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mss-pit · 2 months

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translation of voice actor interviews from Bravern BD

Translation of the cast interview featuring Suzuki Ryouta (Isami), Azakami Youhei (Smith), Suzumura Kenichi (Bravern), Aizawa Saya (Lulu) and Sugita Tomokazu (Superbia) from the special booklet included with the first BD release.

this is pretty long so I'm putting it behind a cut.

Suzuki Ryouta (Isami Ao):

Q: Tell us your impressions of the character you play.

You can tell by watching the first episode that I played him as someone who wordlessly takes on the burden of his superior's orders and crushes his enemies with his own power... a cool and stylish soldier. ...nah he wasn't like that at all, was he? During his first real battle, his hands were shaking and he acted like a coward without any courage, and he was forced to shoulder his fate as the pilot fighting against mysterious enemies that appeared all of a sudden. Fighting alongside Smith and Bravern, sometimes clashing with them, and gradually seeing his heart grow stronger, it felt like I too could have an explosion of courage along with him, making him a very fun character.

Q: Tell us about your favorite episode/scene/quote.

From episode one, the line “What the hell is this song!?!”. In the script I was just supposed to shout “Uaaaaaaah!”, but during voice recording I adlibbed my gut reaction to hearing the song. The director allowed my adlibbed line to be used, so it's a memorable quote to me. I also love the scene from episode eleven, where the four characters have a meal together. It is a mysterious scene where the atmosphere changes into that of a cooking manga (lol).

Q: Was there anything you were particularly conscious of when portraying this character?

I was conscious of expressing Isami as someone who is fundamentally a man of few words, with the austerity of a soldier who feels young yet mature. In the first half, my strong imrpression of him is that he is conflicted after meeting Bravern with how he doesn't want anyone to die but doesn't have the courage to fight. The boxing match with Smith allowed him to let out the weakness he'd been holding inside, and he was able to change his feelings into positive ones where he wants to fight alongside others without pressure. Even when he's conflicted, his comebacks are sharp, he is pretty scary when he gets angry, and he sheds tears when his companions fall... he is a character I portrayed expressing multitudes of human emotions.

Q: A message for fans.

Thank you for watching BBB until the end. In addition to hot blooded mecha fights, there are scenes that make you laugh, a little bit of sexiness, scenes that may make your eyes tear up, all sorts of fun things coming in a high tempo. It might be the kind of work where seeing Isami, who had no courage at all, gain it little by little through his battles, might give viewers that small first step as well. I am glad Bravern gave me the opportunity to play a mecha pilot protagonist for the first time. Thanks to all viewers and regards from here on.

Azakami Youhei (Lewis Smith)

Q: Tell us your impressions of the character you play.

At first we were not given a lot of character details. I attended the audition with a rough description of a “cheerful and macho solider”, but after reading the scripts and seeing his feelings for Isami and his fellow comrades, and how well he takes care of Lulu, he became a character I liked more the more I got to know about him. Almost as if he became like a “hero” to me. I think the comical atmosphere around him draw out his likable qualities. I tried my best to make his [English] pronunciation sound as native as possible. He was earnestly a very fun character to play.

Q: Tell us about your favorite episode/scene/quote

I really like the boxing episode between Isami and Smith. Like “we don't need words to communicate!” - it was a fun part to act with a mix of passionate fists meeting mixed with jokes. I think that's when they truly became friends so it's a part I particularly like. Also, it wasn't in the actual episodes, but in the preview for the first episode, Smith says the line “The wait's over, Isami!”. It is a line that has a bigger impact when you hear it again after knowing everything. Please listen to that line one more time!

Q: Was there anything you were particularly conscious of when portraying this character?

He may give off the strongest impression of being a bright and pleasant person, but his sometimes fragile expressions are memorable. He wants to be a hero, but the hero isn't him. That sense of failure he was carrying might have been the “shadow” side of this story. When recording his lines, more than getting across his “coolness”, I tried to get across the beliefs that were important to him, as well as that sense of being the “shadow”. On one side, he is the polar opposite of the cold Isami, but no matter how bad things make him look he doesn't waver in his own belief in justice. And for him, the “shadow” of failure turns into strength because of his strong convictions. I am happy thinking this power could connect him to becoming Bravern.

Q: A message for fans.

Thank you for supporting this work. This is the kind of story that makes you think “who is the protagonist?”, and people can come to different conclusions. Like Isami, who is forcibly made to be the hero and is dragged onto the stage and shouldered a huge burden without knowing why. Or like Smith who, faced with the reality of not being able to become what he wanted to be, was able to overcome that sense of failure. Or like Hibiki and Miyu who are able to make everyone happy by playing a supporting role. Or like King, who lets his personal feelings aside and becomes the one who makes the hard decisions. From all sorts of protagonist viewpoints, try watching the show thinking what sort of existence Bravern is to all of them.

Suzumura Kenichi (Bravern)

Q: Tell us your impressions of the character you play.

When I saw the design, I thought it was totally Bari-esque (lol). “This is it!” I cried out.

The more you see him face against other characters the more it becomes clear just how out of sync with everyone he is, which is funny, but I was also nervous how hit the subtle balance right each time. I played him like the kind of hero robot character I looked up to as a kid, which made me happy on a personal level. I portrayed him with all the expected qualities of a mecha anime, but being a lifetime otaku helped me a lot. I'm glad I like robots.

Q: Tell us about your favorite episode/scene/quote.

It was fun to put effort into voicing the special attack/fusion scenes. Obari-san has done continuous work on mecha anime, and has many peculiarities about how attack shouts should be voiced to the samllest detail, and recording while receiving those sessions was fun. I also got to voice the the hero character in the tokusatsu show Smith and Lulu were watching! Taking notes on how to voice live action-ish lines once again was very fun. When you know that Bravern was created from Smith's feelings, you can tell that the image of that hero character probably made a deep impression on a part of him.

Q: Was there anything you were particularly conscious of when portraying this character?

When the test recording of the first episode was done, Obari-san called for me and told me: “Bravern's real identity is Smith”. I was the only one who was told this. Because this was kept a secret from the other voice actors, it was hard to keep myself from telling everyone my real feelings (lol). Although I was cast through an audition, knowing this changed the entire plan of portraying the character. The way he interacts with Isami, the way he says his special attacks, how he uses his new powers... instead of voicing these lines in a straightforward manner, I played him as if it was actually Smith acting as a hero. After the reveal of his identity happens in the second half if the series, I played him as if he becomes stronger and more confidently hero-like.

Q: A message for fans.

This is a work you can enjoy from many different viewpoints. For a mecha-otaku like me it doesn't betray your expectations, and people who have never seen a mecha anime before can laugh and cry. It is a work full of elements that people can enjoy. There are lots of characters with their own charms, so I think everyone will find a favorite. If you watch the entire show from the beginning after the ending, you will be able to notice how everything was laid out! Please watch it around 100 times (lol).

Aizawa Saya (Lulu)

Q: Tell us your impressions of the character you play.

I took this role as a challenge, and she was a character who gave me a lot of challenges. I want people to understand her passionate courage by watching her introduction scene again after the last episode,

Q: Tell us about your favorite episode/scene/quote.

I like her relationship with Superbia. From their backstory, where he accepts her determination, to their present, where their feelings align and they take off together. Their gapigapi arguing was a good memory. And as an actor, getting to be a mecha pilot is a great treasure.

Q: Was there anything you were particularly conscious of when portraying this character?

In the beginning, she didn't even understand what language was and she didn't have a developed tongue. I payed attention to which words in the script would be difficult to pronunce. The subtle line of her not being able to communicate properly and words still having to be audible to viewers had to be tread carefully. Her state of growth from episode to episode was carefully maintained by consulting with Obari-san.

Q: A message for fans.

Thanks for supporting this passionate work. Make the courage hidden inside you burst forth!

Sugita Tomokazu (Superbia)

Q: Tell us your impressions of the character you play.

The word “bonds” can easily become trite when thrown around easily, but I felt that to Superbia, his bonds with others are precious to him. As comrades in arms, as ojisama, the future that comes forth must be bright.

Q: Tell us about your favorite episode/scene/quote.

I loved hearing so many good voices. The voice actors Obari-san chooses for this works never let you down, I thought. And it was exactly as I expected. Every episode my ears and heart were happy.

Q: Was there anything you were particularly conscious of when portraying this character?

The pronunciation of “Lulu”. The “Oh, has something changed here?” should be immediately obvious.

Q: A message for fans.

Brave! Bang! Shake hands with Superbia in his new form that's probably gonna come out! It's gonna be come out, right?

#bravern #bang brave bravern #yuuki bakuhatsu bang bravern #isami ao #lewis smith #azakami youhei #suzuki ryouta #sugita tomokazu #suzumura kenichi #aizawa saya #superbia #seiyuu interviews

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tomodchis · 2 months

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❝ in just a year, dachi has managed to pump out hit after hit, continuing a bubblegum pop sound without falter. there are no signs of stopping the successful rookies who have found their signature genre faster than you can say flopped. ❞ — theheartgiiirls on youtube.

the tracks ‎ ‎ ‎ ıllı ‎ ‎[ 🍒 ] ‎♪ ҉

bim bam bum is the perfect opener for dachi’s sound: fast-paced, synths-galore, and sickly sweet. the two choruses make for a unique listening experience. it’s already a staple in 5th gen, and no song is truly a staple if companies don’t try to replicate it.

thankfully, love bomb came onto the stage before anyone else, regarded as ‘bim bam bum pt. 2’ or the little sister of the two. somehow it’s even faster than bbb, add on their vocal performance and you’ve got an incredibly successful comeback.

bazooka! is the third and final song in the series of weapon-themed titles. it managed to combine bim bam bum and love bomb into one song, ending with a (not so) metaphorical bang. but despite being such a good send off, it’s their least popular title track.

dalla dalla is the first song to be completely produced by dachi. eun took it upon herself to guide the ambitious project as the only member with 8+ years in the industry. jeyeol wrote the song, eun arranged, recorded, and mixed, and chorong was able to convince the ceo that it’d be worth it. seoyi sat back and input silly commentary when needed.

hot mess is their latest song and their japanese debut. while hard to digest, it’s a metallic summer anthem that seems to go on for ages. you know what they say: if you get it, you get it. the concept is much beloved as well, featuring mecha suits, the neighborhood friends rebranded, and quintessential dachicore.

insp. by okmgi + allta1k

#— 𓈒 ݁ ₊ post. . .#fictional idol community #fictional idol group #fictional kpop idol #kpop oc #idol oc #fake kpop oc #idolverse

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lovejustforaday · 1 year

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Shoegaze Classics - Loveless

Loveless - My Bloody Valentine (1991)

Main Genres - Shoegaze, Noise Pop, Dream Pop

A decent sampling of: Experimental Rock, Neo-Psychedelia, Alternative Dance

DUT DUT DUT DUT VREW VREW VREW VREW VREW VREW VREW

Well, if you knew anything about shoegaze going into this series, you knew that this review was going to be inevitable.

Today I take on the most truly revered shoegaze band, and probably one of the most legendary indie bands of all time. God help me, I'm going to do my best, so here goes nothing. Let's talk about My Bloody Valentine and Loveless.

The Band

My Bloody Valentine is an awesome band. Plain and simple. The name is awesome, the sound is awesome, their public persona is awesome. Just, lots of awesomeness.

Okay, I can probably do better than that. Hmmm... Okay wait, stay with me here.

My Bloody Valentine were originally an unlikely, little-known post-punk band from the 80s, that somehow went on to being one of the most important and influential bands of the 90s whilst only having dropped one record for the entire aforementioned decade.

After a series of lineup changes that coincided with a search for the bands' sonic identity, the true My Bloody Valentine lineup solidified as Kevin Shields, the madman musical genius leader of the crew on guitars and vocals, Bilinda Butcher, a feathery soft-spoken punk on guitar and vocals, Colm Ó Cíosóig as the animated, flappy-haired drummer, and Debbie Googe as the badass butch bassist (BBB) who was originally from the anarchist punk scene.

I've been trying to consistently use the term "British Isles" to describe the epicenter of the initial first wave of shoegaze. I wanted to be careful not to just say "Britain" or the U.K., because that would be somewhat revisionist.

Proto-shoegazers A.R. Kane may have formed in London, but other "proto" bands like Jesus and Mary Chain and Cocteau Twins were from Scotland. As for the band most credited with the true inception of shoegaze by its strictest definition, that would be My Bloody Valentine, hailing from Ireland, folks who often (for very good reason) don't take too kindly to being described as "British". That being said, Debbie and Bilinda are English.

I won't waste too much time going into the history of the band for this review, mostly because this is already gonna be a long one and I've got so many things to say about the record itself. So I'll give you the sparknotes version.

Like most early shoegazers, My Bloody Valentine dropped a few EPs before their first full-length LP, albeit in some completely different genres. C86 style Jangle Pop, Post-Punk, and frigging Psychobilly of all things apparently?

The band really found their sound, and pioneered the definitive collective traits of shoegaze in 1988, signing with Creation Records and dropping the EP You Made Me Realize and, later that year, their debut full-length Isn't Anything which, depending on who you ask, is the first true shoegaze LP (Though a very little known post-punk band named A Primary Industry may have something to say about that).

Shoegaze was invented with the propagation of a new world of sonic timbres discovered through the usage of guitar pedals, and My Bloody Valentine in particular really loved their pedals. On top of those pedals, the band laid a lot of distortion and harsh volumes.

Likeswise, My Bloody Valentine has pretty much always been just as much a noise pop band like their contemporaries The Jesus And Mary Chain. The two scenes overlapped a lot during the first wave (just like dream pop and neo-psychedelia), and some even describe the shoegaze formula as essentially being dream pop + noise pop = shoegaze. Personally I think this is a reductionist definition when there are many shoegaze bands that don't fit nicely into either of those other categories. But I digress.

Isn't Anything was the record that launched a thousand (shoegaze) ships. It's certainly a bit more overtly post-punk in its foundations, and rougher around the edges than what would come next. But I also really do love this record. "You Never Should" and "No More Sorry" in particular are two of my favourite My Bloody Valentine songs.

What came next, however, is a whole different beast entirely.

The Record

I'll start with the disclaimer that everything I could possibly say about Loveless is probably already a cliche by now.

Insanely fuzzy and warm. Layers upon layers of sound that demonstrates a level of musical precision and perfectionism that almost doesn't seem human. Reinvented the guitar like virtually no other record before or since. Oddly arousing and potentially even sapphic if you read into the lyrics (tbf Debbie is a confirmed gay indie icon). Sounds exactly like the neon shades of magenta displayed on the cover art.

2023 is frankly a little bit late to be writing a review about this heavily celebrated 1991 record. Others have already written entire dissertations about this revolutionary LP. I don't promise this is going to be the most definitive and thoughtful review of this record, nor am I anywhere close to being the first or last indie nerd to ever champion and fanboy over this goddamn masterpiece of its genre, but I do wanna talk about how I myself personally experience Loveless.

Funny enough, my favourite memory of listening to this record (which I've been loving since 2015) was actually when I was dog-sitting for a friend's mom at her house in 2018 during the early autumn. The dog herself even seemed to wanna dance with me while I was spinning in little circles to the rhythms of "Soon". I think that's the season when I enjoy this record most - probably a mix of the coolness and crispness of the autumn breeze, and wearing the same kind of cozy sweaters that the My Bloody Valentine members are wearing in like half of their 90s photoshoots.

Okay, enough chitter chatter. Let's get into it.

"Only Shallow" is one of the most iconic album openers of all time, period. Instantly overpowers the listener with those first few overblown snare stabs before exploding into a pounding noise pop delirium of screeching banshee guitars. Letting up only slightly for the verses, where Bilinda Butcher describes something sweet, soft, and warm, in a brazen contrast to the blustering razor guitars that are unleashed after each verse. This track most perfectly encapsulates a pervasive trend across the rest of the album, wherein the sonic mosaic of textures can be described paradoxically as both cushiony and razor-sharp at the same time.

Lyrics and their delivery will continue from this point on to be every bit as textural and vague as the music itself, creating abstract entities that are transient and androgynous. Indeed, I struggled a lot on my first few listens to discern which tracks were being sung by Bilinda and which were Kevin or the both of them. Bilinda recalls that she would often take naps in the studio when they were recording Loveless and would do her vocal tracks soon after being awoken, which lends itself to her very tranquilized delivery in which I feel like I can picture the drowsy bags under her eyes in some of these songs. Likewise, most of this entire album is best appreciated in a half-awake mental state, even more so than other dream pop / shoegaze records.

"Loomer" is the dark underbelly of Loveless, like listening through the old floorboards of a basement ceiling to sounds of the band playing a live house show in the living room upstairs. It's a grainy, gloomy bed of sound that feels as though it could be physically slept on if desired.

I have no idea how many actual layers of track recordings went into the concoction of the heavily experimental "To Here Knows When", but it feels like hundreds. This song is a whirring helicopter blade of thousands of little sounds, scattering everywhere until it creates a thick, opaque, sparkling lilac mist that obscures the upbeat melody that's utterly buried in the fog of noisy drones and distortion. The mastering sounds as though you're listening to all of this happen through a small tubular opening in a giant glass wall, as if all of the tonal anarchy is happening from the other side, perhaps in another dimension. For a bonus observation, this one in particular sounds even more unreal and transcendental when you're tired as fuck on an early morning bus ride after a night of zero sleep (Don't ask me).

"When You Sleep" is probably My Bloody Valentine's most acclaimed and influential song. That de-tuned, icy, fluorescent glowing pop melody motif is seriously addictive, and it sounds almost deranged. The heavily compressed drumming provides the propulsion needed for a track that feels like its intensely vibrating every last quark of matter in its audible vicinity. I really have to remind myself that these crazy sounds are being made by guitars with effect pedals, and not with synthesizers (or, as the meme goes, vacuum cleaners).

The record really crunches in on those guitar textures with "Come In Alone" a track that you'll be hearing echoing in the back of your mind long after its finished (note: this record is NOT recommended to those especially prone to having tinnitus). This track is like all of the blood rushing to your head when you would hang upside down from the monkey bars as a kid. It feels intoxicating in the best way.

The band takes an unsuspecting turn for gut-punching emotions on "Sometimes", likely the only song with a more or less discernible lyrical theming on the record, about sharing intimacy with another person and the insurmountable fear of isolation from someone you love. The timbral effects are applied minimally on this song, but the dozens of recorded guitar tracks drone in a wondrous hum that resonates with the vibrations of a lonely soul. Usually, I'd say this is my favourite My Bloody Valentine song, though "To Here Knows When" and "Only Shallow" occasionally compete for the number 1 spot as well.

"Blown a Wish" is cool, dreamy shoegaze that fizzles and melts in your mouth like an ice cream soda. Pure pleasure is the best way I could describe its sensation, with all of its rippling, neck-tingling guitar effects that dance in and out of the foreground. Alternatively, this is like being high on helium and having so many butterflies in your stomach that you actually start to feel like you're levitating in a luscious trance. Delicious song.

The record closes with its poppiest and most accessible number "Soon", a mix of comparatively light shoegaze psychedelia and alternative dance beats that sounds enormously sexy. Evokes psychoactive substances, gently swaying hips, and grassy fields filled with buzzing fireflies. A very stylish way to end the record and solidify My Bloody Valentine's status as indie music legends.

What Came After That?

Loveless was a certified gold commercial success, about on par with the success of Ride's Going Blank Again, but it was also purportedly so expensive to make that it bankrupted the Creation Records label (serves you bastards right for making Oasis happen) and caused the band to be dropped.

I honestly kind of laugh to myself whenever I think of Alan McGee's pompous ass looking at the numbers and having a panic attack, almost as much as I laugh when I remember how Catherine Wheel gave him a big fat "NOPE!" to being signed after he pestered them. Have I mentioned I really don't like Creation Records ways of doing things?

*seething* ANYWAY, My Bloody Valentine basically disappeared for the rest of the 90s. Members moved on to different projects.

And then, after years of teasing a third record, the band's self-titled mbv was finally dropped in 2013. This one seems to divide fans a lot more than their other records; it wasn't as universally received as the Slowdive comeback record a few years later. This one is arguably more experimental than Loveless, and there's even a couple of tracks with some DnB influence. I think all things considered, it's a pretty great comeback record. I think many folks were probably expecting a Loveless 2, and it probably helps that I didn't even listen to this band before the new record came out, so I had no expectations built over years for this record.

There is allegedly a fourth record (and possibly fifth) LP in the works, but Shields has been teasing at it for years now, and its sort of becoming a running joke in the shoegaze community that we're gonna be waiting another five or ten years.

But hey, good work takes time. After making a record like Loveless, I personally think you've earned the right as an artist to afford yourself all the time in the world. I certainly wouldn't know how the hell to follow upon something that masterfully crafted, and some bands probably wouldn't even try to.

But besides all that, Loveless speaks for itself. It is a singular album experience. Nothing really sounds anything quite like it, to the point that newbies often getting into shoegaze for the first time with this record often lament the fact that the scene is not full of other records sounding just like this. It's for this reason precisely that, if you are totally new to shoegaze, I don't recommend this as a starting point. A lot of other great shoegaze records are unfairly compared to this record a whole fucking lot, and it can have a spoiling effect for some folks. But not every shoegaze band should sound like My Bloody Valentine, or have a Loveless in their discography.

But, at the same time, holy crap this is one of the coolest records of all time and if you haven't already heard it by now then you're doing yourself a huge disservice by not listening to this some time in the next week at the latest. Loveless is something that every fan of music should experience at least once, and there's only a handful of albums that I could confidently make that statement for.

So, yeah. Go listen. (✿ ᵔ ᴗ ᵔ )y

10/10

Highlights: "Sometimes", "To Here Knows When", "Only Shallow", "When You Sleep", "Blown A Wish", "Soon", "Come In Alone", "Loomer", "I Only Said"the

#my bloody valentine #loveless #shoegaze #noise pop #dream pop #kevin shields #debbie googe #bilinda butcher #colm o ciosoig #1991 #favourite albums #album review #music review #90s #indie rock #list #shoegaze classics

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lychens · 1 year

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Hi, the woman you posted about is unfortunately deleting all of the newest Google reviews. I left another one for now but your post may need signal boosting again

I didn't know you could just. Delete Google reviews when I posted that, so it's probably useless writing them. Here's some useful info to make a report though. I'm planning on writing my own to the BBB and AKC 🫡

https://yorkies-in-paradise.business.site/

You can find links to her other social media here including her AKC page and PuppyFind.

1st video evidence:

https://www.tiktok.com/t/ZT8Y3g5KL/

2nd:

https://www.tiktok.com/t/ZT8Y3GWEL/

3rd:

https://www.tiktok.com/t/ZT8Y3qeja/

Her name is Tracie Sorrentini, and she's located in Agoura Hills, Los Angeles county, Cali.

#animal abuse #replies

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kitweewoos · 1 year

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Who wants to hear the biggest bullshit I've ever experienced and how I narrowly avoided getting scammed out of thousands of dollars?

Buckle up, y'all!

If you've followed me for a bit, then you know I'm moving across the country to live with Alex this week, we're currently in Indiana on our way! However, yesterday my belongings were supposed to be picked up by the moving company. Well, no, they were supposed to be picked up Friday, that was the agreed pick up date but that day when I called they said that there was a two day window -- so they were supposed to arrive 2-4 but then they didn't even get there until almost 8 pm.

So, they were late and then they had the gall to tell me I had more items than they expected and that they hadn't allotted enough space based on my estimate, without even really looking at what I packed. I had told them exactly what I'm bringing and they'd underestimated the amount by 114 cubic feet (which is over $500 off). They said they could take what they could fit in the original estimate space, and anything else would have to stay, or I pay them an extra $1000. I said no, absolutely not, I don't have $1000. So, my sister, my step-dad, and Alex all went to bat for me over this while I'm having a panic attack in the passenger seat of my car. The customer service decided to condescend to not one but two of them by questioning their intelligence and asking if they know what an estimate is. Then, they said that I'd have to pay that day to get it moved, but I was never told I'd have to pay for it the day of pick-up. I said no, and to cancel it. Then the woman on the phone asked me if my dad could just pay it for me as if I'm not an entire adult.

Looking up the company afterwards, I found out that they do this often, and have plenty of complaints on BBB. I did do research beforehand, but if you look up their name "Allegiance Moving and Storage", what comes up is an entirely different company with great reviews, and I feel stupid for being fooled. They also have a tendency of charging people thousands before they will deliver, if they deliver it at all.

When I was setting up the service with them, they sent me agreements to read over and sign. Instead of being an attachment you could easily download and keep for your record, they were links that expired and can't be reached without contacting customer service. So, my stuff is in New York except for a couple bags of clothes and my laptop bag, I don't have a back up plan, and I'm probably not getting my deposit of almost $900 back.

So... Here I am again.

Paypal: kaytikazoo

Cashapp: $kitthekazoo

Patreon

Kofi

UPDATE 5/22/23:

I have booked a U-Box, and thankfully I can pay for it in little chunks, and it'll be just under $2000 for it to be dropped off, picked up, and shipped to our new place!

If you've got anything to spare, it will go straight to getting my balance with UHaul!

#life with kit #mutual aid #I was stupid and I'm embarrassed #but i need to get it out #okay to reblog #and reblog to spread

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tru-investments-real-estate · 9 days

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Are you tired of the stress and hassle of trying to sell your property through traditional methods? Do you want a fast, hassle-free solution that guarantees a fair and competitive cash offer for your property? If so, then look no further than TRU Investments Real Estate LLC!

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As a BBB accredited company, we have a proven track record of providing excellent service to our clients. Our team of experienced professionals will work with you every step of the way to ensure that the sale of your property is smooth and hassle-free. We pride ourselves on our transparency, honesty, and commitment to providing the best possible experience for our clients.

When you choose TRU Investments Real Estate LLC, you can expect a fair and competitive cash offer for your property, with no hidden fees or surprises. We buy properties in any condition, so you don't have to worry about expensive repairs or upgrades. And with our fast closing process, you can have cash in your hand in as little as seven days!

Don't let the stress and uncertainty of selling your property get you down. Contact TRU Investments Real Estate LLC today to learn more about our cash-for-property service. We're here to help you get the best possible outcome for the sale of your property, and we look forward to working with you soon.

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bills-bible-basics · 23 days

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Bill's Bible Basics Used to be Endtime Prophecy Net As some of my longtime friends will know, since about the middle of 2016, my online Christian ministry has been known as Bill's Bible Basics, and can be found at https://www.billkochman.com. However, what some of my newer friends probably do not know, is that prior to July of 2016, the BBB ministry was known as Endtime Prophecy Net. In fact, it was called by the latter name since the year 2000 when I first purchased the domain names endtimeprophecy. net and endtimeprophecy. org. Furthermore, it was during the early part of those sixteen years that I began to create the over 5,000 Bill's Bible Basics graphics which now populate many corners of the Internet, such as on eight of the major social networks. For reasons which I have explained before, in July of 2016, I took both www.endtimeprophecy. net and www.endtimeprophecy. org offline, and I replaced them with https://www.billkochman.com. It was the same content as before, but with a new ministry name, and a new website URL. While I took them offline at that time, I did not fully relinquish ownership of those two domain names until November of 2017 when my registration for them expired. So why am I sharing the previous information with you? Well, for several reasons. First of all, given the nature of the Internet, many of the original versions of my graphics are still floating around on the Internet. These original and older versions have the domain name www.endtimeprophecy. net on them. Since creating all of those original versions years ago, ALL of my graphics have been both enlarged, as well as updated and improved in quality, making them better than the originals. You will know if you are looking at a newer version of one of my graphics, because the domain name on it will be www.billkochman.com, and NOT www.endtimeprophecy. net. One reason why I am telling you this is because I really don't want anyone sharing the older versions of my graphics which have www.endtimeprophecy. net on them. One of the main reasons behind my making this request is the following: After I relinquished endtimeprophecy. net and endtimeprophecy. org back in 2016, some unscrupulous person -- who remains unknown to me -- purchased the endtimeprophecy. net domain name, and for years now they have been using the domain name to advertise a hotel chain. Obviously, it has absolutely nothing to do with our Christian faith. So what they are doing is both dishonest, as well as misleading. If you put www.endtimeprophecy. net in the location field of your web browser, you will be taken to a page which shows a very old -- and broken -- version of the Endtime Prophecy Net website. Of course, none of the links will work, because the site is dead, and the page is bogus. If you scroll down to the bottom of the page, you will see a pile of links for the aforementioned hotel chain. So as I said, that person is using my old domain name for dishonest and misleading purposes. They are using our faith, and my former website name and website URL as bait. Shame on them! For the record, a few years ago, I made efforts to get them to stop, but they refused to even communicate with me. Furthermore, I was unable to locate any information regarding the ISP they are using. So, it was basically a dead end, and they have continued with their scam. So that is why I am asking everyone to please NOT use or share any of my old graphics which have www.endtimeprophecy. net on them. Because if you do, you will be unintentionally leading people to that bogus website. Please direct all of your online friends to Bill's Bible Basics at https://www.billkochman.com instead. All of my original content -- articles and series, poetry, graphics, KJV Bible Verse Lists, etc. -- can be found there. Regarding the endtimeprophecy. org domain name, if you attempt to go there in your web browser, you will be taken to a page which contains a number of related links, and which will inform you that endtimeprophecy. org is for sale, and that it can be purchased via networksolutions. com. Let me also mention that over the years, certain dishonest individuals -- particularly on Facebook -- have stolen literally thousands of my images, altered them, and chopped them up. In particular, they intentionally remove my www.billkochman.com website URL from the graphics, and they place their own URL there instead, or something else. Again, this is shameful, and a poor Christian example. In conclusion, I hope you all continue to enjoy and are blessed and edified by the material which I freely share online via the Bill's Bible Basics website, the Bill's Bible Basics Blog, and on the various social networks. Thanks for taking the time to read this. I appreciate it. By the way, if you want to see a very early version of the Endtime Prophecy Net website, check out this link. You can tell how old it is by reading the descriptions for the EPN and EPO versions of the website near the bottom of the page. A 56K modem? Really? :) https://www.billkochman.com/Original-EPN.html https://www.billkochman.com/Blog/index.php/bills-bible-basics-used-to-be-endtime-prophecy-net/?feed_id=200924&Bill%27s%20Bible%20Basics%20Used%20to%20be%20Endtime%20Prophecy%20Net

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