#because i couldnt get it to look like her

[seokmn]

chapter 13.

wc: 1k words

“oh my god, if you say anything else ill throw you in front of a moving car! we’re almost there, stop complaining!” frustration was very clear in doyeon’s voice, which made chan even more annoyed. “youve been saying this for an eternity now! im going back home.”

“wait! we’re here!”

chan looked at the old house in complete confusion. doyeon took a key out of her pocket and opened the door before looking at chan. “what are you waiting for? come in.”

the house not only smelled but looked old. “careful where you walk,” doyeon referred to the good amount of pieces of broken dishes on the floor. she placed her backpack on the table and carefully took some plates out of it.

“what are those for?”

“look at the floor and youll know what are those for,” she laughed as you looked around. “you wanted to break some plates with me?”

“exactly. now here, take these,” she handed him a few plates and a marker pen. “why the marker pen?”

“youll write something that you want to break, that you want to get rid of it,” doyeon took a plate and a marker pen, wrote school’s pressure down on the plate and looked at it before throwing it hard against the wall and yelling at the same time the plate hit the wall and broke it in pieces.

chan looked surprised, not knowing doyeon had this side of her. “so, wanna try now?”

“why should i? breaking a plate wont make the problem go away.”

“trust me, chan. do it.”

he sighed, took a plate and wrote losing her. chan looked at the plate, his fingers gripping at it before throwing it against the wall. the sight of the plate turning into small ceramic pieces was relieving and he couldnt explain why. it felt like the some of the weight on his shoulders were gone. he smiled and chuckled a little, finding the situation amusing.

chan didnt waste any time and started to write things down the plates and threw them, laughing like he was losing his mind. every thing he wrote on the plates were about you, about losing you.

he took a deep breath while looking at the ceramic pieces on the floor and tears started to fill his eyes, making his vision blurry. laughs that were coming out of his mouth soon started to turn into sobs as he crouched down, hiding his face in his hands and doyeon went closer to him without saying a word and started to rub his back in order to soothe him.

“i- i dont know what to do!” his voice came out between his sobs, his whole body shaking as he cried hard. “the thought of losing yn was already way too painful and now that i really lost her… its like i have nothing to smile about life.”

“hey,” doyeon crouched down as well and gently took his hands out of his face, taking sight at his red eyes and runny nose. “its for the best.”

“who cares if its for the best?! doesnt mean it doesnt hurt as hell!”

“i know, i know.”

“do you? i hate when people act like they know what im going through. you clearly dont! when you lose the love of your love because of your dream life, then you can say that.��

“im sorry.”

“dont apologize,” he sniffed. “its just- it shouldnt have to be like this, i shouldn’t have to suffer like this and make yn suffer as well. i shouldve never gotten closer to her, she doesnt deserve this. i want to run back to her, but i also want to become an idol… why cant i have both?”

“in life, we have to make sacrifices, chan. you can become an idol and love her from afar, or maybe your busy schedule will make you get over her, think that it wasnt right to stay together. you dont know what can happens.”

“i dont know and i dont wanna know… now i gonna choose to let her go because she made up her mind, but not because i chose this,” he sighed and wiped his tears away. “its funny how i cant go back, how i only have one path to go to now and im still torn. its not like i can go back in time or something.”

doyeon stood up and waited for him to stand up as well, “come on, you cant stay like this forever. are you really gonna just sit in your pain or are you gonna grow out of it as well?”

chan stood up and looked at her with pitiful eyes, “i feel like im grieving.”

“well, think about the bright side, youll have a lot of great songs to compose.”

“thats not funny.”

“who told you its a joke? turn your pain into art, chan. why do you think i paint that much? youre not the only person whos hurt in this world, so will you turn this pain into something productive or will you let it drown you? turn this into songs or into choreographies. dont let this pain take over you.”

chan only nodded, that was the only thing he could do at the moment. he knew she was right, but he also knew he wouldnt be able to do that, at least not at that moment.

“im sorry i was rude to you in the groupchat. to be honest, i dont even know why i said those things, i guess i got frustrated at the situation because i hate seeing you like this and blming yourself for it. i know i never told you, but i see myself in you.”

doyeon was expecting anything from chan as his response to his words but the hug he gave her right away, which she responded by wrapping her arms around his body while whispering motivational words in his ear.

once the hug was broken by doyeon, she looked in his eyes and smiled. “im hungry, we should eat something. lets go,” chan smiled as well and nodded. “yea, lets go eat something.”

HIGH SCHOOL SWEETHEARTS

yn and chan date since their freshman year and are truly high school sweethearts, but will chan’s dream of becoming an idol get between their relationship?

masterlist — prev — next

taglist: @ivehypnosis @wonkierideul @ateez-atiny380 @noircheols @222brainrot @odxrilove @vixensss @starshuas

[freylaverse]

Agonizing quick sketch of Ezri because I realized I hadn't painted her yet!

[puppppppppy]

filipina miku!! my mom helped me with her outfit ^_^

[starry-bi-sky]

I am procrastinating homework and finals studying so I'm making another DPxDC au -- or more accurately, I am making an au of an au. or combining two aus to make a third one, because I am Procastinating And thinking about it.

(the part two for my Danny is Jason Todd au is like,,, half-made and I will get around to finishing it, promiiissse)

So the two aus I had in mind were combining, of course, the two clone aus - the Danny Clone and the Damian Clone au. For folks who haven't seen either posts (or saw one but not the other) here are summaries of both:

Damian Clone Au: The LoA make a clone of Damian Wayne specifically to either kill Damian Wayne and have the clone take his place as the heir to the LoA, or to bring him back. At 6 years old though and through magical teleportation mishaps, Baby Damian ends up in the warehouse district of Amity Park and picked up (and later adopted) by Danny Fenton. They develop a brotherly dynamic with one another.

Danny Clone Au: Danny is straight up a clone of Bruce Wayne, doesn't find out until a year after he has his accident. And, for the fun of it, is also mostly-powerless (he retains his ghost sense and a semblance of a ghost core and signature, but no ghost form). His reasoning for becoming Phantom is because he has walked into the lab watching his parents dissecting ghosts post-portal working more times than he can count. And due to this, changes his beliefs from "ghosts are evil" to "ghosts are sentient and sapient beings who don't deserve this treatment". (masterpost pinned on my blog, its currently incomplete) He is also a little GNC, as a treat. Long-haired Danny ftw. Ellie is a halfa because of the ectoplasm that Vlad used, and also the same age as Danny. They call each other twins and she is viciously protective of him. He uses a baseball bat and brass knuckles that I call 'jawbreakers' to fight ghosts.

Now admittedly, not much probably changes with the combination of these aus other than the potential parallels between Damian and Danny, and Bruce and Damian - and of course, I am always a sucker for parallels. Plus Damian's running off would take Danny finding him much longer, since he can no longer fly, but all the more meaningful because he still took so much time to find him.

(It probably also makes their first meeting different as well - Danny wears a ROTTMNT Casey Jones Jr. esq. mask when he goes out, but Damian would recognize lazarus green anywhere. He'd probably try harder to kill him though once he sees his face, since he knows that its not his father but an imposter.)

It also includes what I consider a hilarious conversation: "Since I'm a clone of Bruce Wayne, does this make me your dad or your brother?" "Don't be an idiot, laeazir." "You didn't answer my question."

The biggest change that comes from this is, of course, the fact that Danny now no longer has a leg to stand on with the "you're a human, I am a ghost" excuse in order to prevent Damian to help him with ghost-fighting, because now Danny is also a squishy, fleshy and fragile human just like Damian. And a human who, arguably, has less combat training than Damian and no powers to make up for it.

Now, Danny in both aus are about 16-17-ish in age, so they've had time to adapt to their new vigilante-hero lifestyle, but its still not the same as Damian's training as an assassin. Damian, unlike in the original clone au, remains insistent on his want to help Danny.

And,,, eventually wears him down after weeks or months of sneaking out after him, helping in fights, interfering, arguing, etc. Danny eventually agrees, exhausted, but he makes Damian promise, promise, that he will be careful and to focus on dodging and distraction. At least until Danny can figure out a safer alternative. He wants him as far removed from the fight as he can, he's a child for ancient's sake, after all.

Which is another issue too - if we follow Damian Clone timeline, then Damian is six years old when this happens. I'll be point blank, I do not see Danny ever actually agreeing to let a literal 6 year old go with him. SO, solution, I bump Damian's age to 7 when he arrives in the Fenton Family, and make him freshly eight years old when he finally gets Danny to agree.

It still SUCKS. He is still very much an itty bitty child, but as someone who has seen the difference between a six year old and an eight year old due to working at a daycare, an eight year old is still... slightly feasible. And an 8 year old assassin even more so (even if he hasn't trained properly in nearly a year or so)

So Danny, reluctantly, agrees to let Damian come with him on patrols.

He ghost-proofs Damian's sword (as he has since learned to do with his bat and jawbreakers), makes him a grappling hook and a Fenton thermos, and reluctantly lets Damian come with in his old LoA uniform that he appeared in (with some tailoring and ghost-proofing, because he has since begun to grow out of the uniform).

(and Danny himself also finally starts looking into alternatives to improve his own "suit" - which is all but a hoodie and reinforced jeans and a hockey mask. He needs to set an example to his little brother, goddammit.)

Then, as they're planning for Damian's eventual (dreaded on Danny's part) debut, they sit in their shared room and brainstorm for what to call Damian. "Ellie already uses the name Spirit." Danny says, sitting criss-cross at his desk with the eraser nub of a pencil chewed between his teeth.

(Behind him he has an investigative corkboard set up -- his accident left him with the ability to see ghosts not capable of being seen on the visible plane. 'Stereotypical' ghosts. Between school work, his social life, and ghost fighting, some of his downtime is spent figuring out ways to help them move on. His most recent is a cold case.)

(Bc with Danny, I loove to have him have some sort of trait that ties him in with his original counterpart. Nature vs Nurture and all that. Investigative work can be part of that.)

"What about Wraith?" Damian suggests from the floor, leaning against the bed frame while he goes over one of his english books. They've been practicing his reading and writing.

Danny furrows his brows. "A ghost seen typically shortly after or before someone's death?"

Damian nods. "Yes, it's of a similar cadence to 'Batman and Robin'."

"What's with you and your thing with Batman and Robin?" Danny asks with a playful half-smile, Damian shrugs and looks at his books. Danny sticks the eraser back between his incisors. "Phantom and Wraith... that works, though."

The first night out together, Danny fusses over Damian, making sure every bit of uniform was secured and in place -- something Damian took mild offense over. His outfit was far more reinforced than the juvenile get-up that his older brother wore.

But he let him fuss anyways. It made him loved.

"Now remember, Wraith--"

Damian interrupts him: "Yes, I know, Dany. Avoid and distract. Stay situationally aware. I fear that is something I should be telling you, however. Mother would have your head if she ever saw what your training was like."

(It was, not for the first time, that Damian wondered how his,,, "mother",,, would react if she ever met Danyal. Not good, he knows.)

Danny's shoulders sag, and he sighs. "I believe that, what with that super-secret spy--"

"Assassin."

Danny sends him a half-hearted chagrined look, "Assassin," he corrects, "organization that made you. I'm sure I'd give your mother an aneurysm." When he's finally okay with whatever make-believe issues he found with his suit, Danny reaches for the nearby side table and carefully slips on a black domino mask over Damian's eyes. It was thin, flexible, and made with some kind of material that Danny reassured was environmentally safe.

("Some kind of matieral that Wayne Industries invented awhile ago, Sam bought it for me." Danny told him when he first showed it to him.)

It was also cold. But the chill was made up for, slightly, with Danny's warmer hands smoothing it out over his skin, and ridding of any ridges that could form. Damian isn't sure entirely what Danyal did to keep it stuck onto his face, but when he touches it with his fingers he feels a very faint seam at the edge, and it doesn't budge against his hands. It felt like a second skin.

"There we go." Danny smiles, pulling his hands back. He still looks nervous. "It's not the same as my hockey mask," which sat atop his head, ready to be pulled down, "but I think a domino mask will work better for you considering your background."

He was right, a hockey mask would only hurt Damian's peripheral vision. This mask was thin enough that it didn't.

"Ready to go, Wraith?"

"After you, Phantom."

+++

Damian has much issue with Danny's suit. He can think of a million ways to make it better. It is one of the things he and Samantha Manson can get along with, and the few times they have spent time together they have brainstormed suit ideas. He knows that since Danny took him on as Wraith, he has started to look into better suit alternatives.

However. They are both aware of the same thing:

Danny is not Batman, nor Superman, nor Wonder Woman, nor Aquaman, or the Flash, or Green Arrow, or Nightwing, or any single hero on the public roster. He is also not rich like Lex Luthor or Vlad Masters or Bruce Wayne himself.

He has no money and no contacts, and thus, no way of properly improving his suit to be something even half as safe as the other supers.

And he refuses to let Samantha Manson help him find a way to fix that - even with all that money, Samantha Manson is on an allowance from her parents, and also, despite her other range of abilities, not capable of getting those materials without putting herself on a list of some sort. They are at a standstill.

Damian knows this, because he has asked.

Until one day when Danny is talking about a case he is working on and telling Damian about old adventures he had in the Ghost Zone, does he see his brother get hit with a lightbulb.

He slaps a hand against his forehead and straightens up from his swivel seat. He huffs a laugh, "Of course! Why didn't I think of it sooner?" And he turns on his heel and hurries to his bookshelf, pulling down a notebook and flipping open to an empty page.

Damian frowns, "Laeazir?"

"I know you don't like my suit, Damian," Danny says, striding over to his desk and snatching a pencil out of a cup. He begins jotting something down on the notebook. "And there's nothing I can really do about it because, well, I'm poor in comparison to my facesake, and I don't have the resources to get my hands on someone who would make me a new suit."

"Yes, we have talked about this..." Damian nods slowly, still frowning, and trying to follow his brother's line of reasoning.

Danny shoots him a megawatt, half-tilt smile, his hair tied up into a half-bun. "But! I was thinking about it from the wrong angle. I don't have the living resources to help me get a suit, but..." he trails off, staring at Damian intently.

It dinged in Damian's brain to where he was going, "But you have the undead resources instead." He says, his eyes widening slowly. Of course, of course! Danyal was ridiculously charismatic by accident, and Damian has seen plenty of times where his heart-of-gold had one or two non-hostile ghosts be incredibly grateful to him.

His brother makes a loud, 'ding-ding-ding!' sound, pointing his pencil at Damian as his smile stretches further across his face. In a few quick strides, he was sat down next to Damian and showing him his notebook. "Correct! When I first started out as Phantom a few years ago, I managed to help a ghost who called herself Taylor, and apparently she was a seamstress both in and out of life."

Damian watches as Danny writes the name at the top of the paper, and creates bullet-points down the page. "She said that in return for saving her, I should come find her in the Ghost Zone if I ever need clothes made for me. It's a one-time thing, but I was thinking that she could perhaps help make me a new suit."

Danny turns a bit pink at the ears, and rubs his neck, "I never thought much of it because I didn't think I'd ever go into the Ghost Zone, or ever need ghost clothes, so I forgot about it up until now."

A scoff forces itself out of Damian's mouth, but he is smiling. "Danyal, you are the smartest idiot I have ever met."

For the next hour, both he and Danny make a bullet point list of what both of their suits would need. Reinforcement in certain areas, gauntlets with reinforced knuckles to replace Danyal's jawbreakers. A different weapon than a bat.... a utility belt, reinforced boots. Anything they could think of.

It was Damian's idea to add a cloak to both of their suits, asymmetrical and torn at the edges for a more 'ghostly' look. They have a theme, after all. It's quite fun.

Then Danyal calls up Sam for help in drafting up design ideas. And while Danyal steps mostly to the side when it comes to the design itself, Damian and Sam fill pages with designs until coming up with one they both agreed on and like.

"What about a lightning bolt on the chest?" "Why are we using my traumatic accident as a symbol of my identity?" "Ghosts do it all the time, Danny. Ember sings about her death." "I'm not dead?" "No that won't work, Manson. Shazam already has a giant lighting bolt emblem." "Okay, but I still want to use it somewhere." "How about this?" "...That could work. Okay, now onto your emblem--"

Last was the hard part: getting into the Ghost Zone without the Fenton parents noticing the disappearance of their precious Fenton Specter Speeder. They employed Jazz's help with that. She would get the Fentons out of the house long enough for him and Danny to get into the ghost zone, hopefully find the seamstress, and cash in that favor.

They went through with their plan that following weekend. Danny tossed Damian a small jumpsuit as they both climbed into the specter speeder, but did not grab his own. He had a small duffle bag on him that he threw under the seat.

"What is this?" Damian asks, nose scrunching up at the gaudy picture of Jack Fenton's face square at the center of the chest. He held it far away from it, as if it had a disease.

"Your hazmat suit." Danny replies, settling himself into the driver's seat as the door hissed shut and he began turning it on. He had some sort of gas mask on in his lap, too small to fit Danny's head, but certainly the right size to fit Damian's. "Normally you wouldn't need it since you'd stay in the speeder, but we're both getting out once we find Taylor. It's to protect you from the ectoplasm."

A scowl forces itself across Damian's face, "You don't have one." He points out, finding seat in the passenger chair next to Danny. His arms cross over his chest, and he was not pouting.

Danny looks at him amusedly, "I have enough ectoplasm in my body that I don't need one, you however, do not." He retorts, poking a finger into Damian's ribcage pointedly. "If you don't put it on now, you'll put it on when we find Taylor."

Damian's scowl deepens, feeling petulant as he sunk into his chair. Danny turns back to the console and flips a few more switches. "I will not, it looks ridiculous." He turns it around to show Danny the Jack Fenton Face.

The Specter Speeder hums to life, and there's a moment of turbulence as it lifts off the ground. While it does, Danny turns back to him blankly, stares at the emblem, and then reaches forward and yanks it off with a scriiiiich of the emblem. He crumples it up with one hand, and throws it into a small bin at his feet.

"There, fixed." He smiles. Then turns back to the controls, taking the yoke with both hands. "And I'm calling Dad Rights; you will put it on when we find Taylor or you'll stay in the speeder."

Damian sputters, sitting up incredulously. "You are not my father." He argues.

"Teeechnically, I am." Danny says, "I'm a clone of your father, and since I am fully his clone, that makes you my son by a technicality." He says cheerfully, pushing the specter speeder forward and into the swirling green portal.

Before Damian can retort, they're passing through the portal. This was his first time going into the Ghost Zone, and for a few seconds there was nothing but bright, swirling green filling his vision. His body felt like it was being twisted and pulled, his up and down reversing and returning. It was painless, but dizzying.

It only lasts for a few seconds, but it feels like a minute, and when they exit out the other side, Damian is holding his head while his vision spots and swims. Internally, he felt like those cartoon characters when their eyeballs rolled around in their head.

The dizziness fades away slowly, and as Damian regains his sight, he notices Danny's hand splayed over his sternum, gently keeping him pressed against his seat. It fell away when Danny saw that he was alright.

"Put your seatbelt on," Danny orders, nodding to his chair. Damian listens absently, before remembering their conversation before they went through the portal.

"That is not how it works." He scowls, and, annoyingly, only gets a challenged eyebrow raise from Danny. He could see the words written on his face without Danyal ever having to say it.

Because, dangit, he was technically right. Damian refuses to say this aloud. He screws his jaw shut, and crosses his arms back across his chest.

Danny chuckles under his breath, and turns his eyes back to the ghost zone. "My point still stands, either you wear the suit, or you don't leave the speeder."

"Fine."

+++

They eventually find where the seamstress is. Through quite a lot of Danny stopping to ask questions with any friendly ghost he came across, they eventually locate an island with a strange, urban city bustling with life on it. Massive, rocky stalagmites grew from the ground, and buildings were built on top of it or around it, with strange, warping architecture.

It was oddly beautiful.

Danny parked the speeder on the side of the street with a two hour parking sign on a nearby post. As he turned off the engine, he flipped a switch on the console that darkened the windows. He unbuckles his seat, and stood up, stretching out his back with a deep groan.

"Alright, put your suit on. The windows are tinted, so nobody should be able to see into the speeder." He orders, pulling out the duffle he brought in earlier and unzipping it. He pulls out his hockey mask and the hoodie he wore out for patrol, and the notebook they'd been using to jot down ideas for their suit.

Danny even had the hindsight to write in their respective heights, and with Tucker's help, some of their measurements. While he did that, Damian sourly pulled on his hazmat suit, irritated by the need to wear it.

Unfortunately, he also had to wear the boots and gloves for 'extra precaution'. Damian nearly bites out a grumpy 'you're as paranoid as father', but holds his tongue. He wasn't going to tell Danyal that secret.

Once he was done and Danny has his hockey mask and hoodie on, Danny grabs the gas mask and helps fit it over Damian's face. It was a sleek, simple design, shaped similarly to a regular face mask, with little filters on both sides of the mouth and a clear, protective covering around the eyes and forehead. Danyal improved it from the original his parents made.

He was smarter than he gave himself credit for.

Danny checks, then double checks that it the mask is tight, then smiles. Patting Damian's shoulders before standing up fully. "Taylor's shop should be somewhere nearby." He says, grabbing the notebook and tucking it under his arm.

Damian nods, and follows him out the door and onto the busy streets.

Finding Taylor becomes remarkably quick now that they were inside her city - something that Damian silently wondered was based loosely off NYC. Danny kept a firm arm around Damian's shoulders the entire time they walked down the street, keeping the both of them on the inside sidewalk.

Barely anyone passed them a second glance, spare the few odd looks shot at Damian. Danny whispers to him the first time it happens that it's because he has no ghost core, those more attune to their signatures might've been picking up on it.

They didn't notice Danny, because he had one, albeit a weak one.

Taylor's shop has a big sign on it in logographic writing that Damian has no idea how to read. The text shifts slowly, a jambled squiggle of lines, dots, and connected curves that look like a mix of messy cursive, gibberish, and logographic alphabets. He only knows its Taylor's shop because Danny pulls them towards it, stating that it was the place.

"You can read that?" He asks, incredulous as they draw closer to the door. Danny moves his arm off his shoulder, and wraps his fingers around Damian's instead.

"Yep," He replies, then scrunches his nose up, "sort of. It's - uh--" he stumbles over a word that Damian's ears cannot comprehend, but fills his head with slight static regardless. Danny winces. "It's the written form of ghostspeak, but since I'm not a ghost, I can only read some of it. Like uh, dyslexia."

"...I see." Damian says after a moment of silence, trying to replay the word in his head. His mind can't grasp the sound.

When they enter, the door doesn't ding with the sound of a bell, but rather it makes a low scream. Nobody bats an eye to the sound, keeping to their slow search through the racks of clothes.

At the counter was a woman talking quietly to another woman, one of whom Danny recognizes, as he walks over to her.

He doesn't need to say anything, because the woman behind the counter sees him coming, and her face positively lights up with delight. "Phantom!" She cries, and gestures to come over. "I was wondering when in the high ancients you were going to come see me!"

Danny's face is obscured by his mask, but Damian knows he's smiling sheepishly with the way he tilts his head and the way he tenses his shoulders. "My bad, Miss Taylor," he says, reaching the counter and standing beside the woman she was talking to, "It kinda... slipped my mind."

Taylor waves her hand dismissively, "Well you are here now!" She replies, grinning wide. Then her eyes pop open - literally - and she puts a hand over her chest. "Oh, how rude of me!" She turns and gestures between Phantom and the lady next to him, "Miss Mabam, this is Phantom. I told you about him a couple of years ago. He saved me from humans. Phantom, this is Gigi Mabam, she funds my shop. In return I make clothes for her and her staff."

The 'Gigi' woman turns just as Danny does, and smiles wide at him. Damian narrows his eyes at her, shuffling behind Danny legs as he looked her up and down. She had silvery-white hair and purple skin, and wore a darker purple business suit, a red gem cravat at her collar, and teal cat-eye glasses.

There was a lot of purple.

"So this is the ghost-touched you were telling me about, dear!" The woman, Mabam, said. Her voice was rich and low but she spoke in a whimsical cadence. It made Damian's skin crawl, and his narrowed eyes turned into a glare. "I must thank you for saving my seamstress, it would've been quite a fizzy-wink if she had been lost to those ghosty hunters."

What were those nonsense words? Damian hated it.

"Miss Mabam here runs a five-star hotel nearby," Taylor explains, her body turned to Danny, "she also is in charge of the city's Battle Nexus."

Danny is silent for a moment, and his free hand lifts and places itself on the back of Damian's head, keeping him close. "Battle Nexus...?"

Mabam claps cheerfully, laughing low, "Oh yes! Ghosts from all around the zone come to attend and watch as their fellow haunties are ripped from limbity-limb in a blood-curdling battle!"

Danny is still as stone. "I see." He says, careful. Damian wraps his fingers around his pant leg. "Well, I hate to interrupt your conversation, but I was hoping to cash in that favor, Miss Taylor?"

"Of course! What do you need?"

Danny looks down at Damian, and he looks up at him, locking eyes with the ominous green glowing from the eyeslits of his mask. He nods, and Danny looks back up. "Do you know how to make suits? Of the protective kind?"

+++

The seamstress it turns out, is capable of such a thing. And she ushers the both of them into one of the backrooms, sending off Mabam with a farewell and a promise to continue their conversation soon.

She flips through their design book, and immediately gets to work making their suits. In the end, with the help of her powers, she gets both done over the span of four hours. It's longer than both Danny and Damian want, but neither rush her.

Damian just hopes that Jasmine can keep the Fenton parents distracted for that long. She will have to.

The suits are better in real life than on paper, and Damian preens from the side in his own custom suit as Danny examines his own in front of the three mirrors. They were both dressed in all black, but whatever fabric Taylor used was of a blackest-black, turning Danyal - and Damian's - bodies into a black hole to look at. Both of them were fitted for agility, with reinforced padding around their shoulders and chests, as well as around the joints of their legs. Their boots were reinforced as well.

("It was hard to make your boots shock absorbent," Taylor explains, "since we all fly, but I applied similar stuff to what I did with your shoulders and chestplate.")

On the side of Danyal's legs were raised, black, lichtenberg-like figures that were contained to the seams and disappeared under his boots. There were similar designs going up his sleeves, with spiked gauntlets wrapped around his lower arm and hands. The knuckles were reinforced, just like he wanted.

Damian's favorite parts were their capes, however. Black like the rest of the outfit, but "wrapped" around their shoulders like an apocalyptic shawl with a back that went down to their knees, and at the hems the capes were torn and ripped like a wraith. Danyal's mask had gone through very little change. It was made of a stronger material, and Taylor had gone and made it more skull-like in its shape, with three large grills at the front, and the sides curving inward below the 'cheekbones' of the skull to better fit his face. It was still shock white, the only white part of Danyal's entire costume.

Damian's suit was almost identical. However, rather than having the seams of his suit resemble lichtenberg figures, the seams of his sleeves and upper torso were that of a black skeleton, with bone-y designs over his gauntlets and the fingers an ombre of dark red-to-black. And around his torso were raised lines that looked similar to a ribcage. The edge of his cloak was splatter a dark red as well. And he had a new domino mask that looked similar to the upper half of Danyal's mask, with the outer edges curved downward over his cheekbones. He was briefly allowed to take off the upper part of his gas mask to try on the mask.

The best part however, was that since the suits were made of material native to the ghost zone, they could also be taken off quickly and hidden in a small artifact. It was magic, is what it was. Danyal chose earrings, and Damian chose a ring.

When they got back to the Fenton house, Jazz demands a box of chocolate for her hard work. Damian thinks that's only fair as Danny takes them both out to get candy for Jazz.

+++

But other than vigilante stuff, not else much changes. Danny gets to pull a "Dad By Technicality Rule" card over Damian when he's being a brat. Danny doesn't have his run in with Rift (a ghost who portals him into Gotham) until after he meets Damian/lets Damian join him on patrol and when they get new suits.

My reason? Because I want it to happen after that point in time lol. It also makes the eventual "heyyyyy you have a clone" @ bruce much funnier to me because not only does he have a clone of HIMSELF but also THAT clone has a clone of Damian living with him.

Also when Danny destabilizes for the first time Damian is terrified for his safety. The fentons are surprisingly good at cloning, Danny hasn't had any issues up until this point in time, and that's only because he got hit with a new gun from Skulker that messed up the ectoplasm he had in his dna, which in term fucked with his own DNA.

Danny's destabilization, imo, is not "I cast you with Melt" he's not Ellie, he's not made of 50% ectoplasm. His parents surprisingly knew what they were doing, and he was human. So his destabilization should be unique to himself and different. Thus his destabilization is "I cast you with Compromised Immune System" his body slowly weakens over time as his cells destabilize. He becomes unnaturally frail and sick. Damian calls Ellie for help when Danny doesn't get up after being hit in a fight that he normally, and Ellie helps figure out that he's destabilizing. This is whats gonna happen in OG clone au too, but Ellie is going to be there rather than Damian.

It makes going to Wayne Manor after that slightly more interesting,,,

[yourlocalmechanism-dr-carmilla]

Yes, thats one word for it.

Her eyes twinkle with patient amusement, it reminds her how special it is to travel space. How it never gets dull. How wonerful it is to be able to do that.

Oh no, i have a spaceship! I flew her here, the old lady. Because my wings may work quite well, it would be too exhausting and dangerous to fly form where i came to here.

She stays calm, shes used to that reaction to her teeth by now, she frowns abit but she waits until he settles down again. Shes patient. But in her mind, she worries how he will look at her when she tells him the truth.

Well...vampires are a species, they come in different shapes and sizes. Not all of them have bat wings, or pointy ears. We were intially a nocturnal species, meankgn we'd only come out during the night, but that changed, evolution was the reason. We adapted to survive in the sun. And we have some special abilities, like nightvision or enhanced strength. But..we need blood to survive. Animal or humanoid blood. But dont worry, I dont drink the blood from humanoids. I'm...harmless.

She swallows down the "anymore", suddenly remindign her first days as a vampire...how she was starving, how coldnit was, how she didnt want to hunt, couldnt, she was hurt and weak. How she cried when she had her first meal and how disgus7tng she felt after killing someoen for blood.

Dr. Carmilla sat by her usual spot by the big observation window, in a comfy chair. They hd deceided to land on a planet, and alice was still out exploring, probably accompanied by some of the octokittens. She had found something esrlier in her room, and that was the reasonnwhy she drank a whiskey-she wasnt particularly fold of most whiskeys, except for this one. She had been savouring it, and today was the time, to have abit. The reason was a photograph-it was her and Jonny, it was a few days after the mechanization. Jonny was smiling, widely abd he had hugged her. And she hadlooked happier aswell, her fabgs were showing in her smile.

....i still remember when i met you...it was im that run down saloon, one of these cliché ones...i dont even know if it had a name...you were just 17 and had killed your father....

She saw it, right infront of her, ad if it wouldve been yesterday-she was sotting there, cursing the ground for being unfriendly to walk on and the whiskey being cheap, when she spotted the kid. He sat at the bar, shoulders hanging low,voice trembling as he ordered. She didnt sat too far away, so she could see that he had tears in his eyes and a gun still clutched in his hands....

[ @captain-dville ooc: i hope this is good enough? I tried qew

[sidesteppostinghours]

ok. question.

ortega ended up hallucinating sidestep after they "died", but sidestep doesnt know about that. they know it got bad, but never the full extent of how their death affected them. so if your sidestep Did learn, if they found out ortega looked for them in every little piece they could, would that change anything for your sidesteps? would their relationship with ortega be any different?

[kyurochurro]

HAPPY NOVEMBER!! its beginning to feel a lot like winter so todays uni sketch is Sulu and Uhura dancing!! 💫❄️🌌 cus why not :D (bg-less version below!)

(can you tell im listening to frank sinatra lately AHJSKJASK)

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[coastalraccoon]

Decided to make some basefills for my oc DoD. Relined bases are by k9pestilence. Image descriptions are in the alt text for each image.

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[liquidstar]

another request from cohost! my friend asked for traditional inuk hairstyle like qilliqti, which is what i ended up going with! looking up the hairstyles sent me on a sidequest of looking at a bunch of fashion designers with modern takes on traditional clothes, so i also used some of those! so credits for that under the cut vv

jacket- https://www.instagram.com/p/C3QiKIdO0Jp/?img_index=5 jacket 2 (full fashion show with more angles, and a lot of super cool designs, also really cool music)- https://www.youtube.com/watch?v=yp_eAzDu8xU patch- https://www.bradorfabrics.com/products/inukchic-iron-on-patches-celestial-narwhal hair originally from the film atanarjuat the fast runner, but the specific screenshot is here https://www.pinterest.com/pin/53480314313400875/

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[puppppppppy]

sleights van

[carefulfears]

top 5 (or 10 if you have em) scully taking care of mulder moments <3

she said IF i have 10 😭😭😭

1/ sein und zeit

i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...

my tags here:

she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.

this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."

she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.

(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)

i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.

the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.

it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)

2/ demons

god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?

i always think about this post:

and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?

and these tags:

this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.

she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."

but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.

what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)

(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)

3/ the end

"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)

i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.

in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.

this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")

following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.

(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)

4/ paper hearts

oh, starbuck. we are really in it now.

paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.

one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."

in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."

i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).

from my newsletter:

There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.

he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?

i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.

what does that mean? what is she really saying?

this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.

and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.

it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.

it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.

(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)

in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.

the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.

this post:

Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”

she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.

5/ redux ii

remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."

the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.

she cries when he won't do it.

6/ herrenvolk

okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?

this is just so scully.

she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.

these tags:

she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.

one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.

there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.

(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.

in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."

remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)

7/ anasazi

ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.

the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.

(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")

8/ fire

girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.

trish, i loved this part of your post yesterday:

scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.

she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?

he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.

trish's tweet:

really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)

(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)

meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.

yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!

(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")

9/ deadalive

oh, you guys remember that time she raised him from the dead, right?

scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.

i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.

then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”

she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.

i always think of this fic and feel so ill:

“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”

she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.

(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)

10/ fight the future

there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).

from my newsletter:

“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)

That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.

there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.

(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)

some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)

how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.

and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.

[youngpettyqueen]

ummm um fic recs….in a horrible turn of events garak and bashir have to babysit the ds9 kids?

ive been wracking my brains over how Garak and Julian would end up babysitting a bunch of the kids and I had a hard time figuring out something that would work with Jake and Nog, since theyre older and dont really need a babysitter, so I went with them babysitting Molly and Yoshi! I hope that's alright <3

Garak isn't sure what to expect when he the door to the O'Briens quarters slides open. All he knows is that Julian told him to come, and his only answer to Garak's many questions was to repeat himself with a don't ask just do it tone.

So, Garak had. He'd come. In the middle of the work day, something he's not planning on letting the Doctor forget. He'd come, and he steps inside as the door slides open, and he doesn't know what he was expecting to find here, but it certainly wasn't... this.

Julian is sitting on the floor by the coffee table, the infant Kirayoshi cradled securely in one arm. He also has what appears to be a plastic crown on his head, which is several sizes too small, and perches awkwardly atop his hair. The older of the O'Brien offspring, Molly, is sitting beside him, in what Garak would guess is a human princess costume, all shiny fabric and very, very pink.

Garak comes to pause, considering the scene before him. There are little plastic teacups and plates set out. A few larger plush toys are also around the table, with teacups and plates of their own. It's quite the little set up.

"Good morning, Doctor. Molly," He greets, turning a quizzical raised brow on Julian, "Might I ask why I was called here?"

Julian gives him a look that is very, very tired. "Good morning, Mr. Garak," He replies, "You were called here because you have been invited to Princess Molly's tea party." He informs him.

"Tea party?" Garak echoes.

"I'll explain later," Julian tells him, "Just come sit." He gestures to an open space at the other end of the coffee table.

"Wait!" Molly pipes up, quickly standing. Julian winces at her volume, quietly shushing her as he looks at Kirayoshi, who appears to be sleeping. Garak turns his attention to the child, who holds her head up high and informs him, "You have to bow first."

Garak considers her for a moment. He catches Julian stop himself from laughing in the corner of his eye. Of course, Garak knows about royalty systems, so he knows what a princess is. And he can't imagine himself bowing to one, but Molly has a very stern look on her very little face, and he has a feeling he's in for a fight if he doesn't comply.

He bows. Dramatically, with a flourish. Molly giggles, and the sound is... pleasing.

"Thank you for the invitation, Princess," Garak bids her, continuing to play along as he straightens himself, "May I...?" He gestures to the open seat.

Molly, to his surprise, shakes her head. "Not there," She tells him, "You have to sit with Uncle Julian. Miss Flutterhooves will move." She gestures at the plush sitting on Julian's opposite side- an equine, if he remembers his Earth animals correctly, except this one is... purple, and it has a shiny silver horn protruding from its forehead.

He goes with it. Why not, at this point? He's clearly not getting out of this. "Of course," He says agreeable, stepping closer. Since the plush toy can't move, for obvious reasons, he gently picks it up, "Pardon me, Miss... Flutterhooves," He shoots Julian a quick glance, who nods approvingly, and he proceeds with moving the toy to the open spot at the end of table, and then going to take his own seat beside Julian. He shuffles in as much as possible, awkwardly crossing his legs and trying to keep his knees from tucking under the table, "There we are. This is... very lovely." He compliments as he settles into a somewhat-comfortable position.

"Very lovely," Julian agrees, looking at Molly, "You've done a wonderful job, Princess Molly."

Molly gives Julian a pleased little smile. "Thank you!" She squeaks. Then she suddenly perks up again, like she's heard something, "Oh! I have to go get the tea. It's done sleeping." She stands and, tucking up her skirts like a proper lady, she hurries off to go and... wake the tea, apparently.

"Steeping," Julian offers, as Garak gives him a confused look, "She means steeping."

Garak nods. That doesn't explain... anything else that's going on here. "Tea party?" He asks. Again.

"An old Earth game, of sorts," Julian replies, "Human children commonly pretend to hold tea parties, usually with their parents and their toys involved. Hence," He gestures around the table with his free hand, "All this."

"I see," Garak says, "And I was invited, why...?"

Julian suddenly won't make eye contact. "Molly insisted," He tells him, quick and clearly not the entire truth, "And I just got Kirayoshi to sleep for the first time all day, so I wasn't about to risk Molly getting upset and waking him," He does look at Garak again, this time with a surprising amount of desperation for a man sitting in front of a plastic teacup, with a plastic crown on his head, "He cried for three. Hours. Garak." He stresses each word, exhaustion and desperation oozing from every syllable.

Garak knows of the infant's tendency towards tears. He has no idea how Kirayoshi manages to wail for so long, considering how tiny his lungs are, but he's been able to hear the shrieking from across the promenade.

"I'm not sure the Chief would approve my being here," He points out, "Or Mrs. O'Brien, for that matter."

"I won't tell if you won't. Just play along," Julian implores him, "That's all I ask, just play along. Molly is very sweet, and also very stubborn, and I promise you I'll make it up to you if you just humour her." He's very nearly begging.

Garak has seen Julian less desperate in active crisis situations. He sighs, making a point to be melodramatic about it. "Very well, my dear," He agrees, "I suppose I can find it in myself to play along with the whims of a little girl. What's the worst that could happen?"

"Don't invite that on yourself," Julian warns, "You haven't seen her when she's cranky."

At that moment, Molly returns. In her hands she carries a teapot that matches her teacups, and she proudly brings it to the table and sets it down in the middle of everything. "Ta-da!" She announces, prompting Julian to gently shush her again, "Tea time!" She does not heed his shushing, "Want the first cup, Uncle Julian?" She asks, holding the pot out to him.

Just like that, Julian is smiling again. "I would love the first cup, Princess Molly," He says. He holds the teacup up, and it's comically small in his hand, "Thank you very much."

Molly tips the teapot forward. No actual tea comes out. Still, she holds it like that for a few seconds, before she tips it back. "There you go!" She chirps. Right, pretend. She turns her smile on Garak, and offers him the pot, "Tea?"

Garak delicately picks the teacup up by the handle, which he has to pinch between two claws. "I would be honoured," He says, laying it on thick. Molly pours the pretend tea into his cup, and he gives her his most winning smile, "Thank you, Princess."

Molly goes around the table, pouring tea for the other guests. Garak resists the urge to comment on the teapot apparently being bottomless, and instead glances at Julian. "Uncle Julian?" He questions, an amused smirk curling on his face.

"I'm her favourite uncle." Julian grins.

"I'm sure," Garak murmurs. Molly retakes her seat, and he turns to her, "Ah, Princess, allow me," He reaches across the table to take the teapot, and he pours her her own cup. He's not sure of the exact method to this, but he counts to 3 and then stops, and she looks satisfied, "Could I ask you a question, Princess?" He asks as he sits back, setting the pot down.

"First, cheers," Molly insists. She thrusts her cup up into the air, and Julian raises his, so Garak follows their lead. They clink their little teacups together- literally, "Clink!" She says.

"Clink." Julian echoes.

"Clink," Garak adds. Then Molly sips, and so does Julian, so he follows. When that's done, he inquires, "May I ask my question now?" Molly nods, and he smiles, "Ah, thank you. Yes, my question is, what made you invite me to the tea party, Princess Molly?"

Molly sets her teacup down. "For Uncle Julian." She replies.

Garak can see Julian looking pointedly away from him in his peripheral. "I see," He says, "And why was I invited for Uncle Julian?" He follows up.

"Cause you're married." Molly replies, like it's the most obvious thing in the Quadrant.

Julian chokes on nothing. Garak's eyes widen. "Married?" He echoes. He turns to Julian, who's gone a truly impressive shade of red, right up to the tips of his ears, "Married?" He repeats.

"Yeah!" Molly says, apparently an expert on the subject, "That's what grown-ups do when they're in love! Like my mommy and daddy. You," She points at Garak, "And Uncle Julian are in love, so you're married."

"She's 5." Julian hisses under his breath, just loud enough for Garak to hear.

Garak needs to take a deep breath. He's not often truly caught off guard, but that... he feels like he's just been knocked flat on his back. Alright. Married. He can go along with that. He's certainly gone along with far worse things.

Suddenly he understands Julian's exhaustion and desperation a few moments prior.

"Well, it was... very polite of you to invite me, Princess," He manages to get out, trying to slot back into his role here, "It's nice to spend time with my... husband." That makes Julian turn even redder. He looks like he's about to start glowing.

"Mommy and daddy wanted together-time today," Molly tells him, looking oh-so-serious for a girl of 5 years old, "So you and Uncle Julian probably want together-time, too. That's what married grown ups want." She explains.

Garak can't help but chuckle. "You're very wise," He says. Because she isn't... wrong. When it comes to him and Julian, at least, "I did want together-time with Uncle Julian today." He admits. They were supposed to see each other for lunch today, but then Julian got called away to babysit the O'Brien children, so it was to be rescheduled. And, soft as it makes him, those lunches are truly about... the only thing he looks forward to, so, yes. He did want together-time, as she put it, with Julian.

Molly glances at Julian, and then she leans over the table. "He did, too," She whispers, except it's very loud, and Julian can obviously hear her, "He told me he missed your lunchtime."

Garak glances at Julian, who's again very much not looking at him. He can't help but melt, just a bit, just enough to soften up. "Did he now?" He hums, "Well, that's alright. We have this tea party, don't we?" He puts his hand on the table, holding it out to Julian.

Julian looks at his hand. Then looks up at him, all round eyes and surprise. And then he smiles, all warm and affectionate. "That we do." He says, taking Garak's hand and giving it a squeeze.

"Ew," Molly pulls a face, "You're being gross like mommy and daddy."

Julian snorts a laugh. Garak chuckles. They let go of their hands and go back to their teacups, following Molly's lead as she sips at air again. Then she insists on refilling their cups, and they sit back and let her.

Julian's hand finds his on the floor. Garak takes it, brushes his thumb over Julian's knuckles. They exchange a private look, a small smile, Julian still red in the cheeks.

Maybe this isn't such a bad way to spend an afternoon, after all.

[sqlmn]

Lightning, water, and fire! Like forever before the plot starts. By the time the plot starts, the lightning and fire deities have been subjected to punishment by the two gods that picked them.

Oh (the fire deity) is first to be punished. They basically decide that since they're going to live for a long time, gotta set some long time goals! And they opt to be the wrath of the gods since most of the other deities are too 'soft' in their opinion. So Oh just. Smites humans. This isn't really a /good/ thing and in their defense mentally, they do it to help Ymber since he's the softest of them all. So their punishment by the gods is to be split in two, effectively halving the power of one into two. (Now they are in a male and a female body and use both male and female pronouns apart since they together make they but apart it feels weird to be they. But prior to the split they use they/them. Also the split bodies go by the names Ohiwe and Ohime.)

Fulj is the second to be punished. She falls in love with a mortal woman and that is a crime according to the gods. Mortals and immortals are not to be together and it will only bring suffering to both sides. So her punishment is her memories of the woman are stripped and her body basically broken to the point she can't remain physical all the time.

Ymber, unfortunately, is the one who blames himself for the discoveries and punishments. If he had only tried to restrain Oh more then maybe they would have chilled out and stopped before being punished. If he had only tried to persuade Fulj to not continue seeing the mortal woman so often perhaps she wouldn't have been punished. So he's just increasing the guilt on his shoulders every day that he remains unpunished since the elder gods have both laid down to rest. They can't enforce their laws anymore and none of the deities are keen on harming one another at this point. They just want to continue existing in peace.