#but I think it'll go well!

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[egophiliac]

So how’s ride kamens going for you as I just pulled my self together long enough to read the other half of the current main story

I've been working on catching up on the event stories since they announced the upcoming main story update! (I totally bombed the last few events...they're so fast-paced and I just didn't have time...😭)

and then of course they went and dropped THIS on us today

(you don't understand, I LOVE Tajador and I already love the two blurry frames they've given us of non-silhouetted Kelka, I'm ready to absolutely lose my shit come the announcement/reveal(?) stream on Thursday --)

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[wasyago]

not drawing for others. not drawing for myself either. playing video games. okay? yay

[sunlit-mess]

I can only take so much, but lately, they have replaced my reflection. And realize I'm just as bad as them.

[moreaugriffins]

IDK who needs to hear this, but Egon and Ray aren't the only autistic og ghostbusters

Peter is too

Your telling me this man with two PhDs related to psychology, who always has the exact right thing to say to manipulate a situation to his favour (when it's a planned/known situation), but cocks up massively when it's an unknown situation, who has a massive reaction to getting slimed (more so than the others), who would rather joke all the time than take a situation seriously because wtf should he say

you're telling me this man is neurotypical?

nah

Winston's the only NT in this group (idk how he deals with these weirdos (affectionate))

[dead-girl-tells-stories]

I have another idea for a story, but I once again don't know what to write, so I'm building a skeleton.

It's a DC x DP x ML crossover. Damien, Marinette, and Danny are triplets born into the LoA. From birth, they were taught to not see each other as siblings but as rivals for Ra's attention. When they were five, they were dipped (more like dropped) into the pits for the first time. Danny never comes back out. The second time was when they were six. Damien and Marinette came back from a mission gravely injured. Marinette doesn't come back out. Damien becomes the sole heir.

As one can imagine, Danny and Marinette aren't dead but simply taken to where they were needed at the time. That being said, things for these two characters go mostly according to their respective shows after they integrate into society. With the exception that the two of them are more competent and don't fight like rabid raccoons. But things take a dark turn when they turn sixteen.

Marinette

. After finding out that his father is Hawkmoth, Adrien is unable to carry the weight of being the holder of the cat Miraculous, as he doesn't want to fight his father and gives it to Ladybug. He promptly moves to the States to further his modeling career. Marinette, unable to find someone else worthy to be the holder of the cat Miraculous, stores it away and becomes the sole hero of Paris (with occasional helpers). But because of this, her two lives get more intertwined, and she is forced into a corner where she has to choose between being Ladybuy or Marinette.

. But she doesn't get a chance as Hawkmoth is dethroned and replaced by an even greater threat. She is forced to take on the persona of LadyNoir. Her life crumbles as she tries her hardest to balance her life as a hero and a person. She tries to save everyone but someone always ends up getting hurt. Whether it be her as Marinette, clinging to what little of her life is left. Or her as LadyNoir, with no choice but to watch innocent civilians die because she couldn't think of a better plan that could've saved everyone.

. It gets to the point where she makes an unforgivable wish. But every wish has a cost. She only finds out the price when she is forced to stand behind an invisible wall and watch as her life replays before her eyes, the film slowly burning away till there's nothing left. She cries as she falls into an ocean of familiar Lazarus green.

Danny

. Danny's life is also crumbling around him as he struggles to separate his human life from his ghost half. But after becoming the Ghost King, things only became more complicated and even more dangerous as more ghosts started coming through the portal to challenge him for the crown. And while he would really love to give it away, the guys that kept fighting him for it are very clearly evil. So he has to keep fighting, winning, and solidifying his position as the King of the Infinite Realms. But with every win comes a newfound power. Power he doesn't want. Power that scares him.

. It gets to the point when Danny has to drop out of school. He wasn't even scoring double digits anymore so what was the sense of keeping him? But Danny couldn't stay home either, it was too dangerous as his ghost and human halves were slowly becoming one. And his parents' obsession was slowly becoming a threat to him. He thought he had the solution. He was going to shut down the portal and leave Amity Park.

. It was perfect really, as no ghost portal meant no ghost. And he couldn't be vivisected if neither the GIW nor his parents could catch him. He talked the plan over with team phantom and they reluctantly agreed. The ghost portal is destroyed, and Danny leaves Amity and files over Elmerton and a few other towns. But after flying for a while, Danny gets to a sort of border where nothing meets... NOTHING. On the other side was just an infinite void. Nothing.

. Danny slowly realizes that in this world, all he knew was Amity Park. He never actually traveled or went on field trips. Never went to visit extended family nor did any visit. No one 'new' ever came to Amity Park because they were all just nearby. He learned no relevant history besides Amity Park because there was nothing outside of Amity Park. When the realization had finally set in the world began to crumble into the void and it became a race against him and the void.

. Danny knew that he was fast but the void was faster, and before he knew it he was back in Amity. He was going to warn them and try to save as many people as he could. But saw something in their eyes. They already knew. Danny watched how teary eyes and big smiles, everyone and everything he loved crumbled into the void, fading into nothingness.

Scientists across the galaxy, the universe even, often theorize about how everything came to be. Well, it didn't start with a bang, that's for sure. 'Well then how did it start?' you might ask.

Well..., it started with some tears and a scream.

[essektheylyss]

just had to give a gentle nudge about research ethics on discord. with an Essek profile pic. I'm still laughing.

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[acearohippo]

I love fandoms, especially witnessing what fans take away from source material and how fans interpret it based on their experiences. Not to mention the stark difference of interaction between new fans, casual fans, experienced fans, and long-term fans.

I say this because the SVSSS fandom has continuously fascinated me in insisting in discussions that there are parallels between Shen Jiu and Luo Binghe (tell don't show), but in their fanworks, I just see parallels between Luo Binghe and Yue Qingyuan (show don't tell).

And it's not even (fully) a case where they're blending character personalities because they want what the other dynamic has, it's just how the characters are based on canon in two different timelines.

All of this to say, perhaps original draft PIDW (NOT original!PIDW nor pre!SY PIDW which are completely different) was supposed to revolve around the dynamic between SJ and YQY vs SJ and LBH. Perhaps YQY was to be the last hour mastermind, the true foil to LBH.

And fandom is just circling this idea without realising it because, once again, the unreliable narrator that is SY has already convinced this fandom that any version of SJ has to be a/the villain, regardless if it's through his own actions or baseless rumours.

Warning, run-on sentence ahead.

I don't know, mans, but it's gotta mean something that LBH and YQY have such similar life beats of being orphaned and having a tough life but remaining kind/compassionate because they had someone to live for until they didn't which left them empty until they found (or refound in YQY's case) one (1) man to obsess over in an uncomfortably intrusive way with no regards for his feelings and rejections, eventually reaching a position as the most powerful being in existence with a huge caveat that their sword is 83% of that power and is slowly killing them which did nothing to soften said man of their obsession's into showing them kindness leading to the ultimate confrontation between the two in which only one could survive and keep their obsession, not that it mattered because neither of them got to experience his feelings reciprocated, except in another timeline where the same things are happening until their obsession suddenly stops rejecting their (still intrusive) advances even if he is acting a bit silly, but hey take advantage while you can and take advantage they did because now they have that reciprocated feeling (except one still "won" as he gets to keep him for himself) and be thankful that all it took was, in their perspective, a near death fever that drastically changed his personality and most likely left him crippled in some other way, preventing their obsession from not NOT needing them anymore, all-in-all fulfilling their desire to be relied upon again, hooray! 😋😁✌🏽

In all seriousness, at the end of the day people are going to draw connections between characters that fit whatever narrative they understood from the story. SVSSS fandom just seems to be trying to convince others of one narrative while believing on a deeper level of another narrative. It's amusing and makes following the fandom fun.

[neonhellscape]

okay its no secret i dont buy into marazhai being the persona he puts on. so as i've officially met him in game now, im making a list of all the in-game reasons i think he's a bit of an idiot [which i love btw. i find him far more compelling if he's a bit stupid/weird and he's trying so hard not to be but you just know nobody in commorragh is inviting him to parties]

the very first time you get a glance of him on a rooftop and. 'deal with this' "of course" proceeds to just walk off like 3 seconds after the other two

ambushes you. has you cornered. is in optimal position to kick your ass frankly, high ground and better weapons and utilising shock against you. ...he bitches at you for a while, gets insulted, then runs off into the forest with a maniacal cackle

heinrix fired a mild insult [considering what he's like to everyone else its barely an insult] and he took big enough issue with it to start saying how he'll break him and turn him into a pet. oh sure dude you're responding super well to this mild comment from the guy who accidentally insults everyone and their entire ancestral line at some point

i think it says something that he's learned to speak your language fluently too. that Has to be some kind of Yikes moment to admit publicly in drukhari culture. buried family secret great great grandfather drukhari-georg learned to speak mon keigh and now we claim he just spoke oddly because was shot in the head as a child to prevent the shame

he also knows the mon keigh lore that says youre a super special little guy as rogue trader and actually LISTENS to the fact you're the special little guy as rogue trader. and he does treat you as more equal/with more respect than the other characters. thats not just a drukhari culture yikes thats what gets you checked for a concussion or brain damage

literally socially atrocious enough its believed he's working with you [read: with you. not using you, not manipulating, cooperating. this is a big difference i feel] and only he himself doesnt believe it

ignore the fact he eventually DOES work with you which. is its own follow up statement

challenges you to fight him, to give chase then and there. i made him wait while i went through english government simulator where i queued for multiple days, did multiple day/week voidship trips back and forth, got distracted by accidentally starting jae's romance, pasqal telling me to servitorise her, getting blackout drunk with her, shipwide broadcast tm, giving her a voidship, her getting me a space cat, attacked by pirates, dealt with a plague, explored a few extra systems.......................

he destroys your palace. ...its rebuilt effectively within a week. most of the damage is in bodies which are just sent to the poor district to rot [almost feels worse than the damage done good job imperium]

the throne has claw marks. he could've blown it up or shot it or piled corpses on it but no he wanted to sit on the fancy chair and so turned into a common housecat mauling the sofa arm

how long was he just sitting there lounging on that chair? again see how long i kept him waiting. he was just sitting there trying to find a comfy position on this [for him] kinda small chair JUST so he could briefly taunt, break your window with his space motorbike, jump off the chair in a dramatic [but not gunna lie not that impressive] feat of gymnastics, then fly out. he doesnt even shoot at you as he leaves

i will continue my list as i see more that entertain me

[bacchuschucklefuck]

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[mintjeru]

hypothetically speaking, these would be cute sticker designs ^^

open for better quality | no reposts

[h0estar]