#i think im gonna start tagging these posts

[remxedmoon]

You should tell us about color psychology that sounds cool as hell

YES… HA HA HA… YES!

GGGOD I WISH I WASN’T OUT OF THE HOUSE RIGHT NOW. but i’ve been thinking about colors literally all day so you all get to be subject to my madness! sorry this is long and rambly wauaua. nightmarishly long post under the cut.

okay. first things first, a few basics. color theory and color psychology tend to get confused a lot in discussions, but they usually refer to different things. color theory is more about we physically perceive colors (color wheels and color schemes the like), while color psychology focuses on our emotional response to colors. if you’re familiar with the children’s hospital color theory post, that poster wasn’t actually talking about color theory, but color psychology (and also it’s incredibly surface level and heavily misunderstands the subject because in what fucking universe does the quantity of positive associations with a color matter more than the context it’s used in and sorry i have personal beef with this tumblr post).

color theory is also a special interest of mine but i’m not gonna touch on it too much here because it’s not entirely important. mmmaybe another time…

essentially, certain colors (and color combinations) have associations in our brains and that affect our behavior and emotions. these associations are also very much affected by the context a color is used in. colors don’t exist in a vacuum! so while red can symbolize passion and love when used in something like a dress or a bouquet of flowers, it has a very different connotation when it’s, say, splattered on the walls or smeared on the ground in a snail trail.

or for a less Children’s Hospital Themed example, i’ll put my euphrasie and king designs here!

(of course the saturation and brightness of these blues play a massive part in how they’re perceived but this is not a post about color theory this is n)

and, of course, combining colors in a piece can also change their meanings!! i’m about to get real fucking normal.

i’m gonna be focusing on the color combo of red and yellow here because it’s the one that’s most relevant to my art (and also it’s really interesting.) basically, seeing these two colors together activates the part of our brain that controls our appetite, making us actually feel hungry. this is why so many food companies use red and yellow in their branding! it’s neat stuff!!

also, if you’re familiar with it, this is why the mv for butcher vanity uses this color palette!! along with red’s general associations with danger and blood, the color combo also physically induces hunger. pretty fitting for a song about cannibalism!

(there is also red’s association with lust and passion and how that intersects with the double meaning in the lyrics but i cannot derail this post into being an analysis of butcher vanity i’m sorry. we’d be here all week. maybe another day... wipes a tear from my eye)

and i think this might be the reason why some people feel hungry when they see my art, even when i’m not drawing food. while i don’t tend to use red outright, most of my art has very warm undertones (red-oranges and yellows especially), which could be activating that hunger response??

(ah fuck color theory managed to weasel its way into this post again)

admittedly this part is just speculation on my end. i think my rendering style and Shapes also play a role in it, but it’s interesting for me to think about!!

this is only scratching the surface of how complicated colors can get. i was going to go on an entire tangent about color grading and how green lighting can make a scene feel unnerving but this post is already Too Fucking Long. aaaa super sorry if this is Rambly or hard to understand!! i’m not Entirely sure how much the average person knows about color theory and psychology so if there’s any confusing terms here i’m fine with adding stuff for clarity!

wauauuaa thank you so much for asking!!!! i love talking about colors.

tl;dr colors have a bunch of different emotions and meanings tied to them, but you’ve gotta pay attention to the context in which it’s being used. so maybe take a step back before you put that thick red trail on the floor of your children’s hospital.

[dizzybizz]

how long since the last magma dump

[deep-sea-anemone]

Yes, yes, Sanji letting Zoro help in the kitchen by letting him chop vegetables because he's good with pointy objects.

BUT. Have you considered?

They live in a world without most electrical appliances. A FUCKTON of physical labor goes into baking (and keep in mind how often Sanji bakes treats for the girls).

Sanji being tired (physically) and not feeling like taking 10 min to whip whipped cream. Being tired (mentally) of Zoro making fun of him for never working out. Sanji saying "fuck it" and just starts putting him to work.

The foccacia dough needs to be kneaded? "Have fun working a sticky mess for 20 minutes, asshole"

Need meringue? "No, STIFF peaks marimo. Don't tell me you're wimping out already"

"Are you even TRYING to flatten that steak Marimo?"

"Yes, it needs whipped cream. YES, I know you just made some yesterday. We need more"

Zoro's shoulders are burning but he's trying SO HARD not to lose face with the cook and meanwhile Sanji is silently losing it at Zoro's shock that cooking can in fact be a workout

[felsicveins]

His heart belongs to another

And no other heart will do

[superscourge]

i was gonna wait to post this comm w another one but there was a change of plans so heres this :3 for @emthimofnight !!

notable things with this comm in particular:

each quill and finger are separate pieces so they can move independently 😭

the eye whites + irises + eyelids are Also separate pieces to the face so they could move as well

i played w an expression change this time :]

[the-holy-ghosted]

congrats 2 henry peglar for being the only bitch confirmed as to be Fucking That Old Man

[amogus-real-not-clickbait]

part 1 of a little comic / art sequence that i've been working on! :D it's part tribute, part experimenting with brushes n colors and trying new thingz :]

and thus continues my endless quest of spreading the carrot fics like a plague! if you've seen my art floating around you probs already figured that this au holds a very special place in my heart, forever and always!!

if you haven't heard of it, it's a fic series by @crowned-ladybug called carrot soup!! it made me wish i could speak colors and i need more people to share my struggle xd

go check it out if you're into sweet voice lore and qpr level gayness and just wanna feel warm and soft and warm (hurt/comfort my beloved) <333 there are some heavier themes cos everyone's traumatized but they're working through it! be sure to check the tags and stay safe! <3

[shaadowmilkcookie]

have i given you enough of myself, yet?

a little something about people-pleasing

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[2beetles]

gunimals: genesis!!!

[francy-sketches]

Hiiiii guess who finished her pmv. finally. um enjoy :3

[dizzybizz]

some doodles

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[ledzeppelinmixtape]

wish house was a real doctor so i could be his mystery insomniac patient and after giving me horse tranquilizers and still not falling asleep he just hits me in the head with his cane and im out like a light

[tomatoart]

womens rights and wrongs

[sejanusarchive]

There’s so many layers to Sejanus being devastated by Marcus’s fate. He hates how the districts are treated by the Capitol, hates the cruelty of the Hunger Games, he feels the same emotional pain he would have felt being a tribute himself, if not even more, having to watch completely safe from afar, unable to do anything to put an end to the senseless slaughter, while guilt gnaws at him for not risking getting picked to participate himself, for having escaped. No innocent child deserves that, and it gets even worse when one of the children picked is someone he personally knows, someone he used to share a routine with, someone he used to spend hours alongside in a classroom.

And that child isn’t just someone, that child is Marcus, the kind boy who, while not even being his friend, went out of his way to help him when he got hurt, completely unprompted, just out of the goodness of his heart. That boy is a testament to what Sejanus already knows, that everyone seems to keep forgetting, which is that humanity at its core is and can be better than how it’s currently behaving. Not to mention how that was probably the last time Sejanus ever experienced an act of such pure, unconditional kindness. And that simple gesture was so impactful on him, it was enough to cement Marcus’s presence in his heart for all those years and then the rest of his life, and it no doubt helped shape Sejanus into the person he became. Someone as good as Marcus shouldn’t be going through all of that, and it drives Sejanus crazy. If the Hunger Games were too much for him to handle before, now that Marcus is involved, they're unbearable.

But there’s more to Marcus. He is also a safe memory to Sejanus, one who undoubtedly often comforted him when he was feeling at his worst. And he’s one of the main things Sejanus thinks about when he thinks of District 2, his home. Home, which despite the fact that he lived there during the war, despite all the suffering he witnessed, despite the reality of the current living conditions there, is still Sejanus’s happy, safe place; it’s the place he belongs to, the place that could fix almost everything for him. But he can never return there. It has to exist only as a memory, kept safely locked away and untouched in his mind and heart.

But when Marcus arrives in the Capitol, he brings his home with him too, he is the physical manifestation of it. Sejanus’s desperation doesn’t just stem from the fact that it’s Marcus, the innocent, kind-hearted boy, undeserving of such cruelty; but also from the fact that that’s his Marcus as well, the one whose existence is synonymous to his home, his sweet boy from his memories, his comfort. Marcus being there doesn’t only mean the pointless, unjust death of a good person, Marcus being there also means the death of Sejanus’s home, its image no longer far away, safe and untouched, kept only in his mind. Now it’s here and crumbling in front of his eyes. He already knew the reality of things, but it was just that: knowledge. Now he’s face to face with it, face to face with the fact that neither Marcus or his home are or will ever be safe. And, worst of all, he has no way to save them, or anyone else, he’s powerless and completely hopeless against the cruelty of the Capitol, against their fate; and now more than ever, since he’ll have to witness the death of the boy whose memory so often brought him hope before.

In the end all that’s left of both of them, for Sejanus, is a small chunk of marble, made from the same material as his District and carved into the shape of a heart, because that’s exactly where Sejanus’s own is: home with Marcus. We learn he has carried it to his new life in Twelve, immediately before we learn the only pictures he’s taken with him are of his family and his classmates in Two, of him, home for one the last times, standing with Marcus right behind him. That heart is the last physical object connected to Two and Marcus that he’ll have with him for the rest of his life, the last symbol of what he lost and will never get back, of what he couldn’t save or help. But it’s also the one object connected to them that he brought with him when he regained faith, when he felt like he could finally make a difference and actually help people in the districts; the last symbol that things could still get better and not all hope is lost.

For Sejanus Marcus is a kind and innocent kid; he’s the good in humanity; he’s a safe memory; he’s the marble heart because he is hope and comfort, and despair and helplessness, and home, and because he is deeply rooted in his own heart