#but equally fascinating

[lassie-farce]

Trauma: happens

Nobody: …

Owen Strand: 🚶‍♂️💤💨

[for-those-who-wait]

Discovering that crocs have modes

[jonnywaistcoat]

I think it's really nice you thought you could create an unfuckable and untwinkifiable monster, and I always think people should dream big, but I think it might be time to put this one away.

I am endlessly fascinated by this version of me that exists in the head of some fans, of this naive yet stern-faced Writer(tm) desperately trying to make them take my work seriously; frantically trying to stop them being horny for my creations. Like, mate, cmon. Ive been doing this for a long time now, and I made my peace with the monsterfuckers years ago. Am I trying to make an unfuckable monster? No. Cause I'm not an idiot.

I just make my messed-up grotesqueries for my little horror stories and assume someone out there probably wants to fuck them and that's fine. Me trying to stop them would be just be a waste of everybody's time, so I just wish them godspeed and go add some more pus to Mr Bonzo's stitches.

It does make me laugh that none of you know what a twink is, though.

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[novelconcepts]

Okay, but

To ride upon a broom fashioned for you by Death herself. To trust so implicitly in the strength and the sincerity of Death that you allow a tool made by her hand to lift you off the ground. To leave gravity behind and feel freedom, camaraderie, true joy, all because of a gift from Death, freely given.

And to trade in turn a gift of your own, knowing it is built for Death to trust and ride upon. To know you have in you the capacity to run equal with Death, and the knowledge of her required to build something that will lift her high. To love Death, to be loved by Death, enough to see the true nature beneath the shadows, and to fly. What could be more beautiful? What could be a higher aspiration? To be so even-footed with Death herself that you are her scar and her flight all at once is the highest power I can fathom.

[setevulpo]

lovingly pointing out that the cat king did to edwin what edwin did to his cat

step by step, even. offered him something he wanted (even if only deep down), put a binding spell on him, then asked for something he wanted in exchange for freedom

obviously they wanted different things, but it's funny that the cat king just decided "let's copy paste the crime as the punishment"

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[the-random-phan]

Ectoberhaunt Day 13

Isekai: Old Hero New World

[ladykeyleth]

The picture of your wolf has blood all over his mouth?

Bonus: the pupper in question

[theywontletmebeprincipal]

not nearly enough posting about how insane giving amanda that puzzle piece charm on her saw x costume was. I mean sure, to us it's a cute easter egg, but within the context of the canon the implications are Haunting. what do you MEAN the first person to ever survive jigsaw freely chooses to wear the symbol he carves into the corpses of people who didn't. it's this tiny, secret acknowledgement that a bit of her died in that trap n now she's dragging this metaphorical tombstone everywhere with her on a literal chain. what the fuck

[thermodynamic-comedian]

imagine ianthe's suffering rn. its so funny to me. girl all u wanted was power and i respect that but turns out that the side effect of power isnt the moral implications or whatever, its dealing with god's personal drama.

[lemonwrap]

Thinking about robot Ghost who is fascinated by human Soap and thinks he’s just an incredible feat of nature. He never paid much attention to the intricacies of humans until he met Soap.

He loves touching Soap just to feel the warmth of his skin, loves laying his head on Soap’s chest to hear his heart beat, loves making Soap laugh and smile just to marvel at how expressive he is, and loves watching Soap work just so he can admire how he moves. Ghost is simply in awe of how everything he has to artificially emulate comes to Soap so naturally, and he’s drawn to Soap like a moth to a flame.

[penofwildfire]

I feel like most attempts at a Ninjago cast genderbend fail because people immediately turn to sexualization instead of actually thinking about what would change if the cast were presented as the gender opposite their canon one. Genderbending is never treated as a thought experiment and I think that's a real shame. Because for the original main cast, a LOT would change! Early seasons were riddled with misogyny and that would strongly affect how they interact with the world! And then you also have to think about how large of a scope you're working with. Are you just bending the main cast? Or the entire world? How do the politics change if Ninjago's god and important figures are all female? Do they change at all? That's for you to figure out!

[crazymecjc]

i am the devil’s minion, and he grants my every wish.

[overnighttosunflowers]

I've been thinking a lot about that interaction between Laudna and Orym in episode 102. How it starts with Orym saying "I'm so sorry that the world is moving so fast that we couldn't take the time to help you."

There's a certainty to that framing that is very typical of Orym. Not "I'm sorry the world is moving so fast that we didn't take the time to help you." They couldn't take the time. The mission comes first, second, and third until they've seen it through. 

Now, it's hardly a revolutionary observation that Orym's worldview comes from a particular combination of military training, survivor's guilt, and calcified grief that is ultimately self-destructive. It's also not a revolutionary observation that the party has not quite realized this, or not in so many words. They tend to treat his perspective as the only one unshakeable by personal failing. Later in that conversation in 102, Laudna even tells Orym that if someone needed to "finish the job, put me down," she'd wanted it to be him, because she knows he has the ability to do what's right.

His friends think of him as the only one who isn't a powder keg waiting to go off, but it has gone off, with Orym secretly and self-destructively pledging himself to Nana Morri in order to keep his friends alive. Betraying his friends' trust in favor of the mission. And in the end it didn't accomplish anything.

I think of Orym as someone who holds multiple truths at once. First and foremost there's a soldier's truth, the grim relentlessness that's all that keeps him going sometimes. But we've seen Orym be soft, too. He's gentle. He loves his friends. It's there underneath the grim layers of suppression. We saw it more early campaign. I don't think that he was lying in 49 when he told Imogen that he wasn't worried about her just hours after conspiring with Fearne to take her out if necessary. I think he wanted so, so badly to discount that soldier POV and buy all the way into trusting Imogen. But he couldn't. And I don't know if he was able to reconcile that. I think he genuinely believed both. Liam has said that before the events of this campaign reactivated Orym's trauma, he was legitimately on a path to healing his grief. I think that a healthier Orym would have been able to set down the soldier's truth to simply trust Imogen.

But that's not where the campaign took us. At the Malleus Key in episode 51, Orym collected a locket from a dead Vanguard soldier to remind himself that the enemy are still human. And then after Bor'dor died, in episode 63, he dropped it. Locking in on that soldier's truth. Making that deal with Morri. Not letting his friends stop and rest when they need it badly. Pressuring Imogen to give in to Predathos on the moon so that they could learn more.  

There's a grim run of episodes where Orym is stuck like that, prioritizing his soldier's truth and suppressing the part of him that is his heart. Now, I'm not someone who needs to always feel warmly towards a character or agree with their choices to appreciate their depth and role in the story, and I respect what Liam was doing there. The willingness of the CR cast to have their characters make messy and unpopular choices is one of the things I appreciate most about the show, and one of the things that leads us to the richest and most meaningful moments of character arc resolution. 

But that's where I've been frustrated with Orym: by and large, resolution has not been coming. He's been driving deeper and deeper into his traumatized worldview, clinging to it and stubbornly refusing to hear challenges to it. Repeatedly shutting down arguments by mentioning his dead family. I get it, and I feel for him, and I don't know how else Liam could be playing it given the story that Orym is in and the character that he is—not least a soldier whose training tells him never to question the mission. But, god, I'm ready for the growth. Ready for the story to prod Orym in directions that change. Ideally a shift towards a healthier perspective, but even hitting such a low that the Hells can't help but recognize that Orym's rigid morality is as destructive as it is sustaining. That will make them push back on him.

Because telling Orym he's the good one reinforces his worst instincts, increases the pressure he puts on himself, makes him double down. What he needs is someone to push back. He needs that increasingly brittle sense of his own lens as morally superior and righteous to shatter. 

And I am so, so excited for it to happen—because we're starting to see it starting to crack, just a little. In episode 92, he acknowledged to Imogen that his lens is a lens and not simple objective truth, and even implied it's one he wishes he knew how to set down: 

And now, when Laudna tells him he knows best of all how to do what's right, he admits it again: not a lot of his choices have panned out.

And it's true. They haven't. And I hope he keeps on saying it.

I'm glad to have Dorian back and on a revenge quest against the gods, because Orym trusts Dorian and Dorian is not going to let him sit unchallenged in his own convictions the way the rest of the Hells have been. I'm excited to see more of Braius, who not only disagrees with Orym about the Primes, but also doesn't have the same vested interest as the rest of the party in seeing Orym as good. I hope they both push back on him. I hope it unsettles him and confuses him and breaks his worldview and soldier identity enough that when the pieces come back together, instead of scarring over a second time, they can simply finally heal.

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically