#but do i still love him? i do no doubt

[hinamie]

domain expansion

[kit-screams-into-the-future]

drawing your favorite guys being silly is very effective at keeping The Horrors at bay

bonus doc from a different canvas:

[dendroaspis-viridis]

I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...

[s0fter-sin]

what up i’ve been obsessed with would you fall in love with me again like every other person on the planet and i can’t stop thinking about penelope’s final verse

she’s so angry; angry that odysseus would dare to suggest that her love for him has faltered or his actions were enough to destroy it. she’s been waiting, working her fingers raw unweaving her shroud every night, not sleeping as the suitors camp inside her home; every day a threat to her and her son, to her kingdom if an unworthy man - and they are all unworthy - should take the throne. she knew they wouldn’t wait forever, that at some point her deception would be realised; her dedication to her husband means she is at constant risk and the first thing odysseus does when he sees her - if this even is him - is question her love for him?

the very first thing he says (other than her name) is, “i am not the man you fell in love with.” penelope asks him if it’s really him standing there or if she’s “dreaming once more”. once more. she’s felt the cruelty of hope before; has looked at her doorway and seen odysseus the same as when he left (which is probably partly why she’s so shocked by how he actually looks) and felt unfathomable pain when her hopes were dashed over and over again. she asks if he is really her odysseus and he says no

yes, in his mind, odysseus can’t see how he can deserve her love after everything he’s done - the atrocities he’s committed, to himself he isn’t the same man, “i see a man who gets to make it home alive, but it’s no longer you” - but all penelope hears is her husband, the man she loves and waited for, doubts the strength of her love

penelope asks what kind of things he’s done and it must be shocking to hear; his actions so different from the man who left her behind even if he did them in name of returning to her. but when she asks him to move the bed, it’s as much a challenge as it is a test. she’s asking him to prove that he is the monster he claims to be; that if he’s changed so much and become so heartless, he should have no qualms about ripping the symbol of their love from its roots. and it’s also her only way of actually determining if this man who claims to be her husband yet doesn’t take her in his arms, is actually him

“just a moment of labour would bring me some peace” - if he does what she asks, then she will know either he’s changed so much that he’s no longer her odysseus or he’s another fake and was never hers to begin with; that her husband didn’t just stand in front of her and claim she can’t love him as he is. but she’s done. she was already willing to die when she stood behind the twelve axes she challenged the suitors to shoot through. she’s so tired. she just wants it all to be over

“only my husband knew that, so i guess that makes him you” - i guess. even after telling her something only odysseus and her knew, penelope’s still not convinced that it’s truly him. how many men came to her door claiming to be her long lost husband, banking on time and distance to dull memory of his face and voice, on her longing and desperation for odysseus to blind her into believing them?

but if this is her husband? if the man she’s loved through decades of absence has finally returned to her?

“i will fall in love with you over and over again” - an exhausted promise, the core of who penelope is and how she feels; assuaging his doubts and his own clear pain

but

“no matter how long it’s been, you’re mine. don’t tell me you’re not the same person, you’re always my husband” - penelope is screaming at him; how dare odysseus say this to her? dismiss her love and her suffering? he saw the men outside, he’s smart enough to know what they were here for and instead of apologising for being gone for so long, instead of begging for forgiveness for inadvertently putting her and their son at risk, instead of embracing her and putting an end to her torment, odysseus doubts her

“and i’ve been waiting, waiting” - the tone shift of penelope screaming at him to lamenting how long she’s been waiting is heartbreaking; it’s quieter as she gets lost in the pain of her grief, her anger failing as she recalls the memories of her long years of solitude. odysseus tries to call her back with his gentle “penelope” - such a contrast to his own exhausted anger at being asked to destroy their marital bed now that he understands why she asked that of him - but she can’t hear him; she’s too trapped in the memories. he tries again, still gentle but more insistent, and this time she does hear him and her anger comes rushing back along with her grief. her “waiting, waiting,” becomes almost accusatory; she’s been alone for so long and it’s bc of him, bc he wasn’t there, bc he left her waiting

that abrupt “oh” at the end of the verse isn’t just a vocalisation; in that moment, she’s realising that she has realised that he truly is odysseus. she knew it was him before she even processed it. she wouldn’t be this angry if he were anyone else; love and grief and anger coalescing in one single divine moment where penelope finally believes her odysseus has returned to her

“for you” - she’s been waiting and waiting, years turning to dust, her sleepless nights and days spent living in fear and preemptive grief- and it was all for him. odysseus is actually here. which means her waiting is over

“how long has it been?”

“20 years”

“i- i love you”

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[rooolt]

have yet to stop thinking about the plane ride to Barcelona, aka the worlds most awkward plane ride in the world. Like who do we think sat together? Did Devon talk to any of them, like is she’s friends with any of the other teens? Did Eli and demetri drag other people into their drama, was demetri very obviously trying to avoid Eli, messing up the assumed plane seating arrangements? Was Robby brooding over his missing girlfriend and her dead mom the whole time? Were Daniel and Johnny still beefing or do we think they tried to save face for the kids? Is there any chance that Miguel and Sam were able to just have a nice time hanging out with each other on the flight or did they get dragged into everyone else’s drama? I’m so obsessed with the logistics of the Barcelona trip, not to mention the flight is like 11 hours long if it’s non-stop. it sounds like the trip from hell

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[cursoulla]

The World-Ender; Alternate Lad

🩸 bloodied version 👇

[celestriix]

thinking about klavier gavin again because i saw someone say that the fact that he's the only prosecutor in the series who wants to find the truth and isn't insanely obsessed with winning like the other prosecutors makes him really boring

and i understand it to some extent when comparing him to other prosecutors but... Klavier Gavin??? BORING????

after playing aa4 i was OBSESSED with klavier gavin and the untouched potential of this guy

he loses his best friend/bandmate, his brother AND his mentor in the span of like a year?? i think??? which is INSANE.

there's something very tragic about klavier, a person who values finding the truth above all else, finding out that two of the people closest to him betrayed his trust and lied to him and used him for their own means AND ARE MURDERERS.

and then his mentor, a person who taught that seeking the truth is what a lawyer should do, gets murdered by a person who believes that winning in trials is the most important thing above all else WHICH IS THE SAME EXACT THING THAT KRISTOPH VALUED AS WELL !!!

this core belief of finding out the truth that klavier has, leads him to finding out about the things that daryan and kristoph did, and even though they are important to him, people he CARES about, he continues to work with apollo to see that justice is served.

and the fact that we don't get to see anything of klavier getting any closure after the events of aa4 makes me insane

we never get to see much of klavier's feelings on what happened or him fully processing the events of aa4 and that one case in aa5 and it makes me soooo upset. i wish he got more than that little cameo in aa5 and that one tiny flashback appearance in aa6.

in an alternate universe, aa4 got a true sequel that fully explored klavier's character, as well as phoenix's, klavier's, AND apollo's relationship with kristoph, and klavier's relationship with phoenix post-aa4, and also a more thought out? (for the lack of a better word) backstory for apollo, and an exploration of the jury system, and a game that ACTUALLY built upon the foundation that aa4 laid out.

and i am forever upset that we are not in that alternate universe.

[clownsuu]

Small detour of what I usually post, but I absolutely wish (other) clown the best of luck during these confusing and almost hopeless times- nobody knows how to deal with such amount of attention in such short amount of time- a blessing and a curse to behold

[darlingod]

It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.

Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.

Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.

I’m fucking laughing wow these delusional ass children I fucking love them.

[guttersons]

I need jacob pitts to be employed again I miss seeing him in stuff 💔 like where is he

[buwheal]

BEACH OUTFIT 💥💥💥💥

He used to surf the web back in 98'.

[yappacadaver]

Crazy wild shit man

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[sysig]

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