#as you can see I rather like being hurt

[metamorphesque]

hello, can you recommend me books that will wreck my heart and soul to pieces? I need words to destroy me and then fill the void within 🥺

books that will destroy you:

The Song of Achilles by Madeline Miller

War of the Foxes by Richard Siken

Tess of the D’Urbervilles by Thomas Hardy

South of the Border, West of the Sun by Haruki Murakami

The Bell Jar by Sylvia Plath

Fish in Exile by Vi Khi Nao

No Longer Human by Osamu Dazai

God Of Small Things by Arundhati Roy

The Vegetarian by Han Kang

A Little Life by Hanya Yanagihara

The Metamorphosis by Franz Kafka

The Death of Vivek Oji by Akwaeke Emezi

books to fill the void:

Letters to a Young Poet by Rainer Maria Rilke

Before the Coffee Gets Cold by Toshikazu Kawaguchi

The Housekeeper and the Professor by Yōko Ogawa

Kitchen by Banana Yoshimoto

amalgamation of both:

Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

The Brothers Karamazov by Fyodor Dostoevsky

Norwegian Wood by Haruki Murakami

Letters to Milena by Franz Kafka

The Little Prince by Antoine de Saint-Exupéry

[sysig]

Off to make mischief and terrible decisions for everyone (Patreon)

[shalom-iamcominghome]

People findinging out that antisemitism does, in fact, victimize people

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[moeblob]

Anyway they can change between being tiny and human sized. And when they're tinier they can only be seen by the other fae or their selected humans. So if you just passed Noll on the street while Shavuli was perched on his shoulder chatting away you wouldn't see or hear her.

[cinnamolore]

my hill to die on and rock to throw is truly the mischaracterization in shipfic for haikaveh and ratiorine, SPECIFICALLY for between kaveh and aventurine

[laniidae-passerine]

decided that in my own personal canon, Santiago’s maker looked similar to Louis, simply because Ben Daniels stated that Santiago was very likely in love with his maker. and wouldn’t it be some kind of torture to fall in love with the man who murdered your first vampiric love? to then watch him fall in love with another, who bears an eerie resemblance to that first love? to be witness to something tender and affectionate blooming, every moment a memory of how none of those you’ve adored have ever wanted you back? it would be agony. it would be torture. god, you would just hate them to pieces, loathing even as you loved them. and you wouldn’t know peace - not until the whole pack of them learnt the horror of love, just as you have.

[a-libra-writes]

Nico and Serafine having an older sister is the greatest headcanon I’ve heard in ages and I cannot stop myself from imagining it.

Just them having this older sister who is thought of as being the calm and reasonable one, which is an assumption that has lulled many a victim into a false sense of security because, in actuality, she is just as dangerous. She is nice and polite with an innocent face and ladylike manners; but she also thinks that everyone is expendable apart from Nico and Serafine. To her family is everything and she takes her role as the older sibling very seriously.

I cannot stop thinking about this and their relationship and childhood and I will be thinking about this all weekend now.

Thank you for your wonderful headcanons.

Yeah its such an interesting dynamic now that I think about it... this is the kinda stuff I like exploring ....

I like the idea of her being slightly more "dangerous" bc she is so fierecely devoted to her siblings that she'll do and has already done very awful things (tm) to keep them safe, and she hides this streak well with a polite, reasonable facade. Probs removes her accent and country mannerisms entirely when speaking to "outsiders".

Heck she may have been more of a mother figure than simply an older sister. Parentification at a young age and all that, even if shes only 3 or 4 years older .... abandoned by their parents either intentionally or by circumstance and left to be the Protector and the Grown Up .... food for thought

[martyrbat]

so many of you talk about the cruel adults in your childhood that negatively effected you and caused lifelong insecurity yet you're still perfectly fine with being that mean stranger to any kid that has the misfortune of existing around you and thats just really gross !!!

[katyspersonal]

3 for Aldrich, Aldia, Willem & Laurence

9 for Maria

11 for Micolash & Aldrich

24 for Laurence

(Asks from this ( x ) meme)

3) What first drew you to this character?

As for Aldrich, I vaguely recall finding out that he checks the traits I like the most? He was one of the characters I've learned about through fandom and not on my own, and I think this ancient meme about summarises it:

Also:

@val-of-the-north SHUDDUP you're basically so horny for Laurence/Logarius/Snatchers that you can't even picture them in your mind in any way but being naked!!!!!!! *casts the stone back at u*

With Laurence, like with Mico, it was the very first glance at the character in Youtube compilation with boss themes and concept art image. I did not know the lore yet, but the design and the music made me imagine Laurence as sort of aged, sagely librarian. I could not imagine back then that his boss fight would be him being a "helpless abhorrent little mewmew" as kids call it! Heck, I thought he'd have dialogue despite the monster form x) In a way, my first impression was not wrong, with the cut content of him actually talking even in a beast form, and implication of him being a son of Cainhurst cut content librarian NPC! I have intuition for cut content before having information, hahaha!

I have nothing to say about Willem. It might be a memory gap thing, but I swear at some point I feel I was turned off and then booted back up with liking this character already installed in my system x) As for Aldia.... ugh for fuck's sake... yeah, it was this legend:

I was absolutely floored by this stupid vid even without knowing any context, but I also instantly liked this character. I didn't even know his name yet, but the voice acting and long yapping about philosophy already pulled me in XD (Also unironically, this video is precisely how I give relationship advice fhfhdds)

9) Does this character remind you of anyone you know? Does that affect how you see them?

Yeah, I know this person. I know them very well. I know them more than anyone else. Someone who was misguided (by their destructive influence mentor figure, by their own foolishness and past history, or combination of both, who can tell anymore?) into committing awful things, then despaired over their sins and attempted redemption but also failed in some way? This person is me. At some point I've found myself in front of horrible truth about my past life and personality, and knew I was guilty and sullied forever. That it was over for me as a human being, but that didn't matter, and I could only keep people safe by locking myself away and trying to serve something better.

......annnnd it took a few years of more informed people to (metaphorically) shake me and slap my face into lucidity, explaining to me that I've fallen for the "BPD demonization" that was going far beyond than my individual failure as a friend, and we are always accused of abuse and causing irreversible harm when the worst we do is being emotionally overbearing. I kept losing trust to those friends, telling them that they were enablers who tried to gaslight me into thinking I was not 'that much of a monster', until it was other people with BPD who 'shook me and slapped my face into lucidity'. xd Nonetheless, even though now I know the truth about how society treats BPDs, I remember the feeling of being so monstrous and harmful that I was not even allowed to "touch" people with my dirty hands, how my reality used to be. So, I could write Maria going through this effortlessly, especially considering what she did was more plain and tangible!

In fact... thank you for asking me about this, because I kept wondering why I had such frequent dreams about being Maria, and why the Maria in my dreams acts like abused child that took back control against Gehrman despite my portrayal of the guy being so different. And now the puzzle is solved! That part of me still lives inside, it seems.

11) How did you “fall in love” with this character?

Already answered this for Micolash here: ( x )! As for Aldrich, it was through properly analysing the bigger picture and context of his actions. I've figured that his madness was, in fact, being informed on what was far too ahead of everyone else around him! He, like the rest of the cast, is trapped in the rotting, doomed world in which the only choices are 1) "die with dignity" or 2) commit something unthinkable from moral standpoint for a chance to escape. And will morality of the rotting world will matter in the new world anyways? Won't it all be left behind and be forgiven?

The guy also tried to take everyone else he could with him, like sort of a fucked up Noah's Arc! I can tell that they reused the concept with Rykard, at least, I am glad they know what works xD I'd say that the sadism he experienced upon eating people was either result of insanity (he understood a thing no one should understand), or still didn't exclude the bigger purpose (egotistically revelling in how holy he is helping everyone and doing what no one else dared, which would be like my Laurence). In any case, I have the strongest respect to the courage it takes to transcend the bonds of morality and compassion in order to to greater good. Being burdened with the knowledge of how the world really works, and choosing to push through instead of still being bound... This is why I also like Fauxsefka; learning how this world works, she chose to turn people into Kin so they can't ever become beasts. I am weak for this trope, you don't understand.

24) Do you ever dream about this character? If so, describe a dream you once had about them.

Laurence appears in my dreams only in two contexts: 1) Micolaurence or 2) dreams about finding secret files in Bloodborne that reveal his canonical appearance before beasthood! I can tell the latter comes from my everlasting unsatisfaction with my design for him, because I love it but it doesn't feel "fitting" and I can't identify why!

The former, I think, fandom rubbing onto me x) In two of these dreams, I was Laurence. In other two, I was Micolash. In one of Laurence dreams it was mutual, in the second one I was in love unrequited. In one of Micolash dreams, it was mutual, and in another it was not.. Basically, my dreams allows me to experience this ship from every possible angle. o_o Waiting for more I guess fhhdfsfd

______________

Thank you for asking! And.. without exaggeration, you've just done quite a psychological work on me by just asking the right thing. I need to think about that, hahaha

[gothsuguru]

i love muting people on twitter some of you bitches are very dumb

[royalreef]

(( As a kinda silly OOC thing: I like conceiving of Miranda (and her connections through the Merkingdom) as being an anti-OP muse.

As in, I like the thought of, the more OP someone or something else is, the worse of a time they have being able to do anything to Miranda. She is, very intentionally and within the logic of her own universe, designed to be able to handle those with extreme power and authority and to be able to undermine everything they can throw at her and counteract anything that they try to do.

She's already a royal, next in line to her throne! She has to be able to fully handle other people in similar positions without risking any damage to her own, and this is something that she's dealt with her entire life. She very much knows all the risks associated as a part of her job, her title, her entire reason for being born, and she's well-trained in the formal and informal methods of striking down anyone else who might even come close to a position to her own.

Which, of course, means that muses that very much aren't OP, that are just normal people or much closer to it, are much, much more capable of threatening Miranda and the Merkingdom both as a point of intention. This is something that I very much want and very much want to encourage. Especially because the reason this is such a problem is the way that the Merkingdom and, thus, Miranda, entirely overlook and ignore such threats and treat them like non-issues. The fact that most Merkingdom royals, upon actually encountering a landfolk, have a range of responses from discomfort to dismissal to ignorance, is one that is very purposeful here. The ones that they're most likely to pay attention to are the ones in the most danger, and the ones that they aren't likely to care very much about beyond petty malice and as another means to inflate their own egos. And, as it is, the ones they're most likely to pay attention to are those that have decided to pose a risk.

And it's a thing that I've been dealing with from the beginning too. From the start of this blog I was very bothered by the idea that some OP character would decide to singlehandedly "fix" or destroy the Merkingdom from a position of equal or greater authority. Which is not to say that I didn't want it to be changed or that there weren't ways to dismantle it. But rather, I wanted it to be more organic, and I wanted to deal with the actual question of how that even happens, and I wanted to ask the question of what could measurably improve this situation and Miranda's life both.

Which meant that, yeah, the more OP a muse is the more intentionally destined for failure they are, and the closer they approach "some guy", the more they'll be able to achieve. Which is not to say it won't be difficult or hard to do, or that there's not the possibility for failure (again, even at her most basic, Miranda is a macropredator that can easily maim someone, but more typical "normal" muses are more likely to possess caution and try to read her body language before pressing her), but the fact remains, very intentionally, that they are the only ones who will be able to do it.

[icrowler]

idc what bad things someone did, I'll never misgender them out of spite. Disrespecting a identity that has nothing to do with someone's actions isn't funny, it just proves you never believed we're real people. even queer ppl who say someone's gender is now invalid like... so there's an expiration date to who I am?

[orcelito]

Did the stuff exchange 👍 that sucked 👍 wahoo

[hauntingblue]

ANOTHER DEATH BY INMOLATION???? ENOUGH!!!!

[reanimatedgh0ul]

honestly the idea of newton and lance both ending up w gfs is funny to me only bc ik the two of them would have COMPLETELY DIFFERENT reactions the moment they realize they're in love w the girl they're now dating

basically newton's reaction vs lance's reaction