#but either way it confirms they have been Talking

[weenie-wizard]

Great post OP and I hope its okay to add on!

Delusions can come in many forms but generally speaking, the best way to help someone is to address the immediate feelings of danger (or the danger if there is one present)

General delusions (grandeur, religious, relational etc.) without specific distress or immediate danger to themself or others - has this person specifically asked you to help identify and challenge delusions? If not, then your job is to support them with neutrality and just be there for them. You don't have to agree or disagree with the delusions, just be non-judgmental and compassionate.

Delusions in a moment of great duress which contributes/causes distress? Or general delusions encouraging a potentially dangerous action? OP's recommendations are whats generally recommended by evidence based practice! Your job is still not to challenge the delusion itself (i.e. "that's not real!" reactions), but to support the person in addressing their concerns. Helping them talk through logistic factors in a reassuring and affirming way shows you are taking the fear/danger seriously and helps switch from anxiety, fight/flight/freeze/fawn response, or impulse brain states to more functional higher order brain states. Again, you're not confirming and agreeing with the delusion itself either, but helping them consider the factors more functionally.

The best reaction is one that makes someone feel safer, cared about, and supported. The distress/danger is the most important element to address, not challenging a delusion directly unless you have specifically been asked to do so. If there is still an increased risk of danger to themself or others, it can be helpful to have someone's emergency contact, the contact info of their provider if there is one, or your local emergency mental health hotline (like 988).

Also for context, my perspective is both as someone who has experienced delusions during intense moments of anxiety/distress, and as someone currently working to attain my masters and licensure in a mental health related field. So I personally and professionally agree with OP based on experience and extensive research and classes on this subject matter. But if there are gaps in my experience and knowledge I welcome other perspectives too!

I want to add to the post I just reblogged about delusions and how to help people with them, but op was specifically schizophrenic, and the last time I tried to share a related story on a post like that, a different OP got extremely angry that I didn't have an identical disorder to them and accused me of derailing, so I'm making a new post.

I have severe anxiety. The things you can believe when you are going through an acute anxiety attack or panic attack can be so extreme they can be classified as delusions. I've been convinced I poisoned myself, I've been convinced I had rabies, I've been convinced a building was going to burn down, I've been convinced my blood was full of bug eggs that were going to hatch and kill me.

Doctors and family members who have helped me the most were people who took those fears seriously, who examined me no matter how irrational my fear was, and who told me why, based on what they observed, my fears were unlikely to be true.

Instead of "you can't possibly have rabies", it was "the dog is vaccinated, so it can't have rabies, and the skin where it nipped you is not broken."

Instead of "Of course your blood isn't full of bug eggs" it was "bug eggs would have hatched by now" which was so coldly logical it completely snapped me out of my panic.

Instead of "I'm sure you didn't poison yourself", the doctor looked at the bug spray and the ingredients and listened to how I used it and said "based on your exposure, you haven't been poisoned".

[biancadoes1]

I cannot for the life of me believe that N and L are in serious relationships with other people. Let’s just go with the narrative that they are. JD and A are serious players in this game. Why would N and L do the following unhinged things?:

The entire world tour (butt pinching, more-than-PR flirting, the LOOKS, never shutting down dating rumors or saying they are “just friends”)

”I don’t have a relationship with anyone in my life like I do with Luke” - Nic talking about her connection to Luke who agreed with her. A relationship so deep and meaningful that even if she was in a serious relationship it’s more important? She constantly said how important he was to her. That’s not a PR answer by any means.

”There is real love there” - Nic in response to shipping and fans wanting them together. What we saw was real and she confirmed it countless times. They could have said “we love each other on a deep friendship level.” Not once did we ever hear either of them really clarify their relationship, still to this day months later.

”A lot of people want me to marry Luke.” They are telling me she is bringing up Luke in her TIMES article when she could’ve deflected to Polin, but she was in a serious relationship with a 24 year old??? Like… for real??? That’s literally CRAZY. No way would either partner be OK with something like that. Unless they aren’t at play or serious.

Time and time again they say that they’re single, both during the WT and then reinforced after. What would’ve shut down dating rumors would have been one or both letting their teams make a statement saying they are in a relationship with other people, never naming who they are with. It would keep their private life private, but stop all speculation. Even after the WT and 90 days of part 2 on Netflix, we have yet to hear anything like that. How Corey and India handled shipping was very professional and shit things down with respect to Corey’s girlfriend. That could have been used, but wasn’t. It wouldn’t have affected the season at all because the chemistry is intense regardless of relationship status.

Luke at her house while Nic was getting ready for the Glamour event. Nobody can tell me those weren’t Luke’s hands. THEY WERE! Yet no one can give a valid explanation as to why if they are in serious relationships with other people.

Okay, so these are just things I could think of without digging deeper into my brain. These are all facts (maybe except the hands, but nobody can convince me those aren’t his hands). In these times of silence I feel that a lot of people need these reminders sometimes.

No notes.

[orangeejuice]

Analyzing Cole's Reflection (or lack thereof)

This is a bit of an analysis regarding the topic of Cole's reflection in Season 5, which I find really fascinating, especially considering how it was explained in canon (particularly how it was written to be completely insignificant). Despite this, I personally haven't seen it talked about much, even though it has really interesting implications. While I do believe this is in part due to odd/sloppy writing, I also think there's quite a bit to see beneath the surface here, as I'll discuss under the cut below.

As we know, in Season 5, Episode 8, "Grave Danger," the ninja are going through the ice labyrinth in the tomb of the First Spinjitzu master. Within the ice, the ninja are able to see reflections of their future selves. This scene is actually quite important, as it becomes pretty relevant in Season 6 (Skybound), due to Jay seeing himself with Nya in his reflection.

However, what I find to be the most notable in this scene is that Cole does not see any reflection whatsoever. This causes him quite a bit of distress and confusion, although this is quickly interrupted by Morro attacking the ninja. Kai seems to bring up the possibility that the lack of reflection is because Cole is a ghost, but this is quickly shot down by Zane stating that ghosts cast reflections.

Upon first viewing this scene, it's pretty easy to have many different interpretations of why Cole doesn't see his reflection. I personally interpreted it as Cole quite literally not having a future, therefore not having a reflection, which felt quite relevant due to him becoming a ghost only four episodes prior.

Yet, in Season 6, Episode 1, "Infamous," we get our "answer." Cole finds out he can turn invisible and concludes that he couldn't see his reflection because "he can disappear." Thus, this plot thread (or whatever you want to call it) regarding Cole's reflection is entirely dropped, seemingly confirming that this explaination is true.

My issue with this is that not only is it boring, but it just doesn't make sense. For reference, this is what the other ninja's reflections look like.

As we can see, these reflections clearly are not meant to be their near futures, judging by the visible aging on Kai, Jay, and Nya (Zane being the exception, of course). If Cole's reflection really isn't visible because his future self is quite literally invisible, that implies that either his reflection is somehow the exception (by showing his near future), or that for whatever reason, his future self would have a reason to be invisible. Frankly, neither of these explainations are plausible, which is why I really dislike invisibility being the actual explaination. It's entirely possible that Cole only believes this to be the case as a way to cope with the otherwise bleak implication about his future. I prefer to interpret it this way opposed to it being written to genuinely be true.

However, it's also important to note that these future reflections don't seem to be set in stone. In particular (and forgive me if I am misinterpreting this), Jay's future seen in the reflection seems to have been entirely avoided by his final wish at the end of Skybound erasing the majority of the events in that season and thus changing the future from that point. In particular, him gaining the eyepatch during the events of Skybound leads not only us as the viewers, but Jay himself to connect this to the reflection he saw in Season 5.

It's also important to note that Jay's final wish would most likely not change the future reflections of the other ninja, just his own. However, as stated earlier, if it's possible for Jay to change his own future reflection, than perhaps the same logic can extend to the others as well.

With Cole in particular, I genuinely wonder if his lack of reflection was actually supposed to be relevant again in Day of the Departed but was cut for time. As much as I love DotD, it was clearly trying to shove as much content as possible into just 44 minutes. Unfortunately, the story ends up being condensed quite a bit as a result and I think it could've really used at least another 22 minutes, especially if it included stuff like this connection. But this post isn't meant to be about my thoughts on DotD's pacing and content, really, so I'll move on.

My thoughts on this are that perhaps Cole altered his future by going through the rift on the Day of Departed and becoming human once more, rather than fading or becoming stuck and forgotten in Airjitzu temple. I actually really do like this explanation, because it makes sense. Cole fading or being forgotten in a "bad" future are entirely plausible reasons for his lack of reflection in the ice.

Either way, I think it's quite a shame that it wasn't explored more. Obviously Ninjago is a show meant for kids and exploring a character's feelings regarding their possible lack of a future can be a little dark (although I don't personally see it as being too dark for Ninjago). Cole's fear and resignation (at least until his friends get to the Airjitzu temple) of fading away is completely well founded, because of this small scene in Season 5 and it adds even more motivation for him to go "settle his debt" with Master Yang.

On the other hand, it's not explored much in fan content either from what I can see, and I think that it's a huge missed opportunity. Like, can you imagine how scared Cole must've been when he started fading away and "ghosting out," meanwhile the fact he didn't have a reflection of his future self lingered in the back of his mind? Especially if he was coping with this fear by concluding it was due to his invisibility. Even with the events of DotD, I can imagine Cole still worrying about it in the present. After all, for all he knows, that future could still come to pass.

Overall, I found this scene and how it was handled super interesting and I would really love to see it brought up more in fan content (I might even write my own fic relating to this at some point).

Either way, I'd also be curious to see if anyone else has thoughts about this. I may have missed something that the writers/creators have stated regarding this, so if that's the case, you can let me know as well.

[peterman-spideyparker]

The Great War (Babe Part 2) (Matt Murdock x fem!Reader)

Author’s Note: Hey everyone! At the risk of forgetting to post part two, I'm doing it now! Like I mentioned in the first post, it's only a part two if you want it to be--you can just have read Babe and leave it at that, but this is just more idea to go with it that I couldn't stop my brain from working on. Enjoy! :)

Summary: It's been almost a month since you left Matt. Everything hurts, and you're doing what you can to get through. Foggy calls, and it turns out Matt's not doing much better. For the first time, you have no idea what your future with Matt Murdock looks like.

Listening rec: The Great War by Taylor Swift

Warnings: ANGST, Matt and reader are separated (Matt cheated), they’re both heartbroken at the situation, swearing, fighting/shouting/anger, throwing, Matt grabs reader (NO VIOLENCE, but the Devil of Hell's Kitchen pokes out), depression (mention of the word "borderline suicidal" in reference to season three Matt), Matt being reckless, lots of crying, drinking

Other Characters: Foggy Nelson

Word Count: 2,820

Before you can even say a feeble hello, Foggy is already speaking. “Matt’s devastated,” he breathes. 

You’re hurt. Offended, even. You left because of what he did in California, and he has the audacity to feel sorry for himself? “And I’m not?” you say, probably with more venom than appropriate. “Goodbye, Foggy.”

“Wait, hold on!” You don’t know why you don’t hang up, but you stay on the line. “I’m sorry. That wasn’t the right way to start this. How have you been?”

“I’m awful, Foggy. My marriage is done, my heart hurts, I’ve lost the man I love . . . I’ve never been worse.”

“(Y/N) . . . I’m sorry.”

“It’s not your fault, Fog. All this is between me and Matt. It’s why you called, I’m guessing? Get all the answers for what exactly happened between us?”

“That’s between you guys. It’s none of my business or anyone’s. I’ve already ripped Matt a new one for doing what he did, and so did Karen and Frank, but he’s . . .” He stops and lets out a sigh. “Do you remember hearing from Maggie what Matt was like after Midland Circle? Despondent, depressed, borderline suicidal?”

Of course you remember, how could you ever forget? You’ve never seen him like that in your life. But the term “borderline suicidal” makes a pit grow in your stomach as you straighten up.

“He hasn’t tried to—?” you start to ask. 

“No, no, that was shitty wording on my part. But Matt’s not himself. It’s like watching a hollow corpse with a temper move about. He either doesn’t care at all, or a little thing will set him off. He’s being reckless on patrol, he’s drinking more than he usually does. I’ve been covering for him at the office, but . . . You need to talk to him.”

You close your eyes, tears rolling down your cheek. “I can’t, Foggy.”

“(Y/N)—.”

“He broke my heart, and I broke his in return. I stomped on it. I love him and I hurt him. If I talked to him . . . That’s salt on the wound for both of us.” More tears stream down your face as you think about it. “We both vowed not to hurt one another. H-He hurt me, but he wanted to fix it. I hurt him and don’t have that same courage to try.”

“Try now,” Foggy pleads. “Try now, help one another. Even if it’s for the last time.”

“O-Okay,” you say before you can realize it.

Foggy breathes a sign of relief. “Come to the loft.”

The loft. The scene of the crime.

You breathe a quiet confirmation before you hang up, taking time to mentally prepare yourself before you grab your purse and leave your sister’s place to talk Matt off whatever ledge he’s currently perched on. 

It’s a short trip, and Foggy meets you in the lobby of Matt’s building. He pulls you in for a long hug, and you actively tell yourself not to cry. 

“He’s that bad, huh?” you sniffle.

“Yeah,” Foggy sighs. “I’ve never been for him like this before. It’s like he’s not the same person.”

“I know what you mean,” you say quietly. “I haven’t felt like myself since that day.”

Foggy looks at you with a crestfallen expression, and you give him one more hug before you make your way up to the loft. 

Your key still works—you’re afraid if you knock, he won’t let you in. Hell, he probably heard you turn the block on your way here and wouldn’t answer out of anger or annoyance. Your stomach churns when you see Matt sitting in the chair. He’s in sweats, his posture is curved, his hair is disheveled, and he’s growing a thick beard. Beer bottles are on the table in front of him mixed with trash.

“Matt?” you breathe, but he remains unmoved. As you move closer toward him, he sits there like a statue, not caring to look your way. “Matt, it’s me.” Still, he doesn’t gaze your way. 

Putting your purse in its usual spot, you make your way over to him in the chair, gently cupping his face in your hands to tilt him up toward you. You suck in a small breath when you see the bruises and cuts on his cheeks, nose, and chin. If this is what his face looks like, you can only imagine the other injuries that his clothes are hiding.

“Matt,” you breathe. “What happened?”

He just closes his eyes in shame, starting to turn. You don’t let him, though, bringing his face back to center.

“Matty,” you plea. “Matt, talk to me, sweetheart.”

“You’re not my sweetheart anymore,” he finally says, and it burns like acid. You deserve it—you gave it just as good to him when he came back from California. “And I’m not yours.”

“We didn’t sign any papers yet,” you breathe, trying to lighten the mood as you hold back your own tears. “So, legally, I am.”

Matt peels back from my touch like he’s getting out of an itchy sweater. Okay, you deserve it. You deserve all of it.

“Matt—.”

“You left,” he spits. “You left just like everyone else, even when you swore you wouldn’t.”

You sit back on your heels. It hurts, but it’s the truth. “I did.” He turns back toward you like he’s shocked you actually admitted it. “I didn’t try to hear you out, and I’m sorry. I should’ve. It was . . .”

He turns toward you, ice in his blind gaze. You’ve never seen Matt like, this, and as he starts to slowly rise from his chair, it’s the first time you can say that you’ve ever been afraid of him. 

You spring to your feet as well, trying to at least keep things on the same level posture wise. 

“Now you’re trying to make things better?” he growls low. “You’re the one that tore it up in front of us. I wanted to stop the breakage, but you readied the wrecking ball. This shit is your mess. It’s like this because of you.”

Now you start to get mad. “Oh, just me? Any breakage that was the breakage that you started. Those images and videos were circulating for two whole days before you came home. I didn’t hear a single word from you—a ‘good morning’ or ‘I’m boarding my plane’ or otherwise. You just showed up here expecting it to all be fine—.”

“You don’t get to assume in this,” he grits, the space between you dangerously nonexistent as one of his hands tightly grab on to your wrist.

“Yes, I can. There’s two people in this mess. I’m saying what it seemed like on my end,” you say, your heart thundering in your chest. Matt wouldn’t hurt you—he’d never do that. But with how his hand is on your arm and the mood he seems to have been in since you left, you’re not entirely confident in that statement anymore.

“You never really knew a damn thing about me, did you?” he frowns. “You just kept a version of Matt Murdock in your head and lived with it this entire time, huh?”

“Maybe I did. Because this isn’t the Matt Murdock I came over to talk to. This is the Devil of Hell’s Kitchen. So, if you’re gonna let the Devil out, let him out on me, Murdock. Do your worst.”

“Get the fuck out of here,” he threatens, the muscle in his jaw feathering as he clenches his teeth. 

“No. I came here to talk, and that’s what we’re gonna—.”

Before you know it, his hand is off your wrist, wrapping around the neck of a beer bottle before he whizzes it past your head like a threat. You flinch, moving to cover your head before the bottle leaves his hand, and you remain curled as the glass hits something behind you, knocking it over as they both crash to the ground. You slowly turn to see what was caught in the crosshairs—the beer bottle had hit a picture frame, knocking it down off the side table and breaking it. You can tell by the shifts in his body language he immediately regrets it, his shoulders slumping as tears start to sting your eyes. You notice he starts to take a step toward you out of the corner of your eye, but you’re on the move toward the broken picture frame. One of the pictures from our wedding.

Huh, you think. How fitting. 

You lower yourself to your knees, carefully picking it up and looking at how your faces were beaming with nothing but joy, how you held onto one another with love . . . and now how it’s the opposite. How you’re broken. You wouldn’t look at him the day you left, and he won’t look at you know. You curl over the photo, freely weeping on the pile of glass. You just want it things to go back to normal.

You hear Matt pad softly over to you, squatting as if he wants to put a hand on your back to soothe you, but he backs away to let you cry. Tears pour out of you like a geyser, a constant flow down your cheeks as you sit alone in the living room. Maybe it was an accident that he hit the picture, but his senses are so sharp . . . maybe he did want to hit it. Maybe he was trying to prove a point. Maybe he wanted to show you that by you leaving, you were the one who put the final nail in the coffin of your marriage.

Maybe he really doesn’t want you anymore. Maybe he stopped wanting you before he went to Los Angeles. Maybe he stopped wanting you a long time ago.

You’re still crying when you hear Matt come back over toward you. Through your limited vision, you watch him clean up the broken glass from the bottle and the frame. It takes him a few trips, but it’s eventually all cleaned up. He leaves again before walking back toward you, holding out a box of tissues. With a shaking hand, you grab one and wipe at your nose, desperately trying to calm yourself. 

“This is my favorite picture of us from our wedding,” you sniffle. “This is what I would grab if I could only take one thing from the loft in an emergency. This would be it. And now . . .”

You can’t finish your sentence, just weeping uncontrollably in your little ball on the floor over your two deepest treasures—this photo and your marriage. Shattered. 

“Angel . . .” Matt says so softly, so tenderly, you almost forget that your life has essentially imploded.

“This is all my fault,” you cry, spiraling, trying to trace it all back to you, your actions. The big explosive things all seem to have their root in something you can place back to yourself. Matt slept with someone else, but it goes back to something you did— you had a short attention span and a bit of a short fuse before he left because a bunch of shit at work that kept piling up, and you knew he was frustrated . . . how much he hates planes. You egged him on. You did nothing to help, and when he left to go to California, he found someone who understood him in a way you couldn’t. You need an answer for this, and that seems to be it.

“This is my favorite picture of us, and it’s all my fault,” you sniffle, repeating what you said earlier, your chest burning from the tears and hyperventilation. 

“It’s just a picture—,” he starts to say softly.

“It’s not just a picture,” you weep. “This, us, it’s all my fault. We’re broken because of me. This is all my fault.”

You hear Matt pad softly over to you, squatting down and taking the picture from your hands, putting it on the arm of a nearby chair before pulling you in for a hug. All you can do is sob against his shoulder as he holds onto you. 

“This isn’t because of you,” he tries to soothe, sounding like he’s about to cry as well. “It . . . It was my poor judgement, it was my shortcomings that did this. You’re in the flaming wreckage, and it’s not fair.”

“I just want things how they were,” you sniffle. “I want to come home. I want us to be okay.”

Matt’s silence is terrifying. “I don’t think I’ve ever felt rage like that. Darkness like that,” he says softly. You feel a tear fall from his cheek to the top of you head. “Shit, I grabbed you . . . Fuck, I’m so sorry. I-I would never—(Y/N), please—.”

“I . . . I,” you start. He’d never hurt you. For all his anger, for all his strength, Matt would never hurt you. But when you’re facing off with the man that patrols the streets? The man that brought down Wilson Fisk not once, but twice? You just didn't know. 

“I scared you.” Tears are flowing down his cheek. “I could hear your heart race . . . I knew you were scared and for a moment, and I didn’t care. It’s like I wanted you to be scared, and I liked it. I was glad you were scared of me.” He sounds disgusted with himself. “You really thought I was going to hit you.”

“I did. For a moment,” you admit. It catches in your throat, but there’s no use in lying if you’re trying to fix this. 

Is that what you came over to do? To fix this? 

He lets out a long breath, slumping to the floor. “What happened to us?”

“I . . . I don’t know,” you say. And it’s the truth. You don’t really know how you got to this point. Yes, you know why you walked out, but it’s like there were the small hairline fractures in glass—so fine that you couldn’t see them—and then a hammer came down on it and a million little pieces was left in its wake. But how he sounds . . . you know that tone. When it’s been a rough night on patrol, it coats his words like sap—he’s going into a dark headspace, and when he gets too far in, it’s hard to get him out, and you need to get him out. You move around to carefully sit next to Matt, putting a hand on his forearm. You can feel a thick bandage on his arm before you can process that he winces, so you move to slide your hand in his. 

“I know you’d never hurt me,” you breathe. “I know you’d never lay a hand on me like that.”

“But I did, though. If I added more pressure, I could’ve snapped your worst. It would have been easy for me to do.” You see him swallow the lump forming in his throat, his own self-hatred inflating at a dangerous rate. “I was full of rage. You were scared of me.”

“I’m scared of all of this,” you admit, your voice small. “What’s happening to us. How it’s effecting you and me. We’re . . . We’re not ourselves. I-I don’t recognize either of us. I don’t like it. I want things back how they were.”

“But they can’t go back.” He sounds broken, hollow—just how you feel. 

“Are . . . Are we too far gone?” you ask just above a whisper, terrified of the answer. 

“I don’t want us to be.”

You hang your head. “I haven’t been sleeping,” you admit. “It doesn’t feel right without you, your arms around me.”

He places a gently hand on your chin, lifting your face up and wiping tears off of your cheeks before pulling you in for a hug. It feels like warmth. Like love. “I can’t sleep in the bed. It smells like you, and with you gone . . . I just patrol all night.”

It’s like when you think your heart can’t break any more, it does. “I still feel so upset, but, I feel hollow more than anything. Like part of me is missing.”

“I’m sorry,” he breathes. “I’m so, so sorry.”

“I’m sorry, too. I-I’m so sorry.” He kisses the top of your head. “I should’ve listened, I shouldn’t have left like that, but I was just so upset. I couldn’t be around you without feeling like screaming or crying or both.”

“We . . . We can get through this. Can’t we?”

You think about it. Is this something you can do? You’ve been through worse— you’ve seen him near death more times than you would like, you’ve seen how the toll of Daredevil and the stress of being an attorney wear him down. Even the debate on how we should bring up our children should you choose to have them strained you both. But your happiness, your life together, it’s bigger than your low points. It has to be.

It has to be. 

Right?

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[stagefoureddiediaz]

Go with me here - I have thoughts!

So I’ve been thinking about this since we got the stills, of both Buck and tommy at the loft, but also the divorcing couple, but then the quote from Tim got me feeling more convinced than ever!

Tim has revealed quite a lot in this quote - it confirms that whatever it is is about Tommy and about the BuckTommy relationship - its not about other outside things - there are only a couple of things that that could mean.

I don’t think it’s going to be about Abby - but I do think she is relevant! I’m very much still sticking with my theory that Tommy is an alt version of Buck and things are feeling more and more like this is in fact the case. See if Tommy is alt Buck then we have some very interesting parallels and contrasts to explore, especially around the part of my theory that BuckTommy is a reversion of the BuckAbby relationship - only this time, Buck is in the same place as Abby - so the one who wants out of the relationship whilst not knowing how to actually end said relationship.

Buck and Abbys relationship was Bucks entry level relationship into the concept of actually dating and being with someone - not just for sex - but for them as a whole person. Tommy has been described by Tim in the same way - as an entry level queer relationship for Buck. Buck is the main character here, so he needs to show growth and development - so putting him into the same place Abby was - having him figure out how to end things on his own terms - talking to his family and actually recognising what it is he wants - showing us that on screen -that would be a good thing.

Say we get a inadvertent confession from Tommy early on in the episode - where Tommy implies that he was interested in Eddie first - pursuing Eddie before he switched to Buck - just as a throw away comment that can be read in multiple ways, but is enough to send Buck spiralling and seeking the advice of Bobby and of Maddie and Josh - everything then ‘becomes clear’ later on towards the end of the episode when Tommy fully reveals and confirms that he was into Eddie not Buck. It makes complete sense to play it in parallel to Buck Abby - it’s the way it creates a spiral that allows Buck to avoid Tommy for a short period so that he doesn’t have to start thinking about his own feelings at the start of their relationship - he doesn’t have to confront the fact that he might’ve got things wrong and that it wasn’t Tommy he was feelings things for - he was threatened by Tommy - because he posed a threat to Bucks relationship with Eddie - and if that is the case then Buck has to face up to the reality of his feelings for Eddie - that they are not actually platonic.

Ultimately Buck will realise he’s got to end things with Tommy and give himself the space to work out the Eddie of it all - that it’s not fair to be in a relationship he can’t fully give himself to. It gives him the closure he never really got from Abby when she left him and gives him a large amount of growth and it also gives us pining Buck as we head into Hiatus and when we start 8b.

I’m not just pulling this out of thin air either - there are a few things that back up my theory from a costume and set perspective - and from a script and directorial perspective too.

Firstly we have divorcing couple storyline - a man quite literally spilling his guts - a man who it seems from the episode blurb, doesn’t want a divorce. He is wearing a plaid check suit jacket - which mirrors the plaid we have seen Tommy wearing so far this season - and ties into the suit jacket at the end of Episode 5. The ex wife is wearing yellow and blue - the Buck and Eddie colours (see mine or @lover-of-mine ‘s many metas on the subject of blue and yellow and Buck and Eddie!) the set of that scene is also heavily yellow blue coded - the painting on the wall especially.

Then we have the fact that Tommy has been located in the exact same place as Eddie was in the coming out scene from 705 - and wearing Black - I think its really really ket that we note this fact - mirroring that scene is a very loud directorial, set and costuming choice. Tommy is meant to mirror Eddie from that 705 scene - Eddie is making his own confessions in that scene - he is basically figuring out how to break up with Marisol because he didn’t know this big thing about her (and that big thing is hitting a bit too close to home for Eddie) and we get a whole thing about buck and tommy having the right idea - to just hang out with the boys etc. Eddie basically reverts on his plans to end things with Marisol when Buck makes his own confession.

So we have a scene about confessions in an episode called confessions paralleling a scene about confessions in an episode called you don’t know me - that is a choice - a very intentional one. Plus there is the fact that Tommy is sat in Eddie’s seat saying he thought Eddie was gay would be really great paralleling to Eddie taking Bucks coming out to mean for him to fix things with Marisol because Buck had become available and unavailable to Eddie. Eddie now has the knowledge that Buck was an option, but that he’s not available as an option. So a Tommy confession that plays into the buddie of it all both helps the queer Eddie arc along as well as driving Bucks arc forward - creating a big enough hurdle for Buck to chose to end the relationship, but also a hurdle that the relationship could successfully navigate its way over if both parties wanted to.

The thing is - Bucks costume tells us all we need to know about which direction this will ultimately go in - he is wearing Blue in the scene with Eddie - the one time he actively chooses to come out to someone (the fact its Eddie is telling all on its own) - and that specific blue is very heavily connected to Bucks journey in figuring himself out - who he is and what he wants in his life - its a colour very much tied to Eddie - he wears that shade of blue in Eddie heavy scenes - and tends to wear different shades of blue in connection with other characters (look at my s6 costume metas for more on the subject!) The fact that buck is in green for this upcoming Tommy scene is an indicator that the relationship is nearing its end - Buck wears green when relationships end - this bears out all the way back to season 1 - he is wearing a green plaid shirt at the airport when Abby leaves to go to Europe. Buck doesn’t wear green all that much and like I have said in a previous post - the darker greens are always connected to break ups. All this is showing us that Eddie is the right person and Tommy is the wrong one.

And then we have the lighting and the set. The lighting is starkly different - we. Have the warm yellows and low light levels of the Buck and Eddie scene from 705 while this Buck and tommy scene is brightly lit and the light is cool toned. This does two things - in the Buck Eddie scene it created intimacy and warmth - it allows the confessions from both of them to read as being important but ultimately changes little in their relationship - it remains intimate and warm - as the hug backs up. In contrast the Buck tommy scene illuminates everything - its not intimate - it is harsh and revealing - the lighting gives no place to hide and the cool tones play into the cooling of the relationship - it will be interesting to see if the direction of the scene also plays into this - the Buck Eddies scene we saw the distance between them narrow and end in the hug before Eddie departs. My expectation is that this Buck Tommy scene will either maintain a distance between them that doesn’t really close - or it will show the distance increasing between them as the scene progresses.

We have lots of threes in the set design for this Buck Tommy scene too - the three jars in front of Buck, there appears to be 3 baseball caps on the coat rack and we’re have the three coloured jackets on the coat rack as well.

The three jackets are basically the writing on the wall for the relationship. They are saying so much while they just hang out there behind Tommy in seemingly innocuous fashion. Their meaning becomes even louder now we know that Eddie is going to be in yellow this episode. Buck is the blue jacket and Tommy is the green one - they are together right now like those jackets are hung together, but the yellow jacket - on it s own on the other side of Tommys head is there waiting. The yellow jacket is Eddie. The green one is in between the yellow and blue - in the same way Tommy is in between Buck and Eddie .

Blue and green represent a break up in Buck terms and with the green jacket being the same colour as bucks shirt - it is saying that the break up is in Bucks hands and once it does, the yellow and blue will be there on separate pegs - but unimpeded by a relationship. The break up will move us one step closer to the yellow and blue joining together.

The bike being gone is also part of the symbolism - no more Buck without brakes - he can put a stop to things now - he has control.

One other things is that I’ve been parsing over the meaning of the plane emergency fro the opening 3 episodes - because the show always foreshadows all of the character arcs through the main opening emergency - if you look at all the opening disasters you will see that it echoes through the season for each character arc. The cruise disaster from s7 plays into each character arc perfectly - characters lives being turned upside down in some way - Eddie upending his life through his choices - the Kim of it all leading to Chris leaving. Buck’s life being turned on its head as he figures out he’s bi. Hen and Karens lives being altered through Mara coming into their family and then losing her because of Ortiz. Maddie and Chims wedding being knocked off course and turned upside down through Chim going missing because of the illness he develops. Bobby trying to retire and then the bathena house being burnt down. Athenas storyline with Harry - they are all arcs that play into the idea of being capsized.

So I’ve been contemplating how the plane emergency is relevant - and I know a lot more will become clear as the season unfolds, but right now we have some interesting things going on looking at it from the Buck and Eddie perspective. So we have the bike symbolism in connection with Buck - which plays into the loss of his bike from the wall, but there is the fact that he highjacks a bike in the opening disaster - buck is on someone else’s bike on an empty bit of road - symbolic of his relationship with tommy - he’s the only one in it but it’s not the right relationship - when he gets off that bike he can signpost Eddie in to land - the bike he gets off being a metaphor for tommy and the plane being one for Eddie.

The fact that Eddie is broken and unable to change direction at the moment - like the plane - and he’s looking for a place to try to land - him managing to land safely in the end is a bit of foreshadowing for buddie going canon - Buck will initially direct him to a landing spot but will also be there waiting for him when he does manage to land - in the place for bobby. It continues the Buddie parallels with bathena - Bobby there waiting for Athena in the same way buck will be waiting for Eddie.

Plus the Jem of it all works too - him being representative of Chris - so the idea that Chris coming back into Eddies life will help Eddie land his plane is pretty loud as well. That Chris will help lead Eddie to Buck - in some way. I keep thinking about the simulation game thing as well - something about Chris being with Helena and Ramon being like a simulation - its pretend and not the real thing - and it will cause him to crash - but he can walk away from it and when it comes down to it - to the real thing - he will step up and be successful in it. That Chris will be the one doing a bit of directing Eddie on how to heal and land the plane.

[empressofthewind]

I can't stop thinking about the implications of this scene... "just like Mello said" Near baby when the hell did he say that 🤨

[mettywiththenotes]

Hori killed off the villain trio because he knew they would have screamed the stadium down in the second year sports festival cheering for their heroes

[crouton-moons]

Zionist.

saying don't fall for scams does not make someone a zionist. tumblr asks are NOT actual calls for aid!

i was just going to delete this ask like i do all scam asks, but i figured id post it just in case other people are getting similar things for... not being gullible? for trying to stop other people from being scammed and sending their money to scammers instead of actual palestinians?

many people in palestine obviously need aid. an obvious bot sending thousands of messages to thousands of people asking for "aid" will not help those people. they aren't from actual victims. they're from random people who are weaponizing the kindness of strangers to make a buck. falling for it helps absolutely no one. critical thinking is even MORE important in a time like this, stop falling for this obvious shit! they're just like the ai porn bots. they're used by the same exact people for the same exact reasons, getting money off those who are gullible. they're scumbags who are weaponizing peoples empathy to make a buck off a genocide. stop. falling. for. it.

they're trying to take advantage of you. they're assuming you're too stupid to think critically about who you think you're helping. stop proving them right.

there are thousands of actual ways to donate to those in need that aren't tumblr ask scams!

[queer-reader-07]

.

[todayisafridaynight]

Okay I can't post it until next week at the earliest and NEED to get this off my chest between now and my next longer reply because of stuff we were talking about:

Confirmed in one of my livestream clips there's been actual consideration towards Mine having survived. It's just a matter of his voice actor's availability and wanting to do it right if they end up doing it. We really could see Mine back in the main series.

And I recorded that clip based on something I misheard and didn't register that part at all until now. How Are We Doing Tonight

(Speaking of, get well soon!! I was sick myself the past couple of weeks, it's awful)

me waiting for the absolute millisecond yokoyama drops the 100% Mine Survived The Fall statement

[rosicheeks]

😓🤬

[nexus-nebulae]

brrrrr (/pos)

[unproduciblesmackdown]

fascinating lens on taylor's goings on in s6 there re: Romance. epic win that they have rian turn them down but i'm also really not sure why they did. oh you know, rian who's always defined by being so prudent [montage of actually pretty much everything seemingly defining rian has been pretty anti prudent] like ok w/e

but we start out with taylor Particularly Unmotivated By Work and instead watching a The Bachelor beach proposal which involves extasis through this Reality(tm) pastiche of romance. i am assuming. wherein the journey Ends with this transcendent all-consuming joy upon the realization of said Romance for one contestant. then when their somehow still bestie mafee (relevant tangents about how all taylor's relationships seem to involve their having an approach where they have low standards like "well but i guess this is all i can get / expect" including that they can't even necessarily expect shit they like/enjoy/are at all supported by, while readily accepting whatever blame/reproach from others) is like "gee but are you really happy" they're apparently inspired to pursue happiness by pursuing romance. which they seem to consider is possible only through rian, intriguing here when the entire basis of their dynamic seems to be [trapped in work hell together] like boy we have nothing outside our jobs? i sure hope we can be Everything to each other then :) and how it's even more baffling that rian is completely unbaffled by this development when you might operate on some assumptions like "you should have ever seemed to enjoy any interactions you've ever had" to consider choosing more vulnerability and more time / effort spent on this relationship, and "you also don't need to have Found Fault with someone / otherwise have some grievances or dislike of them to not want to date them" especially if rian's apparent sense of responsibility for taylor's theoretical negative feelings about rejection supposedly doesn't involve thinking about any power dynamics, she just feels the need to repeatedly reassure them she'd actually Love to date or have sex but she's just so set on not dating through work, b/c of the complications, that she's never considered not having casual sex with bosses and also never mentioned this stance to turn down winston nor done anything but revel in how he might feel about even being rejected as a conversational partner. too prudent to mention it. certainly also a relevant matter that it Need Not Be Explained to anyone that winston for one is excluded as a potential Romantic partner for pretty much everyone i guess. whilest as this potential mirror to taylor, he's not only considering specifically rian w/"we're similar; let's hang out; i'd like to have sex maybe even" (though winston's sexuality, like his communicative capacities, is also simply Not Allowed) but also seems to be like "i guess this is all i can get / expect" or hanging on for a long time to the possibility of Otherwise at his own expense or taking blame / whatever pretty egregious treatment like. taylor being willing to talk to wendy still is akin to winston still being willing to talk to rian. though maybe that's changed by the end of s6; it'd be very warranted after the pretty make or break [rian & winston Share An Interest; hang out outside work about it] moment there and also after Everything Else on its own, just like how it'd be very warranted if taylor expecting Nothing Better from wendy could turn into their hardly being willing to interact

anyways, sure is fortunate for taylor (or is it???) that Work becomes more enriching for them suddenly, and through someone with whom they have this promising personal dynamic with, a Peer with whom, in fact, they do both seem to find reward in interacting with each other / want and choose to do so, imagine, while [reiterating for emphasis]: they are both finding reward in interacting and feeling Complementary rather than only seeing exactly themself in each other, while having this respect for each other and flexibility and knowing they don't Have to work together, and may not always be doing so.

but most to the point it sure is something that the season starts off with taylor being dissatisfied with their work situation and responding by not being at work and instead watching people be overjoyed about their (also, relevantly, Peak Normal Correct Cishet) romance, though they don't outright claim to straightforwardly enjoy this. then they Do outright claim to us repeatedly, if ever begrudgingly, that everything rian does is worthy &/or sympathetic (and totally comprehensible and consistent so as to believably retain any sense of Character....) while every time they interact, it's a business meeting and one or both of them is unhappy about some part of it. but then once taylor's asked to think about their happiness Beyond Work they apparently are simply motivated to go ask someone out, and it may as well be rian For Lack Of A Better Option really, but then there's the wrench of "for some reason rian is unsurprised and not at all put off by this, or even just somewhat confused" and "for some reason rian's like 'sorry but no. fr im soooo sorry'" with these perspectives of [happiness Outside Work = romance] and [someone deemed Objectively Worthy = you'd of course at least consider romance, or else you must think actually they're Unworthy in some way, or have some more general Reason you'd reject others categorically in just the same way] (rian rejecting winston for unworthiness so much that she doesn't even need to bother actually telling him as much; rejecting taylor for [i don't date through work] with followups to reassure them it's Not the unworthiness) (that on and off paper winston & taylor have no reason to not be kissing but i think we can assume that won't happen, b/c billions itself may also assume we understand that [winston is unworthy] is just true. &/or that anyone Worthy understands as much)

so hoping that taylor has Some kind of enriching lasting relationship with philip, truly, which was the hopes for winston and rian but the updated hope is his enriching lasting disengagement with rian, f

[avvidstarion]

Honestly tma should’ve ended after season four like I feel like SEEING the fear apocalypse made it super underwhelming

[andromedasummer]

listen i need u people to understand that when i say i find your white man unattractive specifically to me and my tastes/say i am surprised they are found conventionally attractive, it is 99% because their style of facial hair is giving me such a bad sensory reaction i cannot look at them. i am sure your man is normal under there. if i look at his patchy beard any longer i am going to have to lock myself in a room and stim or i'll bite something and tear out my fingernails and not in a good way.

[peaceeandcoolestvibes]

I got some friends that are foodies like me but its like we always go to real restaurants right and I feel this is a wake up call for some

corporate greed = your demise :)

Esque aunque sea un capricho que te des de vez en cuando, pasas del tema cuando algo que costaba .50 hace unos años a 1.50€

Pasas de beber una Fanta a la semana a beberte un té de pomelo en casita con hielo y limón 😍 y al final es una cada 6 meses y así con todo :) o te vas a opciones más rentables o que cundan más. Muchas cosas que nos venden NO VALEN y más siendo sitios que te venden calorías vacías. Al menos, ir a un restaurante que os llene 😂