#because he actually does something of use instead of

[alhaithams-malewife]

I remember getting into a heated argument with him over this issue, actually. (Adding a cut because this went on longer than I intended)

I was struggling with a very condescending and belittling client for about five or so months and eventually what he (client) said got to me more than usual. I don't remember the exact comment, but it was something along the lines of "you force yourself to be perfect and yet you're never good enough." Needless to say, I was pretty devastated.

So anyway, I went to Lambad's, probably gave myself liver problems during the... four hours I was there, I think? Per usual, Lambad had to call Alhaitham to come pick me up because according to him I had drank so much I was talking to the chair across from me thinking it was Cyno. Why him, I don't know. Maybe because it was around that time that he was, contrary to popular belief, the first person in our friend group to figure out that I had a massive crush on him (I hate using such childish terms, though.)

I woke up the next afternoon with a searing hangover, and if anyone knows me, they know I get really, really cranky when I'm like that. I walked over to my desk and... this is embarrassing, but I threw everything off the desk in a fit of rage directed at the client, my inability to please clients, and myself. Haitham walked in thinking I had fallen out of bed and instead saw me breaking down. The conversation went something like this:

Him, standing in the doorway: "So, are you still drunk, or are you just unable to control your emotions even when sober?"

Me, sitting at the now-empty desk with head in hands: "Shut up. What does it matter to you, anyway?"

🌱: "Because one, you interrupted my downtime. Two, I heard your tantrum through my soundproof earpieces. And three, I had to see if I needed to have you pay for damages to the house."

🏛️: "Oh, boohoo. All you ever have to worry about is money this, annoyance that." (Why did I ever say that?)

🌱: "As if your career isn't drawing boxes and lines. You're the most famous architect in Sumeru yet you don't own your own home. How sad."

Then, for some stupid reason, I threw a pen at him and yelled, "You have no idea how hard I work every single day and every single night just trying to make the clients happy. But no, they go and tell me no matter how hard I work, I'll never be good enough! Then there's you, who makes a huge salary without ever hardly moving from your desk! So of course I'm angry. Of course I'm going to let it slip!"

🌱: "Well, do you believe them?"

🏛️: "What do you think?!"

I don't remember what he said after that, I just slammed the door and left. Then it started raining hard and he pretty much dragged me home. I asked why he even cared, and he said to use my brain. ("...or are you that dense?") Those were pretty much the conclusions I came to, except for the one about my father. @ags-haitham You did what?! /lh

He probably meant what he said in the best way, though. Either way, I'd rather have petty arguments like this than be without him at all.

"but what does he REALLY want with me?" my brooo, kaveh, Alhaitham does care about you just trust me, i'm the bedside lamp 😭

inspired by daikyto9

[lu-is-not-ok]

A Narcissistic reading of Hong Lu

Yup, I'm actually doing this.

To lay down some facts first: I have NPD, alongside a bunch of other things that coalesce into a nuclear concoction strong enough to kill every dark empath in a five mile radius. If I find you ableisting it up, I give myself the permission to smite you. This is a threat and a warning.

Now, let's talk about Hong Lu. Because as it turns out, he might just be the most difficult literacy check in Limbus Company according to what I've seen.

I could just say "I'm a narcissist and Hong Lu is just like me fr fr so he's a narcissist too" and end the post, but honestly, where's the fun in that? There are, legitimately, things I want to yap about, so I'm going to yap about them, and no chucklefucks can stop me.

So, to start this off, let's make one thing clear.

Hong Lu is not only a good actor, but also a skilled liar. The way he navigates conversations and the methods he uses are just as important to analyze as the actual words he says, if not more so. In fact, I'd go as far as to say that trying to understand him based Only on what he says and not how he uses the things he says would result in an understanding that's not only incomplete, but potentially outright wrong.

Now, this isn't really tied to why I think Hong Lu could be very reasonably read as having NPD, at least not directly. Narcissists aren't inherently evil liar manipulators, and if that's what you take away from this post, that's more of a you problem (and you can go ahead and block me considering I'm one of the evil liar manipulator narcissists according to you).

However, there is a reason why I have to bring it up. And it's because almost all of Hong Lu's narcissistic traits become a lot more obvious once you look at the exact ways he takes control of conversations.

With that out of the way, what exactly are we even looking for?

NPD, in my experience, primarily affects one's sense of self-worth and self-esteem. I personally found that the analogy of a pendulum makes the most sense to me - a narcissist's sense of self-worth can swing between massive highs and massive lows, almost never staying in a middle "balanced" position, with even the tiniest things being able to throw it to one side or another.

The ways this can present outwardly are. Quite frankly, way too fucking many to count. But there are some common threads we can keep in mind:

High sensitivity to criticism

Need for an external source of validation

Tendency to seek out ways to make oneself feel more special, important, or powerful

So, does Hong Lu fit those criteria?

Well. Yeah. This post wouldn't exist if he didn't.

Let's talk about the first point, high sensitivity to criticism. And, immediately, I would like everyone to remember Hell's Chicken, specifically the scene where Meursault begins to verbally roast his team's dish, and in the process laying down a verbal smackdown on everyone involved. That scene ended like this.

Curious, isn't it? The moment Meursault was about to start criticising Hong Lu, he just jumps in and distracts Meursault with a change of topic - something even Dante's narration points out.

Mind you, this isn't an isolated event. This is just the most obvious example of Hong Lu exhibiting this kind of behavior.

Don't believe me? Just look at these.

These are all examples of Hong Lu either backpedaling, changing the subject, or otherwise trying to avoid the acknowledgement of something that criticizes his status, thought process, or (in the last example) which would reveal an emotional vulnerability.

This is a fairly consistent pattern for him, and that's not even getting into the fact that the line he says when hovering over him before a skill check he has a Very Low chance at succeeding in has him suddenly try to excuse himself and leave.

Hong Lu is absolutely highly sensitive to criticism, it's just that his primary emotional reactions aren't ones we're privy to. Instead, what we get to see is how he acts to try and minimize the impact of those criticisms, if not outright find ways to never let them leave someone's mouth in the first place.

Next up - need for external validation.

This one doesn't have as many examples as the previous point, as Hong Lu is a generally closed off person who keeps a certain level of distance from most other Sinners. However, that doesn't mean I don't have any.

One such example comes from Canto 4, where soon after acting out his part in the play, Hong Lu seeks validation from Yi Sang.

Then there's this moment in Canto 6, where Hong Lu, once again, seeks validation for something he's done.

And then there's also these lines from Hong Lu's various Identities.

Aaaand then there's these base Identity voice lines, which, if you ask me, feel a bit like fishing for compliments.

This point is a lot harder to say is a definitive one, mainly due to Hong Lu's more closed off projected personality. That being said, the fact that one can find examples of it despite that is pretty notable.

And for the final one - trying to make oneself feel more special, important, or powerful.

This is one that's a bit harder to provide exact examples for, as again, Hong Lu isn't someone who talks about how he feels often, and when he does it's not always exactly trustworthy. He's not like Rodya, who while still putting on a facade, is pretty open and easy to read about how she actually feels.

But, there's still some non-mutually exclusive interpretations I want to posit here. Two, in fact.

One - I believe that for Hong Lu, the thing he sees as power is control.

See, avoiding criticism isn't the only time Hong Lu steers conversations. In fact, it's something he does All The Time. He's often the one asking questions to get the group moving, trying to gather information that might be relevant to him, and generally taking over the direction a conversation is going in. Chances are, if Hong Lu speaks up, it's likely to alter the conversation he joins in noticeable ways.

This, I think, is one of the ways Hong Lu makes himself feel more powerful. After all, it's not that hard to guess from what little bits of his background we have that Hong Lu lacked agency for most of his life. So, wouldn't it make sense for him that having that agency, that being able to be socially in control, would be the exact kind of thing that would boost his self-esteem?

In fact, the only times we see him rendered completely speechless, seemingly stripped of that confidence in conversations he usually exhibits, are in Canto 7 - specifically in scenes where he's Not In Control of what the others are talking about. Those scenes being when the other Sinners start shit-talking Xichun in front of him, and when Xichun actively tries to bother Hong Lu by alluding to the way he's been treated back at home.

Extremely confident until something external happens that utterly strips him of that confidence... sounds familiar, doesn't it?

Then, there's the second interpretation.

See, with NPD, there are two ways a narcissist can try to make themself feel more deserving of attention. One is the one most probably think of when they think about narcissists - setting out to fulfill extremely high goals to feel amazing when one reached them and then feeling utterly crushed in the case one doesn't. This would be someone like Rodya.

However, there is also another way, one which I personally have much more experience with - to undersell. To set extremely low expectations, so that it's as hard as possible to fail reaching them, and to feel way better upon surpassing them than one would with higher, more "regular" expectations.

This, to me, is exactly the kind of narcissist Hong Lu is. Think about it. He's constantly putting out this image of an extremely sheltered person that barely understands the outside world, with notable moments where it's made clear he's Just Making Shit Up at points. Wouldn't making one seem unable to do anything, only to then proceed to do things you've led people to not expect of you, make it feel like you're much more exceptional than you really are?

The underselling goes the other way too. When the other Sinners point out something odd about Hong Lu in a more positive way, he's often quick to point out how it's Nothing compared to what his Family expected of him. Wouldn't that make one feel exceptional, to make it seem like whatever effort you're putting in to do well is but a fraction of what else you can do? That you don't even have to try to be able to be special?

...So, there. That's all the analysis and interpretation I find important to do to get my point across.

Just to make it clear, I don't think that the only thing wrong with Hong Lu is the narcissism. There's definitely a lot more shit going on in that head of his. But, I'll be honest, the NPD reading felt so obvious to me that it genuinely took me by surprise that other people don't see it.

Though... maybe I shouldn't be shocked. Some fuckers out there still think Faust is a narcissist when she's literally just autistic.

[fiona-fififi]

You know, actually, I kind of love that they placed the breakup where they did. Because every time Buck's had a relationship end so far has been at the end of a season. We've never seen him have to actually process and deal with his feelings and confront the reality of what he needs to be happy. We just always jump right over it. The closest I think we got to that was with Abby when he finally started to accept the reality that she had left him behind and it was over. And actually, as frustrated as I am with the way they brought Abby's ghost back for a variety of reasons, it does actually make a lot of sense in the way it might force him into confronting just how little has changed about how desperately he's searching for something he hasn't even managed to name. He needs to break out of this shell he keeps using to protect himself from having to confront all the parts of himself he tries to hide (from everyone else, but also from himself). And I think actually taking the time to let him process a breakup might be a great way to actually show some development with Buck's character for once.

Instead of pretending like forcing him into another dead-end relationship and acting like it's the one that's going to fix him, maybe forcing him to confront the reality of why his relationships keep ending and letting him process that could really be the turning point for him.

[scopophobia-polaris]

So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

[verdantwyrm]

On that topic though, I would like to touch more on the subject of Jimmy being also a victim to himself. I fear this might anger a lot of people, but Jimmy is an almost exact perfect example of someone with BPD (As someone with it myself) and how his spiralling is directly tied to Curly.

The game never once insinuates that Jimmy is like this because he's mentally ill, the line of him having it "hard" back on earth doesn't mean anything either, but it also means a lot coming from Curly. Curly is a representative of a Favorite person, and everything Jimmy did in the game, who he hurt, how he did it and the language he used, is very close to how real-life people with BPD sometimes treat their own FPs and the people around them.

They become erratic, jealous, driven by fear, apologetic, desperate and cling to everything and everything. Jimmy insults Curly, twists his words and makes him out the be the villain, he drives everyone away from him at the birthday party and spends months feeding lies to the others that Curly is the one that crashed the ship despite this lie not actually really benefitting Jimmy all that much in the long run.

Jimmy wanted to kill everyone on the ship, he could have lied and instead said that it was simply a fault of the ship, a miscalculation, an accident. Instead, he took every opportunity to make Curly out to be the one who ultimately decided that this was the best way to go about it, and then also blamed it on Curly's mental health dropping after being fired.

This is all extremely elaborate, and a very difficult lie to keep up with, as almost everyone on that ship has plenty of reasons to believe otherwise that Curly didn't crash the ship. What with Anya's psych eval of him being "the same as usual" and being sane enough to continue doing his job. Anya also trusted Curly enough to tell him about the pregnancy, and to also tell him about the gun. And even though it's not very well expressed in the game (possibly intentional since we are seeing through Jimmy's eyes.) She does trust Curly, and she probably continued to trust him even when all was wrong around her.

And Daisuke also has no real reason to distrust Curly, we don't know much about their relationship, but there was definitely a sense of trust and reliability between the both of them. This is also evident through Swansea and Curly, where Curly trusts him enough to hold onto the axe, despite being told to return it to the case as everything has to constantly run through him. He was taking risks, he was terrified of being abandoned, left behind in Curly's shadow. He was having fits of rage, outbursts of suicidal thoughts and harm to himself and to those around him.

Jimmy twisted and kept twisting that knife in an attempt to turn away everyone from Curly even when he was at his lowest to isolate and to make him cling to the only thing he had left; Jimmy.

This adds even more to Curly's eventual condition, being completely reliant on Jimmy, being completely subject to his will and power. And something that he even admitted to liking, he likes power. And he likes that the circumstances given, might not have turned out the best way, it gave Jimmy that power over Curly. Something he had been climbing for a long time, and something he so desperately wanted because he was sick and tired of hearing just how fantastic he was at something Jimmy wasn't.

And yet, despite all of this, Jimmy praised Curly. He hated how much he adored him, hated how much he idolised him. And even at the end of it all, his main focus was just Curly, making him out to be the hero of the story despite spending such a long time attempting to make him out to be the villain.

And then even further to make the situation out to be that he was also the hero of the story, that all of his actions were justified to some degree because it was all for Curly. He fixed it, he fixed everything for Curly. Because despite what he did to Anya, Swanse and Daisuke, his only real concern behind all of it was Curly.

Every hallucination leads to him, every goal, every path. He was so concerned with him, that even when it was directly in his face, the only apology he ever muttered was to Curly. Using Anya's words.

Our worst moments don't make us monsters.

Jimmy is a victim of only himself and the consequences of his own actions, and he is by far one of the better, unintentional examples of BPD.

[maxdibert]

The way you can empathize with Oz throughout the first part of the series, how they gradually reveal his sociopathy, how this gradually builds with what happens to his brothers—but still leaves a hint of doubt, a reflex to justify him, something that’s completely shattered when you see that his narcissism is capable of letting his mother be harmed just to avoid facing his own mess, and then they fully solidify him as an irredeemable villain with what he does to Vic—it’s brilliant. The Penguin doesn’t try to make you understand Oz or justify him; it doesn’t humanize the character. Instead, it begins with him already humanized, slowly peeling back the layers, the very same layers of deception, lies, and false appearances he uses to manipulate everyone around him. Underneath, there’s nothing but absolute darkness, and by the time he’s at his lowest point, you’re just wishing Batman would actually show up and take him down, punish him ruthlessly. You end up thinking it can’t end like this—he deserves punishment. Not because you believe good should triumph over evil but because you’ve been made to empathize with and care for a character throughout the series, and Oz has destroyed that character in the most cruel and vile way possible.

The script makes you see Vic as a reflection of the city itself: the impoverished side, the vulnerable, the one fighting to survive, the wronged, the hopeful, the one who makes poor choices not from a bad heart but from the need to get by—and you see how Oz takes advantage of that need, giving Vic hope for a future only to betray him and destroy it all. And that’s when you feel, when you shout: this guy has to be stopped. Oz isn’t just a thug, a mob boss, or the ruthless but entertaining scoundrel anymore; he’s a true supervillain. And supervillains have to go down.

It’s absolutely masterful. I tip my hat to it; I’m still in shock, but I hope I’m making sense—what an incredible script, performances, characters, everything. They’re not deconstructing the villain; they’re deconstructing the deconstruction of the villain. It’s pure screenwriting poetry.

[sepublic]

I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.

There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.

Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).

But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?

We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.

Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.

She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.

Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?

Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.

Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.

With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…

What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.

Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.

Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!

But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.

Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.

But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.

Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…

Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.

Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.

(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)

So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.

[puimoo]

The Brucie and Dick relationship.

[Obligatory ‘new to comic canon’ warning, where I use my Tumblr to process all my thoughts!]

While thinking today about the impact that Bruce and Batman have on Dick growing up, I realised there was a third person to consider.

What impact does Brucie have on Dick?

Because Brucie is a big part of the Bruce/Batman/Brucie identity triangle, although he often isn’t really taken into consideration when looking at their overall relationship with Dick.  However, Brucie is who the world in general sees – his colleagues, his ‘friends’, the women he dates and the people he socialises with.  There are articles written about him in the papers, paparazzi snapping his pictures.  Businesses and charities being set up in his name.

The thing is though, once Dick comes along, Brucie isn’t just a solo act.  Now, Bruce has to decide what role Dick plays in the persona.

Brucie is deliberately crafted to send particular messages: he’s not a threat, he’s easy to manipulate, he’s rather stupid and clumsy but well-meaning and incredibly likeable.  Which means that, when they are together in public (or even when Brucie is talking about him without Dick being present), Brucie and Dick are meant to send a message as well.  I can’t see their public relationship not being just as carefully crafted as the Brucie one – if it’s not, it puts the whole Brucie persona at risk.  This isn’t Bruce having a relationship with Dick, after all – it’s Brucie.

I haven’t seen enough of Brucie and Dick together to really formulate something based more deeply in canon, so a couple of thoughts instead about what that message might be intended to be.  Is the message supposed to be that they are a shiny happy family (completely normal, as much as a man and his ward can be)?  From what we know of Brucie, that would mean that Brucie would likely be more openly affectionate when they are together, much more tactile and prouder of Dick than Bruce or Batman would be.

Is the message more supposed to be the scatterbrained playboy who collects things that interests him in a well-meaning way but moves on quickly, meaning Brucie is more likely to be kind but dismissive of Dick and their relationship?

Both versions send a message: one that is we are a normal, functional family (who clearly are not Batman and Robin!), one where the relationship is more superficial and Dick isn’t really quite that important anymore and therefore you shouldn’t worry too much about him/think about him/consider him to heavily connected to Brucie at all (and all the risks that might involve for Dick, Batman and Bruce).

Both serve a protective role and both are deliberately crafted, but neither are necessarily healthy for actual Dick in the long run – especially as this would have all started when Dick was 9-10 years old.  He’s not only having to navigate his own, actual relationship with Bruce (and Batman), but manage a fake version of it as well.  And, while Dick knows that it’s all an act and probably at times finds the whole Brucie situation deeply amusing while being frustrated at other times with how people underestimate Bruce, I could also see how the deliberate choices that Bruce makes about how Brucie and Dick’s relationship is portrayed could have a deeper impact.

After all … Affectionate!Brucie potentially highlights that Bruce chooses not to be like that with him at other times - he’s clearly capable of acting that way but doesn’t necessarily feel that way.  Or, at the very least, it highlights what could have been but isn’t.  Dismissive!Brucie potentially highlights some of Dick’s greatest fears.  

There are also things that Dick could learn just from Brucie away from the Dick and Brucie relationship (you never show your true self to people, even if they are not a threat – they are ALWAYS a threat) that have the potential to shape how he sees the world.

Again, none of these are fully realised thoughts or ideas.  There are also a dozen other variations of the Brucie and Dick relationship that Bruce might have crafted, but I think the thing I am getting at is that Bruce would have crafted something – and that potentially this might have had some impact on Dick.  He grew up with Brucie alongside Batman and Bruce, after all.  I could see young!Dick absolutely leaning into it and loving to play whatever the role was (love the ‘it’s us against the world’ feel), but you get the sense that as he gets older, some realisations might creep in.

Which leads me to my last random thought: are there some versions of the Brucie and Dick relationship where Brucie of all people is actually a better parent than Bruce is (especially later on)?  Brucie – who is generally ridiculed and looked down upon by everyone who knows that he is an act?  Who is meant to represent all the things that Bruce and Batman aren’t so as to throw people off their scent.  Are there versions of the Dick and Brucie relationship where Dick might actually prefer some of those Brucie traits to some of Bruce and Batman's more harsher edges?  

From a purely evil head canon perspective, I kind of like the thought that, out of all the Batkids, Dick is the only one who actually enjoys Brucie at times, because when Affectionate!Brucie is in action he can lean into the warmth of the father-son dynamic without it being complicated or difficult, even if it is just for a short time.  And you know what the kicker would be?  Bruce would probably tell Dick afterwards how well he played the role.

…. I did not intend to have so much to say about this relationship as I did!

[tangledbea]

How do you think the events of the movie would have gone if Lance and Eugene were still partners, and Lance took the place of the Stabbington Brothers?

Oh my god, this is such a good question! It immediately set my mind awhirl with possibilities! It couldn't have come at a better time, because I just finished editing the next chapter of BtK last night, and my head's in the Eugene and Lance feels!

Okay, so, first, would this mean that Eugene would double-cross Lance and take the satchel/crown for himself? Or would he be a good friend and help Lance out of that dead end?

In the first scenario, I see it falling back to "No Time Like the Past" rules, where if you fall behind, you get left behind. Lance would understand this, at least on the surface. But the stakes would be much higher, since theft of the crown was a much bigger deal. Also, if Eugene and Lance were still partners, the bounty on Lance's head would match Eugene's. I don't think Lance would give himself up to the guards without a fight, but I don't think he'd want revenge on Eugene, either. This may lead to a second act reunion, at the campsite, rather than Gothel joining forces with him. I can see Lance showing back up as a third wheel after Rapunzel and Eugene's talk about his past and why she stays in the tower, etc. In other words, they just opened up to each other, got vulnerable with each other, she showed him her magic hair, then here comes Lance, putting a jovial divider between them.

Oh! Oh! Okay, so what if Gothel doesn't recruit Lance, but she does tell him about the girl with the magic hair, and then sends him to the campsite with his own assumptions about what's going on? So now Lance thinks this is a ploy to keep Rapunzel chill until it's time to take/use the hair or whatever else. He thinks Flynn is still working a ruse and doesn't realize he's falling for Rapunzel and becoming more and more Eugene as time goes on. He might feel put out if he thought Flynn was trying to keep the big prize for himself, especially after also taking the crown. And if Eugene starts to explain the situation, Lance would think it's the long game to get the satchel back, and Eugene wouldn't yet have the strength of character to admit that he was falling and was starting to reconsider being a thief.

So now we've got Lance third wheeling it and Eugene trying not to show how much he likes Rapunzel while they're in the kingdom. (Bonus: that's twice the wanted thieves in the party now, while Punz is just trying to have a good time on her birthday!) We get to just before "I See the Light", and wouldn't you know it, the only boat left would be cramped if all three of them took it out! Lance, can you please stay here or take another boat or something? Again, Lance suspects that Flynn intends to make off with the crown without him for a second time, because they made no plans to meet up after this whole charade is over, and he's getting really irritated. Instead of enjoying the lights, he makes his way to the far bank, signals Eugene with the lantern, etc. Now when Eugene goes over there, he and Lance argue about the next step in the game. Think Miguel and Tulio towards the climax of Road to El Dorado. Eugene is just like, "Fine! Take the crown! I don't even want it anymore!" And Lance is like, "You mean you don't want to be partners anymore. You think I'm blind? You think I can't tell what's going on with you and the girl Eugene?" I don't think they'd get into an actual fistfight over this, but here comes Gothel with the steel chair a tree branch and knocks them both out, trusses them up and sends them back to the kingdom in a dinghy, then goes back to Rapunzel and shows her how, in the end, Flynn chose his life of crime over her.

In prison, Eugene and Lance are able to have a real heart-to-heart, clearing the air between them. Lance is able to see that Eugene was never out to betray him, and that he just wants a new life, a clean slate, with Rapunzel. He talks about the old lady who told him about her hair, and Eugene puts two and two together. Now it's Eugene and Lance who get broken out of prison by the Pub Thugs, but Lance stays with the Thugs to hold off the guards, urging Eugene to go save Rapunzel. Climax of the movie is the same as it is in canon.

For the second scenario, this means that Lance would be third wheeling it from the very start! They'd both find and climb the tower, Rapunzel would knock them both out and hide them both and interrogate them both. Lance and Flynn would be on the same page at the start, just trying to get the satchel/crown back from the girl, who is being a royal pain in the tuchus about this whole thing. But the thing is, with a second friendly presence who's also influencing Eugene the whole time, there's a lot less wiggle room for romance. I think there'd have to be some notable changes in order to keep New Dream on track in this version. It's hard to brew romance unless you can get the intended couple alone. I guess I'm saying it would need to be more like El Dorado in this version, where the (previously) Eugene perspective is now turned into a buddy flick, and that would need to be harmonious with Rapunzel's POV. Good for her that she makes two friends, but the impact of that means that she and Eugene are less likely to find time to fall.

Ooh, perhaps Lance doesn't get stuck in the cave with them, though? Yeah! Rapunzel and Eugene get stuck in the cave, Lance does not, they all get separated. Now Rapunzel and Eugene can have their opening up to each other stuff, Gothel can still set the suggestion to Lance that Eugene's trying to get Rapunzel's magical hair for herself, and we can pick up from the campsite scene in the first scenario! Yeah! But now, Lance is aware of the chemistry between Eugene and Rapunzel, and he's a bit more... reserved in the kingdom. Now he's playing the long game, waiting for the opportune moment to confront Flynn about Rapunzel and the crown and the hair and all that stuff. They fight after "I See the Light," continue on as in first scenario!

And this, my friends, has been a stream-of-consciousness brainstorming session by Bex!

[bibibbon]

eveyone calling dabi touya after the reveal is making me wanna claw my eyes out because HOW IS EVERYONE MISSING THE POINT SO FUCKING BADLY

THE POINT IS THAT HE ISN’T TOUYA AND HE NEVER WILL BE AGAIN BECAUSE TOUYA IS DEAD

dabi was created from the ashes of touya and that’s literally the whole point

he can never BE touya again because of the things he’s done and the small issue that touya is legally dead

AND WHAT MAKES YOU THINK HE WANTS TO BE TOUYA AGAIN??????

he wants NOTHING to do with the todoroki’s and tries to actively distance himself from his family

ik he is so fucking pissed in the afterlife because everyone is calling him touya when he’s not touya he’s DABI

same with shigaraki. this one is definitely an unpopular opinion but people calling him tenko just feels so wrong to me

i just hate it when people think that just bc it’s technically their real names is means is *their name*

like sure my legal name is my legal name but *my name* is caleb

anyway i just wanna scream sometimes

You bring a very interesting point!!

This is something I haven't really realised, but now that you mentioned it and now that I am looking back at various different posts, I can tell how different people sometimes use dabi and touya interchangeably and yeah actually it makes sense why you're mad about it.

A core part of Dabi's character is that he is no longer Touya. Touya died the minute he went back to his old home, and everyone forgot about him, and nothing changed. The greif and emotions that young touya held to try and appease to his father burned away turning touya into ashes and that's how dabi was born.

Yes, the phoenix imagery with Dabi is strong. The death of touya, where touya turns into ashes and dabi is born from those ashes, is something so slept on by the fandom!!

People using dabi and touya interchangeably is like someone using jink and powder interchangeably. The plot for both mha and arcane has made it clear that those characters are two different people.

Jink isn't powder, and powder isn't jink. They might be the same person genetically speaking, but they aren't the same when it comes to character and personality.

The same thing goes for dabi and shigaraki. However, the plot of Mha does make it an integral part of Dabi's character it literally focuses and says it directly on chapter 350!!

Dabi, like you said, will never be touya, and touya will never be dabi. I have noticed that even when it comes to me writing my analysis, I have never really used dabi and touya interchangeably. When it comes to me talking about touya, I talk about touya, and when I talk about dabi, I talk about dabi (this doesn't make sense, but I have no way of fully explaining it tbh)

Shigaraki is a bit more complicated and a bit of a grey area. Yes, he also has the same thing as both dabi and jink, yet it's not made or focused to be an integral part of his character. I personally blame the writing for that instead.

With shigarakis character, it's kind of the opposite of jink and dabi. What I mean is that the narrative kind of goes out of its way to make it clear that shigaraki will always be tenko even if he tries to reject that. This can be seen with izuku seeing tenko or during shigaraki's fight with afo and mirio he mentions HIS backstory with HIS friends.

As much as shigaraki may try to reject it, he is tenko, and in the end, he acknowledges that. He dies as both tenko and as the leader of the leauge of villains.

[somuchbetterthanthat]

Keep thinking of Jonelias and turning up the gothic elements to x1000 than they already are in canon, and somehow it always ends up in my mind with Jonah still having his Scottish family house/manor, and getting Jon there, and then Shenanigans.

In my head, it's mid-season 2, Jon's off rails, in a beautiful way, for sure, but Elias has also had a lot of thoughts on his side ever since he hesitated, watching Jon getting eaten by worms, pulling the trigger early. So it's almost a test for himself and for his Archivist when as "punishment" for Jon's behaviour, he tells him he's sending him on a very specific mission in Scotland, to Jonah Magnus's old house, to gather and archive the documents there as the Institute is thinking of turning it into a museum or an extended branch or something.

Jon, of course, is furious (and secretly relieved, for a brief moment, because the paranoia DOES tend to lessen whenever he's away for a bit of the Institute and his coworkers, coughnot!sashacough) but it's not like he's got much choice, beyond quitting or being fired, and when he asks if his assistants are coming with Elias is like "don't be ridiculous, Jon, they need to take care of things here and you'll agree with me you all need some time apart. You'll do a reconnaissance of the house and its content, as it is, and I'll join you myself in a week or two. You should have all amenities available there, excepted perhaps the Internet - but phone service should be fine, so we'll be able to keep in touch if you need anything."

And then he gets into the house, so quiet, so old, but kept in order, clearly; the phone service is actually terrible; the bed he sleeps in ("Jonah's bedroom," Elias tells him when he does manage to call him) is comfortable, but the room is often cold; and here, as well, just like in the Archives, he keeps being WATCHED. And it's not the only odd thing that happens - that one he's almost used to, now. But it's the letters; the weird objects; the noises at night; the old fashioned clothes filling the wardrobe one morning instead of his own clothes; the way his car won't start after four days; etc. etc.

(Something something something, breathing life into another of Jonah's attempt of living beyond death, getting a nostalgic shade of the monster who already loves him and sent him here for judgement, and who decides that Jon would, in fact, make for a proper spouse,,)

[dreamingsnowflake2013]

They are so freaking gorgeous and downtrodden and lethal and therefore perfect together! They are the OTP I didn't know I needed in this show. He's dying, blood splotches on his pale lips, but instead of the box, which supposedly holds the cure and he completely ignores, his gaze fixates on her injured hand she doesn't even notice, asking him to give it to her, but she gives him the box because all she thinks about is him, while all he thinks about is her.

And he uses his quickly diminishing power to heal her! I'm rabid for them! This is definitely NOT a parallel between two great demons with a death wish healing people they love.

She is so desperate to save him.

Lester Lin is an actor's actor. There is not even a hint of Bai Jiu left, he becomes Li Lun so completely and thoroughly, just as Yan An does, that you can't even tell the difference. He might look like a child, but you can immediately recognize there isn't anything childish about him, he looks utterly otherworldly.

So tragically beautiful and doomed and I need a full-length drama just about them. She is so selflessly devoted to him, revering him and silently loving him without expecting anything, and he is so gentle with her and silently caring. She doesn't notice or even dare to imagine he doesn't treat her like a servant but like a friend or even more than a friend.

At the end of life, he is selfless. It echoes Yinglong's sentiment about using the last bit of his remaining power (actually both of them gutted their own lifeforce and bodies for their quests) for something useful and selfless.

This is shipper's heaven! Him wanting to give her the last piece of himself, the last bit of his power to protect her! I can't!

Just when you think this show couldn't get any more visually gorgeous! I love that Li Lun is dying yet the locust tree is in full bloom, but the blossoms and petals are slowly falling around him and Ao Yin, like he's gathered the last of his power to bloom one more time before he fades away for all eternity. So while the room looks full of life, it's a picture of dying, even more so because white flowers in Asian culture are given to the graves of the deceased.

[antianakin]

Literally why the fuck would a clone consider their helmet to be their "real face"?

They only JUST started being allowed to paint their helmets with individual designs after the war began, none of the clones who show up to Geonosis have anything that looks particularly unique (there's a few clones with different colored paint, presumably to denote rank of some sort, but the design is always the same even if the color isn't). So if they DID start thinking of the helmets as their "real face," it would be a pretty new thing for them and not one with a ton of history behind it.

And even after the war starts, it's ONLY once you leave Kamino that you get to have a helmet or armor with any kind of personalized design, the uniforms we see the Domino and Bravo squads wearing aren't personalized at all (again, there's color differences in order to denote which squad you're a part of, but nothing personalized to the actual clone themselves). So they wouldn't exactly have any sort of tradition of feeling like their helmet is their "real face" since most of the time, their helmets are intended to look just as identical as their regular faces.

Also, the clones would still primarily only have a "real face" later in life, so what does that say about how much time they spend without a helmet with a design? We know they take on their own NAMES before they leave Kamino, so it's not like they don't have identities, they just don't have a "face." They don't even get given a "real face" upon graduating and getting assigned somewhere, they have to wait until they're not "shinies" anymore before they get more personalized paint jobs. If the helmet were really their "face," it seems more likely that they'd want to let the new soldiers paint it as soon as possible instead of making them EARN the right to an identity. It just feels so nonsensical.

We also see the clones taking their helmets off pretty often, certainly any time they're not actively in danger or on a mission, and sometimes even then just to make communication with someone else easier (especially if that person ISN'T wearing armor, like the Jedi). Aside from one moment in the pilot episode with Yoda and the three clones with him (which would fall under the category of still being in danger and on a mission), we never see the clones reluctant to take off their helmets or having to be asked to take them off when interacting with others. That moment also emphasizes for the clones that their armor ISN'T who they are, and that their humanity is something inside of them, but that they shouldn't feel the need to hide their faces simply because they're identical to someone else's. And if we assume most Jedi probably had similar moments with their own battalions, a LOT of clones would likely end up actually learning NOT to associate their identity with their armor and be much more comfortable with their faces showing.

In fact, there's a whole DIFFERENT moment a few seasons later where Rex is speaking to Krell and he takes his helmet OFF to emphasize his point about the clones being men, indicating that the helmet actually makes them more FACELESS and therefore easier to see as closer to machines/droids than real people. It's the face UNDERNEATH the helmet that makes them human, not the helmet itself. They might all share the same face, but that face is the one that shows emotion, that can cry, that can smile, that can speak, that can connect with someone else. Regardless of how many other people share it, that's still their real face, not the cold emotionless helmet that too often gets used to pretend the clones aren't people at all.

[prince-liest]

hi princely! i was rereading through your 666 series and i wanted to ask if you have any tips for writing dialogue? its the one part of fiction ive always struggled with, i.e. making conversations flow naturally instead of sounding robotic. imo one of the most memorable aspects of your work is how real your dialogue feels

(also i was skimming your tumblr while writing this, im so sorry about your car that's genuinely insane??? and sorry if this is terrible timing aaa)

Hello! Thank you, but no worries, not terrible timing - I could use a distraction, haha.

When I started writing fanfiction, I actually really struggled with writing dialogue for a really specific reason, which was that I was really used to RP and felt like getting into the head and talking style of more than one character at a time felt like a lot of effort and something that I had to actively swap back and forth between. This is something that got much, much easier over time, and unfortunately the #1 tip I always have is that practice not only makes the quality of your writing better, but it also makes the process of writing much easier as you get used to things.

That said, specifically for natural-sounding dialogue, I tend to pay a lot of attention to how specific characters talk and try to mimic it. This came particularly naturally for me with Hazbin Hotel because the show is full of bombastic characters with really amazing voice actors and very specific styles of talking. When I write a particular character for the first time, I go back and watch various scenes that feature them, both generally and in different emotional states.

With a form of media like Hazbin, where I actually get to hear the characters speak, it honestly helps to just imagine them doing so in my head when I'm writing with whatever accent they have going on, too. Sound it out in your head: does it sound like something someone might naturally say? Why or why not? Adjust accordingly.

So, that's where I start! I diverge from there over time as my own interpretation of a character grows and changes, or I put them in different circumstances for different stories, so on and so forth. But For pretty much every fandom, it's always been very helpful for me to go back to the source material with the explicit goal of paying attention to characters' styles of speech, turns of phrase, and reactions. This is good not just for dialogue, but for characterization, especially for characters that tend to get pigeonholed into a particular archetype (for example, I frequently have to tone down how prim or "old-timey" Alastor sounds in my dialogue because he doesn't actually talk like that in canon despite the vibe of his reputation (and sometimes I don't bother, LOL)).

Last but not least, thank you very much! I'm really happy that you enjoy my dialogue. It's definitely one of my favorite things to write (if you couldn't tell by how many fics I've written that are basically two characters talking for extended periods of time), so it brings me joy to know that I succeed in making it enjoyable for others as well.

[thewritetofreespeech]

Can I please request Astarion with a flirty yet oblivious plus size Tav? In the way that they do flirt because it's fun and light like their companions/friends with benefits thing, but they think that their feelings are unrequited (because of some slight insecurity about their size) until Astarion is like I actually like you and Tav is like '???' (Idk if that makes sense lol) Thank you!

-------------------------------🩸-------------------------------

“So, Astarion, what is your actual type?”

“My ‘type’,” Astarion repeated at Shadowheart’s question as they traveled, “is such a broad prevue. I can’t think to narrow it down to just a single collection of words.”

“That’s a unique way to say you’re a trollop.”

Tav snickered at Shadowhearts retort, getting a stern glare from Astarion. “What? It was funny?”

“Pft. And here I was going to say you, my dear, but if you’re going to be so incredibly cruel.”

“Aw shucks. Always a bridesmaid I suppose.”

During their journey together, Tav had grown very fond of Astarion. He was a little shit, but deep down he was very funny and undeniably charming (although not for the ways he tried to be). The two of you had picked up a friendly banter over your time together, sometimes even flirty, but only that. And Tav was fine with that. Well aware that a handsome rake like Astarion could have his pick of the litter, and they were just happy to be considered a friend.

Later that night, while everyone was finishing their day and slinking off to bed, Astarion came over to Tav by the fire to sit with them. “You know I really meant it earlier by the way.”

“Meant what?” Tav asked. Lost, by this point, on what he was talking about.

“That you’re my….‘type’.” He seemed loathed to use the word. Even scrunched his nose. Tav just laughed.

“Yeah. Right. I’m sure.”

“No, really, I mean it.” He insisted.

“Come on Astarion, the only way you’d be interested in me is because I’m a a keg instead of a flagon.” Tav gestured to themselves and their full frame. “I have ample blood to spare.”

Astarion frowned. “Yes, your blood is certainly a bonus, but that isn’t why I care for you.” He huffed and crossed his arms dramatically. “Honestly, why does everyone think I’m not being serious when I am?” Astarion asked with a bit of flabbergast. “Is it something about my expression?”

Tav looked more than a bit flabbergasted at his remark. They didn’t really think they liked them….that way. Friends sure. Allies, of course. But romantically? “You…really have feelings for me?”

“Ugh! What is it with you new generation and wanting to put a name to everything?” Astarion bemoaned. “Feelings. Type. Can’t we just enjoy this for whatever…this is? All I know is that out of all the people in this whole wicked world I would want to be stuck with, it’s you.”

“Gee, that’s the most romantic thing anyone has ever said to me.” Tav teased.

Astarion frowned again, but then leaned in close to Tav so all they could see was his piercing red eyes. “I could wax poems for you, if you’d prefer. How your eyes are the stars. How your curves are roads I would never get tired of roaming. How your ample bosom feels like a place to call home. All true, but you’re so much more to me than that.” He moved back to sit in his original spot. Wrapping his arms around his knees at his chest as he looked into the fire. “You’re the first person I’ve trusted in…well ever. You mean more to me than just your body. Though, again, that is certainly a bonus. I had hoped….you feel the same about me.”

Tav blushed, but then quickly gathered their voice and told him, “yes! Of course.”

Astarion seemed relieved. Then leaned over to give Tav a simple, sweet peck on the cheek. “Good. Now, get some sleep. We’ll probably have a completely eventful day tomorrow as well. You’ll need your beauty sleep. Not that you need it, of course. I’ll keep watch until the morning.”

Tav smiled, blushed again, and then went to their bed roll. Tentative in accepting Astarion’s confession & feelings, but hopeful it was all true. Perhaps, for once, they could really be the bride instead of the bridesmaid.

[maleyanderecafe]

Dear Villainous Husband , the One to be Obsessed with is Over There (Webcomic)

Created by: Menanic

Genre: Isekai

I wish the translation for this one was a bit better, but I do think that there are a lot of fun things that I haven't seen as much in other isekai such as a tyrant that actually does seem fairly scary, another person besides the main character who has been isekaied into this world and the plot of trying to get back to the original body. The empress can also be sinister as the tyrant, though sadly it's not utilized as much as I would have hoped. As of writing this there are about 40 chapters out right now, and the yandere takes a while for him to kick in (like a long while).

The story starts out with the male lead, Lanius pretty much killing all of his sibling and his father from a young age because he was bored and wanted the title of king. Angelica, or Angie is chosen to be Lanius's empress, with Angie crying as she doesn't want to be killed considering she read the book before she isekaied. She wants to do her best to survive and run away. Angie asks Lanius why he chose to marry her of all people, with Lanius recounting that he had a whole wall of marriage candidates in which (to his eyes) looked the same, so he ended up throwing a knife, which landed in the portrait of Angie's eye. Initially, Angie is kind of bullied by the maids until she decides to bring in one of her own from her old hometown. The head maid, Jacques gets majorly angry after Angie tries to defend herself from the bullying, with us seeing that she's also the mother of the main love interest in the story, Sylvia, who is also being abused by Jacques. Afraid of what Lanius will do if he's too bored, Angie proposes a manhunt to sate Lanius's bloodlust, which works well, however Lanius states he will only do it if Angie participates as well. Angie agrees and starts training. While she prefers a bow and arrow as to not get to close to the opponent, Lanius also trains her on sword fighting as he wants her to survive. On the day of the manhunt, Lanius feeds Angie some sort of drug that makes her much more fearless and ruthless. She is able to finally kill the maid that bullied her thus ending the man hunt once and for all and bring Sylvia to work for her. Angie gets nightmares after about this event.

After a banquet where she flexes her authority as the empress, Angie decides to go to Tunia to find the original male lead, Eden a knight for the Templar. She does find him there and finds that he too is a transgressor, isekaing into the world similar to how she has. The two of them discusses the possibility of trying to go back to their original world before having to disperse as to not cause Lanius suspicions. Lanius does seem to catch on, visibly being more jealous when Angie and Eden talk, which forces to the two to send secret messages with each other. Angie and Eden discuss their escape plans together, with Angie preparing for escaping Lanius while the romance between Angie and Lanius grows stronger to the point where Lanius actually seems to like her instead of having her be just an interesting toy to him, with him bringing her to different places as sort of dates. Angie is starting to waver at the idea of going back home though as she feels there's nothing to go back to and that she is actually falling for Lanius as well. Lanius goes on a mission to kill a bunch of monsters, finding out that feeding the offspring their mother's corpse actually makes them loyal to him, and Eden during the fight also finds a special door that could relate to getting them back to their world, something that it seems only he can see. With Angie, she finds a book that is similar, with details that only she can read. Eden also decides to disguise himself as a butler at Angie's estate to gain more information and be able to communicate with Angie more easily. We learn that Sylvia still has a vendetta against Lanius, that the only way to get back to their old world is that Lanius has to die, something that Angie seems to struggle with coming to terms with. Angie ends up trying to start her escape plan by refusing to go with Lanius to the war and buying up an inn area to live in.

Like I said before, there are a lot of good concepts in this webcomic that are pretty interesting and well utilized (if only the translation weren't so bad). I feel with a lot of isekai plotlines, the villain characters or tyrant characters are not... that evil? They can be of course, and it can serve its purpose in the story, but I feel like with Lanius I can actually see why Angie would be so scared of him. His intro of killing his siblings and his father to attain the crown was really brutal, and the scenes after when trying to explain why he chose Angie in the first place and how he slyly threatens her does make me understand why Angie would be really wary around him. I do wish it continued to show more of it, maybe like killing off some employee he didn't like, but we do see him basically take control of an entire monster army and run like two man hunts, so there is at least something to it. I think it's also interesting that he's not a yandere right away, with him being more like a threatening psychopath instead. While I do like yanderes that are more upfront about their yandereness (just mostly because it's easier for me to write a recommendation on) I do think that waiting for the eventual development of feelings does help with Angie's dilemma of staying with him versus going back home, as his death is what will allow her and Eden to eventually go back. Speaking of Eden, it's very astonishing to me that there is so little isekai that have more than one character isekai into the same world. I feel like that has a lot of potential for good team ups, rivalries and various other arcs that I guess nobody wants to actually write about for isekais. I also think that the premise of Angie actually slowly developing some of Lanius's traits of being intimidating and seemingly heartless in some scenes (namely the witch hunt, the banquet and the inn at the end) were really fun too, even if the first time was induced by drugs. I really wished that it was something that showed up more often since I really do like that side of her and is a good corruption arc type thing when hanging out with Lanius.

Lanius starts out as a typical psychopath who only cares about what sick things entertain him, but it's done pretty well to showcase how terrifying he actually is. Besides the initial backstory of how he was able to rise to the throne, the fact that Angie was pretty much chosen out of chance and the fact that he is basically implies through the fact that he finds them so uninteresting that he can't recognize their faces that if she does something that he considers boring, he could just kill her. I'm not sure why he tries to help her out by feeding her the drug to make her more fearless, or even tries to train her but maybe it's to heighten his enjoyment (?) of watching the manhunt? I have no idea. I do think that Lanius eventually getting pretty possessive over Angie (especially when Eden shows up in the picture) and apparently in the webnovel, Lanius goes pretty yandere stockholm after he finds out that Angie tries to escape and pretty much confines her, which does sound very in character for someone like him. I also think it's a good way to drive tension when Angie does start falling for him and then finds out that the only way to really go back home is to have Lanius die. I feel kind of bad for Eden though since he does actually seem like he wants to go back, so that's going to be an issue for Angie even if she does want to stay.

I do think that this webcomic has a lot of good ideas, and it executes them at least somewhat decently. The only real problem I have with it is that I think Lanius could go even farther with being ruthless to his people and that the translation just isn't that good. If it follow the plot of the webnovel with Angie basically being imprisoned by Lanius, I think that would be really great too.