we see idiots online saying things like 'sid doesn't deserve this trade him to a contender'. and that's because we are smarter and more refined fans who understand that what sidney crosby DESERVES is to select how and where and when his career ends. is it on a team that sucks? then that means being here is more important to him than getting that fourth cup. staying with geno and kris and the penguins as a whole, never putting on another NHL logo, is more significant to him personally than another victory. and isn't that special? isn't that worth celebrating?

of course we know all of that because we're better at being fans than the uncles online who are writing weird fanfic in their heads. but. guess what that comes with:

losing.

and losing badly, in the case of this season.

i am here to tell you that sitting and bitching about it helps no one. right now, what we have to watch and celebrate is our favorite players still playing at a high level. they're still doing cool stuff on the ice. and they're doing it TOGETHER. this is what they wanted. so your options are either to hate it and sit in negativity about it each and every game, OR readjust your mindset and learn to enjoy what we have while we have it.

we are watching myth-making happen live. we are watching living legends play hockey. this is a privilege and an honor and it's not something most fanbases get EVER. and we have two! can you believe it?

there are things i would have rather seen done differently over the last couple of years. as far back as 2019 there were moves i disagreed with and changes that could have been made that perhaps could have extended their window. and of course the 2022 series against the rangers, that was a very good team that got hit by injuries at the absolute worst possible time, and probably that was their last chance as a core to compete. it's frustrating to watch that stuff happen when you have no control over it.

the pittsburgh penguins were high-end competitors and contenders for seventeen years straight. that's insane and unheard of in this league. they're not anymore. and the price you pay for almost two decades of dominance is...being bad. when you're competing you trade prospects and draft picks for win-now players. sometimes those work out, most of the time they don't. with the amount of winning this team has done, even the trades that didn't work were worth it, because it meant they were trying.

there are no fanbases who are going to feel bad for penguins fans right now. that's also why we're getting so much attention from the national media. people aren't used to this team being as bad as it is, and people like watching downfalls. that's fine. most of those fans have never watched their team win, and most of them never will. so if their joy is coming from sidney crosby's team being bad....well, love and light, you know?

and we shouldn't feel bad for ourselves either. this is what happens. this is how it goes. this is the price for the band staying together.

i dunno, guys. this is a disjointed rant. it's just so effing hard to be kicked in the nuts everywhere you go with unrelenting negativity. it's on twitter it's in the articles and yes, it's here too. but if you can't be a fan of a team when they're bad, then i'm sorry but you're not a fan of the team (or certain players), you're a fan of winning. and NO team wins all the time every year. that's not how sports work.

we are lucky. at least, i feel lucky! don't you? gosh, sidney crosby scored his 600th career goal tonight. evgeni malkin is over 500 goals on his career. can you believe that? it's amazing to watch.

and it's going to be over in less than two years. do we really want to waste it by wishcasting something that's not going to happen instead of enjoying what we DO have?

if the media bums you out, don't listen. don't read the articles. don't go on twitter. dry your tears on the stanley cup banners that sid and geno hung up—there are three to choose from!

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.