#but everyone has different physical limits

[jelzorz]

Oh boy oh boy if you're taking ficlet requests, how about Opeli making sure Soren doesn't collapse of exhaustion while he's supervising rescue efforts and providing aid in the aftermath of Sol Regem's attack?

193.

It's all kind of a blur afterwards. Soren chalks it up to being exhausted from, well, everything, but it's not like there's been time to rest between it all anyway. There are too many wounded, too many dead, too few supplies to share between the too many refugees, and he has enough to deal with without the grief creeping along the edges of his mind, waiting for him to feel it and to process it on top of everything else. The physical labour is hard, but he's used to that. The emotional labour...

Well. It can wait.

So he heads out to the castle ruins with different groups of soldiers and volunteers to salvage what little they can. He moves rubble and bodies and supplies, helps pitch tents and herd children, tends to the wounded with the limited training he has. He's worn thin and he knows this. He hasn't slept for more than a couple of hours since the attack and he knows this too. He knows because Opeli keeps telling him to rest and Corvus keeps telling him to sleep and they're just as tired as he is, but neither of them stop, so why should he?

It's been a week. A little more he thinks, but he doesn't really know because the days have started to bleed to into each other and the rise and fall of the sun doesn't really mean anything in light of everything that's going on. He knows that the others had all come back the morning after the attack, and he knows Ezran had given the order to move everyone to the Banther Lodge after a couple of nights at the temples, but beyond that, all Soren knows is the ache in his muscles and the precarious uneven rhythm of his next step, and the one after, and the one after that.

He's sitting by the fire tonight. There's a pile of damaged armour beside him that he doesn't really know how to repair but the blacksmith didn't make it and the Banther Lodge works, but they're still sitting ducks out here. Damaged armour won't do them any favours. There's no room to lose anybody else. He's fixing the leather in a bracer when they find him, Corvus and Opeli, both tired, both weary, both obviously concerned.

"'Sup," greets Soren absently.

Corvus and Opeli glance at each other.

"We've been ordered to rest," says Corvus.

Soren snorts. "How's that going for you?"

Opeli twitches her lips. "I can't refuse an order from the king," she says drily, "but more importantly, neither can you."

Soren pauses in his work and raises an eyebrow.

"You need to rest," says Corvus, taking the bracer from him and shoving the pile of armour over with his foot. He takes a seat next to him without waiting for an invitation and Opeli does the same on his other side, already frowning at the bandage she'd placed over the cut on his forehead.

"You've split your stitches again," she says, her disapproval obvious.

"I'm fine," mutters Soren. He tries to snatch the bracer back but Corvus holds it purposefully out of reach.

"You need to rest," says Corvus again, tossing it back into the pile and kicking the whole stack of it further away. "We all do," he adds pointedly to Opeli, who wrinkles her nose petulantly and draws her knees to her chest.

"I'm not arguing," she mutters. "But whether or not we do relies on Soren, doesn't it?"

Soren stares at them both. Corvus actually smirks.

"We made a deal with Ezran," he says somewhat smugly. "I don't need a break—"

"Yes you do," snorts Opeli.

"But I wouldn't take one unless Opeli took one—"

"And I won't take one unless you do." Opeli gives him a look then, her usual stern-faced glare laced with something stubborn and a little sour, but something hopeful too: an opportunity to rest mandated by someone else that she won't feel guilty for taking. "So whether or not we get to take a break is up to you, really," she says.

Soren pauses. Then he scowls at them both. "That's a dirty trick."

"It's pretty fair actually," says Corvus, stretching out beside him. "You need to rest, Soren. If not for yourself, then for the people who care about you."

"And you do have people who care about you," says Opeli. "You must know that."

There's another pause. Corvus leans into him on one side and, hesitantly, Opeli does the same on the other, their warmth a comfort against the evening cold, their weight a ward against the feelings he isn't quite ready to feel.

He doesn't remember closing his eyes, but when he opens them, it's dawn. The morning is quiet. The fire is out. Corvus has shifted so that his head rests on Soren's shoulder and Opeli has tucked herself under his arm in her sleep. The blanket draped over them is scratchy but warm.

Soren lets himself go back to sleep.

[en-busca-de-mi-ikigai-blog]

Listen, we know Byleth was a seasoned mercenary before arriving to Garreg Mach and got nepotized as a teacher, right?

We know they were good, great even, their father, THE Jeralt, having taught them from a young age. However, something changes when they are saved by Sothis and get Divine Pulse.

And no, I don't mean it as just "well, they now have superpowers", yes, they have, but, forgive me for being all Spiderman, "with great power comes great responsibility", and suddenly they start to test the limits of their powers and being more aware.

What I mean is, if someone got hurt or died before, ofc it would hurt, but I mean, that's the life of a merc, am I right? And they'll have to move on. With muttered emotions, they will move on. But now, they feel their emotions more; and what's more, now, they can prevent it. And it's not just their father's merc company (since they stay with Byleth during the war, I suppose they are good friends), no, they now have A BUNCH OF noobs, I mean, students, to take care of.

Imagine the newly acquired responsibility, no, you can't shrug them getting hurt as perks of the job, even if you did your best to save them, no, now you have to actually go back in time and figure a way to save them AND win the battle, improvising and calculating more options than you ever had before, on the fly. Someone used to just make strategic decisions in the heat of battle to minimize damage they now have to physically repeat the situation and go over the different options they couldn't before to not only minimize damages but to possibly nullify them. Because they can and because they care, more than they ever thought they would.

And no, I don't mean it just in the sense they have emotions now and feel more than they ever felt before, oh, no, I'm thinking of the AFTERMATH.

I can picture them being absolutely exhausted, tired beyond comprehension, physically and mentally, after some of the wars worst battles, their mercenary friends had never seen their leader this worn out, and sure, the war is costly, and ruthless, and unforgiving, and Byleth is not only a leader of a mercenaries band, they are now also a general in an army, and have taken upon themselves to protect every-last-one-of-them, have sworn it to themselves, upon the grave of their father, to never be in a situation where "what was to happen was fate" as Sothis put it.

And oh, they're sweaty, and bloody, and their clothes ragged, and muddy, and their breath is coming all jaded but they have a fierce look of sheer determination after every dire situation where they manage to save an ally that nobody else had seen before, even in the ashen demon's face. This is a new kind of demon, Byleth, the mercenary, the teacher, the vessel of the Goddess, more than a force to be reckoned with, a pure force of nature that will stop at nothing to fulfill their destiny.

But it has a cost, and their body will hurt, and they wouldn't be able to sleep a lot, planning strategies or dwelling on the mistakes that have cost them plain soldiers lives, because not even they could protect literally everyone on the battlefield. They had to prioritize their students, because they're too important, too crucial, not only as generals, but as what feels like lifelong friends. And they owe them, because hadn't they fell at the assault of Garreg Mach they could have helped them. Because if their students survived this long without them, they sure as hell won't let them die an awful death while they're in charge. And their muscles are sore, and they have an exhausted look, and their body shows scars, but their eyes keep showing that determined gaze before and after each battle, as if their heart was engulfed in flames. And it is, the crest of flames beating in their chest, helping them live, fight and reaching the future.

Because if they can't prevent fate, they will ensure it happens according to their own terms. Even if it costs all their energy, how many tries it takes.

[msfcatlover]

Duke in the Reverse!Robins AU be like…

”Eldest daughter syndrome? What eldest daughter syndrome? Nah, just because I’m the oldest does not mean I have eldest daughter syndrome. Sure, I’ve had to mediate between Damian & Bruce, or Steph & Bruce, or help certain Titans find a middle ground, but that’s just being a good leader. And yeah, I’m protective of the younger kids, but that’s just what any responsible adult in my position would do.”

*finds out one of the members of his team has such bad civilian trauma they need to straight-up quit hero work*

“Oh shit… I fucked this up. I was too focused on my own problems, how the fuck did I miss this? Okay, okay. I was already burning out trying to juggle being Gotham’s only daytime hero and single-handedly leading the Titans. I need to pick one. And find some way to make it up to Grant. Jesus fuck, how did I miss this…”

*Tim becomes Cass’s apprentice. Steph & Cass start arguing more often. Steph has her biggest fight with Bruce yet. Steph goes missing.*

*Steph dies*

“After that fight with Bruce, no one backed her up. She didn’t know anyone was supporting her. She died thinking none of us were on her side. If any one of us had actively taken her side, instead of getting distracted with our own messes, maybe this wouldn't have happened. Oh, but am I really expecting Damian or Bruce to be intelligent about feelings? Am I really expecting tact from Cass? I know them too well; it should’ve been me, shouldn’t it? I can’t believe I managed to fuck up worse than I did with Grant…”

*Luna gets taken away*

“Look at what you’ve done, Bruce! Look what you’ve fucking done! You’re tearing this family apart! We all promised to look out for her if anything happened to Steph, and you’re just going to force every single one of us to break those promises?! You’re going to rip away the last piece of Steph we had?!? Look at Dami & Cass! Look at them! You did this!”

*finds out Damian’s training for Tim to be Shadow uses all the LoA techniques he refused to use for Steph, making it borderline-through-outright abusive, almost certainly to try to drive Tim off by making him too miserable to continue*

“I. I can’t fucking believe this. I can’t… I can’t believe it took me so long to realize. Damian, nobody is happy about this, but fuck you. I thought you were trying to be better, you absolute fucking asshole! And I… I don’t even have the excuse of not knowing half of the involved parties this time, or being away, or too busy, I was just looking away because I didn’t want to think about Tim taking Steph’s mantle. I should’ve fucking stopped this the first time Tim came back from Bludhaven. God fucking dammit, how do I keep failing the kids in my care in the same fucking way, over & over again?!”

*was all the way at the other end of the room & looking in the wrong direction to have enough forewarning to actually save Tim from being shot*

“I… I… I… I’m literally the only person who could’ve fucking stopped this. I have all the training, all the abilities, but I went to refill my punch glass, and now Timmy might never walk again. I mean, absolutely blame the asshole who pulled the trigger, but Tim & I were in the same fucking room. Who would even put a hit out on Tim Wayne? There’s no way Tim doesn’t know who’s behind this, but he won’t tell me because he doesn’t trust me, because of course he doesn’t! Look at my track record! When it matters most, I let down the people I love. My parents, Grant, Steph, Tim…”

*Jason becomes Shadow.*

*The Tower fight happens.*

*Jason gets kidnapped by the Joker.*

*Bruce “dies,” and Jason runs away to have the Red Robin arc.*

*Dick only begrudgingly puts up with Duke because Duke’s rather overbearing expressions of protectiveness support are not meshing well with Dick’s “stuck on anger til I personally catch my parents’ murderer” issue*

“…If anyone needs me, I’ll be screaming in the closet.”

[mantisgodsdomain]

Sometimes we are deeply deeply tempted to make line-ups of our AU Versions Of Characters or something of the like, but then we remember our consistent preference for AUs to be canon-adjacent at absolute minimum meaning a lot of them will look relatively same-y combined with our struggle to draw character sizes accurately to each other makes that task a lot harder than it arguably should be.

[devotedlystrangewizard]

as im getting closer & closer to the day that i will officially leave my hometown & go live with my dad i am starting to understand my ocs more

[buckleydiazmp4]

do you mind if i ramble in the tags about my weird relationship with making art in fandom for a second

[a-soft-fluffy-girl]

TL;DR: Steam just made library sharing so much fucking easier and so much fucking better. Instead of login-trading, it's just a simple goddamn invite.

Read this. Really. It's a good read. Because it shows that, full-stop, Valve isn't just doubling down on their stance to make sure that people can and should be able to share their copies of digital goods as easily as they can physical ones, but they're making it better and easier than ever.

But you know how Steam allowed you to, with either friends or family, link accounts with another person to be able to establish an ability to share game libraries with one another? The general gist of Steam Family Sharing was that, with a limit of five people plus you (six in total) on a limit of ten computers total could share account access to willingly mix your libraries. You could play theirs. They could play yours.

This was a huge boon. It was meant to emulate sharing a physical copy of a game. A way to allow children to play games their parents or siblings had bought without having to fork over double the cash to buy it a second game. But it had some major limitations and drawbacks, and was archaic to use.

If a person did not share the same computer, you had to manually log into that computer to give it and the accounts on it access. This wouldn't be a problem if both accounts were used on the same computer, but many households (and astronomically more family and friend groups) had multiple computers, all used by different people.

If that computer, at any point, was hard reset to any point before the sharing occurred, you lost access. And had to do the whole process again. This was also an issue with computer transfers. The whole kit and kaboodle needed to be redone on upgrades. On top of that, the old computer is now just dead weight that you may not realize you have to manually revoke access to.

Putting your account information on another person's computer opens up security issues. They could, intentionally or accidentally, land themselves on your account if the login information was stored. Which could easily lead to purchases or bans you did not want to happen.

If anyone was, at any point, playing any game on their own library, you had no access to their games. Even if it was a totally different game, you had to wait your turn as if waiting for their computer to be freed up to sit at. (Admittedly this is kind of like the "mom said it's my turn on the xbox" meme, but hey, kinda archaic.)

You could not choose whose library you accessed a game from. Not at all. It always prioritized the first library it gained access from, DLC access and multiplayer be damned. If another friend you were accepting games from had more DLC? Too bad.

And yet here we are. Steam Families Beta fixes EVERYTHING about the above issues. By just going through Settings > Interface > client Beta Participation and clicking onto Steam Families Beta? You get:

No more login sharing. No more computer links. You can now choose which person's library you borrowed from. And you can play any other game from someone's library, even while they're in-game. It just needs to be a different game than what they're playing.

Pick five people. Invite them to your family. And now everyone has access to everyone's library. My goddamn library went from 150-ish to almost a goddamn thousand in ten minutes of setup.

Account sharing and password sharing are dirty words that "lose" billions of dollars. Netflix, Hulu, Amazon, Max. They aren't game storefronts, but they still allow you to access massive libraries and scream like you murdered their firstborns for daring to share your password with your mother after you moved out.

Microsoft tried pushing to demonize and undercut used games sales and borrowed copies of physical games. Remember the first attempt to reveal the Xbox One? People forget, but these vultures tried to make an always online console that checked to see if you were the account that owned the game, even if you had a physical disc, and prevent access to the disc's contents if you weren't the original downloader.

Valve walked the fuck up. Valve tapped the mic. And Valve dropped the fucking thing right onto the ground with one feature's revamp.

About the only issues I can see with this are twofold:

If someone sharing your library gets banned from a game's servers... so do you. No one else in the family does, but the both of you do. This is... rather unpleasant, because banhammers can be dropped quite frequently by mistake. I'd urge Valve to rethink this one, but I see the logic: don't cheat and effectively bite the hand feeding you. Still making me side-eye that, though.

If you leave a family you've joined? You have to wait a YEAR to join a new one. It's to prevent people form jumping ship to another group and screwing over who's in the former one in the process, but a YEAR? OUCH.

Problems aside, though... it's probably the biggest fucking power move I have ever seen a media distributor make in the current economic climate. It's the kind of thing that would let so many new games be available in a way that's easier than ever. Just a few clicks to send or accept an invite, and bam. Permanent access to dozens or even hundreds of new games with so much more freedom than earlier drafts of the system.

It's the kind of thing that slaps you in the face with positivity after so many Ls from the games and media industries. And I'm all the fuck for a W like this.

[schadenfreudich]

Franz was talking about reading a proposed law early in the morning and went "Yes, I love doing that" while putting his hands into what was almost the Merkel Raute, just not on purpose.

[felassan]

Dragon Age: The Veilguard info compilation Post 1

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user's post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a 'info that came out in snippets from articles and social media posts' collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal' post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

as this post hit a kind of character limit, there will probably be at least 1 more post. :)

Character Creation

CC is vast [source] and immensely detailed [source]

We will enter CC straight after Varric's opening narration [source]

You are given 5 categories to work your way through in CC: Lineage, Appearance, Class, Faction, Playstyle. Each of these has a range of subcategories within them. There are 8 subcategories within the "head" subcategory" in "Appearance" alone [source]

Lineage dictates things like race (i.e. human, elf, dwarf, qunari) and backstory [source]

Backstories include things like factions. Factions offer 3 distinct buffs each [source]

There are dozens and dozens of hairstyles [source]

There are separate options for binary and non-binary pronouns and gender [source]

"BioWare's work behind the scenes, meanwhile, goes as deep as not only skin tones but skin undertones, melanin levels, and the way skin reacts differently to light" [source]

CC has a range of lighting options within it so that you can check how the character looks in them [source]

There are a range of full-body customization options such as a triangular slider between body types and individual settings down to everything from shoulder width to glute volume [source]. There are "all the sliders [we] could possibly want". The body morpher option allows us to choose different body sizes [source]

All body options are non-gendered [source]

They/them pronouns are an option [source]

Rook can be played as non-binary [source]

Individual strands of hair were rendered separately and react remarkably to in-game physics [source]

Special, focused attention was paid to ensuring that hairstyles "come across as well-representative, that everyone can see hairstyles that feel authentic to them, even the way they render" [source]

The game uses strand hair technology borrowed in part from the EA Sports games. The hair is "fully-controlled by physics," so it "looks even better in motion than it does here in a standstill" [source]

The ability to import our choices from previous games is fully integrated into CC. This will take the form of tarot cards - "you can go into your past adventures" and this mechanic tells you what the context was and what decision you want to make [source]

In CC we will also be able to customize/remake our Inquisitor [source]

A core tenet of the game is "be who you want to be" [source]

There are presets for all 4 of the game's races (human, elf, dwarf, qunari), in case detailed CCs overwhelm you [source]

Story

The story is set 9 years since Inquisition [source]

The Inquisitor will appear [source]

Other characters refer to the PC as Rook [source]. This article says they are "the Rook" [source]

The ability to import our choices from previous games is fully integrated into CC. This will take the form of tarot cards - "you can go into your past adventures" and this mechanic tells you what the context was and what decision you want to make [source]

The prologue is quite lengthy. A narrated intro from Varric lays the groundwork with some lore and explains about Solas [source]. In this Varric-narrated opening section, the dwarf recaps the events of previous games and explains the motivations of Solas [source] (Fel note/speculation: this sounds like this cinematic that we saw on DA Day 2023)

What happens first off is that Rook, who is working with Varric, is interrogating a bartender about the whereabouts of a contact in Minrathous who can help them stop Solas. The bartender does not play nice and we are presented with our first choice: talk the bartender down or intimidate them aggressively [source]

The first hour of the game is "a luxurious nighttime romp through a crumbling city under a mix of twinkling starlight and lavish midnight blue" (Minrathous) [source]. The game begins with a tavern brawl (depending on dialogue options) and a stroll through Minrathous in search of Neve Gallus, who has a lead on Solas [source]. Minrathous then comes under attack [source] by demons [source] (Fel note/speculation: it sounds like the demo the press played is what we saw in the Gameplay Reveal). Off in the distance is a vibrant, colorful storm where Solas is performing his ritual. [source] Eventually we come upon Harding. [source] and Neve. Rook and co enter a crumbling castle, where ancient elf secrets pop up, "seemingly just for the lore nerds". [source] Then we teleport to Arlathan Forest, have a mini boss fight with a Pride Demon, and there is the climactic confrontation with Solas. After a closing sequence, at this point it is the end of the game's opening mission. [source] (Fel note/speculation: So the Gameplay Reveal showed the game's opening mission)

The action in the story's opening parts starts off quite quick from the sounds of things: the devs wanted to get the player right in to the story. because, “Especially with an RPG where they can be quite lore-heavy, a lot of exposition at the front and remembering proper nouns, it can be very overwhelming.” [source]

BioWare wanted to make the beginning of Dragon Age: The Veilguard feel like the finale of one of their other games [source]

Rook's Faction will be referenced in dialogue [source]

Minrathous is beautiful, with giant statues, floating palaces, orange lantern glow and magical runes which glow green neon. These act "like electricity" as occasional signs above pubs and stores [source]

The story has a lot of darkness tonally. These dark parts of the game contain the biggest spoilers [source]. However, the team really wanted to build in contrast between the dark and light moments in the game, as if everything is dark, nothing really feels dark [source]

Our hub (like the Normandy in ME or Skyhold in DA:I) is a place called The Lighthouse [source] (Fel note/speculation: I guess this screenshot shows the crew in The Lighthouse? ^^)

Each companion has a very complex backstory, their own problems, and deep motivations. These play out through well-fleshed out character arcs and missions that are unique to them but which are ultimately tied into the larger story [source]

We will make consequential decisions for each character, sometimes affecting who they are in heart-wrenching ways and other times joyously [source]

Decisions from previous DA games will be able to be carried over, it will just work a bit differently this time [source]. The game will not read our previous saves. For stuff pertaining to previous games/choices, players will not have to link their accounts [source]

Characters, companions, romance

Varric is a major character [source]

Every companion is romanceable [source]

BioWare tried to make each character's friendship just as meaningful, regardless of romance [source]

If you don't romance a character, they may end up romancing each other [source]

There will be some great cameos [source]. Some previous characters are woven into the game [source]

Companion sidequests/optional content relating to companions is highly curated when it involves their motivations and experiences [source]

We could permanently lose some companions depending on our choices [source]

Our choices can influence if characters get injured and what they think about us [source]

The bonds Rook forges with companions determine how party members grow and what abilities become available [source]

Each companion has a very complex backstory, their own problems, and deep motivations. These play out through well-fleshed out character arcs and missions that are unique to them but which are ultimately tied into the larger story [source]

We will make consequential decisions for each character, sometimes affecting who they are in heart-wrenching ways and other times joyously [source]

Gameplay, presentation, performance etc

Each class (warrior, rogue, mage) has 3 specializations. The ones for Rogue are duelist, saboteur and Veil ranger [source]. (Fel note/speculation: Veil ranger reminds me of Bellara. Maybe this is her 'spec' too?)

Duelist gameplay involves a sharp combination of dashes, parries, leaps, rapid slashes and combos [source]

Faction-related buffs include being able to hold an extra potion or do extra damage against certain enemies [source]

Individual strands of hair were rendered separately and react remarkably to in-game physics [source]

Playstyle settings include custom, distinct difficulty settings for options as granular as parry windows, meaning "players who might fancy that playstyle but typically struggle with the finer points of combat can give it a go" [source]

Combat mechanics is a mix of real-time action and pause and play. Pausing brings up a radial menu split into 3 sections: companions to the left and right, Rook's skills at the bottom, and a targeting system at the top which helps get in focus on certain enemies. [source]. In the pause system you can queue up your whole party's attacks [source]

Tapping or holding the shoulder button pauses the game, allowing us to stop the action and issue orders to companions [source]

There is a system of specific enemy resistances and weaknesses [source]. Weaknesses and resistances plays a big role in combat and abilities are designed to exploit these accordingly [source]. An example is that "one character might be able to plant a weakening debuff on an enemy, and another enemy might be able to detonate them" [source]

There is a vast skill tree of unlockable options [source]

You can set up specific companions with certain kits, e.g. to tackle specific enemy types, to being more of a support, or as flexible all-rounders [source]

Healing magic returns [source]

Abilities can change together with elaborate results, e.g. one companion using a gravity well attack that sucked enemies together, another using a slowing move to keep them in place, and Rook using a big AOE to catch them all at once [source]

A shortcut system lets you map a few abilities to a smaller pinned menu at the bottom of the screen [source]

There are class-specific resource systems. For example, Rogue has "momentum", which builds up as Rook lands consecutive hits [source]

Each class will always have a ranged option [source]

Rogue Rook can do a sort of 'hip fire' option with a bow, letting you pop off arrows from the waist [source]

Warriors can throw their shield at enemies, and can build an entire playstyle around that using the skill tree [source]

There is light platforming gameplay [source]

The game runs on the latest iteration of the Frostbite engine [source]

The game targets 60 fps

On consoles it will feature performance and quality modes so we can choose our preferred visual fidelity [source]

The game is mission based [source]. Some levels that we go to do open up, some with more exploration than others. "Alternate branching paths, mysteries, secrets, optional content you're going to find and solve." [source]

Everything is hand-touched, hand-crafted and highly curated [source]

Some sidequests and optional content is highly curated, especially when it involves the motivations and experiences of the companions. In others we may be investigating for example a missing family, with an entire open bog environment to search for clues and a way to solve the disappearance [source]

Gameplay, presentation, performance etc continued, after the above bullet list hit a character limit

There is sophisticated animation cancelling and branching. Gameplay is action-like, and the design centers around dodging, countering, and using risk-reward charge attacks designed to break enemy armor layers [source]

The dialogue wheel returns [source]. It gives truncated summaries of the dialogue options rather than the full line that the character is going to say [source]

The bonds Rook forges with companions determine how party members grow and what abilities become available [source]

For stuff pertaining to previous games/choices, players will not have to link their accounts [source]

We can play the game fully offline [source]

There are no microtransactions [source]

The game itself is not as cell-shaded in look as the first trailer looked [source]

[☕ found this post or blog interesting or useful? my ko-fi is here��if you feel inclined. thank you 🙏]

[girlgenius1111]

contact

r has never been one for physical contact. she doesn't realize what she's missing until she does. barça x touch starved reader

-------

Your teammates had figured it out pretty early on. You didn’t like to be touched. It wasn’t personal, and it wasn’t something you really liked to acknowledge. It was obvious, though, in the way you tensed up whenever anyone went to hug you, or the way you sidestepped the bulk of the celebrations on the pitch. You didn’t like physical contact, and that was fine. Your teammates could respect it, even if it wasn’t what they were used to at all. The majority of them were Spanish, after all. 

It never occurred to anyone that perhaps you didn’t dislike physical contact, you just weren’t used to it. At all. You’d grown up in an incredibly not affectionate household. Your parents didn’t hug you, and you never learned anything different from that. It was hardly your only issue with them, and it didn’t even occur to you to consider it an issue. 

You’d felt like this your whole life. You thought everyone did. You thought everyone felt this empty space inside of them, longing for something you just couldn’t quite put your finger on. You ignored the way that the infrequent pats on the back and high fives seemed to frustrate this part of you more. You decided it was a negative reaction to touch, rather than one that begged for more. 

Like everyone, though, you had a breaking point. And you’d been approaching it for a long time. 

------

It wasn’t enough that you’d had an international break from hell, losing both matches despite you running yourself into the ground for a win. 

It wasn’t enough that you had to see your parents over the break. It wasn’t enough that they were uncaring and dismissive of everything you said, that they treated seeing you like an obligation rather than something they were excited about. 

It had been a long couple weeks, to say the least. And yet, everything you’d dealt with apparently wasn’t enough. 

As the defender plowed into you again, you wondered what you’d done to deserve this. No one had left you alone today. You’d been violently tackled, shoved, pulled, and stepped on more times than you could count today and you were at your limit. Everyone could see it, too, in the way you robotically got to your feet, blinking hard, trying to brush off this blow too. 

You missed Jona’s eyes on you, and the looks he exchanged with his coaching staff. You were supposed to play the full 90, and it was only the 70th minute. It was clear, though, that you couldn’t take any more battering, not that you’d ever admit that. 

When you heard the whistle signaling the subs were allowed to come on, you looked over, a bit surprised to see your number on the screen. You should have been relieved, probably, but you couldn’t help but feel like you were letting the team down. You jogged off, accepting the high fives Mariona offered you, though you ignored the way the contact almost brought you to tears right there. 

You walked over to Jona, as he’d called you over, even though you wanted nothing more than to disappear into the locker room and have a few minutes to yourself. 

“Are you okay?” He asked kindly. “Do you need to get checked out?” 

“No, I’m fine. Just a bit sore.” You dismissed. 

Jona sent you a sympathetic smile. “You can head back in if you want. Let someone know if you need ice.” 

With that, you turned towards the locker room and headed inside. The next hour was something of a blur. You showered and got dressed, before heading out to the bus. You were quick enough that you didn’t have to interact with any of your teammates, and theoretically, you could have let yourself have a few moments. Something inside of you wouldn’t allow that, though. You were forcing yourself not to cry on instinct, but the more you sat by yourself, the worse you felt. About yourself, about how you’d been playing. Everything. It was overwhelming, and the minutes sped by until it could have been minutes or hours. You didn’t really care how long it had been. You just wanted to go home, so you could feel what you needed to feel, all by yourself, like you were supposed to. 

-------

You were too wrapped up in your thoughts, and trying not to cry, to notice that your teammates had started to file onto the bus. Esmee headed for you, both of you preferring to sit in silence on the way back from matches, while some of your teammates preferred to be a bit louder. As she got closer, though, she noticed the way you were sitting, all curled into yourself, practically a ball in your seat, and the way your entire body seemed tense. You were good friends, you and Esmee, but the girl felt wholly unequipped to deal with how upset you seemed. Thinking for a minute, she decided someone else would be able to deal with this better, so she turned around, ignoring the odd looks she got from everyone she’d passed on her way back to you. 

Esmee was still rather shy with the older girls, although they’d been nothing but nice to her. Even though she felt a little awkward, she walked right over to where Alexia was sitting, chatting quietly with Patri. 

“Alexia?” She said quietly, not wanting to interrupt the question but not really sure that she had any other choice. 

The captain turned to her, though, always a bit amused by how nervous she made Esmee, but always careful to not make her feel bad about it. “Hola Esmee.” Alexia greeted with a smile. 

“Hola,” Esmee replied. She looked back at you anxiously, and followed her gaze, sitting up a bit in the seat to look back at you, too. “Um… something isn’t right with her. She seems really upset. I didn’t really know…” 

Alexia’s brows furrowed, mentally cursing herself for not thinking to check on you before now. The team had noticed how tense and off you’d seemed after the international break, but they thought you’d relax after a game back with the team. Clearly not. 

“Thank you, Esmee, I’ll check on her, vale?” 

Esmee nodded gratefully, stepping aside to let Alexia out of her seat, taking an empty one across the aisle. She appreciated that Patri gave her a quiet compliment on the game she’d had, before pulling out her phone, and allowing Esmee the silence that the Spaniard knew she always sought after a match. 

-------

You were still completely oblivious, starting to get a little worried that you were going to cry right there on that bus, as opposed to once you’d arrived home, like you wanted. Crying in front of your teammates was the last thing you wanted to do, but you knew you weren’t going to be able to avoid it when Alexia slid into the seat next to you. 

“Pequeña? What’s going on?” Alexia asked softly, noticing the way you refused to meet her eyes, your gaze fixed on your hands fidgeting in your lap. 

You shrugged, for a minute unable to speak in fear that a sob would escape instead of words. “Long day.” You managed eventually. 

Alexia nodded slowly. “Long couple weeks, no?” 

“Yeah.” You said, clearing your throat as your voice cracked rather pathetically. 

“Can I do anything?” Alexia asked almost helplessly. You looked so upset, so fragile, and she wasn’t sure how to help without touching you. She knew she always liked a hug after a rough day, but you were so different, and normally shied away from contact like that. 

“I don’t know.” You said, wiping roughly at your face as a few tears escaped, the kindness from your captain not helping you keep it together. You wanted her to be able to help, but you weren’t confident she’d be able to. 

“Do you want some space?” Alexia asked, even if the idea of leaving you alone like this made her want to cry herself. 

You were used to dealing with your emotions yourself, but somehow, at the moment, you weren’t really embarrassed that Alexia was seeing you like this. You weren’t quite sure what you wanted, but you knew you didn’t want her to go. “No, please stay.” 

“Nena… can I give you a hug?” Alexia asked after a minute, in a way that made it clear she wouldn’t be upset no matter how you responded. 

What did you have to lose at this point? You were pretty sure you couldn’t feel worse. So, for once, you did the opposite of what you thought you should do, and nodded hesitantly. 

It was instinctual for Alexia, and surprisingly for you, too. You were tense for just a second when she wrapped her arms around you, gently pulling you in closer to her. After a second, though, your body seemed to move of its own accord, completely melting into the arms of your captain. 

You were crying before you could stop yourself, clinging tightly onto Alexia’s sweatshirt. It wasn’t bad crying, per say. It was cathartic. You thought briefly that this was the safest and most comforted you’d ever felt. Still, you tried to keep the volume down, not wanting to attract attention to the fact that you were sobbing into your captain’s sweatshirt. 

“It’s okay, nena, just let it out.” Alexia whispered, her chin resting on top of your head. She rubbed your back softly, hating the way you trembled against her. She’d never seen you this upset before, but the way you leaned into her told her that this had been coming for a while. It also told her that even though you acted like you hated being touched, that wasn’t the case. She wasn’t sure why you didn’t allow it to happen, but it was clear you had needed it. “You are safe, nena. You are okay.” 

Her words felt like a soft blanket being wrapped around your shivering body, and you felt that empty space inside yourself feel full for the first time in a long time. Maybe ever. 

It made her heart hurt that she hadn’t thought to check on you, really check on you these past couple weeks. She had assumed that because you never talked about how you were feeling, you didn’t need to. She’d never considered that you did want to, and need to, but you were too afraid to do so. She made herself a promise to keep a closer eye on you. And to give you more hugs. 

Even when you’d stopped crying, and the bus had begun to move, Alexia didn’t let go. She kept you firmly in her arms, your head resting on her chest. You couldn’t bring yourself to pull away, either, even though you knew you should. 

You couldn’t help but feel sad when the bus pulled into the Barça parking lot. You’d acted completely ridiculously, and something like this could never happen again. You weren’t a child, you were an adult. The thought of removing yourself from your captain’s arms, though, felt physically painful, and you almost wished it hadn’t happened in the first place. Because now you knew what you were missing, and it would be near impossible to not let yourself seek it out again in the future. 

------

You showed up to the recovery session the next day on a mission. You were going to apologize to Alexia for what had happened yesterday, and promise that it wouldn’t happen again. You weren’t going to cry and you were not going to act any differently than normal. You couldn’t let anyone see you as this pathetic person who was barely hanging on. You were strong and capable and independent. You were an adult, and emotions were to be felt by yourself. Hugs were for children, you reminded yourself, and you hadn’t needed one of those in a while. Or maybe, you just hadn’t gotten one in a while. Regardless,  by the end of today, you were dead set on making sure everyone who saw you so upset yesterday would know that it was a one time occurrence. 

Alexia had other plans. You really should have given up immediately upon seeing the determination on her face when she pulled you aside right before the film review session, but you were stubborn if nothing else, and you tried to remain as cool and calm as you could. 

Even when she led you to one of the lounge areas, and took a seat on the couch next to you. Even when she squeezed your shoulder supportively, and all you wanted to do was launch yourself across the couch at her, and curl up against her like you had yesterday. You couldn’t. You couldn’t. 

“I wanted to check on you after yesterday,” Alexia said gently, as if she knew you wanted to avoid this conversation. It didn’t matter that your captain hadn’t seemed to mind yesterday, your behavior still wasn’t okay, not at all. 

“I’m sorry for how I acted. It won’t happen again.” You said stiffly, ignoring the sympathetic expression on Alexia’s face. It made her so sad that you felt you had to apologize for showing emotion. 

“You do not need to be sorry.” Alexia said definitively. “You were upset, it is okay to be upset, pequeña.” 

“I shouldn’t have cried in front of everyone, and I shouldn’t have made you sit with me.” You insisted. 

The older woman frowned. “Why do you think either of those things were not okay?” Alexia wondered, choosing her words very carefully. 

“I am an adult, Alexia, I am not supposed to act like a child.” You argued, not really sure what she wasn’t understanding. 

Alexia knew she wasn’t the most emotionally available person, but she at least knew that it was okay to cry, and it was okay to need comfort sometimes. She wasn’t really sure why you didn’t seem to get that. 

“I do not know who told you that crying and needing comfort is for children, but they are wrong. You can always come to me, or any of the girls, when you are upset, no matter what you need. None of us will think any less of you. We are teammates, and friends, and we are here for you. Understand?” 

You were surprised at her words, and more surprised that they made sense. You knew who had told you those things, and you wondered why you had believed them on this, when you were normally so careful to take what they said with a grain of salt. Very suddenly, you realized you couldn’t remember the last time your parents had given you a hug, and things started to make more sense. It wasn’t an uncommon thing for you, realizing that something they had done was not normal, but this was a realization that made you a bit more emotional than the others. 

“Are you sure? I don’t want to annoy anyone.” You replied quietly, looking down at your feet and away from Alexia’s kind eyes. 

Your captain shook her head firmly. “You could never annoy us.” 

Slowly, you nodded, accepting Alexia’s outstretched hand as she stood up and pulled you to your feet as well. 

You moved to walk back to the media room, but Alexia pulled you back, a small smile on her face. “Hug?” She asked, opening her arms for you. “It has been a stressful day. One of my teammates does not understand how much we all love her and it makes me very sad.” 

You rolled your eyes, feeling something deeply happy and hopeful bloom inside of you. You accepted the hug, falling into Alexia’s arms, squeezing her tightly. “She knows. I think she just forgets sometimes.” You murmured, your voice muffled in Alexia’s training top. 

“Well, we will just have to remind her then, yes?” Alexia said, voice filled with determination. 

And remind you, they did.

------

Their reminders, often unspoken squeezes of the shoulder and encouraging words, worked well. It wasn’t an immediate change, but rather a slow one. There were signs that you were opening up more. Everyone felt an inexplicable sense of pride when you did reach out to one of them, whether physically or more emotionally. 

The first time was when Mapi returned to training with the team for the first time. She had greeted everyone with a hug, turning to you and holding up her hands for high fives. She had long accepted that you didn’t like to be hugged, and she’d been relatively absent in the time that had begun to change. 

She was floored when you ignored her hands in favor of wrapping your arms around her in a tight hug. It only took a second before she was returning the gesture, though she looked in surprise towards Alexia, who just smiled back at her. Two big steps were taken that day, and Alexia wasn't sure she could pick which made her happier. You were sure that Mapi’s comeback was the highlight of the week for everyone, while Mapi was pretty sure your hugs brought good luck, because training went perfectly, for you two especially. Or maybe, the joy on both of your faces lit up the pitch, and made everyone play better. Happiness was odd like that, sometimes. Contagious and healing. Barça was a place of happiness, you decided. And of healing. 

------

i know a lot of you were excited about this one, so i hoped it lived up to your expectations :)

[beansoup3000]

You know what's so devastating to me about "God that I were a man"? It's the way that in this situation, Beatrice is not exceptional. In the first acts, she appears to be exempt from the gender roles that everyone around her complies with: she has avoided marriage so far, and she has license to playfully criticize and reject being "over-master'd with a piece of valiant dust" (2.2.55-56). She even suggests to Hero that she claim some agency over her engagement: "it is my cousin's duty to make curtsy, and say, 'father, as it please you.' But yet for all that, cousin, let him be a handsome fellow, or else make another curtsy and say, 'father, as it please me'" (2.1.48-51). Beatrice has carved out an existence for herself that everyone else tolerates; her wit allows her to live outside of people's expectations of womanhood.

But Beatrice is not exempt from being a woman. When it actually matters, when Hero is disgraced by powerful men with no regard for her wellbeing or humanity, Beatrice can't do anything about it. And "God that I were a man" is so painful because it reminds us--and Benedick--that no matter how transcendent Beatrice appears to be, she is still constrained by her role in Messina's society. Back in act one and act two, the reason that she was allowed to poke fun at men wasn't that she couldn't be stopped; it was that it didn't matter. She has no actual power to change the order of things, and so her verbal sparring is not a threat.

(An aside: I think that Benedick is taken aback by "God that I were a man" because this has never really occurred to him. He sees Beatrice as his intellectual equal, and he has watched her carve out space for herself effectively (they know each other of old). In the 2011 production with David Tennant, the costuming and acting choices show how Benedick starts actively performing masculinity only when he accepts Beatrice's request to kill Claudio--when he has to "be a man for [Beatrice's] sake" (4.1.314). In the first acts, he wears tight clothes, a crop top, and a miniskirt. From the wedding on, he wears his military uniform and then a suit. His body language also changes; he abandons physical comedy, stands tall, and emotes less when he speaks to Claudio and Don Pedro. He wields his masculinity as a weapon because he now realizes it's a weapon that Beatrice cannot wield herself.)

The crashing realization of Beatrice's limits is so devastating to me because it's so familiar. I can only speak from experiences I've had, but as a queer woman I know that tolerance is different than empowerment. That having grown up evading dating and romance with made-up excuses to hide my queerness, having realized the extent of the misogyny in an organization I cared about and having grappled with how that misogyny prevented me from effecting change, being allowed to exist is not the same as being able to participate, to make things different. God, that I were a man. I would eat his heart in the marketplace.

[burntoutdaydreamer]

Worldbuilding and Magic Systems: Things to Consider

Have a magic system in mind for your fantasy world? Here's a list of things to consider to help you tie this system into the rest of your worldbuilding, so that it feels more believable and realistic.

Source

What is the source of magic? Is it natural or man-made? Can humans use magic or is it a force of nature that only animals or other races can use?

Does magic originate from inside a person or does it require external items to use? If it comes from items, can the items be made? How long does it take to make the items?

Does the magic cost anything- money, stamina, health, etc.?

Can a person be cut off from being able to use magic? If so, how?

Prevalence

How common is magic in your world? Is it so common that everyone has seen it or is it a subject of myths and rumors?

How long have the people in your world known about magic? Has it always been there or is it a new discovery?

How much does the average person know about magic? How much do experts know? What do people not understand about this magic? Are there any common misconceptions? Myths?

Is magic revered or feared? Or if it's common, is it taken for granted? Are there any taboos surrounding magic?

How many types of magic are there? Are some more common than others?

Are there dedicated schools of thought surrounding the study of magic? Is it taught about in schools? If so, is it taught to children or only at the college (or equivalent) level?

Accessibility

Who can use magic? Who can't? Is it something that only the rich and powerful can use? Why? Or do genetics determine who can use it? Wealth?

Are there any physical limitations that might restrict who can use magic? For instance, maybe old or sickly people can't use magic because it requires a lot of physical effort. Does your society provide accommodations for people who can't use magic? Is a lack of magic ability considered a disability?

Does education level determine capacity for magic?

How easy is it to gain access to magic? How easy is it to learn about magic?

Power/Usefulness

How powerful or useful is magic for different parts of society? Military? Medicine? Entertainment? Art? Childcare? Government? Communication? Business?

How does magic affect the politics of your world? How does it shape the economy? Are there feuds over the use of magic? Do powerful groups in your world have an incentive to limit the use and accessibility of magic? Why?

What happens when people no longer have access to magic? Does this cripple their ability to go through their daily lives? How?

Mix, match, and cross-reference these with other elements of your worldbuilding to form a believable magic system that lives and breaths just as the rest of your world does. For every answer you give to the questions above, consider and build upon the implications of what that might mean for your world. A worldbuilder's best skill is the ability to ask "How will this affect ___?" So make sure you're always considering the ripple effects of each element you add to your world.

Happy worldbuilding y'all!

[universalitgirlsblog2]

🧁🎀IT GIRL GUIDE 🧁🎀

This is a guide to help you become an IT girl . The term IT girl isn't same for everyone . For some it means a girl who has achieved a high celebrity status at a young age. For some, it means a girl who takes care of herself . In kpop , this title is mostly given to the ones who stay relevant for a longer time , have alot of brand deals & has made alot of impact on others - especially in fashion. What does being an IT girl means to you ?

🎀Tips to become an IT girl 🎀

1) Healthy Skin

I have noticed how the most popular IT girls have healthy , clear and glass skin . For example : Song Jia, Jang Wonyoung , Jennie etc . They all have clear skin. Try to visit a dermatologist, get to know your skin type and develop a skin care routine which suits you. Get enough sleep , stay hydrated , don't touch your face with dirty hands & don't pick your pimples .

2)Workout

Wonyoung , Song Jia & Jennie take great care of their bodies . You must have seen Jennie's instagram posts , she is consistent & practices pilates daily. Wonyoung & Jia also practice pilates to stay in shape . Here is a video of them practicing pilates , click here for wonyoung & click here for song jia . Karina also workouts to maintain her body. This video can motivate you.

It's not necessary that you need to do pilates just because Wonyoung , Jia or Jennie does it , if you don't like pilates , find any other exercise like yoga,HIIT , cardio etc or any sport like swimming , badminton etc . Basically , just find any exercise whether it's pilates , cardio etc or sport like swimming , badminton etc to keep yourself in shape . Don't limit exercise to only weight loss , it will not only help your physical health but will help your mental health too !

3) Fashionsta

An IT girl should know how to choose outfits which compliment her . Get to know your body type and experiment with different kind of style to know which style suits you . You can take inspiration from celebrities too !

4) Elegance

Wonyoung , Jia , Jennie , Nayeon , Irene , Karina, Bae Suzy etc . These all IT girls are elegant . Wonyoung radiates princess & royalty vibes because of her elegance . Maintain a good posture which will make you appear elegant and confident . Be gentle & kind . Have a good grammar & vocabulary. Read more. Have a signature fragrance . Maintain personal hygiene. Here are some posts which have more tips on how to look elegant - this one by @malusokay & this one by @femmefatalevibe

5) Confidence & Self Love

Wonyoung , Song Jia , Irene , Jennie , Nayeon etc. These all IT girls have confidence& love themselves. They are confident in themselves .They put themselves first .Improving your self concept can also help 🤭. Remember what Wonyoung said ? She said how she only tends to give herself love . Song jia also said that she really loved herself & her phone wallpaper was herself ! Also don't chase anyone , chase your goals . Spend your time creating a beautiful garden & the butterflies will come !! This post by @girlbloggerbby has wonderful self love tips , I hope it helps you ! Also this post by @malusokay & this one by @ribbonie

6) TRENDSETTER

All these it girls are not only fashion icons but also trendsetters.Don't try to be like anyone else , take inspiration If you want to ! Learn from everyone, follow no one . Be your own trend setter. Don't follow trends , SET THEM !!

7) IDAF attitude

People can be really cruel & harsh sometimes . When it comes to social media, I would say these days , most of the time , comment section is always full of hatred. Song Jia got alot of hate for the stupid fake clothes scandal and she still gets hate till now but she doesn't allow it to affect her anymore. She is just busy in improving herself & her life. She doesn't let hate get to her. Wonyoung , Karina, nayeon etc they all get hate for just breathing but they don't let the negativity get to them . Stop seeking validation from others and don't care about their opinions . Most of the time we get hate when we have done nothing wrong , it's better to realize our worth at that time & know that people often project their own insecurity on others . I hope this post by @prettieinpink helps you & I have affirmations too related to seeking self validation , not external. Idaf mentality affirmations by @vixeneptune .

8) Have hobbies

This is inspired from Jia , she always spend time with herself & her hobbies . It can be anything - singing , dancing , writing poetry , painting, cooking etc . It doesn't have to make sense to others , just do it for you and your own happiness. You don't need to master It as well , write the most rubbish poetry in the world , it doesn't matter , as long as it makes you happy . Don't try to seek validation for your hobbies as well . If you like it , then just do it .

9) Be smart & hardworking

Wonyoung got 100/100 in science , English and Korean. She also won several math and science competitions . Romanticize studying & being smart . Read more & give your best in studies ! Nayeon , Wonyoung , Jia , Karina , Irene , Jennie etc they all are extremely hardworking .

10 ) Be mysterious

Song jia , Wonyoung , Jennie , Irene, Alexa Demie etc are mysterious . Don't reveal too much about yourself . Be more private . Keep your goals & emotions a secret . Most of the time people can use your secrets against you too or demotivate you when you share your goals with them .

11) Affirm

This tip is probably the most easiest and simple one . You can manifest being an IT girl!! Just affirm like you are an IT girl . Act like her& affirm and you will become one! You can also use the Jia , Wonyoung , Jennie etc affirmations to become like them! Wonyoung & Jia affirmations by @magic-irl . Wonyoung & Irene affirmations by @heejinisoutofideas . Wonyoung , Jia & Jennie affirmations made by me !! Alexa demie is also considered an IT girl & Meghan also. Affirmations by @nevillesgod for Alexa & @magic-irl for meghan . It girl affirmations by @vixeneptune . More affirmations for it girl by @cyber-f4iry . It girl vaunt by me .

[crljhnn]

Sleepy kisses

Pairing: Rodrick Heffley x gender-neutral Reader

Summary: You like giving your sleeping boyfriend kisses on the cheek. Your boyfriend likes receiving kisses on the cheek. But then Rodrick gets greedy.

No physical description; No use of y/n

Word count: 1.9k

Warnings: A bit of conflict but no intense angst

[Posted on AO3 as well]

In your opinion, your boyfriend is just the cutest when he is asleep.

There probably aren't a lot of people that would agree with you on that one. However, in your eyes, his slight drooling and open-mouth snores are just adorable.

Maybe this impression could be explained by the fact, that you both were still in the very early stages of your relationship. Having just made things official a few weeks ago.

That's why you couldn't resist giving Rodrick a small kiss on the cheek or the forehead whenever you found him asleep. Which, now that you think about it, has happened a lot more often in the last few weeks than it used to.

Rodrick was taking a nap after school when he made a great, revolutionary discovery.

You two had plans to hang out that day, so after your extracurriculars were done, you went straight over to the Heffleys' house. A difference you noticed that day, was that you weren't greeted at the door by your boyfriend like usual, but by his mother. After exchanging a few quick pleasantries with Susan you made your way up to his room.

Hearing someone come up the stairs Rodrick woke up. Assuming it was his mom he decided to act like he was still asleep, to avoid whatever chore she came up to assign him. So when he felt the bed dip beside him, created by you sitting down, he was surprised to hear your voice, instead of Susans, greeting him.

He was about to 'wake up‘ when he felt you gently placing a small kiss on his forehead, accompanied by a short gush about how cute he was.

And just like that Rodrick was hooked.

Everyone else calling him cute would have probably set him off, but when it came to you, every tiny compliment made butterflies burst in his stomach. You probably weren't even capable of offending him, even if you tried to.

After throughout research (aka fake sleeping a lot in your company) he came to the conclusion, that you just seemed to like to give him small kisses whenever he was dozing off.

Little did he know, that you were just as willing to give him those when he was awake. All he had to do was ask.

However, Rodrick being the dumb, lovesick puppy he was, decided that the most logical way to make use of this new information was to 'sleep‘ every time you entered a room. That way he would get the most kisses possible.

You on the contrary started to get worried. There seemed to be something wrong with your boyfriend lately. He was sleeping a lot more than usual, and that said something if you are talking about a lazy teenage boy, who even before took at least one nap a day.

Maybe it was a medical issue that caused him to get tired all the time. You hardly ever saw him not asleep. Was he not sleeping at night? Did he struggle with night terrors? Is there a way you can help?

When you first noticed his new sleeping habit, his naps were still limited to the first few minutes after you reached his house. The routine usually went something like that: When you arrived he would be asleep, you would gush a bit about him a little and give him a quick smooch. Then he would wake up about 10 minutes later.

But then it really started to pick up.

You would only leave the room for a short amount of time, for example, to use the bathroom or to get some water. Before, Rodrick always used to do things like getting you something to drink, for you. He was constantly jumping at every opportunity to do something nice. But all of a sudden he stopped. Now, after doing the small task yourself, you would return to find your boyfriend asleep.

And then he started to fall asleep with you right next to him. He would put on a movie or some music, then lay down on his bed or couch, and just minutes later he'd be out.

Another realization you have come to is that you didn't get to hear his soft snores anymore, which you used to adore so much. But that was likely because he didn't reach a deeper sleeping phase, right? That must be the reason, right?

Wrong.

One day you were coming over unannounced and that was when you saw it. While climbing up the stairs to Rodricks room you already called out a greeting, alarming your boyfriend of your presence. Like always, he threw himself straight onto his bed, closing his eyes.

What he hadn't realized, was that you were already able to see him from the position you were at.

And at that moment the self-doubt started. Did he not enjoy being around you? Was this his way of getting out of talking to you? Was he going to break things off?

Your thoughts kept spiraling, convincing you of the most horrible things imaginable. You felt hurt and tears were building up in your eyes embarrassingly fast. You had to sit down.

In the end, you came to the conclusion, that he never actually liked you and probably was making fun of you with his friends all along. Or he fell in love with someone new. Or he just decided one day that you were revolting. That must be it.

While you were drowning in self-doubt, Rodrick was getting impatient. Where was his kiss? Well, he knew he was probably pushing the limits a bit, but come on, that was no excuse for you to deprive him of his precious kisses.

Sneakingly opening one eye, he looked over at you, covering up his movements with a blatant fake yawn, trying to figure out what you were waiting for. What he wasn't anticipating, was to find you looking rather distraught, like you just saw a ghost and were about to start bawling at any moment.

Hastily he scrambles up and reaches for you.

"Baby, what's wrong? Oh my god don't cry, please don't cry." He was panicking. Rodrick had no idea how to comfort you. Now awkwardly petting your head. He was not prepared for this. Should he get his mom? She would surely know what to do. He didn't know how to console someone.

During his inner monologue, you were pulling away from him. "Why don't you like me anymore?" You sounded pathetic but were too upset to care about it right now.

Were you overreacting? Probably. But you're allowed to. Rodrick was your first everything. Your first real crush, your first real boyfriend, the first person you held hands with romantically, and your first kiss. You didn't know how to handle a situation like this, making everything quite overwhelming.

"What?" how the hell did you come up with that? He liked you, liked liked you. "Why would I be with you if I didn't like you? Who put this nonsense in your head? Was it Greg? I swear-"

"It was you! You don't like me anymore. What does your brother have to do with that?"

"Me?" What had he done to give you that impression, 'Come on Rodrick, think'.

"Yeah," sniffle "You don't want to spend time with me. And to think I was concerned for you! I was researching all the possible reasons for you to be so tired all the time. All while you were faking the whole time, solely to get out of hanging out with me! Why didn't you just say it outright? You coward!"

"That's not true!" Rodrick was nervous. How was he supposed to explain the real reason behind it all without making a fool out of himself? "We always still hung out after I woke up, so your theory doesn't even make sense. And I was always actually asleep!"

"That's not true. I literally just saw you throw yourself onto your bed the second you heard my voice."

"I was sleepwalking."

"Rodrick!"

"I wanted to scare you?" He was grasping at straws.

"Oh okay, that explains it all, sorry for the misunderstanding."

"Really? Great. So I was thinking we could- hey what are you doing?" Rodrick stopped in the middle of his sentence when he saw you standing up and crossing his room.

"I'm leaving. I can't force you to tell me the truth, but I also won't be sitting here playing 'happy relationship' with you."

You pulling away was the last thing Rodrick wanted, so he had no other option than, to tell the truth.

"No wait, I'm gonna explain. But it's embarrassing."

You cross your arms, still standing at the top of the stairs, ready to leave but again willing to hear him out.

He had no idea how to start.

„I just- how do I say this, look, you were right, I was fake sleeping.“

Honesty it is.

„Oh wow, I would have never been able to come up with this.“ You were indeed able to come up with this.

„But it was an accident, I swear!“

"Rodrick," You looked exhausted. "How the fuck do you fake sleep on accident?"

"It was an accident! At least the first time."

That doesn't explain much to you. The whole situation was still weird and confusing.

"So you just decided to make it a habit? And why were you fake sleeping in the first place?"

"The first time I had just woken up because I heard someone coming up the stairs. And because I was still in a daze from just taking a nap, I forgot our plans or that you were coming over. At least for a second. So when I heard footsteps I assumed it were my mom's and she was coming to bug me. So to avoid that, I acted like I was still asleep. Then I realized it was you, but before I could say something, you-"

"I?"

"You kissed me. And then I thought if you saw me sleeping again, you would also kiss me again, and you did. So I just continued acting asleep around you." Saying it out loud made him feel kind of ridiculous.

"Crazy suggestion, we are literally in a relationship, why didn't you just, I don't know, ask for a kiss?"

"Just ask?" he didn't believe that to be an option.

"Yeah. Like, 'Hey can I have a kiss?'."

"And then you would have kissed me?" It couldn't be that easy.

"Yeah? And you could also have had real kisses, rather than only ones on the cheek or forehead." Why was this so hard for him to grasp?

"Wow." He was still a mixture of skeptical and mindblown.

"So can we agree that from now on you just ask if you want something from me, instead of making me think you have some disease or lost interest in me?"

He nodded, still having a dazed, stupid look on his face.

"Thank you. And sorry getting so worked up over that."

But Rodrick was hardly listening to you, still stuck on the fact that he could just ask you for a kiss. He was pining over you for way too long, so now he had to sometimes remind himself that you were dating now. He had to try it out to believe it.

"Can I have a kiss?"

"Of course."

You lean over to give Rodrick a quick but sweet kiss.

"It worked, you kissed me."

Your boyfriend is an idiot. A cute idiot though.

[greenfiend]

Are we ready to have an honest discussion about Will and El’s dynamic and possible ending yet?

Two characters sharing a similar narrative in this story. How will things end for these two?

It hasn’t occurred to me until recently just how little we discuss these two.

Over the course of the show, the development of Will and El’s co-existence has less to do with their relationship but more to do with Will’s character arc.

In the beginning (seasons 1 and 2), Will is so hidden that El takes over. Will “hides” in the upside down, and is again hidden when he is possessed. El takes the spotlight in his place.

Then in season 3, Will is physically present but in the background. He’s the side character. El is the leader. They barely interact.

In season 4, Will is starting to come out of his shell. He’s still a side character, but he’s closer to being on an even playing field with El. He’s not in the background as often, and is actually seen conversing with El, and he even confronts her on her lies to Mike. Which is also foreshadowing his lies to Mike later on in the season.

I’m going to be quite frank: El and Will are not actually very close in canon. The “wonder twins” idea is beautiful but very fanon. These two had so many opportunities to grow closer, especially since they were separated from the others in California… but they just don’t? They both seem lonely and disconnected in the other’s presence. But yet, they are connected another way: El is Will’s saviour/protector. She is like his security blanket. I mean this literally (textually), and a sub-textually. Obviously she helps him while he’s trapped in the upside down and when he’s possessed- making her a textual, and literal saviour.

But… what do I mean by a sub-textual saviour? Well, she protects him from having to take the spotlight. He is able to hide behind her in many ways.

For one, she takes the brunt of the bullies in Lenora. Will is able to go around unnoticed even as a GNC guy that he is. Back home at Hawkins, he is, unfortunately, very visible to bullies. Visibly different, visibly gay. But in Lenora? Bullies are too distracted by the girl who’s different instead.

Now when it comes to Will’s love life… El also is protecting him in a sense. He desires Mike, romantically, sexually, and intimately. Due to the rampant homophobia that surrounds him, these desires scare him. El is a safe barrier from these desires. Will is also able to safely express himself through her.

If El weren’t in the picture, Will may have been more bold in expressing this side of himself to Mike. He may just let his feelings slip out more. Perhaps he’d let his eyes linger a tad longer, or he’d be tempted to be a bit more tactile with the boy he’s overflowing with affection for.

El shields Will from having to confront many aspects of himself. That’s the problem. Because of her protection, he isn’t able to challenge himself and grow. This is why whenever El saves the day, it never lasts. She merely puts a “bandaid” on the wound. But this wound will grow and fester if the source of the problem is not addressed.

El’s Possible Origin

This is the first time in the entire show that El is mentioned. The context of this sounds like they’re implying that El also “came from” the upsidedown; precisely where Will was at the time.

Now, I’m aware this is a fairly unpopular opinion, but I do believe El was created from Will in a supernatural sense. I suppose in a similar way to how Eve was created from Adam, minus any romantic undertones.

Our very first sighting of El is of her emerging from the forest, barefoot, in a hospital gown, with very little hair on her head, and a limited knowledge of the English language. Not unlike an infant child. Now, please don’t take this the wrong way… I’m not implying that everyone with limited language skills are babies, there are many possible reasons for it. But within this show, it is implied that her lack of language skills are due to her experiences within the lab, and lack of experiences outside of it.

I do have to ask though, why do the other “lab kids” we have seen have no obvious language difficulties? Unless… El actually was an “infant” in a way…

This quote is interesting for multiple reasons. One I’m focusing on here is the mention of life starting that particular day. Of course I’m not referring to Mike’s life starting that day- I’m talking about the person we are shown in this particular shot- El.

Now, I know what everyone is thinking: how does El have memories that predate this day then?

Well, what I’m arguing is that many of her memories could be an altered version of Will’s memories. I don’t think it’s out of the realm of possibility that his memories could have been transferred to El.

This “fake” script of the episode Papa tells us that Will recognized Brenner. There’s a history there! Will likely could not quite pinpoint how he recognized him.

It’s important to note that Will only vaguely recalls aspects of his childhood. There’s gaps. Just like there’s gaps in El’s memory as well.

El’s Possible Ending

I’ve always been surprised just how little people dig into El’s possible ending in the show. I feel like people are somewhat aware of this possibility but choose not to give it any further thought. Truth is- El doesn’t feel like she belongs anywhere.

I need to remind everyone of this last shot in ST4. Yes yes the couples, we have heard it a million times already… but look where El is standing. She’s on the other side. She’s in the upsidedown. Where she initially came from. Now, I’m not saying she’ll end up in the current unpleasant upsidedown- she will likely live on in a peaceful version of it. An entirely new environment one that exists…

[In Will’s mind.]

I do think this is an important foreshadowing quote- but not in the way most people think. They won’t work together as twins- they will work together as one person. What I’m saying is…

They will combine. Just like what this hug visually foreshadows… El and Will will become one again.

I can honestly make a whole separate post regarding references made in ST to other media involving two characters being one. There’s a lot…

[stariikis]

trust myself

desc ; sitting in with riki as he films his en-note and accompanying him through the multitude of emotions that follow.

pairing ; idol!nishimura riki x gf!reader genre ; fluff, established rs wc ; 1228 notes ; understand that i love riki because i see a version of myself in him...

When your boyfriend sits down at the hotel table, a singular lamp illuminating his screen with a yellow warmth, your heart aches at just the thought of what he might say next. Though Riki’s always been very skilled at switching between seriously honest and teasingly goofy, he becomes a completely different person when he’s filming en-notes. 

He becomes so vulnerable to the invisible crowd that it hurts you more than it irks you. And sometimes, when confesses struggles even you have never heard from his mouth before, you wonder if you’re not enough for him. Not good enough a listener. Not trustworthy enough for him to confide in. 

How come he only opens up under the pressure of the camera lens?

“Don’t stress out,” you mumble quickly before he presses the red record button on his phone screen. Three simple words and yet they have Riki pausing for a long moment, digesting your words. 

After a while, he nods curtly. “I won’t.” He’s lying through his teeth. But he beckons you closer and as you lean in, he kisses your eyelid. Pulling away, he seems to smile slightly in an effort to coax you into relaxing. As if he wants you to give it up. 

Though the tender action does send a wave of serenity through you, you can’t help but to feel a lingering sense of dread, with questions unanswered running through your mind. When will I get to find out something about him that the fans won’t? Or does he think he should just be honest with everyone at the same time? Is he not conscious of the world being familiar with the very depths of his soul?

Or are you just envious that somebody who isn’t exclusive to him is able to understand him like you do? 

“27 June 2024.” Before you can get lost in your thoughts, Riki starts speaking. You hate with all your heart and soul the exhausted, subdued shadow over his features. He starts talking about their recent concert in Hiroshima — how they hold their Japanese single, ‘Blossom’, close to their hearts; how he’s proud of Jay for pressing through their performance even with an injured knee. 

Then he gets to the hard stuff. 

It’s like he already has one foot out the door when you send him a glare and he ignores it out the corner of his eye. As soon as he opens his mouth again, gaze trailing off to the bottom of the screen, you know it’s coming. The same phrase he likes to repeat over and over again, and then cover up with a ‘but you know, I just love performing in front of you guys.’ 

“I do have some regrets.” 

You hope your glare is like a slap in the face to him. If it’s not, you don’t know what you’re going to do with him. All his following words just seep down the drain. Why does it pain you more than it pains him, to hear the words, ‘I need to work harder’ come out his mouth? Like he genuinely doesn’t see that he’s pushing himself to the limit already? This is exactly why you despise concert season. Coupled with jetlag, the mental form of fatigue seems to strike around these times as does physical, and it’s never good for Riki. 

His words fall on deaf ears. You’re boiling with an inexplicable rage, but it’s the most tame version of the concept of anger.

You just don’t understand, as he stops the recording and turns back to you. You can’t tell if he plain doesn’t get the weight of the situation, or is trying to avoid your gaze solely due to that reason. 

So before he returns to his usual playful self – you can see the light slowly returning to his eyes; he’s about to shove you to the other side of the bed with a snide quip – you grab his wrist and look at him scrutinisingly. 

“Do you mean all those things you said?” You stare at him imploringly in the dim lighting. “Every single one of them?” 

“Do you wish you could say more?” You say breathlessly, desperately looking from eye to eye like they’ll provide all the answers. 

Clearly taken aback, your boyfriend gently pulls his hand from your vice grip. “I mean it,” he murmurs sincerely. “I mean it all. How could I not?” 

Your gaze travels down his neck to the safety-pin necklace he refuses to take off. The meaning behind it is special to him, and likewise, he can’t be seen a day without it. His dedication and sincerity will never be deniable. So why do you feel as if there’s something he’s holding back, not telling you… a truth that he’s altered? 

“There’s nothing more to say?” You press, slightly disappointed because there’s two explanations for this. One, he’s really got nothing left in him to spill, especially not to you. Or two, he just doesn’t want you to know what more he has to say. You can’t decide which’d be worse. 

“...” 

“I’m sorry.” 

He reaches up to fiddle with his necklace as he climbs into bed beside you. “I know. You’re concerned because I hardly open up to you one-on-one. Rather, you have to hear it second-hand when I have ‘conversation’ with the fans.” 

Right. He’s extremely insightful too. How did I forget that about him? 

You just nod, taking care not to look too upset by the situation. 

“Would it be a lame excuse to say that it’s because I don’t trust myself enough?” He whispers as he unzips his patchy blue jacket and unclips his earrings. “To come clean to you, that is.” 

“Yes,” you say instantly, lightheartedly. ‘Okay but seriously, why don’t you trust yourself? Is that the truth, or do you not trust me enough? They’re different, you know.” 

“I know…” he scoots closer to you and lies down on his side, facing you. “To put it simply, I’m scared that what comes out is a sugarcoated version of the truth. When I face you, I don’t want to worry you with… everything. When I face the camera… it’s different. Because what are they going to do about it? There’s nothing they can do to help.” 

You make eye contact with him, and finally a sliver of anxiety crosses his orbs right before your eyes. 

“I don’t like it when you put up a front with me though,” you say. “It worries me even more than you think.” 

“Well, I know now,” he scoffs, moving the hair out your face and looking at you with such a tender look of love that the surroundings all fade away to dust. “I’m sorry. I’ll confide in you better next time… wow that sounds so…” 

He cringes and buries his head into the pillows cutely. A mixture of affection and relief floods over you at this, and you touch his hands in silence. 

When he lifts his face from the pillow, he pouts endearingly and intertwines your fingers together. “Seriously, there’s nobody I trust more than you, okay? Sorry if it didn’t feel that way.” 

So, even though he’s supposed to be getting rest for their upcoming activities, he spends the rest of the night telling you the full, honest truth — and of course he pairs this with a bunch of kisses, teasing remarks and cuddles.

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