#and i still get to a point where if i try to render it more i just automatically fall asleep on my cintiq

[kpiuniverse]

Penelope had nothing on you

This fic has been inspired by @ultimate-marysue Odysseus/Penelope's prompt here.

Roy deserves to have a little Odysseus/Penelope moment and say "you need to be able to string my bow to date me". Cue to Jason suddenly increasing the weights in every machine he owns. He eventually manages but it's a struggle. Like, he's on the floor sweating and out of breath, but the bow is strung. He's so very pleased with himself, it's really pathetic. Roy thinks it's super hot (he likes a wretched creature), the Titans are begging him to get better taste.

It takes place in an alternate AU where Jason did not die, but the motherfucker still managed to get the same character development as the comics...

Written and edited in a day (which had not happened since Vigilante Chaos and Sleepless Nights). I hope you enjoy it!

Read it on AO3

It starts as a joke. 

Dick is at Titans Tower with his team, blowing off steam after a high-stakes mission. Naturally, alcohol is involved. Surprising absolutely no one, least of all Dick, the handful of unsupervised teenagers quickly spirals out of control. 

It starts with them trying to string Roy’s bow. Emphasis on ‘trying’. It’s late into the night, and only the core Titans (Donna, Wally, Dick and Roy) remain after everybody else either went to bed or passed out from drinking. Wally jokes about Roy’s archaic choice of weapons, Roy counters by pointing out that a bow is much more reliable than mechanical weapons. The discussion escalates toward the respective merits of arrowheads or bullets to hold tricks, culminating with Roy deciding that Wally’s inability to use a bow renders his opinion irrelevant anyway. 

It spirals down from there. Wally’s pride is picked, and he immediately snatches Roy’s bow from wherever his owner abandoned it earlier tonight. Posturing on top of their table, he loudly asks: “What’s in it for me, pretty boy?” 

Roy falls on the floor with laughter and promises Wally the date of his choice – no veto from Roy - if he manages to string the bow. Pumped by the idea to humiliate Roy, Wally tries to string the bow at once. And tries. And keeps trying, under Roy’s degrading comments and Donna’s loud Wally doesn’t succeed and finally puts down the weapon with a sheepish look. 

Roy’s trademark smirk is in place, and he offers the bow to Donna. Never one to shy away from a physical challenge, she gives it all she can. She can’t string it either and loudly curses Roy’s ancestors as well as his potential offspring with such colorful language that even Roy is impressed. 

Roy presents his weapon to Dick next, a single eyebrow raised in challenge. The thing is, Dick already knows he’s not able to string it. He's fully aware of his physical abilities, for starters. While the most acrobatic of them in the air, his shoulder and arm strength is nowhere near Roy’s. Dick also knows that all the Arrow’s bows have a hidden release button, as a security feature. It’s supposed to prevent anybody other than Roy or Oliver from using their weapons.   

Apparently, it also makes for a comical distraction among young, inebriated heroes.   

Without a word, Dick slowly takes the bow from Roy’s hands as his friend's whistle. He doesn’t take his eyes away from Roy’s as he skims the weapon's surface until he feels an almost imperceptible catch. He lets his finger linger there for a couple of seconds, savoring Roy’s blanching when his friend figures out that, of course, the Bats would know all about his and Oliver’s dirty little secrets.   

Still, even without the trick release, Dick is drunk out of his ass and nowhere near certain that he could actually string the weapon fully. He decides against risking making a fool of himself for the cheap price of parading Roy in lace panties and a cute dress all over Queen Enterprise - the man is shameless; he would probably enjoy it.  

Dick still makes a good show of trying his best, waiting until color returns to Roy's cheeks before handing him back the bow with a knowing grin.   

Roy recovers quickly and proudly announces. “Well, that settles it! Anybody that can string my bow can take me on the date of their choice and get a kiss from me. But I’m not holding my breath, losers!” 

The party withers away after that, and they all return to their quarters. The next morning, the story is shared, embellished and deformed to the point it becomes an inside joke for the Titans. Never one to stay out of a good laugh, even at his own expense, Roy goes the extra mile and sacrifices one of his older bows by putting it up the wall of the Tower lounge, so that anybody can try to string it. 

It becomes a fixed feature in their decoration and a good story to tell their new members. 

*** 

It becomes an innocent afterthought. 

Truth be told, Dick has a lot on his mind at this time. The bow running gag is far from any of his current concerns. That’s why he doesn't think anything of it when he returns to the Titans lounge, after updating Bruce on their outing with the Titans, and finds Garth vividly retailing the story of the bow and the unclaimed associated price to an impressionable young Jason in his new Robin’s colors. The boy – his young brother. God, Dick is never going to get used to it – is hanging on Garth’s lips, eyes wide and more focused than Dick ever saw him in the few weeks he has known him. 

Sure, Dick saw the look Jason sent toward Donna and Roy's direction whenever he was around them during the weekend. But a bit of a crush on any of them was to be expected anyway, and it’s not like it could lead to anything harmful, after all. Jason isn't even thirteen yet, and both Dick’s friends are well into their twenties, not the least interested in a kid, especially one under Batman’s protection. 

And if that night, back at the Manor, Jason shovels all the proteins onto his plate first and then goes over his usual shyness regarding food when asking Alfred for seconds, while grilling a bemused Bruce about the best diet to augment one’s muscle mass, well. The kid has a crush, that’s all. It’s kind of adorable. 

It’s not like a heavily proteic diet is going to have any adverse side effects on a growing vigilante kid. Not under Alfred's watch, at least. 

***   

It turns concerning after that. 

Jason's eating habits settle and become the new normal. Bruce and Alfred take it in stride and keep pushing high-protein meals toward him, never asking why. Dick doesn't let on that he has any insider information, because his relationship with Jason is still rocky at the best of times. Outing the kid’s crush isn't going to help anybody. 

There’s a moment, though, when Dick hesitates.   

Looking for Jason at Alfred's demand, he finds the boy in his room. Dick would not have thought anything of it if Jason's reaction to his unanticipated presence in his space hasn’t been that violent. Jason startles, pushes what he had in his hands under his comforter and quickly rushes Dick out of the room.   

His little brother’s behavior is so removed from his normal one that Dick’s detective senses tingle for the rest of the day. Ashamed and concerned all at once, he uses the time Jason spent in the shower that night after patrol to go through his room.   

Concern wins the match when Dick stumbles upon a bottle of prescription steroids that he knows for a fact Jason was not prescribed with. The screaming match that follows when Jason emerges from the bathroom and sees Dick sitting on his bed with the bottle clearly in sight, only stays at decent sound levels because neither of them wants Bruce involved. 

Jason’s reasons for that are obvious; after two years at the Manor, he is well accounted with Bruce's overprotective behavior and old enough that it starts to shaffle. Dick’s own reasons are a lot more selfish; somehow, he feels responsible for Jason’s crush on Roy and his subsequent behavior. 

They reach an understanding. Jason stays away from any pharmaceutical substances altogether - it was such an easy promise to extract from him that Dick doubts the kid really had any real intention of taking the pills in the first place - and Dick doesn’t share this misstep with Bruce. The compromise still involves telling Alfred, much to Jason’s chagrin, because Dick doesn’t live at the Manor, and his irregular visits aren’t frequent enough to really make sure that Jason keeps his word. 

For a couple of days, Dick regrets his decision and spends a good part of his day job hovering over the call button on Bruce’s contact. Until he decides to go back to the Manor without advance notice and finds Jason struggling through his usual training regimen. 

Dick breathes better after that. If he keeps his visits more frequent than he used to before the incident, well, only Alfred and Jason might figure out why. That’s good enough for him. 

***   

Then it gets ridiculous. 

Dick is using one of his sporadic visits at the Manor to make good use of the extensive gym on the third floor. The natural light coming through the large windows feels nice after the winter months spent in Blüdhaven.  

Distraction is the only reason Dick even takes his place on the weight bench without checking that’s already been put upon the bar.   

He takes out the bar absently and almost lets it topple upon his chest from the surprise. The weight it’s carrying is way more than anything even Bruce usually uses. It’s not unmanageable for Dick, but he still struggles to put the bar back without incident. 

Out of breath and shaking with leftover anxiety at the idea of what would have happened to him if he had to confess to Alfred his poor decision to train unspotted, he gets up and checks the leaded discs on the side. It is indeed a far cry from their usual regiment. He gets a look around the rest of the gym, and sure enough, all the machines are heavily loaded. 

At dinner, he tries to joke with Bruce about it, who does not react in the slightest. All it takes is seeing Jason's shoulders hunching and the tips of his ears blushing to understand that Bruce is not the one currently using the third-floor gym. 

Which, duh. The man has never once in his life exposed himself to sunlight if he could avoid it, and there’s a perfectly useable gym in the Cave. Dick is still reeling from the implication when Jason finds him right before he leaves and asks him to not rat him to their joined paternal figure. Dick makes him promise to not train alone with this kind of weight, going as far as assuring his regular presence at the Manor to help Jason train if that is what it takes. 

It kind of becomes their thing; Dick coming over every other day after work or whenever he can spare the time to help Jason slowly increase the weight on the machines and witnessing his once-upon-a-time malnourished little brother develop into a tank of a man before he reaches official adulthood.   

As it happens, regular exposure and forced trust do wonders for their relationship, above anything else Dick ever tried with Jason. The fact that Dick has to take a step back from the Titans' most time-consuming missions – space ones, for example - to be there for Jason on the regular doesn’t hurt either, to be honest. After the induced panic attack Dick gets when Jason one day calls him out of the blue, proudly announcing his intent to go to Ethiopia of all places to look for this birth mother, Dick comes to realize that without their closeness, Jason most likely would have faced the Joker alone in the damned warehouse where his mother lost her life. Dick never misses a session after that day. 

Dick has no doubts about why and who Jason is focused on reaching ridiculous bench press levels for. Dick is also a coward, because he never calls Jason out on it, but regularly shares his suspicions with his Titans friends, including Roy.   

Roy finds it funny, because it objectively is. He also assures Dick that Jason always has been and always will be Dick’s little brother above anything else. With what Roy is currently going through with his newfound sobriety and having to take care of an infant full-time, Dick wasn’t really concerned to start with. 

Still, Dick has known Roy for years, so any extra reassurance that his old friend has no interest in returning his little brother's crush is welcome. 

***   

At some point, Dick starts to get a little bit worried. 

Jason is only nineteen, for crying out loud! Dick is well aware that his little brother is built like a double fridge. He also knows why Jason first started to develop his musculature a few years ago. That’s why Dick is absolutely not amused by the way Roy starts looking back at Jason. 

After a couple of chance encounters in Gotham and on Titans business when Roy’s touch lingers a little too much on Jason for Dick’s taste, he corners his old friend for a chat. 

The next morning at breakfast, Roy makes a show of renewing the bow story while Jason’s there. He lays heavily on the ‘not interested in anything right now with everything I have going on’ and emphasizes that of course being able to string his bow will stay the only exception to his new ‘no dating’ rule.   

Jason looks crestfallen at Roy’s tirade. Dick lingers around after the meal, ready to be the supportive shoulder Jason could lay his young heart on. That’s the only reason he witnesses his brother glaring at the bow on the wall with renewed vigor. 

Unfortunately, the matter does not settle after Roy, deciding to go all in, brings Lian to the Tower to meet the Titans. If Dick was expecting Jason to realize that dating a vigilante single father was not the best usage of his teenage hormones, he is sorely mistaken. Jason is in awe of the little girl, spends his time entertaining her and becomes her favorite uncle in the span of the weekend, making Dick ferociously jealous.   

All in all, the operation of keeping Jason away from Roy is an astounding failure. Dick is going to cry. 

*** 

So, as the mature adult Dick pretends to be, he learns to live with it. Some moments are easier than others. 

Seeing Jason and Roy develop a tentative friendship based on a shared love of sarcasm, their tendency to stir trouble wherever they go, and repetitive babysitting emergencies is easy.   

Jason doesn't have a lot of friends, civilians or vigilantes. He tries the college thing at Gotham City University, and manages to stick to it despite their lifestyle, much to Bruce's delight and Dick's surprise. His impressive physique and pick-and-choose attitude toward classes isn’t conducive to building closeness with the other students, though.   

The Titans always have been Dick’s, and the Young Justice initiative the newest heroes started definitely has Tim’s dirty paw prints all over it. Somehow, Jason never manages to find his own hero team. He never complains about it, happy to focus on trying to make the City he grew up in a better place, whatever not-so-Bat-sanctioned methods it takes. 

Jason's controversial choice of moniker when he leaves the Robin colors to Tim doesn't help him maintain a healthy working relationship with Bruce either; not that Dick is judging him for rebelling at age nineteen and slamming the Manor door in Bruce’s face after a dispute. 

He isn't that much of a hypocrite. Choosing to name himself after one of the Joker's old names, on the other hand, it was maybe a bit too much of a slap in Batman’s face. But the rogue did kill Jason's biological mother in front of him, so if anybody is allowed to claim the ‘Red Hood’ name, it should be him. 

Roy’s sobriety comes and goes in unpredictable turns, until he loses Lian and... well, it’s not pretty. Jason is by his side throughout all of it, probably preventing Dick’s friend from using more fucked up coping mechanisms than his addictions. Dick might be bitter that Roy prefers Jason’s support over his, but he would never voice anything about that, since it might push Roy to stop seeking Jason’s help when he needs it. 

When Jason blows up everything and everybody to jump at Roy’s rescue in Qurac without any backup, it’s difficult. Seeing his not-so-little-anymore brother really heartbroken for the first time when Roy falls in bed with Kori in the aftermath is even worse. Then Kori leaves and the pair decide to start some kind of twisted vigilante-for-hire business, Dick is too worried to evaluate where it falls on the spectrum. 

It all goes up in flames, as per usual with them. For the first time ever, Jason walks away from Roy and cuts ties with everybody else. But the moment they find out Lian is alive, and a teenager now, Jason is back faster than a comic book retcons, playing uncle with her at Roy’s place every other weekend. 

Throughout it all, Dick knows Jason stays in love with Roy. Because after everything the two of them went through, there is no way both the heated looks his brother throws at the redhead when he thinks no one is looking and his fearful protectiveness over the Harpers are fueled by a childhood crush. But Jason never tells anyone, never makes a move other than wistfully looking at Roy’s bow whenever he comes by the Tower. 

Dick stays a coward, because he never pushes the issue with either Jason or Roy. He decides to stay out of it, fairly confident that his previous interventions on the matter made things harder for them. And if he keeps seeing the way Roy’s face dropped before hardening into resolve the day Dick all but threatened him to stay away from his brother, that’s nobody’s business but his own. 

***  

Everything comes down to it with a bang. A real one. 

There’s an unusual number of Titans – current and previous ones – at the Tower that day. They are loudly celebrating Tim's eighteenth birthday, much to his dismay. Roy is there, having tagged along with Jason. Or Jason tagged along with Roy, nobody’s sure and nobody really cares. The two of them almost live in each other's pockets these days.   

Of course, with Tim’s luck and his uncanny ability to piss off powerful beings, the party is rudely interrupted by a stressing amount of assassins from the League Of Assassins bypassing the Tower’s security system and falling upon them all. Between the genuine surprise – because targeting the Titans in their own living room, really? - and the packed room, it takes Dick’s fellow heroes a distressing delay to deal with Ra’s inappropriate birthday gift. 

It comes to the point where Dick worries that collateral damage is inevitable. Most of the Titans are meta-humans or aliens or something, so unlike the Bats and the Arrows in the room, they aren't under-equipped or weaponless. But they aren't used to working together, and the lack of clear leadership shows. 

One of their opponents passes both Roy and Jason's defensive positions around Lian and gets his hands on her. The teenage girl holds her own, of course, but Roy panics and launches himself at the man gripping his daughter by the throat with only his bare hands. Suffice it to say, when Dick catches sight of the situation through the global mess, he realizes there is a good chance Roy is going to be the collateral damage. 

Before he can react or shout at Wally and Donna to go help Roy, Jason has all but ripped Roy’s old bow from the wall, clenched the emergency arrow embedded in the frame and strung it with a grunt so loud it covers the battling sound surrounding him. He releases the arrow right where the ninja's head is hovering over a fallen Roy, taking care of the threat. Roy freezes on the floor when the arrow passes him, gets rid of the body that fell onto him and launches at Lian to check her for injuries in the same breath. 

Having one of them almost get killed seems to be the trick to organize the present Titans into something resembling a functional team. They make good work of the rest of the League’s assassins, sending them back to Ra’s Al Ghul in a handful of minutes. 

Afterward, it’s business as usual, all of them still high on adrenaline. Roy and Lian are huddled together in a corner, Jason quietly speaking to them with a hand on Roy's trembling shoulder. Wally sees them getting out of cleaning duty and decides to act jealous, ignoring Dick’s signal to shut his mouth. 

“So...” he announces to the room at large. He waits until everybody is looking at him, the asshole, before pointing at Roy’s bow, discarded on the floor next to where Jason is crouching. “Are we going to address that?” He adds. 

The entire present company looks at him with various degrees of bewilderment. Some of them don’t realize, of course, because they are in the aftermath of a battle that almost cost the life of one of their own and don’t immediately understand what he is talking about. The ones that understand what Wally is referring to are still taken aback, because they are in the aftermath of a battle that almost cost the life of one of their own. 

In addition to being in the second category, Dick is also reeling from the disaster that this has been. Suffice it to say, his temper is as short as his tone when he cuts whatever retort Jason was trying to get out from under his blush. 

“Shut up, Walls!” Dick takes a deep breath and opens the eyes he closed on reflex while trying to center himself. He is met with concerned looks he does not care for. What he does care for, however, is Roy’s single eyebrow raised in surprise and Jason’s frown.  

Before he can apologize and explain himself, Jason shoulders his way out of the room under Roy’s desperate expression. 

He was right, Dick suddenly realizes. No intervention he ever made into Roy and Jason’s relationship has ever failed to worsen the situation. 

***   

It ends like it started all those years ago. With a joke. 

The beginning of the end is when Jason corners Dick a couple of hours later and lashes out at him. “What the fuck is your problem with me and Roy, huh?” Jason asks while pushing him to the wall.   

Dick somehow doubts a shouting match with his brother over Roy’s honor in one of the Tower corridors while the better part of every hero that was ever a Titan is in attendance is the best way to handle this. 

“I’m talking to you, Dickface!” Jason escalates in the spare seconds it takes Dick to find his target. Without a word, Dick takes Jason by the wrist and all but shoves him through a not-so-random door. 

They find themselves in one of the Tower cupboards. Jason raises an eyebrow at him, but Dick quickly shuts him up with a pointed remark about their weight difference and how Dick never would have been able to manhandle him here if the younger one did not allow it. Jason concedes the point and takes pointed inspiration, ready to resume his shouting. 

“I don’t have a problem with you and Roy,” Dick cuts Jason before he can alert the entire Tower about his obvious feelings for a certain redhead. 

Jason startles, clearly not expecting Dick’s answer to his questioning. He gets over it quickly and retorts. “Well, that’s new, for starters. Care to share what your little outburst was about, then?” 

Dick shakes his head and counters. “Please, you can’t tell me that having Wally publicly grill you over your feelings for Roy felt appropriate. Roy was shaken; we all were.”   

He looks directly at Jason and delivers what feels like a long-overdue apology. “I’m sorry about that, though. And I’m sorry about any part I have played in keeping you from telling Roy how you feel about him.” 

On cue, the deep dive into emotional territory takes Jason off balance. He scratches his head, a nervous tick, and avoids looking at Dick when he answers. “’s okay. It’s not like I didn't always know how you felt about me going after Roy, ever since I was just the street rat Bruce brought home. And it’s not like I became a catch ever since.”   

Then it’s Dick's turn to struggle. What? All those years, Jason kept his feelings for Roy hidden because of Dick? No way. No way? 

“Jason,” he asks slowly, approaching the situation the same way he would approach a cornered predator cornered. Which is not so far from the reality of the situation, really. “Why did you never tell Roy how you feel about him?” 

Jason looks over Dick’s shoulder and explains. “Look, I know I’m not good enough for him, okay? And he’s your friend. And you’re my brother. And...” He hesitates and concludes. “It’s not worth endangering that, that’s all.” 

Dick places both hands on his little brother’s shoulders and waits for Jason to look back at him.  “Jason, you are worthy of anybody that catches your interest. Why would you let what I think keep you from going after something that makes you happy?” 

Judging by the odd look Jason gives him, Dick may have dialed too much on the melodramatic here. Time to back-pedal to more comfortable zones. He tries for humor. “If anything, it’s Roy that isn’t worthy of you!” 

Jason defaults to his comfort zone as well. Except, for him, it’s anger. “Oh yeah? Then why did you do everything you could to keep me from landing Roy when I was younger?” He accuses. 

Dick gasps audibly. “Because you were a child! A child with a crush on a man a decade older than you. Can you see how it could have been seen as concerning back then?” 

Jason huffs and crosses his arms in front of his torso, making himself even bigger than he already is. His posture adding to the choleric vibes coming from him have Dick’s reptilian brain screaming ‘danger’. 

“Don’t be ridiculous,” Jason retorts. “We’re only 8 eight years apart.” 

Dick prays for patience and pinches the bridge of his nose to display that fact to the present company. “An eight-year gap is concerning when one of the parties involved is so young any relation between them falls under statutory rape!” He takes a deep breath and adds. “You were a child back then. But you haven’t been a child for a long time, Jason. And if I have kept being your brother all throughout the insanity that passes as your teenage crisis, you dating Roy is not going to change that fact.” 

Their discussion ends with a hug and a joint agreement that neither of them is equipped to handle more emotionally charged conversation.  

Dick figures the conversation was worth it the next day during breakfast. Roy and Jason emerge together, hand in hand. Roy sports a grin that could illuminate the state of New Jersey during New Year's Eve while Jason darts a nervous look toward Lian the moment they pass the door. The kid flashes him a toothy smile as reassuring as it is threatening – she is Jade's daughter, as much as they tend to forget it – and gives him a thumbs up for good measure. Jason visibly relaxes after that and courteously accepts the banter all the Titans present rain on the two of them. 

Dick waits until the catcalls and the unsubtle innuendos recess before sitting next to them. “There’s still one thing I don't understand,” he asks, gaining their attention. “If you always knew how to string the bow, why didn’t you do it when you were younger?” He directs the question at Jason, because Dick is a known masochist who wants to imagine his underage brother dating one of his best friends. 

Jason looks at him like he sprouted another head during the night. “Because I physically couldn’t, Dickiebird. You would know, you were there.” Roy, bless him, stays silent and keeps smiling. Dick insists. “No, what I meant is when did you figure it out?” 

“Figure what out?” Wally asks over his shoulder. Jason doesn’t look like he has any clue about what Dick is talking about, which is infuriating, to say the least. Dick hesitates and catches Roy's eye. His friend shrugs noncommittedly, as to convey he doesn’t have any stake in the game anymore. Which, fair. Dick guesses the joke went on long enough as it is. 

“Roy’s bow.” He explains to his suddenly attentive surrounding audience. “It’s not about being strong enough. There’s a hidden release in it. That’s why nobody ever managed to string it. It’s a trick.” 

Wally cries outrage all over the place, Donna grumbles about how she always knew, because of course she should have been able to do it otherwise, and the others have a good laugh. All of them, except Jason, who seems star-struck in his seat. “What?” He finally asks. “What do you mean, it’s a trick?”   

Everybody sobers up. A good part of the present company, Roy included, have heard Dick rant about the herculean tales of his little brother over the bow. Present company also has been in the field with the Red Hood and knows from first-hand account the kind of violence he is capable of when pushed. 

There is an audible gulp in the room. Lian retrieves the bow from his usual place on the wall and shows Jason the small dentition that releases it, then effortlessly strings it with her only four feet and a half body. Jason stays notably silents during the demonstration.   

“Wait a minute,” Wally suddenly says. “If you didn’t know about the trick,” he gesticulates at Jason, “how did you do it?” 

Roy slowly turns toward his new boyfriend. Dick has known him for more than a decade at this point. He knows Roy, and he knows that look.   

“I...” Jason hesitates. “Adrenaline, I guess?” He tries, because he might be a proud man, but he is not one to flash any type of superiority over Wonder Woman or any other Amazon. He’s a gentleman like that. 

Jason grimaces and turns to Roy, as to apologize for having put his precious bow under duress. He must recognize the look in Roy’s eyes as well, because he turns redder than Dick ever saw him – first encounter with Wonder Woman included - in a handful of seconds. Without a word, Roy gets up and grips Jason's elbow to make him follow him. 

The room erupts in laughs and catcalls until they disappear toward Jason’s room and Dick takes a second to appreciate their choice. Roy’s room is next to his, and there are definitely things about his little brother and his friend’s relationship he does not need to know about. 

Find my other works here.

[makenna-made-this]

BAWKtober Day 3 - Cider Press

Can't wait for a sippy sippy~

If you'd like to support my BAWKtobering by buying a commission or a treat for my spoiled, spoiled chickens, all my links are in my pinned- *i am immediately mobbed by a flock of chickens and dragged off stage in a cloud of feathers*

[elation-station]

You know she would be parading around in a different fancy outfit everyday just to show off to the farmer ♥

[makismei]

❝ YOU A SUPERMAN? OR… A MINUTE MAN?

♡ fem!reader x various

featuring…. gojo satoru, nanami kento & fushiguro toji

cw: 18+, minors dni, squirting, overstim, unprotected sex, dacryphilia, anal play (nanami)

synopsis: who’s pounding till the sun rises and who’s clocking out after one round?!

notes from mei! tbh the title doesn’t really make sense… i listened to mcnasty(?) by jay park when it came out a while back and that lyric really resounded in my soul

GOJO ♡ a quick shot. but his dick stays hard. pretty superman-esque if you ask me.

“you idiot—fuuuck, stop moving your hips!” the sound of both of your cum sloshing together rings in your ears. you’re pushing at his tummy, quivering legs haphazardly thrown over his shoulders and tears bubbling in your lash line.

it feels so full inside of you. you’ve both been going at it for god knows how long; his release smeared on your lower tummy and inner thighs.

satoru moves your hand, interlocking his fingers with yours as he starts to press weight into each thrust.

“ahh, mmaahhh!” head shaking back and forth on the pillow, “‘m gonna cum! i can’t—satoru, m’ gonna die!”

he’s practically whining, ignoring your pleas with sweat beading down his temple as he plows you relentlessly. “baby, i can’t hold out.”

his head’s thrown back, feeling his dick twitch whenever he kisses your cervix just right, eyes rolling back into his skull.

“y’feel so good baby, why do you feel so good?” he pants, not realizing he’s filling you up with hot ropes of cum. he’s still thrusting and you swear if he keeps this up your bottom half is going to be numb.

still absolutely rock hard inside of you, he turns you on your side, one leg still on his shoulder while he grinds against that one spot that renders you speechless.

“let me have one more, baby.” he whines, legs shaking, “‘m still so hard f’you.”

NANAMI ♡ depends. he’s good at holding himself off, but he also enjoys stuffing you with multiple loads of his cum.

he’s groaning, eyes lidded as he watches you align his cock with your leaky slit. globs of his cum seep from your pussy, soiling his faintly coloured pubic hairs. someway, somehow, you managed to flip your previous positions and he’s the one laying on the mattress instead of you.

“my love,” he breathes, his large hand; callused from his work but still so gentle, caresses your hip, “i’m not going anywhere.”

it’s as if you’re in a rush, scrambling like he’s going to disappear.

you whine, legs quivering when his tip swipes against your entrance. “please, nami, i want you to cum again… it feels s’good.”

he smiles, his other hand reaching out to hold your face, thumb gently stroking against your cheek. “so needy today… have i been neglecting you?”

leaning down, you bury your face into his neck, grinding your soaked pussy onto his hardening cock. you hum shyly, distracting yourself by leaving wet kisses on his neck and shoulder.

he hums, your shyness making him all smug and sappy. “so that’s what it is, huh?”

you feel him harden, before he’s lifting you and dropping you down on his cock. you tense, squealing into his shoulder. languidly, he’s making you fuck down onto him, his own hips jolting up to meet you halfway.

sneakily, a hand makes it’s way down to your ass. he swats playfully before gathering slick at the point where you’re both connected. surprised, your eyes widen when you feel his finger start playing with your rim. it’s gentle, soft massaging as he’s jackhammering into you.

with your legs shaking, he doesn’t bother trying to move your hips, simply doing the work for you.

you’re gushing, liquid drooling from your pusey before you force yourself off of him, practically screaming as you squirt all over his lap. nanami groans, pulling you back down onto him to chase his release.

“oh my god—oh, fuuucckk!!” nails digging into his skin, your eyes roll back from the onslaught of pleasure. “‘s shoo gooood!”

he chuckles in your ear, but it gets cut off with a moan, flooding your cunt with his seed. kissing your tear-soaked cheeks, he smiles against your skin. “still feeling neglected, baby?”

TOJI ♡ one round and he’s hooonkkk mimimi… but he’s fucks nawwstyyy. like. he fucks you so good one round has you nearly passed out and quivering—drool and tears all over the pillow and your squirt leaving a niceee puddle right underneath you.

“that’s right, doll.” he whistles lowly, watching your legs tense, knees lifting themselves off the bed as he continues to bury his fingers into your cunt, his pupils practically dilating as he continuously prods against your sweet spot.

it’s wet and sticky between your legs, pussy glistening under the cheap glow of your bedside night light.

you’re damn near in a downward dog, face smushed into the mattress as your squirt soaks the bed. toji doesn’t let up, toying with your clit as he grins, cock twitching in his boxers.

when you slump face first into the bed, you’re practically drooling as you know what’s coming next. sturdy, thickset fingers knead the globes of your ass, before you feel his heavy cock sneaking it’s way into your slit.

“look at you,” he jeers, leaky tip pressing into your cunt. “being such a sweetheart after i made you squirt a few times.”

he buries himself to the hilt and you think you’re going cross-eyed. “yeah,” he croons, hips finding rhythm and bouncing on the fat of your ass, “you just wanna cum, ain’t that right?”

“yeesshh!” you cry. this position allows him too much control. you’re flat on your stomach, barely holding yourself up from your elbows. toji bares his weight on you, practically humping you and you know, he’s about to cum.

his tip kisses your g-spot repeatedly, scarred lips leaving wet kisses on your shoulder. “‘m gonna cum, baby,” he breathes, “you’ll take it, won’t’cha?”

you nod, eyes teary, “mmhm!”

you feel his lips against your skin, grinning. “cum with me baby, c’mon. you got it.”

as if his words have magic, he thrusts a couple more times before he feels you squeeze, and he’s a goner. groaning, he has a feeling you’re squirting again while he’s shooting rope after rope inside of you. he’s dizzy, practically blacking out after he pulls out, wiping you down with his shirt that he’s mistaken for a towel.

he slumps beside you, with his eyes closed, he slings a hefty arm over your waist. you adjust as he pulls you closer, lips brushing against your scapula.

he’s snoring before you know it.

panel is from i’ve become the target of his affection ^.^

[violent138]

Time-warped or travel scenario where Bruce gets launched back into a younger version of himself with all the memories and the first thing he does is goes and gets Dick Grayson right after his parents' death, then pick up Jason, arrange about a million playmates to get Tim out of his house, and once he has those kids happy and taken care of, he goes off to find Cass, helps Steph with her dad, and leaves a very pointed voice-mail for Talia.

Alfred thinks he's more mentally ill than usual for knowing exactly which orphans and as he pointedly reminds Bruce, "children whose parents are still very much alive" he's trying to steal and adopt.

Bruce heatedly replies that they're his kids and that he's going to do everything right this time, rendering Alfred absolutely speechless until Bruce asks if Alfred would be able to make dinner for his new brood of kids.

"Try and remember who you're speaking to Master Bruce, I've thrown dinner parties with less notice"

"Great because I have a list of allergies and some notes on favourite foods."

[amalasdraws]

https://www.tumblr.com/bigmammallama5/732632789726478336?source=share do you have any tips on how to detect ai and deepfakes?

Good question and I'm gonna be honest, it's not always easy and it will only get harder and harder. I'm just an artist who has spent their personal time to dive into this topic and study images. I'm still learning and there is a lot I don't know. But let me show what I know. This will be long, but I will make a summary at the end! So far, even with ai having become better and better there are still almost always some things wrong with an image, and they all have a very specific look to them. So let me try to show you some and point out some of them.

As we all know, a biggest struggle ai had were hands. And even though here and there we still see messed up hands, I say "had", because the hands is actual a good example on how ai is improving and will only get better. Still, looking at pictures that show more hands is always worth it, because somewhere in the back there will be most likely at least one messed up hand.

Another issue a lot of ai still has is hair though!

It's very obvious still in many ai "drawings" and in those otherwise well rendered portraits. Hair starts to blend with the ears a lot, or with the clothes.

There is also often this very odd look between something too sharp and way too blurry

There is often a very specific texture to the hair. I actually do not know the artistic or specific name for it. I can only describe it as this weird sharp feeling that makes it look oddly pixely, and then you have areas where it's very blurry. And the kind of loops and almost flame like looking hair we see in the last pic out of the three here is also something very common with ai.

As an artist I know we make mistakes too! The way I draw hair is flawed too! But it's not only that it's flawed here, but it's following always the same pattern and falls into the same issues over and over again, no matter who is "creating" the image. Those flame like loops are a common one, next to the odd blends and weird sharp and blurry textures.

But ai is getting better, and we not only have "art" and something that tries to be a drawing/painting, but photos too.

A lot of those "photos" have a very specific texture and look to them! Again, it's not always the mistakes, but the very specific optic too. A lot of the images are oddly smooth, too rendered, with always blurry backgrounds. And when you look closer at the background you will see the mistakes! The crowd behind Jesus is a hot mess once you look closer. Bob Marley's hair has the same issue than I described before. Lincoln is surrounded by people with messed up hands and don't even get me started on the faces behind Caesar.

So a lot of ai images look alright on a first and quick glance, but as more time you spend with them, as more mistakes you will notice. The wehre is Waldo of ai horror.

And those "photos" shared here are still very obvious. Not just the mistakes and messed up details but the very specific aesthetic too.

Those images get better and better and as less details you have, as less mistakes you have!

With photos like this it becomes harder and harder. There are not many details and no hands. Not many mistakes can be made. Also the very obvious plastic looking smoothness isn't so much here anymore. It kinda still is...but differently. And always the blurry background!! Sometimes the hair is still a giveaway. Collars and clothe straps are also often still a giveaway upon close look. As is jewelry. Earrings will be different and necklaces often don't go all the way around, just end, or blend with the hair or clothes.

Often details on jewelry is also blurry and not shown properly. This is a trick with many details. With jewelry, batches, hair, ears, text. So it's often blurred out and not shown properly because ai doesn't know what to really show here.

It's often really just the small details and when we scroll down quickly we will miss them. Like the wedding ring on the middle finger, the pens on top of a closed pocket, the batches that are always blurry, messed up faces that blend with a blurry background.

And sometimes it's so subtle that I could only really tell that right is the ai image in comparison to the real photo on the left. The real photo shows hands clearly and even when things are blurred out it doesn't feel that it's done to hide things. The ai image on the right hides the hands. There is also a very dead look in the eyes :D

And here I could only tell because the text in the back doesn't make sense. Even blurred out we should be able to make out something here

And after seeing a lot of ai images I recognize the kind of blurred out bg in combination with a very smooth and well rendered foreground/characters.

And here the only giveaway is a closer look at the backgrounds as well

To summarize it:

Ai and fake news rely on a fast living world. We are being bombarded with tons of information and messages daily and we scroll past quickly. But the best tool, for now, in detecting ai is taking our time! Those images get better and better but so far there are still always some things off!! Especially in the background!

Hair. Often weirdly smoothed out and oddly sharp at the same time

Hair often blends with the ears or the clothes

Details are blurred out.

Jewelry doesn't match (example earrings). Details on metal often blurred out and never shown. Necklaces blend with hair or the clothes, and don't go around the neck.

Background is always blurred out.

In this blurred mess there are often hidden very messed up faces and/or hands.

A very specific smooth and yet too sharp/too rendered aesthetic combines with an always blurry bg.

Text, especialyl in the background, is not legible and doesn't make sense.

Backgrounds are often (so far) the dead giveaway. Somewhere in the back things become muddled and messed up. This shows also very well in ai decor/architecture. There will be odd lines that don't align or align too well. Curtain poles that end in the furniture, a plant that is behind a lamp suddenly having leaves in front of the lamp. As longer you look as more you will notice.

Conclusion:

Take your time with images! Sit with them! Especially when it's framed as important and political news. Is it ai and propaganda, or did it really happen? Don't fall for the quick buzz and outrage! Some things are obvious right away but with others you have to take your time. And it's time you have! If you are still unsure if a pic is real or not, do some research on top. Image reverse search. Can you find it anywhere else? Are other news outlets sharing it? Does the image/message make sense? For example there is now a deepfake of Bella Hadid voicing support for Israel. Ask yourself, does this make sense? If it feels out of line compared to previous behavior, do some research! Media literacy is not just as being able to recognize a fake or real right away, but being able to do research. To question things! Don't just take every post online for face value. Even when shared by a mutual you trust. They might have been tricked!

There are so many information online and it's great to have access to so information, but it's also difficult to wade through all of it. Media and truth are a weapon and it's being twisted and bend used to manipulate. Always has! But ai and so many people being able to post and share things, it becomes bigger and bigger and more dangerous. So don't just take everything that is handed to you and share it further no questions asked. Media literacy and being able to think for ourselves and do the research is important!! And as research becomes harder and harder, as sources are being messed up with ai and other fake news, it's even more important to sit with the images and study them. See the flaws, the mistakes. Compare it to other news and images.

This got long, and I started to ramble at the end. Sorry But I hope this helped

[jasmineoolongtea]

it turns out, gojo satoru hates silence. to be more accurate, he hates the sound of total nothing when it comes to you.

that's not to say that he wants you to scream at him like all hell's breaking loose but he just wants something from you, good or bad he doesn't care, over this suffocating silence. you don't even look at him; instead, you focus on attempting to secure the sterile white bandages on top of his injuries. you pretend like you don't see the crimson red of his blood seeping through them as you do.

"baby..." his voice is barely above a whisper, a rare occurrence for someone who's always been the loudest in any room he's in. he gets no response from you, only the sight of your jaw tensing up as you grit your teeth. satoru tries and fails to meet your eyes.

"baby. please, talk to me." he pleads softly, using his other unoccupied hand to reach out to you. you freeze slightly at the feeling of his fingertips upon your arm.

a small sigh of defeat escapes him. "see? i'm fine, nothing's gonna hurt me alright? it's just a scratch, that's all." as if to emphasise his point, he raises his arms up in a show of goodwill, swallowing the harsh wince of pain that threatens to escape his lips.

for what feels like the first time in forever, you look back at him, your eyes meeting his cerulean ones. "that's not the point, satoru." you state, finishing up your bandaging of him. "what if one day you do get hurt badly?" the clang of your tools hitting the metal tray table echoes within the walls of the infirmary.

he brushes off your concerns with a wave. "that's not going to hap-"

"okay, but what if it does?" you cut him off bluntly. your expression is serious, deadly serious with your unwavering gaze and slightly furrowed brows, to the point where he's rendered speechless for the first time.

"have you ever thought about what would happen to the people you leave behind... about me?" your words trail off at the end of your sentence, your voice faltering slightly as well. maybe it's a trick of the light but satoru swears that tears are welling up in the corner of your eyes.

his chest tightens with an uncomfortable squeeze, his gaze falling to the floor. no one dares to speak for a moment, whatever words and phrases of reassurance satoru would typically throw your way now suddenly seem shallow and lack any sort of weight behind them. the air is tense around the both of you.

you don't even need him to respond to know the answer to your own question as it would be a resounding no. for most of his life, satoru lives and breathes like he's untouchable, detached from most things including other people. being someone who has been leagues above everyone else since birth does that to a person.

however, it seems that this has caused him to forget that others around him don't share his fate and that no matter how detached he still believes himself to be, there are still ones who crave his connection and see past his facade of godhood and more as the human he truly is underneath it all.

"...i'm sorry, baby." he murmurs under his breath as he looks back up at you, sincerity and raw vulnerability evident in his expression. "i promise that i'll be more careful next time." he brings your hands to his lips and presses a soft kiss against your skin, letting himself bask in the warmth, your warmth, that is radiating off of you.

"there shouldn't be a next time." you huff half-heartedly, trying to stand strong in light of his previous behaviour which led to this moment but you feel your knees start to turn into jelly the moment his lips graze your hands.

a faint laugh escapes him. "i'll make a promise on that too." he adds, spreading his legs slightly just so he can pull you against his chest and into his arms.

gojo satoru is used to living only for himself but now, he has to remember that he has someone to come home to and he's going to make sure that he starts living like he did. only a shame he didn't see this earlier.

[mostlysignssomeportents]

"Efficiency" left the Big Three vulnerable to smart UAW tactics

Tomorrow (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tomorrow night, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

It's been 143 days since the WGA went on strike against the Hollywood studios. While early tactical leaks from the studios had studio execs chortling and twirling their mustaches about writers caving once they started losing their homes, the strikers aren't wavering – they're still out there, pounding the picket lines, every weekday:

https://www.cnbc.com/2023/08/09/how-hollywood-writers-make-ends-meet-100-days-into-the-writers-guild-strike.html

The studios obviously need writers. That gleeful, anonymous studio exec who got such an obvious erotic charge at the thought of workers being rendered homeless as punishment for challenging his corporate power completely misread the room, and his comments didn't demoralize the writers. Instead, they inspired the actors to go on strike, too.

But how have the writers stayed out since May Day? How have the actors stayed out for 69 days since their strike started on Bastille Day? We can thank the studios for that! As it turns out, the studios have devoted so much energy to rendering creative workers as precarious as possible, hiring as little as they can getting away with and using punishing overtime as a substitute for adequate staffing that they've eliminated all the workers who can't survive on side-hustles and savings for six or seven months at a time.

But even for those layoff-hardened workers, long strikes are brutal, and of course, all the affiliated trades, from costumers to grips, are feeling the pain. The strike fund only goes so far, and non-striking, affected workers don't even get that. That's why I've been donating regularly to the Entertainment Community Fund, which helps all affected workers out with cash transfers (I just gave them another $500):

https://secure2.convio.net/afa/site/Donation2?df_id=8117&8117.donation=form1&mfc_pref=T

As hot labor summer is revealed as a turning point – not just a season – long strikes will become the norm. Bosses still don't believe in worker power, and until they get their minds right, they're going to keep on trying to starve their workforces back inside. To get a sense of how long workers will have to hold out, just consider the Warrior Met strike, where Alabama coal-miners stayed out for 23 months:

https://www.thenation.com/article/activism/warrior-met-strike-union/

As Kim Kelly explained to Adam Conover in the latest Factually podcast, the Alabama coal strikers didn't get anywhere near the attention that the Hollywood strikers have enjoyed:

https://www.youtube.com/watch?v=UvyMHf7Yg0Q

(To learn more about the untold story of worker organizing, from prison unions to the key role that people of color and women played in labor history, check out Kelly's book, "Fight Like Hell," now in paperback:)

https://www.simonandschuster.com/books/Fight-Like-Hell/Kim-Kelly/9781982171063

Which brings me to the UAW strike. This is an historic strike, the first time that the UAW has struck all of the Big Three automakers at once. Past autoworkers' strikes have marked turning points for all American workers. The 1945/46 GM strike established employers' duty to cover worker pensions, health care, and cost of living allowances. The GM strike created the American middle-class:

https://prospect.org/labor/2023-09-18-uaw-strikes-built-american-middle-class/

The Big Three are fighting for all the marbles here. They are refusing to allow unions to organize EV factories. Given that no more internal combustion cars will be in production in just a few short years, that's tantamount to eliminating auto unions altogether. The automakers are flush with cash, including billions in public subsidies from multiple bailouts, along with billions more from greedflation price-gouging. A long siege is inevitable, as the decimillionaires running these companies earn their pay by starving out their workers:

https://www.businessinsider.com/general-motors-ceo-mary-barra-salary-auto-workers-strike-uaw-2023-9

The UAW knows this, of course, and their new leadership – helmed by the union's radical president Shawn Fain – has a plan. UAW workers are engaged in tactical striking, shutting down key parts of the supply chain on a rolling basis, making the 90-day strike fund stretch much farther:

https://prospect.org/blogs-and-newsletters/tap/2023-09-18-labors-militant-creativity/

In this project, they are greatly aided by Big Car's own relentless pursuit of profit. The automakers – like every monopolized, financialized sector – have stripped all the buffers and slack out of their operations. Inventory on hand is kept to a bare minimum. Inputs are sourced from the cheapest bidder, and they're brought to the factory by the lowest-cost option. Resiliency – spare parts, backup machinery – is forever at war with profits, and profits have won and won and won, leaving auto production in a brittle, and easily shattered state.

This is especially true for staffing. Automakers are violently allergic to hiring workers, because new workers get benefits and workplace protection. Instead, the car companies routinely offer "voluntary" overtime to their existing workforce. By refusing this overtime, workers can kneecap production, without striking.

Enter "Eight and Skate," a campaign among UAW workers to clock out after their eight hour shift. As Keith Brower Brown writes for Labor Notes, the UAW organizers are telling workers that "It’s crossing an unofficial picket line to work overtime. It’s helping out the company":

https://labornotes.org/2023/09/work-extra-during-strike-auto-workers-say-eight-and-skate

Eight and Skate has already started to work; the Buffalo Ford plant can no longer run its normal weekend shifts because workers are refusing to put in voluntary overtime. Of course, bosses will strike back: the next step will be forced overtime, which will lead to the unsafe conditions that unionized workers are contractually obliged to call paid work-stoppages over, shutting down operations without touching the strike fund.

What's more, car bosses can't just halt safety stoppages or change the rules on overtime; per the UAW's last contract, bosses are required to bargain on changes to overtime rules:

https://uaw.org/wp-content/uploads/2023/09/Working-Without-Contract-FAQ-FINAL-2.pdf

Car bosses have become lazily dependent on overtime. At GM's "highly profitable" SUV factory in Arlington, TX, normal production runs a six-days, 24 hours per day. Workers typically work five eight-hour days and nine hours on Saturdays. That's been the status quo for 11 years, but when bosses circulated the usual overtime signup sheet last week, every worker wrote "a big fat NO" next to their names.

Writing for The American Prospect, David Dayen points out that this overtime addiction puts a new complexion on the much-hyped workerpocalypse that EVs will supposedly bring about. EVs are much simpler to build than conventional cars, the argument goes, so a US transition to EVs will throw many autoworkers out of work:

https://prospect.org/labor/2023-09-20-big-threes-labor-shortages-uaw/

But the reality is that most autoworkers are doing one and a half jobs already. Reducing the "workforce" by a third could leave all these workers with their existing jobs, and the 40-hour workweek that their forebears fought for at GM inn 1945/46. Add to that the additional workers needed to make batteries, build and maintain charging infrastructure, and so on, and there's no reason to think that EVs will weaken autoworker power.

And as Dayen points out, this overtime addiction isn't limited to cars. It's also endemic to the entertainment industry, where writers' "mini rooms" and other forms of chronic understaffing are used to keep workforces at a skeleton crew, even when the overtime costs more than hiring new workers.

Bosses call themselves job creators, but they have a relentless drive to destroy jobs. If there's one thing bosses hate, it's paying workers – hence all the hype about AI and automation. The stories about looming AI-driven mass unemployment are fairy tales, but they're tailor made for financiers who get alarming, life-threatening priapism at the though of firing us all and replacing us with shell-scripts:

https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way

This is why Republican "workerism" rings so hollow. Trump's GOP talks a big game about protecting "workers" (by which they mean anglo men) from immigrants and "woke captialism," but they have nothing to say about protecting workers from bosses and bankers who see every dime a worker gets as misappropriated from their dividend.

Unsurprisingly, conservative message-discipline sucks. As Luke Savage writes in Jacobin, for every mealymouthed Josh Hawley mouthing talking points that "support workers" by blaming China and Joe Biden for the Big Three's greed, there's a Tim Scott, saying the quiet part aloud:

https://jacobin.com/2023/09/republicans-uaw-strike-hawley-trump-scott/

Quoth Senator Scott: "I think Ronald Reagan gave us a great example when federal employees decided they were going to strike. He said, you strike, you’re fired. Simple concept to me. To the extent that we can use that once again, absolutely":

https://twitter.com/American_Bridge/status/1704136706574741988

The GOP's workerism is a tissue-thin fake. They can never and will never support real worker power. That creates an opportunity for Biden and Democrats to seize:

https://pluralistic.net/2023/09/18/co-determination/#now-make-me-do-it

Reversing two generations of anti-worker politics is a marathon, not a sprint. The strikes are going to run for months, even years. Every worker will be called upon to support their striking siblings, every day. We can do it. Solidarity now. Solidarity forever.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/21/eight-and-skate/#strike-to-rule

[importantstudentbusinessspy-blog]

Cold-hearted Wolf

Master list

Pairing: Cregan Stark x Martell princess reader.

Tags: Angst, fluff, arranged marriage, eventual smut, cregan is repressed and mean at first, then falls for the reader.

All fiction, the reader is a made up character. Im a long-time reader, but first-time writer.

Chapter 2 - war council, sexy sparring, and a confrontation.

Cregan Stark stood at the head of a large wooden table, surrounded by advisors and generals. His dog sat obediently beside his chair. The table was spread with maps, denoting positions, and pathways. Cregan's fingers traced a potential route, his eyes focused.

"This pass," he began, pointing to a narrow way in the mountains, "Will be our best chance. It's least expected. We'll split our forces..."

Before he could continue, the door creaked open, and you walked in, your curious gaze taking in the scene. You curtseyed before the council, approaching the table with measured steps. Cregan's pet waddled over and nuzzled against your dress, letting you scratch behind his ear.

Cregan's brow furrowed. "My lady," he began, his tone polite but firm, "This is a war council meeting. It's not a place for a princess."

There was a murmur of agreement from some of the men and women, while others looked away, not meeting your gaze.

You swallowed the insult, whether he intended it or not, hoping your confidence didn’t waver as you offered in turn. "In Sunspear, my father’s council valued the insights of all, regardless of sex or stature. I've studied battles since I was little, my lord, and strategies. My input might offer a fresh perspective."

Cregan hesitated, raising a brow in trying to assess when their or not this information about Dornish customs was true.

"Your highness." One of the generals, an older man with grizzled hair, grunted, "There is no harm in hearing the lady Stark, my lord. The Dornish have a way with unconventional tactics."

You held your tongue from telling the general the tactics only seemed unconventional to him, but in the south, they were quite practiced. You were grateful enough that he spoke in your defense.

After a long pause, Cregan finally nodded. "Very well. Speak your mind, my lady."

You smiled at your husband and approached the maps. With a glint in your eye, you began outlining your thoughts, suggesting alternatives and considering Dornish strategies that the North had made full use of. The room slowly grew quiet, listening cautiously to your thoughts. As you spoke, you glanced around the room to get a take of the atmosphere. Some members of the council sat with skeptical looks, questioning your suggestions, others with furrowed brows of concern.

You spotted your husband, whose eyes followed the map where you were pointing out battle formations. You didn’t expect his eyes to snap up to meet yours, the cloudy storm in them rendering you speechless for a moment.

You stuttered in the midst of your sentence, feeling heat rush to your cheeks. You cursed yourself inwardly when you saw the corner of his mouth perk up. He was laughing at you. No matter how you have brought the room to silence, Cregan still didn’t take you seriously. The embarrassment and humiliation made you all the more self conscious as you thanked the gods that one of the generals, the same one who had stood up for you, took in one of your suggestions and began to talk it over with the council.

“If I may, my lord.” He began to talk to Cregan, whose eyes and condescending smirk were still on you. “The merging of Dornish and Northern tactics might just be the edge we needed.”

Cregan finally tore his watchful eyes away from you, and you took in a deep breath. “Tradition had its place for a reason, don’t you agree, Ser Robert?”

The general nodded, albeit giving the lord a knowing look. “Sometimes, the winds of change bring unexpected allies and advantages.”

Cregans gaze switched back to you. “Aye, sometimes.” His expression unreadable once more.

----------------------------------------------------------

The courtyard buzzed with activity, men-at-arms training for the looming battle. At the center, Cregan Stark and his kingsguard, Ser Jon, clad in their sparring breaches and boots, moved with a fluid grace, each thrust and parry a testament to their combat training. Steel against steel echoed off the ancient stone walls.

Watching from the sides, your eyes traveled appreciatively over Cregan's physique, particularly the way you could see every tensed muscle of his arms, chest, and abdomen as he carried out perfected movements. Beneath your admiration, however, was a desire to humble him after his dismissal of you in the war council. To make him turn red for once.

Walking forward to the table decorated with weaponry, you picked up your favored curved Dornish blade, sharp and deadly, a gift for Cregan from your court.

You slowly approached the sparring duo. "Care for a challenge, my lord?" You were happy your voice didn’t waver.

The knight and lord Stark paused their fight, lowering their weapons, the courtyard going silent. Cregan tilted his head to meet your gaze, a smirk playing on his lips. "You're not dressed for it, my lady. That gown looks too precious to risk-"

Without a word, you grabbed the hem of your gown and tore it, fashioning a makeshift skirt that allowed for movement. You barely felt the cold air as the adrenaline rushing through your veins brought a familiar heat. The gathered crowd murmured around you.

Cregan caught himself staring at you but recovered quickly, chuckling. "Spoiled princess, tearing such fine fabric.”

You exhaled sharply at the comment, feeling again as if you were a misbehaving child being disciplined. You were going to enjoy this. “My lord,” You put up your blade and held your stance.

“Alright,” Cregan held up his sword and got in position. “If you are so eager to prove a point."

You advanced, your blade zooming in the air. The courtyard crowd drew back. The initial clash was swift, Cregan clearly taken aback by surprise. You ducked under his strikes, retaliating with speed. A well-timed move saw Cregan on the ground, the wind knocked out of him. He only stayed that way for a moment, though, quickly getting back up.

"I am every bit the warrior you are," you insisted with conviction as the two of you circled one another.

Cregan recovered quickly. With newfound respect, he launched a fierce counterattack, which you blocked.

Of course, Lord Stark knew nothing of the discipline Sunspear princesses have received, including battle strategy and combat. You were glad you at least got to see the surprise in his features when you dodged his attacks masterfully. Your old teacher back home would be proud.

Blades blurred in the air as you fought. But Cregan's strength and experience began to tell. With a deft move, he had you pinned against the hey covered ground, his hand reaching around your back to put a buffer between you and the ground.

He inched towards you until you were a breath apart, making you breath hitch. "Being a good sparring partner doesn't make you a good warrior, princess," he breathed.

Your cheeks burned, but you were determined to get away victorious. With a sudden twist, you broke free, using your legs to flip him onto the ground as you rolled on top of him. Cregan found himself on his back, your curved blade cool against his throat. He looked up, not just into the eyes of a skilled fighter, but a woman who had quite literally kicked his ass, even if it was by fighting dirty.

You looked down at him, but something made you pause. His wolfish grin was back. His eyes wandered slightly, noting the way your dress had ridden up, scandalously, you realized, revealing your legs. You tried to ignore the feeling that look of his stirred within the pit of your stomach.

"Don't underestimate your opponent," you breathed, fighting a smile. You missed the rush of fighting. Feeling brazen, you leaned in closer until you were sure only he could hear. "You rely too heavily on might. Long-range combat is key to reducing casualties. Thank you for granting me the honor of sparring with you."

With that, you rose gracefully, leaving a dazed Cregan on the floor.

----------------------------------------------------------

The flicker of candlelight lit up your bedchamber in a warm glow. On the table, maps were sprawled out in detail. Concentration etched your features as you calculated troop movements, supply routes, and attacks.

The door creaked open, revealing Cregan Stark, his eyes heavy and ready for sleep after his wash, his hair tied messily behind his ears and falling lazily over his forehead. “I must accompany Ser Robert tomorrow to the front.” He said.

"Look," You pointed to your notes. "This regiment, right here."

He glanced over, brows furrowed. "That's too many men," he said, his tone sharp. "I won't needlessly risk Northern lives."

You met his gaze evenly. "Victory requires the right numbers. And this is the number we need."

"The numbers ‘we’ need," he shot back, echoing your words. "These are people you are sending to their deaths. Offering up thousands of Northern lives like its nothing."

"No!” You stood your ground, chin raised defiantly, though your lower lip began to tremble. "It's almost as though you have forgotten that I am your wife, Cregan Starl! These people, your people, are mine now, too. I value them as much as you do!"

His grey eyes stormed at your words, clearly not expecting you to be so blunt with him.

You stepped closer,your voice finding its confidence. "From the moment I've arrived here. You… you've treated me with nothing but disdain! Dismissing my opinions, underestimating me, and ridiculing me in front of your men. The only respect you showed was when we sparred. Is that the only language you understand?"

His icy facade wavered, guilt flickering in his eyes. "y/n," he began.

But you weren't having any of it. “Please, just listen!"

While you still had his attention, you launched into your strategy, outlining troop movements and battle formations and emphasising the importance of long-range weapons.

“The longbow may work in the windless desserts,” he interrupted. “But the climate here is different.”

“We make use of trebuchets then.” You insisted.

He blinked at that. “Perhaps,”

As the two of you spoke, exchanging ideas back and forth, the plan became clear. Cregan, for the first time, truly listened, no belittling smirks, or jibes.

“With this plan, more lives could be spared. Our men can come home.” You finished, with nothing more to add.

You looked at him for either approval or dissatisfaction. Anything to give you a sign of what he thought. But his face was unreadable as he leaned on the desk, studying your combined notes. His mouth remained in a hard line, but his eyes, plagued by grey storms, were on you.

“Cregan?” You asked, urging him to share his thoughts.

Cregan took a step towards you, closing the distance between you two, his hand lifting your chin up and capturing your lips in a fierce kiss.

You gasped, your limbs temporarily going numb with sudden warmth as his soft lips moved roughly against yours. This man didn’t kiss gently. He was roughened up by his environment and did not hold back. Just as he handn’t on his wedding night. Only now, it was different. Now, he seemed like he actually wanted to be kissing you.

Your hands grasped at his wide shoulder to balance yourself. “Cregan…”

Your initial surprise melted after a moment, giving way to desire, and you responded with equal interest, kissing him back. His hands found your hips and pulled you sharply against himself, tightening around you. You felt hard muscle. The man was all rough edges and cold demeanors, but right now, he was warm. This was the passion you'd yearned for, the connection you'd dreamt of.

Outside of the boarded window, you overheard the sounds of the night, the whistling win, the sound of owls hooting, and echoes of a wolf howling from a distance. Suddenly, Cregan pulled away abruptly, leaving you breathless and disoriented.

“Y/N,” he began, breathing unevenly. “I cannot…”

“What?” Your voice broke, dreading the rejection you knew was coming.

“You regret our union, dont you.” You said finally, tired of waiting for his response.

He looked up at you with furrowed brows. “That is not what I-

You shook your head, eyes on the floor as you tried to calm your racing breaths. “Its alright.” You reassured him, hoping it would make it easier to be truthful with you. “You hate that I'm not a Northerner. That I'm not your equal.”

You watched as his handsome features hardened into anger. As if you had just said something extremely stupid.

He took two steps and backed you against the wall. Gasping, you blinked up to meet stormy grey eyes staring down at you.

"My land is in crisis," he finally said, his voice raw. "I can't afford to be distracted by such… dramatics. If you wished for constant passion and fire in your marriage, I'm afraid you ran out of luck with me, princess."

Before he could say more, and having heard enough, you gathered the maps on the table and shoved them into his hands before storming out of your bedroom door, leaving him alone in the candlelit room, your ego bruised and your emotions in turmoil.

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[reidsdimples]

When Everything Changed | Part 1

Enemies to lovers | Spencer Reid x BAU!Reader

Angst 🖤

Spencer isn't a fan of the BAU's new genius (you).

You didn’t have a particular like or dislike for Dr. Spencer Reid. For the most part you felt fairly neutral. He was a colleague, one of the team. The two of you weren’t super close but Garcia says that’s because there’s not enough space in the BAU for two genius’s.

He didn’t seem to care for it when you blurted out facts that Hotch asked for or knew a statistic down to a closer decimal than he did.

“If you would do your reading on rapidly updated internet databases instead of printed out media, your statistics wouldn’t be a month behind,” you sniped at him after he sassed you.

Hotch gave you a pointed look.

“He said 13.6% and you said 13.2%- that discrepancy is not one I’m concerned with. 13% would have been fine,” Hotch said and looked back down at the case file before him.

The jet hummed softly, Rossi raising his eyebrow at Reid who seemed to have something to say.

“Reid what do you know about sharp force injuries to the ears?”

“The ear canal is a sensitive and vulnerable part of the body, often associated with communication and hearing. The criminal may have chosen this specific method as a way to assert control or power over their victims by targeting a vital sensory organ. Depending on if he wound it into the brain slowly, it may have been a sadistic killing,” he answers rapidly.

“You think this was torture? It looks more like an instant death,” you answer.

“Ancient torture methods focus on the ears as a way to deal pain by shattering the ear drums and rendering the victim deaf. Given the amount of blood in the right ear I’d say it was done antimortem as a form of torture while the pick through the left ear was the killing blow. He even angled this ice pick upward and into the brain,” he runs his long fingers over the crime scene photos to show you.

You’re almost in awe that he was able to deduce that before seeing the bodies but you say nothing.

"The first two only had an ice pick to the ear which killed them," Hotch said.

"Maybe he hadn't learned yet that he enjoys the torture," Rossi adds.

“Either way this unsub has a fascination with ears,” JJ says.

“Maybe he’s deaf himself?” Morgan chimes in.

You accidentally kick Reid’s ankle while adjusting in your seat across from him, he snaps his head up and narrows his eyes on you.

The conversation spurs on all the way to Portland, Maine where the smell of saltwater invades your nostrils as you step off of the plane.

-

The following day you’re partnered up with Reid to sort through a series of clues left by the unsub. Two more bodies dropped in twenty-four hours, leaving 8 riddles on 8 bodies that needed to be decoded.

“I can take care of this myself,” Reid argues with Hotch.

“I know you can but an extra set of eyes can’t hurt, we’re on a time crunch. Monica Dentz went missing four hours ago. If he sticks to his MO, she only has ten hours left,” with that Hotch exited the room.

Reid rather aggressively tossed his should bag on the table before snatching up copies of the riddles from the table and pinning them to the board.

“I’m not trying to get in your way,” you sigh. You watch him organize the riddles on the board.

“Try harder,” he snaps.

You scoff but your eyes scan over his tall frame as he puts the board together. Nope.

“I think the first one is talking about a ship, same with the third and fifth,” Reid says as he flips a pen in his fingers.

“If you’re taking it literally. ‘Alone in the tide’ could just be a metaphor for loneliness,” you point out.

“And what do you make of ‘the bow takes charge, towards the arctic waters where she sleeps’?” He asks. He’s less condescending this time, more curious but still annoyed.

“That.. that’s probably about a boat,” you accept.

“If you look at these as a story, where you read them from the first lines strung together and then the second lines… it reads like a book. I think someone he loved died at sea,” it seems to click for Reid and he starts scribbling on the board. “And here… I think this means there was an explosion. A boiler room maybe?” He’s moving around the two boards quickly, talking fast, pushing his hair back from his eyes. For a moment you almost find it adorable.

“Maybe he went deaf in a boating accident that killed someone he loves…” you add, standing to look at the board.

He calls Garcia and then Hotch.

“He’s killing them on a boat, it’s symbolic for him. We think he was a victim of a boating accident and lost his hearing…” he continues to speak but you become distracted.

Why were you becoming attracted to him? He was never ugly but you had never noticed him this way before. He was too busy infuriating you with his attitude. Yet he was growing on you in the last few months. Weird.

“Now what?” You ask him.

“We wait for them to get names. Hotch will tell us where he needs us next, we’ll continue to work the profile from here,” he places the pen in his mouth and flips through the victim profiles again.

“Don’t you have an eidetic memory? Why do you keep going through those…”

“Helps me deduce the information,” he shrugs dismissively.

You frown.

“Ya’know,” you sigh and pull up a chair across from him. “I have no intention of overshadowing you.” He glances up from the file.

“So why do you go out of your way to correct or narrow down my answers?”

It’s a perfectly reasonable question. You didn’t know why you did it.

“Habit? I’m used to being the smartest person in the room,” you admit.

“Right,” is his only response as he opens another file.

You don’t know what else to say so you take a look at the profile the team has built.

2 hours pass in awkward silence before Hotch calls the two of you to meet them at the east harbor for a raid of the now named suspects boat.

Once you arrive, Morgan and Prentiss greet you while you’re fumbling with your vest. After a moment and a frustrated sigh, Reid steps behind you.

“Here the strap is twisted up,” he says.

His fingertips graze your hip where your shirt is riding up. Your breathing hitches but you try not to appear affected.

“Thanks,” you tell him.

“Sounds like a plan,” you answer Prentiss who had been explaining the entry points.

“The two of you friends now?” Morgan asks Reid.

“I wouldn’t call it that,” Reid answers stoically with his hand propped on his gun. You scoff and shake your head.

“What?” Reid turns his head to you.

“Nothing, let’s just do this,” you snipe. Morgan and JJ exchange an concerned glance.

The man was impossible. You understood if he had walls up, if he didn’t like new people or the competition. But he’s not even trying to welcome you in the slightest.

The scent of ocean air and dead fish fills your nostrils as you follow behind Morgan down the dock. Reid and JJ creep onto the stern of the considerable sized old yacht while Hotch, Rossi, and Prentiss took the bow. You and Morgan are entering through the main entrance of the cabin with deadly stealth.

You hear varying 'clears' come from your coworkers before you point Morgan to a hatch leading below deck. You think you can hear shuffling of some kind happening but it's hard to tell with the sway of the ship.

The rest of the team enter behind you but its Morgan who insists on jumping down first, forgoing the small ladder.

"Randy Lional, put your hands up," he's shouting as you drop down behind him.

You raise your gun as you take in the scene, someone else drops down behind you, it's Reid based on the silver revolver in your line of sight.

The man is crouched over an unconscious Monica Dentz, one of her ears bleeding and her wrists bound. You think she's still breathing.

"Put the gun and the ice pick down man," Morgan yells and then Hotch is next to him.

"He can't hear you," you tell Morgan when Randy drags the barrel of the gun over the girl's half naked body as though he's lost in a trance. His burly back is turned to the team and the situation is so unique that none of you know how to intercept him.

You push between Morgan and Hotch to slowly approach him. It's Reid who grabs your arm and shakes his head, something like concern playing in his hazel eyes. You take your arm from him and turn to the unsub.

An idea strikes you so you pull off your earring and toss it in his direction, it slides across the floor into his line of sight, causing him to jump up and turn around.

The man's eyes are wide, dark bags below them. He's frantic as he shakily points the gun at you. His stringy strands of hair are oiled to his chubby aged face and he appears to be shocked by the FBI's presence. He's aiming the gun at Monica's head.

"Put the gun down," Morgan yells again, gesturing at the weapon.

You begin to use sign language, after putting your own gun back in its holster. Reid steps closer to you, his revolver still raised.

"I know that you're hurting. I know what happened that night. I'm so sorry about your parents," you begin to sign. "But torturing others this way is not going to change what happened to you."

Reid glances at you, seemingly impressed by your use of ASL.

"She's trying to talk him down," Reid informs the rest of the team.

"Please, drop the weapons," you sign to him again. He looks more sad, defeated than before and you're hopeful.

"Does he profile as suicidal?" You ask the team.

"Yes," Hotch answers. You swallow hard.

Just then Monica stirs awake and begins screaming against the cloth gag in her mouth.

What happens next feels like slow motion, you don't even know how to process it.

Randy raises the gun and fires at you, three shots in rapid succession before you can blink. And then Reid has stepped nearly completely in front of you, firing two shots along with a barrage of shots from the team.

You hit the floor in a daze and chaos ensues.

"We need medics!" Prentiss is screaming into her ear piece.

"Two agents hit, one victim, subject deceased," Hotch is speaking into his mic as he rushes over to you.

The blinding pain is in your shoulder, the blood hot as it oozes out of you.

"Reid," you search for him.

"Ah, I'm okay. I'm okay," he doesn't sound okay.

And then you see it, the wound in his neck, the blood pouring from his mouth. Reid is grabbing at his throat for the wound, blood coating his hand. Crimsons running down his slender wrist and long fingers. Then Morgan is applying pressure to the wound while JJ is tending to you.

You wince in pain as she is pressing down on your shoulder. You can physically feel the metal bullet sitting inside of your body, sending pain radiating in all directions. People are talking all around you, JJ's eyes are full of tears as she tries to get you to stay conscious.

"Come on kid, look at me," Morgan is pleading with Reid. no no no.

"Why did you..." you try to ask why he stepped in front of you but the room begins to spin. You start to see double and you don't know if its you or Reid groaning in pain. Reid's eyes are rolling back in his head and he's starting to go limp in Morgans lap.

Reid took a bullet for you, and it may kill him. What if he dies thinking you hate him?

A blur of paramedics enter the space before you lose consciousness murmuring Reid's name.

A/N- Hope you guys love this. I'm already working on the 'lovers' part.

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find.

im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial!

(this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals.

it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically:

contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.

BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights

mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer!

the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),

i absolutely encourage you to play around and experiment with gradient maps.

there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects

you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.

you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.

don't be afraid to change things you don't like or change your mind about certain aspects way later on

that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared.

like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.

on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art.

rendering is a process that's both very perfectionist yet also very careless.

find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.

particularly, the sleeves changed A LOT (because i really didn't like them)

but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.

it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it

i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[hollowed-theory-hall]

I've thought of a good way to characterize duelling styles.

Take Dumbledore and Voldemort. When I think of their style, I think of the movie, The Revenge of the Sith, and the duel between Anakin and Obi-Wan. It's incredibly stylish and intense. Both fighters are the best and it really comes down to who makes the first mistake.

That's how I think of Dumbledore and Voldemort. Their duel in OOTP was the most bombastic and entertaining in the whole series. They were duelling as how you'd expect two wizards of equal skill to duel.

With Harry, I think of the scene in Raiders of the Lost Ark where Indy shoots the swordfighter and walks off.

Harry's duelling style is quick, dirty and pragmatic. Sure, it may be boring, but it's damn effective. Why waste time and risk your life with all these fancy spells when a simple disarming charm renders 99% of wizards completely harmless.

Harry's not fighting as a wizard, he's fighting as a survivor.

Harry's definitely the most pragmatic dueller out of these three. And it makes sense. Harry didn't have the luxury of studying dueling and magic at his leisure to enjoy just the magic of it the way Dumbledore and Voldemort did. He doesn't have the arrogance of Dumbledore and Voldemort, so he doesn't have that same need to show off and prove he's the smartest most talented person in the room. Becouse that's what I think it is. The duel in OotP doesn't look like that just because of skill — it's also arrogance, of both combatants.

Both Dumbledore and Voldemort are trying to say: "look at me! I'm so much more talented and skilled than the other guy!" during their duel. The whole thing is a theatrical ego-stroke.

It's why Voldemort gets so miffed when Dumbledore questions his intelligence and magical skill. It's why Dumbledore repeatedly doubts Voldemort's skills aloud and calls him "Tom". Their duel is a game of showing "Look, I'm better", neither of them is trying to simply win, they want to humiliate their opponent and prove themselves superior.

“You do not seek to kill me, Dumbledore?” called Voldemort, his scarlet eyes narrowed over the top of the shield. “Above such brutality, are you?” “We both know that there are other ways of destroying a man, Tom,” Dumbledore said calmly, continuing to walk toward Voldemort as though he had not a fear in the world, as though nothing had happened to interrupt his stroll up the hall. “Merely taking your life would not satisfy me, I admit —” “There is nothing worse than death, Dumbledore!” snarled Voldemort. “You are quite wrong,” said Dumbledore, still closing in upon Voldemort and speaking as lightly as though they were discussing the matter over drinks. Harry felt scared to see him walking along, undefended, shieldless. He wanted to cry out a warning, but his headless guard kept shunting him backward toward the wall, blocking his every attempt to get out from behind it. “Indeed, your failure to understand that there are things much worse than death has always been your greatest weakness —”

(OotP, Ch36)

Harry, on the other hand, is an abused, traumatized boy with ridiculously low self-esteem who's been running on survival mode since he can remember himself. Of course, he'd fight to remain alive. Harry never fights to prove a point or humiliate his opponents like Dumbles or Voldy, he is fighting to survive.

He is always going for incapacitation or disarming — he knows the longer the fight lasts, the lower his survival chances are, so he fights intending to end fights quickly. It's the best way to ensure survival and it's what he does.

He tries to avoid killing when the enemy doesn't deserve it (like Stan Shunpike or Draco in the bathroom, yes, Harry tried not to kill him) but Lupin is wrong in his assessment of Harry's dueling in DH. In fact, Harry is willing to kill when he needs to. When his opponent deserves it and it will save Harry and others, Harry goes for the kill. and he does so instantly.

He doesn't have Voldemort's theatrical need to play with his food:

“We bow to each other, Harry,” said Voldemort, bending a little, but keeping his snakelike face upturned to Harry. “Come, the niceties must be observed. . . . Dumbledore would like you to show manners. . . . Bow to death, Harry. . . .”

(GoF, Ch34)

Becouse he isn't trying to prove a point. He is trying to survive and playing with your food means the food just might get a chance to get away.

Nor does Harry have Dumbledore's feigned goodness. (Dumbledore is a character who is obsessed with what he considers "good", he wants to be a good, humble person so bad, but he isn't. To the point of completely romanticizing the concept of "goodness" and kind of missing the point sometimes). Dumbledore doesn't kill because of his romanticized, idealized version of goodness which places him "above such brutality" just like Voldy mocks him in OotP. So he would never cast a killing curse — even if it is an efficient solution that would save lives at the moment.

Harry has no qualms about using Unforgivables when he feels the situation calls for it. If it's more efficient and helps/saves people Harry cares about, he'd do it. Harry is crazy scrappy when fighting. I talked about it here, but Harry uses his body a lot when dueling. He tackles Death Eaters with his hands, he elbows them in the face, he uses plenty of muggle brawling when dueling because it works. Harry does whatever he needs to do to survive, it doesn't even matter to him if he wins or not — what matters is survival. This is why he is so practical when it comes to dueling, why he fights the way he does, and why he is willing to cast Unforgivables. He would always choose the path to survival and to save as many people as he can, even if that path is running away (which he often considers in fights, especially when younger).

I really like your phrasing of it: "Harry's not fighting as a wizard, he's fighting as a survivor" because that's exactly what this is. If punching someone helps, he'd do it, if a spell can be useful, he'd use it. Oh, his hands burn Quirrell, very well, he'd use that — he uses anything and everything he can, he doesn't care how it looks, just that it works.

I think the Death Eaters in OotP were surprised when he just, like, tackled them down physically. I think most wizards think such is beneath them, so it'll surprise them when someone actually throws hands. I mean, we see Arthur and Lucius throw hands, and it's clearly not something common in their society:

There was a thud of metal as Ginny’s cauldron went flying; Mr. Weasley had thrown himself at Mr. Malfoy, knocking him backward into a bookshelf. Dozens of heavy spellbooks came thundering down on all their heads; there was a yell of, “Get him, Dad!” from Fred or George; Mrs. Weasley was shrieking, “No, Arthur, no!”; the crowd stampeded backward, knocking more shelves over; “Gentlemen, please — please!” cried the assistant, and then, louder than all — “Break it up, there, gents, break it up —” [...] Mrs. Weasley beside herself with fury. “A fine example to set for your children . . . brawling in public . . . what Gilderoy Lockhart must’ve thought —”

(CoS, Ch4)

I'm pretty sure Lucius did not expect that. Like, he might've expected a hex, but not to be pushed physically. He probably considers it awfully muggle.

So, yeah, your assessment is correct and it fits their characters, beyond just skill level (since I believe Harry could fight like Dumbledore and Voldemort if he was inclined to do so).

[parkerslatte]

Finding Home || Part Six

Azriel x Fem!Reader

Word Count: 4k

Warnings: none

Summary: Y/N and Azriel enjoy a day out shopping and Y/N finds something that catches her eye.

Finding Home Masterlist

A Court of Thorns and Roses Masterlist

•••

As soon as Azriel was awake the next morning, Y/N thrust a coffee into his hands. Azriel took it, barely comprehending anything at all. If he didn’t feel Y/N touch his arm and shake it, he would have been sure that he was dreaming. Instead of the rain they had the previous day, sunlight streamed through the window, nearly blinding Azriel from where he was sitting on the couch. 

Y/N barely let Azriel sit around long enough to even finish his coffee before she thrust some of his clothes his way. 

“Get dressed,” Y/N said. “It could start raining at any point and we haven’t had weather like this in a while. Oh! And the market is on too. I want to get there before they begin closing down for the week.”

“Isn't it early in the morning?” Azriel questioned. “Everything will be open until long after midday.”

“That isn’t the point,” Y/N sighed. “I want to have a look around all of the good stalls! There is a jewellery one that I have been meaning to go to for a long time but I’ve never had the chance to go.”

Y/N fell back down on the couch and huffed. Azriel only watched on with amusement. The clothes on her figure suited her more than anything Azriel had seen her in before. The dress clung to her waist and flared out around her, stopping at her mid calf. The sleeves draped across her shoulders and gave it an elegant look. It wasn’t even the dress that gave Y/N an elegant look. She had always carried herself that way. However, the way she sat on the couch was in no way elegant. 

Y/N lightly nudged Azriel’s arm. “Stop your gawking and get dressed.”

Azriel’s mouth opened and closed, trying to form some kind of response but he couldn’t think of one. He thought she didn’t realise he was staring. 

Y/N smirked. “I see I’ve rendered you speechless.”

“You have not,” Azriel retorted, standing to his feet. He stretched his wings wide while stretching his arms. 

As he did so, he did not fail to notice Y/N now gawking at him. Azriel smirked. “I see you are now gawking at me.”

Y/N looked away, clearly flustered. “I– shut up.”

A deep chuckle emitted from Azriel as he walked away to the bathroom to change, leaving Y/N flustered on the couch. As he entered the room and closed the door behind him, Azriel let out a breath. He changed as quickly as he could, not wanting Y/N to continue waiting for him. As he changed, the only thing he could think of was Y/N and her excitement to look around the market. Azriel smiled upon remembering her utter joy and excitement as Y/N explained where she wanted to go. The light in her eyes never dimmed for a moment. Azriel hoped it never did. 

The moment Azriel exited the bathroom, Y/N was waiting by the door. She smiled upon seeing him. “Come on! Let’s go.”

Azriel followed her out of her apartment and into the bright sun. There was still a slight chill in the air but it wasn’t too bad for Azriel. If Y/N was cold she didn’t make it known at all as she simply linked her arm through Azriel’s and dragged him in the direction of the market.

***

Azriel could tell that they were nearing the market from the rise in volume around them. More and more people came into view until the whole street was crowded with different vendors and customers. Azriel’s shadows became restless around him as he surveyed the crowd. Azriel never considered himself an anxious person before, that had only become a recent development. For too long he had only held the company of his family and perhaps anyone who he was dealing with in Hewn City. Azriel couldn’t remember the last time he was in a crown this large. 

“Are you okay?” Y/N asked, her wide eyes staring at him in concern. 

Azriel cleared his throat, trying to sooth his shadows but no matter how much he tried, he couldn’t. They were betraying exactly how he felt. “I’m okay,” he lied. 

Y/N did not look like she believed him at all but she didn’t comment on it, which Azriel was grateful for. Azriel looked back out into the crowd and let out a small breath. As he went to take a step forward, Y/N unlinked her arm from his and trailed her hand down his arm to grasp his hand. She linked her fingers with his and gave his hand a small reassuring squeeze. His shadows calmed almost instantly and settled around him. 

Azriel looked down at her and gave her a small grateful smile. The feeling of her soft skin in his palm instantly relaxed him. 

Y/N gave him a small nod before taking the lead and walked them both through the crowd. Azriel had no idea where Y/N was going first but he was happy to follow. As they manoeuvred through the crowd, some people stopped and stared at Azriel, knowing exactly who he was. Normally Azriel wouldn’t care at all, but now, being with Y/N, he did. Some of the stares were judgemental and some even fearful. Azriel tried to offer a reassuring look to everyone he passed, but his attempts were futile. 

Reluctantly, Azriel let go of Y/N’s hand. Y/N instantly stopped in her tracks. 

“Why did you let go?” she asked.

“People are staring,” Azriel said, insecurity lacing his tone. “With some people I don’t have a perfect reputation.”

“And you think I care?” Y/N said. “Az, I know what you do and I know the reason you do it. To keep the people of this court safe. If others cannot see that, they are not worth your time.” Y/N linked her fingers with Azriel once again. “Now do not let go again.”

The smile that pulled on his lips was bright as Y/N held tightly onto his hand. Azriel never wanted to let go again.

“The jewellery stand is over here,” Y/N said. “If they don’t have any nice stock left because of you, Azriel. Mother help you.”

Azriel only chuckled quietly as Y/N dragged him over to the stall. Upon seeing the beautiful jewels decorating the stall, Y/N gasped. Azriel felt his heart skip a beat upon seeing Y/N’s face light up. 

“Everything is so beautiful!” Y/N exclaimed. 

She pulled Azriel closer to the stall and began to examine all of the pieces. She picked up a necklace with a small glass pendant in the centre of it. 

“Ah,” the vendor said. “That necklace is one I have been working on for a while. I added a small enchantment to it.”

Y/N looked at the necklace in wonder. “What is the enchantment?”

The vendor smiled and looked between Y/N and Azriel. “Nothing bad, I can promise you that. But if you choose to buy it, the enchantment will show to whoever touched the glass pendant.”

Y/N lightly touched the pendant. Nothing happened.

“It is rather beautiful,” Y/N said. “I’ll take it.”

The vendor smiled. “A beautiful necklace for a beautiful lady.”

Y/N looked at the ground, slightly flustered at the vendor's compliment. The hand not holding Y/N’s clenched. He wasn’t sure why. 

“That will be one hundred gold marks,” the vendor said. “One hundred and ten if you would like it gift wrapped.”

“Just the necklace itself is fine,” Y/N said, digging in her small bag for the money. She handed it over to the vendor. 

The vendor gently placed the necklace in Y/N’s hands. “Thank you.”

“If you like anything else, let me know,” the vendor said before moving to serve another customer. 

Y/N turned to Azriel. She held out the necklace to him. “Can you put this on for me?”

Azriel took the necklace from her and Y/N turned around and lifted her hair from her neck. A waft of Y/N’s shampoo hit him and Azriel closed his eyes. It was one of his new favourite scents. 

He took a small step closer and wrapped his arms around Y/N’s head letting the pendant of the necklace rest sternum. Y/N shivered as the cold glass made contact with her skin, causing goosebumps to spread across her body. The clasp was simple but Azriel struggled as his fingertips brushed her skin. Y/N leant back into the touch, seeming to seek more.

Azriel wasn’t sure why but all he wanted to do was wrap his arms around Y/N and pull her to his body and bury his head into the crook of her neck. To breathe in her scent. To just be close to her. That was all he wanted all the time–

He hadn’t known her long. They barely ever knew one another. Y/N didn’t even know how he had gotten the scars on his hands. What if his thoughts scared her off? What if she was put off by her seemingly becoming his best friend in such a short amount of time? If Azriel were in Y/N’s position, he would feel that way. Why wouldn’t she?

“Az?” Y/N’s melodic voice cut off his thoughts. “Have you clasped it yet?”

“Oh,” Azriel said, quickly clasping the necklace together. He let his fingers linger for a split second longer before he took a step back, perhaps a little larger than necessary. “Yes.”

Y/N smiled and turned around. “Well? How does it look?”

Azriel looked down at the small glass pendant hanging on a delicate silver chain. Y/N’s eyes lit up as she waited for Azriel’s answer in anticipation. Azriel couldn’t help but answer; “Beautiful.”

He wasn’t just talking about the necklace. 

Y/N didn’t respond as her eyes fell behind Azriel and her breath hitched in her throat. Azriel frowned and his gaze followed Y/N’s until they found what she was looking at. They were a pair of sapphire earrings. 

“They look just like the ones my mother had,” Y/N said as she picked them up from the table. “I never remembered her wearing them but my father kept them close after she passed. He told me she wore them all the time.”

“What happened to them?” Azriel asked.

Y/N shrugged. “Before I moved here, I lived somewhere that wasn’t the safest. Many break ins. I always thought my building was secure, but when I came back home one day, my whole apartment was flipped upside down and the earrings, along with other valuable items were gone.”

“I’m sorry, Y/N,” Azriel said, his hand brushing lightly against her back. 

Y/N offered him a tight smile. “There’s nothing to apologise for. It has been a long time since then.”

Y/N caught the vendor's attention. “How much are these?”

“Ah, I see those have caught your attention,” the vendor said and Azriel was already annoyed by them just as he had been before. “Those earrings took me a while to obtain and even longer to polish to perfection. The price doesn’t come cheap.”

“How much?” Azriel asked, agitated.

The vendor smirked. “Eight hundred gold marks.”

Y/N’s eyes widened the smallest amount. Not noticeable to the vendor but clearly noticeable to Azriel. She placed the box with the earrings inside back down on the stand. “Thank you, but I’m afraid I cannot afford them.”

“I’ll take them,” Azriel said. 

This time Y/N’s eyes widened a lot, clearly in shock. “Azriel, you cannot buy them.”

“I can,” Azriel said as he began to count out the money. “And I will.”

Y/N clutched Azriel’s bicep as he counted out the money. “Azriel. You cannot spend eight hundred gold marks on some earrings! That is more than I earn in two months.”

“I have money in my account that I do not know what to do with,” Azriel said. “Let me buy these earrings for you, Y/N. I can see how much you liked them.”

“No, I won’t let you buy them,” Y/N said and pushed Azriel’s hand back down. “Let’s go.”

Before Azriel had the chance to shove the money in the vendor’s hand and take the small velvet box, Y/N had pulled him away from the stand. Azriel fought her the whole way as she stopped at a small bench. 

“Why didn’t you let me buy those earrings for you?” Azriel questioned. 

“Because spending seven hundred marks on two silly little jewels to decorate my ears is stupid,” Y/N explained.

“We both know that is not the reason you wanted those earrings,” Azriel said and sat down on the bench. 

Y/N sighed. “I know. But it was just overwhelming. I haven’t known you for long and you were willing to lose that amount of money over me just because I liked something. How do you even have that money to even consider spending it on me?”

“I have worked as this court's spymaster for nearly my whole life,” Azriel said. “I never really buy anything for myself so over the years, the sum has just added up.”

“Why don’t you buy anything for yourself?” Y/N asked. 

Azriel shrugged. “I never need to. Rhys always supplied us with any weapons we may need. I don’t buy materialistic possessions because I don’t feel the need to have them. The only major thing I can even remember buying recently is my apartment. I bought it outright so I don’t need to pay rent on it.”

“Wow,” Y/N said. “That is really sad.”

“What?”

Y/N suddenly gripped his arm. “I didn’t mean it in a bad way. I just meant that it is sad that you have no need to have materialistic possessions. I love buying new things, especially when I go to new places. You’ve been inside my apartment, you see how much stuff I have.”

“And you’ve been inside of mine,” Azriel said. “You’ve seen how little I have.”

Y/N smiled sadly. “Okay, today, make me a deal.”

“What?” 

“Spend some money on yourself. It doesn’t matter what it is, even if it is something silly and a little bit stupid. Because you may not realise it but those things can hold sentimental value with a little bit of time,” Y/N explained. 

“Y/N–”

“Promise me,” Y/N said, holding out her pinky. 

“Seriously?” 

“Seriously.”

Azriel huffed a sigh before linking his pinky with hers. One of his shadows wrapped around her hand and lightly caressed her skin. Y/N smiled in delight. “Do they always do that?” she asked.

“Only to those I like,” Azriel said. His shadows had never caressed or interacted with anyone when Azriel’s didn’t wish them to. With Y/N, it was as if he were trying to put a leash on a feral dog. 

“You like me?” Y/N asked. 

“Of course I do,” Azriel said. “I wouldn’t be with you right now if I didn’t, would I?”

Y/N smiled as she slowly linked their fingers together. “Tell me if I’m too forward but– no I can’t say that. You’’ think it’s weird.”

Azriel smiled softly. “Tell me.”

Y/N giggled and Azriel felt a shiver go down his spine at the sound. “No. It’s embarrassing!”

“I won’t laugh,” Azriel replied. “Whatever it is.”

“I just–you’ve become one of my best friends really quickly,” Y/N admitted. “I never thought when I spoke to you on that park bench that you would become such a prominent presence in my life.”

Azriel was touched by her words. His eyes instantly lost the humour and amusement and filled with pure tenderness. “That isn’t stupid, Y/N. Not at all.”

“I mean it is,” Y/N said. “We haven’t been friends for long.”

“That doesn’t matter to me,” Azriel said. “And I actually feel the same way about you. I just never wanted to say it aloud in case I scared you away.”

Y/N squeezed Azriel’s hands, whether it was intentional or not, Azriel couldn’t tell. “You could never scare me away, Az.”

The moment Azriel smiled, Y/N took her hands from his and gently cupped his face. “There’s those dimples I love.”

Azriel rolled his eyes. “Does this mean I can buy you the earrings now that we have had a heart to heart?”

“You can buy me lunch instead,” Y/N said. “There’s a small restaurant just around the corner that I have always wanted to try. They should have their lunch menu now. We can have lunch and continue our adventures in the market after.”

“Sounds like a plan,” Azriel said, rising to his feet. “Shall we go?”

Y/N stood next to him. This time, Azriel initiated contact first as he linked his fingers through hers. Y/N gave Azriel a cheesy grin before they fought through the crowd in the direction of the restaurant.

***

“Okay, I am sure I have spent enough money today,” Azriel said as he looked at the bags surrounding him. 

Y/N peeked inside one of the bags. “Oranges? Really Azriel?”

“I like oranges,” Azriel defended. 

Y/N huffed a laugh before patting her side. Her eyes widened in terror. “No, no, no.”

“What’s wrong?” Azriel asked, suddenly serious. 

“I left my bag somewhere,” Y/N said. 

“When was the last time you had seen it?” Azriel asked. 

“I don’t know,” Y/N said, panicking. “The restaurant perhaps?”

“We can go and search there now,” Azriel said, standing to his feet. 

“I can go,” Y/N said. “It’s my bag, my responsibility. And it saved us lugging all of the bags around.”

“Are you sure?” Azriel said. “I can go with you.”

“I’m sure, Azriel,” Y/N said. “I’ll be back soon.”

Y/N left in a hurry without another word and left Azriel alone on the bench. He looked around at all of the bags. Even though Y/N had told him to buy things for himself. He had also snuck a few things amongst the rest for her. Another blanket that he knew she would love. A few scented candles. A small wicker basket she had been eyeing. Y/N had seen Azriel purchase it, he defended himself by saying that it would be perfect for the task of having a picnic. Azriel could only hope that would be on the list. 

As he looked around at the world surrounding him, Azriel’s gaze fell upon the vendor selling jewellery. Like the others around them, they were packing everything away. Azriel suddenly shot to his feet. 

“You,” Azriel pointed to a young male, at most fifty years old.

The young male stopped in his tracks and turned to face Azriel. “Yes?” He asked, his voice trembling. 

“Look after the bags here,” Azriel said. “Make sure no one touches them.”

The young male nodded and stood next to the bags, as stiff as a door. Azriel nodded to him before marching up to the jeweller. “Do you still have those earrings?” 

“Ah, so you return,” the vendor said.

“Earrings? Yes or no?” Azriel asked. 

“Perhaps I have them,” the vendor said. “But as it is past closing, the price will be raised for my after hour services.”

Azriel rolled his eyes. “How much now?” 

“One thousand gold marks,” the vendor said. 

Azriel scoffed. “You cannot be serious.”

“As death,” the vendor said. “Do you even know what those earrings are made out of? They may look like sapphires but they are made out of the crystal of a fallen star. I would say that I am doing you a deal. Do you realise how rare a fallen star is?”

“Do you realise I can go to the High Lord and tell him that a vendor is overcharging for fake jewellery?” Azriel threatened. “Some of this is real, yes, but you have mixed fakes amongst it all and still charge the same amount.”

The vendor shrugged. “Whatever pays the bills.”

“Was the necklace you sold Y/N real or was that just another one of you scams to get her to buy it,” Azriel questioned.

“I can assure you, shadowsinger, that the necklace I sold your dear friend was certainly real. The enchantment I cannot say exactly what it is as I do not know myself. I was experimenting and I do not know which one took hold. But I can assure you that they were all safe,” the vendor explained.

They tell the truth, his shadows whisper into Azriel’s ear. 

“So,” the vendor began, “the earrings. Perhaps since you work for the High Lord, I will give you a discount. Nine hundred and fifty gold marks instead. A small discount goes a long way.”

Azriel huffed and handed over the money. 

“Pleasure doing business with you,” the vendor said as they handed over the box containing the earrings. 

With a snap of their fingers, the vendor was gone along with their stall and everything else. Azriel blinked as he remained standing there, staring where the stall once was. 

“Azriel?” Y/N said. “What are you doing?”

Azriel quickly shoved the box into the pocket of his jacket and turned to face Y/N. “I just thought I saw something. Did you get your bag back?”

Y/N held it up. “Luckily I left it at the restaurant and they kept it safe for me.”

“That’s good,” Azriel said, taking a step closer to Y/N. 

As they walked back to the bags, Azriel gestured for the young male to leave, which he did, rather quickly. 

“We should be getting home now,” Y/N said. “My feet hurt from standing up all day.”

“I agree,” Azriel said. 

Y/N scoffed. “You are a warrior. You told me that you train nearly every day. You cannot complain about your feet hurting.”

Azriel rolled his eyes. “In my defence, I haven’t kept on top of my training.”

Y/N laughed. “A couple of weeks with no training and now your feet hurt too much to stand.”

“I never said that,” Azriel defended himself. 

“Wow, I cannot believe the big tough shadowsinger is complaining about his feet hurting,” Y/N teased. 

“I am not complaining,” Azriel said, fighting the urge to smile.

“You are!” Y/N exclaimed. “Just wait until I tell–”

Y/N never finished her sentence before Azriel had swooped her up and lifted her over his shoulder. She clutched onto him tightly as she shrieked in surprise. 

“Azriel!” Y/N said, lightly hitting his back. “Put me down!”

“No,” Azriel said. “Not until you apologise for your teasing.”

“But I thought you liked being teased?” Y/N said. 

Azriel felt a burning blush coat his cheeks. He was glad Y/N couldn’t see. 

“Let me down!” Y/N complained.

“I didn’t hear an apology,” Azriel said.

“Okay, I’m sorry,” Y/N said through her laugh. 

“That wasn’t so hard was it?” Azriel said. 

As he let her down, Y/N didn’t step back instantly and neither did Azriel. The two stood there simply staring at one another, Y/N’s arms wrapped around Azriel’s neck and Azriel’s arms wrapped around Y/N’s waist. Azriel thought Y/N couldn’t look any more radiant. Her hair was dishevelled but somehow it suited her perfectly. Her lips were slightly parted and Azriel had a hard time looking away. 

A loud noise from another stall packing their goods away disrupted Y/N and Azriel, he let her arms drop from her waist and Y/N took a small step back. 

“Shall we go home?” Y/N said, offering her hand to Azriel. 

Azriel took it and linked his fingers with her, feeling deep within him pulse. Azriel simply ignored it. 

Together they picked up the bags and as Azriel’s shadows surrounded them, the two of them failed to notice the clear glass pendant hanging around Y/N’s neck turn the faintest shade of pink.

Taglist:

@justdreamstars @naturakaashi @thesunloveschips @hijabi-desi-bookworm @mischiefmanagers @waytoomanyteenagefeels @amara-moonlight @ithan-holstroms-girl @meshellexplosionmurder @nightcourt-daydreaming @brujitafantomarico @qinfeii @pinksmellslikelove @schultzlindsey5 @mell-bell @we-were-beautiful @fightmedraco @glitterypirateduck @lostinpages13 @actuallyacerrr @poetryinshadows @saltedcoffeescotch @topaz125 @acourtofbatboydreams @luvmoo @daily-dose-of-sass @applerubyy @tonysttank @just-a-social-casualty-1 @scatteredstardustt @samaxraph99 @i-m-in-loki-s-army @katlyndawn51 @skyesayshi @iamjimintrash @reverieinthestars @witchymomfrien @oliviajdjarin @tele86 @sfhsgrad-blog @judig92 @natashachelsea @prettylittlewrites @amysangel @mybestfriendmademe @aria-chikage @phoenix666stuff @wilmalovegood @acphengene @tothestarsandwhateverend @sheblogs @littlelunatica @rose-girls-world @darkbloodsly @impossibelle @mysticalfuncollectorus @books-and-lit @acphengene @emmmass24 @usernamesareies @hauntedstudentobservationus @od-anon @aehllitas-blog @mindofthescattered @loving-and-dreaming @shakiraa-a @lilah-asteria @krowiathemythologynerd @rcarbo1

[tofupixel]

Do you have any advice on how to get into pixeling larger scenes, or how you go about the process? I dabble in pixel art occasionally and am interested in pursuing it more, but whenever I try large scenes I always tend to fall flat

Love your art, by the way!

thank you!

my first step i always go get a ton of references. i think if you are struggling with pixel scenes it can help you to get some pixel art references too. for example if you arent sure how to render a tree, look it up on pixeljoint hall of fame im sure you can find something that inspires you.

this is the moodboard for my current knight crowley/statue azi piece im working on (software is called pureref btw. i have a dedicated monitor just for this but you can do transparency and overlay it if you lack space)

i think this is mostly preference but i always begin working with large areas of value/colour rather than an actual line sketch

i usually only save the wip process if im sending it to clients, so here is an example of how i worked through a commission

at this point im just going for the vibes. colour is more important and shape/size and having random pixels everywhere doesnt matter cos u can just remove them later !!

its kind of an anomaly/doomsday thing so i wanted the red sky and chaos all over

i work really quickly at this point and try for energy

just beginning to work my way through and detail things up. im still changing things around and adding more stuff in different places. its digital art so you can change things however you like, just keep moving forward

final ver sent to client after some revisions. pixel art is 99% rendering so you just need to keep pushing forward

i also want to say i did like 3+ years of sporadic studies. mostly studio ghibli and shishkin. if you have someone who inspires you you can study their work and figure out how they do it.

it cant be overstated how many of these i have done lol and im still not even close to where i want to be (its a process)

anyway sorry for the long post but you really should go for it. ive done the same concept like 3 times over my career (so far) cos i enjoyed it and want to come back to it now that im a little better. so u dont have to make it perfect the first time but doing it is better than not doing it!

sorry for the long post but i kinda got carried away anyway lmk if u want more specific tips i like talking about pixel art :--3 GL with your art

[fuckyeahmhawkefenris]

I promised myself that I would never ever bring it up because I have enough stress in my life already and these discussions take up a lot of time and energy and require a lot more witt and eloquence than I posess.

But.

This wound has been out there for many many years, and I feel that now it starts festering again, and since I have taken it upon myself to preserve our history, I feel that it would be simply wrong to remain silent when I have something to say.

So, you probably know I make fenhawke renders in XPS using models extracted from da2.

My Fenris model uses these textures

But I must point out that I had to manually edit them to look like this, because the original game textures look like this:

(I believe they do, because the dude who shared the models only did the extracting, and is not known for editing textures)

Want to know why I did what I did?

Because I spent much much MUCH more time looking at fanart of Fenris, than playing the actual game, and at some point it started feeling wrong to me to have him so pale. My vision of him was influenced by the fandom.

That doesn't change the fact that THAT's how he looks in the game.

Can you see where I'm going with this?

Come and tell me that it's impossible to take him for a generic white dude.

Racism is bad, duh

Whitewashing dark skinned characters is bad, DUH

Many of you may have gotten immersed in the wide world of modding (I can't do it, all known mods change too much about Fenris for my liking, and I need him to have his iconic features), but

can we please stop pretending that Fenris in the original game was obviously depicted as dark skinned?

Because that's some stupid bullshit that has caused and still causes a great number of people, mostly artists (often casual fans), a lot of distress, and outright promotes bullying hiding it behind an image - illusion - of social justice.

Yeah, in 2014 we got Dorian and Krem and some others in DAI, finally seeing what people of Tevinter look like.

But guess what? In 2012 we had no idea, and could only guess. Back then we actually had discussions about this, offering opinions and not being afraid to talk? In 2012 we did not really know how to portray Fenris, and artists made their own choices.

In da2 the only tevinters we encountered were

For the best, probably, because had they been depicted as dark skinned, that would have likely become a case of some very unfortunate implications. Looks pretty hopeless to me, either way.

ETA: and of course I forgot Fenris's SISTER

I'm not saying that racism is not an issue in this fandom. It is, obviously, like anywhere else.

But can you imagine a person who played DA2 (exclusively, without getting into DAO or DAI or trying to explore the fandom and looking at more fanart), taking a liking to Fenris and deciding to make fanart of him and sharing it with the fandom, and then having angry anons come to their ask box accusing them of racism? For depicting Fenris in the only way that is known to them?

Think about it for a minute.

I've witnessed a number of such happenings over my time here, and I've been around since 2012.

If you take the time to look at our old fanart, you'll find various depictions of Fenris. Some darker, some lighter, but back then NOTHING could be considered wrong, because we had too little to go on.

It would have been funny had it not been so bloody SAD to see older pictures circulating the net and read comments filled with rage and hurt over whitewashing brown characters.

I get it, you want to fight for justice, but THIS is not JUSTICE.

That right there is some act 3 Meredith level of lunacy seeing blood magic everywhere and condemning innocent mages.

Before you decide to go harass an artist who made a picture that does not match your vision, take a few minutes to think about how justified it would be. Weigh your options and at least choose your words carefully.

I shudder to think how many potential fans had been put off and turned away from this fandom, left wondering wth is wrong with us.

---

ETA: concerning lighting https://fuckyeahmhawkefenris.tumblr.com/post/772588487945879552