#basically I wanted to go out to an lgbt meeting here in my city

[i-heart-ts-i-mean-tx]

Whenever gay Americans get angry abt what our government is doing to Palestinians, there's always someone who loves to be like "Who's gonna tell these dummies homosexuality is illegal in Gaza?"

That's crazy to me.

I'm a gay Texan in my mid 20s. When I was a little kid, homosexuality was illegal.** Here in Texas, where I lived and where I still happily live.

So (TW "war" crimes) I guess it would've been fair enough if the U.S. and Israel had bombed me and my family and neighbors, our houses and jobsites and whole communities, the girls I played with down the street, my baby brothers, the trans Texans who used to meet up downtown in the city, etc. -- If they had deliberately driven us out of our homes and forced us to live in terror every night and every day, maiming our children, burning our parents alive, cutting off our food and water, starving us and telling us point blank that we needed to be scrubbed off the face of the earth so they could take everything we have and not worry about keeping it.

I mean, damn I guess we would've had it coming. Homosexuality wasn't even legal, right? Sounds like a Texas problem. What do I care what the gov spends all that $$$$$ doing?

**Just to be clear, gay sex between men was a crime in Texas until 2003 (when I was definitely kicking around, painting my nails with red markers and eating bugs). If I wanted to see penalties that were exactly the same as (or often harsher than) what's been left on the books in Gaza (and sometimes ? enforced), I just have to go back one generation to my parents' lifetime, when men were getting 10 years in prison and, unlike in Palestine, police forces were setting up sting operations to actively crack down on the gay problem (again, smth that doesn't even happen in Gaza). This is not, like, a weird feature of some "foreign" culture to me, and it really shouldn't be for any American who isn't super young or who knows her history.

That doesn't make it right (at all), but you can't believe the lie that "these people aren't like you". That's actually insane. Pretending this has any relevance to the genocide that's happening other than to say that queer Palestinians are even more impacted by the genocide is crazy and disgusting.

I don't need to add this, but just for some perspective, Palestinians in the West Bank took their anti-gay laws off the books in the early 1950s, at the same time basically all U.S. states were creating new laws specifically targeting gay ppl and categorizing gay sex as a felony with harsh prison sentences. The laws in Gaza are definitely not good for gay and trans Gazans -- their protection isn't covered under the freedoms and human rights which are guaranteed by the Palestinian constitution, and stigma is very real. This is wrong, but obv genocide makes it a million times worse and is infinitely more horrible for all Palestinians, queer and straight.

Nobody living in the "Anglo-sphere" can even act like this is the product of some "weird foreign culture" -- these laws were imposed by the British Empire on occupied Palestine in the 1930s and then left on the books. Palestinians are not "the Other", and there's a good reason so many lgbt people see right through this bullshit.

We've seen the same politicians who weaponize "family values" condemn families to death to line their own pockets. We've heard "save the children" from people happy to condemn children to the horrors of genocide.

Even when bought-out politicians defend our gay rights, they'll still drop bombs on our mangled gay bodies.

[mike-wheeler-ik-what-you-are]

I fucking hate the patriarchy

[batmanisagatewaydrug]

im a trans boy who has grown up with very oppressive religious parents so ive never gotten the chance to experiment sexually or romantically with peers irl, im about to move to the city for college in the fall

(i will be living on campus with two roommates who i haven't met yet and i know basically nothing about, one of them i will be sharing a bunk bed with)

im really nervous about how im gonna do socially.. ive had a really hard time making and maintaining irl friends for like my entire life, which has been really upsetting for me obviously.

being able to experiment sexually is something im really wanting to do and im really really nervous about it, i know that the most straightforward advice is just "talk about it to people you wanna do sex stuff with" but like everything is new to me i havent had the chance to really socialize irl up until this point and now im being shoved into a group of other young adults who all have the prior experience of being well socialized and having complex interpersonal relationships with peers

i also feel extremely insecure about my lack of experience, like is it actually normal for someone my age to have never had a romantic or sexual encounter? are the things ive discovered and assumptions ive made about myself sexually through masturbating wrong?? i can't watch porn bc looking at strangers having sex grosses me out!! im pretty sure my front hole is like unnaturally tight?? anything wider than two of my fingers is uncomfortable and no matter how much prep and easing myself into it i do, it stays that way.. and i think my cervix is also lower than most, about 3-4 inches is the maximum that i can insert before i can feel it bump my cervix (which hurts REALLY BAD)

im just so nervous and scared about my own body and personality and all that andi don't know where to look for resources or reassurance. ive never been to the doctor for any kind of reproductive care and im really scared to!!! i live in a state that has completely outlawed abortion rights and im really scared that if i go to planned parenthood or something to get like a checkup that they will be mean and not gentle with me

i don't know, i guess im just looking to be heard and hopefully pointed towards some resources if anyone has any, thank you for the work you do and thank you for taking the time to read my panicked ramblings

hi anon,

there's a lot happening here so I'm just doing a numbered list

1.) man, how did the third guy luck out and avoid the bunk bed? you don't have to answer that, I'm just curious how you guys have already worked out that two of you are stuck with the bunk beds. unless you're into bunk beds (I was), in which case mazel tov.

2.) in the nicest way possible, I think you may be vastly overestimating how "well socialized" other students are going to be. reading between the lines a bit, it sounds like you were maybe home schooled, or at least don't have very much experience mingling with other people your age without adult supervision. I guarantee you every public school in the world is also full of introverted freak losers who rock up to college with no idea of what they're doing; I was one of them. the majority of first year college students are also running around panicking and trying to figure out how to be away from their parents for the first time; everyone is a loser and no one is cool.

would it comfort you at all to know that my day job is organizing events at my office's LGBT student resource center? I spend a lot of time hanging out with queer first year students, and I love them dearly, and they're all cringefail losers. it's unavoidable. every 18 year old is a cringefail loser. every single person on Earth looks back at their 18 year old self and goes "goddamn, what a cringefail loser." and it's fine! it's so normal! that's the entire point of your first year of college! you try things and you're socially awkward and you meet some of the most important people you will ever meet and you meet people whose opinions about you won't matter literally at all and you'll completely change how you think about everything for the rest of your life and you'll think you're going to die and everything will be fine!!!!

anyway moving on

3.) it's normal for anyone at any age to have never had a romantic or sexual encounter. I'm assuming you value my insight at least a little, since you sent this, so would it help you to know that I arrived at college as virginal as could be (wildly insecure about it, btw) and didn't have sex for the first time until I was almost 21? would it comfort you to hear from my housemate, also transmasculine, who gave me permission to share that they've never had sex and that none of their life problems really have anything to do with being a virgin?

4.) "are the things ive discovered and assumptions ive made about myself sexually through masturbating wrong??" hard to say, since I don't know what those things are, but probably not. it's extremely hard to get masturbating wrong, no one knows what feels good to you better than you. you're sort of an authority here. masturbating isn't exactly like partnered sex, of course, but it's a really good place to start learning about things that you like and make you feel good.

5.) everything you're describing about your front hole sounds very typical. two fingers is the max number of comfortable fingers for a lot of people, regardless of experience; often, taking something larger doesn't become easier until after having penetrative sex with a partner. average vaginal depth is about 3.6 inches, and while that can increase significantly with arousal, it's something that doesn't generally happen if you're not relaxed during sex. if I can be a bit presumptuous, it sounds like sex and masturbation are maybe a bit anxiety-inducing for you, in a way that is pretty much perfectly contradictory to comfortable penetration. if I can offer you some advice I wish I could give my younger self: calm the fuck down, buy some lube, stop worrying so much about making your body react the way you think it should and learn to appreciate what it's actually doing, and maybe see if your campus has some free therapy options available. anxiety meds probably wouldn't hurt this situation. also stop hitting your cervix if that hurts oh my god.

6.) Planned Parenthood is generally one of the best places to go if you're nervous; they're aggressively queer friendly and tend to be extremely accommodating of patients' needs. I personally do not care for penetration at all and have a difficult time with Pap smears, and every examiner I've ever had at PP has been an angel about letting me take breaks and swear my way through it. it ain't fun, but if you want to have an adventurous sex life you need to take care of the health of yourself and your prospective partners by getting STI tests and Pap smears.

you're so normal, calm down, I love you

[sparkedblaze]

*chanting quietly* modern au! modern au! modern au! modern au! (maybe some katherine stuff?)

I need everyone to remain calm as I try to work through these like 50+ asks (idk if there's actually 50, it just feels like a lot)

*

Kath in the modern au!!

I haven't thought much past the basics, so here have some stream of consciousness ideas that will come to me as I type (probably)

*

So, I don't know if/where/when I posted the basic stuff I had written for her, Sarah, Bill, and Darcy. So, here that is:

Katherine

Advocate within the gay community. They regularly picket and protest and refuse to back down even under threat of being canceled or arrested or their channels and socials being deleted. They. Don’t. Back. Down. Gay News: Joint youtube channel with Sarah, Bill, and Darcy. They each write on different news in the LGBT community, and essentially have a news cast (except it isn’t lame and boring like normal news channels. They make it fun and interesting) They do skits and challenges to deliver the news.

*

It started as just LGBT, but then it branches into more and more, because there's so much bad happening in the world, and it all needs to be talked about.

Katherine is the main point of contact if anyone wants to do like a partnership or anything, any kind of business transaction with the channel has to go through her first (it almost always goes through all four of them anyway, Katherine just likes knowing where and when everything is happening).

They start off just doing silly skits about some of the ridiculous things going on in their city. It soon expands to all of New York, then to the United States, and eventually they go international.

She, Sarah, Bill, and Darcy split the cost of rent for a two bedroom house. Could she, Bill, and Darcy have used their fathers' legacies (tbd, but they're still higher class and well off) to afford something bigger? Something flashy and telling? Yes, they could have. But, Katherine is the kind of person to want to make it on her own. She wants to blaze her own path through the world.

Katherine writes most of their stories and scripts. She's the one up late into the night at her desk with a tea (Sarah made her stop drinking coffee that late) typing away at her computer.

If you're curious, Bill and Darcy do their website and merch design (when they become popular enough for merch) and Sarah does their costuming.

Katherine meets Jack and The Gang™ when they're younger. Her father was doing some charity work at the biggest orphanage in the city, The Refuge. Katherine started writing about the experiences she'd hear from the kids. That's what made her a journalist. She would hear all these horror stories from the kids in there, and never saw anything done about it.

She was a part of their school paper with Bill and Darcy, and they became close. Even more so when Sarah and her brother joined. Sarah insisted it was because David needed extracurriculars and refused to come alone, and this was the only one they could agree on. She neglects to mention that she'd seen the redhead around and needed an excuse to talk to her.

They raise money for different things. If there's nothing big happening, they'll raise for the underfunded foster system. They raise for Palestine. They raise to help LGBT adults to move to safer states, and LGBT youths to have resources and travel to access those resources.

They have a segment at the end of every episode for happy news only. Their viewers send in some good news they got that week. About anything. Something as small as "I brushed my teeth today" or as big as "I came out to my family and it went really well"

*

This is all I can think of for now I hope you enjoy ily mwah

[fairycosmos]

I really want to meet gay people but I basically live in the country side and am disabled with no drivers license…… do you think it’s okay to just show up at a gay bar in a bigger city on your own? Like I have no social skills and am not a looker and I don’t want to hook up with people…. just you know make friends and build a community, so I don’t go crazy in this town because I always have to hide that part away and everyone here is homophobic but it’s not like I’m dating a woman so why do I care, if you know what I mean? Like they don’t know I’m bi, so ya know, and I’m still living at home, and I don’t want my parents to know because they’re very conservative etc. basically asking should I do the scary thing and go out of my comfort zone to meet people who are like me or just stay at home because I’m scared of embarrassing myself and getting rejected by an entire community because I’m too ugly? 😬

dude whatttt you should definitely go like there's literally nothing wrong with seeking community......ofc be safe and smart ab it and make sure youre looking after yourself though......i have this exact argument with myself every time i debate on going to the city to go to the gay bars and honestly what ive noticed is that i make all these excuses like oh pol r going to find me ugly / weird whatever so i feel valid in not going and like im somehow protecting myself when really all im doing is projecting my insecurities and missing out on potentially positive experiences and still despite knowing this i struggle very much to go still......and this isn't me saying it's not hard to find it in you to pursue and acknowledge and validate this aspect of your identity bc it issssss hard and scary and not straight forward. but i can absolutely promise you that a whole community of ppl is not going to feel the way you feel about yourself in your lowest moments. and honestly if you're not looking for a club setting or to hook up then just look for lgbt events and groups within that same city for a more casual approach at meeting like minded friends......whatever you need and want is OK. rooting for you! 💖

[uncloseted]

How can I start exploring my sexuality once I get out of a relationship with a man (I’m a woman btw)

I’ve always identified as bisexual and I look straight for the most part (I dress pretty feminine and nothing about me really screams gay). However, lately I’ve had suspicions that maybe I don’t really like men, but I want to gain some experience with women later once my boyfriend and I break up (that’s a whole other thing. we’re only together rn bc we’re in a lease). Anyway, how can I start looking / acting more gay? Where do I find other gay girls?? I’ve never even done anything to a girl sexually (they’ve done things to me but yeah). Please help

I think the best thing you can do is start spending time in queer spaces, either online or in person. How you do this will depend a bit on how old you are and where in the world you're located. If you have an LGBT+ center near you, that could be a good place to start. A lot of towns and cities have LGBT+ meetup groups or queer events that are open to everyone. A lot of campuses, both high school and college/university, will have LGBT+ organizations of some sort, so if you're in school, that's a great way to meet people. If the nearest city to you has a Pride parade, that's a great way to find out which organizations are active in your area and to meet some cool people. If your town/city has a regular midnight showing of Rocky Horror Picture Show or Hedwig and the Angry Inch, that's typically a great place to meet other queer people. You could get involved with LGBT+ volunteer organizations or outreach groups. If you happen to live near a lesbian bar (and are of legal drinking age), that's a perfect way to meet queer women, but they're few and far between these days. Basically, the more queer people you know, the more friendships you'll build organically, and the more likely it is that you'll find someone you might be interested in spending time with romantically or sexually. Having queer friends also makes it more likely that someone will introduce you to a person they think you'll like.

I wouldn't worry too much about "looking gay" or "acting gay". I know it can be tempting to try and signal to other people that you fit into their community, but in my view, coming out is a process of self-acceptance. And so I think that if you're trying to change yourself to seem gayer, that's kind of counterproductive to the goal of coming out, which is to live as authentically as you can. That's not to say that you shouldn't, like, buy a pair of Doc Martens or shave your head, but more just to say that your queerness is valid regardless of how you present yourself, and you don't need to fit yourself into a box of what a lesbian "looks like" or "acts like" in order to be accepted. When you're in community with people who share your same interests and experiences, they'll accept you as yourself, no changes needed.

If you are interested in jumping into dating right away, dating apps are probably the way to go. There's an app called Her that's specifically focused on WLW relationships, and I know some people who have had luck on Bumble and Hinge as well. There are some good guides to dating as a newly-out lesbian here, here, and here that I would check out. I think with apps, the most important thing is to be open and honest about where you are in your journey and what you're looking for. I think too often, people try to be as widely palatable as possible on dating apps, and then they end up being disappointed when what they want doesn't align with what the other person wants. If you're specific, you'll find someone who's on the same page as you, and it's less likely that you'll have a bad experience.

[beaversatemygrandma]

*screams in excited and also pretty damn terrified*

So. There's a Real Good Chance that I'm heading back to FL within the next month or so. Like, finally heading home, finally within range of friends, and FINALLY in a town I Know.

Though. There is the news coming out of FL every day. Like "desantis passes something that's essentially 'let LGBT+ people die'" or "medicaid denied for trans people" etc. So uh. We're staying in the closet a little longer after a sudden realization that i was in a location where queer people were actually visible and this city actually has one of the biggest pride celebrations in the country (the only redeeming quality here tbh) and has been since like the 60s. So. Be me. Visibly a little queer (sans tits, ignore them. they're the only way I'm going to be treated like a human down there allegedly). I own 2 total outfits that look even slightly feminine. Very masc. Nothing aligns with AGAB. God help me if i need an ambulance. *is trained to adamantly deny calling one*

All i know is that if i really do get to the point where i really do finally want to get on T, we ain't doing it there. Maybe when shit gets to the point where I'm like "aight, we moving to canada" that sounds more stable.

But AH. PEOPLE. FRIEND PEOPLE. I mean, I'm gonna have to text a good few, run my ass over to my old job and be like "heyyyy, you know me. hire me temporarily, please.", and then finally have friends within a reasonable distance too. And work people i knew.

Also, holy fuck, i was mentioning the guy I've been talking to to my mom today during this long ass call, and she seemed actually excited to meet him?? Like what. This is new. I mean, i did give her a way to connect with him and essentially a reason to start baking again. But wow. She actually now expects him to be around which will make it easier to just randomly have him show up, which will most definitely happen. Because yeah, these conversations and gaming together have definitely moved in a direction. It's not just flirting, not just random sexting. We're talking actual romantic intentions which is insane for me to even think about. Not to mention the awkwardness of me basically being like "yeah, done calling my mom now." moments after she was like "go on now, go talk to your boyfriend" with me reeling to that word, not thinking she had even said it because i Did Not introduce him as such. and then him immediately following up with that his mom did the same thing a couple months ago. And then neither of us even denying it at this point.

And then him telling me exactly what his mom said a little later on. Because apparently he was just like "yeah, I reconnected with somebody from high school after a long time, just been texting back and forth." and essentially dumbed the conversation down to his mom immediately saying: "marry her" only to have her point fully beaten in there by his initial reaction. This is fucking hilarious to me now, but like a few months ago, i would've just backed away a little bit. But for the first time ever, apparently there's that weird level of parental approval which i have never experienced before.

So that's a thing. Probably going to suddenly be an actual relationship once I have him around physically.

Ntm with earlier topic, a straight passing relationship. Adds a small barrier for just in case reasons. Hate that i even think that i need that, but you know. Fuckin FL. The land of Disney and hating anybody nonconforming.

[jokeson-u]

here is my rant/review on the movie bros so spoilers below the cut

look. i didnt hate it. it was funny. but most the laugh out loud funny parts were in the trailer, and werent as funny in the context of the actual scenes somehow. there were still definitely really funny moments outside of that but idk i was expecting more. also billy eichners character bobby was funny and all but god i hate people like that (which was awkward cus i have my sister next me whispering about how much she relates LMAO).

but in terms of my more serious issues with it.

1. there was several graphic sex scenes and i guess 1 was kinda of good to keep, but the others were sooo unnecessary imo. like 1 was funny ig but 1 was just like ... ok.. anyways.. and listen. listen. i understand especially from the opening scene and the rest of the movie basically that part of the point is gay people should havent to make themselves more palatable for straight society but my GOD i have never seen a straight romcom that explicit and idk about u guys but it seemed to be marketed as a more or less family friendly movie. like a take ur parents to it bc we're trying to normalize gay people in mainstream romcoms, ya know?? no. NO. do not bring ur parents. and i guess i sound like an asshole about that because yea queers shouldnt be marketable to hets but idk man.. its just so not a good introduction to normalizing big screen lgbtq+ movies like this bc as a queer person i was uncomfortable and id imagine the straights even more so and YES I KNOW WE SHOULDNT CARE but we cant be like 'see gay romcoms are for everyone!' and shove unnecessary and uncomfortably explicit sex scenes that dont belong in any movie esp one thats marketed the way it was.

2. i was actually sort of confused because i thought one of the main themes in the story was that the mc bobby was like. overly 'woke' i guess and really critical of everything, mostly from an lgbtq perspective. then there was the love interest aaron who thought bobby was really overly cynical. there was multiple instances in the movie where bobby would kind of ruin the mood by complaining about how something is homophobic in some way or another, and aaron or another character would kinda be like ..... and . i really thought one the things we were supposed to be following was how aaron helps bobby balance his views more. but. that never happens. like, we get more explanation on why bobby feels he has to be critical about stuff but like he just continues to basically be a buzzkill about shit and aaron just has to accept it and idk. i feel like the rest of the direction was really weird if the point wasnt bobby becoming a little more leveled??

3. ok so. this was one of my bigger issues i guess. i need to give some plot background: bobby and aaron agreed to 'not date' but basically end up dating for a while. aarons family comes to the city for christmas and bobby is gonna meet them and aaron asks him to just sort of be a little chill with them bc theyre accepting and all but yk. theyre his parent and bobby is really intense about stuff. bobby doesnt really take kindly to that even tho he acts to aaron like he gets it, and basically like. brings the family on a tour for the city and talks about the craziest shit like "oh this is where the first sex something something idk happened" "this is where the dyke march happened" stuff like that and aaron gets pissed at him and is like dude can u please just tone it down and bobbys like "what u want me to be less myself with them?" and aaron is like "?! kind of rn yes." and bobbys like ok fine. and they go to dinner and bobby gets into an argument with the mom who is a 2nd grade teacher about teaching lgbt stuff to kids that young and everytime they agree to disagree he keeps going and then goes on a tangent about sex positivity being important to children and how when he was a kid and his parents took him to some show where there was naked men and he literally just kept talking about their penises and how many penises he saw and oh my god. after the night ended aaron was pissed at him and bobby got so mad and was saying how aaron is just like everyone in his life whos tried to make him hide who he is and stuff. aaron tells him hes leaving to meet w a guy whos into him. bobby finds them making out which yes was wrong of aaron but technically they were both making a big deal from the get go that they werent relationship people and stuff. the rest of that half of the movie for aaron is basically having to make it up to bobby and apologize for making him hide himself??? and the only time bobby apologizes is after aaron has to again and again and says he felt bobby was talking about all that stuff to his parents on purpose and bobby said "i was. im sorry for that." THAT WAS HIS APOLOGY??? Im sorry but like yes be urself and if aaron loves how intense u are somehow great but theres a fucking time and place. dont fucking cross ur parnters boundries bc u didnt communicate ur issues with them, especially when it isnt that hard of a boundry to not cross. i just really disliked the framing of it. sorry but yea if my partner was really inappropriate or excessive about complaints about straight people and was meeting my parents i WOULD ask them to be chill and id fucking hope they wouldnt jeaprodize my relationship with either them or my parents by being like 'well i wanna say whatever i wanna say to anyone i want so i dont care if my partner is uncomfortable with these topics in front of this audience.' like even aarons brother finds out and is like dude u gotta make it up to him. what????? that shit really bothered me as someone who has been in scenarios similar to that with my friends

[ghostgothgeek]

Map of Amity Park

So I did a bunch of research and traced over the map the GIW had in DCMH and extended it to try and build a map of Amity Park. I also paid close attention to locations and places named in canon. I am by no means an artist, map maker, photoshop pro, or civil engineer; I just wanted a general reference map for the phandom to use. 

Here is where I place Amity Park. We know AP isn’t in Michigan or Wisconsin, but is most likely a day drive away from Madison (Bitter Reunions). AP is a decent sized city of itself, so I can see it being an outskirt of a large city like Chicago. Lancer mentions the Northwestern Testing, and Northwestern University is in Evanston, IL, which is why I placed it where it is.

LIST OF PLACES (in great detail): 

Every city needs it’s basic services: energy supply, water supply, sewage, and trash/recycling. These of course are located more on the edge of the city, as they need a large amount of space and are typically isolated.

I placed a local airport in the city as well. Typically you would fly out of one of Chicago’s airports anyway, but private planes (Vlad, Mansons, etc.) can take off and land here. 

University of Amity Park is located at the north side of the city, and is home to a Nasty Burger location, an LGBT Center, and is probably near a gas station. The blocks surrounding the campus are more student housing. 

Near the University, we have the Science Center, Axion Labs, a Mental Institute, and the Museum, as a lot of research from the University would go into those places. 

In the more isolated areas, we have the Penitentiary, the abandoned North Mercy Hospital, and the GIW Headquarters. 

The Zoo is located on the north side of the park and is also close to the University for research purposes.

The Observatory is also located in a more isolated area, so you can actually see the stars without a bunch of light pollution.

Going into the center of town, where most things are actually located:

A community college, which is near the internet cafe where Danny and Tucker play games, a gas station, a liquor store, a thrift shop, a Planned Parenthood, Java Jive (the coffee shop), a tech store, and a gym. 

We also have a shoe store, the hunting goods store and Guitar Palace that Skulker and Ember take over in Reign Storm, the U-Ship Box Store the Box Ghost takes over, a barber and a hardware store.

There is a hair salon, tanning salon, and nail salon, where Paulina frequents. There is also Elmer’s Pharmacy, a dentist office, a law office, the TV repair store, butcher shop, and pet store (which we see next to each other in an episode), a toy store, and a vet office.

Government buildings include City Hall, a public library, a court house, a DMV, a bus station (for all mass transit in the city), a community center (likely where town halls are located and other smaller events; Ida plays bingo here every week), and a retirement home. 

There is also the post office, Amity Park Fire Department, a bank, the 24K Jewelry shop, a nearby ice cream shop, and another Nasty Burger location (this is the one right by Casper High that the trio usually hangs at). Also an animal shelter, a grocery store, and a pizza joint.

Education: there is a preschool and daycare, the elementary school, a playground/park, the middle school (yes, a Beetlejuice reference), and Casper High. Casper High campus also has the track, a fieldhouse, and the football field. 

Moving towards Amity Park Mall:

Bucky’s Music Mega Store, an apartment complex, Amity Park Police Department, a bookstore, doctor clinic, gas station, a Denny’s (where Phight Club happens), Material Grill restaurant, the mini golf course and bowling alley, Freddy Fazbear’s (which is actually a horror video game, but here it’s a kids pizza place like Chuck E. Cheese), a furniture store, a party supply store, and the movie theater (which is Marmel’s Multiplex 22, Amity Park Multiplex, and Googolplex Cinemas...it seems that they go to the same movie theater throughout the series and the names just change, or these could also be other movie theaters in the area (like near the college campus). I just picked Multiplex 22 cause it sounded very mall-y).

Along the interstate, there’s a pawn shop, a publishing house (which somehow prints all 5 of Amity Park’s newspapers), a homeless shelter, the diner, Safe House Motel, a laundromat, the 89¢ Store (a nod to Fanning the Flames), and the car dealership.

Also near the mall is Amity Arena, which hosts concerts, sports events, and other large entertainment events. There is a hotel near both the arena and the hospital (the one that isn’t abandoned and haunted). Towards the outskirts of the hospital, there’s a trailer park; north a few blocks is the TV station, where News 4 is headquartered. There’s also a construction site near Amity Arena, but that kinda went out the window when Undergrowth hit. 

On the other side of town, we have:

A-Mart, a convenience store. I named it like this because it can be like an offshoot of KMart, but A for Amity! 

Floody Waters, right off the interstate.

North of Floody Waters, East of Casper High, we have the main residences: the Foley household and only a couple blocks away is Fenton Works. 

There’s also another gas station and the Amity Park Radio Station nearby. There’s also a private school near ultra posh Polter Heights, but the A-Listers attend Casper High because the private school doesn’t have a football or cheerleading team.

Moving into Polter Heights and the surrounding area:

The Polter Heights Golf Course and Country Club are exclusive to those in the neighborhood, as well as their private neighborhood pool; members only. 

The Mayor’s Mansion (eventually Vlad’s) is located in here too.

All of the A-Listers’ houses are of course in this neighborhood, as well as Val’s previous residence and the Fenton’s temporary mansion from Living Large (which is of course right next door to Vlad, but with some distance, because the rich are always socially distancing with their big houses).

Polter Heights is adjacent to a bunch of farmland (this is the midwest, we like cows and stuff), and there is a church close by as well.

Just outside Polter Heights is the Manson Mansion (with Sam’s greenhouse). Lucky for Sam, the Skulk and Lurk Books and an occult shop are just down the street. The Manson residence is also near a funeral home and graveyard (how did Sam get so lucky? Oh, because I love her), a synagogue, Mario’s restaurant, and a dry cleaners. 

We get more spacious as we get away from the center of town! 

Along the shore of Lake Eerie, there are the docks which are home to many warehouses, including the mattress factory.

Also along the shoreline, there is a pier which doubles as an amusement park (think kinda like Navy Pier in Chicago in comparison) and alongside the pier is the public beach area. 

Camp Skull and Crossbones is located on the other side of Lake Eerie, and the fishing area is more on the north side of the lake. Lake Eerie is not one of the Great Lakes, it’s just its own thing in Amity Park. 

Back towards the park, we have event grounds space, which is where Circus Gothica is located, as well as the Meet Swap and flea market. Basically whatever rotating event hits town, it comes right here. Just next door is a theatre (for music, opera, Broadway, etc.). There is also the third and final Nasty Burger location in AP.

This is all surrounding the actual park Amity Park, which has a pond, a big fountain, and also hosts that really big hill that overlooks City Hall.

On the south side, across the bridge and over the interstate is Elmerton, where Val currently is resided. 

All the other blocks are filled with more office buildings, apartment complexes, houses, and businesses, but all of the main places are already listed and placed. 

Finally, yes, I did name some places for myself and my friends because they’re great and they deserve it. These include Steph’s (mine) Occult Shoppe, Nick’s Liquor Emporium (@ecto-american), Lexx R Us Toystore (@lexosaurus and appropriately named after the Lexxpocalypse), Laz’s Law Offices LLC (@kinglazrus), Dee’s Dentistry (@qlinq-qhost​), Lily’s Looks Thrift Store (@dannyphantomisameme​), Ceci’s Funeral Home (@ceciliaspen​), Vic’s Amusement Park (@babypop-phantom​), and Reverie Books (@wastefulreverie​). 

[peachscribe]

peach’s summer book list

i had a lot of fun compiling the list of books i read during the 20-21 winter, so i decided i would do a summer one as well! i still have a lot of books i own but haven’t read, so im definitely not lacking in material

if you didn’t see my winter list, how my book list works is basically like this: i read a book that i own but have not previously read, write a short summary immediately after finishing the book, write down my thoughts on the book, and then provide a rating for the book. i also might include background info on why i read this particular book/feelings about the author, but that depends on the book. that’s how each entry works

without further ado, let’s get started!

1. Grasshopper Jungle by Andrew Smith

okay so i absolutely adore another book by andrew smith (written after grasshopper jungle) called the alex crow. it’s one of my favorite books of all time, so naturally i wanted to see if grasshopper jungle would make me feel similarly. just like the alex crow, grasshopper jungle’s plot is. so fucking weird. it stars austin szerba, a teenage polish kid who lives in ealing, iowa, and is often sexually confused regarding his girlfriend shann and his best friend robby. and in ealing, iowa, austin and robby accidentally and unknowingly unleash an unstoppable army of huge six-foot-tall praying mantis bugs that only want to do two things: fuck and eat. and i just have to say: andrew smith’s got an absolutely dynamo writing style. alex crow is similar, where it’s a book about kind of everything all at once, framed in a moment centering around teenage boys. it’s fantastic, and it’s more than a little gross, and i love it. this book made me feel so many things, and i thought austin was such an amazing narrator and main character to identify with. this book has it all: shitty teenage boy humor, fucked up science experiments, and poetic imagery that will make you want to cry. and explicit lgbt characters.

412/10 andrew smith what do you put in your water i just want to know

2. Burn by Patrick Ness

patrick ness has written a plethora of some of my favorite books (such as a monster calls, the chaos walking trilogy, and the rest of us just live here) so when i saw this one in the store i knew it would be a great one. burn is an alternate history fantasy that takes place in 1957 frome, washington, during the height of the cold war, and it begins with a girl named sarah and her father hiring a dragon to help out on their farm. but there’s not just dragons, farm living, and cold war tensions; there’s also a really shitty small town cop, a cult of dragon worshippers and their deadly teenage assassin, a pair of fbi agents, and a prophecy that sarah’s newly hired dragon claims she’s a part of. i think eoin colfer’s highfire was on my winter list, which also featured a story that included dragons and shitty cops, so when i first began burn i thought it was funny to have two books that had both things. you know, if you had a nickel etc etc. but that’s really where the similarities end because burn is entirely it’s own monster (dragon). burn is entirely invested in its world, and its fascinating. not only that, i had no clue where the book would take me next. there were so many surprises and amazing twists that honestly just blew me away. this book also includes beautifully written complicated discussions on family, race, and love - it features interracial and queer romances as the two most prominent romance plots which was such a nice surprise from a book i wasn’t expecting to have that kind of representation. this book is witty, fast-paced, and a very heartening read - i absolutely adored it.

9/10 dragons and becoming motivated by the power of love and friendship are so fucking cool

3. As Meat Loves Salt by Maria McCann

i hate this book! as meat loves salt is a historical fiction novel which takes place in seventeenth century england, which is going through a grisly civil war. the protagonist, jacob cullen, is a servant for a wealthy household and is engaged to another servant in the house. but due to certain events that are almost entirely jacob’s fault, he flees the house and is separated from his wife. from there, he joins the royal army and meets a kind soldier, ferris, and the two become fast friends. jacob and ferris’s relationship begins to bridge past friendly, and jacob struggles with his homoerotic feelings as well as the growing obsession and violence inside him. also, they try to start a colony. listen, i don’t know how to describe the book because so much happens, but it basically just follows jacob and all the terrible decisions he makes because he is, truly, a terrible person. ferris is kind and good, and jacob is scum of the earth. he sucks so bad. the entire time i was reading this book (which took absolutely so long), all i wanted was for jacob to just get his ass handed to him. i wanted to see him suffer. and it’s not like i just personally don’t like him - i believe the book purposefully depicts him as unsympathetic even though he is the narrator. i did enjoy the very in depth and accurate portrayal of what life would’ve been like in seventeenth century england, and i think it was interesting to read a character that is just the absolute worst person you’ve ever encountered and see him try and justify his actions, so if you enjoy that kind of thorough writing, then this book would be perfect for you. however, i did not see that bitch ass motherfucker jacob cullen suffer enough. i’d kill him with my bare hands.

2/10 diversity win! the worst man on earth is mlm!

4. This Savage Song by Victoria Schwab

i know ive had a friend tell me how great one of schwab’s other book series is, but truthfully i bought this book because the cover is sick as hell and it was on a table in the store that advertised for buy two get one free, i think. something like that. anyway, this savage song takes place in a future in which monsters, for whatever reason, suddenly became real and out for blood in a mysterious event nicknamed the phenomenon. august flynn is one of these monsters, but he takes no pride in that fact and only wants to feel human. kate harker is the daughter of a ruthless man and is trying her hardest to be ruthless, too, but deep down she knows it’s just an act. their city, verity, stands divided, and kate and august stand on either side - but when august is sent on a mission to befriend kate in the hopes of stopping an all out war, the lines begin to blur. this book rules. august and kate are such interesting and dynamic characters, and the narrative is familiar while still being capable of twisting the story around and taking the feet out from under you in really compelling ways. this savage song is part of the monsters of verity duology, and i can’t wait to dive into how the story continues and finishes.

11/10 sometimes you can judge a book by it’s cover

4a. Our Dark Duet by Victorian Schwab

this is the sequel and finale for this savage song and i’d figure i’d update everyone: fantastic ending, beautiful, showstopping, painful.

12/10 loved it and will definitely be keeping an eye out for schwab’s other books

5. White is for Witching by Helen Oyeyemi

oh boy. okay. white is for witching is about a house, and it is about the women who have lived inside of it. when her mother dies abroad, miranda silver begins to act strangely, and there’s nothing her father or her twin brother seem to be able to do about it. she develops an eating disorder and begins to hear voices in the silver family house, converted to a bed and breakfast by miranda’s dad; and she begins to lose herself in the house and the persistent presence of her family legacy. white is for witching switches perspective dizzingly and disorientingly between miranda, her twin eliot, miranda’s friend from school named ore, and the house itself. this story is a horror story as much as it as a tragedy as much as it is a romance as much as it is a bunch of other things. oyeyemi brings race, sexuality, nationality, and family into this story and forces you not to look away. this book is poetry.

(like i mentioned briefly, this book heavily deals with topics of race and closely follows miranda’s eating disorder. read responsibly, and take care of yourselves)

15/10 this book consumed me and i think i’ll have to read it another 10 more times to feel it properly

6. These Violent Delights by Chloe Gong

okay. okay. strap in for a ride. these violent delights is a romeo and juliet style story, taking place in glittering 1920’s shanghai. the city stands divided - not only between the foreign powers encroaching on chinese land, but also between the scarlet gang and the white flowers, who are at the height of a generations-long blood feud. juliette cai, heir to the scarlets, has recently returned from four years abroad and is determined to prove herself ruthless enough to lead. roma montagov, heir to the white flowers, is standing strenuously on his place as next in line due to a slip up four years prior and is desperate to keep hold of his title. and in the midst of juliette and roma’s burning history with each other threatening to combust, an unnatural monster lurks in the waters of shanghai, loosing a madness on scarlets and white flowers alike. this book has it all - scorned ex lovers, political intrigue, deadly monsters, and all set on a glamorous backdrop of the roaring twenties. i absolutely was enraptured by this book and the way it plays around the story of romeo and juliet so well that it easily became it’s own monster, but with the punches and embraces of something classically shakespearan. gong does just an absolutely breathtaking job of fitting this fantastical story amid the larger world of shanghai and the real life historical events that had shaken the city to its core. completely immersive and outstandingly heart racing.

17/10 i was chewing on my fingernails for the last thirty pages and will continue to do so until the sequel is released (our violent ends, 16 nov 21)

7. The Antiques by Kris D’Agostino

you ever heard of the american dysfunctional family story? this is most definitely that. at the same time george westfall’s cancer takes a turn for the worse, a hurricane hits the east coast, and suddenly all at once the issues of his health, the hurricane, and all three of his children’s achingly dysfunctional adult lives are crashing into each other. reunited by george’s death, the westfall siblings have to face their grief, each other, and the problems in their own lives they attempted to put on hold while planning their father’s memorial. this is a nice story about grief and loss and love and somehow finding the humor amidst it all.

(this book does include a depiction of an autistic child who does experience several pretty bad meltdowns due to ignorant people around him not understanding how to cater to his needs. im not an authority on what depictions are or are not harmful, but i do believe this depiction is ultimately loving and well-intended.)

7/10 it made me laugh and cry and was generally one of those books that somehow hit you close to home

8. Fierce Fairytales by Nikita Gill

fierce fairytales is a poetry anthology that reimagines classic fairytales from a modern, feminist viewpoint, acknowledging that the line between hero and villain, monster and damsel, are not as clear cut as the classics try to make you believe. this book also includes illustrations done by the author herself, which i think is really cool. my personal favorite story reimagining was the story of peter pan and captain hook, called ‘boy lost’ which looked at how peter and hook’s relationship began and rotted. all in all, i think this collection of stories had a lot of important things to say and said them in frank, easy to understand poetry and prose.

7/10 beautiful message and pretty prose, but at times a little cliche

and that’s all from the summer! my fall semester starts tomorrow, and overall i feel very good about all the reading i did this summer. i even read four other books not on this list for work! so i definitely feel like i made the most out of my time, and im really glad i was able to read so many stories that made me feel a variety of different things

thanks so much for reading this list, and let me know if you read or have read any of these books and tell me what you think of them!

happy reading<3

[transsexualhamlet]

Because you have many lgbtq+ Ships, do you maybe know some mangas with actually lgbtq characters?

Yes, I do! There aren't a ton that suit my tastes out there, since a lot of manga that are actually lgbt are just focused on romance, which is very boring to me. But for questions like this, I always recommend No. 6.

I've done it more than a few times on this blog before, but I will do it again lmao.

It's older, the anime came out in 2013, but it's actually one of the first animes to feature a same-sex kiss. It's based off a manga which is based off a light novel. I'd say the manga has a FAR superior art style to the anime, but the anime is also very good and has wonderful colors, soundtrack, and generally it's just. It's really good.

It's set in a post-apocalyptic dystopia, about 100 years after nuclear war left only six spots on earth habitable. Leading scientists and politicians then decided to build six huge cities on those spots, burning down all the original forests and literally killing all of the natives, yknow, great stuff /s. They continue to be awful to the native population, experimenting on them to get the Magic From The Region etc it's pretty awful.

So the story is set in + around the 6th city. The main character, Shion, lived a rather priveleged life inside its Heavily Policed walls labeled as a gifted student until at 12 he meets Nezumi (literally Rat) who basically climbs in his window with a bullet wound and goes "hey yall just escaped from being experimented on let me sleep here or i'll kill you" and shion just goes "HOT" and lets him have a sleepover. Nezumi than Completely And Utterly Radicalizes him but has to flee the next morning.

The police find out about this, don't like it, he gets kicked out of the rich neighborhood and designated to trash duty lol. Yeah also then four years later parasitic bees start coming out of nowhere, (yeah) and Nezumi comes back gayer than ever and starts beating the shit out of police officers and yeets Shion. They become gay. Shion starts a life of crime. It is wonderful.

That's like, kind of a bad synopsis of everything that's going on in this show, here's some other points you might want to know:

-Nezumi literally does drag and I love that for him

-best dynamic aka aggressive one gets soft and soft one gets aggressive

-they have the cutest scene where Nezumi and Shion dance together it's so pretty and the music is so good

-obligatory character goes through traumatic event and comes out with white hair moment

-Shion has a GirlBestFriend who keeps trying to flirt with him and he's sooooo gay and she sooo does not get it

-um, the power of singing to bees i guess

-They have a really cool girl who's implied to be trans too so there's that, I love her so much

-there's a lot of lore that goes into this one, seriously it's so good and has all the right messages about stuff, yknow, it is a sci-fi fantasy and you have to take that into consideration but it genuinely talks about class stratification, mass incarceration, policing, government taking advantage of native lands and peoples, a lot of that heavy stuff

In general, it's kind of supposed to be a cute aesthetic show but it kind of went overboard with all the symbolism and like, as they should!

[image description: first image is the cover of the light novel No. 6, displaying two boys standing against a dystopian city surrounded by a giant wall. The boy in the background is light skinned and tall with a blue ponytail, a tattered cloak and leather jacket. The boy in the front is shorter, has pale skin and red eyes, white hair and a red stripe winding around his neck and face. He is wearing a long jacket. Second image is the cover for the second volume of the manga with the same two boys in a manga art style with a beehive looking building transparent in the background. End image id]

:)

[adamarks]

If one more person says simon snow should lose his wings i’m gonna lose my goddamn mind: a meta

Alright you guys, I’ve had ENOUGH. Simon cannot lose his wings unless you want him to break up with Baz, and this is why.

Let’s start with Baz.

This analysis is obviously Simon-based, and yes i’ll get there, but first we need to look at the biggest key we’ve been given to what Simon’s wings could possibly mean subtextually and metaphorically for the story at large. That key is: Baz’s vampirism. 

Baz being a vampire is constantly compared to/mentioned in tandem with his queerness in Carry On. In his first chapters, what are the three most important traits that we learn about him? 

he’s a drama queen

he’s a vampire

he’s hopelessly in love with simon snow

If you boil his character down until he’s basically just a stick figure, that’s what he is: an over dramatic vampire in love with Simon Snow.

We’ve all read the books, we all know this, and we all know he’s much more than that. What of it?

What’s important is that Baz’s vampirism is treated almost the exact same as his homosexuality. 

Hiding it from everyone, being ashamed of it, knowing what you are but being terrified of it. His dad being “definitely more disappointed in my queerness than my undeadness.” 

I mean, holy shit, let’s look at this bit in Carry on from Chapter 51:

“I think if I got married, to a girl from a good family, my father wouldn’t even care that I’m queer. “

This scene really hits, because how many times have you wondered “What if I was straight? Maybe this thing wouldn’t be as bad?” “What if i was just a straight poc?” “What if I was only gay and not trans?” “What if I was only disabled and not gay on top of it?” What if, what if, what if. Would my life be easier? you wonder. Would I get hurt less? Would people treat me better?

If Carry On is about self-realization, then Wayward Son is about the struggle of self-acceptance. 

Baz going to Las Vegas and meeting Lamb probably seemed familiar for some of you people that are LGBT+. It’s how you feel when you’re from a small town and you go to a big city like New York or Orlando or LA for the first time and you see gay people all around you. Flamboyantly gay! Gay people holding hands! Gay people kissing! Trans people that don’t fit the gender norms! Older trans ladies just walking down the street!

It’s exciting, it’s exhilarating. Your baby-gay brain is so confused because no one’s giving them dirty looks. They don’t look nervous or ashamed. Is this allowed?

The party in the penthouse is glamorous and beautiful and alluring and none of the humans there are scared or look like they’re in real danger. It’s because they aren’t. None of those vampires are there to kill people. 

This is where Baz’s fear of his own nature comes in. Let’s hear it for all you homosexuals in the crowd that are/have been terrified of being predatory. Of turning the gender you’ve been told all of your life you’re not supposed to want into pieces of meat. You feel ashamed for wanting physical intimacy. You feel wrong for wanting emotional intimacy. 

Lamb is the older gay that you meet/learn about/watch on youtube or whatever that makes you learn that no, you’re not inherently evil. Lamb is the queer history, the queer movies, the queer people that you discover that make you learn that “no, i’m not bad. I’m not broken. I’m beautiful. I’m beautiful.” 

Baz thinking the sight of Lamb drinking that guy’s blood being alluring and beautiful is crucial to his arc. Baz needs to see that all of him is beautiful. 

So homosexuality = Baz being a vampire? How in the flying fuck does this have anything to do with Simon?

Remember, Baz is our key. His struggles have been happening since book one. Simon just gained his “creature” status at the end of Carry On. He’s new to this. Which means we’re new to the subtext. Which means: let’s dive on into the next big point.

Our Big Bisexual Boy

Whatever label you choose to use for Simon is up to you. As long as we all agree he likes more than one gender then it’s whatevs. I’m going to be using the word bisexual for this meta, though. 

We’re all well aware that Simon is Struggling with his bisexuality in this book. 

“I still haven’t sorted out whether I’m still attracted to women or whether I ever was, or whether I’m some kind of Baz-only-sexual. But the cleavage at this place is abundant, and I’m not mad about it.”

(taken from chapter 21) 

Like....... y’know. We know. It’s... we get it. 

The important part of that quote is that it’s at the Ren Faire. The Ren Faire is the first time Simon’s had his wings out in public since god-knows-when, if ever. This is also the first time he really considers kissing Baz in the book. Kissing Baz in Public.

Any of you that have been to Pride probably got a little bit of the warm fuzzies during this scene. The faire brought back such deep memories of my first pride it was a little bit emotional. I talked to random people, people ran around in rainbow outfits. There was body paint! Stupid hats! Weird dye jobs! The classic pride-flag-as-a-cape look! I talked to so many people and 

“Everyone here is so friendly.”

(also taken from chapter 21)

Everyone was so nice to me.

Baz feels right at home; Simon is all smiles. The only one not having a blast is Penny and she’s (I’m sorry, Penny) the token straight friend in these books. 

I don’t know how Rainbow did it, but she made me relive my first pride through Simon, and I’ll never not be grateful for that. 

“Today I’m someone else entirely. Today I’m just a bloke with fake red wings.”

The Pride/Ren Faire parallels were pretty obvious, but I wanna get a little further into the whole “wings = being bisexual” thing. 

We’ve established with Baz that being a magical creature or whatnot is Gay, but while Baz is fully magical, Simon’s “half-normal.” Kind of. It’s a weird situation there but half-normal works for the argument. 

“’Smells like dragon... but also smells like iron. Another abomination!’” 

(chapter 35)

Now the word “abomination” is really fucking unfortunate in this context, but biphobia exists so idk man. I’m gonna start talking in gay/straight terms and I absolutely know bisexuality isn’t half-gay half-straight but we’re talking in metaphors and i’ll tie it together at the end so just stick with me, okay?

He’s part dragon, part Normal (kind of). Simon’s not like Baz where he’s absolutely, 100% a vampire. He has traits of dragons and humans. This is why it’s so bad that he hates his wings half the time. They are part of him. They may not be “normal” and he may have to hide them, but he can’t just cut off the gay part. Our queerness doesn’t define us, but it’s a defining feature. 

Penny says she wouldn’t be her if she wasn’t a mage. Simon wouldn’t be Simon if he wasn’t bi. 

The mistake Simon and almost everyone else makes during this book is that they think of his wings as these separate entities. There is no gay part and straight part of Simon Snow. All of him is Simon. From the tips of his toes to the tops of his wings, all of him is Simon. He might’ve discovered this part of himself during a tragic point in his life, but that doesn’t mean it has to be something bad. It doesn’t have to be something tainted. 

Sometimes you discover things about yourself during the hardest moments of your life. When you’re already down in the dirt, beaten and bruised, sometimes a mirror is put in front of you and you realize something. You realize you’re trans. You realize you’re gay. And sometimes you resent those realizations because they came to you at the worst possible time. “This is just one more thing on my plate,” you think. 

This series is about reclaiming the things that where taken from you by the ones that hurt you. 

Simon’s going to have to learn to love his wings, because even though they remind him of something that hurts-- hurts more than anything-- they’re part of him. They are him, as much as the rest of his body is. Simon’s going to have to forgive himself, and learn to love himself for all that he is. 

Because all that he is is beautiful. 

We all know it; it’s time for him to understand that.

All right, bitches. Let’s get to the bit we all REALLY care about. this is the one that really fucks me up my dudes. Because it’s Brutal. But anyways here we go.

His wings are the Big Baz Love 

What are the two things that Simon’s  considering cutting off in this book?

“That’s what I’m going to say when I break up with Baz.”

“Dr. Wellbelove said he could remove the wings. And the tail. Whenever I’m ready.”

(Chapter 2, Epilogue)

Yikes!

My guys..... Simon and Baz don’t kiss unless Simon’s wings are out.

I truly do not understand how some of you are out here saying Simon’s gonna lose his wings I really don’t. It’s stressful. I’m stressed. Ms. Rainbow Rowell, you have me stressed. 

His Wings! Are! His Love!

On Love’s Light Wings!

Goatman dances his nasty little fingers all over the bridge that is Baz’s ass? Wings out, uses his tail to help kill the guy. Lamb is hitting on Baz too much? 

“’Spell my wings off.’”

(Chapter 45)

In the airport, when a lady is giving them the “don’t be gay” stink eye he immediately checks to make sure his tail is hidden. 

Baz can’t spell his wings off, guys. 

Baz can’t spell his wings away.

“’Snow needs you to cast your angel spell on him. I hid his wings for breakfast, but they’re still there.’��

(Chapter 19)

In Chapter 41, the biggest kiss scene we get, Simon wraps his wings around Baz to hold him. He’s embracing him in his love guys. Guys. 

Have you people noticed how i’m suddenly less articulate? It’s because i’m in crisis. Set me on fire I wouldn’t notice. I’ve been living with this terrible knowledge.

The first scene we finally see them kiss is after the scene at the Ren Faire when Simon’s wings are finally out and he finally got to fly.

“Simon catches up with me and traps me against the car. He’s kissing me before I see it coming.” 

Simon is so dtf in this scene Penny throws a water bottle at them, and it hits him in the wing. 

“’So hot,’ Simon Says. ‘Got to see you fight without picking a fight with you myself.’

Bunce throws a plastic bottle over my shoulder, and it smacks Simon in the wing.”

(Chapter 22)

She had to smack him right in the love for him to calm down, my dudes, my guys. Do you realize how hard it was for me to annotate this goddamn book with this knowledge? Every. Single. Time. Simon stretches a wing or flaps them around it’s about Baz. It gets to the point where you have to put the book down or you’re gonna explode. 

Simon’s wings are always out around Lamb. He’s jealous as hell and he hates that motherfucker’s guts. The only real injuries Simon sustains in this book are to his wings and they’re almost always when Baz gets hurt too. 

When did Simon get his wings? Only a day after he first kissed Baz.

Simon’s love for Baz is so big and so obnoxious he can’t hide it. His wings and tail have spikes, because that’s all Simon knows. He’s rough around the edges, he’s been hurt, he’s been used.

He’s never been in love before.

His love is spiky; it’s loud. It’s hotrod red and you can’t miss it when it’s out. Baz can’t see it, because Simon’s tucked it away. He hasn’t flown with it. He hasn’t wrapped it around Baz in so long. He doesn’t know how to handle a love this big, where to put it, when to unfurl it. 

Simon gets jealous. He gets scared. He’s insecure. He wants so dearly to finally give to someone instead of feeling like he’s just giving in. Like he’s still just taking from Baz.

What do you do with wings? 

How do you find somewhere safe to fly?

The Resolution.

I said earlier that if Carry On is a story of self-discovery, Wayward Son is a story of self-acceptance.

Simon has to love himself, and learn that his love for Baz is a good thing. As he accepts himself (and his dragon powers evolve go read my dragon simon meta it’s good.) he’s going to start to shine. 

This is a story being told to us with nothing but love. This is a story about a boy that’s his own worst enemy-- as all of us often are. It’s so scary to accept our wings. It’s so scary to accept our fangs. Especially when they’ve come out of such a hideous occurrence. 

We need to accept these dark times and acknowledge that maybe, just maybe, we were made more beautiful because of them. Maybe the light we give after we’ve been in darkness is more vibrant, because we know how scary the dark is. The things that happened to us were horrible, and hideous, and terrifying, but we aren’t. We’re different from how we were before, but we’re still beautiful. 

Simon Snow is going to accept himself.

Simon Snow is going to accept his past.

Simon Snow is going to finally, finally tell Baz he loves him.

And for the first time, Simon Snow is going to see that he’s beautiful.

If you’ve liked this meta you should also check out this one where i explain how they’re finally gonna get their relationship together. Also the one about the scarf

Special thank you to @singerofsimplesongs for listening to me howl and screech about this damn thing. 

Tagging some people that might be interested!

@neck-mole @watfordwallflower @carrybits @theflyingpeach @fight-surrender @shitty-posty-times @wisest-girl @slaying-fictional-dragons @gucciglitzy

[cruisingthedemimonde]

America’s Gay Men in WW2

World War Two was a “National Coming Out” for queer Americans.

I don’t think any other event in history changed the lives of so many of us since Rome became Christian. 

For European queers the war brought tragedy.

The queer movement began in Germany in the 1860s when trans activist Karl Ulrichs spoke before the courts to repeal Anti-Sodomy laws. From his first act of bravery the movement grew and by the 1920s Berlin had more gay bars than Manhattan did in the 1980s. Magnus Hirschfeld’s “Scientific Humanitarian Committee” fought valiantly in politics for LGBT rights and performed the first gender affirmation surgeries. They were a century ahead of the rest of the world.

The Nazis made Hirschfeld - Socialist, Homosexual and Jew - public enemy number one.

The famous image of the Nazis burning books? Those were the books of the Scientific Humanitarian Committee. Case studies of the first openly queer Europeans, histories, diaries - the first treasure trove of our history was destroyed that day.

100,000 of us were charged with felonies. As many as 15,000 were sent to the camps, about 60% were murdered.

But in America the war brought liberation.

In a country where most people never even heard the word “homosexual” , historian John D’emilio wrote the war was “conducive both to the articulation of  a homosexual identity and to the more rapid evolution of a gay subculture. (24)” The war years were “a Watershed (Eaklor 68)”

Now before we begin I need to give a caveat. The focus of this first post is not lesbians, transfolk or others in our community. Those stories have additional complexity the story of cisgender homosexual men does not. Starting with gay men lets me begin in the simplest way I can, in subsequent posts I’ll look at the rest of our community.

Twilight Aristocracy: Being Queer Before the War

I want us to go back in time and imagine the life of the typical queer American before the war. Odds are you lived on a farm and simply accepted the basic fact that you would marry and raise children as surely as you were born or would die. You would have never seen someone Out or Proud. If you did see your sexuality or gender in contrary ways you had no words to express it, odds are even your doctor had never heard the term “Homosexual. In your mind it was just a quirk, without a name or possible expression.

In the city the “Twilight Aristocracy” lived hidden, on the margins and exposed their queerness only in the most coded ways. Gay men “Dropping pins” with a handkerchief in a specific pocket. Butch women with key chains heavy enough to show she didn’t need a man to carry anything for her. A secret language of “Jockers” and “Nances” “Playing Checkers” during a night out. There is a really good article on the queer vernacular here

And these were “Lovers in a Dangerous Time.”

In public one must act as straight as possible. Two people of the same gender dancing could be prosecuted. Cross dressing, even with something as trivial as a woman wearing pants, would run afoul of obscenity laws.

The only spaces we had for ourselves were dive bars, run by organized crime. But even then one must be sure to be circumspect, and act straight. Anyone could be an undercover cop. If a gaze was held to long, or lovers kissed in a corner the bar would be raided. Police saw us as worthy candidates for abuse so beatings were common and the judge would do all he could to humiliate you.

Now Michael Foucault, the big swinging french dick of queer theory, laid out this whole theory about how the real policing in a society happens inside our heads. Ideas about sin, shame, normalcy, mental illness can all be made to control people, and the Twilight Aristocracy was no different.

While cruising a park at night, or settled on the sofa with a lifelong lover, the thoughts of Priests and Doctors haunted them. “Am I living in Sin? Am I someone God could love?” “Is this healthy? Have I gone mad? Is this a true love or a medical condition which requires cure?”

There was no voice in America yet healing our self doubt, or demanding the world accept us as we are. And that voice, the socialist Harry Hay, did not come during the war, but it would come shortly after directly because of it.

Johnny Get Your Gun… And are you now or ever been a Homosexual?

For the first time in their lives millions of young men crossed thousands of miles from their home to the front.

But before they made that brave journey they had another, unexpected and often torturous journey. The one across the doctor’s office at a recruiting station.

In the nineteenth century queerness moved from an act, “Forgive me Father I have sinned, I kissed another man” to something you are, “The homosexual subspecies can be identified by certain physical and psychological signs.” 

These were the glory days of patriarchy and white supremacy, those who transgressed the line between masculine and feminine called the whole culture into question. So doctors obsessed themselves with queerness, its origins, its signs, its so called catastrophic racial consequences and its cure.

“Are you a homosexual?” doctors asked stunned recruits. 

If you were closeted but patriotic, you would of course deny the accusation. But the doctor would continue his examination by checking if you were a “Real Man.”

“Do you have a girlfriend? Did you like playing sports as a kid?”

If you passed that, the doctor would often try and trip you up by asking about your culture.

“Do you ever go basketeering?” he would ask, remembering to check if there was any lisp or effeminacy in your voice.

Finally if the doctor felt like it he could examine your body to see if you were a member of the homosexual subspecies. 

Your gag reflex would be tested with a tongue depressor. Another hole could be carefully examined as well.

Humiliating enough for a straight man. But for a gay recruit the consequences could be life threatening.

Medical authorities knew homosexuals were weak, criminal and mad. To place them among the troops would weaken unit cohesion at the very least, result in treachery at the worst. In civilian life doctors had much the same thing to say. 

The recruit needed a cure. And a doctor was always ready. With talk therapy, hypnosis, drugs, electroshock and forced surgeries of the worst kinds there was always a cure ready at hand.

Thankfully the doctors were not successful in their task, one doctor wrote “for every homosexual who was referred or came to the Medical Department, there  were five or ten who never were detected. (d’Emilio 25)”

Here’s the irony though, by asking such pointed and direct questions to people closeted to themselves it forced them to confront their sexuality for the first time. 

Hegarty writes, “As a result of the screening policies, homosexuality became part of wartime discourse. Questions about homosexual desire and behavior ensured that every man inducted into the armed forces had to confront the possibility of homosexual feelings or experiences. This was a kind of massive public education about homosexuality. Despite—and be-cause of—the attempts to eliminate homosexuals from the military, men with same-sex desires learned that there were many people like themselves (Hegarty 180)”

And then it gave them a golden opportunity to have fun.

The 101st Airborn - Homosocial and Homosexual

“Homosocial” refers to a gender segregated space. And they were often havens for gay men. The YMCA for example really was a place for young gay men to meet.

Now the government was already aware of the kind of scandalous sexual behaviour young men can get up to when left to themselves. Two major government programs before the war, the Federal Transient Program and the Civilian Conservation Corps focused on unattached young men, but over time these spaces became highly suspect and the focus shifted to helping family men so as to avoid giving government aid to ‘sexual perversion’ in these homosocial spaces.

But with the war on there was no choice but to put hundreds of thousands of young men in their own world. All male boot camps, all male bases, all male front lines. 

The emotional intensity broke down the barriers between men and the strict enforcement of gendered norms.

On the front the men had no girlfriend, wife or mother to confide in. The soldier’s body was strong and heroic but also fragile. Straight men held each other in foxholes and shared their emotional vulnerability to each other. Gender lines began to blur as straight men danced together in bars an action that would result in arrest in many American cities.

Bronski writes, “Men were now more able to be emotional, express their feelings, and even cry. The stereotypical “strong, silent type,” quintessentially heterosexual, that had characterized the American Man had been replaced with a new, sensitive man who had many of the qualities of the homosexual male. (Bronski 152)”

Homosexual men discovered in this environment new freedoms to get close to one another without arousing suspicion.

“Though the military  officially maintained an anti-homosexual stance, wartime conditions nonetheless offered a protective covering that facilitated interaction  among gay men (d’Emilio 26)”

Bob Ruffing, a chief petty officer in the Navy described this freedom as follows, ‘When I first got into the navy—in the recreation hall, for instance— there’d be  eye contact, and pretty soon you’d get to know one or two people and kept branching out. All of a sudden you had a vast network of friends, usually through  this eye contact thing, some through outright cruising. They could get away with  it in that atmosphere. (d’Emilio 26) ”

Another wrote about their experience serving in the navy in San Diego, “‘Oh, these are more my kind of people.’ We became very chummy, quite close, very fraternal, very protective of each other. (Hegarty 180)”

Some spaces within the army became queer as well. The USO put on shows for soldiers, and since they could not find women to play parts, the men often dressed in drag. “impersonation. For actors and audiences, these performances were a needed relief from the stress of war. For men who identified as homosexual, these shows were a place where they could, in coded terms, express their sexual desires, be visible, and build a community. (Bronski 148)”

“Here you see three lovely “girls”

 With their plastic shapes and curls.

 Isn’t it campy? Isn’t it campy?

 We’ve got glamour and that’s no lie;

 Can’t you tell when we swish by?

 Isn’t it campy? Isn’t it campy?”

The words camp and swish being used in the gay subculture and connected to effeminate gay men.

I would have to assume, more than a few transwomen gravitated to these spaces as well.

Even the battlefield itself provided opportunities for gay fraternization. A beach in Guam for example became a secret just for the gay troops, they called it Purple Beach Number 2, after a perfume brand.

This homoerotic space was not confined to the military, but spilled out into civilian life as well.

Donald Vining was a pacifist who stated bluntly his homosexuality to the recruitment board as his mother needed his work earnings, and if you wanted be a conscientious objector you had to apply to go to an objector’s camp. He became something of a soldier chaser, working in the local YMCA and volunteering at the soldier’s canteen in New York he hooked up with soldiers still closeted for a night of passion but many more who were open about who they were. 

After the war he was left with a network of gay friends and a strong sense of belonging to a community. It was dangerous tho, he was victim of robberies he could not report because they happened during hook ups, but police were always ready to raid gay bars when they were bored. “It was obvious that [the police] just had to make a few arrests to look busy,” he protested in his diary.  “It was a travesty of justice and the workings of the police department (d’Emilio 30).״

Now it might seem odd he was able to plug into a community like that, but over the war underground gay bars appeared across the country for their new clientele. Even the isolated Worcester Mass got a gay bar.

African American men, barred from combat on the front lines, were not entirely barred from the gay subculture in the cities. For example in Harlem the jazz bar Lucky Rendevous was reported in Ebony as whites and blacks “steeped in the swish jargon of its many lavender costumers. (Bronski 149)”

The Other War: Facing Homophobia

“For homosexual soldiers, induction into the military forced a sudden confrontation with their sexuality that highlighted the stigma attached to it and kept  it  a  matter  of special  concern (d’Emilio 25)”

“They were fighting two wars: one for America, democracy, and freedom; the other for their own survival as homosexuals within the military organization. (Eaklor 68)”

Once they were in, they fell under Article 125 of the Uniform Code of Military Justice: “Any person subject to this chapter who engages in unnatural carnal copulation with another person of the same or opposite sex or with an animal is guilty of sodomy. Penetration, however slight, is sufficient to complete the offense.”

Penalties could include five years hard labour, forced institutionalization or fall under the dreaded Section 8 discharge, a stamp of mental instability that would prevent you from finding meaningful employment in civilian life.

Even if one wanted nothing to do with fulfilling their desires it was still essential to become hyper aware of your presentation and behaviour in order to avoid suspicion.

Coming Home to Gay Ghettos

“The veterans of World War II were the first generation of gay men and women to experience such rapid, dramatic, and widespread changes in their lives as homosexuals. Bronski 154”

After the war many queer servicemen went on to live conventionally heterosexual lives. But many more returned to a much queerer life stateside.

Bob Ruffing would settle down in San Francisco. The city has always been a safe harbour for queer Americans, made more so as ex servicemen gravitated to its liberated atmosphere. The port cities of New York, San Francisco and Los Angeles became the prime destinations to settle. Vining’s partner joined him in New York, where they both immersed themselves in the gay culture.

Other soldiers moved to specific neighborhoods known for having small gay communities. San Francisco’s North Beach, the west side of Boston’s Beacon Hill, or New York’s Greenwich Village. Following the war the gay populations of these cities increased dramatically.

The cities offered parks, coffee houses and bars which became queer spaces. And drag performance, music and comedy became features of this culture.

These veterans also founded organizations just for the queer soldiers. In Los Angeles the Knights of the Clock provided a space for same sex inter racial couples. In New York the Veterans Benevolent Association would often see 400-500 homosexuals appear at its events.

A number of books bluntly explored homosexuality following the war, such as The Invisible Glass which tells the story of an inter racial couple in Italy, 

“With a slight moan Chick rolled onto his left side, toward the Lieutenant. His finger sought those of the officer’s as they entwined their legs. Their faces met. The breaths, smelling sweet from wine, came in heavy drawn sighs. La Cava grasped the soldier by his waist and drew him tightly to his body. His mouth pressed down until he felt Chick’s lips part. For a moment they lay quietly, holding one another with strained arms.”

Others like Gore Vidal’s The City and the Pillar (1948), Fritz Peters’s The World Next Door (1949), and James Barr’s Quatrefoil (1950) explored similar themes.

In 1948 the Kinsey Report would create a public firestorm by arguing that homosexuality is shockingly common. In 1950 The Mattachine Society, a secretive group of homosexual Stalinists launched America’s LGBT movement.

References:

Michael Bronski “A Queer History of the United States”

John D’emilio “Coming Out Under Fire”

Vivki L Eaklor “Queer America: A GLBT History of America”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Lesbians

In 1947 General Eisenhower told a purple heart winning Sargeant Johhnie Phelps, “It's come to my attention that there are lesbians in the WACs, we need to ferret them out”.

Phelps replied, “"If the General pleases, sir, I'll be happy to do that, but the first name on the list will be mine."

Eisenhower’s secretary added “"If the General pleases, sir, my name will be first and hers will be second."

Join me again May 17 to hear the story of America’s Lesbians during the war.

[nudne]

i saw your tags about asking you for book recs and i wanted to ask: what books with wlw romance do you recommend? all genres are great, i just need some good stories with gay girls in them 💕 love u!

finally my time to shine! also i do want to say that most of these are written by women of colour, and you should look these authors up and pick up their other books! a good deal of them are also lesbian or bisexual 😌

Cinderella Is Dead by Kalynn Bayron. YA Cinderella retelling with a Black lesbian main character! It's 200 years after Cinderella's death, and her story is being used by the tyrannical king to basically force women to attend a ball where they are 'chosen' as wives, in a parody of Cinderella's story. Our MC Sophia has had enough!

You Should See Me In a Crown by Leah Johnson. YA with a Black main character! Liz wants to leave her small town but in order to do that she needs to win prom queen to get a scholarship. But maybe her competitor for prom queen is kinda cute...? 🤔

The Falling In Love Montage by Ciara Smyth. Two girls go on a summer of montage-worthy dates and plan to break it off cleanly at the end of the summer- no broken hearts, no mess. Except maybe they develop feelings...? 👀

The Stars and the Blackness Between Them by Junauda Petrus. I just made a post about this so I'll just paste what I said about it here! This tells the stort of a Trinidadian girl, Audre, sent to live in Minneapolis after her mum catches her having sex with a girl. There she meets Mabel, who is questioning her own sexuality and the two become friends and maybe more? A super sweet YA Black girl romance!

Juliet Takes a Breath by Gabby Rivera. Juliet, a self-described Puerto-Rican baby dyke from the Bronx, just came out to her family, and is leaving for the summer to be an intern in Portland to this hippy white woman. What follows is an exploration of Juliet's own identity, of intersectional feminism, LGBT issues, race and the need for spaces exclusively for women of colour. Just an excellent book.

Disoriental by Négar Djavadi. I haven't read this YET (it's waiting on my shelf) but I've heard so many incredible things. It's written by a French-Iranian woman and translated into English (I think we should all be reading more translated fiction). I don't think I can do the description justice, so please please look it up. It's not a romance per say, but I do think it's an incredibly important stort and the MC is bisexual afaik.

The Love and Lies of Rukhsana Ali by Sabina Khan. 17 year old Rukhsana tries her best to love up to her parents expectations, but when they catch her with a girl, she is sent to Bangladesh to 'straighten her out'. Only through reading her grandmother's old diaries is she able to gain some perspective. Now she realises has to fight for her love, but can she do that without losing everyone she loves?

Little & Lion by Brandy Colbert. Another book on my TBR that I've heard great things about. Suzette comes home to LA from her boarding school, and doesn't want to go back. All her family and friends are in LA, and her stepbrother has just been diagnosed with Bipolar and needs her support. But Suzette finds herself falling for the same girl her brother is in love with. When Lionel's disorder spirals out of control, Suzette has to confront her past mistakes and help Lionel before he does something to hurt himself.

Gideon the Ninth and Harrow the Ninth by Tamsyn Muir. Now, I wasn't sure if I should recommend this but ykw? I will, cause it's an AMAZING series. It's a space opera with sword fighting and necromantic lesbians and a locked house murder mystery... in space. And with lesbians. There's 2 books out of 3 out now and while there's no romance (hopefully YET) it's just an incredibly well thought out and hilarious book. The narration is *chef's kiss*

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid. I just finished this book this week and Y'all 😤 This book tells the story of Evelyn Hugo, a Cuban-American and an Old Hollywood star known for her beauty and scandal after scandal. Now in her late 70s, she is giving one last interview to an unknown journalist, Monique Grant, who she doesn't seem to be connected to... But as we learn about Evelyn's life, we find out that maybe things weren't as they seemed? And we learn what really ties her to Monique. The fact that I'm recommending it here may be a bit of a spoiler 😂 Evelyn is bisexual, and she ACTUALLY SAYS THE WORD.

Honorary mention to N.K. Jemisin's The Broken Earth trilogy and The City We Became (this is the first book in her new series). Jemisin is just... a master at what she does. Both of these series are sci-fi / urban fantasy, with excellent modern social commentary. Her character work is phenomenal and they're all incredibly diverse (she has bisexual and lesbian main characters in both series, plus characters of different races and orientations that are always thoughtfully and respectfully crafted). READ HER.

[tasloveskk]

Some folklore thoughts 💭🌲✨🏳️‍🌈 

Part 1

 I’m going to take it song by song while also tracking key themes in red! Please also feel free to add in your thoughts in the comments, I’m curious to see what else people think folklore is about...

folklore

‘folklore’ is defined as “a body of popular myths or beliefs relating to a particular place, activity, or group of people.” or, by Steve from Taylor’s IC,”the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth.” Taylor herself in her introduction/prologue says  “A tale that becomes folklore is one that is passed down and whispered around. Sometimes even sung about. The lines between fantasy and reality blur and the boundaries between truth and fiction become almost indiscernible. Speculation, over time, becomes fact. Myths, ghost stories, and fables. Fairytales and parables. Gossip and legend. Someone’s secrets written in the sky for all to behold.”

the 1

- firstly, it’s the best opening track she’s ever had! 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼

- “I’m doing good, I’m on some new shit” = sounds to me like a conversation you have with an ex, like someone is saying “yeah I’m doing great, I’m dating/doing ‘x’” the first time they run into their ex in a while.

-“I thought I saw you at the bus stop” has BIG “this city screams your name” energy but is also very clever by Taylor because Miss Karlie Kloss is ALWAYS on advertisements on bus stops/literal buses around the globe 🚌

- “I hit the Sunday matinee” to me seems like an inside thing, because obviously as the world biggest pop star, if taylor is going to go to the theatre or cinema, she’ll pick the least busy and most filled with older people which would be the Sunday matinee.

- “you know the greatest films of all time were never made” —> the greatest love stories never get told? happen behind the scenes? There’s something deeper here but I’m still forming the cohesive idea!

- “if you wanted me you really should’ve showed” = showed up or showed for the world, either way Taylor wanted KK to chose her not Josh so they could work but that didn’t happen so now she’s left to wonder.

- “roaring twenties” evokes two clear images for me! 1. They were both in their 20s for the entiretyof their relationship, the best years were spent together and 2. The Roaring 20s were a time of independence, pushing boundaries and breaking the rules of prohibition - which is basically what Taylor and Karlie were doing behind the scenes.

- “if my wishes came true, it would’ve been you” = let’s say, ONLY FOR ARGUMENTS SAKE, that Taylor really IS with Toe, that still means that this song is her yearning for someone else who she always loves more AND had to lose at some point. Looking at her past beards “relationships”, there are only two plausible options - Joe (which seems unlikely seeing as they’re still “together”) or CH who she supposedly wrote “you would’ve been the one if you were a better man” about. Either way doesn’t seem like it fits. However, if you look at it as Karlie is the 1, it becomes clear - it would’ve been fun being best friends and lovers for ever baking cookies and dancing around the kitchen, it would’ve been forever if Karlie hadn’t “married” jerk, it would’ve been her and it still is. 💗

- “in my defense I have none, for never leaving well enough alone” & “I know that I went psycho on the phone, I never leave well enough alone” are about the same moment with the same person = she didn’t leave well enough alone because she kept writing about Karlie and re-engaging us Kaylors as well as I’m sure, she kept up with seeing Karlie or keeping tabs on her to the point where it forced someone to reach out to the other.... she can’t apologise or defend her actions because you can’t explain the things you do for true love.

- “I have this dream you’re doing cool shit” aka starting a podcast, expanding businesses, making headway as an entrepreneur and being a highly-paid and respected international model? Seems straight forward 👀

- “you meet some woman on the Internet and take her home” = 1. Karlie is specifically interested in tech and the internet, it is literally her entire business and 2. if Karlie and Tay did break up, then because Karlie is actually NOT married to Josh, she hooked up with someone she met through the internet somehow (probs social media not an app) and Taylor found out this is probably a snarky comment about that from a jealous ex. Could possibly also be about the dream mentioned above. 💔🔐

- “another day waking up alone” = lost her lover, sleeps alone? Bold claim on opening tack.

- “persist and resist” = very famous feminist saying, civil rights/political echo?

- “the temptation to ask you if one thing had been different, would everything be different today” = this what if mentality continues through the album but personally, I think this is about Kissgate.

- “Rosé flowing with your chosen family” = repeats later, your chosen family could refer to Karlie’s group of friends like Derek and Jourdan etc.

- “would’ve been sweet if it could’ve been me” = flipped perspective, wishes Karlie chose her.

- “dragging up the grave another time” = firstly, THAT pin on her EW jacket now makes more sense. second, Taylor has written about Karlie for 4 straight albums now, she hasn’t let their love story die even if they did.

-

cardigan

- “brand new phone” = this is not some story, this is current reality. Taylor hides behind era-specific language and imagery in some other songs but this one is clearly about here and now, and her.

- “sensual politics” to me stands out because only really here and in TLGAD is politics explicitly mentioned and sensual politics to me screams sleeping with someone for political gain or with political connections which certainly sounds like someone...

- “when you’re young, they assume you know nothing” = sounds to me like a lot like a) love story and b) “you don’t know you’re gay, it’s just a PHASE! you’ll grow out of it!” 🏳️‍🌈

- “chase 2 girls, lose the one” = supposedly, when KK and TS met, Taylor was still in love/entangled with Dianna so perhaps she’s reflecting on making the wrong choice?

- CIWYW links: my baby’s high above the whole scene—> heartbeat on the high line, tidbit:as is clear in both Lover & 1989 New York is a sacred place for TS and KK’s love story, the high line is a) a beautiful NYC icon and b) right in between the girls’ two places...

- as mentioned, miss Karlie ELIZABETH Kloss was the brand model for Levi’s and definitely has worn some sequins and black lipstick on cobblestones sooooo.... 🤷🏼‍♀️

- “you drew stars around my scars” = see Drake’s birthday party and the infamous third Polaroid mystery 👀

- “stepping on the last train” could mean one of two things to me; 1. The last resort for KK was marrying J*sh or 2. the last train could represent some goodbye the girls had where KK chose something/someone else over Taylor.

- “peter losing Wendy” is such an interesting metaphor on so many levels but specifically, Wendy loses Peter because she wakes up (from nearly dying but nvm) and grows up and stops believing in Neverland and magic, basically Wendy loses an attachment to Peter because her reality shifts and that’s what gets remembered especially in the Disney version of the story. HOWEVER, the opposite is also true meaning Peter Pan loses Wendy because he can never co-exist with her again, he can never grow up or bring her back to Neverland without either killing her or ruining her. So this idea that someone wanted to change the ending from peter losing Wendy because he had to do what was best for her because he loved her echoes as Karlie didn’t want to marry Jerk or hurt Taylor but had to in order to protect her. Right? 😅

- “leaving like a father, running like water” = Taylor’s parents got divorced and there’s SOME thoughts Scott left the house and Taylor lives with her Mom in Nashville in her teen years.

- “I knew everything when I was young” - Taylor has always know she was LGBT+ 🌈 and also, baby VSFS vibes because as we all know, “we were both young when I first saw you...” send tweet.

- “I knew you’d come back to me” hopefully, HOPEFULLY foreshadows the girls being together/coming out soon !!!!!!! 🤞🏼🤞🏼🤞🏼

- music video wise, I’ll do a break down soon.

TLGAD

- ‘Rebekkah’ refers to the previous owner of Taylor’s Watch Hill, RI house, Rebekah Harkness. She was a divorcee until marrying Standard Oil heir William (aka Bill) Hale Harkness, a new-money dynasty was formed in this time from their profit. There are MANY wild, whimsical stories about ‘Betty’ (which is obviously an extended metaphor of folklore)  that this song tries to re-create/recapture.  

- Taylor is also known as ‘Becky’ due to the popular meme so this is quite literally a play on her own character as well as the previous inhabitants of the house.

- St Louis is not only Rebekkah’s hometown, but also Karlie Elizabeth Kloss’. 

- “the wedding was charming, if a little gouche” seems like a direct shot fired at Karlie’s woodsy photoshoot of 2018 😂😂(ironically, folklore’s key aesthetic is the woods!!)

- “it must’ve been her fault his heart gave out” refers explicitly to William dying of a heart attack in the house, but subtly I feel like this is a dig at the media who constantly blame women for things they cannot control, as they have done with Taylor too many times to even count. 

- “who knows if she never showed up, what could’ve been” seems like Taylor is stuck thinking about what may have happened for her and Karlie if things had been different, see the 1. 

- “she/I had a marvellous time ruining everything” is such an incredibly provoking lyric on two fronts, 1. obviously taylor buying her RI house had a massive impact on an otherwise sleepy holiday town that is now more famous for Taylor’s july 4 parties than anything else and 2. seems introspective or personal, as if the things that ruined everything for Karlie and Taylor were the best and most marvellous parts of their relationship (big sur, kissgate etc.) 

- “flew in all her bitch pack friends from the city” is not only about the friends and celebs Rebekkah was notorious for hosting but also Taylor’s ‘bitches and model’ girl gang circa 2015 which includes one Karlie Kloss. 

- “blew through the money on the boys and the ballet” refers to Rebekkah’s love of wasting her fortune on things, including a ballet company that went under not long after she created it BUT also refers to Taylor paying so many boys to be her beards and PR stunts whilst also spending her money on a certain ex-Ballerina. Also remember her AMA’s performance of Lover/ bts of Shake It Off? 😉😉😉

- “50 years is a long time” - 50 seems deliberate, a bit of a reach but note it WAS the 50th anniversary of Stonewall last year. 🏳️‍🌈

-  “free of women with madness, their men and bad habits and THEN IT WAS BOUGHT BY ME.” - this clearly shows that ALL the songs are being narrated by Taylor, some of the lyrics are about her, some are about these fictional or fantastical characters she’s created but there is her truth behind all of them too. 

- “the loudest woman this town has ever seen” = Taylor is undoubtedly the most famous woman in the town who regualrly causes uproar there (see the Sea Wall debacle and the Taylor Swift Tax)

- in all, the two famed women owner’s of Holiday House have many overlaps and are forever intertwined. 

exile

- “i can see you standing honey with his arms around your body” as the opening line is LOUD. to me, feels like this is about ALL those staged photos of Josh and Karlie uncomfortable/fake as hell on social media. 

- “laughing but the joke’s not funny at all” is something we’ve all thought about Karlie’s marriage before and is about that moment where if you don’t laugh, you’ll cry at the situation. 

- “it took you 5 whole minutes to pack up ... holding all this love out here in the hall” to me is about someone moving out of a shared home, like Karlie from Taylor’s NYC apartment, after a break up or fight. We know it is MORE than likely that the girls’ broke up, for a while or for good, in 2017/18. 

- “I think I’ve seen this film before, and didn’t like the ending” is a lot like “Cause cruelty wins in the movies, I've got a hundred thrown-out speeches I almost said to you” / “All of my heroes die all alone.” which makes me truly believe that delicate > the archer > exile are all the progression of the same love story.  ❤️

- “now I’m in exile seeing you out” = both of them have lost their home, exiled from the relationship.

- “I can see you staring honey, like he’s just your understudy” has a lot to unpack. Firstly, see this photo. Second, as a beard, Joe is quite literally Karlie’s understudy - stepping in only to fill a public void or play her part when she can’t. 

- “like you’d get your knuckles bloody for me” is basically this tweet

- “second, third and hundredth chances” - hopefully this means the girls WILL be together again soon!!! 

- “those eyes add insult to injury” - Taylor has often made explcit reference to her lover’s eyes, but this could also mean the eyes of the public on her every move and relationship not allowing her to properly grapple with break ups. 👁️

-  “i’m not your problem anymore, so who am i offending?” - homophobes love to say wlw or mlm relationships “offend” them or their beliefs, so who could taylor be offending if she’s publicly in a straight relationship? 

- “you were my crown”, Taylor was/is Karlie’s princess, if Karlie is gone, Taylor doesn’t feel like she’s a princess anymore. Likewise, Karlie is Taylor’s sunshine which makes the moody, misty, dark aesthetics all the more relevant to this album. 

- “so I’m leaving out the side door’ - this side door? the other side of the door?

- “all of this time, we always walked a very thin line” between outing themselves and being happy? 

- “I gave so many signs” - Taylor has queercoded EVERY album since her self-titled, she has been dropping hints and signs for years that she is LGBT+ so it must be exhausting to have to keep hiding who she loves. This is repeated so many times - it means a lot. 

- written with William Bowery who nobody can quite identify, but Karlie and Taylor have been to the Bowery many times together and William is mentioned earlier in TLGAD

- this whole song is a duet, a two-sided conversation between lovers - her and karlie both without each other. 

my tears ricochet

- Track 5 is, as per usual, deeply confessional, personal, emotive and moving. 😿😿

- there are lots of theories and layers to this masterpiece of a song, including that it’s in reference to big machine. I personally think every single song of Taylor’s is made up of layers that reflect multiple things in her life and experience so plausibly it can be about multiple things all at once including Sco** and Scumbag as well as Karlie, who was under Scumbag’s management for the majority of the decade. Another theory which with every new listen I think is more and more possible is that this is alternating between Taylor and Karlie’s perspectives. 

- ‘if i’m on fire, you’ll be made of ashes too” whoever is associated with Taylor will ALWAYS be dragged down with her. If she’s being attacked, they will be too. Big 2016 energy. 

- “even on my worst day, did I deserve babe, all the hell you gave me?” could be directed at a lover, or at Big Machine, or even the public for all the shit they’ve said about Taylor over the years. 

- “I swear I loved you ‘till my dying day” seems a lot like the 1, as well as could be about the music and the label she helped build. 

- “I didn’t have it within myself to go with grace.” Taylor was LOUD about her split from Big Machine, she called them out (rightly) and made noise which is not a ‘graceful’ split. 

- “you’re the hero flying around saving face” very easily is about S+S jackasses but deeper than that, while Taylor was under immense attack and criticism, everyone who actually like her music pretended suddenly to hate it and her to stay ‘cool’ 

- “cause if I’m dead to you why are you at the wake?” this lyric becomes especially important in the final verse but essentially those who publicly distanced themself from Taylor still showed up when she was thriving again and/or because they actually truly loved her *uhmm karlie uhmm* 

- “cursing my name, wishing I stayed” either at Big Machine or with Karlie/Taylor. 

- “some to make a diamond ring” > firstly we still have never understood the ring image from the LWYMMD and ME! videos, it is entirely possible this is a continuation of that same symbol/image. Second, I think this hints to Karlie getting ‘engaged’ while still being with Taylor, the rock for the ring in the song was found by the two people gathering stones after all. 

- “you know i didn't want to have to haunt you” both Taylor and Karlie have big reputations all over the world that follow them everywhere. For either one, they will always be haunted by reminders of each other. 

- “you wear the same jewels that I gave you as you bury me” - on the Big Machine side, Taylor made the label professional and big, she is literally the sole reason it succeeded in the music industry so she handed Sco** his fortune and reputation which he still had when he sold her music to Scumbag and got into a very dirty bed with him. From the Karlie side, many people have noted that not only does she wear her black cartier necklace, which is assumed to be from Taylor, but to her ‘wedding’ wore a necklace she’d worn before with Taylor. 

- “when I’d fight you’d tell me I was brave” could refer to Sco** encouraging her in 2016 to defend herself. Could refer to Karlie supporting her behind the scenes. 

- ‘and I can go anywhere I want, just not home” seems like a continuation from exile, as in she’s lost the place she called home because her lover is no longer there but could also mean she can’t go back to her other albums and the house (see the lover music video) that they created as her musical home.

- “you will still miss me in your bones” could be about Sco** losing his money and label without her there to physically support and carry it or about the fact that the love Taylor and Karlie had is so ingrained it’s in their bones forever. 

- “and i still talk to you when I’m screaming at the sky” this lyric has a lot of possible interpretations (i’ve seen one about cursing out God?) but i think it’s similar to “asking the traffic lights if i’ll be alright” as in, it’s Taylor asking the universe to help her make sense of things. 

- “when you can’t sleep at night, you hear my stolen lullabies” suggests a) sco** + scumbag is still haunted by the music they stole from Taylor because it was literally the backbone of the business which is now practically worthless and b) that Karlie is kept awake by the songs Taylor has written for and about her over the years which again were stolen away by the jackasses at Big Machine.  

- “you had to kill me, but it killed you just the same” again, same idea - big machine will never be profitable without her/while they hold her masters hostage. BUT Karlie wise, breaking up with Taylor broke her too? 

- this is where the song changes. it shifts from Taylor’s story to someone else’s, personally I think Karlie. 

- “you turned into your worst fears” as in she settled for the money and sold her values off by marrying Josh. Also, Karlie was under Scumbag’s management for years (part of Taylor’s hatred of him was him keeping the girls’ from doing as they pleased) so by being completely controlled by him, she turned into this completely fake person. Contrast 2014/15 Karlie with 2017/18 Karlie and it so much more all about PR and money. 

- “you’re tossing out blame, drunk on this pain, crossing out the good years” - sco** and scumbag have made so many false excuses for their behaviour and completely erased the good relationship between the Swifts and sco**. Not sure yet what the Karlie side is here but it’s here somewhere. 

- in conclusion, this is about Big Machine and Karlie. As the first song Taylor wrote for the album, I think it’s clear just how incredibly multi-faceted this album is. ☕☕☕

mirrorball

- first off, we can never forget about this and this look from both girls. ✨✨

- “I’ll to show you every version of yourself tonight”, the public and the private sides to them both. this is big glass closet energy in my opinion 

- “and when I break it’s in a million pieces” is so personal and heartbreaking. 2016 and Kaylor breakup vibes. I cannot elaborate at this time. 

- “when no one is around my dear” = the secrecy, forbidden love motif returns and again, if she’s in a hetero relationship, what’s to hide? 

- “you’ll find me on my tallest tiptoes”, Just an fyi, Karlie, a giraffe, is 6′2″, Taylor is 5′10″ -- thats a big difference. 🦒🦒🦒

-  “i know they said the end is near” = end of the relationship or the end of hiding it, either way, it’s a romantic last private moment together, swaying as the room burns down. 

- “i can change everything about me to fit in” = Taylor when she was starting out was forced to create this all innocent, american-girl image of herself. She has had to hide herself to succeed, as she said in Miss Americana, she was muzzled. 

- “you are not like the regulars, the masquerade revelers” = Karlie is different to everyone else, or any other ex, ‘masquerade’ implies masked or hidden figures at a party, very Love Story 

- “and the called off the circus, burned the disco down” = the ‘circus’ could be the media/public, or all the illusions Taylor has cast in order to appear straight. The ‘disco’, and Taylor is the ‘mirror ball’ to her lover means that this isolated existence of just the two of them. 

- “I’m still on that tightrope, I’m still trying everything” for now, she’s still closeted, she’s still trying to have the best of everything. 

- “I’m still a believer, but I don’t know why” believer in everything working out perhaps, or perhaps believing it’s better if she’s in the closet and it’s only the two of them. 

- “never been a natural” = she has completely created herself through years off trying to be what people want, not who she naturally is. 

seven

- “picture me” implies this is retrospective of Taylor, she’s reflecting on her childhood/youth. 

- “I hit my peak at Seven” could either refer to the age 7 or album 7, ‘Lover’ which many critics argued was her best work. 

- “Over the creek I was too scared to jump in” = fear of jumping is something Taylor has discussed in many songs but this is different, the creek represents something she fears will drown her.

- “High in the sky with Pennsylvania under me” = obviously, Taylor was born and raised in rural PA, so this truly is a childhood memory unearthed and explored. It’s personal to Taylor, it’s her story. 👏🏼

- “Are there still beautiful things?”  Recognizing the world isn’t all daisies and rainbows 

- “cross your heart, don’t tell no other” = again, secret keeping and hiding something is a big queer image, ‘cross your heart’ is a quite childish phrase but it’s adult equivalent in Taylor’s world is an NDA, ie swearing people to secrecy is something she's always known... 🔐

- “Although i can’t recall your face, I still got love for you” = this childhood love has faded with time to memories, this girl simultaneously forgotten and remembered. 

- “Your braids like a pattern” = definitely about a girl (1996 rural Pennsylvania was not the kind of place where boys had braids), specific use of YOUR pronoun not ‘my’ or ‘our’ suggesting again it’s about a girl. Very obviously about a first girl crush. 🌈 

- “passed down like folk songs, the love lasts so long” = firstly, reference to Neruda’s poem Taylor used in the red prologue. second, folksongs change slightly from generation to generation but the heart/melody remains the same meaning that in Taylor’s mind, the story of her first girl love has changed but it’s still the same song/story all the years later. also, clearly a reminder of the setting of the song and the album as a whole being folklore. 💛

- “your dad is always mad and that must be why” feels a lot like Love Story and forbidden love, also again rural Pennsylvania in the mid-1990s was not the most liberal place so I can imagine a lot of homophobic ideas that perforated Taylor’s childhood.

- “I think you should come live with me” is such an innocent image of someone in love and wanting to just fix things by bringing them home, it also is like a baby gay version of uhauling 

- “we could be pirates” = pirates are not just a childhood image/motif but also one historically seen as gay, gangs of pirates often had ‘mateolage’ agreements that basically were like widow’s benefits. See John Swann. ☠️

- “you won’t have to cry, or hide in the closet.” = I think this one is explicitly clear but just to be sure, Taylor could’ve said “hide when he lost it, hide if you wanted, hide in the woods too” etc. Read this for a full understanding of why it such a LOUD image to use.  It is VERY DELIBERATE PEOPLE. 🌈🌈🌈

- “just like a folk song, our love will be passed on” = different from the first bridge but deliberate again. Their story, aka Taylor liking girls from a young age will always be talked about, AND their love lives in this song she wrote.

- “picture me in the weeds before I learned civility” = again, given the homophobic attitude, ‘civility’ and straightness should be read as the same so Taylor is saying when she was a child, free in the grass and herself, she wants to always be. 

- “I used to scream ferociously any time I wanted” = she wasn’t muzzled as a child, she could say and be who she wanted, screaming it aloud for everyone to hear but that changed as she grew up. 

- “pack your dolls and a sweater, we’ll move to India forever” = ‘dolls’ again would imply it’s two girls running away together and India is this exocitc far off place to a child, a place where they can be together without anyone knowing them or controlling them. 

August

- Karlie Kloss is born in August. Karlie Kloss posted yesterday about being a Leo (an August born). August belongs to Karlie Kloss. 🦁♌

- “rust on your door” = image of something well-worn, perhaps someone who’s been here too a few times before?

- “whispers of are you sure?” = obviously there is the sexual connotation, but beyond that, what if it’s about Taylor and Karlie going public etc. 

- “never have I ever before” = see above but also the game ‘never have I ever’ evokes youthfulness and sounds almost like a reminder of a fun night with friends. 

- “I can see us lost in the memory” = implies they’re still together, losing themself in the memory together

- “I can see us twisted in bedsheets” = again, sexual imagery but also the intimacy of sharing a bed with the person you love after sex 

- “Like a bottle of wine” = matures the song a bit, the youthfulness of earlier is now more adult. 21 is America’s drinking age, 20s were mentioned early etc. 🍷

- “Cause you were never mine” = the whole of Taylor and Karlie’s relationship, Karlie has publically been dating Josh so she was never solely Taylor’s. 

- “Will you call when you’re back at school?” = Karlie attended NYU in 2015, the height of Kaylor. 

- “back when we were still changing for the better” = instead of changing to adapt/survive or keep up appearances. 

- “wanting was enough” = wanting Karlie without labels was enough, rather than having to go public etc. Many have said for a long time that Karlie and Taylor fought about coming out or not. 

- “cancel plans in case you would call” = sounds like a very love-sick Taylor Swift thing to do. Also waiting on a lover’s call when they constantly are travelling like both Karlie and Taylor do makes sense. ☎️

- “so much for summer love” = cruel summer echo? Summer 2015 was again, peak Kaylor so this could be a specific reference to that period

- “Do you remember? Remember when I pulled up and said ‘get in the car’” another specific reference, comes up again later in Betty, clearly is something personal. 

- “Back when I was still living for the hope of it all” = back as in the past when everything was happening, hope of it all being the hope they’d still end up together. 

TO SUM UP PART 1:

BENEATH ALL FICTION OR MYTH IS FACT & FEELING. Taylor is no longer hiding. Yes, some of these songs are about stories and people not her but there is so much of herself and her own story layered in too. PAY ATTENTION!!! Obviously, these are just my opinions, I’m not Taylor so I cannot know exactly what these songs are about but I think, after years of analyzing her music, these images/themes and deliberate word choice are well-versed in this part of the fandom. It is entirely possible this is the beginning of Taylor’s full, public coming out journey. 

I’ll be back with Part 2 tomorrow.  Stay Tuned!

[xanderwithanx]

Chloe does night-time diary posts on HER tumblr, so I'm going to start doing them here, sometimes. It would be nice if you read it, but, please, don't feel obligated! This is more for me to write.

(I got tired of my normal journal, I guess. It's full of bad poetry anyway. Besides, where's the thrill of losing anonymity in a physical notebook?)

I've basically been asleep and depressed for several days, because I had withdrawal after not being able to get my adhd meds. But, I got it today, and DID THINGS. (This is SO much better than before!)

Today, I went to a small café or restaurant (focused on tea) called Alice's Teacup that was Alice in Wonderland themed! My long-standing obsession with Alice in Wonderland knows no bounds. It was a really cute place. I got pumpkin pancakes, and some really good iced tea. Like... REALLY good iced tea.

Still, it seemed like the entire place was geared towards having a pot of tea and snacks with your friends, which left me a bit lonely. The person I asked couldn't come, and by the time I heard back, I was more than halfway there. Still, I read Rosencrantz and Guildenstern are Dead and watched Monty Python on my phone, so I still had a good time!

I dressed pretty eccentricly and effeminately all day, but, with my facial hair, I was ALWAYS coded as a man, even by people on the street! Pastels, a stupid hat, a crop top, and facial hair was a winning combination.

On my way, I was stopped by some guys soliciting for charity. I don't make a habit of stopping for strangers on the streets of Manhattan. What if it's a scam? What if I'm being pressured to buy something? What if it's a strange political rant? But, I had already taken my earbuds off, I wasn't in a hurry, and I'm terminally polite. The first guy said he liked my energy, which seemed to come from a genuine place, because I liked his too!

They were asking for donations for a breast cancer charity, the United Breast Cancer Foundation. After a discussion, it seems like the charity helps pay medical debt, medical bills, and other practical needs, which is much better than *some* others I could name. I regretted not being able to give their minimum there, as it was pretty high, but told them I'd give what I could when I got on the website.

I... did not. Money is tight, because I'm bad and irresponsible with money, even though this is more than a worthy cause. I didn't NEED to go to that tea place, and I don't NEED to spend so much money on food. Sure, I can justify it: I wanted to go to that place for so long, and it was near the college anyway! But, if I was responsible with money, you KNOW my friends direct fundraising drives would go first, worthy charities second. Still, I feel bad about it.

Then, I went to the college library, to get books to start my thesis research. I have literally been unable to go to the college itself, aside from getting my ID, so this was great! There just wasn't a reason. It was... very empty. I went to the library stacks, which was deathly quiet and deeply haunted by the old books. I half expected something to pop out at me, as I turned the stacks, but I wasn't even paranoid or anxious. It was like I was in something else's house. I was welcome, but on thin ice.

I picked up an irrelevant psychology book on the "schizophrenia problem" from the 1930s, out of morbid fascination, and quickly put it down when it threatened to shatter in my hands.

Some students walked past (which was a suprise in those monastic basement library stacks), and I added something to their conversation, in a totally natural and casual way. But, omg the poor girls, I made them jump! Luckily, I'm the least threatening person on earth, and we laughed it off.

After a lot of hunting, I got 5 out of my 10 books (for the most part)! (The rest are, sadly, online. I like to read physical copies.) Strangely, I only came in with a list to get 3 books out of 6.

Most of the books I got are about art in the AIDS crisis, which is the core of my thesis, I think, all with different value. One about exhibitions, one about the larger narrative of those gay artists, and another contradicting the larger narrative.

I also got a book about "Art and Homosexuality". Just, the parallel construction of both "art" and "homosexuality" across cultures and times, from earliest history to the modern age. It wasn't on my initial list, but I'm really excited to read it.

Finally, I got a book called "The Thief, the Cross and the Wheel", about the pain and spectacle of punishment in Medieval and Renaissance European art. I'm mainly interested in Italian Renaissance art of the crucifixion--and its masochism--for the second quarter of my thesis.

The rest are online, and Should mostly focus on Bacchus in the Italian Renaissance (especially through art) and what I call the art of "gay liberation", concurrent with the AIDS crisis (i.e. The Cockettes). These two topics make up the last half of my thesis.

I'm SO excited to get started!!

I even got to cross the college's sky-bridges! (The college is a few skyscrapers.) Still, the loneliness and novelty were kind of the same thought. Imagine if I had been here before COVID, or, if COVID hadn't happened. Who would I have been able to meet? What would the college buildings mean to me? Because, for now, they're just buildings. But, I got to see the street from above, and that was amazing!

Just walking through New York--the Upper East Side--on a cool, sunny day was beautiful. It takes 20-30 minutes to get from my place to the college (and the tea place), but it was great being able to listen to my music (a lot of They Might Be Giants on the playlist today) and see the city. You know, people, super cool old architecture being pushed out by terrible new architecture, and pigeons.

Oh my god, the pigeons. I took pictures, but none of them are good. I kept thinking about how pigeons and doves are functionally the same. We domesticated pigeons, which is why they're here, and no one is stopping to notice them? Even the ones that were splotched with pure white, like doves? There's only so many pigeons you can take until they're just white noise and a nuisance, I know, so don't think I'm blaming anyone! But it's so hard to look away from these quirky little birds.

Also, at one point my walk, I was vaping very strategicly. The mental task of searching through library stacks will do that to you, when you already have an addiction to nicotine. I made sure no one was around, and no one would be affected. I stopped on a corner next to an old, ornate Catholic church while the traffic light changed, and I almost juuled right next to a priest! I'm glad I stopped. I don't believe in Hell, but, I would have walked down there myself had I vaped at a priest. Still, the church advertised itself as LGBT+ friendly, so maybe they aren't so trigger happy on the damnation. Either way, I DIDN'T vape at a priest today, which is good.

Once I got back, I spent a few hours watching things with my amazing girlfriend Chloe, who you may know here as @cisphobiccommunistopinions. She is so beautiful, and I love her more every day, every time I see her. God, it's almost been 5 years!

I just wish I could spend more time with her. She's in Virginia, and I'm in New York. Like she said to me earlier, I'm flighty at the best of times, and, with my lack of object permanence for the digital world, I find myself not giving her the attention I deserve, or, the full connection I long to have with her. We used to live together. Luckily, someday we will live together again! All these problems won't be forever, and we can live together again.

We watched a lot of things, but we're pretty deep into Serial Experiments Lain right now. It's a postmodern anime from the 90s, and, wow, do I have no idea what's going on in it. It's about the internet, and potentially schizophrenia as well. However, I'm obsessed! One day I'll be able to crack this artistic code, and it's unreality, thematic knots, and double-meanings. I will probably understand it better on the second watch. I don't see myself in Lain, but I see my 14 year old self in her, when I had just developed schizophrenia. Her cyberpunk fate seems like it's railroaded towards tragedy, but I want to save her, even if it's silly and irrational.

I told Chloe that I was scared about spilling apple cider on my library books, and she referred to it as "The Great Apple Juice Disaster of September 11, 2021." To which I said that it was the second worst thing to happen in New York on that date. It was funnier if you were there, and also were in my brain at the time.

Anyway, tomorrow I'm meeting some online acquaintances from the college's "Queer Srudent Union" at a Japanese Culture Fair in a park. (I do not know which park.) It emphasizes "fun"! I don't know them very well, but they're friends with the one person I know irl, so it should be good.

Tomorrow night, I should Probably head downtown to check out a gallery show by MFA (masters of fine arts) students at Hunter! After all, I was in a group project with one of them, and they're absolutely brilliant. I missed the Thursday gallery opening by a landslide, because of the aforementioned lack of adhd meds and Being Asleep, which I infinitely regret. I could have listened to all the artists and curators talk about their art and exhibition! Maybe I could have even talked with the artists and curators. But, it's best for me to go sooner, rather than later, so I don't forget. And, I REALLY want to go.

It's "This dialogue which happened to be present in all other dialogues" at the Alyssa Davis Gallery. From the email I got, "Each of these works observes a threshold of transition. [...] [These] intimations [are] of a frame of mind shared by the artists. These works perform, record, access, engage, document, and entrap, embalming the viewer within the gallery space."

sgp is a really good artist, by the way. Their work is just next-level. Be sure to check out their art, if you have a chance. Let me link their portfolio: https://saragracepowell.com/

(I highly suspect spg and the other member of my group project ghosted me afterwards, but I understand. I was really in over my head. Still, they're both really sweet and kind people, don't get it twisted!)

I ALSO really want to see The Cake Boys. They're performing at the 3 Dollar Bill in Brooklyn on September 26th. (It's only $15!) They're the only all drag king collective in NYC! (Are... there any Other all drag king collectives out there?) Other than the fact that a lot of them are trans or nonbinary, which I love, this show is a totally non-judgmental competition for over 40 drag kings! I've heard their shows are hilarious and unique.

I just have to wait until I have $15 to spare. I... didn't eat dinner tonight, because I'm irresponsible with my money and don't want to ask my parents for money... again. Don't worry, it's literally fine, and I don't make a habit of doing this!

Which reminds me! For my birthday, my parents gave me a gift card to Lush! I'm definitely going to Lush tomorrow, which will be great. I would describe my personality as "Lush store employee acosting you about a bath bomb demonstration", so I'll fit right in.

I also made a transition timeline, to show how much I've changed on testosterone. For the better, I hope! I really believe I'm becoming, if not Have Become, the man I was always meant to be. It's so strange to look back at who I was not too long ago, and to know the absolute pain I was in. It's also strange, in a good way, to see the man looking back at me in the selfies. I'm so much happier now! Much more candid in my pictures, at least. But, I know that I'm so much more comfortable as myself than I was even 6 months ago. It's strange. Sometimes I think to myself, "I don't pass yet; I'm not who I Need To Be yet." Then, I look at my selfie from today, and... I'm THERE. My mind just hasn't caught up with my amazing, natural, normal reality.

The end. I have to get ready for bed, (even though I could be partying on a Saturday night in the city. I'm lame.) If you actually read this, I am kissing you on the mouth right now. I hope it made you calm down tonight, like a terrible bedtime story. If you didn't read it and just skipped to the end, don't worry: you did the rational thing.