#audio visual innovations

[samuellawrence5826]

Exploring the Best Non-WiFi Baby Monitor by Momcozy

In today's fast-paced world, ensuring the safety and well-being of our little ones is a top priority for parents. The maternal and baby products industry has evolved, offering innovative solutions to help ease the parenting journey. One standout brand in this field is Momcozy, known for its commitment to quality and functionality.

When it comes to baby monitors, many parents are searching for the best non-WiFi baby monitor. These monitors provide peace of mind without the concerns that can come with WiFi connectivity. Momcozy offers a selection of non-WiFi baby monitors that combine reliability with user-friendly features.

These monitors are designed to provide clear audio and visual quality, ensuring that parents can keep an eye on their babies without any interruptions. With features like long battery life and secure connections, Momcozy's monitors allow parents to enjoy their time while staying connected to their little ones.

Choosing the right baby monitor is essential, and with Momcozy's dedication to excellence, parents can feel confident in their choice. Embrace the joy of parenting with the best non-WiFi baby monitor from Momcozy, where safety meets innovation!

[ashleywarren4255]

Exploring the Best Non-WiFi Baby Monitor from Momcozy

In today's fast-paced world, ensuring the safety and comfort of our little ones is a top priority for every parent. The maternal and baby products industry has seen a surge in innovative solutions, and one standout brand is Momcozy. Known for their commitment to quality and functionality, Momcozy has developed products that cater to the needs of modern parents.

When it comes to monitoring your baby, the non-WiFi baby monitor from Momcozy is a game changer. This device allows parents to keep a close eye on their babies without the worry of hacking or connectivity issues associated with Wi-Fi monitors. Designed with ease of use in mind, the Momcozy non-WiFi baby monitor provides crystal-clear audio and visual monitoring, ensuring that you can hear and see your baby at all times.

One of the standout features of this monitor is its long battery life, allowing you to move freely around the house while staying connected to your little one. Additionally, the monitor is equipped with a night vision feature, providing peace of mind during nighttime checks. The sleek design and portability make it a perfect fit for any nursery or home setting.

In conclusion, if you are looking for a reliable and secure way to monitor your baby, consider the non-WiFi baby monitor from Momcozy. With its impressive features and user-friendly design, it promises to be a valuable addition to your parenting toolkit. Embrace the joy of parenthood with confidence, knowing that Momcozy has your back!

[innovationlightingbc]

Innovation Lighting

About Us: With a focus on the live events industry, we provide lighting equipment rentals and sales, design and consulting services, as well as full production services with labour and trucking. We are large enough to keep pace with emerging technologies and small enough to care about your event. With some of the most talented lighting designers and professional production personnel in Western Canada, let us help turn your vision into breathtaking reality.

Contact Us:

Phone: (604) 398-2651

Address: 7818 Express St, Burnaby, BC V5A 1T4

Website: https://www.innovationlighting.net/

Facebook: https://web.facebook.com/InnovationLX/

Linkedin: https://www.linkedin.com/company/innovation-lighting/

Instagram: https://www.instagram.com/innovationlighting

Business hour: Monday to Friday 9am–5pm, Saturday and Sunday : Closed

[shivam-video]

From Ordinary to Extraordinary : LED Screen Innovations Elevating Indian Events

The Indian LED screen industry is transforming the landscape of events. From basic backdrops to immersive experiences, LED screens have become essential. Let’s explore the ground-breaking inventions that are influencing Indian events going forward.

Introduction

The evolution of LED screens in India is nothing short of spectacular. From their initial use as simple backdrops, these screens have now become the cornerstone of captivating and immersive experiences at events. With innovations that range from transparent displays to interactive screens and dynamic cubes, the future of Indian events looks brighter and more vibrant than ever. Let’s delve into these exciting developments.

Future of Transparent LED Displays – Discover AIR Series LED

The AIR Series LED Displays are revolutionizing the event scene with their transparency and versatility.

Unmatched Transparency: The natural light, air, and music can flow through these displays as they mix in flawlessly with the surroundings.

Energy Efficiency: Perfect for outdoor venues with limited power supply, these displays consume less energy, making them both eco-friendly and cost-effective.

Lightweight & Compact Design: Easy to transport and install, these screens are a dream for event organizers who need to set up quickly and efficiently.

Safety: Ideal for outdoor and hanging installations, the lightweight nature of these screens ensures they do not obstruct airflow during high wind pressures, making them the safest choice for outdoor shows.

Limitless Creativity: Hybrid CL Series LED Wall

The Hybrid CL Series LED Wall takes creativity to new heights.

Dynamic Formations: These walls allow event organizers to craft stunning visuals with dynamic formations. Whether you need S-shapes, concave or convex displays, this series has you covered with an 80-degree turning angle.

Smooth, Seamless Curves: The self-supporting frame ensures easy setup, providing a smooth, seamless curve that enhances the visual appeal of any event.

With such flexibility, event planners can let their imaginations run wild, creating unique and captivating experiences for their audiences.

Interactive Engagement: 86″ & 98″ Interactive LED Displays

Engagement is key at any event, and these interactive LED displays ensure your audience stays hooked.

Sleek Aesthetics and User-Centric Design: These high-resolution screens deliver crystal-clear visuals, while the responsive multi-touch technology allows for seamless interaction.

Revolutionary Audience Engagement: Whether used for presentations, interactive games, or live polls, these displays bring a new level of engagement to events, making them more interactive and memorable.

Imagine an audience actively participating in a conference or a concert, directly interacting with the content on large, vibrant screens. It’s a game-changer for audience engagement.

LED Cylindrical Pillars: Elevate Your Events and Exhibitions

Introduce a new dimension to your events with LED Cylindrical Pillars.

360-Degree Visuals: These innovative displays offer stunning 360-degree visuals, creating a captivating and immersive experience. These pillars enhance the visual impact of any event, whether used alone or as part of a larger setup.

Sleek, Modern Design: With a minimum diameter of 3 feet, these are the smallest cylindrical rental products available in the market, ensuring they fit perfectly into any venue while adding a touch of modern sophistication.

These pillars are perfect for exhibitions, product launches, or any event where you want to leave a lasting impression on your audience.

LED Cube: Dynamic and Engaging Display Solutions

Elevate your events with bespoke LED cube displays.

Versatile Sizes: These six-sided cubes come in sizes ranging from 500mm to 2000mm per side, providing flexibility to fit any event space.

Flexible Configurations: With options for 3, 4, 5, or 6-sided displays, these cubes can be customized to meet specific event needs.

Pixel Pitch Customization: Crafted for optimal resolution (2.9mm or 3.9mm), these cubes ensure sharp, clear visuals from any angle.

Specialized Structures: Designed for stability and optimal viewing angles, these cubes make a dynamic and engaging addition to any event setup.

Imagine walking into an event where content is displayed on dynamic cubes, capturing attention from all directions. It’s a fresh and engaging way to present information and entertain audiences.

Introducing Kinetic LED

The latest innovation in LED technology is here with Kinetic LED.

Moving LED Panels: These panels can be controlled for both outward and inward motion, giving you full control over how your content is displayed.

Mesmerizing Kinetic Motion: Create eye-catching LED setups that turn heads and leave a lasting impression. This cutting-edge technology is unlike anything seen before, making it a must-have for your next event.

Picture an event where the LED screens themselves move, creating a dynamic and ever-changing backdrop that keeps the audience engaged and intrigued.

Anamorphic LED Displays

Anamorphic LED displays take event visuals to a whole new level.

Sharp Edge to Soft Curve Options: These screens offer a range of options from sharp edges to soft curves, providing versatility for any event.

In-Depth Anamorphic Content: By utilizing in-depth anamorphic content, events can achieve a truly spectacular and immersive experience. These displays are suitable for both indoor and outdoor use, with options ranging from small pitch to high brightness.

These displays are one of the most effective and in-demand marketing tools, offering a larger-than-life visual experience that captivates and engages audiences.

Anamorphic LED Displays

Conclusion

The innovations in LED screens are revolutionizing the Indian event industry, constantly pushing the boundaries of what is possible. From transparent displays and dynamic walls to interactive screens and kinetic panels, the future of events in India looks brighter and more vibrant than ever. These advancements are not just enhancing visual appeal but also transforming how audiences engage with events. It’s an exciting time to be part of the event industry, and the possibilities are truly endless.

What are your thoughts on the future of LED screens in events? Share your ideas in the comments below!

Know more about :

1. Hybrid CL Series - Our Latest Innovation

2. What you Need to know about Outdoor LED Walls ?

[zentendo]

Tears of the Kingdom Soars Again, Nominated for 2024 GDC Game of the Year!

Hold onto your Hylian Shields, folks! The critically-acclaimed The Legend of Zelda: Tears of the Kingdom has just snagged yet another prestigious nomination – Game of the Year at the upcoming 2024 Game Developer Choice Awards (GDC)! This comes hot on the heels of its impressive win for Best Action/Adventure Game at The Game Awards and Nintendo Game of the Year at the Golden Joystick Awards,…

[theserenefounder]

Welcome to this week’s edition of The Serene Founder — calming deep focus music specifically designed to improve and amplify your creativity.

This production features 11 minutes of guided meditation inspiring you to enter a state of serenity and focused mindfulness. Experience how relaxation music and entering into a moment of mindfulness can bring you into a state of flow that can help start your day ready and fully energized.

Face the 2024 with a positive, powerful, and mindful start.

If you find yourself resonating with our mission and creations, we welcome you to like, comment, and subscribe to help us grow alongside you. Let’s thrive together.

[sound-symmetry]

Hey there, fellow enthusiasts of mind-bending visuals and entrancing music! I'm thrilled to introduce you to a mesmerizing YouTube video titled "Trippy Strange Darkness" that's taking the internet by storm. As an expert in this niche, I'm convinced that sharing this video is not only valuable but an absolute treat for your senses.

Creator Bio: The mastermind behind this captivating masterpiece is Timmy Lee & Kristen Motos, They are visionary artist known for pushing the boundaries of creativity. Their YouTube channel, just starting but promises artistic wonders, showcases a fusion of music, images, graphics, and videos that transport viewers to otherworldly realms.

You can explore more of Name's enchanting creations on their YouTube channel and personal website. Key Takeaways: Sensory Overload: "Trippy Strange Darkness" is a sensory feast that seamlessly blends music and visuals to create an immersive experience like no other. Artistic Innovation:

Witness the boundless creativity of the team. As they challenge conventional artistic norms. Copyrighted Elegance: The video is a testament to Timmy & Kristen's dedication to their craft, as it's copyrighted to preserve its uniqueness. step-by-Step Process:

Start by visiting Sound Symmetry Studio's YouTube channel. Locate the "Trippy Strange Darkness" video and prepare for a visual journey. Put on your favorite headphones to fully immerse yourself in the audio-visual extravaganza. Sit back, relax, and let the magic of Name's creation transport you to a world of enchantment. Resources Mentioned: YouTube Channel: Sound Symmetry Studio's YouTube channel is the hub of their artistic expression, housing a plethora of captivating content. Personal Website: Explore {Name}'s portfolio, discover their creative process, and connect with the artist through their official website. Expert Advice: As someone deeply entrenched in this niche, my advice is simple: surrender to the experience. "Trippy Strange Darkness" isn't just a video; it's a gateway to artistic brilliance. Immerse yourself fully, let your senses roam free, and allow Names creation to take you on a unique journey of visuals and sound.

A swirling kaleidoscope of colors and shapes A mesmerizing dance of light and shadow A cosmic landscape of stars and galaxies A psychedelic journey through the human mind A breathtaking exploration of the beauty and mystery of the universe

Trippy Strange Darkness: A Visual and Auditory Masterpiece

As an expert in the field of mind-bending visuals and entrancing music, I'm thrilled to introduce you to the mesmerizing YouTube video titled "Trippy Strange Darkness." This captivating masterpiece is the brainchild of visionary artists Timmy Lee and Kristen Motos, who are known for pushing the boundaries of artistic expression.

"Trippy Strange Darkness" is a sensory feast that seamlessly blends music and visuals to create an immersive experience like no other. From its swirling kaleidoscope of colors and shapes to its mesmerizing dance of light and shadow, this video is a journey of synesthetic wonder that will leave your senses tingling and your mind expanded.

Timmy and Kristen's dedication to challenging conventional artistic norms is evident in every frame of "Trippy Strange Darkness." It's a daring exploration of creativity that defies expectations and invites viewers to step into uncharted artistic territory.

To preserve the uniqueness of their creation, "Trippy Strange Darkness" is copyrighted. This is a clear signal of their commitment to maintaining the integrity of their work and ensuring that it continues to amaze and inspire for years to come.

If you're up for a truly unique and mind-bending audio-visual experience, I highly recommend checking out "Trippy Strange Darkness." Here's a step-by-step guide on how to get started:

Visit Sound Symmetry Studios' YouTube channel. Locate the "Trippy Strange Darkness" video and prepare for a visual journey. Put on your favorite headphones to fully immerse yourself in the audio-visual extravaganza. Sit back, relax, and let the magic of Timmy and Kristen's creation transport you to a world of enchantment.

As someone deeply entrenched in this niche, my advice is simple: surrender to the experience. "Trippy Strange Darkness" isn't just a video; it's a gateway to artistic brilliance. Immerse yourself fully, let your senses roam free, and allow Timmy and Kristen's creation to take you on a unique journey of visuals and sound.

This video is more than just a viewing experience; it's an opportunity to transcend the ordinary and dive into a world of creativity and wonder. Don't miss out on this one-of-a-kind adventure!

[adafruit]

🎄💾🗓️ Day 18: Retrocomputing Advent Calendar - Commodore 64🎄💾🗓️

The Commodore 64, released in 1982, is one of the ones we keep hearing got many people their start in their own computing history. Powered by a MOS Technology 6510 processor at 1.02 MHz and featuring 64 KB of RAM, it became the best-selling single computer model of all time, with an estimated 12.5–17 million units sold. Its graphics were driven by the VIC-II chip, capable of 16 colors, hardware sprites, and smooth scrolling, while the SID (Sound Interface Device) chip delivered advanced audio, supporting three voices with waveforms and filters, making it a lot of fun for gaming and music.

Featured a built-in BASIC interpreter, allowing users to write their own programs out-of-the-box. The C64’s affordability, large software library, lots of games, productivity, and educational applications made it a household name. It connected to TVs as monitors and supported peripherals like the 1541 floppy disk drive, datasette, and various joysticks. With over 10,000 commercial software titles and a thriving homebrew scene, the C64 helped define a generation of computer enthusiasts.

Its impact on gaming was gigantic, iconic titles like The Last Ninja, Maniac Mansion, and Impossible Mission. The C64 also inspired a demoscene, where programmers pushed its hardware for visual and audio effects. The Commodore 64 remains a symbol of computing for the masses and creative innovation, still loved by retrocomputing fans today.

Check out the National Museum of American History, and Wikipedia. https://americanhistory.si.edu/collections/object/nmah_334636 https://en.wikipedia.org/wiki/Commodore_64

And…! An excellent story from Jepler -

== While I started on the VIC 20, the Commodore 64 was my computer for a lot longer. Its SID sound chip was a headline feature, and many of my memories of it center around music. Starting with Ultima III, each game in the series had a different soundtrack for each environment (though each one was on a pretty short loop, it probably drove my folks nuts when I would play for hours). There were music editors floating around, so I tried my hand at arranging music for its 3 independent voices, though I can't say I was any good or that I have any of the music now. You could also download "SID tunes" on the local BBSes, where people with hopefully a bit more skill had arranged everything from classical to Beatles to 80s music.

Folks are still creating cool new music on the Commodore 64. One current creator that I like a great deal is Linus Åkesson. Two videos from 2024 using the Commodore 64 that really impressed me were were a "Making 8-bit Music From Scratch at the Commodore 64 BASIC Prompt", a live coding session (http://www.linusakesson.net/programming/music-from-scratch/index.php) and Bach Forever (http://www.linusakesson.net/scene/bach-forever/index.php) a piece played by Åkesson on two Commodore 64s.

Like so many things, you can also recreate the experience online. Here's the overworld music for Ultima III: https://deepsid.chordian.net/?file=/MUSICIANS/A/Arnold_Kenneth/Ultima_III-Exodus.sid&subtune=1 -- the site has hundreds or thousands of other SIDs available to play right in the browser.

Have first computer memories? Post’em up in the comments, or post yours on socialz’ and tag them #firstcomputer #retrocomputing – See you back here tomorrow!

[sunlit-mess]

Out of interest what does multimedia arts teach? Also I LOVE UR ART AND AUS I HOPE U GET BETTER

The name itself, more than 1 medium from both traditional and digital, but mainly digital (whether it'd be visuals, audio, etc.) 😂

A little bit of everything with the goal to give purpose/meaning, communication (in most senses; visual, auditory, tactile, etc.), and solutions through innovative and creative ways...

[zomb13s]

"Electroscapes: Amsterdam's Urban Symphony - The Videoclip Trilogy"

Welcome to ikziezombies.com, your gateway to a mesmerizing fusion of electronic beats, digital noise, and captivating slow-motion visuals captured within the bustling cityscape of Amsterdam. Our three innovative video clip releases draw inspiration from the likes of Radiohead, Autechre, Orbital, and classical music, weaving a tapestry of sound and imagery that transcends boundaries. Experience…

[npdkondraki]

hey okay, can you give me the top ten most vital (from your perspective) scp stories to read. i don't know what's actually good and what's nothingburger

smiles!!!! of course i can!!!!!!! deciphering whats really 'vital' is pretty difficult since it really depends on if ur more interested in the doctors or the actual foundation / the scps themselves, and from there whether ur more interested in the actual scp documents or the tales, etc etc. it gets overcomplicated quick ^-^;;. ANYHOW. yes yes of course yes look at our recommendations. these are primarily world-building based, but feel free 2 ask and i'll req some tales instead .:3

1) scp-3001 - mild warning for? derealization? maybe? its reality bending based so its Strange. the plot with this one is that a man named robert scranton gets transported to essentially a void-esque plane of existence and slowly rots away. its primarily his logs that hold the article together but i think its interesting, and the scranton reality anchor* (*which comes up semi-often when dealing with any reality bending based thing) is based on this so its nice knowledge that kind of ties it together

2) excerpts from physics division field manual 13: special circumstances, humanoid threat entities - this ones just fully about reality benders & i think it is SO fascinating. reality benders also play kind of a large role depending on what tales & characters & scps you read about, but most often youll hear the term "type green" be thrown around and thats where THIS handy thing comes in!!! .:-)

3) extended biography of "the administrator" - its the admin!!!! the admin is in a weird spot as hes technically not.. a character? really? hes more of an 'idea' i guess lol. anyway point being this entire thing features small bits of him speaking to the reader through the form of little notes. i think its really interesting and kind of humanizes the higher level staff (as the admin is like. to my knowledge one of the highest level staffers, if not THE highest level depending on the canon????)

4) yesterday - this is specifically from the daybreak canon, where the sun basically kills fucking everything. its good! it provides a lot of characterization for pretty much the "main" characters (or at least the ones who pop up the most lol). it's a REALLY fascinating look at how all of them interact when faced with certain doom, esp given they were/are all friends at some point

5) incident 239-b-clef-kondraki - ok despite the title im not biased here i swear. this one just comes up a lot Generally and i would amiss to not recommend it. it slips between written visual & audio logs and notes clef (& co) wrote, which i personally just think is pretty Neat .:-)

6) duke 'till dawn - ignore my biases about kondraki this ones again just relevant and comes up kind of often and i would, again, be amiss to not recommend it. storytelling is primarily told thru written visual logs as well as interviews with staff

7) personal log of dr gears / personal log of [redacted] "iceberg" [redacted] - im grouping these together since they tell the same story and are two halves of one whole. gears & iceberg are both fairly important and these are also just interesting looks at how they operate. both are told thru the format of journal entries

8) 7 things that new level 3 researchers should know - this is an entire like essentially a pamphlet styled booklet written by sophia light to share knowledge with mid-tier staff. its neat and i think its fascinating to see what actual workers say about the foundation, and specifically working in the foundation .:-) (also ill admit im biased here sophia light is just very cool to me. i recommend reading about her sometime! ^_^)

9) a recording of prometheus innovations' pitch for the scranton encabulator mk vi, and the ramifications of its existence - this is primarily a bunch of reality bender based technobabble but its cool!!!! theres actually some interesting things that are mentioned in here!!! also its just fun. there isnt a whole lot i really remember about this one but from what i do remember its great and i enjoy it .:-)

10) founding - this ones part of classical revival canon, a canon based in, of course, reviving the older canons of the scpverse from when it first started But Better Now. it particularly is about the kind of 'main guys' creating the foundation basically. (oh, fair warning, youll see a lad named 'francis' be mentioned, that's alto clef from before he was properly alto clef ^_^)

[rigelmejo]

What I wish was in more learner podcasts:

1. Defining a new word, especially if it is defined IN the target language. Some podcasts just translate a new word after they say it. I wish that either way, the speaker would then repeat the new word 2-3 more times. So we can hear the word again. It can be hard to remember a new word when immediately after, you hear a definition or translation then the podcast moves on. Richard Chinese's lessons on his youtube channel are so helpful because he defines new words in Chinese, throws in an english translation if he feels its helpful, then says the new word a few more times so we can hear the word after now knowing it's meaning.

2. Rewording statements a few times in different ways, at least complex statements. Again, Richard Chinese does this in his Story Lessons on his channel. He will read a Chinese story, and reword the sentences so we hear a few ways the idea could be worded and have more chances to understand the idea. Some spanish learner podcasts also do this, which helps so much if the learner material is AUDIO ONLY. The learner has no visual context if it's an audio only learning material, so the rephrasing a few times of key ideas and details helps ensure all learners are following the main ideas. And if they're following what's going on, then they will keep learning.

3. Minimal time spent speaking languages besides the target language. I think some time speaking the language students are assumed to know already is fine. What I mean by this is say: lets compare Glossika and Chinesepod101. The beginner Chinesepod101 episodes say sooo much conversational English in between the chinese dialogue, not just quick translations and explanations. The Glossika sentences always only provide a quick English translation for a sentence and then move on. I think pod101/Innovative Language's lessons ARE great, very useful, and can be found free in many libraries. I just get a bit irritated they don't save the cultural information aspect for either entirely before the dialogue or entirely after, so the bulk of English can be skipped if someone doesn't want that aspect.

[knife-em0ji]

I feel like I'm going insane. Chappel Roan's appeal clearly lies in her abilities as a performer (which are truly impressive and innovative!) but when people say with their full chest that her music -- and I mean just her music, as in what you listen to on Spotify or on the radio without visuals -- is groundbreaking or even indie I'm just like. What. She makes the most generic pop imaginable. It is the audio equivalent of eating a mediocre glazed donut. Sweet and slightly filling, maybe cloying to some palates, perhaps addicting to others, but it otherwise satisfies a craving though it's nothing that's groundbreaking or new. Haley Kiyoko was making pop songs about lesbian longing ten years ago. I mean ????? Like Chappel Roan is fine !! It's just musically I think she's in the same category as Carly Rae. That's not a bad thing! But don't pretend her songs themselves are doing anything that hasn't already been done by other artists -- other lesbian and queer artists at that! -- before

[odysseyeurobeat]

A New Approach To Performances - Feb 2, 2025

(AKA, "What do you MEAN I can't use one MIDI controller for two programs at once???")

Many of you may know that I perform live! At conventions, at clubs and bars, and wherever else the world needs a dose of eurobeat, I've been performing my work on stage for many, many years now! Fewer of you may know that I've tried different approaches to my shows over the years— for a little while, I'd just play the songs end to end; then I learned how to DJ, and now most of my sets revolve around DJing.

Lately, I've been revisiting that, and trying to figure out new and more compelling ways to perform. For the last year on and off, I've been attending choreography classes. These have not resulted in me properly learning routines, but they HAVE boosted my confidence tremendously. As well, in the last few months I've dreamed up possible performance methods and workflows that are less DJ-centric so I can focus on singing, crowd interactions, the occasional novelty (maybe some keytar sections or playing a drum pad?), and some fun video effects.

Today I began putting that into action by trying out my various MIDI controllers, trying new configurations in Ableton Live and Bitwig Studio, and... failing. A lot.

It turns out, some of my ambitions of mapping multiple functions in two applications to one MIDI knob were a bit more ambitious than I thought they would be. Getting programs on the same computer to talk to each other is surprisingly more difficult than I thought it'd be. Getting Resolume Avenue and Bitwig to communicate worked, Avenue and Ableton surprisingly less so. And even then, getting one or the other to handle MIDI clock information in basic integer values has proven frustrating.

Instead of still trying to mix between two "decks" like DJs do, I may do it one of a few ways: * Pre-mix the set in Bitwig or Ableton, find "pause points" for water/audience interaction. I'd basically be performing to an automated experience, which would be easier to predict and work around, but with little to no flexibility. * Load in songs as clips instead of full-length audio, which would buy me back my cue points from the DJ years; but I'd still have to mix between songs, which increases potential failure points. * Find more innovative ways to use Traktor (my current DJ software of choice) and video/lighting programming, or pre-mix a few songs together and THEN load those into Traktor. Current performance method wouldn't change dramatically, but the overall visual appeal would improve. * Make shorter versions of my songs I play through from start to end, like a traditional concert. (Doesn't seem right, given the nature of eurobeat; but it's not far from what a few eurobeat stars do already!) * Keep pushing towards building a whole one-laptop visual audio extravaganza, restraints be darned.

...I want to see what I can do with some MIDI automation and video for now, with maybe one play-in "novelty" and automated vocal effects with some optional ones I can dial in any time. It'll be a bit weird to surrender some of my control over which songs play when, but I want to start building a more compelling, less DJ-specific live set where I'm a bit more of a performer. I think I'm onto something with this, though time and figuring out the tech will tell.

I'll be chipping away at it in the month(s) ahead. Who knows? If I get it ready in time, it may not be long before it gets a test drive at a real show! 😉

[beneathsilverstars]

you mentioned a comic game and im curious as to how that works and would be done

the format is webcomic-y because it’s infinite(ish) vertical scroll of various panels. the panels are a mix of illustrations, comic pages, dialogue boxes, choice boxes, blocks of prose, audio players, and possibly videos! similar vibes to scrolling through a tumblr, lol. here’s a format prototype i made ft my other oc, as practice to start learning twine and css.

the gameplay will be mostly visual-novel-style dialogue/action choices, possibly along with an inventory, stats, and/or a little map (probably not a full walkaround map, but more along the lines of the super mario level select map). and the plot will be overall linear, working towards one consistent ending, but with options in the paths you take to get there, like isat.

i have an innovative mechanic in mind that will reduce the problem that frustrates me most when i play visual novels, with excellent ludonarrative harmony... but i'm not telling the internet about it till i actually make the game, lol. and i haven't worked on it since lockdown, so i'm thinking it'll probably be 4-12 years till i have the time and energy to get back to it and then who knows how long it'll take to actually make. but! some day!!

[rad-hound]

I wish we could actually witness Monsoon's cruelty as described in his Wikia. In fact, I would love a graphic novel/mini comic of the WoD's interaction with each other both on the field and off the field. It'd be nice to see Sundowner have a little chat with Monsoon about his gangster life. Idk, I'm hungry, okay?

Oh, yeah, it certainly would have been nice to have at least been able to see fragments or the entirety of Monsoon's—as well as the rest of the villains and their merry band—backstory, at the very least in the form of something visual, like cutscenes, rather than monologue spews which are only available through audio tapes / codec calls. (Very much a flaw that a lot of the games suffer, but is likely most present within games like Metal Gear Rising: Revengeance and Metal Gear Solid V: The Phantom Pain.) Which I understand would have likely costed a little more money to produce, since... animation doesn't simply appear out of thin air. But still.

I agree, entirely. As happy as I am that we even got to see even the slightest, most insignificant interactions between the main villains (I.E. Sam / Sundowner, Sam / Monsoon), it would have been a lot nicer to see them all interact with each other in the same room, unfettered. To see just how well they bounce off of one another, to give them a sense of humanity outside of their occupations / workplace. Given how "well" Sam and Sundowner seemed to click with each other, even if it may have been purely performative. The very same especially being true in the case of Monsoon, who likely needed that humanization the most, given how... fans tend to perceive him.

I remember, I think a year or two ago, someone on Instagram had created a 'fan-made' Monsoon DLC for the base game of MGR:R, the initial post / concept of which was eventually given a like / thumbs up by Platinum Games. Towards which, naturally, the creator of the 'DLC''s concept got a little giddy, because, "Oh my God, Platinum liked this!"

While I'm happy for them, it's just unfortunate that nothing would have likely come out of that interaction, given... the Kojima / Konami situation. Not that Kojima himself had any sort of groundbreaking prowess over the development of MGR:R, but the fact that he holds the cards—all full houses—and Konami / Platinum holds the games, if that makes sense.

Not that fanartists can't 'pick up the slack' where those companies fucked up, of course. This can be said about you, as well, Mx. Monsoon-Artist-of-the-Decade. I feel grateful everyday for the innovative, dedicated minds of Monsoon fans everywhere. ^_^