#but full scenes… unfortunately

[mad-c1oud]

I wish I was a much better drawer so I could show you guys certain scenes in full and how I’m imagining them like the panic attack in fingers and then the fight, the shower scene from letters, everything in immi, everything from twaho, and so much more

The greenhouse oh my god I want you all to see

ugh

maybe maybe maybe who knows

[satelliteduster]

oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)

[izzystizzys]

“ - but have you ever considered, I don’t know, not sucking all the time? Just a thought.”

It takes the combined grips of Nuisance and Hound to keep the wriggling, snarling body beneath Fox from throwing him off its back. With three years’ practice of having to fix his own rickety desk chair over and over again, the movement merely ruffles the proverbial fringe on his helmet.

“And I don’t mean that as an insult, necessarily. Well, I do a little bit. But also I have some amount of empathy for the no doubt immense amounts of trauma that had to go into the creation of something so dysfunctional as you, on a very personal level, so have you considered going to the root of that in a way that’s like… useful? Instead of wasting it all on kriffing Kenobi, I mean. Look at the guy. All he does all day is drink tea and commit warcrimes. I bet he knits for fun. Bit of an embarrassing nemesis, don’t you think?”

“I”, says Kenobi, then pauses. The space between his eyebrows is creased with uncertainty, and he looks deeply torn between continuing rocking the shaking Duchess of Mandalore against his chest from his corner of the throne room and re-activating his lightsaber to continue losing his fight against the Darksider Fox is currently sitting on. “I feel like I should object to some part of that, but I’m not entirely clear on what. Or how this happened, again. Isn’t Mandalore a few star systems from your purview, Commander?”

“Probably the warcrimes”, mutters Nuisance underneath his strained breath.

“About as far from my supposed assignment as yours, General”, says Fox a little louder.

Kenobi twitches. Fox cannot claim to know which of them does it. Both, maybe. Probably.

“I will - taste - your - flesh!”, heaves out Darth Maul, snarling and hissing.

“Oooh, kinky!”, calls Grids, from the corner where she’s got her stun-setting aimed at the other Zabrak, currently passed out cold. Fox sighs deeply. He knew he shouldn’t have taken those three - any combination of Grids, Hound and Nuisance in a room together usually spelled chaos.

Unfortunately, it also spelled competence. The Basic alphabet can be funny that way.

The point being: as of some months into the war, one of Fox’s assigned tasks is the surveillance of all GAR-wide communication. All command-class staff theoretically got that memo, but no one seems to have read the fine print where that includes both professional and personal communication, as well as any and all comm devices registered or suspected to be registered to that person. Especially not one Anakin Skywalker and Padmé Amidala.

The point further being, if that sounds both immensely impractical and sort of terrifying in a democratic supposedly non-surveillance state, you’d be bang on the credits, and to Fox’ eternal chagrin the singular person in this whole useless army who’s spent the second of thinking necessary for that conclusion.

The final point being, when one frantic General’s mad dash across the Galaxy to rescue his teenage sweetheart from the spectre of his supposedly dead nemesis crosses his desk on its way to the Chancellor’s inbox, it doesn’t take much time for him to block any and all trace of it across the digital space of the GAR commboard and take matters into his own hands.

“ - which is why I told Thorn to suck it up and be in charge for a few days, and also why you’re still alive, your Highness, very welcome, was no trouble at all”, he concludes, drily. The Duchess stares the wide-eyed look of someone attempting to reconcile clones with ‘sentience’ or perhaps ‘personality’ in her head, but won’t say it outright.

Or the look of someone who’s just been violently overthrown and nearly murdered, perhaps, Fox allows.

“Um -“, Kenobi hedges, blinking rapidly.

“And the reason you’re still alive, probably. You’re welcome for that too, by the way”, Grids calls from the back of the throne room, cheekily.

“Alright”, says Kenobi, loudly. There’s color back in his deathly-pale cheeks, Fox notes, even if that color is a lot of red. It doesn’t fade very gracefully into his beard. “Opinions on whether or not I had everything under control notwithstanding -“

“You really didn’t”, Hound supplies helpfully.

“ - opinions notwithstanding, I am admittedly still lost on why you’re now sitting on Darth Maul and attempting to, to - jeer at him, Marshall Commander!”

“We’re not jeering, we’re trying to create a safe space and lay the groundwork for more open communication”, Fox says, primly.

Maul screams into the ground, attempting for the umpteenth time to rear up and visit great violence upon Fox, which admittedly has him rattling in his crosslegged seat atop his back.

Kenobi raises a perfectly plucked eyebrow. “Safe space?”

“He’s restrained and not stabbing anyone, I personally feel much safer than before”, Grids muses. “Watch the teeth though, Hound. Little biter.”

Indeed. Fox’s right greave will have to be replaced posthaste.

“And anyways, the point isn’t to jeer at him, it’s to make clear that he’s focusing his energy in the wrong places and could be doing much better things with his admittedly not-great life”, Fox adds, shifting to cast a pointed look down at Maul. The Sith is panting open-mouthed into the durasteel floor, sharp teeth gnashing wildly as his piercing yellow eyes shine with barely restrained rage. “I’m just saying - aim higher. You aren’t seeing the forest for the Kenobis, Maul. Can I call you Maul?”

“I will feed you your own entrails”, yowls Maul.

“See, that’s exactly what I’m talking about. Right now, I’m an easy target to focus all that built-up rage on, but is killing me really going to help you achieve any of your goals? No! Think about it - when it all comes down to it, who sent you on that mission to Naboo in the first place? Who made sure the Jedi and, by extension, Kenobi would be there to kill you? Who used you as a dejarik piece and then cast you aside the second you outlived your usefulness?”

Beneath him, Maul slowly stills in his struggle, still panting heavily. Hound and Nuisance don’t let it deter them in their vigilance, because they’re damn good vod’e and possess an ounce of common sense.

“And, look, I get it. I could spend the rest of my life punching every civilian who spits on me in the streets and it would even be satisfying. I could hit back the Senators who think of clones as easy targets. Or - I can aim my sights at who’s on top. And I think you know who I mean, because you know as well as I do the same damn man has ruined both our lives.”

Kenobi makes an alarmed noise, and Maul an interested one - not that Fox is going to let him walk out of this place awake. Still, he tilts his head in a way he hopes conveys his helmeted grin successfully to non-vod, as well as the bloodlust behind it. “You’re also welcome for the fact that the Chancellor won’t have heard of your spontaneous resurrection yet, by the way. You’ll retain your element of surprise instead of gambling it away on petty revenge on Kenobi.”

“He cut me in half!”

“He killed my master!”

Fox waves their protests away.

“Also, that’s treason!”, Kenobi adds, sputtering. Fox grins. Kenobi purses his lips, and continues. petulantly, “…do you have any proof?”

“So. Much. Proof”, says Nuisance, dreamily. “Like, do you want it alphabetically or by date?”

Which is when the Duchess, of all people, bursts out into barking, crazed laughter.

“You - you’ve certainly given yourself an edge in that fight, Marshall Commander”, she wheezes, brushing tears from her eyes. Fox raises his eyebrows at her, which she somehow seems to be able to tell, because she gestures at the clunky handle dangling from his belt.

“What, this old thing?” He unclasps the black rectangle from its hook, holding it up in the air. Maul stills strangely beneath him, and Kenobi goes ghostly pale again. Fox is starting to get a bad feeling.

“I took it off Viszla and beat him over the head with it. I figured he’d taken it off a Jedi cadet or something. What? Why are you looking at me like that?”

[tantumuna]

presening lord Malvaeyron & Astarion Ancunín

for @tragedysorbet 💖

[soo-won]

Hi!! I’ve been following your tumblr and Twitter for a while now and I love all your akayona analyses. ❤️ I remember your rambles about headcanoning Suwon as transmasc/transfem? Could I hear more abt that? It’s rlly cool cause I feel he’s portrayed in an incredibly gender neutral light, in comparison to many other male leads :)

Thank you so much for wonderful ask! I'm glad you like my analysis :') Idk who you are but thank you for the support!!

And yeah! I headcanon Suwon as non-binary and there is a lot to unpack about his gender imo...I very much believe akayona has a lot to say about gender especially through Yona and Suwon's characters, and in that Suwon being a man and Yona being a woman is thematically important. But the way the story presents this theme in Suwon's character in his struggle (or lack of) with balancing between "masculinity" and "feminity" can make him easily readable as trans. Transfem or transmasc and every nuance in between.

I've also been headcanoning him as non-binary from before the manga truly explored these aspects only because I'm non-binary and I related to him too so it's not that deep. But as you said he is portrayed more gender neutrally than most male characters of the cast from the beginning and I think it's worth exploring. Whether he's gender non confirming in universe is interesting to discuss too, because you have other characters like Joon-gi for example, but he's at least not really traditionally masculine from our standards when you first see him.

(Long post under the cut)

But as much as it doesn't have to be that deep, I'm also convinced it actually is and that's why I'm entering character analysis territory here, so please stay with me ahah. When I think about Suwon's gender, I just can't not think about his parents and what they represent to him and how that ties to his overall character arc. Yuhon and Yonhi are pretty much the "ideal" symbols of traditional masculinity and feminity we have in the story in their gender roles and the values associated with them. Suwon is one of the rare character we have a glimpse of both parents that lived long enough for him to remember and be impacted by both. This sounds silly but basically Suwon's gender is like,, if a man and a woman had a baby to me fnbkjhbgkjhbgh.

In universe, Yuhon represents strength, courage and reason. He is the traditional and ideal male. He is bold, brash, dominant. He is the parent Suwon deeply admires and longed to be like, and that he then took upon himself to replace after his passing. He's the figure everyone in Kouka remembers positively as a competent and strong leader. He's the parent that taught Suwon to see people as pieces on a chessboard and to always be pragmatic, to make the most effective and straightforward decisions. Suwon inherented some of these traits himself, but the entire struggle of his character is that he isn't and cannot exactly be his father, that he can't follow in his father's footsteps (or what he thinks they are) as much as he and the people around him would like. This ideal masculinity represented by Yuhon is not something Suwon is able to achieve and that we should wish for. The other side of the coin is dominance and violence, it's stealing the agency of others with no regard to their person, it's causing a chain of pain and more violence. Suwon, ultimately, cannot and shouldn't respond to all these expectations. They're not him. Because he is also Yonhi's son, which he tried to cover as much as he can as a King.

Because in contrast, Yonhi represents the "ideal femininity" that is passive, sentimental and kind. Her assigned role was only to serve Yuhon and Suwon, and had no power for much else. In appearance, she's the ideal wife and mother. She is conventionally very feminine, we see her with different garments, accessories and haircut in every scene, hinting that it's something she likes (especially when you compare with Kashi)... She's kept in the dark about Yuhon's secrets and all he does when he leaves the castle and fights on the battlefield. She has no agency. She is the parent forgotten by all, never mentioned even by Suwon, who died with nothing to her name. She is the parent that didn't want Suwon to kill Il but to think about Yona, she is the one who taught him about kindness. (i also mentionned yuhon and yonhi's respective legacy here)

And the irony is, physically Suwon is almost a copy of his mother. At first glance, Suwon is in general much more like her than he is like Yuhon. Suwon is pretty and cute, and is assumed to be weak, passive, and lacking in general as a warrior. Suwon, who wishes he was like his father, looks "nothing" like him and actually looks like his very feminine mother. And the thing is, what makes him so gender ambiguous is that he actually embraces that. Suwon uses his appearance and plays with the perception others have of him so they underestimate him (Geuntae, Soojin, Li Hazara,...) he has a very similar haircut as his mother, is interested in swordfight, tactics, but he's also into flowers, tea and sweets, he wore clothes with flower and butterflies patterns before his coronation (which is not supposed to be only a women thing of course but in universe I don't have any other example of male characters having those so I take it into account), he interacts with other female characters like a peer that share the same interests, too. He is first perceived the same way as Il and the opposite of his father or warriors like Geuntae, Mundok or Hak. He isn't like Il or Yonhi though, and that's what makes him not entirely feminine either, he actually proves himself as a man to these people after all.

But even as a child, Suwon took up the role of a mother for Yona like it was the most natural thing in the world. And in a similar fashion he also took up the role of Yuhon to "take care" and "protect" his mother, and to lead Kouka. Suwon is able to navigate both feminine and masculine roles depending on what is the most fitting to the situation at hand, and he achieves that with little struggle. This is probably the point that makes him so gender fluid? He's fine with both, it feels natural to him, this is what differentiates him from his parents' image shackled by very stereotypical gender norms. It's definitely what makes him so unique and himself. Suwon is always described as having equal interests and curiosity for everything and everyone, and it plays a part in this as well. In a world where interests are gender divided, where women are encouraged to have interest in love, fashion, luxuries and where the men are rather into sword training or studies, Suwon who can jump from one to the other with ease, like gender doesn't matter feels especially liberating.

But Suwon is actually still shackled and not immune to patriarchy and it all ties to the meaning behind the position of a King. Suwon loved his mother, and he sincerely loved Yona before the coup just like she was for being cute and kind and bringing him warmth. "Feminity" isn't a sin or bad to Suwon, he even values it. However, for him and many others in universe, all these things are unfitting for a King, like...he likes it, but he thinks he doesn't need it for his goal. Which leads us to King Il.

Suwon values "feminity" and is aware of that part of himself, but rejects it when he has to act as a King. "Masculinity" is about being strong, strong enough to protect, and being "feminine" puts you in a position of weakness and powerlessness. I don't think it's a coincidence that he inherited his illness from his mother either, which literally puts him in a position of vulnerability and weakness that he absolutely hates and tries to cover up. Feminity is fine for women and the roles assigned to them, they are lovely as they are, left behind but where they can keep being kind and sentimental while the strong men go to battle and manage affairs, basically. Kouka is a patriarchal society with all these norms being continuously enforced, and where being King was exclusively a masculine position until recent development. Before Suwon ascended to the throne, Yona was the first heir, yet the position of next ruler after her father wasn't to be given to her, but whoever would be her future husband. Yona would have been only a Queen, not one with particular ruling power, but in the sense of being the wife of the King, the same way Kashi was.

So then, Il appears as a failure as a King. He's the example and proof to Suwon that "feminity" is not compatible with the position and that he has to differentiate from him in every way. Suwon liked Il for his kindness and believed in him until he killed his father and proved to be uncompetent as a ruler. Il's kindness and reliance on the divine are unreasonable and based on emotionalism for Suwon. His refusal to use any weapon makes him a coward and weak, and waiting for the gods to save them makes him passive...It's what led Kouka to the sad state it was at the beginning of the story.

To Suwon, feelings, kindness, traits associated with feminity as we've seen, make him weak. He doesn't need it. It's what makes him reluctant and risks to deviate him from his goal and duties as a King. He can't afford to feel for Yona or anyone, he has to take the most efficient decisions with no remorse for people's feelings and especially not his. This is why Yona is so important and the lead of Akatsuki no Yona. Yona redefines what we associate with either masculinity and feminity. Strength, kindness, sentimentality, reason...They're all needed, they don't have to, and they shouldn't be divided so strickly and imposed on people based on their gender and roles. (Especially when it's obviously girls and women suffering from it the most). This divide between Yona and Suwon doesn't have to be, Suwon takes time to accept it, to accept Yona to enter his chessboard and value her as an equal and not just because she's kind and cute. And in doing so, it opens the door for him to also accept his own feelings, his own "weaknesses". Feelings and kindness actually hold so much power, they can actually make you stronger, that's what made Yona and Hak so bright to his eyes from the start, even if it took him long to fully realize it.

I feel like I deviated from the initial topic, but it's all important I swear. It doesn't mean Suwon gave up all his old ways either, he still embraces what he learned and admired in his father, not everything was forced upon him and I believe he genuinely connected with his father's vision. But it's about balancing this with the things he was convinced he had to reject and discard all this time.

That said, here are some examples of how it opens the door for transmasculine and transfeminine interpretations of Suwon's character arc, there can be others of course, but those are the ones I naturally came up with thinking about all this:

If you read Suwon's story as a transmasculine experience, it clicks. From how he was "cute as a girl" in his childhood to the experience of feeling like to be a man, to pass as a man, you have to reject everything that is associated with feminity and force yourself to accept masculine values that are just not your real self, to then realize you don't have to do all that to be a man and it's fine to embrace your "feminity" too. (Btw I really encourage you to read the Requiem of the Rose King manga that is explicitely about this topic!)

If you read Suwon's story as the transfeminine experience, it clicks too. Suwon feeling like he has to and being pushed to follow in his father's footstep when that's just not his real self. The way that he represses his self, the metaphor of closed box and how he locks his true self and feelings into them, until it becomes too much and he can't ignore it anymore. That being a man is not for him, and he doesn't have to be.

Of course, you can also read him as a cis man that is more or less gender non-conforming, or in any nuance of non-binarity in between, but in conclusion, that's what makes Suwon so gender to me. (and again, you don't need any of what I wrote in this post to headcanon him however you want)

There is also something to say about how he's "lacking as man" in how he has no romantic or sexual interest in women, if you take into account all the junctions between gender and heteronormativity that I didn't really bring up here. This point always made him really stand out to me, but Suwon's sexuality is such a Topic I didn't want to adventure myself into today ahah.

[voiceemporium]

M! Smuggler in SWTOR voiced by Charles Maury Wallace Sterling

[kingofanemptyworld]

proof I haven’t forgotten about speak of the devil’s final chapter

[hirazuki]

Mairon/Sauron (Tolkien) Cosplayer + edits: me Photo credit: tranimaging2 Eönwë: my sister Wig: Arda Wigs (Grace, in “Fire Orange”) Contacts: Uniqso (Sweety Crazy Red Demon Eye) Ears: Aradani Costumes (Sun Elf Ears) Circlet: PernCirclets (on Etsy) Gorget: Crystalsidyll (on Etsy) Leather armor: LederFantasies (on Etsy) Fangs: Scarecrow (Small Deluxe Fangs) Dress base is mass-produced/store-bought; boots/other clothes are my own. A warning to the people, The good and the evil: This is war - Thirty Seconds To Mars

This technically goes against my personal headcanons of how their meeting after the War of Wrath went down, but I just couldn't resist the St. Michael pose; it's too iconic (haha 'iconic' get it XD).

[spiral-down-the-rabbit-hole]

I just found out that originally Zootopia was supposed to involve taming collars. Like, all predators were forced to use one bc preys (who are like 90% of society) fear them that much. And they were forced to use them from a pretty young age too like 10 or whatever. If they showed too much emotion of any kind they would be shocked and they were also systemically oppressed with the refusal of loans, services, high paying jobs and having to live in old dangerous places.

Meanwhile your average prey, like the citizens who don't really have any power, have this kind of thing omitted from them so even the "good ones" aren't able to do much about it. Bc they're brainwashed to never be fully aware of the extent of the problem and never be able to fix it.

I wonder how the movie would solve a systematic issue like that. It would sure be harder than just blaming everything on a single sheep

[coulson-is-an-avenger]

rwby volume 5 is so fucking good EXCEPT for the entire final battle and that i think sucks so much ass

[crescentfool]

the new p3 voice cast sounds GOOD ohhh my god im so !!! their excitement and respect for the source material is so so lovely and infectious im actually so so emotional over it what the hell... if you are interested in the remake please do check out faz’s channel to get a glimpse of it, it’s really nice....

[boss-the-goofball]

FINALLY WORKING ON THE HOMEROOM TEACHER NIGHTEYE FIC AGAIN!

[harurio]

wtf it just ends like that cmon. what a cliffhanger. i need a second season and i need all the same cast and also i need those men to make out

[huffledorunfortunate]

I’ll never forget the correlation between JKR wanting to kill Ron off in Book 4 and him suddenly becoming a little shit goblin in Book 4, as if easing the blow of killing off a main support character by making him an asshole by proxy and then suddenly changing her mind and then never acknowledging it until Book 7.

Absolutely boggles my mind because Ron had been a staunch Harry supporter and him suddenly doing a 180 never made sense for his character. Even claiming it as “jealousy” didn’t make sense because Ron had been known to be considerate to Harry and giving him benefits of the doubt and even downright worry about Harry and half the shit he finds himself in that it should’ve worried Ron that Harry somehow found himself in the TriWizard Tournament when even his inventive older brothers couldn’t manage it.

I have many feelings about this

[coffee-without-anesthetics]

feeling whatever might watch operation hyacinth

[daydreamdoodles]

There's something so charming about the physical acting in Mamma Mia