#but at this point it's just automatic

[neversetyoufree]

God it just hit me.

Names are power in VnC. We call the piece of the world formula that defines a vampire their "true name." Learning and altering a vampire's true name gives you near-absolute power over them. Vanitas hides his old name as part of his "Vanitas" persona—a defense mechanism to hide his vulnerable self.

And names are an axis of discrimination too. The main way we've been examining discrimination against the dhampirs is through the lens of vampires refusing to call them by their names. And Luna, the perennial outsider, seems not to have been given a real name. They certainly didn't have a name that they liked or identified with for most of their life.

So with all that context, even more than it might be in another series, Teacher's whole name shtick becomes such an insane power move. He changes his name constantly and will brutally punish anyone that gets it wrong. Nobody has the power that would come from knowing whatever his first/true name was. He has the physical and social power to punish and correct anyone that doesn't call him what he wants to be called. He is in complete control of how people address him, or at least close to complete control, which is such a big deal within this story.

[keferon]

Two Peas in a Pod: part 7/?

I'm so sorry for the delay. I struggled...

_________________________________________

"Jazz?" Blaster calls just loud enough for his mer to hear him. Now that the initial meeting was over, he wanted to take advantage of the break. 

While understanding that the human was calling him over, Jazz was a bit hesitant that moving might start up the whole confrontation again. He glanced over to the other orca still floating a little ways away, •၊||၊၊၊ had his eyes closed and it looked like he was focused on dealing with the repercussions of his actions. His expression was twisted lightly in a restrained grimace with his right arm holding his side.  

Slowly Jazz pushed himself further away, before turning over and swimming to the pier.  

"Are you okay?" Blaster asked as he knelt at the edge. 

With an uneasy look, he shamefully admitted, "it could have gone better…" 

The chief vet speaks up before Blaster can, but not to Jazz, but into the radio. "Has anyone seen signs of reopening or blood?" 

The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. 

Blaster shoots them an offended side-eye, as Jazz is literally right here. However, he pushed it aside, half listening to the radio chatter – all good from the sounds of it – and turned to what was more important. "Did he hurt ya?" 

They'll take him away. 

"I'm fine," he whispered, looking down as he placed a hand on his chest. It still stung, as the first hit was made with intent – he had gotten mad when it happened, did it show on my face, did they see it – and the rest, warning shots. "Just a bruise… it was more dizzying trying to keep away from him than anything."  

–if the team reports you showing signs of aggression, they'll… remove him. 

He hums in thought, eyes drifting momentarily as •၊||၊၊၊ disappeared from the surface. Blaster was a little nervous about that as he looked back at Jazz. "Do you think that you'll be okay, the two of you, I mean. Do you need us to separate–" 

They'll take him away. 

"No." Jazz insisted quickly, fighting to keep his voice low – behave – and shaking his head. "We should be fine now." 

Blaster knew there was more going on, seeing as Jazz was soft spoken and avoiding eye contact; an old habit of hiding himself when speaking to staff, but it would have to be a talk for later. When Jazz felt safe enough to open up. So instead, Blaster smiled and said, "Alright. But me and a few others will be keeping an eye on you both throughout the day. Just to make sure you're both comfortable as you can be. It might be a bit rocky for the first few days, but that's okay, we were expecting that." 

Jazz didn't respond, his attention had been captured by the other mer at the bottom of the pool, beneath him. He had been somewhat keeping an eye on him with his sonar, watching •၊||၊၊၊ slowly explore the tank.  

Though, Blaster was just barely able to spot the other orca from the surface, and honestly wouldn't have noticed if not for Jazz. Pressing the call button on his radio, Blaster looked to the staff, "we've passed the first hurdle, everyone. We'll move onto doing rotation monitoring. Fred and Josh, you'll remain for the first shift. Everyone else, business as usual till I get a schedule in order." 

"I've adjusted the medications and sedatives." The chief vet told Blaster, though didn't even look at him, as they were currently preoccupied sending messages on their phone. Not even a second later, Blaster's own was going off in his pocket.  

"I'll look over your recommendations after." He sneered at them, though the vet had already turned to leave.  

Then while folks celebrated the success and steadily wondered off to their main duties, Blaster's second brought up the mers breakfast from the kitchen. They set Jazz's down next to him, but held on to the other while they eyed the water with extreme caution.  

"Ah, ya, no." Blaster spoke up before they even began to wind up, holding his hands out for the food. "Give it here, we are not chucking anything at him."  

They snapped to him with wide, frightened eyes. Like Blaster hadn't been here to see the speeds that the wild mer had gone after Jazz. "You cannot be serious– you're going to attempt to pole feed him? Now–here? When they have the space to jump!?" 

"No." He said with rising irritation towards their attitude and their poor handling of the situation. "I'm going to treat him the same as Jazz."  

His second now looked flabbergasted, glancing between Jazz, him, out over the pool, and then back at him. "But–!" 

Blaster pointed at both Jazz and up at the pair watching on the viewing deck. He wasn't stupid, he wasn't being reckless, he had been taking everything into account. And honestly, if he wasn't so mad about how the wild mer had been treated – and was just about to be treated – during meals, he'd probably be shaking in anxiety right about now. With a heavy sigh, he then carefully pulled the bucket from their hands to set it with the other, "look… I'm not trying to force you to do something you don't feel comfortable with. You're welcome to leave, I'll handle the meals and hopefully by the week's end, everyone will be feeling comfortable when it's time for food." 

They took one last nervous glance at Jazz, before whispering – pointless, he could hear it clearly – "I don't think you can – or should rely on him to protect you… especially with how–"  

"You're right," Blaster said deliberately louder than a normal speaking volume, "I am responsible for my own choices and actions. Thank you, for your concern. We'll talk in more detail later." 

Thankfully taking the hint, they left.  

Then the area was silent for a moment, save for the sounds of dawn songbirds being overruled by the sound of the scavenging birds of the morning. Starting to beg or fight for bits of food across the aquarium yard. 

"They're right, you know." Jazz said weakly, still not looking at Blaster.  

There might be other staff up on the deck that oversaw his pool, but one of the perks to being outside was that voices didn't carry as far unless one was intentionally loud. So they might as well have been the only two here.  

It was just enough for words to come tumbling out, like he could talk freely once more. "I messed up, it wasn't his fault, he wants to be peaceful – I'm pretty sure, and I just… I think I ended up challenging him?" 

"Jazz, listen, they misunderstood." He leaned over and placed a hand on his shoulder. "I'm not expecting you to come to my rescue, or put yourself between me and him, or anything like that. I know very well that I may be putting myself in a potentially dangerous situation, and I'm ready to face whatever the outcome might be. But what I meant was, that with you here – just like this, with us together. You are showing him with your actions that you don’t see me as a threat. That by willing to be around me and allowing me to touch you, you’re showing trust. Jazz, buddy, you’re a far greater help than those goons posing up there." The last bit was meant to cause him to laugh, or at least smirk. 

But when Jazz still seemed like he didn't believe him, Blaster made a small gesture for Jazz to look. In turning his head to see •၊||၊၊၊, the mer was at the far end with only his head above the water and had a serious gaze fixed on Jazz.  

"It might not seem like it, even with what had just happened, but he's relying on you." He waved at the wild mer and smiled, before reaching for a bucket and held it up in offering. But •၊||၊၊၊ simply scowled further. 

"I don't think Mr. prowl-around-you-like-you're-breakfast relies on anyone." Jazz grumbles in dismay.  

Blaster chuckled and set the bucket back down, "well maybe Prowl, is waiting for you to invite him over for breakfast. He seems to hold some expectations of you." 

"Ya, he sure– wait, Prowl?" Jazz whipped his head back towards Blaster, finally looking at him again. 

"If it fits, it fits." He shrugged with an amused smile, "though, out of anyone here, it should be you that chooses a nickname for him for us to use. I don't want to keep addressing him namelessly or calling him 'the wild' one, and I don't want folks to think that us calling him 'buddy' is his name." Then he laughed as he glanced back out to the sour mer still watching them closely, "I mean, come on, does he look like a Buddy?" 

Jazz tried to stifle his laughter, "n-no." 

Good, good, Blaster was relieved to hear it. Jazz was starting to relax back into his usual self. Coming back up from the depths to the surface to breathe. "So, what will it be?" 

Jazz's smile had slowly begun to return and so did his hopeful enthusiasm, "I think Prowl is good." 

"I'll send out a notice to everyone." And be sure to tear down all those horrible sticky-note suggestions. "But I am going to still try and learn to say his name properly," Blaster then clapped the orca's shoulder before stretching, "so I hope you're ready to have the worst student ever." 

"You're going to learn Mer," Jazz asked in surprise. 

"Heh, I'm shit at learning languages, but I'd be happy if you want to share more of your world with me." He then brought them back to the next part of their day. "But first, breakfast. Want to ask Prowl to join us?" 

"I'll try." He said, before turning around. Though gave a slight pause and adjusted his stance so his side was facing Prowl. When he saw a slight shift in his expression, one that eased some tension in his brow, Jazz gave himself a mental pat on the back. Already a marked improvement.  

{You hungry, Prowler?} Jazz asked. It was sort of funny having a word he understood that could connect to the mer's name. He wasn't sure of the meaning of •၊||၊၊၊ yet, or if it had one. But prowling was something he did, so it still felt like Jazz had gained another tiny piece of who they were.  

{Yes.} He answered, rising enough that his shoulders could be clearly seen, side facing Jazz for a beat, before he slowly began to swim over. Caution or taking it easy due to discomfort, his moments caused only the smallest and softest of ripples. Like a silent hunter.  

Yet, it made Jazz’s smile shift a bit higher. Prowl is prowling.  

But for Blaster, his instincts were starting to claw up his spine, alerting him of a predator. He was forcing himself to relax and keep up his friendly smile by the time Prowl came within five feet of the pier.  

Prowl eyed him up and down as he came to a stop, then gently turned after a moment.  

"Oh, right!" Jazz abruptly speaking up in slight alarm cause Blaster to flinch – which in turn caused a moment of internal panic, because sudden movements are always a bad idea – but Jazz quickly reached up over the pier and grabbed the human by the legs – which caused Prowl to flinch, and oh-boy, was Blaster having flashbacks of close calls – twisting him so he sat with his shoulder turned towards Prowl. "Pretty sure that facing toward him is like telling him you want to challenge them."  

"R-really," Blaster asked, both trying to distract from his thundering heart and focus on the new information. 

"I think so? He kept telling me to stop doing it, before I realized what he was talking about, so it has to be some sort of an aggressive sign." They both looked back to Prowl, who seemed a little tense, but otherwise calm. {You okay, Prowler?} 

{Yes.} His voice firm and serious, but did not look at Jazz when he answered. 

"… Guess we're ready." We’re good, but he must still be uncomfortable with what happened. 

Blaster handed Jazz his bucket first, hoping it would make the next easier. But then Blaster paused, seeing a distant look in his mer's eyes. "Hey, what's wrong?" 

"Nothing." Jazz fiddled with the bucket in his hands, but Blaster was still holding onto the handle. Not that taking it would be difficult, but it didn't feel like it was worth the effort.  

"Jazz…" he pressed softly. 

And Jazz retreated, "I… I don't feel hungry." 

At least he was being honest about it.  

Blaster had hoped that taking some time to talk would have helped to improve Jazz's current mental state. And it had a little. But his guilt over the misunderstanding with Prowl and the bad history with the chief vet were likely weighing too heavily on him. And as much as Blaster wanted to take the time and work through everything with Jazz, he couldn't right now, or rather Jazz would be unwilling.  

Because Prowl was present. Even with a language barrier, Blaster didn't expect Jazz to feel comfortable having a personal conversation with him so close. But if Jazz didn't eat, then it was likely that Prowl wouldn't either. The trust was thin as it was, and hesitating too long – and not being able to explain why – would only make rebuilding trust harder. So, offering to use the holding pool and close the gate wasn't something they could do at the moment. And he hated it.  

Blaster had to do something now to help restore Jazz's confidence and stop the spiralling of whatever thoughts were holding him back.  

Good thing he was prepared for Jazz possibly becoming stressed.  

"Hang on." Blaster said, his smile impish as he pulled the bucket back to set on the pier. Though, not wanting to risk Prowl backing off from him standing, he flopped back reaching for his bag strap, barely snagging it with the tips of his fingers. But he managed and pulled himself back up with it settling in his lap. "I've brought a little somethin." 

Jazz didn't seem interested but waited none the less. Watching as Blaster pull out a huge plastic food-container – ... okay, he was slightly curious now and a little annoyed, because if he was going to tease him–  

But then Blaster shook it with the biggest grin, and as the contents clunked around softly, Jazz's whole face lit up. Because what Blaster had just offered was the equivalent of a chocolate bar. There weren't many things that Blaster brought for him in a container, but there was only one that made that sound. "Moose jerky!?" 

"Shh! Not so loud." He glanced up at the other staff, like he was doing something that would get him in trouble. But it wasn't a secret that Blaster made these treats for Jazz. And while it still pissed off the chief vet, there was nothing they could do about it.  

It had caused a site wide outrage the first time he had done it. But orcas ate moose – the orca mers more so than the animals – even if it was mostly if there just happened to be one in front of them rather than an active hunting choice. But there was enough history, and with Blaster's dietary knowledge, he had won that battle.  

He just chose to mix it up a little, rather than bring in raw meat. Not so different than some sun-dried fish really. And Blaster personally prepared it to make sure it was safe. Seasoning was just sea salt, simple, but tasty.  

Jazz was now buzzing with eager energy. "Can I share with Prowl?" 

"You’d better," Blaster laughed as he opened it and handed Jazz two strips that were almost the size of dinner plates. He could have tried to use it to mend the trust between him and the wild mer. But Blaster knew it would help Jazz foster his relationship with Prowl and that was far more important. 

The whole time Prowl had been watching them and their exchange with intense focus, trying to figure out what was going on. So, when Jazz turned to him with a huge smile and held out what looked to be a piece of thin wood, he was wary.  

{It's good!} Jazz wanted to say it was amazing, but unfortunately 'good', 'okay', 'safe' was all he currently had to work with.  

After Prowl finally gave in and moved in close enough to take the offering, Jazz laid out on the surface. Careful not to get his food wet as he happily began to bite and tear small strips off. Taking delight in the satisfying sensation of the treat ripping and savouring the flavour as he chewed the tough meat.  

Seeing how much Jazz was enjoying himself, Prowl took a tentative bite and immediately understood why. The look of surprise on his face had the other two laughing.  

{Good, yes?}  

{Yes.} Prowl then followed Jazz's lead and relaxed on the surface, enjoying the first piece of decent food since he arrived. 

Blaster chuckled at the sight of the two of them and set aside the container to dig out his own personal stash to nibble on. "I've got more for you two sea otters, but only after you finish your breakfast."  

Smoothing things over by sharing snacks always opened opportunities for bonding. Good ol' comfort food saving the day. 

_________________________________________

Idk, this one felt very clunky to me, but I must move on -lays on the floor in defeat-

I'm now trying to put together a timeline of the all interactions that you share or like on your blog. Like a countdown clock to the flood/jailbreak, hitting all the angsty and fluffy notes, I want to make sure I can include everything. Q~Q

You and so many others have been showering me in praise and encouragement I want to live up to it. ♡(╥︣﹏᷅╥᷅)♡ I love you all, thank you so much!!

Going forward there is going to more Jazz and Prowl, without Blaster, I promise. Please forgive me and my long setups, my brain struggles with keeping things short, everything I write is a 200K+ slow burn. -cries-

-GLC

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OH HELL YEAH GIVE THOSE GUYS A MOOSE THEY DESERVE IT KDDKSHFV

Blaster over there is having battles on all fronts possible alsjfnfjnf

Also I'm happy they can have proper food at least sometimes~ Although I can't help but think that like. Jazz is happy because this poor moose is kind of a rare treat. Nice occasion gift you know. And then Prowl also loves the moose but in more "I was eating nothing but raw potatoes for a while and now there's a properly seasoned and cooked meal again" way. You know. Cause mers have all kinds of different foods in their cities and stuff~ While humans just go "here's your fish".

Anyway haha. The scene is so cute I love itt~

[deep-sea-anemone]

Yes, yes, Sanji letting Zoro help in the kitchen by letting him chop vegetables because he's good with pointy objects.

BUT. Have you considered?

They live in a world without most electrical appliances. A FUCKTON of physical labor goes into baking (and keep in mind how often Sanji bakes treats for the girls).

Sanji being tired (physically) and not feeling like taking 10 min to whip whipped cream. Being tired (mentally) of Zoro making fun of him for never working out. Sanji saying "fuck it" and just starts putting him to work.

The foccacia dough needs to be kneaded? "Have fun working a sticky mess for 20 minutes, asshole"

Need meringue? "No, STIFF peaks marimo. Don't tell me you're wimping out already"

"Are you even TRYING to flatten that steak Marimo?"

"Yes, it needs whipped cream. YES, I know you just made some yesterday. We need more"

Zoro's shoulders are burning but he's trying SO HARD not to lose face with the cook and meanwhile Sanji is silently losing it at Zoro's shock that cooking can in fact be a workout

[frownyalfred]

Every time I see comic panels of Dick Grayson carrying Barbara Gordon around like she barely weighs anything I get 🥺 because do you know how much work it is for someone to lift up and carry another human for extended periods of time? Even Dick Grayson with his training probably had to work at it, at first. Not because Barbara was necessarily heavy for him, but because it’s objectively hard. And Dick is an acrobat who’s trained his whole life to be agile and light. He’s not built like Bruce or Jason, by design.

[fishblade-koi]

YES THEY'RE HEEEERE ✨😭

I also did the most important test they're the perfect size, don't worry guys 👁️v👁️)👌

[electrozeistyking]

Fun fact about In Rot and Infection: Loop has no idea there’s a mystery sickness going around until after Siffrin loops back from it for the first time. Needless to say they are quite baffled. A little surprised, even.

On the plus side, Loop is definitely immune to it! On account of being a nonbinary star person, of course! So that’s one thing they’ve got going for them.

(Hurray, name reveal for the sickness in IRAI!! It’s called “pourrir disease” because I like how it looks, not because it’s an actual disease. It can also referred to as “pourrir” for short. :3)

[yardsards]

some people on here make Hating All Social Rules such an obnoxiously large part of their personality that you could say "it is polite to avoid farting in a crowded elevator if you can help it" and they'd call you an oppressive puritan who hates the incontinent

[elation-station]

You know she would be parading around in a different fancy outfit everyday just to show off to the farmer ♥

[sadkachow]

You cannot claim to be anti-AI while still actively seeking out and using AI.

Once again.

You cannot claim to be anti-AI while still using generative AI, no matter the reason.

(Bold/italicized text: You cannot claim to be anti-AI while still using generative AI, no matter the reason.)

Even if you’re just using it to make fun of it or show how bad it is.

Even if it’s only for your personal use, and you don’t plan on sharing it with anyone.

Even if you’re “just” roleplaying on Character AI.

If you are willing to justify your usage of a system created and profiting off of stealing from artists and writers, a symstem that is destroying the Earth, then you were never as “against that system” as you think you were. Being anti-AI isn’t something that exists only in name. You can’t claim to be against AI if you are willing and able to use it as soon as it benefits you. You can’t say you’re for writers’ and artists’ rights if you’re using the very thing that is causing them harm. You can’t claim to care about climate change and saving the Earth if you are participating in the system that is destroying it.

There is no middle ground here.

There is no “Oh, but I-“.

If you have the knowledge of what generative AI is doing, of how it is hurting people, and you choose to use it anyway, you aren’t  against it. You aren’t fighting against that system, you’re upholding it.

You can say how much you hate AI and how horrible you think it is, if you choose to use it anyway, then your actions and your words are not lining up, and the former reveals so much more than the latter.

Stop pretending like AI is something you can condemn only in name, while using it to your heart’s content in your free time. All it does it tells writers and artists that you don’t really care about us, and that any actions you claim to be taking to protect us are performative at best and lies or even outright malicious at worst.

You are—and I mean this in the kindest way possible, even with the fury that generative AI invokes in me—a complete and utter hypocrite. AI is not your friend. It is a tool, and it is a tool that steals from writers and artists in order to function. It is a tool that is using levels of energy and emitting amounts of polution in order to be maintained that are actively damaging the Earth. No matter how much you try to justify using it to yourself, that doesn’t change.

Stop hiding under the guise of being anti-AI while continuing to use it yourself.

[antianakin]

I'm not a huge fan of Jedi Kryptonite suddenly starting to show up everywhere. It feels lazy, like the only way you can make your particular bad guy seem powerful and the Jedi less so is to introduce a random Kryptonite that just makes the Jedi incapable of fighting at their normal level. If the only way you can conceive of your bad guy being scary is to neuter the Jedi, maybe you're just not that good of a writer. Food for thought.

[clumsypuppy]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[angelsdean]

that vampire turning gordon is just so so evil. vampires in spn are perhaps one of thee least sympathetic monsters to me because we literally Know (from lenore and benny) that they literally do not need to consume human blood to survive. they don't need to harm, kill, or turn humans. and many of them do it out of an obsessive hatred for humans or as a sick fetish. many enjoy playing with their food or keeping their human victims chained to draw out their torture / assault.

[horrorshow]

Can you talk about why you think blocking and moving on is a bad thing? I thought it was a way to curate your space and avoid drama

idk maybe i'm too idealistic but fandom is a much more friendlier, welcoming, supportive, creative, engaging, active, diverse and interesting space when it's treated like a community where people are encouraged to participate and talk about their interests and where there's space for niche or more unpopular opinions without these people having to worry about being blocked and feel unwelcome by the majority of the fandom they are in. i can't stand how blocking everyone you disagree with has become the first thing to do.

you say its 'to curate your experience'. but blocking people does not only curate YOUR experience. you're also forcefully curating other users' experiences. and not for the better.

people say 'i will block you for literally anything' and then those same people wonder why engagement is down, why no one sends asks, why no one reblogs, why rarely anyone talks in the tags anymore and why this place feels so dead and boring and quiet. i wonder why!!!!

people treat real people as annoying ads they can dispose of at their whim. but that's not how a fandom or a site like tumblr works. (besides, if you really care about people curating their own experience you wouldn't block people. you can filter and blacklist and never see them again while still granting them the same freedom instead of actively making their experience worse.)

you say its to avoid drama. but seeing a post you dont agree with is not 'drama'. and blocking is not solving anything except for you personally. fandom was more fun when we remembered that every user is a real person you share a space with, and probably some mutuals as well, so you find a way to live with each other. starting with a restraining order seems a bit excessive and is not contributing to anything. it's not that hard to be respectful and tolerate others and acknowledge people have different opinions and interests and still co-exist in peace. its not that hard to be nice to people and try to find common ground with them and interact with the stuff you DO like. you do this in every aspect of your real life, so why not online?

i hear you say: 'but that requires WORK and i don't NEED to do any of that bc i can just block them'.

yeah, you can try to create your own bubble and only hang out with like minded people but you wont EVER fully achieve that (no matter how much you block, social media WILL keep feeding you posts you disagree with bc it makes them money). social media WILL pressure you into an 'us vs. them' mentality where you constantly feel like everything online is a threat or an argument you have to win and where being mean and unnuanced gives you the most notes and where you don't even see, let alone be able to treat, other users as people anymore bc you don't interact with them anymore other than to block or fight them. that's not how i want it to be online. it's not fun to me. and maybe i'm a pessimist but i think it will eventually be the death of online fandom and sites like tumblr. look at the state of twitter right now. DOES blocking give you a better experience in the long run? i doubt that it does. overall, i think it makes people even less tolerable and more vulnerable to hate and fear mongering, and social media an even more hostile place.

it's everything i hate about social media and everything i want to fight against and WILL fight against. i won't pretend my meager contribution will change anything, but i LIKE to just scroll past posts i don't vibe with and not see every argument online as a personal offense. it keeps me curious. most posts aren't that bad when you know the person behind it. i mean, you do you, i'm not gonna say what you should or shouldn't do bc that's up to you, but i recommend it: free yourself of the block button and bring back supportive user communities based on a shared love for the same thing and focus on what you have in common with people, just like you would do in real life. save the block button for the rotten apples who DO keep trying to pick fights and exclude others.

(which is, now that i think about it, probably the main difference: most people see the block button as a neutral way to prevent worse. but. that's only the case on an individual level. and treating everything online as an individual choice to which there are no further consequences, especially if they happen on a larger scale, is already a loss.)

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[adanaac]

All the countdown arts I did! (and one my friend did)

very self indulgent i just wanted to get sillay with the colors. could have gone even sillayer i think tbh

[levaagrace]

Anyway, Jon and Ford would beat each other to death.