#but also when people ask you why you learned the skill you get to talk about w101

[arcadia345]

❃Astrology observations❃

Masterlist

Not a real astrologer just my observations:)

❃ Aquarius moon femmes tend to be more masculine/tomboyish whether it be their personality or fashion sense they prefer loose fitting clothes. They have this nonchalantness/offstandish energy about them, they also are very sensitive and receptive to energies around them esp after one on one interactions but surprisingly do very well w online interactions💀they could feel like their personality shines brighter online than irl

❃ 12th ruler in 7th natal partners could have animosity towards you esp if you prefer men they tend to have secret intentions/lives

❃ Sagittarius in your natal chart is where you tell the best stories, and gemini can show where others ask for advice/tell their best stories to you(and lowkey try to impress you)

♐︎ in 1st -you ARE the story, there’s never a dull moment ,so many memories are made w you, many stories where you had to be reminded that your that GIRL/GUY✨ (esp by your guides)

♐︎ in 8th- they articulate their trauma very well, the ones that talk openly about their abuse, lots of near-death stories, surgery stories that they almost didn’t make it out of, thieving stories

♐︎ in 11th- the type to bring their friends into every situation/story, most likely to do the best story time vids online, their stories can be eye opening for the collective, people love when they predict the future, stories about the future/goals of humanity, evolution stories, stories about you gaining independence(just like 1st)

♐︎ in 12th- they love to hear about your dreams and conspiracies, they love when you talk about your insecurities and spill your own secrets, your paranormal experiences and things about past lives

♊︎ in 2nd- they love to tell you how hard they work for their assets, “You know I haven’t told anyone this but I feel like I can trust you.” They don’t mind telling you about their illegal activities, people have a tendency to think you took something from them, they come to you for advice on how to approach situations

♊︎ in 5th- the type to have kids come up to them and all their parents business (4th house also), the best childhood memory stories, people try to impress you w their sex stories , they come to you for advice on sex and love matters also, asking for your opinion w fashion & aesthetics, you make them want to try new things🥵

❃ Taurus in the 3rd/4th find it hard to leave their family/home

Cancer risings (4°16°28°) their face and body fluctuate through life but their faces tend to get rounder/fuller as they age

❃ Sending love out to Venus in Pisces/12th house natals y’all are what fairytales are made of🥺 just being in your presence is healing even tho they feel sometimes their deepness and devotion isn’t reciprocated at times idk who needed to hear this but your loving energy transcends the physical barriers you could do a lot of energy work on the other side w/o even realizing it esp while sleeping🧡

❃ I feel bad for Chloe because w that Gemini mars baby everybody always gonna think you doing too much😭 unti you don’t do enough & they’ll still be mad

Finding out Lil uzi has a Gemini mars sent me💀 it reminds of them vids of their security guard trying to keep up w them while they jump all over the place🕺🏽

❃ Sag moon children mom was in her hoe phase when u were conceived. Partying/traveling/drinking/learning was prominent for her at the time

Venus in natal can show you why others envy you

♀ in 2nd- they envy how consistently you upkeep yourself, they see how much money you put into yourself to look good, they hate how materially abundant you are, how easily you make money from your talents/assets, they envy your sugar daddy/baby energy

♀ in 4th- they envy how abundant your family/ancestry is, they envy your mom/your motherly skills, how easily you make a house feel like home, how rich your inner world is, your decoration sense, how easily you’ll be remembered after passing/leaving home, how easily you make money from home

♀ in 8th- they envy how easily others trust you esp w their money & possessions, how beautifully you shed your skin in transformations, sugarbaby placement, how magnetic you are, how easily people become obsessed w you, your way of love making/showing love/spoiling others or vise versa

♀ in 12th- a lot of people don’t even realize that they envy you/ subconsciously send you evil eye, you provoke their hidden desires(this place def has lots of people in their circle wishing on their downfall) they envy how content you are with yourself /and how you’ve healed yourself , your music taste

I feel like prominent Pisces placements tend to lose their teeth more often than Capricorns, could also have dreams of teeth falling out/rotting

❃ Prominent Virgo in natal stay cleaning up other people’s 💩💀 like literally tho at some point in your life you’ve had to be some type of caretaker ie. animals, elderly, babies. But 💩 is more prominent/consistent in your life

But if ur a pet owner or caretaker in general you know that a lot of times the only way they can communicate what’s going on w their body Is through their bowel movements so it’s a blessing and a curse cuz it’s not like your obsessed with 💩 (unless👀) but you kinda have to be😭

Aphrodite in Gemini/3rd house natals have contagiously attractive laughs/smiles, delicate hand and arm movements, and beautiful hands and lips

❃ Every time I have prominent 8th synastry esp moon/mars we always have 🩸 sex eventually 🧍🏽‍♀️ they be feigning so bad for you that they can’t wait a few more days they need it now! But they always end up saying you put a spell on them like no bro u willingly put a spell on YOURSELF💀

❃ 7th house mercury could attract or prefer younger/pettie people or they are seen as such, also prone to have partners w prominent anxiety

❃ Eros/mars in Aries/cancer/scorpio in composite charts shows lots of crying during sex but for different reasons

Aries cries because ur f*cking/sucking them so good all they can do is take it like a champ and cry happy tears 🥲

Cancer cries because you truly touched their soul🥺 they never thought sex could be this satisfying and comforting at the same time (healing sex like Pisces)

With scorpio it’s kinda a mixture of both w sprinkles of trauma bonding✨

❃ Venus in 8th synastry- adoring eachothers beauty marks esp the house person @ Venus , the house person usually adores the Venus’s insecurities/stuff about themselves that they never picked up on which gives the Venus person a new prospective of their beauty

❃ Mercury synastry can tell you how you were first introduced/heard of each other

☿ in 8th- meeting while/before going through a transformational/traumatic period in your life, you could have problems w people owing you money or vise versa, catalyst for spiritual & sexual growth, meeting before/after having a major surgery

☿ in 9th- meeting through college/highschool,being introduced to/by a different ethnicity friend,meeting while traveling esp abroad, catalyst in spiritual journey, meeting through religious community

☿ in 4th- I have this w my mom while her ☿ is in my 1st so you could also share this w your parents, w cancer and Aries basically representing the womb her PUMPUM told her about me😂obvi she had no other choice but to learn about me I was coming weather she liked it or not😎 so w 1st house synastry I feel like they were kinda forced onto you they’re pretty hard to miss🥴with 4th her aunts/women in her family told her she was gonna have another baby before she even knew🤷🏽‍♀️

❃ Jupiter in 1st synastry -even the most stubborn person would hear planet person out w this placement 😏 Jupiter boost house persons ego/outlook on life, planet person just makes everything look good & exciting in house person eyes

❃ Pluto in 11th natal- unfriending someone could really feel like a divorce lmao telling people your not friends anymore and they react so crazy like “NO I NEVER WOULDVE THOUGHT💔💔💔” then splittng up your assets (friends/aspirations)

❃ Gemini Venus-girl next door vibe people watch through your window esp w some Pluto energy on your Venus, the song ‘She by Tyler the creator’ was made about us fr😭

❃ Taurus (2°14°26°)moons people think that they own you or that you’re some object they can use anytime they want whether it be your body or your possessions

Also having a Taurus moon could play out as feeling like you didn’t get the support that you needed in ur childhood, the type to have moms that say “I put clothes on your back, food on your plate, and a pillow to lay your head and you’re telling me I didn’t do enough for you??😠😤” like sorry I needed emotional support and understanding as a child that you couldn’t give me🥲 the mom could see the child as spoiled/ungrateful esp with harsh aspects on the moon, but they could also just feel like they have a right to your possessions esp if you live in the same house what is privacy?😀

❃ 6th house synastry is big on planning together,the type to count down the days till they get to see e/o 🥰

Now offering aura & synastry readings

That’s it for now, have a blessed day ✨

[honey-doc]

Why I appreciate Kabru and Mithrun's relationship in the story (with pictures!)

I just want to express how much I loved reading through the chapter with the 6 days they spent together and how I think their relationship developed in a pretty sweet way.

I feel like a lot of people reduce their dynamic to "nurse and patient" and that makes me sad because I personally got a lot more from it than that.

I do wanna start off by saying I'm here appreciating their dynamic as it is in the text.

Read more (spoilers ofc):

The beginnings

When they first met, there was an air of intimidation surrounding Mithrun as the captain of the ominous Canaries. He demonstrates his proficiency as a fighter and leader which worried Kabru because he knew it would lead to the dungeon falling into elven hands once again. But this threatening aura begins to dim in Kabru's mind as they get to know each other.

Even before they fell down the hole, the both of them ended up relying on each other's abilities a number of times (when the underground governor turned out to be corrupted Mithrun defeated him and Mithrun needed Kabru's deduction skills during the battle on the first floor) which is already the beginning of a great dynamic

(Kabwu is scared but Mithrun just asks for his help)

After Cithis tasked him with "taking care of Mithrun's needs" for the time being, Kabru treated Mithrun with proper respect and doesn't take advantage of his disability, even using his title “Captain” when he knew Mithrun wouldn’t have cared either way after learning about how he lost his desires. This is in contrast to Cithis who immediately took advantage of her position to mess around with Mithrun when she was taking care of him.

(When Cithis was put in charge of taking care of Mithrun)

The whole time Kabru is with Mithrun, he treats him like a person and more than just someone to be taken care of, as also he relies on Mithrun's fighting skills, knowledge of the dungeon, and teleportation magic.

When you reduce their dynamic to just "caretaker and patient", you're ignoring Mithrun's own capabilities and making him seem totally helpless. It actually feels rather ableist. They have a more balanced relationship with what Mithrun brings to the table than you may think. Mithrun couldn't have survived down there on his own, but it's the same for Kabru (who famously dies every time he fights)!

Kabru doesn’t show signs of trying to manipulate Mithrun either, and he's no longer intimidated by him in the slightest once he learns he’s not a threat or after his life. Though he does instinctively revert to his "sparkly" persona to get Mithrun to eat the disgusting mushroom, it doesn’t work so Kabru just has him eat it normally and never tries it again. This is the beginning of Mithrun unintentionally encouraging Kabru to be more honest with others.

(Kabru realizing he can chill out)

(Kabru being unreserved and Mithrun being silly)

bonus funny moment:

Bonding

Throughout the journey they talked to each other, shared things with each other, and ate with each other. And Kabru expresses genuine concern about whether Mithrun is comfortable (which is something he could live without and wasn't something the Canaries told him to do).

(Kabru showing he wants to make him comfortable by making food for him which is a very important part of the narrative)

(Kabru sharing intimate memories with Mithrun)

(Kabru initiating conversation without hesitation or worry. This part also is referencing how Mithrun shared very important details of his life with Kabru. Kabru also ends up trusting Mithrun with information about Laios despite knowing he could possibly tell the other Canaries about him and impede his plans..which he does lol they do end up knowing about Laios before meeting him.)

For a bonus Lycion implies Kabru was taking better care of Mithrun than they had been which is interesting to me.

Mithrun also shows that he has come to trust Kabru's decisions over the Canaries' when he says he wants to stay in the dungeon after fulfilling the caretaker requirement. They did talk to each other a lot, during that time. I wonder what Mithrun's Shapeshifter double of Kabru would look like now?

Here, Kabru goes out of his way to make sure Mithrun doesn’t overexert himself by knocking him out after the demon leaves with Marcille (again, when his time taking care of him is already over), and I think that demonstrates an extra level of concern he holds for Mithrun.

(Kabru holding back a hellbent Mithrun)

(KNOCKOUT!)

He even managed to make Mithrun mad. It's probably because he "let the demon get away" but I think it's cute and funny because would he huff like that at anyone else? Lol

When the demon breaks through the surface

Kabru begins panicking after Laios turns into the giant monster because he's wondering if he made the right decisions etc. If Mithrun didn’t care about Kabru at least a little bit, he would’ve just left him alone when he started losing it (right after Marcille did the same thing and she is technically more to blame for empowering the demon than Kabru was for not allowing Mithrun to go after it), but he went out of his way to snap him out of it.

It also means a lot to me that Mithrun even says Kabru's name, because in Japanese you can go your entire life without referring to someone by name and it wouldn't sound wrong (just rude) and it's the first time Mithrun says Kabru's name on screen (I checked).

Though it was with a slap, I think it says a lot, because if Mithrun didn’t care at all he wouldn’t have done anything and left him alone. It's not like Kabru could've done anything to stop the demon. He didn't even to tell him to do anything even though Kabru looked ready for an order.

(To be honest I don't know exactly why Mithrun starts beating him up here but you can say it's another rare demonstration of emotion Kabru was able to evoke in him lol. Maybe it's payment for Kabru stopping him the first time. That can be interpreted as paying it back and/or paying it forward I think.)

The last few chapters

And in the end when Kabru’s motivating Mithrun to continue living his life, he speaks to him like they’re friends/have no rank between them despite using the Captain title for him the whole time. Even Lycion initially gets upset that he’s acting “too familiar” with Mithrun.

It feels like Mithrun changed so much in the short time he spent together with Kabru and before the final battle, and it’s thanks to Kabru that Mithrun finally starts to be able to move past his lingering obsession with the demon and begin to really heal.

This is despite the fact that he spent so much time with Milsril and the other elves who never managed to break through to him like that.

(Before Kabru) (After Kabru)

And even after his role as Mithrun's caretaker was loong complete, he still shows concern for Mithrun and tells him to take a break when he's using up all his magic to slice the Falin meat (lmao).

He didn't need to do that! But it shows how he at least slightly considers Mithrun some kind of friend.

It all culminates with Kabru helping Mithrun regain his wil to live and Mithrun confiding in Kabru. Their relationship is important. Kabru continuing to do things for Mithrun to me is more of a sign that he just plain cares about him. Isn't it normal when a friend needs medication for you to remind them to take it? I think it's like that.

Kabru is there with Mithrun when he comes out about his feelings of uselessness AND when Senshi helps him put a spin on the 'vegetable scraps' metaphor and he find meaning in his life again. He's the first one to see him cry :')

Along with the fact that it feels like Mithrun is the first person we see Kabru doesn't feel the need to change his personality with or put on airs for since Mithrun doesn't need buttering up and he won't get offended if someone were to say something socially awkward, I think they made a pretty good team!

BUT ALSO the REAL reason I became endeared to them is cute shit like this:

GOD I love them!!!!! There are so many funny sides to Mithrun Kabru was able to bring out, and really show his charm as a character. Mithrun also brings out the best in Kabru while Kabru’s the most genuine he’s been since his debut with Mithrun. We are able to see that he’s just a kind and caring person, rather than the shady obsessed guy most fans have come to believe him to be.

The true depths of their dynamic also grew on me over time :)

TLDR

All in all it’s so nice seeing how even though Mithrun is a really deadpan person, and Kabru is a really secretive and withheld person, they clearly seem to have developed some kind of bond while they traveled together and even changed each other to an extent.

Doesn't Kabru feel more honest near the end? Maybe it's because of how much he talked to and shared with Mithrun during those 6 days so candidly...because they taaaalked a looooot like wow.

They mean so goddamn much to me. I don’t need them to be in a romantic relationship but I do want them to be together forever :'))) or like at least hang out when they have off time since they're still in the same country lol. Praying for Kui to make another side comic of them some time (crying).

Thanks for reading if you made it this far, I mostly arranged this because it makes me sad to see people reduce their dynamic to only one singular aspect.

Anyways ya...love 'em (heart hands)

[tanaor]

Want simple tips to heavily improve your skills with character voice??

(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)

I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!

When writing character voice, there's a list of things that you should take into account:

Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.

Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.

What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?

Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.

Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.

How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.

That's all for now and happy writing!!

Other tips for writers: previous | next

[ellecdc]

hi lovie !

I ADORE your writing and get so excited everytime you post 😭

I wanted to ask if you’re okay with writing a poly!marauders x reader fic where r is an overthinker and over analyzes small things. It brings r to think the boys are mad at reader so r begins to close off— happy ending w/ healthy communication, just them reassuring r

🤍you can absolutely ignore this!!

thank you baby! I'm so glad to have you here with me 😭 thanks for your request 🫶

poly!marauders x fem!reader

CW: insecurities, overthinking, belief of conflict, eventual healthy communication skills, men behaving rationally (that's how you know it's fiction) jkjkjkjkjk 👀

You knew you were overthinking; you could actually hear yourself spiraling as you chewed aggressively on your cuticles. You ran through every single interaction you and the boys had throughout the past few days and couldn’t help but come to the same conclusion every time.

They were mad at you.

And even saying it aloud made you feel silly because, really, what could you have possibly done that would have managed to upset all three of them without knowing about it?

There had been a few disagreements between the four of you since the beginning of the relationship; more specifically since you had joined the relationship. 

The boys, it seemed, went through most of their more volatile fights prior to you meeting them. 

But that didn’t mean there weren’t arguments. There were always differences of opinions, some hurt feelings, and learning everyone’s sensitivities and love languages etc. didn’t happen overnight; it took time.

One thing you were particularly thankful for was that you had yet to ever feel like the boys were ‘ganging up’ on you. Your argument always stayed between you and the participant of the conversation and everyone else opted to stay out of it unless they felt they could provide some helpful insight. 

But for all of them to be mad at you without some big blow up happening? You couldn't imagine what would have caused it.

It wouldn’t have been anything you said or done to Sirius, as he was a very head strong person who preferred to face things upfront and head on. If you had done something wrong to Sirius, you would have heard about it. 

James was a wild card since he usually wore his feelings on his sleeve, but he also had a tendency to paint a smile on his face and smile through the pain in order to keep the peace. 

Remus was often stoic and the voice of reason, but you also knew he could be incredibly sensitive.

Oh god... had you done something to upset Remus? You must have...it’s the only rational explanation. He’d likely be telling Sirius not to say anything to you, and since Sirius struggled in biting his tongue, it would make sense that he opt for the “if you have nothing nice to say, don’t say anything at all” route.

And though James did tend to smile through the pain in order to keep the peace, he was also fiercely protective of his people – particularly when those people don’t seem inclined to stand up for themselves.

Oh god. Is this why they asked you to come over tonight? They wanted to talk to you...no, they wanted to break up with you. 

By the time James opened the door, you had forgotten you even knocked. He was all bright smiles until he took in your form – he was disappointed to see you. 

“Hello, honey. Come on in.” He said, though his words were stilted, sounding oddly scripted and rehearsed. 

“Hey sweets!” Sirius called from somewhere in their flat, “have you eaten yet?”

“Yeah.” You called back, having to clear your throat when your voice came out gravelly. You could feel James’ eyes burning a hole into the side of your face.

“Moony’s running late from work, but he’ll be home soon.” James announced as he ushered you into the living room.

You scanned your surroundings, cataloguing everything like it might be your last time in here.

You found signs of Remus’ love of trinkets and the oddities everywhere you looked, as well as signs of James and Sirius feeding into that by bringing him home things they’ve found as well. There’s a small pewter fox you bought on your trip to the coast sitting on one of the shelves of his bookcase.

Picture frames lined the walls; evidence of Sirius’ love for photography, his camera, and his favourite people.

And the god-awful pillow James found at an estate sale and insisted it have a place on the couch. It was ugly, it was lumpy, it didn’t match with anything else in the space, but it was James’ and he loved it.

Sirius came bounding into the room and rubbed at James’ shoulder affectionately, pecking a quick kiss to the crown of your head in hello before breezing by to head to the kitchen.

“He just got a home a few moments ago, he’s gonna heat up some leftovers for him and for Remus when he gets home.” James explained.

“Do you want any, doll?” Sirius called.

“No, I’m okay. Thank you!” You tried your best to sound upbeat while a horrid feeling settled in your stomach.

James seemed to feel just as awkward as you did; keeping his eyes dutifully on you whilst trying to appear that he wasn’t. His leg bounced anxiously underneath him as he leaned onto the arm of the grandfather chair he sat in – across the room from you.

It may as well have been an ocean worth of distance with the way it left you feeling.

Sirius returned to the living room a few moments later and made himself comfortable on the other end of the couch from you, kicking his feet up onto the coffee table after placing a glass of water directly on the coffee table. You wanted to chide him, knowing Remus would have him by the bollocks if he saw, but you didn’t know if it was your place anymore.

Sirius asked you how your day at work was and you offered him a vague “oh it was alright. Long. How about yours?” which started him on a long tangent about some of his more colourful customers today and how tiresome he found people in general. He and James shared some quips and anecdotes about worst moments in their various retail experiences, and you thought about how much you were going to miss this.

“Okay, what is going on?” Sirius snapped abruptly, causing your head to shoot up so quickly that you heard it crack.

“Huh?” You asked sheepishly.

Sirius’ brows furrowed as he stole a glance at James before turning back to you. “You’re being weird...what’s going on with you?”

But you didn’t get a chance to answer when the sound of the front door alerted everyone to Remus’ arrival. You hated that you visibly tensed at the sound of him moving down the hall.

“Hey bubs. Is she here?” You heard him ask James, since you and Sirius couldn’t yet see him nor he you from his position in the hall way.

You felt your face scrunch up miserably and quickly brought your hands up to shield your face, choking out a silent sob.

“Yeah.” James responded, though his voice was but a whisper as Sirius added a “whoa” at the same time. 

“What did you guys do?” Remus cooed and made his way towards you having spotted your distress.

“I’m sorry.” You muttered miserably, both for whatever you’d done to cause this conflict between the four of you and also for your embarrassing display of emotions.

“What are you sorry for, dovey?” Remus asked softly as he knelt in front of you, gently taking your wrists and coaxing them away from your face. 

“For upsetting you all.”

Remus’ brows furrowed beyond their worried state and into a more confused state as he turned to look at the other two boys in bemusement. 

“Well, I don’t think any of us are happy that you’re so upset, love, but we’re not upset. You don’t have to apologize.” He pressed.

“I don’t think that’s what this is.” James input from his place across the room.

“I’m sorry. I’m not quite sure why you’re mad at me, but I’d like to talk about it with you and I promise not to do it again.” You cried, sounding disturbingly and embarrassingly close to begging.

“Mad at you? Is that why you’ve been such a weirdo tonight? You thought we were mad at you?” Sirius asked incredulously.

“Don’t call her a weirdo, Pads!” James chided, standing from his chair. 

“Why’d you think everyone was mad at you, dove?” Remus asked, ignoring the squawking of his boyfriends behind him as he forced you to hold eye contact with him.

“I... I don’t know, I guess things just felt kind of off this week and then...I don’t know.” You admitted dumbly. “And then I got here and, it just felt weird.”

“I’m sorry, angel.” James apologized, suddenly beside you having taken to sitting directly on top of (a very petulant) Sirius. “You seemed distressed and... I got nervous. Usually, Rem is the better one at handling these things, I wanted to wait until he got here to broach the subject. Sirius, though, has the tact of a bull.”

“So, you were just going to let all of us sit here awkwardly until Remus got here to save the day, huh? Not on my fucking watch.” Sirius groaned as he positioned himself to kick James not only off of him, but off the couch completely. This caused Sirius’ glass of water to topple off the coffee table and onto the rug below it.

“Nice going, Prongs,” Sirius spat victoriously from his place on the couch, “look at the mess you’ve made.”

“It wasn’t even my cup!” James defended.

“Don’t think I didn’t notice that wasn’t on a fuckin' coaster, Sirius.” Remus reproached darkly, tossing the dark-haired boy a glare over his shoulder.

Sirius just smirked and then winked at you. “There you go, dollface, now everyone’s mad at me instead.”

“Awe, Pads!” James cooed from the ground before launching himself back onto Sirius. “Look at you, taking the heat off our pretty girl.”

Remus shook his head in exhaustion, but you could see a fond smile ghosting his lips from his place before you.

“Trust me, dove. You’re the least of our problems.”

You chuckled wetly and wiped the tears (and more embarrassingly, the snot) from your face. “I’m sorry. I feel rather silly now.”

Sirius, having given up on his instance to be the little spoon between he and James, looked around James’ broad frame in his lap to face you. “How about this; if we’re ever upset with you, we promise to tell you. If we haven’t said anything; it’s safe to assume we’re not mad. Okay?”

You nodded in agreement.

“And...” James continued. “Next time you find yourself feeling like this, maybe you can tell us, too?”

You nodded emphatically. “Yes, I promise. I’m sorry.”

Remus kissed the backs of both of your hands and stood from his knelt position in front of you.

“No more sorry’s, dove. We’re all good.”

James stood from Sirius’ lap to place a warm kiss to the space between your cheek and ear and whispered another apology for your being upset.

“Hey, Moons?” Sirius called.

“Yeah?”

“Are you heading to the kitchen?” He called with the sort of smirk that caused you and James to exchange a suspicious look.

“Yeah.”

“Can you grab me a glass of water, please?”

“Fuckin’ hell Sirius get off your arse. And use a sodding coaster.” Remus bellowed from the bedroom.

“See? You’re the least of our problems.” James repeated, stamping another kiss to your cheek. 

[zhongrin]

skilled fingers, devious heart

© zhongrin | 2024  ✼  no repost・translations・plagiarism of any kind・ai data mining. rebloggers get a free cup of tea ♡

✼ characters ┈ al haitham

✼ tags ┈ minors dni, fem-bodied reader (reader has a pussy), bratty!reader, manhandling, restraints, orgasm denial/control, edging, brat taming, light degradation, oral, light spanking, overstimulation, hint of c█rr█pt█d!haitham (hence he has his mean moments), aftercare, longfic (3.6k+)

✼ a/n ┈ “let me just draft a quick birthday oneshot for al haitham!” ー meirin, a total clown, circa 2024 /silly ..... anyways, happy birthday to the silliest man in sumeru. i love him dearly and i love that his bday is literally just a day away from my mom and one of my besties. very convenient to remember lol also, happy chinese new year!!! ✨

ᴏᴜʀ ꜰᴜʟʟ ᴍᴇɴᴜ (ᴍᴀꜱᴛᴇʀʟɪꜱᴛ)  ✼ ᴍᴇᴍʙᴇʀꜱʜɪᴘ (ᴛᴀɢʟɪꜱᴛ)

when you asked your boyfriend what he wanted to do for his birthday, you didn't think he would ask for this. then again, al haitham was mostly an unpredictable man, even to you as his lover. he seemed to have a knack for constantly having you on your toes, always anticipating his next actions and reminding you how much of a complex individual he was despite his simple aspirations in life.

such as now, when he requested you to ‘spread your legs and stay still’.

contrary to him, your answer was - at least in his eyes - predictable. a raise of eyebrows, a fox-like grin tugging on your lips, and al haitham could already hear the smug tone of your voice before you could even spoke the words, “make me.”

the fact that you loved to play a dangerous game with a dangerous man always came back to bite you in the ass, but your boyfriend played his part so well, it kept you coming back for more. he knew just the right way to respond to your challenge that made you shiver with want: muscles flexing as he pinned you down onto your shared bed, your preferred choice of restraints keeping you immobile and indecently spread for his blooming green eyes to observe. his pupils lined with brick reds dilated, the scholar stared at the resulting sight like a museum curator appraising an acclaimed artwork.

despite this, you were a fervent fire ablaze in the face of downpour, “it’s not like you to brute force your way into tackling a problem. was this morning’s session not enough for mister feeble scholar?”

ah. this artwork sure has a feisty personality to it.

al haitham snorted, his arm moving to place a hand on your inner thigh, tracing circles and indescribable patterns, “why do you bother futilely talking back and acting resilient in front of me, when it’s obvious how much power i hold over you? even the brightest students know to learn from their mistakes, so have you not learned from this morning about how powerless you are?”

he would never admit it, but while such display of bullheadedness irritated him when it came from other people, somehow it was almost adorable coming from you.

“wh- i'm not powerless!”

“the facts proved against your favor, however. especially considering how i’ve just succeeded in tossing you onto our bed and holding your body down. i know i could do whatever i wanted with you… and i was right, wasn’t i?” the hand holding your thigh squeezed briefly, his breath slowly caressing your skin the more he leaned closer, “besides, it’s also been proven that you like such treatments.”

you blushed, memories that proved his claims flooding your mind. yet, you huffed and looked away in hope to alleviate the warmth that was starting to bubble on your cheeks.

“so you might be needlessly strong physically, yes, okay, whatever. would you like a gold star for that?”

unfortunately(?) for you, despite the biting words, he didn’t miss the signs of your flustered state. his voice was as leveled as ever as more silken words fell from his lips; the very same ones you wished would just kiss you already, “remember how I pinned your hands above your head? how you tried kicking and wriggling, saying how you ‘can’t’ and yet… we both knew what exactly happened after that, don’t we?”

you felt your core clench at the taunt, throat swallowing at the picture he painted. your legs tugged against the straps as if you wanted to kick him. in turn, all you got back was an amused low chortle.

“cute,” the soft remark almost flew by you, but alas, before you could snap back at him, his touch started to trail further, tracing your labia before spreading the pink folds open with his fingers. an embarrassed squeak by you was followed by a condescending hum by your partner, his eyes zeroing on the slick coating your pretty clit and inner lips that oozed the remnants of your prior lovemaking, “and so mouthwateringly indecent.”

his digits dragged against your dripping cunt, a teasing smirk dancing on his face when a soft noise left your throat in response.

"such a mess," he remarked, infuriatingly nonchalant as if he hadn’t loved you so intensely just a few hours ago, “you were truly, completely cockdrunk last night, weren't you?"

“s-shut up…”

“why should i? you’ve mentioned how much you liked my voice. i doubt your perspectives had changed since then.”

“you don’t know that. maybe i don’t like it anymore,” you countered pettily.

“yet your body seems to arrive at a different conclusion,” the languid lull in his voice couldn’t mask the delight he experienced as he saw your sopping wetness drip with want. your lover smirked, dragging his finger up and down slowly, gathering your slick to circle around your swollen pearl, feathery touches leaving you wanting for more. the way you were shaking, your body twitching from sensitivity in return of his ministrations, was almost as hot as actual sex itself.

“ah… you meanie-” you inhaled sharply as this wicked, wicked man purposefully started rubbing your clit in the way he knew would make you putty in his hands. firm and calculated flicks followed by a finger slipping into your creamy cunt made you keen wantonly, thighs momentarily spreading wider before you found your decorum, rear falling back onto the soft sheets, teeth biting down on your bottom lip.

al haitham watched in fascination as you tried to regain your attitude. he wondered how long that would last this time. you were a puzzle that enthralled him, a chorus he wanted to listen forever. he might not have been studying under kshahrewar back in his younger days, but there was a part of him that wanted to pick you apart and put you back together again.

this was why he was so addicted to you.

he didn’t particularly enjoy doing extra work, but given the reward waiting for him at the end of the road, he determinedly doubled his action; one finger tapping and circling, the other knuckle-deep inside your tight heat, intense and unforgiving.

“fffuck- h-haitham-” the stutter of your needy voice sharpened his smirk, expression hardening into focus as he observed the twitch of your hips and the rivulets of juices coating his appendages. he briefly admired the way your skin glowed in perspiration, the way your fleshy parts rippled as you squirmed under him. no words could properly capture the desire brewing and consuming his whole being at having the privilege to witness such a sight.

he saw your breathing quicken, felt the clenching and unclenching of your walls, the way you started to move your hips as far as the restraints allowed, and your abdomen dipping as you inched nearer and nearer to bliss.

a mean glint of red, and his fingers withdrew quickly.

“wha- ah?”

you blinked and panted, eyes snapping wide as the coil loosened, and your sight settled on al haitham’s smug tilt of his head.

“i told you to stay still.”

“you… you prick! meanie! bastard!”

“that’s not the attitude you should be adapting given the current position of power,” he chided, before his hand deviously dropped back to its previous position, resuming in a much teasingly slower pace; a silent implication of what he could have done but chose not to, ”if you beg nicely, maybe i’ll allow you to cum. but be warned, you’ll be doing it until i am satisfied.”

“-son of a- oh! a-ah-” your words failed you as he added one extra finger into your warmth, prodding just near your favorite spot within the gummy walls, yet never directly.

you knew he could go deeper. he was dangling that carrot over you, and you were tempted to fall for his little game.

“pardon? what was that?” he asked, and if you didn’t see the way the corner of his lips curl up through your bleary eyes, you might have believed that he truly missed your barrages of insults born out of frustration, “would you like to say it louder?”

“archons, you- j-jerk!”

“oh?”

the sudden shift of his touch, turning firmer and faster, made you gasp and whimper, body twitching involuntarily as you felt the sensation build up yet again. your toes curl and your calves tensed, tugging against the harness as your biting words turned into needy moans. a shudder rocked your body, the back of your head digging onto the soft mattress as you felt him mouth on your collarbone, nibbling, tormenting in the most delectable way.

“use your words, darling. you were so smart with them just seconds ago.”

“haa- ngh! j-just let me cum, you unfair little-”

al haitham sighed like a disappointed tutor who had just discovered that his best student had earned an F in their recent exam. the sudden loss of his touch and the way you were forced to come down from that white-hot lines of satisfaction yet again made you cry out, the restraints straining noisily as you tried to buck onto something, anything.

a smirk returned onto his face as he witnessed your verbal and physical protest. that’s right, not yet. this was why he adored your stubbornness. he was going to tease and torment you until you were a total wreck, and then he would give you your reprieve in multitudes.

“how obstinate of you to continue denying your desires even when all outcomes dictate your loss,” the man remarked, palming your soft thighs and enjoying the way they dipped under the pressure of his hands. he was tempted to leave a few reds in the shape of his handprints, but he refrained… for now. that can come later.

“h-haitham….,” you mustered the wettest puppy eyes you could manifest - which wasn’t that hard considering the tears of pleasure already pooling in your eye lines - and blinking though your lashes at him, an adorable pout on your lips.

“what? is something missing to really help you release all of that tension?" he faked an indifferent tone fully meant to provoke.

you groaned, shivering as you felt the cold air brushing your flushed skin and swollen bundle of nerves begging for attention, “al haitham...!” you whined while quivering, eyes blown in desire, your pride refusing to budge any more than this.

the man smirked as your protests weakened with every seconds that ticked, the look of desire and lust in your eyes clearly increasing in intensity the more he reveled in your plight.

"hm?" he leaned forward to whisper in your ear, "still being stubborn?" he moved his middle finger towards the folds of your pussy, dragging it along your indecently leaking entrance and up into your aching clit, swirling slowly and making you shiver in response. even the smallest movements resulted in a sound that showcased how drenched you were, and it was all according to his plans, "are you sure you want to keep playing this game? you know who’s the more patient one in this relationship… you’re all tied up and i’m free to do this all day if i wanted to. i wouldn’t mind — it would be a good way to spend my day off.”

eyes teary, teeth gnawing on your lip, you bucked your hips as his finger touched the swollen nerves directly this time, "s-shut up...! you’re so- ugh! if you’re gonna be so cruel then don’t touch me at all!"

your beloved chuckled, dragging his digits up and down in the same teasing motion, playing with your sensitivity with a touch that sent you teetering to heaven but bordering to hell with how tortuously slow it was. he was a master as you were a slave to pleasure; your moans ramping up into wounded desperation just as he guided you back into the tightrope of lust, spiraling into the ecstasy you so desperately sought. you sobbed and trembled; heart beating loudly in your ears. you were so helplessly pent-up, so deliciously close-

“beg.”

the devil’s voice entered your ears and you grit your teeth. he wouldn’t, right? not for the third time. no, he wasn’t that despicable, he wouldn’t. he’ll give it to you, he’s-

“beg.”

the pressure lightened, and you inhaled sharply.

“please!” the word fell from your lips before you could stop them, “i need- i want…!”

your boyfriend stopped, a trail of your slick followed his appendages’ ascent as he withdrew to appreciate the stream of glistening slick coating your tender pussy and how your hips canted, trying to guilelessly chase his touch, throat singing a needy whine that sounded so beautiful he was almost tempted to keep denying your release for the next hour.

“haitham, please, please!” you sounded so high-pitched and so utterly adorable, he couldn’t help but place a peck on your thigh. tears of relief joined your tears of pleasure as you saw his pleased smile and the way he complied with your begging, though it still wasn’t enough.

“yes? don’t just call my name, darling. elaborate. go on, you can do it,” he carried on with the slow circles around your throbbing clit, fingers barely pumping into your drooling cunt.

“please! i can’t take it anymore…!" you hiccuped, keening, abdomen twitching, so sensitive that the slightest touch was making you toe on the brink of insanity.

al haitham smirked wickedly, watching as your mind and body were losing that self-control, your hips rocking back and forth while your face and eyes colored with pleasure. breathing in disarray, body a quivering mess, he almost wished he had a kamera to immortalize this perverse scene.

“are you asking me to help you release?”

“b-begging! i’m begging you- please let me cum!” you were definitely on the edge, shuddering, legs trying to flail against the tight bondage. a pleased groan rumbled in his throat, and his hand finally reverted into the pace and motions that made you see stars.

“louder,” a command.

“please help me cum!!!”

your muscles tensed as you tasted the precipice of bliss, your lips babbling, chanting his name and a series of undignified pleadings that implored him to not stop this time. you received an approving hum for your clear show of subservience and a soft peck on your cheek that made you moan in appreciation.

“i hope you didn’t forget what i said earlier,” he whispered against your ear, sultry and littered with hidden mischievous intent that you completely missed, too focused on reaching that high with each flick of his wrist and with each pressing prod of his finger—

the expertly placed thrust onto your g-spot was the cause of your crumble into depravity; walls sucking him in as your back arched in your climax. lips open in a silent scream, you missed the adoring look of your lover as he watched you spiral into bliss.

ah, your blissful ignorance is always so, so delicious to see.

before you could even start to wind down from your intense release, the sinful appendages picked up their salacious endeavors once more, three of them stirring your sopping wet mess and massaging your sweet spot relentlessly. al haitham’s mouth latched on your swollen bundle, his tongue flicking and sucking in turn, savoring your sweet taste and basking in your erotic cries that followed.

“can’t! can’t- too much! h-ah-ngh-!”

he ignored your feeble protests in favor of focusing on the task at hand; tongue lapping on the copious juices dribbling out of you as he pumped the slender fingers right onto your sensitive pussy’s weak spot. the sounds of your wetness echoed indecently in the room, a lewd orchestration of sensuality accompanied by your reprehensible babbling.

the second orgasm crashed against your senses and you sobbed, whining and jolting as he helped you ride it to your most satisfaction. eyes rolling, you barely registered the way he lapped at your juices like a man starved, before pulling back to observe the effect of his unholy actions. and he must have seen something, for when your vision cleared from euphoria, he had taken to caress you once again.

“one more. you can give me one more,” the rasp in his voice sent a jolt of desire in your loins, yet at the same time, the overstimulation had started to settle in. this time, the pleasure made your whole body tremor and for once you had no idea if the straps were a blessing or a curse; your limbs flailed and strained, instinctively writhing at the assault of stimulation.

“f-fuck! oh! a-archons- my love, please!!”

“i told you, didn’t i?” he purred, salacious and mocking, a flicker of red and a sneer, “’if you beg nicely, maybe i’ll allow you to cum. but be warned, you’ll be doing it until i am satisfied.’ well, my love, i am not yet satisfied.”

all senses of modesty had been thrown out of the window at this point. a series of disgraceful noises left your throat, tears running down your temples as you stayed rooted to your spot on the bed, oxytocin flooding your brain and numbing your senses. stringing words proved to be difficult when you were oversensitive and your lover seemed determined to see you mindless and utterly ruined by his touches.

if before, you were a helpless traveler stranded on a desert chasing on the mirage of an oasis, this time you felt like you were drowning in an ocean full of pleasure. all senses submerged in the ruthless waves of unbridled desires that made you both paralyzed and set you aflame.

“look at you,” al haitham's words came out harsh despite having a pleased hum to it as he battered your fleshy nub harder, insistent and undeterred by your unconvincing protests. he smirked, pleased with your cries and senseless noises leaving your lips, free from your brain’s usual filtering. your mind and body were already beyond your control as he slowly edged you closer and closer to that sweet release yet again. “so needy for me. gushing endlessly like you’re in heat.”

he watched you writhe and quake, a sliver of drool escaping the side of your opened mouth, his cock straining against the confines of his pants, but oh, he was enjoying every second of it. his free hand palmed your thigh before delivering a light slap, his eyes dilating when it made your breath hitch and your body jerk. each impact brought you to the absolute edge of delirium, and every time the pads of his fingers grind and stretched your gummy walls, the more debauched pleas left your emptied mind.

“c-cumming! cumming! i’m close, love, please! i’m- ah—”

“good,” it was almost sadistic, how he seemed to take so much satisfaction from seeing you so shamefully addicted to his mere fingers, “then come.”

a choked sob and a few insistent taps onto your oversensitive clit took your vision into a realm of whites. your finish was immaculately designed to enrapture you in a burst of nothingness, where nothing else mattered but you and your boyfriend's eloquent expertise. ears ringing, your consciousness temporarily froze in the state of heavenly rapture.

when you came down from the vivid paradise, you found your limbs freed from the restraints, your lover dutifully checking the reddened skin to make sure you hadn’t caused any injuries to yourself. seeing your glazed eyes settling onto his form, he leaned over and stroked your cheek, speaking in a soft voice with a caring tone far too detached from the demeaning and authoritative tone just moments ago.

“you did so well.”

though your senses were totally fried from the overstimulation and you still couldn’t exactly feel your limbs, a loopy grin spread on your lips. soft pair of green eyes watched you in adoration as he tucked you onto his chest, a gentle kiss descending on top of your head as he cradled you within his arms.

“verdict from one to ten?”

“mmmm…. twenty.”

“hm. it appears you’re still more delirious than i judged.”

a playful swat to his side was all you could manage, and you were rewarded with the rare soft laugh of your usually stoic lover.

“you’re adorable.”

“and you’re mean.”

“you speak as if the attitude does not bring you joy.”

“shut up and cuddle me.”

“ordering me around on my birthday? you’re spoiled.”

“and whose fault is that?”

“mine,” al haitham admitted with a smile, silently grateful for your presence, your witty banter, your hardheadedness, your loving eyes, your everything — you, who were undoubtedly and indubitably….

“mine,” he repeated and pressed another kiss, this time to your lips: a silent promise for spending his next birthdays with you once again.

bonus:

“still,” you sighed into his hold as your breathing steadied, looking up at him in half curiosity and half concern, “this doesn’t seem like a birthday present for you.”

al haitham looked down at you, the mischievous glint in his eyes returning. he guided your hand, and your small daydream of him being unusually romantic to initiate hand holding before spewing some cheesy lines like in those light novels were dashed when you found a familiar hardness twitching against your palm.

“bold of you to you think that my appetizer was the main course.”

✼ ᴍᴇᴍʙᴇʀꜱʜɪᴘ (ᴛᴀɢʟɪꜱᴛ) ┈ @abyssmal-skies | @hamdehlesmis | @sunnshineflxwer | @yuutasbabe | @queen-belial | @stygianoir | @silentmoths | @niktwazny303 | @dustofthedailylife | @marina-and-the-memes | @mixed-kester | @lordbugs | @anonymousficreader | @shizunxie | @ansy-tea | @irethepotato | @sassy-cat-in-town | @syrenkitsune | @smokipoki | @cakeboxie | @crystalflygeo | @ciexuvia | @illaasya | @celestewritestoomuch | @pams-comfortzone | @spidermanluvr444 | @ourstrawberryclouds | @ryuryuryuyurboat | @hrts4hanniehae | @fiannee | @jingyuansbird | @florapocalypses | @genshin-impacts-me | @scarasmood | @hellcatinnc

[chloecouture]

Public speaking and keeping and audience interested

Hey there it’s Chloé here, for today’s topic I decided on public speaking and how to keep an audience interested.

Why am I discussing this topic? My presentations and public speaking skills always get praised and I get asked for tips by people all the time, so I feel qualified to give you guys some tips.

Let’s not waste anymore unnecessary time.

These tips will be perfect for presentations, especially if you are in school or your job requires presentations. (This is specifically about talking to an audience, a post about how to have conversations will come later)

1. Naturalness.

You need to be able to keep people interested and talk about a topic without having to look at a cheat sheet.

Try and remember as much as you can but talk about it in your own words. That’s how you make it interesting and natural.

However if “uhmms” are natural to you obviously try and avoid that.

2. Eye contact and using your hands.

This will be a hard for a lot of people but you need to look at the audience, look around while talking and use your hands to explain stuff, that way when you are slowing down or forgetting something you keep them distracted.

Eye contact is a must in a lot of situations, it shows that you are confident.

Keeping your hands visible also builds trust with the audience.

3. Pace.

Do not speak too fast or too slow keep a calm pace.

Make slight pauses when you ask a question so the audience will want to know what you are going to say. For example (staying on theme): “But how do you actually stay calm while giving a presentation?” short 1-2 second pause and make eye contact with the audience, then move on to the next sentence.

The audience will start to really question it and want to know the answer as well. This will become more natural the more you do it.

Practice it in the mirror if you want to.

4. Intonation, emotion and emphasis .

Going back to the sentence from the last tip: “But how do you actually stay calm while giving a presentation?”. If you say this in an even tone with no emotion, people will not care what you say.

Speak with better intonation, learn when to have a more serious tone or when to have a more happy tone.

Now onto emphasis: “But how do you actually stay calm while giving a presentation?”.

In this situation emphasizing ‘actually’ while speaking would be ideal. It shows that you know the answer to that question, that you thought about it.

5. Expression.

Facial expressions, the audience loves that.

When you’re speaking match your facial expression with what you’re talking about.

Don’t overdo it, it won’t look natural.

6. Posture and body language.

Have relaxed body language but keep a good and straight posture.

Good posture will show that you are confident and will make you feel more confident.

People will also take you more serious if you carry yourself in a serious way.

7. Interesting presentation.

If you are a creative person, make a creative presentation. This surely helps if you aren’t good at public speaking since it will be a distraction.

My latest presentation was for a fashion class I had, I made it in the form of an online magazine.

If you combine good public speaking with interesting presentations there is nothing to worry about.

Here we have our public speaking tips, the tips mentioned above are ones that I use and have helped me immensely. Every time i do a presentation on anything people always ask me how I do it, so I thought I’d share.

Thank you for reading.

Hope you have an awesome day if it’s still starting, if it already ended I hope you had a great day. Tomorrow is always a brand new day, making mistakes is fine.

Au revoir

-Xoxo Chloé C.

[miraculouslbcnreactions]

You know what would make the Lucky Charm more balanced? Make it so that there are times where other characters figure it out, not just Ladybug. That way, it doesn't make Ladybug hypercompent and makes it possible for other people to save the day.

I don't mind Ladybug being the one best suited to Lucky Charm. I don't think it makes her hyper competent because you don't need a Lucky Charm to save the day. It's just the way that she saves the day. The other characters should have their own unique talents that let them win fights. Generally speaking, that's how strong teams work.

For a random example, let's talk about the teenage mutant ninja turtles simply because I think most people know something about that franchise. The character Donatello (aka Donnie) is the team's tech guy. He makes all kinds of inventions that help them save the day. The show would not be improved if all four of the turtles were able to take on this inventor role. I'd argue that it would actually be lessened because the characters would become interchangeable. This is something that the franchise seems to agree with as each version of the show gives each turtle unique skills and personality traits that makes each of them indispensable in their own way, which is what I think Miraculous should have done with the temp heroes.

That being said, I do think that there's a way to make your idea work. I'd just go a slightly different, more lore balancing route since Lucky Charm is technically bad lore and you all know how I feel about bad lore. So let's talk about giving it a minor tweak and how I think that would actually improve things.

Tikki is supposed to be Creation, not Luck, so the Lucky Charm shouldn't have anything to do with Luck. It should just be pure Creation where the holder comes up with a thing they want and that thing then pops up. It could also have a give and take element where the holder gets what they asked for if they want something specific, but they could also just call the power as a hail Mary and Tikki would come up with something on the fly, leading to the occasional puzzle.

This leads me to my proposed changed.

I personally think it would be hilarious and honestly more fun for Marinette's character if she could summon anything she wanted, but the Lucky Charms stay exactly the same because that's just how her mind works. Even when Tikki is helping, it's still all wacky items because Tikki knows how Marinette is and just goes with it.

For example, in Copy Cat, Ladybug turns a spoon into a hook for a cobbled together fishing pole. Wouldn't it be even funnier if Marinette summoned a spoon on purpose because she was thinking of the makeshift thing she cobbled together in order to fish up something she dropped from her balcony? Then, post fight, Chat Noir praises her like always, only to then ask, "So why a spoon and not a fishing hook?" And Ladybug just stares at him because oh, right, those are things they make. She could have done that. Ooops.

And in Malediktator where she summons a sniper rifle to get a laser pointer? Well, she was thinking about this silly comic about a cat assassin! She totally spaced on the fact that you could just get a laser pointer by itself.

Eventually, her team learns to just go with it and not ask questions. Meanwhile, the general public thinks that the Lucky Charm is some random item that Ladybug has to figure out and no one bothers to correct this misunderstanding. You can even have a running gag of new team members learning the truth and going through the acceptance process of, "Hey, you try thinking up how to set a trap while a 5 meter tall lollipop is trying to crush you! Your mind goes to what it knows, not to the ideal solution, okay???"

If we go with this setup, then other people can wield the Ladybug and use Lucky Charm effectively, they'll just use it in a very different way from the way Marinette uses it. There will also be people who are just not suited to the Ladybug since that was initially how the powers were supposed to work and it made perfect sense. Kwamis should have ideal holders along with okay backups and terrible backups. I personally think Alya would be an okay backup since she's creative, but not creative in the same way Marinette is, leading her to be a lesser Ladybug. Adrien, on the other hand, should generally suck at the Ladybug as he simply doesn't have that style of creative thinking. Which is fine. Better than fine, even! You don't want your characters to be interchangeable! They should all have strengths and weaknesses!

This is one of the show's big flaws. Since everything is on Marinette's shoulders, the other characters rarely get a chance to shine and so they feel interchangeable. For example, if gift always shows the target what THEY want, then why does Rose need to be the one to wield it? Juleka could wield it just as easily. And if Ladybug is generally the one telling Marc and Nathaniel what to summon with their powers, then their creativity is not needed. Anyone could wield the rooster and the goat! The show has completely failed to understand what makes teams memorable and so we have a bloated, boring team whose presence I'm dreading because they had five seasons to set these guys up and yet here we are.

[limethefirst]

Could I request a platonic Wolverine x Innocent Reader x Deadpool where the reader is a superhero and the two want to take care of them and shows them the ropes but argue about how to do it?

No pressure or rush, hope you’re having a wonderful day/night!

-W.P 💚

Hero in training

pairings: Wolverine x reader x Deadpool (platonic)

warnings: violence, swearing

summary: Wade and Logan don’t see eye to eye when it comes to training methods

a/n: thank you for requesting! I wasn’t super sure in what way you wanted reader to be innocent so please forgive me if this isn’t to your best liking, also I’m gonna start working on part 3 of void runners soon so keep an eye out!🫢

No one ever said being a superhero was easy, but it especially wasn’t easy when you were being trained by both the Wolverine and Deadpool. The two people who hardly ever got along.

You watched as Wade and Logan stood in front of you, Logan wearing casual training clothes and Wade in his normal red suit. Wade looked excited, he was ready to show you his ways but Logan had another approach in mind.

“Alright kid, first we need to learn to control your powers, from there we can begin with some drills, slowly moving up to advanced drills then work more on strength training” Logan started, his plan was to train your powers and then learn some moves with them, hoping it would help you in the self defense aspect of crime fighting.

This was something Wade didn’t find appealing, “Woah back the fuck up now Peanut” Logan glared at the man, before Wade continued, “Remember we’re both training them, and I say we need some more fun in this training, maybe learn some cool flashy moves, or we can start off this party with a dance off!”

“A dance off?” You looked at Wade, a bit confused on his method of teaching but not entirely against it.

Logan on the other hand didn’t appreciate the comment, “This isn’t some type of circus act, this is real life Wade, we need to have some type of approach or we won’t make progress, and all that will happen is they get injured out there,” you looked between the two men, wishing someone else had trained you instead.

“Well why don’t we just see what our little sugar plum fairy thinks,” Wade then turned back over to you and booped your nose, “Okay kiddo, do you wanna have a fun training with Papa Wade!! Or do you want to be all bored and tired with meanie Wolverine!” Wade asked you, his voice sounded like he was talking to a little baby.

You looked at both men, unsure of what to say, not wanting to upset the other. Then the idea came to mind, “Can’t we try both methods? Maybe a combination?”

“Fuck no, that idiots ‘method’ is going to get you hurt,” Logan quickly replied, this caused Wade to go over to you and grab your head in his arms.

He began to pet your head and started cooing, “Do I look like I’d ever let anything harm them?”

You stood there as Wade held your head tight, a sigh escaping your lips, “Please Logan, I know its unconventional but I really think it’ll work!” You started to plead with the man.

Wade slowly let go, a hand still on your head, while Logan stood there, unsure if this was the right choice, but he knew how persistent Wade was.

Logan caved, “Fine but if there isn’t any progress, only I’ll train you, got it kid?”

You have him a smile and a thumbs up, Wade just went up to Logan and clung to his arm, “Awe you’re such a softy aren’t you my little firecracker!”

Logan quickly let his claws out and stabbed him in the stomach, already regretting his decision.

Over the course of the next few weeks, you continued your combination training, Logan taught you defensive skills as well as offensive, he also showed you a lot of strategies that would protect you when the time came, while Wade showed you the flair of being a hero, without having to kill as he knew that wasn’t the type of hero you wanted to be, even though every once and a while he’d try to persuade you.

Even though you’d decided to do the combination training, both men still argued all the time.

“Why the hell are you telling them to jump through the sky light when you want to sneak attack a criminal?” Logan’s finger pushed into Wade’s chest, irritated that he’d tell you to do something so dumb and risky.

“Because they need to look awesome while saving the day, oh don’t forget the funny joke once the bad guy sees you, alright my sugar cane,” Wade looked over to you and you gave him a happy smile with a thumbs up, knowing you probably weren’t gonna do that but it was nice to make him feel good before he and Logan fight again over how that isn’t an ethical way of fighting crime.

You decided it was best to leave before they started to get at it again, you knew that tomorrow they’d go back to helping you anyway. So maybe it was better to let them get it out of their systems every one and a while.

[zzencat]

Little Things You Can Do To Get Back On Track - Timeless ⏳

If you came from my “Why Am I Still Unsatisfied?” reading, sit back and relax. Take in the messages I am collecting at this moment. These are very simple things you can do today to get yourself back on the track of life.

Note: This is meant to be short and simple, but a storm of butterflies can whip up a tsunami. I got more than what I asked for from my spirit guides today. It seems you have a lot to hear. You never know what could impact your life. “You should be prepared.”

DO BEFORE YOU READ: Clear your mind. Close your eyes, inhale deeply, fill up your chest to the fullest, feel the air brush against the ridges of your nose. Breathe out. You are no longer alone. Choose the photo that you can’t take your eyes off of.

—————-

Pile 1. “Simple is best.”

• You could use some vitamin C, to be honest. But don’t overdo it. Learn more about your body and keep up with it—things like how fast you metabolize certain things, but if you’re on medication or supplements, be aware that metabolizing medication is different from metabolizing food. You also either drink too much water or too little.

• If you’re prone to procrastination, start looking for libraries and cafes to help you better focus.

• TAKE BREAKS. Mental, emotional, all of it. Look out the window and observe things that catch your attention. Maybe you’ll start to realize that life does have its small and beautiful moments.

• You don’t have to be surrounded by friends and people all the time. Allow yourself some you-time, explore places on your own—I keep seeing someone wearing a scarf, drinking a hot-warm coffee (coffee is super dehydrating for you btw, so make sure you drink tons of water), fall season. Lounging around in your room and having a show binge by yourself is also good. It’d be nice if you had at least one day off every week to spend by yourself, without the presence of other people.

• Remember that you should recharge yourself too and that saying “no” is okay. You don’t have to be responsible for everyone else.

• Take a walk at dawn, but wear a jacket when you do so. Be wary of your surroundings still, but when you have a moment, breathe in the air of an area that has a dewy smell to it. Damp or rainy seasons work fine. Watch the sun come up for a few seconds and take that time to appreciate your environment.

—————

Pile 2. “Rejection is Okay.”

• Have you gone on any dates recently? I’m seeing a girl with her legs crossed at a cozy cafe, but she’s not bothered by it. She’s neutral in fact, very simple existing, and she’s reading a wall full of post-it notes from other couple. She seems intrigued, although not overly. Just neutral and an “oh, how nice” kind of vibe.

• Perhaps there is a lack of confidence. You should strive to be someone that is okay with being alone in public—specifically LOOKING alone in public. No, that does not make you seem lonely. It makes you comfortable with your own presence. Maybe you tend to think a lot or contemplate often.

• Working on leadership skills could be something. Maybe you’d like to become more assertive? I don’t have too much advice for this group, to be honest. But you should learn how to stand up for yourself more and be careful so that people don’t take advantage of you (for anything/any reason) easily.

• Condition your mind to not caring what others think. Obviously, there’s a limit and rules set in place so that we don’t get in legal trouble—I’m talking about your mindset. Don’t let others get to you easily and work more on your posture. Standing/sitting up straighter will begin to subtly convince your mind and you that you’re confident.

————

Pile 3. “It’s too quiet.”

• journaling can help. It might sound boring or it might be hard to sit in one place for a while, but you have to practice it. Discipline yourself.

• Kind of similar to pile 1, but this is a less responsible group. Don’t distract yourself from your problems and face them head on. Being cowardly isn’t a good trait to have. Be mindful about drinking and what other things you’re putting in your body. This could bite you back in the future.

• Friends may be questionable, may try to convince you to do things you weren’t initially planning to do/try. Be wary of this and stand up for yourself.

• Another thing if you do drink, learn not to drink away your problems or get high enough to escape them. It’s hard, I know. But you have to realize how important it is to live. Don’t be so reckless. If your soul is being let down, you’ll pay the consequences.

• If you feel like a failure or everyone around you says that you are, don’t feed into it. Build yourself up. Make something out of yourself but don’t let those people know. They’ll see it and possibly try to take credit. Don’t let them. Deal with it in a calm and diplomatic manner and turn your head away. You don’t need that extra nonsense. Simple acknowledgement is what they really need, so don’t give them the attention. You’ll mature so much from this.

• It might feel lonely and you may think you’re the only person who’s overthinking/overfeeling about something, or you feel like you’re different from the people you hang out with somehow. A small part of you probably thinks there’s more to life than just…this. Whatever you’re doing to pass the time and simply have fun. Like “they wouldn’t understand so I gotta fake it til I make it” type of energy. Laughing it off type of energy. “Ah, whatever- it’s nothing~” energy. Find like-minded people who share the same interests as you and bond with them. You will experience more authenticity in these relationships than your previous ones.

• Pile 3, you definitely have a bit to learn and it takes work, but you have it in you. The potential is very obviously there. You know it too, but you brush it off—don’t deny it. Don’t be scared of it and learn to speak its language. Reach your hand out to whatever is in that mental cave of yours and show it some kindness. It’s okay for it to come out. You’ll learn that it will take your hand faster than you’d thought. Don’t let doubt get in the way. This pile thinks A LOT and likes to drown it out, because it’s easy. Let yourself think and feel the emotions, bad or good. You won’t even recognize what you were holding back. You have power to impact people more than you realize. Good luck Pile 3, you have this.

————————-

Lil Teddy note: I hope you enjoyed this reading guys!! Today I asked for simple things that my readers could do to improve their lives and become better beings. I meant to keep it concise and give 3D, things-you-could-do-in-the-present type of things, but apparently, I received other messages to give that involved mental and physical health as well. Some piles made me feel worried and passionate, like their higher selves were desperate to get them out of these ruts or situations. The signs have been there but maybe some piles haven’t been taking them seriously or have been brushing them off one too many times. This is your sign man 😂😂 Please, take yourselves seriously and realize that you’ve only got a shot of this. Stay safe, work on that confidence, and learn to be with yourself. With all that being said, take what resonates and leave what doesn’t!! Thank you for coming to our reading today :) Teddy outttt

[i-yap]

Jason Todd x y/n thoughts- sexual

SEXUAL THEMES( even sa/rape and really sad stuff) SO MINORS STAY AWAY

Jason todd is a virgin. He got kidnapped really young and has been very against touch since then and opening up-even physically - to anyone. Most times he doesn't even want to get it. Plus he doesn't jerk off as much. As sad as it is , realistically joker probably implied sexual torture. Harley once tried to rape dick grayson, and harley was also someone who used to torture jason...so yea.

He didnt get particularly fixated on it, he just didn't care. Out of all the torture he endured, it probably just became another thing, but he doesn't really feel attracted to most women and he doesn't want to.

till he meets you. First he opens up emotionally. I don't think hookup turned more is a trope that would work for jason. He will first fall in love and then allow himself to open up sexually .

And its like a damn broke down, its a fricking flood. Now most people assume men without any experience suck at sex...NO they are better because not only are they more ready to learn they go by their carnal desire and instincts. Jason also never really watched porn, so he is very observant and easily affected .

that doesnt mean he comes fast, he is smart, he isn't a hormonal teenager, he probably did google and read and more than that he just focuses on what makes you feel good. Because everything is making him feel really good. He therefore is more skilled and a more eager and passionate lover.

Also sex is more for him. It is lovemaking . Most people assume they wanna be degraded, hurt, thrown around(aka me and some of you) but i know that is someone actually hurt me or was mean in real life id get really affected and in my head.

Jason is mean yes, but its sweet mean. "You must really like it when I kiss you here, fucking drenched you are" "so wet baby, all for me?" "has anyone ever made you feel like this" "calm down baby, I got you, let me do it for you yea?"

Its all genuine, all dirty talk is genuine, its not those practiced words , its what he is really feeling in the moment. And what he is feeling is carnal desire and loveeee. Also the first time he tastes pussy- its over for him( technically over for you). He wont hit you, smack you yes but its lightly. choke you yes but very lightly, just holding your neck a little tighter as he kisses you. He is observant he can tell when it hurts. \

Now wouldnt jason want to know what sex with other women may feel like? HELL NO it took him forever to even want someone to hold his hand, and he is like a worshipper. He is devoted asf. He is disgusted you would even ask. Why would he want someone else when he has more than he could even imagine with you? Let him show you just how bad he wants you and only you.

[silverwhittlingknife]

How would you describe Tim's people skills? Especially when you compare them to Dick's?

Hi anon, this was a fun ask!! I picked out a few panels for each of them (comforting friends, a bit out of sync with friends, fighting with friends, and offering practical support to friends) just to get a quick look at their people skills in action, and then I rambled on about my thoughts on their strengths and their weaknesses.

(Caveat: I'm going to try to focus on my ideas about differences between the two of them, since we're comparing, but I do think they're socially more similar than not, so you might also want to check out @bitimdrake's post on Dick and Tim's similarities for the big picture!)

Short version: I think they've both got good people skills. Dick's are a bit better and more natural, whereas Tim's are more practiced and learned (in ways that sometimes show).

Let's start with Dick first, and then I'll get back to Tim.

Dick

Comforting friends in Titans Secret Files:

Dick: Will you go back in there and sit down? This is my house. You don't need to clean up after me! Donna: I know, I just... I just ... Dick: Hey, hey... what's the matter? Donna: Nothing. It's nothing. Dick (reaching out to supportively grip her shoulders): Donna, this is me here, remember?

A bit out of sync with friends (but still getting along well) in Titans 3:

Dick: The movie runs 98 minutes. So if we fast-forward past the coming attractions and watch only half the credits, I can still make it back to Blüdhaven in time to - Roy: Nightwing, chill. Team morale demands that you relax and enjoy yourself.

Fighting with friends in Titans 13:

Dick: We haven't used it much, Changeling. But that's gonna be different. Starting right now. Our performance against Tartarus and the HIVE was unacceptable. Each and every one of you should thank God you weren't killed. Kory: How dare you? How can you just stand there talking to us like we're a military detachment -

Giving support to relative strangers in Nightwing 87:

Neighbor 1: Oh, he - he's a true gentleman, you know? Always holds the door, or helps me up the stairs with my groceries if we both come in at the same time... Neighbor 2: ...used his motorcycle to jumpstart my car one morning and even got my brother-in-law a job with Wayne Enterprises when he got laid off... Neighbor 3: ...and he's very, very, very nice and doesn't talk down to me. Plus he lets me use his basketball.

Offering practical support (making dinner) in Prodigal:

Tim: I can't believe you can actually cook... Dick: I like to eat. Tim: So does Bruce - but he had to order Chinese last night. Dick: That's where I'm one up on him - I've lived on my own without an Alfred. Still miss him, though... He was good for a lot more than cooking and cleaning. Tim: Yeah. But at least we don't have to miss him on empty stomachs.

Strengths:

I think Dick's people skills are pretty simple: he has them! He's good at people! And I tend to think of Dick's people skills as so automatic they're mostly instinctive. It's not something he really has to think about because it's so ingrained in him. A combination of natural talent plus a childhood spent around sociable performers means Dick's just really highly attuned to the people around him.

And I don't think he's particularly obvious about it. So e.g. you could be having a conversation with Dick where he didn't seem like he was paying close attention, but if there was An Important Moment where you got anxious for a moment or let something important slip or let a bit of anger show through etc. - Dick will have picked up on it, even if it's unconsciously, and it'll stick with him and come back to him later.

And just generally - I think Dick has good instincts for who he can trust and who he shouldn't trust; when he's treading on conversational landmines he'll often pick up the unease even if he doesn't have the context to know why there's a problem; if he's trying to comfort and trusts his instincts he'll often do the right thing even if he can't justify in words why he felt like that was the right thing to do.

So I think for Dick, there's always the level of conscious awareness - the things he's aware he knows, if you will - and the level of unconscious awareness - things he senses, but maybe can't explain, or maybe doesn't want to know so he's suppressing the thoughts.

So he's good at leading, and he's good at comforting, and he's good at listening, and he's good at figuring out the right thing to say...

Like, he's good at all of it, so it's actually sort of difficult to elaborate because there's just not that much nuance? Given any particular interpersonal situation, Dick has an excellent chance of getting a quick read on some random guy he's just met and then getting the reaction he wants pretty fast, whether it's intimidating the guy or comforting him or getting him to cooperate or taunting him until he loses his temper, etc etc etc.

Obviously Dick's not a mind reader, and he can get things wrong, especially when he's in the throes of one of his own personal crises, but generally I think Dick's very very sure-footed with people, even with strangers.

Weaknesses:

This isn't a weakness precisely because Dick's usually doing it on purpose, but he'll sometimes have fights with his friends because they think he's acting overly professional/detached and he thinks they're not being professional enough. So e.g. in Titans 13, you can see Dick's set up the room almost like he's leading a business meeting, and he's the boss lecturing them, and they're reacting by getting mad at him. Part of this is basically a Traditional Bat Problem - Tim's friends also balk because they feel like Tim's keeping them at a distance - but Dick tends to lean especially hard on "I'm The Leader Here So Shut Up And Do What I Say" professionalism / distancing.

When things are going well, Dick's friends may grumble at his intense professionalism but basically appreciate it (this is basically how things go in their reunion in TT vol 2); when things are not going well, though, it becomes a point of tension. Generally, Dick gets extra-professional as a coping mechanism when under stress, as here in TT vol 2 12:

To the extent that Dick falters with social skills, it tends to be almost exclusively with people he knows well, not with strangers. Dick sometimes struggles with maintaining relationships, largely because he's often juggling multiple responsibilities; he'll sometimes get hyperfixated on something and deprioritize his more stable relationships (so e.g. when he gets fixated on trying to fix Blüdhaven and gets distracted from his relationship with Babs).

Somewhat relatedly, if things start going wrong in his own life, he tends to self-isolate out of shame and avoid everyone he thinks of as more put-together. So, for example, in the aftermath of Blockbuster, he's a self-destructive mess who's trying to dodge and/or drive away Clark and Roy and Tim (all people who care about him and would want to help), but Sophia Tevis and Rose are two messed-up young strangers in trouble and their obvious neediness trips his "urgency" meter, plus he may be a mess but they have no context to realize that so he doesn't feel so self-conscious, and he's able to be drive-by super-helpful to them and then dive right back into privately self-destructing.

Also not a weakness per se, but he tends to be a bit of an introvert in general - he and Wally are close, but they go long stretches of time without catching up; when he's spending time with friends, usually it's Donna / Wally / the Titans / Tim visiting Dick rather than the other way around; he's more likely to get cajoled into joining a team than the other way round - Wally talks him into rejoining the Titans and Roy talks him into joining the Outsiders. He likes people and likes spending time with friends, but he's usually not the one initiating a social gathering. He's self-aware about this; in Titans 9, he muses, "It's not the newness that's the problem. The problem is the old stuff. The ruts. You know someone long enough - well enough - and you fall into a rut with them... you completely take the relationship for granted..."

Relatedly, because Dick's pretty self-contained, he has a recurring problem where loved ones interpret him as distant or detached or indifferent even when he's still passionately attached - both Kory and Babs break up with Dick in part because they feel like he's not really that committed to them (also there are mmm Problematic Plotlines involved but I'm ignoring those for the purposes of this post), and in both cases IMO they're misreading him. He's deeply upset by both breakups and responds with big declarations of feeling and, uh, proposing marriage shortly afterward. (Okay, so he's not ALWAYS sure-footed sdfdsfs)

When Dick's getting something wrong, it's usually because he's upset and overcompensating - when things with Kory and Babs are tense, he tries to fix it with Big Gestures; when Vic's mad at him about spying, he missteps with an elaborate secret plan culminating in a big dramatic offering of a new body which Vic does want... but he's still understandably miffed at Dick for making a bunch of decisions behind his back instead of talking to him. Dick guesses right about something Vic will want, but because Dick when he's feeling guilty tends to slide into I-Am-The-Leader, I-Must-Fix-Everything-By-Myself, I-Am-Responsible-For-Everything mode, he forgets that the whole original problem is connected to not respecting Vic's autonomy / right to make decisions for himself, and that a better gesture would be asking Vic what he wants instead of once again making decisions on his behalf without consulting him. (I'm sympathetic to Dick's spying-on-Vic plan on account of how Vic did turn into an evil moon for a bit - comics are bonkers, you guys sdfdsfs - but I'm also very sympathetic to Vic feeling that he deserved fuller disclosure here.)

And you can see similar patterns in lower-key conflicts too: every time Dick gets accused of being just like Batman, it's usually because he's coming off as harsh or detached or uncaring (sometimes on purpose because he's pushing people away; sometimes just because Dick handles grief and fear by shutting down; sometimes because his the-buck-stops-here leadership style can come off as overly-detached), even though Dick actually cares SO SO MUCH, all the time, about everyone he knows.

But honestly... these weaknesses exist, but they're minor in comparison to his strengths?? Dick's a guy with a lot of very strong friendships for a reason. He's true as steel and once he cares about you, he cares about you forever. <3

OKAY! So that's Dick. Let's finally move on to...

Tim

Comforting friends in Joker's Last Laugh 3:

Tim: Babs? Is everything okay? (hugs her)

A bit out-of-sync with friends (but still getting along well) in Young Justice 7:

Cassie: A campout isn't a campout without a real fire. It's no fun at all. Tim: But the generator is far more efficient, Cassie. It's non-polluting, it poses no threat of forest fire, and it's... it's ... (taking in everybody else's expressions, sighing, reversing course) It's no fun at all. Impulse, can you...?

Fighting with friends in Adventure Comics 3 (stonewalling, avoidance, and lying!)

Conner: You weren't picking up. Tim: I didn't know it was you. Conner: I turned off my caller ID blocking. Tim: I was busy. I am busy. Conner: Too busy to talk to your best friend? Tim: Yes. No.

Giving emotional support to relative strangers in Robin 98 / 100 / 156:

Wesley: I just wanted to thank you. They tell us at the meetings that it's important to let people know how you feel. You did a lot for me - making me sober up. If you hadn't taken the time to notice - (Later) Tim: You're gonna stay strong, right? (Wesley: Right.) Tim: You're gonna stay sober, okay? (Wesley: Okay.) Tim: You're gonna do it 'cause - Wesley: 'Cause if I don't you'll come back and kick my butt all over campus. Tim: Uh huh.

(The redhaired guy was about to jump. Tim convinces him to sit down and talk first.) Tim: So, you're in college? Guy: Yeah, I'm a freshman. How'd you know? Tim: Just a hunch. I'm guessing you don't like it much. Guy: I always hated high school. Always felt like I was outside looking in, never part of any group or anything. I was on the diving team but even then I didn't feel like part of it. The only good thing was that was where I met Lori, my girlfriend.

Offering practical support (medical care and tea) in Batgirl 59:

Tim (treating her injury as she shares her traumatic past): Whoa. That's ... horrible. Cass: That's nothing. Stephanie and I used to laugh about - oh... uh... never mind. Wait, Tim. I... I'm so ... stupid, I don't - Tim: You're not stupid. Want some tea? Cass: I ... uh... yeah. Thank you.

Strengths:

Tim! I think Tim's also pretty decent at people - not as good as Dick, but hardly anyone is?

I tend to think of Dick as instinctively good at people, and Tim as more consciously good at people.

Tim spends a lot of time being intentionally watchful: observing, spying, psychoanalyzing people, paying careful attention to what they say, thinking about what makes them tick. (And Tim psychoanalyzes himself, too. Tim is studiously engaged in the study of Tim, and of Tim's friends, and of Tim's family. He's often playing a role, even when that role is "Tim Drake.")

So e.g. in Red Robin, at one point Tim has an elaborate domino-falling database where he's compiled a list of villains he wants to fight and how he wants to fight them, all leading up to a very careful takedown plan for Boomerang where he's thought through and anticipated Boomerang's every move ahead of time... and he's basically right! He gets it all right!

And this kind of intensely-studied logical chess-game of "he will do this for this reason, and then this for that reason, and the other people will respond in this way, like a series of dominos, and I've thought through all the possibilities" is Very Tim to me, and I feel like... this is just the sort of thing that Dick would never ever do?

And mostly Dick wouldn't do it because he wouldn't have to. When Dick's skeptical of James Gordon Jr., he goes to talk to the guy and feel him out, and he ethically feels obliged to give him the benefit of the doubt because there's no evidence against him, but he's got a bad feeling and doesn't trust him and secretly slaps a tracer on him because he's got an instinct he'll want it, and he's right: James Jr. is up to something, and that tracer is exactly the thing that Dick needs.

And similarly if Dick wanted to goad James Jr. into doing something, I think he'd go off and meet him and goad him into doing it, and he'd have an instinct for what to say to make that happen - I think the whole elaborate domino plan that Tim comes up with for Boomerang would feel unnecessarily complex to Dick. Not that Dick doesn't make complicated plans, because he absolutely does, but Dick doesn't usually overthink people.

Similarly, if Dick had been the little kid in Lonely Place of Dying, he'd have gotten worried and gone straight to Bruce and talked to him, not gotten worried and taken photos of Bruce from a distance and then come up with an elaborately overthought plan to go to New York and track down his estranged son and fix him that way. And, like. Kid!Tim's not entirely wrong! He's correctly picked up on a very real and very strong connection between Bruce and Dick even though he doesn't know either of them! And given how little actual information Tim has, this is actually an impressive plan (it's a bad plan, because Tim doesn't know about their fights, but it's an impressively solid plan given that his entire information basis is "watched them from a distance and collected news reports"). But this isn't how Dick thinks about people.

Backing up to a more general point: Tim values people skills really really really highly. I think "uses interpersonal skills to help and comfort other people" is one of Tim's highest values and arguably the highest value - he imprinted on Dick because he was kind, and then imprinted on Batman because he was comforting Dick. And he has six million After-School-Special-style plotlines where he tries to comfort / advise / rescue / etc. people in various stages of emotional distress and who are using bad coping mechanisms. His very first outing as Robin involves talking down a semi-suicidal shooter; the big finale of YJ has Tim talking Secret down from her rampage; he's very gentle when he's comforting his girlfriend after she confides in him about a maybe-attempted-rape; he talks down a suicidal college student in Robin; plus there's the entire concept of "Batman needs Robin" in the first place; not to mention his obsession with the importance of friends; and so forth.

So it's something that he's good at because it's something he values and works at. His people skills are conscious and learned. He does a fair bit of amateur psychoanalysis of other people's problems, and he's generally good at identifying the problems, even if he's not always great at fixing them. And he's often playing a role, or imitating other people, rather than being himself; he invests a lot of time constructing alternate identities; he's often more comfortable wearing a mask. (It is just so typical of Tim that his civilian friendship group is the DCU version of D&D players.)

So his practiced-people-skills work decently well, because he's diligent and he cares a lot, and he's better at people when he's older than when he's younger. And he's extremely good at things he's had a lot of practice with, like meeting new schoolmates, or making small talk, and he's friendly and he likes people, and he's good at learning scripts and following them, and he only tends to misstep when he's distracted or unusually anxious or when he's in a situation where normal social norms don't help. (Of course, since he's a vigilante and not an ordinary person, distracted / unusually anxious / weird situation are all things that happen more often than you might think!)

I also think Tim has a few caretaker instincts that have become automatic - generally he's hyperaware of when people are upset and usually tries to reach out or fix it, and even when he's trying to keep himself at a distance he'll slide into caretaking sometimes - so e.g. there's that moment in Batgirl with Cass when Tim's kinda upset with her for siding with Batman (and distancing himself from other people in general), so he's not intending to get close to her, but also what we see him doing is treating her wounds and then getting her tea. And meanwhile Cass actually wants to reach out, and she's intensely observing him and worrying and wanting to help, but what she actually does is... drink the tea. That Tim got her. While she stays firmly on her side of the couch.

(I tend to think of Cass as slightly similar to Tim but at the very very very beginning of her learn-to-people journey here? Like Tim, she cares!! A lot!! And she's successfully understood that Tim's upset, and she knows when she's put her foot in her mouth. But she's not sure what to do yet.)

Weaknesses:

Tactless! This is a tricky word because I think people sometimes hear 'tactless' and misunderstand it as 'generically rude,' but that's not quite the issue - Tim's quite polite most of the time; his problem is that his default mental monologue is very detached / psychoanalyzing / analytical, including about himself and things he's emotional about. He'll often be analyzing his own emotions even in the process of having them (I also talk about this a little here, though it's mostly a post about Dick and anger), and Tim's also constantly analyzing other people.

This means that if he doesn't edit his brain-to-mouth filter, he can come off as too detached or professional or calculating.

This is obviously similar to Dick's problem of coming off as too detached / professional - again, they're both Bats - but it's not quite the same thing, and I think this distinction is most obvious if you look at the places where they're doing it on purpose and picking fights:

Dick's most likely to pick fights by pulling rank: "I'm the boss, you all fucked up this mission and you better not do it again, shape up or shut up." This is a kind of distancing that's about Dick-the-impassive-boss and you-the-subordinate.

By contrast, Tim's more likely to pick fights via hostile psychoanalysis: "I notice you're being snide about Cass again, but we both know you're actually just mad that Bruce cares about her more than he cares about you." When he's miffed, both his inner monologue and the things he says tend toward 'uncharitable analysis of your emotional weaknesses,' and this is something he periodically directs at Bruce / Jason / Damian. This is a kind of distancing that's about Tim-the-hostile-analyst and you-the-unfortunate-target-of-analysis.

(Caveats: I don't think Tim's above trying to pull rank if he can, but he rarely has the opportunity; Dick's not above jabs at other people's weaknesses when he's very defensive and feeling attacked - junkie, elevator - but IMO he's more likely to pull rank, whereas Tim's jabs are more likely to be wrapped up in insulting psychoanalysis, so e.g. Jason's insecurity is his problem. The Jan Brady of the Batfamily.)

You can see related similar-sounding-but-different issues if you look at some of their respective breakups. So e.g. Dick has a breakup with Babs in which she thinks he doesn't care about her, and Tim has a breakup with Cassie in which she thinks he doesn't care about her. And these breakups are different for six million reasons (among other things, Dick and Babs have a pretty intense romance, whereas, uh, Tim and Cassie have had one date and IMO she's very right that they're better off as friends).

But you also get some useful character notes:

Babs is wrongly anxious that Dick's mostly in love with nostalgia for their past rather than the person she is now (he 100% does love the person she is now!) and she's being unfairly bitchy about Catalina, but she's also correctly noted that he's gotten into the habit of deprioritizing their relationship in favor of vigilante busywork & that he's been a bit pushy in swooping in protectively rather than letting her fight her own battles, so when she's accusing him of being a control freak it's not completely coming from thin air; Dick responds by getting hurt, upset, and direct (he gets furious and punches something, but then makes a big sweet sincere emotional speech to her about how much he cares and values her, albeit one that's so caught up in his own emotions like wanting to "protect" her that he's not slowing down enough to take in her insecurities).

Cassie has correctly realized that dating Tim is a bad coping mechanism and she really needs to just deal with her grief over Conner; when she starts crying, at first Tim moves to comfort her, but when she actually clarifies the breakup, an upset Tim responds by aggressively de-emotionalizing the conversation and pretending he's being totally logical and not emotional about it - he first wonders aloud if he's a bad detective for not seeing it coming and then attempts a bonkers guilt-trip suggestion that it's their duty to date in order to uhhh avoid turning evil in the bad future (sdfsfdsfdsfds sure tim nice try)

This isn't because Tim literally doesn't have feelings, because of course he does! But often, the more upset he is, the worse he gets at clearly expressing those feelings, and the more he intellectualizes them or avoids discussing them.

(Caveat: The trouble with any distinction is that it's easy to exaggerate it in ways that are oversimplified, and I want to emphasize that this doesn't reduce to "Dick always expresses emotions, Tim is never emotional," or anything like that. Dick has a bunch of complicated feelings about the intensity of his emotions because he values control and detachment and often is trying to be more detached (I talk more about this in the context of anger here and here); Tim often retreats to faux-analytical detachment when he's actually very emotional; and these are tendencies rather than one-note 24/7 truths - Dick is completely capable of intellectualizing away his emotions; Tim is completely capable of just getting straightforwardly and directly upset. But if you're looking for broad distinctions, I think it's fair to say that Dick's usually better at directly using his words and expressing his emotions, even if he sometimes feels self-conscious shame about it later, whereas Tim tends to self-sabotage and deflect and hide by producing intellectualized faux-logic instead of just being direct about what he wants or what he's feeling.)

An unrelated issue is that Tim also tends to get intrusive when he's anxious, and it gets worse the more he cares about you. Tim really really really wants to know what's going on and has an intense Need To Help, which generally works out for him - this is the entire reason he pushes his way into the Batfamily! - but it's easy to imagine Tim running into people who might not appreciate his busybody sneakiness; so e.g. secretly stalking your friend because he has a bruise, or running your friend's DNA, etc., is... stuff that all comes from how much Tim cares, but also it involves a very fuzzy relationship with other people's privacy, so Tim's friendships that stick around tend to be with people who find this kind of intense observation to be caring rather than pushy. Relatedly, Tim's version of "be protective" can overlap with "be condescending," which means he tends to get along best with confident people like Bruce, who could punt him into a wall and who thus finds Tim's 'disapproving medic' shtick endearing instead of insulting.

Tim also struggles to connect to people for whom he doesn't have an obvious "script" or who don't respond to his usual scripts. So e.g. offering Gar a "you don't like me but let's be friends" handshake worked; offering Cass a "let's be friends" handshake worked; offering the same thing to Damian did not go over so well; and I think this kind of "it usually works so this is my habit now?" thing is very Tim, and I don't think it's the sort of mistake that Dick would make.

More broadly, because Tim's people skills are conscious and learned - the effort sometimes shows! He stares at people. He secretly spies on them. He pokes around in their secrets. Dick can be paying close attention to you and seem like he's not, so that his awareness seems effortless and less intrusive. I think Tim's awareness tends to be a bit more effortful.

That said, though, I don't think that Tim's intensely-observing-you shtick is necessarily obvious except to people who are fairly socially-skilled themselves. When I write fanfic, I generally write from Dick's POV, and I tend to write Dick being hyperaware of when, say, Tim's observing him, or trying to figure out what's going on with him. But I think of that as more "Dick's good at reading Tim and really aware of being watched, so every attempt at subtlety stands out in neon lighting," and I think to someone who's less good at reading people than Dick is, Tim is a lot subtler.

And I think for e.g. someone like Cass, who really struggles with people skills, Tim seems impossibly and naturally good at interactions in the same way that to Tim, Dick seems incredibly good at it.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[ayylovley]

Hello! if it's not a bother for you can you please write part 2 of boyfriend and jealousy headcanons for Johan Seong, Vin Jin and Seonji Yuk?

yee part 2 with Johan, Vin jin, and Seonji, and feel free to ask for a part 3👍🏼(slight nsfw)

𝔹𝕠𝕪𝕗𝕣𝕚𝕖𝕟𝕕 𝕙𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤 𝕡𝕒𝕣𝕥 2

⋆˚✿˖°Johan Seong

❤️Johan would not know how to be a good boyfriend, at first

❤️once he learns it goes 180 and he’s such a good boyfriend that you wonder what happened to the old Johan…

❤️I feel in order to date him you’d have to be friends with him. He got trust issues (every issue)

❤️how you met in the first place would be you did something kind for him.

❤️he seems stand offish and cold but when he gives you those sweet smiles is when you fell for him first

❤️once he trusts you he’d be clingy. In his head. Trying not to be a bother but he wants to be with you every single day

❤️as a boyfriend, he would want to be with you while he lives more comfortably or at least if he has money finally

❤️he wouldn’t want you going through the poor life with him because he wants to give everything

❤️he gets in a bad mood easily but with some soft kisses and comforting touch a lot of it goes away

❤️he’s definitely a virgin

❤️but a fast learner

❤️amazing kisser

❤️10/10

⋆˚✿˖° Vin Jin

❤️you’re gonna be stuck listening to his raps more often…

❤️not that they’re bad, just that most of them are about him.

❤️and you’ll listen anyway cuz you honestly like his over confidence

❤️however he doesn’t actually think that he’s the most handsome guy in school, he said he hates handsome guys and that part of his personality is just not to let people make fun of him.

❤️you’re the one who said he’s very attractive and meant it

❤️you got him blushing. That’s actually a hint of what got him asking you out

❤️even when you say it to him a lot he’s blushing and pretends to be mad at you for it

❤️”damnit (y/n) shut up with the sappy shit.”

❤️you’re raising his ego about his looks that wasn’t even there before he met you.

❤️still though he’s an asshole

❤️he’s confident about how he is in bed…

❤️honestly for good reason because he’s got a little experience and the rest is just natural talent

❤️and since you’re not a fling he will want to be better for you

❤️he’s an idiot goof and that’s why you love him

❤️like how Mary needs to control him you’d also have to otherwise he will think that he can act up around you

❤️and since he’s around you almost everyday he slowly dials down his prick side to other people

(I went a little overboard with Vin Jin hey he’s my second favorite in Lookism ok…?)

⋆˚✿˖°Seongji Yuk

❤️if you remind him how handsome he is and how you love every part of him he turns flustered as hell

❤️not very affectionate in public but times you’re hanging out with The Cheongliang Fam he’s more talkative with you and would touch you a little more

❤️but once you’re alone that’s when he can’t have his hands off of you and smothers you with kisses

❤️would teach you how to make tanghulu

❤️he doesn’t know much about sex stuff, just the basics

❤️he’s got 6 fingers tho so once he learns more about it he’s suddenly skilled (knows how to use every single one)🫣

❤️wouldn’t know how to kiss at first, he’d feel embarrassed and needs a little guidance

❤️once he gets the hang of it his kisses leave you wanting more

❤️would make sure everyone in the fam gets along well with you, you’ll become best friends with Mary!!

❤️your biggest protector and if there’s a situation where he can’t, he orders Cheongliang to do it

❤️best nights is when you’re all together by a fire telling stories or joking with each other and then once you’re alone with Seongji again he holds you, no worries or stress just good vibes

[sideprince]

YOU GET IT. This book is really about Harry's relationship to Snape and foreshadowing that Snape's betrayal isn't all it seems to be. The Slughorn party scene makes me angry actually because Snape’s only purpose in it is to be the straight man in a comedy bit. He serves no narrative purpose (even the message he conveys has no purpose - it’s not like Dumbledore was cancelling an appointment, he’s just saying “we had no plans to meet and continue to not have any. k bye” but doing it through Snape for... some fucking reason ¯\_(ツ)_/¯). In the film ABOUT HIM where he’s only in four scenes one of them renders Snape’s presence narratively functionless. He's in that scene so the audience can get a laugh when McClaggen pukes on his shoes (and the timing of that whole bit is painfully clumsy and slow, because the films don't respect the audience's intelligence and assume them to be clumsy and slow too).

And you know what, I know I didn’t include the Sectumsempra scene and I’ll tell you why: because what’s the point? Snape shows up and says nothing. He heals Draco. He doesn’t hold Harry accountable???????? He doesn’t guess how Harry knew this uncharacteristically dark spell that isn't taught in class or punish Harry or even ask him “hey so about this student who’s bleeding to death in this bathroom where the only other person was you?” Snape's purpose in that scene is to fix Harry's mistake. Which is the complete antithesis of how he relates to Harry.

I’m frothing at the mouth at how Steve Kloves went out of his way to strip this scene of any substance for no discernible reason other than to handicap his own plot and character development??? Severus FUCKING Snape, who spends every book antagonizing and punishing Harry, just lets him go and fixes his near-fatal fuck-up without a word????? And Harry “slashed up a fellow student” Potter just walks away and is like, “that was messier than the time I fully murdered a teacher in my first year but anyway, guess I better do as Ginny says and go with her to hide this book, maybe we can hook up after,” and that’s just… fine. Which tracks with the rest of Kloves' sloppy writing, since he doesn't show Harry getting attached to the book, let alone the Prince, he just carries it around and reads it sometimes. And even when he does that we don't see him get immersed in it, he's still fully aware of what's going on around him and actively participating in conversations while perusing it. If you watch this film (or any of them) and think about every scene in the context of "what if I hadn't read the book and didn't have the understanding it gave me for what's happening or the emotional attachment to the characters" then you'll see how Kloves took a vibrant, colorful landscape and turned it into a hand-drawn cardboard cutout.

The purpose the Sectumsempra scene serves in the book is manifold and complex:

Harry's trust in the Prince is shaken and he sees an ugly side to this unknown person he's anthropomorphized into a kind of friend.

This is paralleled with Snape appearing at that exact moment, because foreshadowing.

Harry, who at the end of the previous book wanted and failed to use an Unforgiveable on Bellatrix Lestrange, experiences what it is to enact violence on someone for the first time and is deeply shaken by it.

Snape DISCOVERS THAT HARRY HAS HIS OLD POTIONS BOOK.

Snape, who suggested expulsion in Harry's second year for being seen flying a car across the country and into the Whomping Willow, punishes him for attempted manslaughter with nightly detentions. I need a whole other post to unpack this one (and while this may not work for the film, the solution isn't to scrap Harry being punished altogether - that goes against Snape's character and eliminates possibilities for tension, exposition, and plot development, not to mention character development).

Harry chooses to hide the book in the Room of Requirement and hand Snape Ron's book instead. This is a crucial moment for Harry's character development: he hides the book with the goal of retrieving it later, because despite the Prince's violent betrayal, he doesn't reject him and is still attached to him [insert meta about the potential parallels to Lily's friendship with Snape, what she saw in him, and why they remained friends for some time even when Snape became more immersed in the Dark Arts]. In fact, Harry wants to go back and get it, and his main reason for not doing so is fear of discovery by Snape, not a rejection of the Prince. This is a hugely important moment once you realize that Snape is the Prince, because it makes Harry's relationship to him - and his view of Snape's betrayal when he kills Dumbledore - much more complex and interesting and cathartic. It also shows that Snape has redeemable qualities, if Harry was able to become so attached to his younger self (the one who was an aspiring DE, before he defected and risked his life to save a friend, at that).

Snape's realization that Harry has his old Potions book is what leads to the moment after Dumbledore's death where Snape reveals his identity as the Prince. If he didn't know Harry had his old book and had learnt from it, why would he do this?

The purpose of the Sectumsempra scene in the film, though? Imprisonable offence after imprisonable offence. Writer's jail for Kloves:

Harry and Malfoy have it out, even though that tension hasn't really been built up (there was the Hogwarts Express scene and then not much after. Fun fact: when Draco gets caught gatecrashing Slughorn's party, it's done without having set up in any way that he's overlooked by Slughorn and insecure about losing his social standing due to his dad's imprisonment. There's zero attention given to his lack of inclusion in the Slug Club, so the fact he's using gatecrashing as an excuse to cover for sneaking off to the RoR is impossible for the viewer to understand, because the fact that he'd need to gatecrash at all is also unexplained, unless they had context from the books).

Snape saves Malfoy, but since neither character has had much screen time or relevance to the plot, it's just a striking visual to see Malfoy splayed on the water logged floor with Snape's robes swirling around them but not much more. Again, without the context from the books, this moment lacks substance.

There are no repercussions for Harry. He and his friends acknowledge that the book is dangerous, but Harry isn't punished, doesn't try to make amends, and basically acts like the self-involved special little boy Snape makes him out to be and who the books show him to be the opposite of. He doesn't seem all that conflicted or horrified and doesn't even hide the book on his own, his friends push him to get rid of it, and he goes to do it because it's a way to hang out with Ginny - who hides it on his behalf, which signals very different things about Harry's character than Book!Harry's choices do. The purpose of hiding the book in the film isn't so Harry can try and get it back later because he's still attached to the Prince, it's so he can be alone with Ginny and they can kiss, which Ginny instigates because Steve Kloves does nothing better than write passive protagonists who don't have to lift an emotional finger (see: Harry going along with being told to hide book instead of choosing to do so himself), and female characters who do all the heavy (and weirdly subservient? I'm looking at you Ginny feeding Harry and tying his shoes at the Burrow) lifting.

Nothing about this scene gives us even a remote hint that Snape is the Prince. When, at the end of the film, Snape reveals that he's the Half-Blood Prince, there is no context for it in the film or reasonable cause for him to know that Harry knows who the Half-Blood Prince even is. It's like if Ron walked up to someone on the street when he was 40 and said "yes, I am Roonil Wazlib." This revelation hasn't been set up, all its foreshadowing has been deliberately avoided, so it doesn't land with the impact it has in the books and definitely doesn't have the same effect if you haven't read the book first.

In short, in the film about Snape, and Harry's unwitting relationship with him, the scene where the biggest clue is given about the Prince's identity and one of the most crucial interactions between Harry and Snape happens, Snape is a sidebar, not a feature. So I don't count it as a Snape scene. He doesn't even have any dialogue aside from vulnera sanentur. Poor Alan Rickman was doing his best to do right by Snape's character with his acting even though the script gave him literally nothing. I hope every bowl of soup Steve Kloves eats for the rest of his life is cold and unsalted. Unless it's gazpacho. Then I hope it's scalding hot and burns his tongue.

Canon: Harry overhears Malfoy intimidating Borgin and figures out that he's been branded with the Dark Mark

Steve Kloves: Harry sees Malfoy meet a bunch of Death Eaters in Borgin and Burkes and figures out it was a ceremony to give Malfoy a Dark Mark

No but what I love about the movie version of events is that it implies that any Death Eater can brand anyone with the Dark Mark or, even better, that Voldemort was there in Borgin and Burkes and no one saw or heard him and he just popped into a shop in Knockturn Alley, tatooted a kid, and peaced out. I know I talk a lot about how Rowling (boo, hiss) was thoughtless with her world building, but she has nothing on Steve Kloves. I'm pretty sure he wrote those scripts with a crayon stuck between his toes.

[windvexer]

Do you know if there's a chance that someone just... Can't do magic? I feel like none of my spells work despite trying different methods and advice, I've never been chosen by a deity like most practicioners seem to be, I feel like there's something I'm missing fundamentally that means I just can't make magic. How can I check, so I stop giving myself hope and then having it crushed?

Perhaps a bad faith take, but I doubt most practitioners have been chosen by deities. I am of the opinion that many people believe they are supposed to be chosen and then use very lax systems of omen reading to justify that such-and-such god is claiming them.

Over the years, many people have asked me for help getting their spells to work, or solving such-and-such magical blockage.

And unfortunately, just about every time, the end result is that the person really has not done as much work as they think they have done, and they are still more or less on square one (or square zero) of practice.

Here are the sorts of questions I would ask you if we were chatting about this:

Focus

What specific school of magic are you trying to learn? "Witchcraft" and "magic" are not schools. Are you trying to learn Traditional Witchcraft? Lodge Magic? Chaos Magick? Appalachian Folk Magic? Dianic Wicca?

Out of the school of magic you are trying to learn, how many books have you read about it?

Out of those books, how many of them focused on actual technique and theory? As in, explaining the magical theories as to why this system works the way it does.

Do you have a clear understanding of why this magical system works the way it does? Can you describe it to me?

Within the magical system you have chosen to study, is there a clearly laid groundwork for what practitioners are supposed to have to do before they are valid/initiated/adept within this system? If so, have you achieved all of those requirements?

How many months of ongoing study and practice do you think is reasonable until you are ready to move to a new school of focus?

Learning Plan

Witchcraft is a complex and variable skill that, like writing a novel, requires a working knowledge of many diverse skillsets.

What is the specific goal you are working towards at this time? "Getting a spell to work" is not specific enough. "Casting a prosperity spell that is able to generate small amounts of cash, gifts, or benefits within a 2 week period" is the type of thing I mean.

What is your lesson plan to achieve that goal? An example might be, 1) read a book on prosperity magic, 2) study and research 5 accessible plants related to prosperity, 3) learn an energy raising technique, 4) learn how to charge correspondences, 5) learn how to add correspondences to candle spell, 6) learn magical timing techniques.

Even if you do not have a lesson plan, can you name the top 3 things you have been actively practicing to try and become a better practitioner? Examples might be energy raising, visualizing techniques, talking to spirits.

Once you formulate a lesson plan, ask yourself how many hours you think is reasonable to spend on each step. If you don't think you've ever successfully raised energy before, do you think it's fair that you might require 10 hours of practice learning your first energy raising technique before you can do it?

Could you explain to me the steps you believe are required to perform magic? Include how many hours you've spent practicing techniques applicable to each step.

Practice

Think of magic as being like learning to close a restaurant by yourself. You must be experienced in all of the stations, and have in-depth knowledge about the standards required. Do you also have such experience and understanding when it comes to your own craft?

Outside of reading and study, since the start of your practice, how many hours of concerted effort have you put in trying to perform magical techniques? This includes energy work, casting spells, sensing energies, divination, talking to spirits.

Write a list of each specific magical technique you have tried to learn. Not just "energy work" but, "Earth-roots grounding visualization to raise or balance energy into the planet." "Gathering energy into the lungs and exhaling to release excess energy." "Trying to contact the spirits of tarot cards." Be very specific. Next, write down how many hours you think you have spent practicing each technique. Which techniques have you spent more than 10 hours practicing, even if that practice is across years?

Write down every spell you ever remember trying to cast. How many are there?

Of all the spells you've tried to cast, are they from a wide variety of intents (such as prosperity, protection, luck, binding, conjuring), or are they mostly one type (e.g., prosperity)? Write down how many different kinds of spells you've tried to cast, based on intent. Have you practiced at least 5-10 spells in each category?

Technique

You've asked me, so given the way I do things:

How long does it take you to cast simple spells? Do you think it might be reasonable to expect that casting even a simple spell could take 30 minutes or more?

When you work spells, how long does it take you to raise energy? This can also include hours/days spent finding objects/ingredients of natural power. Would you say that you spend at least 10-15 minutes raising magical power for every spell that you cast?

When you work spells, how do you imprint/program energy? How do you stamp it with your intent so you know it's going to do what you want it to do?

When you work spells, how do you deliver them to their target? What techniques and methods do you employ to make sure they can get to where they need to go?

Before you cast spells, how much divination or investigation do you perform to make sure the spell will be effective for your purposes? Even a perfect screwdriver will fail where a hammer is required.

Do you use traditional techniques like aligning your spells to planetary timing, gathering taglocks, casting circles, or calling quarters?

Hygiene

How often do you perform self-cleansing? Otherworldly grime can obfuscate magical power.

Have you ever cast, or had others cast for you, unblocking or unbinding spells to help open the roads of your power?

How often do you engage in managing your personal energy? For example, centering/reclaiming exercises to pull escaped energy back into yourself, or energy gathering exercises to build up personal power.

Resources

Of the people you are asking for magical help, are they all a part of the same group who carry similar worldviews and would tend to suggest the same advice?

Of the people you are asking for magical help, how many of them are able to affirm that they are mentors, teachers, spirit doctors, or consultants qualified to help people with the problem you have?

Do you have a group you can work with to practice skills, such as energy charging and energy reading?

When you cast spells, do you have someone you can send photos of the spellwork to, so they can try to perform readings or diagnosis on what's actually going on?

Reality

Have you chosen a start date for your practice (such as, "I've been a practitioner for 2 years,") but in reality you have only tried to practice magic for a very limited time (say, 1 or 2 months out of that period)? If so, is it possible that you are comparing yourself to the success of a practitioner of 2 years, instead of a practitioner of 2 months?

Does the kind of magic you believe in dictate that rigor and technique are required to achieve results? Or are you more working in the "visualize and believe" arena?

Are you comparing your successes to people who are telling the truth about their practice? Is it possible people you are comparing yourself to are not using rigorous self-assessment when they calculate their own wins?

Are you comparing your successes to people who may have been practicing for decades or more on intensive paths, or who have spent thousands of hours honing their practice within a single area?

Are you being realistic about what actual success looks like? For example, casting a protection spell, something not protected against happens, and then deciding that because something bad in general happened, the entire protection failed.

Anyway Anon, to actually answer your question: no, I don't believe some people just "can't do magic." In very rare circumstances, some people may have serious blockages or entanglements going on that must be resolved before they can do magic. Others may require less intensive spellwork like unblocking to clear the way (like idk, maybe granny prayed over you in the crib that you'd never get involved with all this evil occult stuff).

It's my experience that almost everyone who thinks they can't do magic, if they were being very honest with themselves, would have a hard time coming up with actual lists of things they have done to try to be better at magic; they have perhaps practiced for a handful of hours across several months; they are not learning core skills (like energy work, divination, or trancework); and they are not working off of tried-and-true systems, but are rather setting up camp at the intersection of every possible shortcut (clear quartz, rosemary, and roses are universal substitutes; you don't have to use any physical tools or ingredients; visualization is the same as energy raising; intent is all you need; traditional methods of targeting such as obtaining taglocks are irrelevant; casting a circle is irrelevant; magical headspace is irrelevant; building and consecrating of holy areas such as altars is irrelevant; astrological timing and places of power are irrelevant; going to great lengths to obtain or preserve power is irrelevant).

The other 3% of people pissed on a fairy tree when they were kids and need to spend a couple of months working with a mediator to rectify their relationship with the spirit world.

Do feel free to DM me, if you like.

[lotte22324]

A Night Out

Summary: This is inspired by Episode 4x9 "Pick-Up“. You guys know what I'm talking about, the one where they are trying to catch a pick-up artist who murders his victims and where that iconic bar scene happens with Spencer and the bartender, with the magic and all :) You are a part of the BAU and are assigned to the same club as Morgan and Reid, to find out if anyone knows the unsub. But Reid‘s miserable attempts at making conversation make you everything but focused on the task at hand. Leading to a confession and also a lil kiss (yk I am a sucker for a first kiss scenario!).

This is just basically fluffy all through, a bit of hurt/comfort :) This is for all the girlies who have kind of low self-esteem cause lets be honest, we all doubt ourselves once in a while. Also, this is most definitely not how in-ear monitoring works, honest to god, this just worked for the plot. So bare with me for potential technical inaccuracies :) TW.: Y/N is self-deprecating

You had flown into Atlanta two days ago, now you were sitting in the precinct with your team in front of a very poorly looking suspect picture.

„No one's gonna recognize this guy,“ you said helplessly.

„If you know him, then you’ll recognize him“ Rossi reassured you but you were still not very convinced.

„No matter, Morgan, Reid and y/l/n, go to Club 'Aqua‘ as normal agents, ask around, if anyone has seen anything important and warn people!“ said Hotch. "Emily, you already know what you have to do, as Morgen already so graciously pointed out earlier, the Pick-Up Artist is attracted to you“.

You felt a little sting after that comment. Even though you didn’t want to be found attractive by that arrogant narcissist, you still felt bad about not being seen the same way as Emily. Ohhh, this was so stupid, why did you care about that? Well, you were still living in a man‘s world where the opinion of men was apparently worth more than of others. It made you feel shame and guilt to think like that but you couldn’t help yourself, you wanted to get noticed by men as well, mostly just one man…but that didn’t matter right now. You glanced over to the man that had been haunting your nights and caught him staring back at you. He offered you an awkward smile but let his head fall as soon as you returned the smile. So that you both didn't notice the blush creeping up both your cheeks.

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Later that evening, you were all at the club, Emily and Jordan looking pretty at their table, while you, Morgan and Reid were questioning and warning visitors. Everyone was wearing a mic and earplugs. You were connected with one another over the in-ear monitoring radio, so you heard what the others were saying as long as you stayed on their frequency. It was kinda distracting but in a dangerous situation, it could save lives. 

Having set the in-ear device on Emilys mic, you heard her and Jordan make fun of the pick-up artist you encountered earlier today. The female club-goers (and also a few male attendees) were eyeing him up and down. You were not convinced how the learned “charme skills” would work on anyone. Who would find a man attractive that belittled you so much? The weird trick with the "the camera really adds 10 pounds, doesn't it?“ just seemed douchey and would be an instant turn-off for you. You liked a gentleman, one that didn’t make you feel worth less than him, one with intelligence and maybe a bit of awkwardness. Who doesn’t like an awkward genius, you know? 

Switching through the channels on your in-ear monitoring radio (totally not looking for Spencer's voice), you finally heard his rambling. Your favorite awkward genius was in the middle of explaining the situation to a group of women. After describing the man to them and showing a picture, he started rambling on about the dangers of night clubs: "When you think about the nature of serial crimes, it's amazing that there aren’t more predators in Night Clubs! I mean the excessive amounts of alcohol, countless opportunities for date rape drugs, not to mention surprisingly risky behaviour being persued. Alright, so who wants a flyer?“

Subtle, Spencer. Based on his confused look that you caught on his face, after looking for him in the crowd, nobody wanted one. Someone should have really taught him some social skills before letting him out to a club. You stifled a laugh after that interaction you just witnessed and continued on your path, asking around if anyone knew the unsub. After a few fruitless conversations, you found your way to Morgan and Reid to find out if they had gotten anything useful. 

"So, how’s it going?“ asked Morgan, looking at you and Reid. But before you could give an answer, Spencer already started talking: "not good, I gave the profile to one woman, she asked if I was the unsub. How are you guys doing?“

Your brain stopped for a second, so did your feet. What did Spencer just say? You busted out laughing after his comment, just to get some weird side glances from other people around you.

"Why are you laughing?“ Spencer asked. 

"I don’t know, maybe because your attempts at speaking with pretty women are hilarious?“ you pushed out while holding your belly from laughing too hard. That right there was comedy gold and Spencer didn’t even realize it. Instead, he turned red as a tomato, with a hint of hurt in his eyes and turned away from you, just to meet Morgan's amused look. 

"So, how many phone numbers did you get?“ Spencer asked him.

"None, I'm working a case!“ Both you and Spencer raised your eyebrows in knowing suspicion, not believing a single word that left his lips. 

"Fine, I’ve got four numbers offered but I didn’t take none!“ Morgan defended himself. You start laughing again. This time Morgan shot you a scolding look and you caught yourself again.

"Alright, lemme school you real quick. What you have to do with these ladies, just take control over the conversation. When you’re talking, what makes you feel like an expert?“ 

„Uhh, statistics!“ 

You couldn’t believe his answer. Statistics? For real? Spencer knew so little about striking up a conversation and you were still falling for him, head over heels. Well, he didn’t know that, but still, how did you fall for this man again? At the thought of him talking with an attractive woman in a club about statistics, out of all the topics he could have picked, you lost it again. You started laughing loudly and excused yourself as soon as you saw Morgan's annoyed look. Holding your laugh in, you stepped outside the club as fast as you could. As soon as you were outside, you laughed even more.

"You are aware that we can all hear you, y/n?“ said Emily, suddenly standing next to you outside and you slowly stopped. 

You turned off your mic in response and took out your ear piece, not feeling the need to listen to more of Derek's “flirting lessons” for Spencer.

"I‘m sorry, it was just so fucking funny what Reid said“ you smirked, Emily smirking back. 

"I know, I could barely keep my laughs to myself“ she confessed.

"He really doesn’t understand how normal conversations work, not to mention flirting“ you replied instantly.

"And he’s still got you wrapped around his finger“ she answered dryly, looking at you with an amused look.

"No, he doesn’t!“

"Suuureee, you do understand that even though I promised not to profile you all, I still subconsciously do. I see you stumbling over your words when he asks specifically you a question, I see your flustered face when he looks up from his desk just to look at you, I see your little reaching for his hand whenever something horrible happens. And that all concludes to just one outcome: you, my love, have a big fat crush on our Doctor.“ Emily deduced with a satisfying look on her face. She deduced it completely correctly, obviously, but you were still trying to deny it all. 

"Yeeeahhh, sureee, you got me all figured out, Spencer isn’t even my type, Em!“ you answered a little too quickly, with not enough confidence to fool anyone, especially not a fellow profiler.

Emily's skeptical look, followed by an even more skeptical sound, made you look away from her and fumble with your bag. 

Wait. You looked over to Prentiss' ear, her hair tucked behind it. You saw the wire entangled in her hair, she was still wearing her hidden mic and ear device. Oh no, no, no. Everybody who was on her in-ear monitoring radio just heard her little speech about your peculiar behavior around Reid. Hotchner definitely heard it since he was monitoring us. Reid might have heard that you had a crush on him. Not just a little, but a big, fat crush! Emily saw your panicked look and realized her own mistake too late. 

"Fuck, I didn’t mean to-" she took her ear piece out.

Hurt and panicky, you cut her off, not allowing her to finish her probably half-assed apology: "you just told Hotchner that I like Spencer; you might have even told him. How am I supposed to look at them ever again?“ you asked frantically, turning red, holding your head in your hands the second that you do so. 

"Guys! We might not have gotten any new leads but Spencer got a girls number, he actually flirted with a real woman!“ Morgan bursted out the club's door, smiling brightly and padding Reid proudly on his shoulder. Jordan was following them, clutching her arms, not knowing how cold it would be outside. Spencer walked behind Morgan, looking a little more accomplished than usual. Maybe they didn’t hear Emily's profile? Maybe they were too hyped up about Spencer's flirting abilities.

"Yeah, I,I used magic! And she actually liked it.“ Spencer added coyly, a blush emblazoned on his cheeks. You felt a sting in your heart. Of course, she liked the magic, Spencer was extremely charming when he was talking about the things he liked or did the things he was good at. He had shown you multiple magic tricks already which always made your heart flutter. But now, thinking of magic, your stomach turned. You weren’t the only one being charmed by magic Spencer. Of course you weren’t. You flashed him a smile but couldn't mask the hurt that was shining through your eyes.Him being so excited about another person made you sad. You felt Emily's sorry-look on you and shivered due to the low temperature. Nonetheless, you could not drive in a car with Spencer now. To be honest, you wanted to be as far away as possible from him.

"Uhm, I think, i‘m gonna walk to the hotel, I need to clear my head a little“ you said hastily, starting to walk in the right direction. Everyone looked confused but no one dared to question your choice. It was gonna be a nice 30 minute walk where you could get yourself together before having to face the others again. You might catch a cold but it was worth it. 

"I’ll come with! You shouldn’t be walking the streets alone at night and I also, uhm, still need to get my steps in!“ Spencer hustled over to your side and started to walk with you. Great, amazing, this was exactly what you needed. You slumped your shoulders and pulled your lips into a thin line. 

"Fine“ you answered, quickening your pace, not caring if Reid could keep up. He was the one that you wanted to get away from and now he was walking right beside you. For the next 30 minutes. You could curl up and die at the thought of that.

After walking a few minutes in silence, you started to slow down, admitting defeat that you wouldn’t get rid of him. His breathing slowed down, looking grateful, he never was the sportiest out of all of you. 

"Sooo, what’s her name?“ you asked, uninterested.

"Whose name?“ Spencer seemed confused.

"The girl whose number you got?“ 

"Well, technically, I don’t have her number but she has mine and I told her that she could call me…. I don’t know her name either.“ Spencer answered honestly.

"It doesn’t matter, I am not interested in her anyways, I just wanted to know if Morgan‘s theory of controlling the conversation would be true. And, I guess, he was right. I was in my comfort zone, doing something I liked and she instantly felt attracted to that confidence“ he confessed.

You didn’t answer him, what should you say to that?  Yeaaahhh, I like your confidence too! Whenever you do magic, I also find that super attractive. Oh and by the way, do you wanna go out with me instead of her? And also, when she calls, do you wanna casually give me the phone to tell her that he’s in a happy relationship and that she should back the fuck off? No. You would never say that and also, the other woman has done nothing wrong. Why are you so angry with her? He flirted with her, she simply flirted back, as one does. Being mad at her is senseless, it's better to be mad at Spencer and yourself. I mean, who were you kidding? Spencer Reid would never fall for you, you are so deep in the friendzone, he probably does not even see you as a real woman.

"Did you get any numbers offered to you in the club?“ Spencer asked, pulling you out of your self-pitying thoughts.

"No, I don’t usually get numbers just handed out to me“ you answered sarcastically but truthfully.

"Why not?“ Spencer furrowed his eyebrows.

"Cause, I don’t usually get hit on, you know. People need to get to know me before asking me out, my looks alone simply don’t cut it.“ you admitted, shrugging your shoulders. You turned around the next street corner, blinded by the suddenly very bright street lamps but kept on walking. Spencer grabbed your wrist and made you stop in an instant. 

You turned your head irritated: "What is it?“

"That can’t be true.��

"What can’t be true?“ you asked, still irritated by his grip around your arm but not taking any action against it.

"That people don’t ask you out all the time just when they see you. You’re, You’re beautiful.“

Your face turned a crimson red color and you looked down onto the pavement. 

"Well thank you, Doctor Reid, but you might be the only one who thinks so…“ you said out loud, without thinking about it first. You shook off his hand and kept on walking, wanting to leave this conversation behind you.

"Come on, we do wanna get back at some point, ay?“ you asked him, a smile playing on your lips. Spencer's shocked look turns into a smile as soon as he sees yours. 

"Okay, but just for the record, I am very sure that everyone thinks that you are beautiful, inside and out!“ Spencer reassured his view but you didn't believe him, as always when someone complimented you. 

Walking side by side, you finally decided to change the topic and asked about the last book he read. Instantly, his eyes shined bright and he started rambling on about this book that you’ve never heard about. Although his mouth and his right hand were moving enthusiastically, his hand closest to you stayed on his side. In the next ten minutes, he inched closer and closer to you., at least it seemed like it. With every millimeter that he won, you didn't back away. You wanted him to get closer, god, if you had the choice, he would be as close as humanly possible at all times to you. You let your hands fall out of your coat pockets, dangerously close to his. They graze lightly. He kept on talking about the main character and his complicated love interest. Your hands graze again. You tried to keep calm, listen to his explanation of the story. They touch again, this time longer. You instinctively held out your pinky, your body yearning for his touch. It touched the back of his hand, slowly making its way down. Spencer mirrored your movement, your pinkies finally interlocking. You held your breath, fearing that any change would destroy this fragile image. Both of you kept on walking, he kept on talking.

"Y/n? Are you even listening?“ Spencer asked hesitantly, his voice a little shakier than usual.

"Yeah, sure I am! You were talking about Flavio and his little girlfriend, uhm, Adriana?“ you answered him, completely aware that you were, in fact, not listening to him.

"Arianne. It almost seems like you just wanted to get me talking, so you wouldn’t have to,“ his jawline tensed up but he didn't let go of your pinky.

"I-I, that might have been my plan.“ you defeatedly answered him. But before he could answer you back, you were standing in front of the hotel. 

"There you guys are, finally, I was already afraid that you got lost!“ Morgan said, pushing himself off of the car he was leaning on. You let go in an instant of Spencer's pinky and took a step to the side, not realizing how close you were standing.

"Yeah no, our doctor over here is just not the fastest, even though he has such long legs!“ you laughed, Morgan flashing you a signature smile. 

"Come on, let's get some sleep, tomorrow will probably be a long day again.“ Morgan yawned and started walking towards the entrance of the hotel. Both, you and Reid, followed him and started to walk up to your rooms. Stepping into the elevator, Morgan had to get to the third floor, you and Reid to the fifth. As soon as the elevator dinged on the third, Morgan waved tiredly and wished you both a good night. The ride up was quiet but the tension between you two seemed to thicken. You stepped out of the elevator awkwardly, Spencer following you sheepishly.

"I have to go to the right,“ he said, looking down onto his hands.

"Oh, I have to go left“ you answered, the disappointment in your voice clear, you never were the best at keeping your emotions hidden. 

Spencer looked up at you, opening and closing his mouth, as if he wanted to say something but didn’t know how. You gave him a smile: "alright, good night then.“ 

You turned around and started walking towards your room when a sentence dropped from Spencer's lips that made you stop in your tracks.

"Was Emily right?“

You turned around to find him walking towards you, in the opposite direction of his room. You gulped. Your eyes shifted panicky, trying to find the right answer to that question. You could simply lie, say that she was wrong, profilers do get things wrong sometimes. 

But you felt yourself opening your mouth: "yes, Spencer, she was right.“ you looked down onto the floor, your stomach full with knots. 

"But that doesn’t have to change anything between us, you know, I know you don’t like me like that and I will get over this, easily!“ you blabbered. Yeeeeahhhh, sureee, that is gonna be super easy. You don’t believe your own words, knowing the feelings that you have for this man. It’s like nothing you ever felt before, it feels like whenever he looks at you, the world stops for a second. But he doesn’t need to know that, as far as he is concerned, it's just a little work crush.

"What if I don’t want you to get over it?“

The world actually stopped or at least it felt like it again. You drew your eyes up and met his gaze. He looked completely serious, he was not fucking with you right now?

"What do you mean, Spencer?“ you asked hesitantly.

"Well, y/n, as Emily put it so nicely: I have a big, fat crush on you too.“ Spencer timidly smiled at you, ears turning red, stepping closer.

"Or why would you think that I was trying to hold your hand the whole damn way here?“ he confessed, holding his hand out to yours. You followed his movement and took his hand, this time with more clear intention, and interlocked your fingers together. You couldn't fight the smile creeping up your face, neither could he. His other hand moved up and hesitantly touched your cheek. Your eyes shifted up and down, from his brown eyes to his pink lips. He fully stared at your mouth, not concealing his clear want at all, making you chuckle slightly.

"What’s so funny?“ he asked, his voice quiet and distracted.

"You can’t stop staring, can you?“ you blushed, surprised by the boldness of your claim.

"Nope.“ 

And that’s all it took for you to lean over and place your lips on his. For Spencer, it felt like the world was stopping. It was a shy kiss but you both slowly found a rhythm. Your hands found their way to his neck, his hands fell down and started pulling you closer by your hips. After a few moments, you had to stop, trying to catch your breath. The stupid smiles that painted both of your faces made both of you laugh. 

"You know, y/n, I can never stop staring. Whenever I ask you a question, whenever you look up from your desk and especially whenever you hold my hand.“ Spencer confessed, his smile and his words making you blush, for the 100th time tonight. Instead of answering, you simply pulled him into a tight embrace that he happily reciprocated. You sighed heavily, the tension of today falling off, feeling safe in his arms.