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#assessment week is the worst
angie-will-study · 6 months
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23.03.2024
Me when advanced math is actually advanced: 🖊️👁️👄👁️⁉️
Anyways, I didn't get to do as much finished in my math task as I wanted to but thats okay.
Don't forget to take breaks!! 🫶
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sydmarch · 1 year
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spent months like I need prescription for my mental health give me prescription please please & now that I have it I'm like hm. do I want to have to take meds, actually
#part of it i think is just that typical anxiety that comes before any life change like s new job or whatever but also like#despite never having TRIED stimulants im familar w them i know people w adhd who are on them i had an idea of what to expect & thats what i#i figured id be getting but shes having me try this non stimulant option first bcus 1 apparently its good for people who also have anxiety#and 2 easier to get w the like Adderall shortages & shit rn#& im like ok i have NEVER heard of this drug before and didn't even know there WERE non stimulant options options.#like im doing all my research TODAY for the first time then pick it up tomorrow?#like me heslth anxiety girl just has to be like ok sure i guess. i had mentally prepared myself for stimulants & thats it!!!#i mean worst case i just try it & see if it works or if i have side effects but like. ugh. & i dont like that i dont like my np LOL like id#probably feel less uncertain about trying something i was previously unfamiliar with if she was someone i liked & trusted more#if i knew there were unfamilar drugs they might recommend to me i probably wouldve started over & found someone new to work with. AGHHH & i#didnt discuss any of this w her bcus it took me a couple hours after our session to think abt it & do my own reading & process my emotions#to really come to thia conclusion. & also i wouldnt have wanted to talk to hwt abt this anyway bcus i dont like her & have not felt at all#like cool w opening up to her beyond the minimum i had to do for the assessment#& my therapist is sick this week so im not gonna get to talk to her tomorrow!@#texticles#anyway i know ive got fellow adhd bitches following me. anyone try guanfacine did you like it or nah
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ya-gurl-emily · 4 months
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The awesome thing about college is that being there is miserable, and not being there is worse.
Nifty!
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angryborzois · 7 months
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Why are my classes assigning so many quizzes on the days I'm absent lmao
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butimnotseventeen · 2 years
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violentdevotion · 2 years
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yes u r my designated shakespeare mutual bc u mentioned him like once also hi my one nsci class keeps saying 'xyz ameliorates disease symptoms' and then i stop listening and am like ohh i wonder how ameera is doing😁💗❕
hi hi hi hiiii !!! I'm doing a shakespeare adaptations module this semester so it's appropriate for the next for weeks for me to be <3 LOVE that I'm distracting u in class unintentionally. fun story so when I was like 10 my dad got me a little electronic dictionary bookmark and everyone in my class was fascinated by it and one thing we did was put out names into it to see the closest match and the closest match to ameera was ameliorate, to make things better, and it's such a pretty word that I remembered it for years and years and years and had 0 opportunity to use it in a sentence ever so it's my title instead and now 10 years later it's distracting you in class too.
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aefensteorrra · 2 years
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sayruq · 6 months
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Gaza is already the most intense starvation catastrophe of recent decades. The death toll from hunger and disease may soon surpass the body count from bombs and bullets. The Famine Review Committee reported this week that Gaza is facing “imminent famine”. The Integrated Phase Classification (IPC) system, set up 20 years ago, provides the most authoritative assessments of humanitarian crises. Its figures for Gaza are the worst ever by any metric. It estimates that 677,000 people, or 32% of all Gazans, are in “catastrophic” conditions today and a further 41% are in “emergency” conditions. It expects fully half of Gazans, more than 1 million people, to be in “catastrophe” or “famine” within weeks. A parallel report from the Famine Early Warning System Network of the US Agency for International Development sounds the same alarm. It is the clearest warning that the network has given at any time in its 40-year history. A rule of thumb is that “catastrophe” or “famine” conditions mean a daily death rate from from hunger or disease of two people out of 10,000. About half are children under five years old. The arithmetic is simple. For a population of 1 million, that is 200 deaths per day, 6,000 per month.
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shotmrmiller · 18 days
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your superior finding out about the secret praise kink you didn't know had a name because you'd always been called an over achiever, a goody two shoes. never gave anyone any trouble, nose burrowed in a book since you had knobby knees and a library card.
you'd thought it normal that the apples of your cheeks burned when praised after giving your teacher the drawing you'd made for them the night before. that heat spread from the center of your chest up when your first boyfriend/girlfriend whistled at the sight of you outside of uniform. that warmth settles in your belly when you get a pat on the back from your platoon leader firm enough to force the air out of your lungs because you'd disassembled and cleaned a glock with the ease of a professional.
apparently it wasn't.
after weeks of training with the fabled task force, weeks of sharing elbow room with the team, weeks of soaking up the dizzying praise from the captain ("did real good out there, eh? can always count on you." you didn't question the throb betwixt your thighs, taking care of it with a cute little bullet like you've always done since joining the military)
you're confronted by the worst of the lot. ghost catches you in a break room, your back to him, hands clutching a cup of coffee that's more sludge than liquid, its warmth barely seeping through the styrofoam.
his figure fills the doorway, shoulders nearly brushing the frame. your first thought is that his brows aren't twisted together and he lacks that cold, blank look in his eyes so your death isn't in the nearest of futures. the second is that when he's not fully covering his face, the outline of his jaw is quite visible, looking sharp enough to cut.
then he crosses his sculpted arms over his chest, seams straining against the expanse of his muscles, head tipped to the side.
he moves with the keen curiosity of a predator sniffing around a newborn fawn, gaze intense yet inquisitive, assessing your every detail with a menacing interest.
"you ever gonna tell me you've a praise kink, bird?" the question sends a chill through your veins before turning into a fiery rush as it races at twice the normal speed.
praise kink? no. surely not. doesn't everyone like to receive compliments?
"sure. i don't mind gettin' told i've an impressive cock but that's bed talk. you look ready to bend over 'nd show us how slick tha' pretty cunt can get over a rufflin' of hair and a couple of empty words."
that has you positively reeling, fingertips cracking the cup in your hands, pulse on your neck fluttering. you feel a cornered, skittish animal, ready to flee lest your life come to an end in his maws.
but as usual, the cruel man more creature than person, twists the knife he's dug into you with a certain ruthlessness only he can muster.
"so be good for me, eh? love your praise? earn it."
you've always been an over achiever, proven once again by the way you take him to the root in one long, broad stroke with any complaints at the sheer size of him resting firmly behind your clenched teeth.
"tight little thing, spread open over me like you were meant for it. for me." he runs a gloved thumb over your swollen bottom lip. "there's tha' look. drivin' me bloody insane when you gave kyle tha' molten gaze. none o' tha' now, yeah?"
he creeps his ungloved hand down to circle your pearl with the spit-slick pads of his fingers, drawing in a sharp breath when your walls flutter and constrict around his cock at the feel of something other than your toy giving you the relief you need after a hard day's work.
"bloody fuckin' 'ell."
ghost claims a fistful of hair, pulling you closer to him, his breath warming the stinging, throbbing mark he bit onto the delicate skin of your neck. the shuffling of feet right outside the door snap you out of your daze, fingernails sinking into the bulging muscle of his chest but he has none of it.
he uses your hair to direct your focus back onto him and even though he'd only given you a leading tug you felt some strands of your hair come off with a pop.
"easy. can't see your pretty face when i'm fuckin' ya if your lookin' away."
your expression twists into what you hope is bliss when he bucks his hips, your whimper drowning out his groan when he hits on something new.
something you want him to keep hitting.
"exactly like i'd thought."
everything else blurs together after that, and only when you're back in your room using a warm cloth to clean yourself up do you remember the other things he'd rumbled.
(inside o' ya, make you mine-)
(-get 'bout bein' with anyone else-)
(-ll to myself-)
you touch your tender pussy with gentle fingers at what he'd said in the end.
(leave tha' f'me, he swipes your hand away, i'll get ya there, pet.)
if price's compliments take a nose dive off a cliff you don't notice because you're getting your daily fill of them and ghost after dinner every night. kyle keeps them to one word and soap likes to tempt fate as always.
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windser · 1 month
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the first time sylus gave you access to his home at your leisure, his finger had curled under your chin to prompt it to raise until your gazes met. he'd told you to use it whenever you felt like it— to use it when he was gone, if you were feeling lonely or just wanted to curl up into the plush lining of his mattress and the high thread count of his sheets. but his eyes wanted most for you to stay and never leave.
you found it easier than expected to find yourself wandering back to his home. which frankly was no easy feat given that it was housed in the n109 zone. yet, more frequently sylus began receiving pictures of his refrigerator fully stocked with your favorite snacks. other times, he would receive text messages and phone calls while you were buried underneath the comforter of his bed. it was simultaneously the best and worst thing, for he knew you were okay in the boundaries of his home, but he hadn’t properly asked you to make it your home yet.
when he returned home to the secluded location, there a slow gait to his steps, but it was alright - because he was smothered in you. your arms had immediately been around him with his chin tucked into your shoulder so he could get a better grip on the scent he had craved throughout the hours you had been apart.  
it fell into a routine after that and was no longer a request that needed reminders. sylus didn’t have to ask if he needed to clear a drawer in the bedroom dresser or space in the master bathroom because you were already there nearly every night, your knees digging into his stomach while you were sleeping until he grumpily grumbled and pushed them down, your shoes left by the front door, your toothbrush lying around. mephisto's shadow edging closer by each night until he learns to sleep with the light hum of machinery above his head.
he couldn’t find it in him to complain because there was nothing to grouse about. you were in his house, your shampoo lingered on his pillow, and he could walk through the front door to find you lounging on the couch. 
“why do I always seem to find you like this, sweetie?” he asked one particular late night after finishing his affairs for the night. he let out a soft groan, a small but noticeable sign of vulnerability that was reserved just for your shared proximity as he lowered to be able to get to a height that suited your resting form. 
“mmm?” you mumbled through a cloud of exhaustion. “me on the couch?”
sylus chest rumbled softly with a chuckle, brushing the mussed hair away from your eyes. “yes, kitten, you fell asleep on the couch. come, let’s get you up." 
but you had fallen still to his advances to tuck his insistent hands despite your sluggish resistance to help hoist you to your feet. you peered up at him through blinking eyelashes, assessing his gaze while you intertwined your fingers around his. "i like the couch, sy,” you whispered softly, “i like everything about your home." 
he paused, tongue suddenly heavy with the weight of words he'd been harboring for weeks. "do you enjoy it enough to stay here permanently and bicker with me about who ate the last imported candies? or if one of us remembered to let mephisto back in?" 
”‘course, sy.“ you buried your fingers deeper into his hair and watched as his eyelids fluttered shut in relief. "i love wherever you are." 
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ghostaholics · 1 year
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𝐊𝐈𝐒𝐒 𝐈𝐓 𝐁𝐄𝐓𝐓𝐄𝐑
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➸ PAIRING: Lieutenant Simon 'Ghost' Riley x gn medic!Reader (same reader from here, but this is a stand-alone) ➸ SUMMARY: You kiss Simon's very minor injuries. And then some. (Or, alternatively: He's not actually wounded. He just wants to see you.) ➸ WARNING(S): some graphic descriptions of old injuries ➸ A/N: Need to preface that this isn't smut despite how the title and summary sound. Anyways, Jo knows I listened to Hozier's Other Voices 2020 version of "Work Song" for a week straight while writing this. ➸ WC: 2k
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❝ 𝐖𝐀𝐒 𝐓𝐇𝐈𝐍𝐊𝐈𝐍' 𝐎𝐅 𝐘𝐎𝐔 𝐎𝐍 𝐓𝐇𝐄 𝐅𝐈𝐄𝐋𝐃, ❞ he admits, low-timbered. It feels intimate, especially coming from him. Simon's sitting on the cot; it sags under his weight. He curls his hands over the edge of it as he leans forward. No casualties post-mission means he's got free rein to pick wherever he wants in the medical tent.
"Oh, yeah? What about?"
"That I should probably do my best to avoid injuries so I don’t keep pestering you. Can always just tell me to fuck off, y’know.”
“You’re gonna break my heart if you stop coming around.
“Mm,” he says in agreement. “Can’t have that can we?”
You nod your head earnestly. “I like your company.”
“Tryin’ to say that you’ll miss me?”
“I would.” More than he knows.
It’s routine now. He gives you just enough room, adjusting his position. You step into the space made between Simon’s splayed knees, his massive legs nearly bracketing yours with how close they are. He’s bigger than you. Well, considerably more mammoth-like in his proportions compared to an overwhelming majority of the soldiers that you’ve encountered, to be quite honest.
Simon acts as though he’s acutely aware of his size. You suspect that he purposefully makes himself smaller in your presence. Like now, how his shoulders are rounded forward, the column of his spine not as straight-arrow in that standard, militaristic posture most servicemen have adopted. As if he doesn’t want to appear too intimidating. Not that Simon could, to you. Hours doing his stitches and idle chitchat on your part have taught you that he’s much less ruthless than people seem to paint him as. But you appreciate the thought anyway.
You conduct the assessment – a typical evaluation normal for combat casualty care, more in-depth than the one you’d done when he initially stopped by and you did a quick once-over for any obvious injuries. Though given the complete vacancy in the medical tent, you find it hard to believe that you’ll come across anything on him since the mission went that smoothly.
The first thing you notice this time: he doesn't smell like spilled blood. It's different. Not that sweet, rusted iron of wet tackiness – the one that reminds you of a generous stack of two pence coins held between a pair of hands cupped together. He comes in that way a lot. Reeks, because war means that he's no stranger to charging through a shower of copper and lead-forged bullets out on the field. Everything else is still there, though. Maybe a dying campfire – crackling logs and blackened earth. Soft dirt excavated from a foxhole for cover while under enemy fire. All gunpowder and Marlboro Lights and diesel-fuel smoke. Fresh rain and a blue-violet sky after a storm. Victory without consequence.
You'd breathe it in if you could, pull the collar of his jacket up to your face. At this proximity, it’d be easy.
He drops the act when he’s in front of you. Lieutenant. Ghost. Battle-hardened, gruff. A natural-born leader. The kind of person to rip this world apart brick by brick – scraped up palms clutching onto broken pieces – to make sure that the plan is executed accordingly, no matter the cost. It’s hard for him to shed that layer. A drop in the bucket of information that you’ve gathered about this man.
You’ve seen him at his best. But you know him at his worst.
The laundry list of injuries over the years: blows to his torso and his back and his limbs that were brighter than technicolor – purples and reds and sickly yellow-green shades – deep, blotchy medals of violence decorating his skin like some kind of fucked-up kaleidoscope that was nothing to be proud of; when some bastard drove a knife right into his upper thigh, that dirty blade wedged through tissue and muscle which was sure as hell going to induce the nastiest infection without serious TLC and a tetanus shot; rib fractures 7-9 because he aborted an exploding heli, seconds to spare before landing on his side wrong from a height that was equivalent to three stories tall; old GSWs dotting his body the same way you’d shove push pins into a paper-flimsy map to mark the places you’ve been to.
And then there’s no contest for the top contender. 𝐆𝐡𝐨𝐬𝐭'𝐬 𝐖𝐨𝐫𝐬𝐭 𝐈𝐧𝐣𝐮𝐫𝐢𝐞𝐬 𝐚𝐭 #𝟏: when he was rushed in on a stretcher, barely clinging to life. Lower abdomen shredded by exploding shrapnel. He was outside of the window of opportunity. Too far beyond that golden hour, so his chances of surviving plummeted to a single-digit percent.
He’s more than just a patchwork of scars. There’s a complex person underneath the surface. A miracle in the flesh to have toughed it out through all of that. Resilient. Perpetual. His callsign makes sense. Ghosts really do live forever.
Several seconds pass before you speak again. It’s a silly comment, teasing – poking fun at him. You don’t have any reservations when it comes to picking on Simon; he’s good about taking these things in stride. Funny, actually. He’s got a dry sense of humor. “I think… you like the idea of someone taking care of you.”
His response isn’t immediate. It’s delayed, said with intention. He doesn’t ever waste words. “Not just anybody.”
You nearly reel back at that. Warmth floods your face. You aren’t quite sure what to say, didn’t expect it. So you let the comment hang in the air between the two of you, busying your hands with slipping off his tac vest, triple-checking for hidden wounds, doing anything to keep yourself occupied while you stand this close to him in the wake of that remark. You’re engrossed in your work, in search of a distraction.
(He’s a distraction, isn’t he?)
And then your eyes stop in their scan. Right there: a small nick on the exposed sliver of skin between his glove and sleeve – open to the direct path of some wayward debris that happened to graze him. So tiny. You’ve seen paper cuts more harrowing than this – wouldn’t have even registered on your radar, especially if it’s being dwarfed by other critical wounds that hold decisive sway over somebody’s fate when it comes to your average life-or-death scenario.
Of course, you take your job very seriously.
You feign a sharp inhale. “Ah,” you say solemnly, guiding his arm up to your face for a closer look. “Found your problem.”
“I’ve got a problem,” he echoes, voice laced with amusement.
“See, you came to the right place. Anybody else would’ve missed it.”
“The verdict, then?”
“So terrible. Earth-shattering, in fact—”
Simon starts pulling away. “Alright, that’s enough of you takin’ the piss outta me,” he gripes.
You chase his arm to recapture it into your grasp. “Wait!” you say, huffing out a laugh. Your mouth sprouts into a wide grin that makes him roll his eyes.
“You gonna treat me or what?”
Your humor bubbles away as you come back to your senses. Those once-loud peals of laughter start to die down when you take his question into consideration. Because there’s really nothing for you to do; he doesn’t need you.
The realization is slow-moving. It washes over you, rolls like waves as you finally begin to sober up.
Simon wants to be here, and he’s looking for any excuse to stay. He just can’t find the courage to own up to it.
“I dunno. Might be unconventional,” you throw out casually, playing along. “Risky, maybe – never been done before.”
But he’s undeterred. “Sure. Whatever you gotta do.”
You pause for a beat, fingers still wrapped around his forearm because you haven’t managed to let go yet. His skin is warm under your palm. You’re not sure what exactly possesses you to do it – emboldened by his encouragement, given complete carte blanche; he’s leaving this to your discretion. So you press your lips to that area where the cut is, right over his pulse point. If you had lingered for longer, you probably would’ve been able to feel it thudding, that solid rhythm and easy strength reminding you he’s alive.
You expected him to withdraw his arm in bewilderment. He should’ve kicked up a fuss about you violating his boundaries, should’ve told you that you overstepped. Something, right?
But he doesn’t do any of that. Simon’s studying you. Dark pupils. So chasm-deep that the ground beneath your feet might slip away. Ocean trenches, midnight-black like the charcoal smudged around his eyes. When they land on you, his gaze goes molasses-soft. He’s fond; there’s little room for doubt. The way he looks at you says everything. None of that usual coldness he harbors during an op. Instead, relaxed and more human than you’re used to seeing – all of his attention focused solely on you.
“Where else, Simon?” you whisper.
He’s thinking – carefully weighing his options – the same expression that he gets when a crossroads lies ahead of him and he knows his make-it-or-break-it decision will invariably affect the outcome of a mission.
After several moments, his hand comes up. Simon’s fingers curl underneath the hem of his mask; he’s been wearing the fabric balaclava more often since you’ve fixed the stitching on it. Then he lifts – not the entire way. Just to reveal the bottom half of his face. There he is. Sandpaper-rough stubble. The sharp cut of his jaw. A mouth that you’re convinced wears a scowl 24/7 behind his mask but is now slightly twitched up.
Even though you’ve seen it before, the sight of him never fails to steal your breath away. Feels like meeting him for the first time again. With how rarely he does this, it might as well be – that slow, heart-melting sensation is steadily filling the cavern of your chest.
And you lean in. Your lips brush against his; it’s a chaste thing – the kiss – if it can be called that. Gentle. Like how you’d stitch up his wounds with a light touch and kind intent. He’s built of sterner stuff, but if there’s anything you’ve learned about him, it’s that he’s capable of breaking just as easily as everyone else. You always handle Simon with care: unequivocal compassion and empathy when there’s so little of those left on this side of war – privileges that he’s never taken for granted.
“Better?” you ask quietly, tipping your head in question.
Simon hums his approval – this pleased, low sound in his throat. His hand slides across your lower back. He tugs you towards him. “Wouldn’t mind some more attention,” he murmurs, before slotting his mouth over yours. And then he kisses you like it might heal him from the outside in.
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Sexism in TOS: Worst Offender, or Progressive in Retrospect in Comparison?
I see a lot of folks claim that TOS was the most sexist of the Star Trek shows by a landslide -- and while I agree that it definitely suffered from the sexism of the times, I also have other perspectives to share to give some food for thought.
I am of course not insinuating that TOS isn't sexist -- it is, but I have to ask folks to consider the breadth and depth of Berman's sexism in his run and ask yourself: Was Gene Roddenberry genuinely more sexist in his storytelling and delivery than Rick Berman?
I'm not telling you to feel one way or the other, but all I ask is that you hear me out and consider some perspectives and make your own balanced assessments. Nobody is obligated to share my opinion, but it means a lot just to have folks hear it and see their thoughts on the subject. So here is what I was originally responding to:
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Someone's response to this photo:
"Devil's advocate. This was a part of the popular form of cardio during the production time of TNG. Yes, it was heavily sexualised by men, but so is literally every other way women work out. Men have been caught taking pictures of women while trying to do dead lifts, running on tracks and working on sled machines. They post them online to share too. The fact is, there is no way a woman can be shown working out without it going there. And yeah,t hat includes the combat forms of workout they do in Star Trek. Just look at how Dax dresses when she spars with Worf. Yes, they're dating, but still, same goes when 7 does and any other female.
Aerobics routines like this were made dirty and cringy. This was what women wore then by and large. This is how the workout was done. We make it cringy."
My response to them:
"I respect your take, but I disagree on a few fronts.
The miniskirt was chosen by the TOS female cast, not the male cast, specifically requested by Grace LW and affirmed by Nichelle and Majel who would go on to vehemently defend the miniskirt over the years as comfortable and embraced by them.
Grace said it was comfortable and seen as a symbol of female sexual empowerment during the 60s and thought it would be a progressive garment (and turns out that it was, as it was later adapted and worn by male crew as a skant on TNG) -- FYI those were designed by a gay man and Gene approved them.
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This was also supposed to be Spock's TMP outfit:
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Literally lingerie.
We saw both Uhura (who saves Kirk in from Marlena Mirror Mirror) and Yeoman Landon (the first to initiate combat with a classic Kirk-esque kick to help the Captain being attacked in The Apple) carry out their combat training in their Starfleet uniforms without ever being made to change into any ridiculous workout gear.
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In fact, I'd argue Jim Kirk was sexualized even more than the ladies of the week on the show and I saw his naked body more than anyone else's on a fairly regular basis. He wore red yoga tights while topless in Charlie X while the women wore full length gymnastic suits that covered their entire body. If anything, it went out of its way to avoid sexualizing women practicing fitness in those scenes and instead focused on Kirk.
Gene confessed that he asked to have Shatner filmed in suggestive/provocative ways to "give something to the ladies", so he -- as he said -- liked to "film him walking away" or have him conveniently busting out of his shirts in just about every episode as it were, because Shatner apparently had great assets. LOL
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Gene made an effort to at least sexualize both if he was going to sexualize one, and he carried that attitude forward in wanting the m/m and f/f scenes in the background on Risa for TNG. He also insisted that the men and women wear skimpy outfits on THAT TNG planet. You know the one. LOL I mean the dudes even had on less than the women:
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Gene also gave permission to K/S shippers to have their conventions back in the 70s when he was asked for permission. Gene and Nimoy felt with all the skimpy outfits they had the ladies wear, why not let the ladies and gay men have their fun, too? It's how we ended up with moments like this:
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Yes, those are two people dressed up as Kirk and Spock's penises doing interpretive dance. Gene didn't give two damns. LOL
In my eyes, that was a very progressive take on Gene's part for the 60s. It was actually PARAMOUNT STUDIOS who had the big problem with K/S stories and vehemently tried to shut them down. Gene literally hired slash authors on his payroll and even had several slash stories/writers published in his official Star Trek books (The New Voyages & The New Voyages II).
I feel I saw Uhura and women in TOS engaged in more physical combat/altercations defending themselves that Troi or Bev were shown holding their own.
In fact, Kirk used to get furious when someone would "dress up" his female crew members without their consent (Trelane episode, Shore Leave episode) because like his male crew members, he wanted them to be treated professionally and to also have his male crew act professionally.
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Berman brought some of his own personal biases into Star Trek that in some ways regressed it. While TOS had blatant sexism and was called on it time and again, that show was made in the 60s -- a solid 21 years before TNG. We as a modern audience understood why some of it was cringe/sexist due to the time period -- look at any other media coming out in the 60s and Star Trek was miles ahead of what other shows were doing.
Compare that to Berman who was churning sexist stuff out when women like Starbuck and Scully were simultaneously on screen on other programs airing, and we had already had Sigourney Weaver and other strong women in Holywood playing respectful roles.
In my eyes, there was no need of the sexism seen in TNG but especially VOY and ENT. There was no excuse for it when other shows were writing women far better and a number of those weren't even set in the future like Trek was, making it age even faster due to having those dated perspectives frequently highlighted.
In the Center Seat documentary as well as "The Fifty Year Mission" book you will find cast members, writers and other studio alumni who attest to this. Some discussions from "The Fifty Year Mission":
"First, Berman was supposed to have been a real sleaze ball . . . According to Terry Farrel, he would go on constantly about how her breasts weren't big enough, how she should do something about it, and how his secretary was a good example to follow as she had huge breasts. She even had to have fittings to get larger bras, and that was all done at his behest.
Later Berman and Braga developed a name for Jeri Ryan's character prior Seven of Nine. They originally called the character "perineum" which if you look it up it is the area between the anus and the scrotum. Later they floated the name "6 of 9". I mean, what does it tell you about where these two were coming from in the development of this character if they had names like that put forward in all seriousness for her?"
Gene Roddenberry also had some of his own more progressive ideas for TNG cut or watered down by Berman. Roddenberry agreed TNG should have homosexual relationships and representation at a con in the 80s and insisted on it in a meeting with his writers -- something Berman later would not honor. Gene wanted the AIDS episode, showing m/m and f/f in the Riza scenes -- these were some of Roddenberry's requests to include in TNG that Berman later stonewalled.
Berman's era was sadly dated by his own misogynist bias, IMO, to the point that it can somewhat hurt the shows he worked on through his cringe egoism and blatant disrespect toward his female cast.
There is a reason why Gene could keep female actresses working with him and Berman had a revolving door of women that he couldn't seem to keep working for him -- he was abhorrent to women, on and off set. Gene wasn't perfect at all, he had a lot of issues himself -- but Berman was a whole other level. Just look at what he did to poor Jolene Blalock, Marina Sirtis and his toxic commenting on her body weight which exacerbated her struggles with eating disorders, or how he treated and talked to Terry Farrell.
Anyway, just some food for thought. I'm not saying anyone is wrong regarding a take like that, but there are a variety of ways to look at this. Gene Roddenberry isn't a saint by any means, but it definitely bothers me how folks will tote the Berman era as if it were the lesser of two evils or the more progressive depiction of women when I felt there were far more concerning portrayals of women in his era with far less justification.
(P.S: I don't event want to go near the sheer amount of "creepy old dude/villain preys on innocent/naïve/scared young woman or little girl" stories there were in Berman's era, either. But that's a whole other can of worms I can write about in a part 2.)
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cocteautwinslyrics · 2 years
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I've been writing my history coursework super slowly because I'm trying to actually write what I'm happy with and also I'm bad at focussing even when I'm not getting distracted and I've been trying lots of tactics to get myself to speed up (see the false deadline I set myself yesterday here) that haven't worked and like it's only just clicked that I'm an essay perfectionist. like not even in a 5 billion drafts until it's got no flaws way but in a first draft has to be the best draft way. and the thing is I genuinely am good at what I write like I had my dad who did history a level read over it and he said I was writing at 2 years above my station which echoes what my history teacher also said but I still spend too long scrutinising things, which I wont end up changing, for fear that it's not good enough and it's really inhibited my performance in exams like in English last year I wrote about half of the minimum I could write for full marks but I still got 70%. but if I had trusted what I'd written I could have easily got so much higher. my dad was recommending to me to "write worse to write faster" given that even if I did that it would still be high level work. which would be incredible advice that could relieve so much of my stress but a) I physically do not know how to write worse than what I do. it's one of my main problems. and b) even if I did I would feel ashamed for not writing my highest standard. there's 2 days of holiday remaining and I've also still got to write 500 words creative writing for a competition that I put myself forward for despite having not written creatively for ages. and also 750 words transactional writing which I am not used to doing at all. I'm going to try and sleep now
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dream-launch · 2 years
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Me in the library tryna work: I'm gonna get this portfolio statement done tonight if it's the last thing I do ᕙ(⇀‸↼‶)ᕗ
Me seconds later realising the co-op closes in 15 minutes already sprinting down the hill to get the sweets I didn't need or even actually really want: we do not rush perfection
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bubbles-for-all-of-us · 5 months
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The way of the water
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request: can i have some kaz x grisha!reader where she's a tidemaker and during a heist he falls into the water and she uses her powers to pull him out and helps him through a panic attack? hurt/comfort and preferably established relationship pls and thx
a/n I am so tired that I do not know what this is. And I really apologize if it is bad.
warning: drowning?, fear of water, not really played into his touch aversion.
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Kaz was convinced that you were simply his best investment. A quick and smart way of dealing with his fear of water. He had torn earth and sky. Put at least five bullets between different merchants' eyes before he found you locked in a glass tomb. For a moment, you looked repulsive to him. Floating in the water like a corpse. But then again, he remembered the gossip. The way the creature was forced into a trance. It had been the only way to drag you out of the village the salesman had raided once the word about your kind spread. Just you didn’t remind him of a creature...
“Unlock her," Kaz had muttered to Jasper, who had stood gaping like a fish himself, “and I don’t know... offer her water." Kaz had glanced one more time at you. “Very funny, boss," Jasper hissed. “You do know that she could bite my head off and drown me once I...", but Jasper was only met with a slam of the door.
The weeks that followed left Kaz both satisfied and frustrated. You had tried to run only five times in a span of two weeks. In an angry haze, Kaz had locked you against the staircase railing. Much to everyone’s displeasure. But then he only managed to sit in his office for an hour before he found himself reaching for his cane.
“Extend your leg," he muttered, watching as the droplets fell to the floor. Your angry eyes darted toward him. “Sometimes I’m glad you can’t move blood," he muttered under his breath. “Careful, maybe you don’t know all of my tricks," you huffed, pulling your chained leg beneath yourself. Kaz inhaled deeply. He needed you. There was no use in you if you just sulked.
“You do know that I wasn’t the one who brought you here. I saved you from a very bleak existence. You should be thankful," he said blankly. “My apologies; you want me to bow or kneel?”, you scowled back. “I don’t want to exploit you, I..." Kaz swallowed thickly. He hadn’t told anyone why he had been so close to obsessively looking for you. He was sure they had found their conclusions on their own. “I need your help," he finished.
Kaz watched as curiosity flicked in your gaze. He knew that you weren’t going to ask. You could very well just sit there for hours. “I don’t like... I have a complicated relationship with water." For some reason, Kaz was waiting for you to start laughing. Make a joke. But the expression on your face didn’t change. If anything, the harsh frown eased up. “It… I had to be near corpses during the plague”, Kaz pulled at the suit he was wearing as his throat slowly closed up with anxiety. But then, in a heartbeat, the air in the room shifted. The dripping of the leaks in the roof faded to nothing. Kaz lifted his head to assess the droplets turning to mist the moment they entered the room. Once he glanced back down, he found you standing with the chained leg extended to him. He held your gaze for a moment before nodding. A silent understanding taking shape between you both.
“It’s an easy job. Pick up the document and go." It had been a while since any job had come into Kaz’s view. One he would like to take on, at least. Until now. He needed that handbook, the new shipment trades, and the new substance that had leaked into the market. “Worst-case scenario, there’s a harbor," Kaz tapped onto the map. His eyes caught yours across the room. He had sworn to never involve you in the Six Crows business but caved in after watching you wilt into nothing for weeks. So now he just offered you the safest job he could find. To stand watch. To leave false trails. To watch his back if a big body of water was near.
“Fourth floor. You will go through here." Kaz quickly averted his gaze. “I will scale the outside wall." He could hear the sharp breath you had taken in. He knew why. The side wall was bordered by the edge of the dock. Kaz swallowed thickly and said, “Get me that fucking book," before folding the map up and showing it into the top drawer of the desk.
The salty water kissed your skin as you slowly walked into the waves. You knew that Kaz watched you from his spot. You could feel his eyes on you. It had been weird the last few months. Going from full terror to finding a strange family of sorts. Yet still, it was Kaz who intrigued you the most. It was unusual the relationship between you two. If you could even call it that. You rarely talked, but then it never felt like you had to. He understood. And when he wanted you to be there when he tried to overcome his fear of water, you would just linger there. Like a phantom touch. Guarding him. And then he would stand there looking at you for hours. Eyes pouring more than words could ever tell.
You are the one watching him now. Like a shadow. Crawling up the wall. Each move is calculated, each move is planned out. Covered by the waves crashing against the shore. It always bugged you in the moments when you couldn’t see him. When he was inside the building, outside of your sight. You couldn’t protect him there. Even if Jasper had told you time after time that it was you and all of them that needed saving from Kaz, not the other way around.
A loud bang sent your head shooting up to the balcony. Voices following through. Shouts. Glass braking. The light flickering on throughout the whole upper floor. One that was supposed to stay undisturbed. Your own heart picked up in pace. Then the dark coat appeared, swaying in the wind. Another figure leaped upfront. The two wrestle in the tight spaces. A loud snap. And there it was. The time stopped still as a flash of Kaz’s face eliminated by the moon glimpsed by right as his body was forced over the railing. You had barely managed to swallow his name while diving into the waves. Forcing your body to move as fast as possible.
The free fall felt short, but the impact of the water felt as if Kaz had been drowning for an eternity. He didn’t even realize that he was falling into the water. He was prepared for hard ground. But the panic that filled his body when he was submerged made him let out a gasp. Filling his lungs with salty water. Memories of the past clasped clammy hands all over him, dragging him deeper and deeper. The light from the moon fading away.
And then it’s as if he’s wrapped in an invisible net. Kaz blinks once, and it’s you there. Right in front of him. By some absolute stupidity, he tries to call out your name. Letting more water into his lungs. Your eyes grow big, and then your fingers are grasping for him. Kaz catches that apologetic expression on your face before you pull him closer to you. Lips crashing into his, and at once it feels as if his lungs don’t remember how to breathe or how to welcome that gust of oxygen. But he’s holding onto you regardless. Feeling the fear fade away until it all goes black.
“Look at me," you frantically tap at Kaz’s cheek. Breathing heavily. The very tips of the waves still kissing your legs. You didn’t have enough energy to pull you both out fully. Feet slipping beneath the wet sand. Making you fall over, with Kaz’s body following right with you. "Kaz," you press your ear against his chest, trying to listen for a heartbeat, but you’re too anxious and too shaky to distinguish anyway.
“Why aren’t you waking up? Wake up!" You whine in frustration, pressing your lips against his now-blue ones. A kiss from you had to be enough. Had to breathe him back to life. You couldn’t have been too late. Couldn’t have. And then Kaz jerks, sitting up in a rush, his pained coughs slipping past his lips. You don’t dare to touch him now. You know he doesn’t like it. You had already overstepped as it was, but now.
“What the fuck?", he hissed through clenched teeth, making you drop your gaze. “Are you out of your mind?”, Kaz was coughed once again. Now you could see a sharp gash in his forehead. Still leaking blood. Your fingers traced the wet sand. “I saved it," you muttered, handing him the book he had come for—one that fell alongside him into the water. Kaz rips it out of your grasp, throwing it to the side. His fingers wrap around your wrist. “Are you insane?”, he hisses, pulling you closer. “You could have gotten hurt; they could have very well shot at you." His words hit you like a blow, leaving you speechless as you glanced up at him.
“Your arm." You want to laugh at how insane this is. Had you too hit your heads? Why is he concerned with... “What happened to your hand?” Kaz demands, making you glance down at the torn flesh. He was too heavy for you to lift up the dock. You tried. Unfortunately, that resulted in you slipping, and since you were too afraid to let go of his body, your arm met the sharp edge of the hook that was left carelessly there.
The sound of the shirt being ripped makes you blink. And here he stands. Taring his shirt up before grasping your hand as he wraps it around. “Your head," you mutter, "You," "It’s a scuff," Kaz grunts, his fingers shaking the longer he touches you. You back away slightly, not wanting him to do something he’s uncomfortable with. But Kaz’s wild eyes meet yours, making you still. “Next time," he breathes out, “Next time, you swim away without looking back.”
He drops your arm, turning away from you. Brushing his shaky fingers through his messy hair. “There will be no next time," you mutter, making Kaz turn around so quickly it makes you jolt. “There will be no next time," you continue once again, “because I will be right there, right under, and you will never get to feel what drowning feels like." Your hands wrap into fists as angry tears roll down your face. Kaz shakes his head. “You silly girl," he huffs, stopping closer to you. Not daring to touch you, but enough to feel your body close. Enough to feel whatever that is left of both of your bodies's warmth bouncing off of each other. Kaz takes a deep breath, "I would rather drown over and over again than see you get hurt again.”
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