#if the alternative is leaving people behind or making a single person feel the way i have felt
Explore tagged Tumblr posts
Text
.
#the amount of compassion you have to pour directly into a bad-faith asshole's mouth without knowing whether there's even a point#in order to get them to the point where they're willing to engage at a level where they actually take your feelings & words into account#the point where they even start hearing you and seeing you as a potential equal in conversation#the point where learning and growing becomes a possibility#is fucking exhausting. and i understand why a lot of people refuse to do it. i understand why some people dont practice what they preach#because sometimes the congregation in question is just there to throw tomatoes without any intent of listening#but idc! idc! im not gonna let a bunch of assholes close my heart off. id rather be naive but kind and get taken advantage of#if the alternative is leaving people behind or making a single person feel the way i have felt#having good intentions but being unable to express it w/o negative emotion or without the correct words or not being given a fighting chanc#to never be seen as a person or heard or listened to is so hurtful#i never want to do that to someone#and if i have parted ways with you or made you feel like that at any point please know it is only when i have no other options left#i know it's an autism thing to be so utterly gutted at being misunderstood and i'm most likely giving energy to people who don't deserve it#but i dont care! i dont care!#my compassion IS a renewable resource because i keep feeding it hope and humanity#i get mad sometimes but please know every angry word i've ever said has stuck on my mind like a glue trap#i remember every fight i have been slightly too aggressive and potentially awful in since the fifth grade and i continue to ruminate#on harm i have caused however big or small#i feel so surrounded by hate and anger and i just want to be that person who doesnt get caught up in it and can be compassionate no matter#lots to think about today ...#x
5 notes
¡
View notes
Text
Mite Mischief
ăWhat happens when two entities invite themselves to meet a vigilantes s/o..?ă
[1/2]
-
Nite-Mite Ver
"AAAAHHH! Help! It's a giant.. Floating.. Tiny Nightwing?"
You slowly fall to your knees after panicking. Seeing the small fella float close to you, you shrink in on yourself shyly. Watching him float around you, analyzing you...
Meeting you was not what Dyxl expected!
You were strange... Unfamiliar, sure. Nite-Mite knew of Richard Graysons' love interests in the past comic issues or alternative storylines.
Maybe you were a new character implemented by the authors?
"SO..."
"S-so...?"
The small creature sat on the desk chair of your room. Eyeing you carefully. While you sat nervously on your bed, half-expecting to wake up. "You must be the newbie! Or, more so.. For this plot. The love-."
You notice there's a knocking on your bedroom door.
"(Y/N)? Everything okay?" Dick calls out, half-way yawning.
You immediately grab a hold of the small individual, holding him close to your chest as you look for a place to hide him.
"Yeah-! Uhm.. I.. Thought I saw a mouse?"
There was silence from the vigilante, considering your words. "That so'?"
"Mhm, yup. Yes..?" You breathe out, getting closer to the door. Thankful it was locked. The vigilante heard your movements and sighed. "Oh.. Good! W-well, I mean- that you're okay! Not the mouse part."
You laugh it off quietly, agreeing as he finally leaves your door and heads back to his room. You sigh in relief as you slowly sink back to the floor.
You lean back against the door, head banging against as you wince!
"Ouch! That's gotta' hurt.." Your eyes widen as you look down at your small visitor who sat on your lap. Chilling out as if he didn't have a single care in the world.
-
"I think you have the wrong person.." You mumble quietly under your breath. Watching Nite-Mite buzz around your room as he grins at you.
"Nope!"
"But! I'm not exactly his.. Ya' know..?" You make a gesture as your face scrunched up. The words too sour on your tounge.
"Type?"
"Yes! That!"
Dxyl laughed it off. "So what? Sure, many.. And I mean.. MANY! People have fallen for the Grayson Charm, but that doesn't mean he always reciprocates those feelings."
"Then what makes you think -" You're interrupted by the fith dimensional imp. "There's just something un-canny about you. Your presence is there, but no romantic tension? I mean, seriously!"
Nite-Mite snaps his fingers as he shows a built-in board of notes, strings, and photos. Pointing at them as he tries to connect it all together.
You slowly smile, easing into this odd situation. Smiling as he holds up a issue of... Nightwing? Watching him ramble and point to the board, it reminded you of Dick. Who probably fell back asleep, hopefully.
Poof~!
Blinking, your clothes felt heavier as you look down. Dressed in old fashionable garb?! What!
"Though I'm sure whoever Dick chooses is up to him, it's fun to see other routes!"
Nite-Mite had become... Nightwing?
Instead of the usual skin-tight latex suit, the outfit showcased half of his bare-chest as the blue pants and brown boots reminded you of...
"P-pirate?" You laugh a bit, awkward and frazzled by these turn of events.
"Well.. -" Interrupted once again, the door rips open as a handsome young man storms in, his small puppy barked excitedly as she followed close behind. Yet stopped beside Dicks legs, blinking in confusion.
You immediately squeak in suprise. Your face a warm shade of color, too embarrassed to deal with all of these shenanigans so early!
-
[Ta-Da! Hey! Who wants an April fools event?? Also! Thank you for reading, I love Nite-Mite and the art for pirate nightwing. I need more content for both of them.. Please! Tag me if you do! Hopefully I can write a Bat-Mite Ver next! Comments and hearts are appreciated!]
#dick grayson x reader#batmom x bruce wayne#dick grayson nightwing#bruce wayne x you#bruce wayne x y/n#yandere bruce wayne#bruce wayne x reader#bruce wayne#yandere nightwing x reader#yandere batman#yandere batman x reader#nightwing x y/n#batman x you#yandere dc x reader#dc x y/n#dc x you#dc x reader#batman x reader#dc batman x reader#nightwing x reader#richard grayson#richard grayson x reader#nitemite#bat mite#nightshade au#nightshade#nightshade dick#dc batman#dc nightwing#dxyl
446 notes
¡
View notes
Text
You Me Her
Since AO3 is down and I'm sure people are losing their minds looking for fics (I am people), I'm posting some of my fics over here. If you look in the tag "Mia writes fanfic" you can see all the fic I've posted on tumblr. If you prefer to read on AO3 now that itâs back up, you can find this fic here
Robin was the first person to notice something was wrong with Steve Harrington.Â
By the end of the day, everyone had noticed. People were whispering up and down the halls, wondering what had happened to Steve since yesterday to make him act so drastically different. He hadnât flirted with a single girl all day. Heâd told Tommy Hagan to âknock it offâ when Tommy had started tormenting a freshman. Heâd treated his friends weirdly â avoiding Jason Carver, a sophomore on the basketball team who heâd been training, losing patience with Carol Perkinsâs snappish remarks, freezing up when some cheerleaders talked to him.Â
Robin heard all of this second-hand. King Steve was so notorious that even the band kids were gossiping about his personality transplant. Multiple people came up to Robin to share some tidbit of gossip that they insisted proved that Steve had been body-snatched.Â
But Robin didnât need rumors to know that Steve Harrington was different. Sheâd known since first period, when heâd walked into Ms. Clickâs class on time and without a bagel. Steve had barely glanced at Tammy, even as sheâd looked at him from under her lashes, beautiful and enticing. Instead, Steve had, for the first time in his entire life, looked at Robin.Â
And heâd smiled at her. Not a polite acknowledgement of her existence â which still would have been more than Robin had ever gotten from him â but a huge, friendly smile. The kind that would have had most girls falling at his feet.Â
Robin glanced behind her to see if Steve was smiling at someone else, but unless Steve was smiling like that at Fred Benson â even more unlikely â he was definitely directing that expression at her.Â
Robin spun back to Steve, unsure what her face was communicating. Confusion, maybe, or wide-eyed shock.Â
Steve didnât look offended or surprised by her reaction, just gave her a dorky little wave and sat down.Â
Robin stared at the back of his head, still trying to process what had just happened. Tammy turned to Robin, scanning her up and down. Robin knew she was just trying to figure out what about Robin had caught King Steveâs interest, but her scrutiny made Robin feel all hot anyway. It was Tammy, looking at Robin intently. With purpose. Taking in Robinâs stupid perm and her smudgy makeup and her layers of jewelry.Â
Robin blushed.Â
Tammy turned back around.Â
Ms. Click began talking, but Robin didnât hear a single word for the rest of class, lost in thought. She alternated between loud mental screaming about the fact that Tammy had looked at her and staring at Steve Harringtonâs famous hair and wondering what the hell had inspired him to notice her existence.Â
Robin was packing in a daze at the end of class when Steve gave her another smile before leaving. Robin accidentally met Tammyâs eyes, which were just as confused as Robin felt.Â
Tammy bit her lip, which was pink and soft-looking. âRobin? Did you talk to Steve over the weekend?â
Oh my god. Tammy was talking to her. It wasnât like Tammy never talked to her, but every single time it made Robin lose her mind and babble like a freak.Â
Robin just shook her head instead of risking opening her mouth.Â
âOh,â Tammy said, looking disappointed. âBut you like him?â
âNo,â Robin said honestly. âI donât even know him.â
âBut you like him,â Tammy said, and this time it wasnât a question. âI saw you blushing after he smiled at you.â
âI guess so,â Robin said. What else was she supposed to say? She couldnât tell Tammy that she didnât give a damn if Steve Harrington looked at her and that the blush had been all for Tammy. That would send Tammy running the other way.
âYou donât have to be embarrassed,â Tammy said. âA lot of girls like Steve.â
She didnât mention that she was one of those girls, but she didnât need to. Robin knew.Â
Maybe it would be okay to pretend to like Steve. It would give her and Tammy something in common and it would help her hide in plain sight. Steve was the perfect fake crush for a lesbian, pretty and athletic enough to be an acceptable crush, but unattainable enough that she would never have to act on it. Robin had never faked a crush on him before because of the principle of the thing, but now that sheâd accidentally already done it, she might as well keep up the pretense.Â
âToday must have been a fluke,â Robin told Tammy, trying to sound both reassuring and lovelorn. She didnât want Tammy to see her as a threat. She wanted her to see her as a friend. âI donât think Steve even knows my name.â
***
But Steve kept smiling at her for the rest of the week and on Thursday, Tammy asked Robin if she wanted to hang out after school.Â
âReally?â Robin asked. Then, âI mean, yeah, sure. Sounds fun.â
So Robin went to Tammyâs house with the rest of Tammyâs friends. Apparently they did this every Thursday â Friday and Saturday were date nights, which made Thursday the perfect girlsâ night.Â
They went up to Tammyâs room, which was like peeking into her mind. The other girls paid no attention to the room, probably having seen it a million times. They settled on the floor, spreading bowls of chips and chocolates around and pulling out magazines and nail polish. But Robin couldnât help but try to take in every detail of the room. The walls were pink and the curtains and bedspread a gauzy white, giving everything a bit of a princess feel. But there were posters on the wall, and not the kind Robin had expected. There werenât handsome movie stars â these were girls with guitars.Â
âWhoâs that?â Robin asked, pointing at a poster of a girl with long straight hair, standing over a microphone and holding a guitar.Â
Tammy twisted to see who Robin was pointing to. âThatâs Emmylou Harris. Sheâs incredible. She was one of the first women to really make it big in country music.â
âSo you want to be like her?â Robin asked.Â
Tammy blushed a little, playing with the end of her long blonde curls. âI mean, I donât know if Iâm as good as Emmylou Harris. But thatâs the dream.â
âYouâre really good,â Robin said sincerely. âI heard you singing Kiss On My List before class the other day and it was-â captivating. life-changing. beautiful. âReally good,â Robin finished lamely.Â
âThank you,â Tammy said, looking touched.Â
One of Tammyâs friends â Olivia? â rolled her eyes. âTam, we didnât invite Robin here to talk about your singing. We want to hear about Steve Harrington!â
The two other girls â Karen and Melissa â giggled and nodded their agreement.Â
âWhat did you do to get his attention?â Olivia asked Robin.Â
Robin tried not to obviously deflate. She wanted to talk to Tammy about her passions, see the way Tammy lit up when she smiled. She didnât want to gossip about stupid boys, especially not Steve Harrington.Â
But that was why theyâd invited her over. Her fake crush on Steve was her in with these girls, with Tammy, and she had to make them believe her if she wanted to be invited to spend more time with him.Â
âI donât know,â Robin said honestly. âIâve sat behind him all year and I didnât think he knew I existed. And then all of a sudden on Monday â bam! â heâs acting like he knows me.â
Melissa hummed, passing around bottles of nail polish. âMaybe itâs your hair? Did you perm it recently? Cause Heather Holloway says Steve has a thing for girls with curly hair.â
Tammy frowned at her own hair and shook her head. âRobinâs hair has been like that all year.â
Tammy had watched Robin closely enough to notice what she did with her hair? Robin bit down on a smile, grabbing blue nail polish from Melissa.Â
âDid you go to the party last weekend?â Karen asked.Â
Robin shook her head. Sheâs actually spend last weekend reading a book, listening to her language tapes, and playing board games with her parents. Nothing that could be remotely considered cool.Â
âDid you look particularly pretty on Monday?â Olivia asked.Â
Robin shrugged. âI think I just looked how I always do.â
Tammy put on a Kris Kristofferson record then sat down beside Robin again. âI guess weâll just have to watch what he does in class. Collect more information.â
âI guess so,â Robin said, hoping Steve forgot her existence soon for her own sake. She didnât know what she would do if he actually asked her out.Â
But maybe if he kept giving her attention she could keep this new friendship with Tammy, at least for a little while.Â
Robin sighed, loud and long.Â
âDonât worry,â Tammy said, âWeâll figure it out.â
âAnd you donât⌠mind?â Robin asked. âI know you like him too. I donât want to break girl code or something.â
Robin had never worried about breaking girl code before, for obvious reasons, but sheâd seen girls fall out over liking the same guy.Â
Olivia snorted. âPlease. Girl code doesnât count when it comes to Steve Harrington. Heâs slept with half the school.â
âYeah, everyone knows heâs just a good time,â Karen added. âHe doesnât actually date girls for real.â
��I went out with him for two weeks in middle school,â Melissa said. âWe made it to second base and then he dumped me for Erica Tanner.â
âYouâre in good company here,â Olivia promised.Â
Tammy still hadnât spoken. Tammy was focused on painting her nails bright pink, a color Robin would never choose for herself but that perfectly matched with Tammyâs pink cheeks and pink lips, which she was biting.Â
Because Tammy cared, Robin realized. Steve might be the school slut, and he might never date a girl seriously, but Tammy liked him for real.Â
Melissa, Olivia, and Karen were now arguing over whether Melissaâs two-week fling with Steve Harrington counted as a relationship. They seemed sufficiently distracted, so Robin dropped her voice low and leaned into Tammyâs space.Â
âDo you mind?â she asked Tammy. âBecause I can back off.â
âNo,â Tammy said, smile pretty and entirely a lie. âItâs okay. I donât mind.â
Robin didnât know what to do with that. Was Tammy trying to save face by not admitting she had a real crush on Steve Harrington? Was this her way of testing if Robin was worthy friend-material? How was Steve fucking Harrington Robinâs key to getting to know Tammy and also the one who was mostly likely to ruin this new friendship?
âOkay,â Robin said, staring at her nails so she wouldnât have to figure out what facial expression was appropriate. She cleared her throat. âSo you were telling me about Emmylou Harris?â
***
Steve Harrington came up to Robin at her locker on Friday, when she was getting the books she needed to take home for the weekend.Â
âHey,â he said, like it wasnât supremely weird that he was approaching Robin Buckley, band geek and wallflower and no one who ever should have caught his eye.Â
âHi?â Robin answered.Â
Steve ran his fingers through his hair. âDo you want to go to the diner with me? We could get milkshakes.â
Robin stared at him. Was this a joke? A prank? Had one of his friends dared him to ask out the weird band kid?
âWhat?â Robin asked.Â
Steve rubbed the back of his neck. He looked nervous, which was crazy. He was Steve Harrington and she was just Robin Buckley.Â
âI can drive us,â Steve said. âAnd Iâll pay.â
âIâm not going on a date with you,â Robin said. It was a gut reaction, but a second later Robin couldnât help but wonder if she should have said yes. What was she going to tell Tammy about why sheâd turned down her supposed crush?
But why was Steve Harrington even asking her out in the first place?
Steve didnât look offended at her rejection, but he did hurry to say, âI know. I didnât mean as a date.â
Robin looked down the hall. A group of cheerleaders at one end was watching them, giggling and tittering. Had the cheerleaders put him up to this? Girls could be vicious, but trying to embarrass a girl by having a boy ask her out seemed like a more guy type of prank somehow.Â
âYou want to hang out with me just as friends,â Robin said skeptically.Â
âYeah,â Steve said.Â
Robin rolled her eyes. âRight. Thanks, but no thanks.â
âI mean it,â Steve said. âI want to be friends.â
He was lying. Robin didnât know why, but he was lying. Maybe he thought that if she hung out with him as âfriendsâ she would eventually change her mind and agree to date him.Â
âWhy?â Robin demanded. âWhy would you want to be friends with me?â
Steve opened his mouth, then paused. He thought for a few seconds before he said, âYou seem cool.â
Robin snorted. âIâm the furthest thing from cool.â
âNo, I know,â Steve said. âI mean you seem⌠interesting. Nice. Fun.â
âYou donât even know me,â Robin said. âWeâve never spoken, and now all of a sudden youâre interested in me? I donât buy it.â
âItâs true,â Steve said. He jumped as a hand landed on his arm and then Carol Perkins was there, staring Robin down with disdain in her eyes.Â
âWhat are you doing?â Carol asked.Â
âI was asking Robin to milkshakes,â Steve said.Â
Carol gave Robin an up-and-down and it didnât feel good like when Tammy had done it. Carol wasnât admiring her. She was looking at Robin like gum stuck to the bottom of her shoe.Â
âAre you that bored of going out with pretty girls?â Carol asked, voice all fake-interested like it was a real question.Â
Steve scowled, shaking Carolâs hand off his arm. âRobinâs pretty.â
Carol rolled her eyes. âSheâs not terrible, I guess, under that bad perm, but she dresses like a dyke. If you want to rebel and date a freak or a charity case, you can do better.â
Robin flinched violently when Carol said the word dyke. She fought to keep her expression straight even as her heart raced and her lungs constricted.Â
Did Carol Perkins know? Or had she blindly thrown out an insult, hoping it would hurt?
âDonât call her that,â Steve snapped, his face dark and furious. He looked frightening enough that Robin skittered back half a step.Â
Carol didnât look scared of Steve, but her mouth did drop open in shock.Â
That was fair. Robin was shocked too.Â
Was Steve defending her?
Maybe this was what it meant to be a girl Steve Harrington liked. Maybe he didnât like Carol calling Robin a dyke because that was an offense to his own masculinity. That was the only thing that made sense. Robin had heard Steve throw around gay slurs just last week, so it couldnât be the word itself that he had a problem with.
âSeriously, Steve?â Carol asked, haughty and judgmental. âYou canât actually like her.â
âRobin is great,â Steve insisted.Â
Carol rolled her eyes. âWhatever. Iâll remind you of this when you come to your senses.â
With that, Carol spun on her heels â red hair smacking Steve in the face â and walked away.
Steveâs posture loosened, like he had also perceived Carol as a threat.Â
âIâm sorry,â he told Robin, looking sincere and apologetic.Â
Robin hated him.Â
âStay the fuck away from meâ Robin told Steve.Â
She slammed her locker and walked away, clutching her books to her chest to hide her shaking hands. She kept her head up as she walked by the cheerleaders, who laughed loudly as she passed.Â
***
Steve kept smiling at her whenever he walked into Clickâs class, but he didnât try to ask her out again.Â
He looked a bit like a kicked puppy every time she glared back at him, but Robin didnât care.Â
âWhat are you doing?â Tammy asked one day after class. âHeâs going to give up on you if you keep glaring at him like that.â
âHe asked me out as a joke,â Robin told Tammy.Â
Tammy frowned. âAre you sure it was a joke? I donât think he would do that.â
âIâm sure,â Robin said darkly, thinking of Carol hovering and the cheerleaders watching. Did Steve believe what Carol had said? Was that the joke: to put Robin in a position where she had to either go on a date with a man she didnât like or else turn him down and confirm she was a lesbian? What kind of girl said no to a date with Steve Harrington?
Tammy bit her lip. She had on bright pink lipstick today. It would have looked tacky on anyone else, but it made Tammy look like a pop star. Robin wondered if the lipstick was flavored. She wished she could kiss Tammy and find out.
âYou donât mind if I flirt with him, right?â Tammy asked, echoing Robinâs words at her house last week. So far, Robin hadnât been invited to girlsâ night again.Â
Yes, Robin thought. Yes, I mind. I mind so much, but not for the reason that you think.Â
âNot at all,â Robin said. âItâs like you said, girl code doesnât apply to Steve Harrington. Go for it.â
So Tammy kept trying to get Steveâs attention. He was nice to her. He never outright ignored her when she talked to him, but he never talked to her for longer than politeness required. He would always turn away, missing the way Tammyâs face fell.Â
And he kept fucking smiling at Robin. Picking up her books when she dropped them. Apologizing to her when he got bagel crumbs on the floor, even though sheâd never mentioned how much it annoyed her. Turning to catch her eye when someone said something funny, like he thought she was someone he could share inside jokes with.Â
Slowly, Tammy stopped smiling at Robin. She started flicking annoyed glances in Robinâs direction whenever Steve gave Robin attention. Started snapping at Robin whenever Robin tried to sympathize with her about how much of a douchebag Steve Harrington was. Started avoiding Robin unless Robin directly started conversation with her.Â
Steve Harrington was ruining everything.
***
âWhat are you doing?â Robin demanded. Sheâd chased Steve after Ms. Clickâs class, following him to the little alley out by the gym. She was going to be late for math, but she didnât care. She needed to talk to him before he ruined everything.Â
Steve frowned as he lit up a cigarette. âWhat do you mean?â
âIn Clickâs class,â Robin said. âTammy is practically throwing herself at you but you never even look her way. And I donât talk to you at all, but you keep trying to talk to me.â
A flash of something crossed Steveâs face, but Robin didnât know him well enough to read his expressions and it was gone in a heartbeat anyway.Â
âYou donât want me to talk to you?â Steve asked.
âYes!â Robin said. âNo. I donât know. Why wonât you flirt with Tammy?â
Steveâs face scrunched up. It was a face Robin had seen before when they were taking tests in class â it meant Steve had no idea what was going on. âYouâre upset because Iâm not flirting with Tammy Thompson?â
âI donât get it!â Robin said. âSheâs really nice and sheâs a good singer and sheâs really pretty. Objectively. I mean, she seems like the Steve Harrington type.â
âRight,â Steve said, his lips twitching like she had said something funny.Â
âSo I donât get it,â Robin said. âSheâs right there, and I donât even try, but you keep looking. Whatâs so special about me?â
âOh,â Steve said, like he had just realized something. âSheâs jealous of you.â
Robin shuffled but didnât say anything. Of course Tammy was jealous. Steve sat next to her every day, did he really not see it?
âAnd you donât like that,â Steve continued, like he was figuring something out. Unfortunately, he was figuring out entirely the wrong thing. Robin wasnât here to talk to Steve about her friendship with Tammy, she was here to find out why Steve didnât like Tammy and why he seemed to like her.Â
âItâs not about me,â Robin said.Â
âRight,â Steve said, inhaling his stupid carcinogens. âOkay.â
âOkay?â Robin asked. She was pretty sure she was smarter than Steve Harrington, so she didnât know why she was the one feeling lost in this conversation.Â
Steve stubbed out his cigarette against the wall. âIâll fix it.â
The late bell rang. Robin wanted to ask Steve what heâd understood from this conversation, but she really did need to go to math class. Arriving late wasnât a good way to fly under the radar.Â
âOkay,â she told Steve, not quite sure what she was agreeing to.Â
He gave her another one of those big smiles as she left the alleyway. It made something churn in her gut.Â
She wanted to be the kind of girl who got excited when Steve Harrington smiled at her like that. She wanted Tammy Thompson to smile at her like that. She wanted to fall in love with someone who loved her back, and she wanted to not get chased out of town by an angry mob with pitchforks for it.Â
***
The next time Robin walked into Ms. Clickâs class, Steve was flirting with Tammy.Â
Robin had to stop in the middle of the aisle, feeling like sheâd just been punched in the gut.Â
Tammy was leaning into Steveâs space, twirling her blonde curls around one finger. Steve was smiling at her, arm stretched over the back of her chair, listening attentively as she spoke.Â
Robin forced herself to walk mechanically to her desk. She took her notebook and pencil case out of her backpack and very carefully arranged everything on her desk, doing anything she could to prolong looking up. She didnât want to watch this.Â
After what felt like the longest few minutes of Robinâs life, Ms. Click began talking. Robin risked looking up and saw that Steve had pulled his arm back and Tammy was sitting in her own seat again.Â
She couldn't stop seeing them wrapped up in each other.Â
At the end of class, Steve walked out quickly, the way he always did. Robin wondered if he always went to smoke behind the gym and that was why he ran away so fast.Â
Tammy whirled to Robin, squealing, her face lit up in a beautiful smile.Â
âRobin! Did you see that!â
Tammy hadnât started a conversation with Robin in two weeks. Robin managed a real smile in the face of Tammyâs happiness.Â
âI did,â she said.Â
âI think he likes me,â Tammy said, almost shy, playing with the bracelets on her wrist.Â
âYeah,â Robin said, ignoring the sinking feeling in her gut. âI think so too.â
***
The rumors at band practice told Robin that Steve was still flirting with other girls. He seemed particularly interested in Nancy Wheeler, who was a priss and a nerd but who was pretty and definitely his type. He seemed to be slowly wearing her down.Â
It made Robin furious. So Steve Harrington had a crush on Nancy Wheeler, fine, that made sense. But if he really liked her, and the rumors said he was absolutely head-over-heels, then what was he doing playing with Tammy and Robin? What the fuck was he up to?
***
A week later, Steve didnât run out of Clickâs class at the first sound of the bell. Instead he turned to Tammy and Robin and said, âIâm having a party at my house tonight. Youâre both invited.â
âIâll think about it,â Tammy said, smiling like this was a game. It was. They all knew Tammy would be going to see Steve and she was just trying to play it cool.Â
âCool,â Steve said. He met Tammyâs eyes, then Robin's. âIâll see you there.â
Tammy waited until he walked away, then did a little shimmy of excitement. It was kind of lame, but also hopelessly endearing. Robin liked when Tammy didnât try to act cool around her.Â
âYouâre going?â Robin asked dully.Â
âOf course Iâm going!â Tammy said. âThis is going to be so much fun! Youâre coming, right?â
âYeah,â Robin said, her mouth running before her brain could catch up with it. Tammy wanted her there. What else could she do? âIâll be there.â
***
Robin got her dad to drop her off at the party. She was willing to bet she was the only teenager being dropped off by their dad, but her parents werenât the type to be upset about her going out and they trusted her to drink responsibly. Plus, Robin couldnât drive, so she didnât know how else she was supposed to get there.Â
By the time she arrived, the party was already in full swing. Music came from inside the house and a few people spilled out into the yard.Â
Robin headed inside, dodging around a few couples making out against the hallway walls. Tammy was probably here already, right? Robin passed through the kitchen, filling a red solo cup with a tiny amount of vodka and a lot of coke. Jason Carver was there, flirting with Chrissy Cunningham, who was blushing at the attention.Â
Robin slipped into the living room and that was where she found Tammy. She was standing against a wall, surrounded by Olivia, Melissa, and Karen. Tammy was holding a red solo cup and staring out at the other end of the living room.Â
Robin followed her gave to Steve, who was talking to⌠Eddie Munson? Robin watched with her jaw slack until Steve came away with a grin and a joint between his fingers.Â
That made sense, actually. Of course the only reason Steve Harrington would ever speak to Eddie Munson would be to buy drugs.
Robin went up to Tammy, hovering at the edge of the group as she said âhi.â
âHey,â Tammy said, giving her a distracted smile.Â
âI like your dress,â Robin said. She wanted to say that Tammy looked good, but that wasnât a safe compliment.Â
âThanks,â Tammy said. âI got it in Indy.â
âItâs cute,â Robin said. It was â pink and ruffled at the edges and unlike anything anyone else was wearing. Something that screamed Tammy Thompson.Â
The music went quiet for a moment, and Robin spun around, trying to figure out why. Carol Perkins was standing by the speakers.Â
âLetâs play a game!â she said, blowing a bubble with her gum like the picture of teenage insouciance. âTruth or dare.â
She sat on the ground, Tommy Hagan and Steve Harrington sitting beside her. A few more jocks joined â Jason and Andy from the basketball team, Chrissy and Fiona from the cheerleading squad. Heather Holloway and Patrick and Brenda.Â
âWe have to join!â Tammy said. She grabbed Robinâs hand and dragged her over to the circle.
Robin complied in a daze. Tammy was holding her hand. Tammyâs hand was soft and warm and not sweaty at all and Robin could die happy, Tammyâs hand in hers.Â
Tammy released her as soon as they got to the circle and Robin felt suddenly bereft, taking a seat mechanically beside her. Melissa, Karen, and Olivia sat on Tammyâs other side.Â
Steve Harrington was looking in her direction, eyebrows up, and Robin scowled at him. Steve smiled, hands up like he was saying donât shoot, and Carol noticed and shot Robin a glare.Â
âTommy,â Steve said. âTruth or dare?â
âDare,â Tommy said.Â
Steve grinned. âI dare you to let Carol take a body shot off you.â
Tommy scrunched up his face. âDonât you mean I should take a shot off her?â
Steve blinked, absolutely nothing behind his eyes. âWhat do you mean?â
So Tommy lay down and balanced a shot glass on his stomach, so low it was practically on his hips, and Carol grabbed it with her mouth, tipping her head back to drink. Robin didnât like Carol at all, but she had to admit there was something attractive about it, about the long line of Carolâs throat as she drank the shot and the dainty, self-satisfied way she wiped her mouth afterward.Â
From there, they kept going around the circle.Â
Heather Holloway gave Andy a lap dance. Fiona admitted to having done mushrooms. Jason Carver was dared to kiss the prettiest girl in the circle, which made him turn to Chrissy Cunningham and say âA good girl like you deserves better than some drunken kiss during truth or dare. What do you say I take you out to dinner tomorrow and then give you a kiss on your front porch at the end of the night?â
Chrissyâs smile was disarmingly wide. âYeah,â she said, nodding. âThat sounds nice.â
âItâs a date,â Jason said. A few of the boys hollered and whooped, patting Jason on the back and shaking him a little. Jason looked bashful, hiding a smile behind a sip of his drink.Â
âFinally!â Carol Perkins said. She turned to Chrissy. âHeâs been pining over you since last year and it took him this long to work up the guts to ask you out.â
Jason screeched at Carol, who ignored him and winked at a pleased-looking Chrissy. Robin was hit with the sudden realization that Carol Perkins could be nice, when she wanted to be.Â
Melissa got dared to swap clothes with Patrick, Karen revealed sheâd shoplifted a pair of earrings once, and Olivia admitted to having made out with a boy in the school janitorâs closet.Â
Then it was Tammyâs turn.Â
âTruth or dare?âÂ
âDare,â Tammy said, something brave in her eyes.Â
A few of the girls conferred together â Carol and Heather and Fiona â before turning to Tammy with smiles on their faces. âWe dare you to shotgun with Steve.â
Tammyâs eyes went wide. Robin didnât think Tammy was the type to smoke weed, but Tammy pressed a confident smile onto her face. Maybe she didnât want to back down from a dare. Maybe she just wanted a chance to press her mouth against Steve Harringtonâs.Â
Steve looked at her from all the way across the circle â if he, Tommy, and Carol were the North Pole, Tammy and Robin were the South, the antipodal point â and raised the joint questioningly.Â
âOkay,â Tammy said.Â
Steve took a drag off the joint and crawled across the circle. Tammy met him in the middle and he was gentle as he used one hand to tip her chin up, pressing his lips against hers and exhaling. Robin could only really see the back of Tammyâs head, but she was hit by a burning jealousy at the way Steve so casually touched her.Â
It felt like it had been years since Tammy had held her hand.Â
Tammy sat back beside Robin, a pleased little smile on her face.Â
âBand kid,â Carol said, smiling meanly. âTruth or dare.â
Robin shuffled uncomfortably. So far all the dares had involved some kind of sexual display with the opposite sex and Robin did not want to kiss a boy or give him a lap dance. But she also had a lot of secrets she didnât really feel like sharing.Â
She should pick truth, right? Worst come to worst, she could just lie. Itâs not like any of these people would ever know â none of them really knew her.Â
âTruth,â Robin said.Â
Chrissy started to say something, but Carol spoke over her. âWho was your first kiss?â
Robinâs cheeks flamed. Carol was doing this on purpose.Â
âI havenât had my first kiss yet,â Robin said, trying to sound casual. It wasnât that unusual, at least in the circles she ran with.Â
But Carol reacted with extreme shock, her eyes going wide, her mouth dropping open. âEver? Thatâs so sad!â
âNot really,â Robin said. Everyone was staring at her. Sheâd spent months trying to fly under the radar, and now they were all watching her and it was just as terrible as sheâd thought it would be.
Carol kept going. âBut why havenât you kissed anyone? Arenât there any boys you like?â
It would have been fine if Carol hadnât paused a little, put more emphasis on the word boys. But Carol knew what she was doing, insinuating exactly what she had when sheâd stood with Steve by Robinâs locker.Â
Everyone in the circle was staring at Robin. Jason Carver looked disgusted. Tammy pulled back a bit from Robinâs side.Â
Robin felt like she was going to throw up.
Then Steve Harrington scoffed. All eyes moved to him, to see what the King was going to say. Steve was relaxed, weight back on one hand, legs kicked out in front of him. âNot everyone is a slut, Carol.â
The like you went unspoken, but Robin saw it land. Carolâs face scrunched up with real hurt for a second, like she wasnât sure why Steve was attacking her.Â
Tommy, sitting between them, gave Steve a what the fuck look as he pulled Carol into his side.Â
Steve either didnât see any of this or pretended not to. He turned to Patrick, sitting next to Robin on the opposite side as Tammy, and said âtruth or dare?â
Robin relaxed. It was over, right? They werenât looking at her anymore?
She glanced around the circle and it seemed like everyone had moved on. A sneaky glance at Tammy showed that she wasnât sitting as close to Robin as before, but she also wasnât looking particularly repulsed. Maybe she had just forgotten to move back again.Â
Robin didnât really believe it.Â
She tried to calm her racing heart as the next few people went. But when it was Steve Harringtonâs turn, she couldnât help but tune in.Â
âSteve,â Tommy Hagan said. âTruth or dare?â
âDare,â Steve said, like every teenage jock ever.Â
Carol leaned over and whispered in Tommyâs ear and Tommy grinned. âI dare you to kiss Robin Buckley.â
Robinâs blood turned to ice. Once again, all heads in the circle swiveled to her.Â
Robin didnât want to kiss Steve Harrington. She had been saving her first kiss because she wanted it to be special. She could have pretended to like a boy, to kiss a boy, to date a boy. But she had wanted to save all her firsts for a girl â to have them be real and meaningful instead of a stupid farce.Â
She didnât have a choice though. Not after what Carol had implied earlier. If Robin didnât kiss Steve, she would practically be confirming that she was a lesbian.Â
Robin looked to Carol, who was smirking at her.Â
âYeah,â Robin said shakily. âOkay.â
Steve was watching her intently, something indecipherable in his eyes. He got to his feet and crossed the circle, kneeling down in front of her.Â
Robin didnât think sheâd ever been this close to a boy. He smelled like hairspray and beer, and his eyes were brown and serious as she watched her.Â
He gave her the same friendly smile heâd been giving her all semester, then leaned in to whisper in her ear. His breath was uncomfortably hot on her skin as he said, âtrust me.â
Then he pulled back and squared his shoulders, cocky and unapologetic about it. He smirked around the circle, a boy proud to be showing off that he was kissing a pretty girl.Â
Robin was going to throw up. Her heart was pounding and she was going to have to kiss a boy and Steve had been playing games with her all semester.Â
Robin closed her eyes, preparing for the kiss and also trying to hide the hot tears she could feel building up.Â
She jumped a bit when Steveâs hands landed on her face. He wasnât holding her jaw delicately like heâd done to Tammy. Both of Steveâs giant palms where splayed across her cheeks, one of them half caught in her hair, dragging it in front of her face. Great. Her first kiss was going to taste like hair and that wasnât even going to be the worst part of it.Â
Robin kept her eyes screwed shut as Steveâs skin pressed against her lips and his nose bumped hers and â those werenât Steveâs lips.Â
Steve was close, yes, so close they were sharing the same air. So close that it probably looked like they were kissing.Â
But this was a stage kiss. Steveâs thumb was over Robinâs mouth, his lips pressed to one side and hers to the other.Â
Robin opened her eyes in shock. She couldnât really see Steve â he was too close not to be blurry â but his eyes were pressed closed, brown eyelashes fanned over his cheeks. As if this were a real kiss.Â
Where had basketball-playing, prom king Steve Harrington even learned what a stage kiss was? This couldnât be standard practice for the popular kids â they played these games as an excuse to kiss each other, not to fake it.
And more importantly, why was he doing this? Was he that opposed to kissing her? Or had he somehow noticed her reluctance and decided to protect her while allowing both of them to save face?
Steve used his hands to tilt Robinâs head and she followed without resistance. He pressed closer, moving her back, and they still werenât kissing but it probably looked like they were making out. Like he was into this. Like she was.
Robin closed her eyes. She could figure out the mystery that was Steve Harrington later. Right now, she had to help Steve sell this.Â
She raised her hands to Steveâs shoulders, pulling him closer, hoping he wouldnât misinterpret her sudden ardor as a request for a real kiss.Â
He let out a little moan, his nose brushing hers as he tipped his head, and she smiled against his thumb. Holy shit. They were totally faking it and everyone was going to think she was a good enough kisser to make Steve Harrington moan.
After a long moment, Steve pulled back, simultaneously slipping his thumb to the side so it wouldnât be over her mouth.Â
He stayed in her space a second longer, eyes locked with Robinâs. He seemed pleased with himself, or maybe with her shocked expression.Â
He licked his lips and Robin copied him automatically. Her lips tasted like beer and smoke but it was from Steveâs hand, not his lips, and that made all the difference.Â
Someone wolf-whistled.Â
Steve backed away, returning to his seat next to Tommy Hagan. Robin was speechless as the room returned to focus.
Carol looked pissed. Tommy was elbowing Steve, leaning in to tease him.Â
âDamn, Harrington,â said some basketball jock Robin didnât know. âI didnât know you were into band nerds.â
âThat was a hell of a first kiss,â another one said.Â
Steve smiled, cocky and pleased and bashful all at once. He was a better actor than Robin had ever given him credit for.Â
Tammy nudged Robin, and thatâs when Robin realized she was still staring at Steve, dumb with awe.Â
As everyone turned to Tommy Hagan, Tammy leaned in and whispered, âit looks like you really enjoyed that kiss.â
She was trying to smile, trying to gently tease like a friend would, but Robin could see the heartbreak in her expression. Robin wished she could tell Tammy that it had all been for show and that she hadnât actually kissed Steve, but Tammy had pulled away at the accusation that Robin was a lesbian and only been okay touching her again after that performance of a kiss.Â
This wasnât a world where Robin got to have both Steve and Tammy.Â
âYeah,â Robin said, surprised to find she was telling the truth. She was glad sheâd been dared to kiss Steve and not any other boy here. There were apparently layers to Steve Harrington, who sheâd thought was nothing more than a pretty, empty-headed, girl-obsessed jock.Â
She kind of wanted to know more about him.Â
She glanced across the circle. Steve was watching Tommy try to do a handstand, until Tommy overbalanced and fell into Steveâs lap, making him yelp. Steve laughed as he leaned over Tommy, asking if he was okay, and Tommyâs eyes lit up in a way Robin recognized. The way she had probably lit up when Tammy had taken her hand.Â
In that moment, Robin felt like she understood something about all of them.Â
Carolâs frozen smile as she watched her boyfriend beam at Steve. The way Tommy pretended to fumble a bit climbing off Steveâs lap, if only to stay there a second longer. And Steveâs sharp eyes, catching Tommyâs adoration and Carolâs pain.Â
âYouâre too high, man,â Steve said, waving his joint in a big circle. Giving Tommy cover in case anyone else had noticed what Robin had.Â
âWay too high,â Carol agreed, snatching the joint from Steveâs fingers. She took a long drag, then blew the smoke out, passed the joint back to Steve, and curled into Tommyâs side.Â
Tommy and Carol looked like the picture of a happy couple and Robin realized it was another type of performance. Had Carol known before she started dating Tommy? Or had she fallen in love with him first, only realizing he liked Steve when it was too late to stop her heart from being broken?
Robin didnât want to feel sympathy for Carol Perkins, who had tried so hard to ruin Robinâs night. But she pitied her a little, watching her playact at being happy and realizing that they were all doing it. All these stupid popular kids were just pretending to be shiny, happy people and the rest of the school was buying it, standing too far away to see the imperfections that would have been obvious up close.
Steve met Robinâs eyes across the circle, bringing the joint to his lips. His eyes were perfectly clear, pupils small, not like someone who had been smoking at all. Another slight of hand, like the stage kiss.Â
âI think he likes you back,â Tammy said.Â
Robin looked at Tammy, who was faking a smile just like the rest of the popular kids. Why hadnât Robin seen it before? Tammy was brave and Tammy was kind, but she hid those parts of herself, trying to seem just as cookie-cutter perfect as the rest of the people in this circle.Â
Robin didnât want cookie-cutter perfect. She wanted real.Â
She still didnât want to break Tammyâs heart, so she said something she didnât really believe about Steve. Not anymore.
âMaybe,â Robin said. âBut like you said, heâs just a good time. Heâll be over me in two weeks.â
***
On Monday, Robin found Steve at his locker after school.Â
His eyes went wide as she came up to him and he smiled at her. âHey.â
âHey,â Robin said. She kicked the toes of her converse together. Sheâd spent all of yesterday doodling on them while watching tv. Maybe it was stupid, given how close Carol had come to outing her, but Robin was feeling a little bulletproof. Sheâd written I may not go down in history, but Iâll go down on your sister in pen on the whites of her shoes.Â
Steve looked down at her feet and smiled. âNice artwork.â
Robin froze, even though there was no way Steve could read her shoes while standing up. âThanks,â she said stiffly. âI thought they could use some, uh, personality?â
âI like them better this way,â Steve said.Â
Robin cleared her throat. âDo you, uh, wanna get milkshakes? Youâre paying, of course.â
Steveâs eyes lit up. âYeah,â he said quickly. âIâll buy you however many milkshakes you want.â
Robin rolled her eyes. âDo girls really fall for this desperate act?â
âIâm much cooler around girls Iâm interested in,â Steve said. Robin believed him this time. Heâd put his thumb over her mouth and then swaggered like heâd kissed her and she trusted him in a way she hadnât before.Â
She was dying to know why heâd done it.
âSo itâs just your friends that you bribe into liking you,â Robin teased.Â
âYeah,â Steve said, shameless. âUsually more with free rides and arcade money, but Iâve used ice cream before.â
âYouâre so weird,â Robin blurted out. Then she froze. It was practically social suicide to call Steve Harrington weird.Â
But Steve didnât get mad. He just laughed and said âyou have no idea.â
âYo, Harrington,â called a basketball player walking down the hall. âHurry up, youâll be late for practice.â
âIâm not going today!â Steve called back. âIâm sick.â He gave a very unconvincing cough.Â
The basketball player rolled his eyes. âLovesick, maybe.â
Steve scowled playfully. âFuck off, man.â
âIâll tell Coach youâre too pussy-whipped to play,â the basketball player said.Â
âDonât you dare!â Steve called. Robin expected him to sound more offended at being called pussy-whipped. No teenage boy wanted to be told he would do anything a girl told him to do, even in exchange for sex. And Steve was definitely not getting sex. But the insult rolled off Steve like water off a duckâs back. âTell him I have the flu.â
âSure, sure, whatever.â The boy rolled his eyes as he disappeared around the corner.Â
Steve closed his locker. âReady to go?â
âYouâre not going to basketball?âÂ
âNo,â Steve said. âWeâre getting milkshakes. Iâm not giving up a chance to make Robin Buckley my best friend.â
âArenât you, like, first chair?â Robin said. She watched a lot of basketball games by virtue of being in band, she knew it was called starting line. But she enjoyed seeing Steveâs face scrunch up at her words.
Steve groaned. âGod, that is annoying. Remind me to stop calling Dustinâs campaigns his nerd practices.â
âWhoâs Dustin and what are campaigns?â
âA kid I babysit, and a Dungeons and Dragons game.â
Robin blinked. âDungeons and Dragons? That Hellfire game?â
âYeah,â Steve said. âHeâs not in high school yet, so he doesnât play with Eddie as his DM, but Iâm sure heâll join in a few years.â
DM? Was that some Hellfire term?
Apparently the new Steve Harrington knew the terms to nerd games. He stage-kissed lesbians at parties and thought it was worth skipping basketball practice for a chance to be Robinâs friend.
âWho are you?â Robin asked. âAnd what have you done with Steve?â
âIâm a time traveller from the future,â Steve said.Â
Robin laughed. What a nerd. âNo, really.â
Steve started walking backwards down the hallway, keys swinging around his fingers. âIâll tell you over milkshakes.â
He held a hand out to her, beckoning, a hopeful smile on his face, and it didnât feel like a joke anymore. Robin had no clue why, but Steve Harrington really wanted to be her friend.Â
Robin peeled herself off the lockers and took Steveâs hand, their fingers twining together, letting him pull her outside.Â
#stranger things#stranger things fanfiction#ao3#because ao3 is down#robin buckley#Steve harrington#carol perkins#stobin#platonic stobin#time travel fanfiction#mia writes fanfic
1K notes
¡
View notes
Note
A question of curiosity - assuming you play them due to your involvement with a bunch of them, what are your favourite kinds of characters (be it mechanically or narratively) to play in TTRPGS? And do you have any associated anecdotes to go with them?
courtesy readmore
mechanically kinda depends on what's on the menu, but if it's combat-focused, I personally really enjoy characters who "deny" things
not really the kind of character who I'd ever expect a GM to put in their element on purpose (I usually make a conscious effort to remind the GM of things I'm capable of so that I don't trample on any fun setpieces) but definitely the kind of character who modifies objectives just by being in play. I also like magic-users in concept, but that's more of a flavour thing
I think that's reflected a good bit in the kind of narrative play I enjoy, too. when I make a character, I prefer to do it with the rest of the party in mind, less to make the character "compatible" and more to make them sharply contrast in ways that encourage the other characters to have moments where they can reaffirm who they are (both in narrative and out of narrative)
there's a fine balance to strike here. on one end of things, you risk yes-manning so hard that the party quickly becomes a problem solving engine with a single striking surface. on the other end of the things, you risk being The Chaotic Neutral Guy
the space in the middle there represents the characters that people often want to regularly interact with, but rarely want to play. the sort of character who isn't actively disruptive, but raises a lot of red flags when they suddenly show enthusiastic agreement for what you're doing. the kind of character you almost need a diminished sense of discomfort to play without getting in your own feelings about
I adore playing characters who are catered to find plot hooks in other players' characters and tug them just enough to pull them to the surface
most parties have characters who disagree on things that aren't easily resolved. that's always fun, but (because people courteously tend to avoid conflict) it's very rare for those conflicts to come up without GM prompting, and "create productive conflict between two characters without leaving out the rest of the characters or starting a fight between players" is often an equally uncomfortable situation for a GM
lots of fun directions to take it!
have an arc that would benefit from a character taking charge but their player doesn't feel comfortable just Doing That? it helps to have someone else try to take charge who obviously should not be allowed, just to get everyone behind the alternative
have someone with a pure heart who doesn't really get to show that in a party of players who don't want to be mean? maybe someone who's a little more morally-compromised could give them a window for explaining what they actually believe
have a character who's part of some mysterious cult that nobody else is going to find the time to look into? the party could benefit from having a nosy character to justify cracking open that backstory
GM needs to fuck something up to remind the party of how dangerous things are? why not add to the mood by showing what your often-cold character looks like when something manages to actually upset them
[WARNING: DOING ANY OF THIS WALKS THE PRECARIOUSLY THIN LINE BETWEEN BEING COMPELLING AND BEING ANNOYING]
observant readers (well, those who have followed for a while) might have noticed I periodically go on rants about the much-maligned "evil character in a good party" and how both sides of the argument represent a communication and courtesy breakdown. that also very much ties into this sort of thing. I won't go over Tolerable Villainy 101 again, but you get the idea
distilled, I like playing the sort of thoroughly worldly bastards who often end up important in their own right, but mostly on accident, by virtue of being important to what makes other characters compelling
91 notes
¡
View notes
Text
Cozy Corner Kinktober 2024 prompt #27: Temperature Play
Butchlander; Rated... G? But honestly has horror elements so probably not G. TW: I'm not going to say agere, but some kind of unhealthy mental state is portrayed.
This was originally supposed to be a joke fill of this prompt and ~500 words. Instead, it became >4k words and not funny at all, I'm sorry to report.
Just a quick (needless) note: This is set presumably some time after S4E5 where they get Stan Edgar out of prison for a hot minute, but in some sort of alternative timeline where all the turning points of S4E8 either haven't happened yet, or won't ever happen because of a canon divergence. Aaand that makes it sound more complicated than it needs to be. Carry on.
Butcher isn't sure if there's anything new he could learn about Homelander by going to the compound where he grew up, but it can't hurt to check. Stan Edgar tipped him off about the secret location, a nondescript office building with a largely empty ground floor and sham offices to act as a front in the windows, but underground there is a facility that goes six stories deep. It's close to the landmark Edison Labs in West Orange, NJ. It's not a long drive from the city for Butcher to make. An afternoon trip-- he can be in and out. Stan assured him there was only one security guard on every floor and Butcher has a bulletproof vest and several guns hidden in his coat, so he's prepared to breach the facility, maybe grill the scientists he finds in there, although he has doubts heâs find many who worked there in the era heâs interested in. But right now the parking lot is completely empty. Odd, because Stan said the facility was still in pretty heavy use, though nothing like the heyday of the seventies and eighties.
It's too risky to park in the lot and be that conspicuous sole car, so Butcher leaves his car far away and walks. Something feels off. There doesn't seem to be a single person anywhere on site, although maybe he's doing something very stupid by just walking up to the facility's door in broad daylight. Maybe he's about to be snipered off of some other building or even the roof of this one.
There's no one anywhere that he can see. He tries the door and it opens, against his expectations. There's a security desk behind what looks bulletproof glass, but it's smashed or melted on one side and there's no one there. Thereâs caution tape in a lazy X across the elevator which Butcher doesn't even tear away before pressing the only button, the one with the down arrow, because he has no expectation that it will do anything. But the elevator dings and its doors open. And against his better judgement, Butcher pulls the tape off the wall edges and enters and goes straight for the lowest floor. B6.
His instinct says something is seriously wrong. Stan described a very different scene to him. This building looks abandoned and as if something violent happened. When the door opens to the B6 level a strong smell of bleach hits Butcher hard. The place looks empty, but there's still scientific equipment. Butcher can't tell whether it's modern or not, but something about the scene looks like people have been here recently. He steps out cautiously, half expecting a gun to cock and press into the back of his head, but there's no one around. Where's security? He saw a camera on the way in, and it wasn't obvious if it was on or not. There aren't even any cameras visible on this level.
Butcher's not one for getting scared, but there's something decidedly creepy about the place and how empty and silent it is, aside from the hum of some machines that are apparently still on, and the air being circulated through the ducts. Yet more evidence this building is in use, at least occasionally. It looks hastily abandoned, but there's no way it's been abandoned for years. He approaches the wall where there's a framed picture hanging up. Three scientists in lab coats, maybe four, if the woman with the big 80s hair is also one, although she looks like someone from corporate. But what Butcher's eye is drawn to is the child in the middle, dressed in a white nightgown. He stares at the face, at first not even certain whether it's a boy or a girl, but slowly coming to recognize the features that would later morph into the face of the man he's been so obsessed with over the years. It's completely uncanny. It was one thing to hear Vogelbaum wax sentimental about Homelander as a five year old, but it's quite another to actually see a picture before puberty really hit. His expression looks pouty, sullen. He's certainly more than five years old here, which means they had already "gone to work on him" for a few years, whatever Vogelbaum meant by that ominous sounding phrase.
Butcher takes a picture on his phone and looks around for more. He's got his curiosity to find more on the one hand, but he's also quite sick to his stomach. This all feels wrong. The place is hideously depressing, and Butcher's mind is starting to play tricks on him, thinking he hears someone or something lurking, maybe on some floor above. He wishes he'd brought someone else along. He can't believe he's chickening out but he doesn't think he can take any more of this. There's a heavy red metal door that's ajar, almost inviting him to look inside, but Butcher has never had such a strong premonition to leave without investigating any further. He heads toward the elevator, is about to press the button to go up when the elevator suddenly starts ascending, making a ding noise as it passes each floor.
Maybe it's just programmed to return to the ground floor, Butcher tells himself, but there's cold sweat running down his back. He presses the button anyway, sees the elevator reach the ground floor, pause, and then head back down again. It feels like it takes forever. Butcher cannot wait to get back up, leave this claustrophobic stuffy underground hellhole behind, go back to his car and never ever come back here again.
The metal elevator doors open and Butcher steps back when he sees none other than Homelander standing in the elevator.
"Long time no see, William. I'm so flattered you decided to investigate where I grew up!" Homelander walks out, effectively blocking Butcher's path to get inside, so Butcher stands still.Â
As scared as he should be to see Homelander catch him in the act of snooping around this lab, he's almost relieved to not be alone in here. He'd prefer to be on the highway, hauling ass back to the city, of course, but this is how it's playing out.
Homelander raises his eyebrows dramatically. "Or at least that's what I assume you were doing. Hm?"
Butcher shrugs. "More or less."
"If you're wondering how I knew you were here, Vought Analytics kindly tipped me off when they caught you on camera. Pretty ballsy, just walking right in." Homelander grins, then takes a look around. "Wow, they really cleaned this place up since I last visited. Although the bleach fumes don't seem to air out very well from this level."
Butcher has no idea what to answer, or where this conversation is meant to be going.
"You want a tour? Or⌠what, a dramatic reenactment of my childhood, or�"
Butcher stands still, mulling over whether there's any chance he leaves here alive, and whether what he says has any bearing on that.
Homelander takes it upon himself to start narrating some kind of demented walk-through without waiting for an answer. "Well, hereâŚ" He spreads his arms and gestures around. "Is where I spent all my conscious childhood years until they finally started letting me out at sixteen."
"You lived here?" Butcher asks, curiosity getting the better of him.
"Oh yes, all my time. In here. I don't remember seeing the sun or open skies until I was probably ten years old, and very rarely. I had books about the outdoors, I dreamed about it. But I never saw it." Homelander's smile falters, then reanimates itself. "So yes, not only did I spend most of my life on this floor, I actually spent quite a bit of the time just locked away in hereâŚ"
He gestures toward the ominous red door. Butcher follows him inside even though he takes one longing look at the elevator, knowing there's no way Homelander would let his captive audience just walk out.
The room seems blindingly bright compared to the rest of the floor, white walls everywhere, reflecting the harsh fluorescent lights overhead. It feels cold and clinical, and Butcher has a suspicion that the white paint is a thin layer over reinforced metal. It's completely empty.
"Yes, this room is where I slept, ate my meals, did my studies, took my shits. And if they felt like it, where I was just abandoned for days when they working on something else and couldn't be bothered with me." Homelander stops roving the room with his eyes and fixes them on Butcher, standing akimbo. "Well? What do you think?"
Butcher wonders if Homelander actually expects an answer. It seems like he's really waiting. "Mate⌠I think the whole thing is fucked up beyond belief. That's what I think."
Homelander smiles, and the smile almost looks genuinely friendly. "That's what I say! But as a child, I didn't know anything else, you know? They told me I was special and this is what they needed to do, and that this was an acceptable way for me to live, and who was I to argue with them? They didn't like it when I complained about anything. It was frowned upon. Moving onâŚ"Â
Butcher is all too happy to obey Homelander's beckoning gesture and follow him out of the claustrophobic little room. Butcher was never a believer in vibes, but the whole place makes him uneasy.
"Here's the table where the scientists who worked on this floor took lunch. They used to talk and joke and laugh, and I think listening to that banter was probably how I learned to sound like I was raised in a normal family. I could watch them out of the window in the door if they didn't cover it up with metal because they wanted privacy. I never got any privacy. There were four cameras in that tiny room, one in each ceiling corner, and my whole life was recorded. I wonder if they kept all those tapes. Must be the most boring footage in the world, so they probably recycled them unless I did something interesting. I should say that every birthday they did allow me to sit with them at the table and have my piece of cake and they'd all pretend we were friends and that we were celebrating my birthday and not their own milestone that they were congratulating themselves for. Back then they might have even been celebrating my real birthday, before the corporate one they came up with in committee that fit the television schedule well. Not that I remember what my real birthdate was. They didn't really emphasize dates or give me access to calendars or anything⌠I never had a good grasp on how much time was passingâŚ."
Homelander really sounds like he's talking to himself at this point, processing something, face twitching as his efforts to smile keep drooping into a more sinister expression with bared teeth. He trails off and sighs at some point. "I'm sorry, where were we?"
Butcher just stares at him.
"Sorry, am I boring you?" Homelander asks, and his face is cold and collected again.
"Not at all, unfortunately," Butcher answers. "I don't know what the fuck they were doing to you, but it's sick. A company can't own a child."
"Oh it's completely illegal," Homelander says, laughing, and his face is friendlier again, an amiable smile playing on his lips. "But you don't make trillions of dollars without breaking a few people, am I right?"
"Why are you still working for Vought?" Butcher asks, suddenly feeling angry. It feels like anger on Homelander's behalf, which is a new emotion for Butcher and he's not sure he likes it.
"I'm not working for them," Homelander says. "I took over the entire thing. They're working for me."
"Keep telling yourself that. How do you know they're not raising another little supe like you, somewhere out in some other secret facility. Maybe tens of them. Maybe torturing them until only the strongest survives?"
"I- I'd know about that, as a board member."
Butcher hears the falter in his voice.
"Anyway. Sometimes Barb- the head of the lab would let me walk around the lab and sit at this table when the rest of them weren't having lunch and working. She used to give me pen and paper to draw and write, but⌠I guess eventually they didn't let me anymore when I kept drawing things they didn't like⌠One of the lab members, Joe, I think was his name, Joe Nesbitt, yes. I should remember them all, but it's not like they wore nametags and didn't always introduce themselves depending on how closely they worked with me. But Joe had this dog he'd bring in. I thought it was the most adorable thing I had ever seen. You have to remember, I didn't ever get to see other children or pets or anything except these labworkers and janitors. Everything else was just from books. Well Joe was bringing his dog in, even though I don't think Vogelbaum or Barbara approved at all. He'd let me play with the dog, which was⌠pretty remarkable if you think about how little they trusted me to control my powers back then. I wasn't supposed to touch the dog of course. But if I sat on my heels in the middle of the floor, the dog would usually come and want to play, and pounce on me, and even lick me. And I wanted to pet it so bad, but I just kept my hands behind my back to remind myself not to ever touch it. I played fetch with it, even though they weren't happy that I was making the dog run around the room. Eventually they told Joe to stop bringing the dog, that it was inappropriate and distracting to everyone. He was an actually kind guy. I remember they were discussing it, maybe thinking I couldn't hear behind the door of the Bad Room, but the Bad Room only blocked my vision, not my hearing. He said he wasn't bringing the dog in for himself, that he was bringing it in for me. That he thought I desperately needed a pet to take care of, to develop my personality properly. I remember when I listened, my breath hitching, wishing so hard they'd let me have a pet. But they said no, that it was an unnecessary distraction for me too. But he was right of course. A pet would have been so good for me. I should have told them I wanted a pet. I should have insisted. But instead I thought I shouldn't ask for something if they didn't want me to have it."
It's a bit bewildering to hear so much sadness pour out of this cruel, deplorable shitstain of a supe, but it's so hard not to feel something for him. Being here is creepy, and it's bringing out strange memories in this guy.
"I don't know what happened to Joe. I think he ended up getting sick. Died of cancer or something, even before I was twelve. Wouldn't be surprised if working here wasn't good for a mudperson's health, and yet so many people seemed to work here forever and carry on with their pointless little lives just fine."
"Maybe we should go upstairsâŚ" Butcher says, cautious about saying anything that will make Homelander snap out of whatever mood this is, and maybe snap completely.
Homelander smiles. "No, we can't leave before we see the oven."
Butcher has had the sinking feeling all along that this is all one prolonged monologue before Homelander executes him, and now he knows the method by which he will die. Well, it was a good run, he guesses. He eyes the elevator, but there's just no way. Maybe getting lasered in the back is going to be less painful than whatever Homelander has planned for him, but he just can't force himself to make a break for it, his legs feeling strangely leaden. Maybe he's become hypnotized by the story, being able to imagine it all the more vividly now that he's seen the childhood photograph on the wall.
"This is where they burned me, to build up my resistance to heat damage. Probably weekly if not more often. I don't know why they had a window. I guess to watch the progress inside? Not sure they would have seen anything happening other than me crying my little eyes out. All the window allowed me to do was watch how people were just going about their work, except for the couple who were directly involved in baking me in the oven. No one gave a shit that I was suffering."
Butcher raises his eyebrows when Homelander leans down and starts taking off his boots. By the time he's taken off his cape and starts opening the magnetized flap of his top half, Butcher can't help himself any longer. "What the hell are you doing right now?"
Homelander turns toward him sharply. "I want to show you. I want to show you exactly what they used to do to me. It won't hurt me now that I'm an adult. It hurt back then, but it won't hurt now. They got rid of my sensitivities that way."
Butcher can barely follow what he's saying. "Are you ⌠going into the oven?"
Homelander nods nonchalantly.Â
"You completely off your rocker? There's no way it's still operational anyway. What the fuck's the point?"
"Oh it's operational," Homelander says. "I saw it in action a few weeks ago."
Butcher is so confused he finds himself literally scratching his head, trying to make sense of what's happening. It feels like that fairytale where someone has to trick the witch into looking into the oven to push her in, except this witch is hopping into the oven himself, fully aware of what he's doing. Or maybe not fully aware, since he seems to be in some weird giddy nostalgic fucked up spiral.
Homelander is already naked by the time Butcher shakes those thoughts away.
"Why the hell do they still have this oven? Doesn't that mean they're still doing this to other kids?" Butcher asks.
Homelander shrugs. "Maybe they use it to bake glassware now. You know, to sterilize it? I have no idea. They were using the Bad Room to store all their old broken and outdated equipment, so who knows. It's empty now though. They cleaned it out pretty thoroughlyâŚ"Â
Butcher doesn't like the smile on Homelander's face. It looks crazed. And it's not surprising, since he's determined to do something absolutely nonsensical. Butcher really needs to leave this building. There's some terrible energy or feng shui or juju or whatever people call it in here. Butcher felt better energy in the Tower of London as a child.
Homelander walks in through the oven's door.
"Why do you have to be naked for this?" Butcher asks.
"Because this thing gets over 1000 degrees inside. There's literal gas flames that come through the panels. My suit's built against the elements but I don't know if it'll hold up to that."
Butcher just can't help himself anymore. "And why the fuck do you feel the need to get in there, again?" What is he saying? Why is he offended by the idea of Homelander doing something so stupidly reckless. He probably knows he won't be hurt. And what if he is? Since when has Butcher ever worried about a supe hurting himself by doing something moronic? But something about spending his time down here, listening to Homelander's disturbing stream of conscience, makes Butcher feel like he's the designated driver, like he's strangely responsible for whatever happens next.
"I just want to show you." Homelander motions him over. "Shut the door and turn on that button on the side. The numbers above the knob tell you the temperature it's set to reach."
Butcher shuts the door, staring at Homelander's face through the thick transparent window, made of who knows what material.Â
"Well? Go on." Homelander's voice sounds very faint and muffled from inside.
Butcher stares at the panel. "1200C" is what the knob is set to. What the hell is he doing? And why is he hesitating? He hits the button, surprised at the immediate swell of guilt he feels. He hears the door automatically bolt locked, and watches as the back wall splits like some heavy duty metal Venetian blinds, revealing a wall of flames right behind them.
Homelander's expression is manic. "Doesn't hurt like it used to," he announces, loud even through the thick glass, and yet when Butcher approaches the door to watch what's going on inside, Homelander is hugging himself and cowering and wincing a little bit, scrunching his eyes shut. Doesn't look painless.
Butcher glances back at the elevator. Well, here's his fucking chance. Even if Homelander is capable of breaking the door open, Butcher might have time to take the elevator and bound across the lot and be long gone before he manages to do that.
He starts backing up, still watching Homelander inside, flames all around him. Butcher doesn't believe in Heaven or Hell, but it certainly looks like Homelander is in one of those two places. Butcher's so close, so close to just turning around, walking towards the elevator, and getting the hell out of there. But Homelander looks up at him and his eyes widen when he sees how far Butcher has distanced himself. It looks like it finally dawns on him that he gave Butcher the perfect escape while trying to relive his demented childhood traumas.
Butcher can't do it. In spite of every rational thought telling him not to walk back, he walks back to the panel and shuts the oven off. The door remains locked, probably a safety precaution since the inside temperature is still scorchingly hot. Homelander stands near the window, eyes big and round, and it's fucking uncanny but Butcher can't unsee the child version of his face etched into his current features.
Maybe he should leave now. At least he's turned the oven off, right? That has to be enough. "Is the door gonna unlock on its own?" Butcher verifies, hoping the answer is yes and that he can leave with a clear conscience.
"You have to override the safety from the outside. It won't open from the inside after being powered up." Homelander says, and Butcher can't tell if he sounds sheepish because of how quiet and muffled he is behind the glass, or because he's embarrassed about trusting that Butcher will stay and do all the honors.
But Butcher does stay and do the honors, mad as it all is. The door unlocks and opens, a rush of extremely hot air blowing into the rest of the room, fortunately far enough away from where Butcher is standing that he only feels the air gust and not so much the temperature. Homelander traipses out of the oven, arms still wrapped around his torso.
"Looks like it still hurts from where I'm standin'," Butcher says. Homelander is looking at the ground and says nothing before picking up his suit and trying to put it back on, hissing quietly when anything touches his skin.
"You're an idiot." Butcher can't help himself. He's in complete disbelief. "Why on earth did you think that was a good idea?"
"It hurt more as a child," Homelander declares, as if that answers the question. But he seems to be regaining his composure. No harm no foul with these supes, even if you stick them in an inferno. "I just needed to convince myself that it wasn't as bad as I remember it."
"I'm sure it was as bad," Butcher says. He still doesn't know what happens next. As much as he's calling Homelander an idiot in his thoughts, he might be the bigger idiot for staying down here and saving him from himself. Now he might pay the ultimate price.
"I think that's all I have to say about this placeâŚ" Homelander says. "Funny. I killed a lot of the people who could verify that all the stuff I'm saying they did to me is true. Now maybe no one will ever know. And I'm fine with that. You don't have to remember anything I told you here. It's dead and buried in the past and has nothing to do with the present."
"I think it has something to do with the presentâŚ" Butcher can't help but counter.
"Doesn't matter. I'm thinking about the future, About Ryan and all that. And how I'll make sure he never goes through anything like I did." Homelander's face twists into anger again. "Did I even need to go through all that? It still hurts. It still fucking hurts. Maybe they didn't inure me to anything. Maybe they just told me they did and I believed them. Maybe it was all one big waste of time that could have been avoided."
"Wouldn't be surprised," Butcher says.
Homelander sniffs something like a laugh without any mirth, walks towards the elevator and presses the button to go upstairs. Butcher hesitates to follow, not quite believing that his ordeal is over.
"Well?" Homelander sound impatient after he walks in and holds the elevator by sticking out his arm, waiting for Butcher to make his way in. "Or were you planning on trying to find secret documents or something?"
"Nope," Butcher mumbles. Maybe he should, but he's not about to stay down there any longer than he has to.
"They took all the important documents once they cleared the place out. They had to do a bunch of cleanup anyway after my visit. Think they took everything important and stashed it away from busybodies like you."
"Left that picture on the wall," Butcher says, not sure why he's engaging in this conversation, but it's surreal to stand with Homelander in an elevator and openly discuss his efforts to get intel on him. "Maybe you should have taken it with you."
"Oh that thing, with Barbara and the rest?" Homelander makes a sour face. "Should have thrown it out. That's a chapter of my life I don't ever want to think about again."
Butcher doesn't know who Barbara is but guesses she must be the woman in the picture. He, for one, is glad he has a copy on his phone. Something about it is haunting but very very evocative, like he sees the man in front of him in a new light, and he didn't think that was possible after all the research and study he's already done on him over the years, and how crystallized his hatred has become.
Butcher is tempted to get down and kiss the ground when they finally walk out of the building, grateful he's no longer six floors down below.
"Don't come snooping around Vought properties," Homelander tells him His tone sounds official, like the voice he uses to give PSAs on TV. Not at all like the broken, slightly stuttering voice that was recounting his childhood down in B6.
Butcher flinches away when Homelander takes off without any warning, pushing off the asphalt and launching himself into the sky with a completely unnecessary sonic boom. He watches him fly towards Manhattan and slowly makes his way to where he left his car, checking his phone to make sure he did save the photo from the lab wall.
For safekeeping. Nothing stranger than that.
AO3 link
#butchlander#billy butcher#homelander#homelander's disturbing past#cozy corner kinktober 2024#cozy corner kinktober#the boys#the boys tv#fic#mystuff
41 notes
¡
View notes
Text
No Way | LN4
Summary: Lando Norris, an F1 driver for McLaren Racing, faces persistent attention on his single status. In an attempt to appease fans and quell rumours, his management suggests a fake relationship with a popular Portuguese model. However, Lando's PR manager, Natalie, disagrees, believing fans would see through the ploy. As an alternative, Lando's management notices the genuine bond between him and Natalie and proposes they feign a relationship for authenticity. Initially hesitant, they agree, given their existing friendship and professional connection. The fake relationship takes an unexpected turn as Lando and Natalie grapple with burgeoning real feelings, attempting unsuccessfully to conceal their growing emotions.
Pairing: Lando Norris x Original Character (Natalie)
Warnings: Mentions of physical and emotional abuse; SA; fluff
Masterlist
CHAPTER 6
As the Miami Grand Prix concludes with Lando securing P3 and Oscar landing at P5, the paddock begins to wind down, the ambient hum of activity softening as people prepare to leave. In the aftermath of the race, Lando retreats to his driver's room, where he remains since the podium celebration and the subsequent debriefing.
Observing from the sidelines, Natalie can't help but sense an underlying concern about Lando's emotional state. Despite securing a podium finish, the pressure to replicate the victory he achieved at Suzuka looms heavily. Natalie understands that the expectations and the desire for a subsequent win weigh on Lando, potentially affecting his motivation.
Compounding the challenge, their interactions have been limited, especially private moments that would allow her to gauge his emotional well-being. The presence of others has created a barrier, making it difficult for Natalie to discern the true depth of Lando's feelings. As someone invested in both his professional and personal life, she grapples with the delicate balance of offering support without overstepping boundaries, as she has done previously, eager to provide comfort in a moment where victory remains elusive.
âWhereâs Lando?â Landoâs trainer, Jon asks.
âHeâs still in his driverâs room.â Natalie explains. âIâll take him back to the hotel. I think heâs just had a rough day and needs a minute.â
Natalie's response to Lando's trainer, Jon, is measured, reflecting her understanding of the situation. The acknowledgment of Lando needing a moment underscores her awareness of his emotional state and the potential impact of the race outcome on his mood. Natalie's readiness to offer support and take on the responsibility of accompanying him back to the hotel highlights her dual roleâboth as a professional figure in the paddock and as someone deeply invested in Lando's well-being. It's a subtle demonstration of her commitment to providing the space and support he might need in the aftermath of a challenging race day.
Natalie's steps lead her to Lando's driver's room, and with a composed three knocks, she signals her presence. A brief pause follows, and then the door opens, revealing Lando. Without saying a word, he invites her in, closing the door behind them. The atmosphere within the confined space holds a mix of lingering tension from the race and the unspoken understanding between them. As Lando packs up his belongings in the quiet aftermath of the race, Natalie gently breaks the silence.
âEveryoneâs pretty much left for the day.â Natalie informs him, the low hum of their conversation filling the driver's room.
âThat was not the result I wanted today.â He mumbles, expressing his disappointment.
âOf course not, but itâs still P3. Itâs still decent points.â She says, hoping to shift the focus to the positive aspects of the day.
âBut itâs not a race win.â Lando counters, the hunger for victory evident in his voice as he slings his backpack onto his back.
âIâll drive you back to the hotel.â She says, changing the topic.
âYou never drive, though.â He points out.
âThen today is your lucky day.â She jokes as she opens the door for them to leave.
The engine hums to life as Natalie starts the SUV, embarking on the journey from the venue to the hotel. Lando, taking the passenger seat, gazes out of the window, his attention briefly captured by the passing scenery. As they drive past fans, Lando acknowledges them with a wave, a gesture of appreciation for the unwavering support.
It's a rare sightâNatalie behind the wheel, steering them through the post-race ambiance. Lando, typically in control as the driver, now finds himself in the role of a passenger. His occasional glances outside and subtle adjustments in the seat reveal the discomfort of relinquishing control, a testament to his preference for being at the helm.
As Natalie navigates the automatic SUV through the streets, her initial nervousness stemming from the unfamiliarity of the vehicle begins to dissipate. The rhythm of the drive, once tense, gradually transforms into a more comfortable flow as they distance themselves from the crowds.
A few moments pass in silence until Natalie detects the sound of sniffling beside her. Concerned, she turns to find tears streaming down Lando's cheeks. Without uttering a word, she makes a spontaneous decision, steering the car down a quiet stretch of road and parking it. The hushed environment allows for a moment of privacy and introspection.
âWhatâre you doing?â Lucas asks her, confused as he wipes away some tears.
âI stopped so you could get out everything you need before you charge head first into the next crowd.â She gently explains.
Her words convey a deep understanding of the emotional toll racing can take, acknowledging the need for a moment of release and reflection.
In the cocoon of the parked car, Lando allows himself to release the pent-up emotions, finding solace in Natalie's understanding presence. The conflict within Natalie, torn between maintaining a professional demeanour and providing comfort, is palpable. Despite her internal struggle, she extends a hand to Lando's shoulder, offering a physical connection that becomes a lifeline for his grief.
As Natalie leans over, enveloping him under her arm and gently rubbing his back, Lando's tears flow freely. The vulnerability shared in this private moment bridges the gap between their professional roles, revealing the depth of their connection. His hand reaching for hers signifies a silent plea for continued support, anchouring him in the solace of their shared space.
The abrupt interruption of a sharp ringtone pierces the emotional silence. Natalie, with a quick response, answers her phone, momentarily shifting her focus away from the intimate scene within the car.
Natalie deftly navigates the delicate situation, responding to Charlotte's queries with a composed assurance that conceals the intimate scene within the car. As the call progresses, Natalie seizes the opportunity to divert attention away from Lando's emotional state, explaining that he's simply worn out after the race.
With a request to access the hotel through the basement, Natalie ensures a discreet entrance, shielding Lando from the prying eyes of fans and maintaining the facade of professionalism. Charlotte, understanding the need for privacy, agrees to coordinate with hotel security for the alternate entry. Natalie leans back in her seat once the call concludes and looks at Lando who seems to have calmed down.
âThank you.â He whispers. Natalie smiles at him and squeezes his hand.
âOf course.â She whispers back.
âI think we can go now.â Lucas tells her.
âAre you sure? We can sit a bit longer if you want?â She assures him.
âJust a few more minutes.â He caves, his voice still shaky as he speaks.
Natalie nods, fully understanding the need to take a moment to gather his thoughts and emotions as she relaxes into her seat. A few moments of silence pass before he eventually nods at her and she starts the car. The car resumes its journey, now with the knowledge of an alternative entrance arranged by Charlotte. Natalie glances at Lando, who, though still recovering from the emotional release, appears to have found a measure of calmness.
The reciprocal exchange of comfort and vulnerability between Lando and Natalie creates a profound sense of trust and safety within the confines of the car. Natalie, recognizing the importance of providing a supportive space for Lando after the events in Shanghai, makes a conscious effort to offer him the comfort he might need.
Lando, in turn, experiences a unique sense of security with Natalieâone that goes beyond the surface-level interactions. He appreciates the fact that she not only acknowledges his emotions but actively encourages him to express them. The depth of their connection becomes evident as Natalie becomes the person Lando turns to when he needs to unveil his rawest emotions.
In this shared sanctuary, emotions are laid bare, fostering an environment where both individuals can be genuine and authentic with each other. The acknowledgment of this mutual trust and safety cements their bond, making it clear that Natalie is someone with whom Lando can truly be himself, free from the constraints of public expectations.
âBefore we get out, I wanted to chat to you about something.â Natalie starts once sheâs parked their rental vehicle in the basement parking lot. Lando shoots her a curious look. âI know youâre disappointed with your result today, those feelings are completely valid and normal. Youâre allowed to be upset. From my point of view, you did great today. It wasnât an easy race, yet you did the best you could in the position you were in. You could have retired the car, but you didnât. There are still so many opportunities to try again and keep proving to me, to McLaren, to the fans, to yourself, that you are a great driver. Today, you get to take in the disappointment and anger. Tomorrow you use that as your biggest motivation.â
As Lando waits for Natalie at the hotel's basement entrance, he experiences a moment of profound realisation. A small smile graces his lips, masking the depth of emotions swirling within him. In that quiet moment, clarity settles in, and Lando recognizes a sentiment that surpasses the bounds of friendship or camaraderie.
For the first time, the realisation dawns on him, clear as dayâhe has fallen in love with her. It's a revelation that adds a new layer to their dynamic, colouring his interactions with her in a different light. The simple act of waiting for her and opening the door takes on a significance that transcends the ordinary. As he ushers her inside, Lando's heart flutters with a mix of emotionsâjoy, vulnerability, and a newfound understanding of the depth of his feelings.
âThereâs a dinner party tomorrow night. Pretty much everyone is going to be there. Donât you maybe want to come with me?â Lando asks Natalie as they step inside the elevator. âLily and Oscar are going to be there, plus some of the other girlfriends. We havenât really gone out as a couple since this whole thing started. Maybe this is a safe, comfortable place to do that.â
As the elevator carries them to their respective floors, the air is charged with a newfound sense of anticipation and a subtle shift in their dynamic. Lando's invitation lingers in the confined space, creating a momentary pause filled with unspoken possibilities.
âSure, why not?â Natalie responds, the words carrying a subtle warmth and willingness
âGreat.â Lando concludes, his smile now more pronounced, and a touch of relief apparent in his expression. The elevator doors open, and as they step out into the hallway, Lando's gaze momentarily drops to the floor, a small but contented smile playing on his lips. âIâll meet you in your room at 7.â
- THE NEXT NIGHT -
There is a subtle yet firm knock on the door. As Natalie opens the door, a soft creak echoes in the hallway, revealing the anticipation that lingers in the air. The subtle yet firm knock had hinted at something significant about to unfold. Natalie's appearance speaks volumes about the occasion. Her choice of a modest black dress and low block heels exudes a sense of understated elegance, suggesting a careful consideration of the event's atmosphere.
Natalie's effort to doll herself up adds a touch of mystery, as if she's unveiling a different facet of herself for this particular moment. The balance struck in her appearance is noticeable - not overly done, but with just enough transformation to pique curiosity. The minimal makeup on her face complements her natural beauty, enhancing rather than overpowering her features.
As the door swings open, the scene unfolds to reveal Lando standing on the other side. His attire, a crisp white button-down shirt paired with tailored black slacks, mirrors a classic and timeless sense of style. The monochrome contrast between their outfits suggests a harmonious coordination, as if they are both attuned to a shared understanding of the significance of the occasion.
As Lando steps into the hotel room behind Natalie, his gaze lingers on her with an undeniable intensity. The way her black dress hugs her curves and gracefully flows with each movement seems to captivate him. Natalie can feel the weight of his gaze, causing her heart to quicken its pace. It's evident that the air is charged with a mixture of anticipation and unspoken tension.
Despite the allure of the moment, Natalie wrestles with a twinge of uncertainty. Being not only Lando's fake girlfriend but also his PR manager, the boundaries between personal and professional blur. The upcoming party, where couples are expected to attend, adds an additional layer of complexity to the situation.
Natalie grapples with conflicting emotions. While part of her revels in the attention and the thrill of the moment, another part questions the wisdom of attending the party as Lando's date. The dual roles she plays in his lifeâpersonal and professionalâcreate a delicate balance that she must navigate. Amidst the internal turmoil, Natalie takes a deep breath, silently reminding herself to be authentic. This internal mantra becomes her anchor in the midst of the whirlwind of emotions.
âYou look great, by the way.â Lando finally comments with a compliment.
Lando's appreciation for Natalie's appearance is evident in his gaze, and as he comments on her attire, a gentle smile forms on her lips. The black dress that elegantly drapes over her tanned skin seems to have caught his attention, and the subtle play of colours enhances the overall effect. The genuine appreciation in his eyes prompts a rush of heat to Natalie's cheeks, a telltale sign of the compliment's impact.
âThank you.â She says and glances up, strands of hair cascading around her face. âYou donât look too bad yourself.â
âNot too bad? Iâve never looked better.â Lando teases, eliciting a hearty chuckle from Natalie.
âIâm ready when you are.â She tells him as her eyes sweep over his watch to check the time.
The atmosphere, once charged with anticipation and banter, shifts into a more decisive tone. Lando, acknowledging her words, nods in response, a silent affirmation that it's time to step into the next chapter of the evening.
In a subtle gesture, Lando invites Natalie to lead the way, gesturing for her to exit the room first. The chivalrous act is not lost on her, and with a gracious smile, she walks towards the door. The click of the latch echoes as Lando shuts the door behind them, sealing the room and leaving behind the private moments they shared.
The car comes to a halt outside the restaurant, marking the beginning of a new chapter in the evening. Lando, the consummate gentleman, opens his door and steps out, with Natalie gracefully following suit. As she emerges from the car, Lando extends a hand for her to grasp, a gesture that immediately establishes a connection between them.
Natalie's arm instinctively rises to clasp onto his bicep, creating a subtle yet intimate link as he leads her towards the entrance. The orchestrated choreography of their movements reflects the roles they play â the picture-perfect couple making a grand entrance into a glamorous event.
However, the transition from the confines of the car to the bustling scene outside exposes them to the glaring lights of cameras and the cacophony of photographers vying for Lando's attention. The flash bulbs flicker from all angles, capturing this moment of entrance into the public eye. Photographers shout for Lando to pose, adding an additional layer of pressure to the already charged atmosphere.
Natalie, suddenly feeling the weight of all eyes on them, keeps her head down, a sudden shyness overtaking her. The contrast between their private moments around the paddock, where they could hold hands freely, and this public spectacle becomes stark.
Inside the restaurant, Natalie deliberately lowers her arm, allowing it to hang beside her, creating a noticeable distance between her and Lando. Although he wishes she would continue holding onto him, he respects her need for space. Natalie, a ball of nerves, feels a mix of emotions, captivated by Lando in every way possible.
Not touching him becomes a strategy to maintain control over her swirling emotions. It's a self-imposed boundary in this intricate dance of roles and feelings. She reminds herself that this is a dangerous game, a delicate balancing act between the personal and the staged. As much as the public eye demands a convincing portrayal of a couple, she grapples with the complexities of her own feelings.
This evening marks the first time the rest of the grid will see them as a couple outside the paddock. The stakes are high, and the unknowns add an extra layer of uncertainty. Natalie hesitates to hold Lando's hand, fully aware of the clammy anxiety that lingers on her palms. The thought of exposing her vulnerability to the scrutinising eyes of the public and the racing world gives her pause.
As the overwhelming act of casual chit-chat and the gathering of a small group of drivers and their girlfriends engulfs Natalie, a wave of unexpected vulnerability crashes over her. Despite her usual confident and composed demeanour, the intensity of the moment becomes too much to bear. The public scrutiny, the unfamiliarity of being in the spotlight with Lando, and the weight of recent eventsâparticularly the assault in Shanghaiâcreate a perfect storm of emotions.
In a sudden, uncharacteristic move, Natalie finds herself pressed against Lando's side, seeking the reassurance of his touch. The physical proximity provides a momentary refuge from the chaos surrounding them. Her usual reserve gives way to a rare display of vulnerability, and in the shelter of Lando's presence, she finds a sense of security.
The assault in Shanghai, perhaps more impactful than she initially realised, has left a mark on her psyche. The unexpected need for comfort in this high-pressure situation hints at the deeper emotional toll of recent events. Lando, sensing her unspoken distress, offers a supportive presence, silently acknowledging the uncharted territory they find themselves navigating.
âYou OK?â Lando leans down and whispers into her ear, attuned to Natalie's unspoken distress,
âI will be.â Natalie, steadying herself, assures him.
As if to reinforce her words, she grasps his hand, and he reciprocates by intertwining his fingers with hers. The tactile connection becomes a source of comfort and solidarity amid the chaos.
As Lando is enveloped by the enthusiastic greeting from Daniel Ricciardo, Natalie hesitates, uncertain of her place in this dynamic. She trails behind Lando as he seamlessly integrates into the driver clique, exchanging pleasantries with familiar faces like Carlos, Charles, and Pierre. Charles, spotting Natalie, breaks the ice with a warm inquiry.
âNatalie, how are you?â Charles asks, his friendly demeanour putting her at ease. The exchange extends into a small hug, a gesture that adds a touch of casualness to the formalities.
âIâm doing well, thank you. How are you?â She responds with a polite smile.
âIâm doing good.â He answers and smiles.
âWhereâs Alexandra?â Natalie asks as she looks around and spots some familiar faces.
âShe had to go back to Monaco for college.â Charles answers.
âLies. The two are on some rocky terrain if you know what I mean.â Pierre interjects with an evil smile.
Natalie, caught off guard by the unexpected revelation, lets out a light chuckle, realising the banter among the drivers is not confined to the racetrack. The casual and candid nature of their interactions serves as a reminder that, despite the orchestrated nature of their public appearances, the racing world is also a community where personal dynamics play out in unexpected ways. Natalie, still finding her footing in this social setting, observes the banter with a mix of amusement and curiosity, recognizing that the public personas of the drivers often conceal a more complex reality.
As the banter continues among the drivers, Lando, perhaps unconsciously, snakes an arm around Natalie's waist, pulling her subtly closer. The unspoken gesture, an instinctive response to the casual camaraderie around them, creates a moment of shared intimacy.
Caught off guard by the unexpected closeness, Natalie turns to peer up at Lando, her eyes seeking an unspoken explanation or perhaps questioning if he wants to convey something specific. In that exchanged glance, there's a silent communication, a subtle acknowledgment of the complexities they navigate together, both in their fabricated relationship and the genuine connection that underlies it.
Despite the outward composure, Lando feels a twinge of discomfort witnessing how easily Natalie integrates with the other drivers. The banter and camaraderie she shares with them, including the casual exchanges and light touches, stir an unexpected feeling within him. It's a mix of possessiveness and vulnerability, an unfamiliar territory for Lando.
The sound of a tapping knife against a champagne flute echoes through the room, cutting through the buzz of conversation and drawing everyone's attention. Max, seizing the moment, becomes the focal point of the gathering. The subtle, rhythmic tapping serves as a signal for silence, creating a moment of anticipation.
âGood evening, everyone. Thank you for coming out tonight.â Max begins, his voice carrying across the room. The appreciation in his tone sets a positive and welcoming tone for the evening. âWeâll be heading in for dinner in a few minutes. If you could please make your way into the main dining hall. Thank you.â
As Natalie follows Lando into the main dining hall, they find their designated seats between Rebecca and Carlos on Lando's side, with Charles sitting on Natalie's side. The hum of chatter resumes as everyone settles down, and the ambiance of the elegant dining hall sets the stage for the next phase of the evening.
As meals are served, the room comes alive with a symphony of conversations and clinking cutlery. The atmosphere is a blend of socialising and the enjoyment of the delectable dishes. In the midst of the lively chatter, Charles takes a moment to lean over to Natalie.
âI visited South Africa back when I was still a young boy. I canât remember much about it but I do remember my father taking me and my brothers to Robben Island. Do you miss it at all?â He asks.
âOh, definitely. Iâve travelled a bit the last few years, and without a doubt, Iâd say South Africa is the most beautiful place.â Her words carry a touch of nostalgia and affection for her homeland, revealing a deeper connection to the country that holds a special place in her heart.
As the evening progresses, Natalie and Charles find themselves engrossed in conversation, seamlessly navigating various topics until dessert is served. The genuine connection between them becomes evident as they share stories, exchange laughs, and connect over shared experiences.
However, Lando, observant of the developing rapport between Natalie and Charles, can't help but feel a twinge of discomfort. The subtle chemistry and camaraderie between the two do not escape his notice, causing a sense of unease to settle within him.
The dinner, meant to be a glamorous social affair, takes on a more complex tone for Lando as he grapples with the unexpected dynamics unfolding before him. The discomfort grows as he watches Natalie engage with Charles, and an undercurrent of tension simmers beneath the surface.
âNatalie.â Rebecca calls out from next to Carlos beside Lando.
Rebecca's call captures Natalie's attention, prompting her to lean slightly over Lando to hear the suggestion. In the process, she instinctively rests her hand on Lando's knee for support, a casual gesture that feels natural in the midst of the lively dinner conversation.
âWe should meet up sometime and go play some paddle.â Rebecca suggests.
âOh, that would be great. Although Iâm not too good.â Natalie responds with enthusiasm.
âBut Lando is a great teacher.â Carlos interjects with a chuckle.
As Natalie sits back, she removes her hand from Lando's knee, and a noticeable change in the atmosphere occurs. A cold shiver runs through Lando's body as he yearns for the warmth of her touch. The shifting dynamics at the dinner table catch his attention, but a conversation at the end of the table, involving Alex, Max, and George, draws him in.
Leaning back in his chair, Lando subtly rests his arm on the back of Natalie's chair. As she becomes engaged in the conversation, she leans back into her chair, only to be met with Lando's arm. Hesitating for a moment, Natalie contemplates leaning forward onto the table, but Lando's gentle touch on her exposed shoulder communicates a silent invitation. His thumb rubs against her skin, indicating that she is welcome to lean back. Though brief, his fingers linger for a few seconds before he withdraws them.
Natalie's heart races, and she finds herself no longer invested in the steak debate. Instead, her thoughts are consumed by the calmness that Lando's touch brought. Throughout the evening, she had battled with anxiety and the pressures of the social setting. Lando's touch becomes a grounding force, providing her a moment of security amidst the swirling complexities.
As the night progresses, couples gradually begin to depart from the table, heading back to their hotels for the evening.
âWe might as well walk to the car?â Lando suggests. Natalie agrees, and they start strolling down the sidewalk together.
In the quieter atmosphere, away from the buzz of the event, Lando turns to Natalie.
âDid you have fun tonight?â He wonders as they continue to stroll towards their car.
The city street is now dimly lit, and the paparazzi, who were once a constant presence, have disappeared, leaving behind occasional camera flashes.
âI did. It was nice seeing everyone outside of the paddock just being themselves.â Natalie responds.
The sincerity in her voice reflects the genuine enjoyment she found in the evening. The shift from the glamour of the event to the calm of the nighttime stroll provides a moment of reflection for both of them, allowing a more personal and honest conversation to unfold. Lando, sensing a potential shift in dynamics, breaks the ice with a question.
âYou and Charles seemed to get along quite well. Anything I should be worried about?â A subtle note of curiosity underlies his words.
âOh, Charles, who has a girlfriend? You're not jealous, are you?â Natalie responds with a teasing tone.
âWould it be so bad if I was just a tiny bit?â Lando, not entirely dismissing the idea, counters with a mischievous smirk.
âHe is cute. It must be the dimples.â Natalie continues to tease Lando, observing his reaction.
âI have dimples too.â Lando defensively quips, slightly offended by the implication. Natalie, with a mischievous glint in her eye, pokes Lando's cheek. His dimple immediately forms under her touch, and he can't help but smile at her.
âI never said who 'he' was.â Natalie adds, leaving room for interpretation and playfulness in their exchange.
The banter fades into a comfortable silence as Lando and Natalie reach the car. The quietude surrounds them, offering a moment of reprieve from the lively atmosphere of the evening. Lando, true to his courteous nature, extends a helping hand to assist Natalie into the safety of the vehicle.
As she settles into the car, the door closing behind her, a sense of calm descends upon the scene. The city lights outside cast a gentle glow on the car, creating a serene ambiance within the confines of the vehicle.
âYou seem to be feeling better?â She inquires, directing the topic away from the events of the evening.
âI am feeling better. What you said yesterday really made me realise Iâm just too in my head.â Lando admits.
âI think this is your season, honestly.â Natalie, exuding confidence, states.
âYou reckon?â Lando laughs, a touch of genuine amusement in his voice.
âYou have a fast car. You have the talent. Why not?â Natalie explains, emphasising the factors that contribute to Lando's potential for success.
âI think youâve just become my favourite person.â Lando jokes as he starts the car.
The night air carries a sense of quiet as Lando walks Natalie back to her hotel room, which happens to be just a few doors down from his own. Natalie, reaching into her purse, retrieves the keycard and taps it against the keypad, expecting the door to open. However, it doesn't respond as anticipated. Perplexed, she tries again, but the door remains shut.
Lando, sensing her frustration, offers to give it a try. He takes the keycard from Natalie and taps it against the keypad, but the door continues to defy their attempts to unlock it. A bemused expression crosses both their faces as they face the unexpected challenge. The situation adds a touch of humour to the end of the night, and Lando can't help but chuckle.
âWell, it seems like the door has a mind of its own tonight.â He remarks, sharing a light moment with Natalie amidst the minor hiccup.
Natalie, undeterred by the door malfunction, takes a pragmatic approach.
âIâll go down to reception and ask them to open it for me.â Natalie states as she turns to return to the elevator.
âNatalie.â Lando interjects, his use of her full name giving her goosebumps and causing her to stop in her tracks. âItâs late. Why donât you just call them from my room?â
Lando leads Natalie to his hotel room, opening the door and inviting her inside. However, the scene that unfolds is unexpectedâhis room is noticeably messy. Clothes strewn about, items scattered, and a general disarray create an atmosphere that contrasts with the composed exterior Lando usually presents.
Natalie, momentarily taken aback by the sight, glances around the room.
âQuite the organised chaos you've got going on here, Lan.â A subtle smile crosses her face, as she remarks with a teasing tone.
âSorry for the mess. I couldnât decide what to wear.â Lando, acknowledging the state of his room, offers an apologetic explanation.
Natalie responds with a chuckle, understanding the dilemma that can arise when selecting the perfect outfit. Humoured by the disorder, Natalie heads for the landline and dials the reception number.
âGood evening, this is Natalie Feldt. Iâm a guest in room 0422, but my keycard isnât opening the door.â Natalie explains to the receptionist.
âWe apologise for the inconvenience, Miss, but our technician will only be in at 8 tomorrow morning. We can set you up with a new room until then.â The receptionist explains, offering a solution to the door lock issue.
Natalie, faced with the delay in resolving the situation, sighs and holds the phone against her chest. In a whispered exchange with Lando, she shares the receptionist's response, the inconvenience adding another layer of unexpected events to the end of their night.
âJust stay here tonight.â Lando whispers to Natalie as a solution to the temporary inconvenience.
âAre you sure?â Natalie seeks confirmation from him.
âOf course.â He assures her, his tone conveying genuine warmth and consideration.
âThat wonât be necessary, thank you.â She explains to the receptionist before ending the call.Â
Lando, ever the problem-solver, offers a thoughtful solution to Natalie's situation.
âYou know, Iâve learnt to keep a spare set of clothes in my suitcase for you.â He reveals with a grin. Resourceful and prepared, he searches the room and soon finds a large shirt and sweatpants. âHere you go. Comfy and cosy.â
âI think I have more of your clothes in my suitcase than my own at this point.â Natalie concedes as she takes the clothes from him.
As Natalie takes the clothes from Lando, their fingers graze each other in a subtle yet palpable moment. The gentle touch adds an extra layer of intimacy to the exchange, a fleeting connection that lingers in the air as she heads for the bathroom.
Natalie returns from the bathroom to find Lando balled up under the covers, engrossed in his phone. Without much ado, she climbs into bed beside him, settling in for a night's rest. The comfortable familiarity between them permeates the room, and the soft glow of the phone screen provides a dim light as they prepare to call it a night.
Natalie wakes up in the pitch-black hotel room, aware of the stillness around her. Lando's deep breaths provide a rhythmic backdrop, and she can feel his warm breath on her back. As she turns slightly, she discovers Lando behind her, his curly head of hair almost buried in the pillow.
In a gentle and intimate embrace, Lando spoons her from behind. His arm rests on her hip, creating a sense of closeness and warmth. The quietude of the room is broken only by the soft sounds of their breathing, creating a tranquil moment in the middle of the night.
Natalie, still wrapped in the mystery of the night, can't recall exactly when she fell asleep or how they ended up in such close proximity. As she relaxes back onto the pillow, a deep sigh escapes her. A few moments later, she feels Lando pulling her even closer to him.
His face inches away from her neck, she becomes acutely aware of his warm breath on her exposed skin. The sensation sends a wave of goosebumps across her body. In the quiet darkness of the hotel room, Natalie, aware of the gentle touch between their hands, rests her hand next to Lando's on her waist. Slowly, their fingers touch, creating a connection that is both subtle and significant. However, she decides that's as far as she's willing to take it, stopping at the comforting touch.
The slight contact is a source of solace for Natalie. She feels safe, wrapped up in Lando's space and scent, an experience she hasn't had in a very long time. She wonders if the tension she imagines between them is real or just a product of her own emotions.
Meanwhile, Lando stirs, feeling her cold fingertips graze against his. He's awake enough to realise that Natalie is also awake. Rather than pulling away, she stays beside him in the bed and initiates a small physical touch, a gesture that sends his heart rate into overdrive. However, he decides to feign sleep, not wanting the moment to turn awkward and unsure of how to navigate the unspoken connection that lingers in the quiet room.
As Natalie stares at the bedside clock, she watches the minutes tick by, unable to fall back asleep. She senses that Lando is no longer in a deep sleep, and the realisation that any movement from her could wake him up lingers in her mind. Concerned about the potential awkwardness, she decides to rip her hand away from him, not wanting to give the impression of anything more than a casual touch.
Lando, feeling the absence of her hand, grows cold. He, too, caves in and withdraws his hand from her waist. His hand travels down her arm, searching for her hand again. Natalie holds her breath as he intertwines their fingers, a moment of tension and anticipation.
âItâs freezing.â Lando whispers, his voice and breath against her neck causing her to shiver. In response, she presses against him even further.
âIt is.â She whispers in agreement, the shared moment suspended in the quiet room.
âItâs a lot warmer with you here.â Lando confesses, his voice soft and gentle.
As Natalie simply hums in response, a peaceful tranquillity settles in the room. Finally relaxing in Lando's embrace, the two of them drift into a shared slumber, wrapped up in each other
---------------------------
Taglist: @noneofyourfbusinessworld @scopeiguess @tbsloneely
#f1 fanfic#f1 fic#f1 imagine#formula 1#lando norris#lando norris fanfic#lando norris fic#lando norris smut#mclaren#mclaren f1#lando norris x oc
115 notes
¡
View notes
Text
Alright. I said I would write this and Iâm gonna stay true to my word.
Iâve been seeing a lot of takes since The Giggle has come out questioning the potency of 14âs ending. People have been citing multiple different times during the reboot era where the Doctor has âsettled downâ somewhere, from Darillium, the university in S10, to even Trenzalore. However, I think all of these comparisons are apples to oranges, completely missing the details of each instance and how The Giggleâs ending rebukes all of them.Â
So, because I cannot leave an inaccurate take alone, Iâm going through every single one of these instances and explain why 14âs ending is different from them, in chronological order.
Iâm gonna start with a weird one: S7EP4, The Power of Three. Because it provides a good example of all the things weâre going to be talking about.Â
Prior to this episode, long time fans already had a good idea that the DoctorâŚdoes not do well in monotonous environments, a truth that is consistent across multiple incarnations.
âI donât do families.â
âStreet corner, two in the morning, getting a taxi home. Iâve never had a life like that.â
âHere you are, Living a life, day after day. The one adventure I could never have.â
âChristmas dinner.â âI donât do that sort of thing.â
âOh god I had a terrible nightmare about you two!â [Talking about Amy and Rory having a normal life in Leadworth]
The entirety of The Lodger
âThereâs a bigger, scarier adventure waiting for you in there.â
The Power of Three, spells this truth out in bold, montage style marker pen. The Doctor âneeds to be busyâ. Why, as Amy later asks?
Personally I think this answer varies slightly between regenerations, based on experiences and losses each face goes through. 9 couldnât imagine a life of peace coming out of a war, a war that he had a major hand in. 10 continues that idea, with the added baggage of losing Rose. 11âs reasoning is a bit subtler: he says to Amy that he is running to things before they go, as if he now understands how short beautiful things last. Heâs going from one thing to the next in avoidance of staying to watch things die.Â
âAnd whatâs the alternative? Me standing over your grave?â
This doesnât change by the end of the episode. The Doctor explicitly tells the Ponds that heâs only staying to watch the cubes, and once the threat is gone, heâs already out the door. He only stops because of a potential threat, an idea we will return to in the next example. He even accepts the idea of Amy and Rory wanting to stay behind: âthings to do. Worlds to save. Swings to swing on. Look, I know. You both have lives here. beautiful, messy lives. That is what makes you so fabulously human. You donât want to give them up. I understand.â The Doctor is saying, âI know you have lives here, and that I canât always be a part of that. And thatâs ok.âÂ
This episode in my opinion is a perfect microcosm of The Doctor regarding this topic, spelling out explicitly why The Doctor can't ever settle down. The Doctor needs to have something to run to because they don't feel secure enough in any place to not allow their altruism outweigh their need to process their trauma. The only thing that could motivate the Doctor to stop, even just for a second, is the promise that their friend(s) will be there too. The next example is the worst-case scenario of this issue.
Trenzalore is an interesting case. When I first heard of it being counted, I immediately shut it down, because Trenzalore was a literal war zone (wars are obviously not a good place for mental health time). But in doing research, there is actually way more baggage contained in this period making it unsuitable for this argument than just that fact.Â
Trenzalore was set up to be the Doctorâs final resting place, where they would truly die. It wasnât the first time a death prophecy had surrounded the Time Lord, and once again, just as with The End of Time, the thing that kills them is, what Davros would later call The Doctor's âgreatest indulgenceâ: compassion. Tasha Leem warns 11 that she will burn the planet upon the possibility of the Time Lords returning, a warning the Doctor takes extremely seriously.
âThis planet is protected.â
âChristmas has a new sheriff.â
For 300 years, 11 stayed true to his word. He fought long and hard, for the townspeople and his own. He was celebrated and was loved. But Clara returning with the TARDIS revealed how he really felt about all of it.Â
âEveryone gets stuck somewhere eventually.â
âBut you didnât have your TARDIS.â âWell, that made it easier to stay.âÂ
Thereâs an unspoken sentiment in these words, echoing 11's philosophy in Power of Three: the Doctor will always want to leave, in this case, to understandably avoid his prophesied death. But he doesnât, because âEvery life I save is a victoryâ. Their compulsion to help, their innate capacity to help those in need. So often itâs been their greatest strength, but here itâs framed as destructive selflessness. 11 has become so wholly committed to helping others before himself that heâs willing to accept his own death.Â
Clara correctly calls this out: âWhat about your life? Just for once, After all this time, have you not earned the right to think about that?â The Doctor didnât stay on Trenzalore for himself, he stayed for everyone besides himself. Itâs only because Clara gave the Time Lords a proper verbal smackdown that the Doctor managed to survive. Had they not intervened, The Doctor would've suffered and died, once again to protect them, despite already saving them from annihilation in the previous episode, Day of The Doctor. Trenzalore wasn't The Doctor stopping, it was a century-long effort to keep satiating the bottomless survivor's guilt they still carried from The Time War.
Darillium is yet another case of looking like a time the Doctor settled down somewhere on the surface. But the details donât match that conclusion. The entire thesis of 12 and Riverâs final conversation was about the fleeting nature of their situation.Â
âTimes end, River, because they have to. Because thereâs no such thing as happily ever after. Itâs just a lie we tell ourselves because the truth is so hard.â
The Doctor says this, cries at hearing the Singing Towers, despite already knowing they have 24 years in a night. Because he knows it canât last. Thereâs already a deadline on their moment of peace before itâs begun. Eventually River must go to The Library.Â
The final quote of the episode punctuates this: âAnd they lived happily ever after.â Fading away until âhappilyâ remains. Because they didnât have their âever afterâ and they didnât âliveâ, because a person canât entirely experience life to the fullest with a clock hanging over their head.Â
While they got their moment of happiness, it was only a moment. 24 years is just a blink of an eye for a Time Lord, and sure enough, we see by the end of âThe Return of Doctor Mysterioâ, the next chronological episode, 12 is ready to leap back into the fray. Still the same overall Doctor he was before.
The University is an extension of this. We find out that the only reason he has stayed is to guard Missy in the vault. When 12 tries to mindwipe Bill (an eerie parallel to both Donna and Clara), he directly says: âI have no choice, Iâm in disguise. I have promises to keep.â Just like with Trenzalore, The Doctorâs altruism has trapped him somewhere he doesnât actually want to be. The second he hesitates, he immediately runs after Bill, inviting her into the TARDIS and sneaks off to the universe behind Nardoleâs back.
So, now that weâve gone through each past instance, whatâs the connection? Whatâs the key issue(s) that prevented the Doctor from permanently stopping in any of these cases?
The (fear of) loss of their friends, and the Doctorâs own self-loathing. Either out of fear of the march of time, or the chains that their altruistic nature binds them to, The Doctor always runs away from the picket fence life.
Now, letâs look at 14 and how this ending departs from all other examples.
Wild Blue Yonder and The Giggle more prominently explains 14âs origins as a coping mechanism. The reason why 10âs face came back was to retreat to an incarnation that didnât invoke the loss of The Ponds, Clara, and Bill. The second destruction of Gallifrey and the reveal of The Timeless Child. The Doctorâs avoidance of their trauma has now been made physical, just like how mental stress can often manifest as physical changes or ailments.Â
âWe stand here now, on the edge of creation, a creation that I devastated, so yes I keep running, of course I keep running!! How am I supposed to look back on that?!â
Already this is a departure from the instances weâve discussed, because by the very nature of having 10âs face again, itâs forcing the Doctor to ask why.Â
âItâs like I'm trying to tell myself something. Like Iâm trying to make a point.â
But 14 chooses not to answer it, because answering it means accepting the truth: itâs too much. The trauma canât be avoided anymore, because The Doctor would always be reminded of what theyâre trying to avoid by looking in a reflection. 14 telling Shirley, âI donât know who I am anymore.â Then asking Donna, âwhat am I? What am I now?â Itâs not because heâs been given a blank slate and doesnât know what to do with it, like other regeneration stories. In trying to run away again, to bury the trauma and pain, The Doctor has made it more visible than ever, and doesnât know what to do with that.Â
Ironically, the Toymaker causing the bi-generation was the greatest gift he couldâve given the Doctor, because 15 was exactly who 14 needed to see. Heâs happy, energetic, full of life and wonder, but also empathetic, understanding and open. Heâs the only other person in the entire universe who The Doctor will listen to (well, one person, weâll get to the other later), because he knows all of the trauma they went through, and yet, made it through ok.
âBut youâre fine.â
âIâm fine, because you fix yourself.â
15 is leading by example, their own âghost of Christmas futureâ but positive. 14 now has an ideal self to strive towards, a face born from love and empathy. 14 doesnât have to ground herself out of moral obligation, 15 will now protect the universe.Â
But that leaves one question: why Donna? Out of all of the people to settle down with, why her? Thatâs easy: because she gets it.Â
Donna, out of all of the companions the Doctor traveled with, understood the soul behind the legend, because she recognized someone fundamentally similar to herself. One of Donnaâs signature character flaws is her horrendously low self esteem: âIâm nothing special.â no one ever listened to her (thanks Sylvia, for at least cleaning up your act later), so she covered up the silence with noise. She held onto whatever indisputable moments of genius she had to drown out the cacophony of voices shutting her up. Wild Blue Yonder explained this perfectly: Donna believes she is both brilliant and stupid at the same time.Â
She lives in two contradictory self images at once, and so does The Doctor. The genius and the idiot. The universeâs most fascinating person, and the person who would easily throw away their life for the betterment of others. Sheâs seen their blinding arrogance/rage (the Racnoss, Jenny) and their crippling self doubt/loneliness, and always met both with empathy and kindness.Â
âDoctor! You can stop now!â
âCause sometimes I think you need someone to stop you.âÂ
âIt wonât stay like that. Sheâll help you. We both will.âÂ
âIs âalrightâ special Time Lord code for âreally not alrightâ at all?â âWhy?â âCause Iâm alright too.â
Donna shouldered the burden of destroying Pompeii, she silently hugged 10 after coming back from Midnight. All because she knew what all of that would feel like in her own life. She didnât need to know the history of The Doctor and Davros, because she saw her best friend afraid and knew he would want comfort, because she would too.
Even if Dalek Caan manipulated the timelines to get Donna to him, That friendship was completely real to both of them. We saw what Donna was like without the Doctor in Forest of the Dead and Turn Left, and she always felt some level of unhappiness. 15 years removed from them and she still felt as if something was missing. In every future/reality, she always wanted them there. Same for the Doctor too. Within only a few episodes of losing her, 10 started to fall into becoming the âtime lord victoriousâ. 12 looks the way he does because of Donnaâs plea to adhere to his name, and save people. Even before 14 came into existence, the Doctor was willing to tell other people how important she was to them, on account of River recognizing Donna by her name: âyouâre Donna, Donna Noble.â
Donna didnât just travel with the Doctor and she wasnât just friends with them. She completely understood them, their soulmate. Two halves of a greater whole, The DoctorDonna. 14 stayed because there was a more stable incarnation to take his place, and because his best friend would be there alongside him, helping and supporting him through and through. The Doctor stayed because, for the first time in their life, they felt safe. In where they would be staying, and what they would be leaving behind.Â
That's why 15 doubling the TARDIS was so significant. In giving 14 her own TARDIS, 15 is allowing his younger self to have what they always removed from the equation: free will. The Doctor can still go anywhere they want, which makes them even more motivated to stay and fix themself. 14 can feel safe staying with Donna, Wilf, Mel, Rose, Shaun, and Sylvia because the option to travel is still there.
And the truly amazing part of all of this is that the TARDIS knew it from the beginning. Was it a coincidence that very soon after 13 regenerated into 14, the TARDIS landed close to where Donna and Rose would be shopping?Â
âYou didnât always take me where I wanted to go.â âNo, but I always took you where you needed to go.â
The TARDIS brought the Doctor home, and this time, they stayed. Because it was a place where they wanted and needed to be.Â
#doctor who#doctor who spoilers#fourteenth doctor#donna noble#dw meta#dw spoilers#doctor who meta#meta writing
127 notes
¡
View notes
Text
Mandalorian Slash Fic Rec List - DinLuke Volume I: Big, Medium, Heartfelt and Solemn
Hello!! Welcome to the first volume of Mando Slash Fic Rec- Dinluke! This is a collection of Dinluke fics that have a notable wordcount and fics that have a more heartfelt/solemn tone, sorted under headings that make the most sense to me personally. For reference, đ means a restricted work and đ means an personal favorite. Check out Mando Gen lists I, II, and III. Please enjoy and give love to our cherished fic authors who we owe so much to!! -Yours, Limn <3
Big and Long and Impressive
đ The Wanderer and the Seer by @kevystel (Din Djarin/Luke Skywalker, Grogu, Ensemble Cast, Mandalorian Politics, Original Mandalorian Characters, Mandalorian Culture, Diaspora, Teen, one of my favorites!!, 98k)
Din Djarin is temporarily relieved of a single dad's responsibilities, only to be saddled with the much greater responsibilities of Mand'alor. Temporarily. Hopefully. This is not the story of a great man becoming king; it's the story of some dude finding his place in the galaxy, freedom, and personal happiness through having some goddamn decency and good manners. Also the power of love, or whatever.
finding the lost and losing the found (series) by deniigiq (Din Djarin/Luke Skywalker, Grogu, Ensemble Cast, Mandalorian Politics, Romance, Family Dynamics, Political Alliances, Teen, 35k)
âSo youâre not stealing my ship?â Mando said. âWhat do I want with your ship?â Luke demanded. âI donât know. I donât usually ask,â Mando said. (Luke tries to help his student stay focused on his studies by helping his student's father. It's harder than it looks.)
A Near-Mythological Event by SybilStarnes (Din Djarin/Luke Skywalker, Grogu, Ensemble Cast, Force Sensitive Din Djarin, Mand'alor Din Djarin, Living Waters of Mandalore, The Mandalorian Darksaber, Explicit, 116k)
Desperate to rejoin The Tribe, Din Djarin (with Grogu) travels to Mandalore to seek the Living Waters. Once they're in the caverns below the destroyed mine, a cave-in cuts off their exit. Grogu calls for help, and the legendary Luke Skywalker responds. Cleansed by the Living Waters, Din returns to his Tribe to reswear to the Creed. He discovers it has new members, attracted to a Child of the Watch bearing the Darksaber. Meanwhile, Luke has offered to help Din learn to use the weapon. The Mandalorian finds himself on a new path, one that draws him deeper into Mandalorian politics and closer to the Jedi. With the help of several guest stars, including one fat and sassy Force ghost, Din struggles to free Mandalore from Imperial dominance.
All the pretty places that feel like home (series) by SunshineAndaLittleFlour (Din Djarin/Luke Skywalker, Grogu, Ensemble Cast, two dangerous warriors coparenting a tiny frog, Explicit, 73k)
âWould you be more comfortable if I called you something else?â Luke asked, and it should have been teasing, but it was genuine, the soft freedom to be who he wanted in this place. And that careful gift, that offer of being who he wanted, uncontrolled and unfettered, filled Din with a lot of hope and a little bit of terror. Who was he without the creed? His people? Who was Din Djarin, standing in the halls of someone who had once been his peopleâs greatest enemy? Din shook his head, hearing his own breathing echo inside his helmet. âNo. You can,â he faltered briefly, then took a deep breath. âYou can call me by my name.â
buy a big house where we could both live by @villanellve (Din Djarin/Luke Skywalker, Grogu, Ensemble Cast, Post-Canon Fix-It, Slow Burn, Mature, 73k)
Din trails behind them and reminds himself this is temporary. Heâll make sure they get to the temple safe, and once heâs sure that Luke agrees to continue training Grogu, heâll leave them. Grogu reaches up with his hand to tug at the edge of Lukeâs shirt, and Dinâs fingers flex at his sides. This is the way, he tells himself.
đ Get Back Homeward by berryfunkedup (Din Djarin/Luke Skywalker, Grogu, POV Alternating, Jedi Tradtion & Culture, Clones, Getting Together, Teen, 42k)
Luke is at a stalemate with the New Republic in the aftermath of everything he lost in the war and his inheritance of the Jediâs legacy. Din seeks his tribe and takes bounties, living according to the Way. And Grogu and the Jedi are not part of the Way. But he is definitely not the new Mandâalor, no matter what Mandalorian tradition about the Darksaber says. After Moff Gideon is assassinated while held in New Republic custody, Din and Luke must work together to clear the Mandalorians from blame and uncover the real culprit. Along the way they encounter terrible politicians, fights over naps, old secrets, and just maybe, find their way forward.
Medium and Impressive
parry, parry, strike by @alchemyalice (Din Djarin/Luke Skywalker, Grogu, Leia Organa, Post-Season 2, Teen, 18k)
âOh? What are you, their king?â the Senator says sarcastically, and then freezes at the same time Din does. â...No,â Din says. He does not sound convincing.
I have made this place around you by HeadOn_HelmetOff (Din Djarin/Luke Skywalker, Grogu, Dialogue Heavy, Early Relationship, Introspection, Teen, 25k)
âDo you know who you are, Din Djarin?â Survivor of Aq Vetina. Mandalorian. Bounty hunter. Apostate. Father. Mandâalor. â...No,â he uttered. Luke nodded sagely. âThen thatâs what weâll focus on first.â
đ A different kind of blood by HeadOn_HelmetOff (Din Djarin/Luke Skywalker, Grogu, The Armorer, Paz Vizsla, Good Parent Din Djarin, Good Teacher Luke Skywalker, Pre-Relationship, Mandalorian Culture, Jedi Culture & Tradition, The Mandalorian Darksaber, Teen, 25k)
A slight twist on events in Ch. 5 of The Book of Boba Fett: when Grogu is afflicted with visions of his father injured on Glavis, he and Luke make a decision that will greatly influence Din Djarin's journey toward redemption and reconciliation with the survivors of his covert.
where the spirit meets the bone by @ebonybow (Din Djarin/Luke Skywalker, Grogu, Developing Relationship, Intimacy, Canon Divergence, Explicit, 28k)
He dreams of his head feeling too-heavy on his shoulders, his helmet filling slowly with water. - Din navigates new feelings regarding his creed, himself, and a certain Jedi.
pluck a heartstring, duck for cover by owlerie (Din Djarin/Luke Skywalker, Grogu, Canon Divergence, Mand'alor Din Djarin, POV Alternating, Touch-Starved Din Djarin, Slow Burn, Sparring as Flirting, Mature, 28k)
âHe's a bit of a sex icon, your Mandalorian," says Leia over breakfast the next morning, nose buried in a sea of taxation reports. Luke promptly inhales caf three inches up his airway and doubles over hacking gracelessly. âIâ waitâ he's not my Mandalorian," he chokes out, to which Leia raises a single dubious, well-groomed eyebrow.
Heartfelt and Solemn
crystals in the current by @willowcrowned (Din Djarin/Luke Skywalker, Grogu, Romance, Family, Luke Skywalker's Jedi Temple, The Force, Teen, 22k)
Luke gets the message from the child in the early evening. Itâs spring on Yavin, and the wind smells like the glowing purple blossoms that cluster in the corners of old rooms and spring up through the pavement. The air is heavy with twilight, the orange-violet of the sky creeping its way down, filtering through the new-leafed boughs and down to where heâs sitting under a tree. or Luke takes Grogu, but the sundering on the lightcruiser isn't an ending; it's a beginning.
Timshel by skywalkers (Din Djarin/Luke Skywalker, Grogu, Force Visions, Hurt/Comfort, Order 66 (Star Wars), Hurt/Comfort, Getting Together, Teen, 5k)
âI think thereâs something I can do to help him. A technique I could try.â Luke says. âI could use your help.â âWhat do you need?â Din says. Anything, he thinks. Anything. âI think he would be more open to the process if you do it as well.â Lukeâs eyes, keen and ever-blue, that have the impossible ability to find Dinâs own behind his mask every time, meet his own. He looks unsure. Itâs not something Din ever thought heâd ascribe to Luke Skywalker. âBut the process can be...intense. I understand if you donât want to do it.â Din flips it over in his mind for a moment, considering. Heâs not exactly sure what Luke is asking of him. But what kind of an example would he be if he asked Grogu to do something he refused to? And, looking at Luke, how could Din refuse him anything? Not that he could ever say that. Din nods. ââCourse. Show him thereâs nothing to be afraid of.â
resonance by pixie_rings (Din Djarin/Luke Skywalker, Grogu, Kyber Crystals, Planet Ilum, Gen, 10k)
Rebuilding a dying Order is never easy. While exploring the ruined planet Ilum, Grogu gets a calling, and Din and Luke reflect on their son growing up - with and without them.
the unbearable loneliness of distant stars by Liathejedi (Din Djarin/Luke Skywalker, Grogu, Emotional Hurt/Comfort, Falling in Love, Teen, 10k)
Din wonders when the Jedi became Skywalker, and when Skywalker became Luke, or when the lines between stranger and friend had blurred and left him standing in an unfamiliar ship, folding bare hands around a man he barely knew and feeling like his breath had been lost to the stars. A Jedi and a Mandalorian face down the ashes of the Empire and learn what it means to rebuild a broken people.
Mand'alor, The by scheidswrites (Din Djarin/Luke Skywalker, Angst with a Happy Ending, Character Study, Grogu, Bo-Katan Kryze, Gen, 3.5k)
They called him Mandâalor the Reclaimer, Mandâalor the Unifier. Some have started to call him Mandâalor the Vanished. The rumors run rampant that he is dead.
#dinluke#skydalorian#din djarin#luke skywalker#the mandalorian#star wars#long awaited fic rec! *blows party horn* hope you guys enjoy#figured it was time to post this actually! i get so much enjoyment out of reccing these & reading#them that I hope authors honored know that. consider this another comment on ao3 full of insane paragraphs.#recs? this is my appreciation post#vols II and III forthcoming.#lim's fic recs#star wars fanfiction recommendations
150 notes
¡
View notes
Note
What would you say are some good examples of knowledge checks in games being good gameplay?
I think for a lot of people knowledge checks seem like the obvious benefit of having a character with high Intelligence (or the system equivalent), that the character would be well-read and might have lots of knowledge about the game world that the player might not. As an alternative to the GM deciding arbitrarily whether the character knows a given specific fact.
Or alternatively, good ways of addressing the above issues without knowledge checks.
I also hear comments like "GMs don't gate your lore behind a roll" but the alternatives to that seem like either offering exposition outright, or having that lore be discoverable in game (in which case it might have even less chance of being found)
So, while I agree that Knowledge skills do provide, on the surface, a benefit for playing a high Intelligence character, the actual emergent gameplay resulting from Knowledge checks the way they are often handled does not generate interesting gameplay within the context of a game like D&D.
If it's a piece of lore that is not critical to overcoming a challenge but that could provide further context to a situation I personally find it preferable to show, not tell. Provide the players with all the clues they need to put together the bigger picture, but leave the actual sussing out to them. A knowledge check to hand out such lore is basically a binary dice roll to grant the players access to a lore dump.
As part of a challenge knowledge checks are also a bit irksome. To make a knowledge check an integral part of a challenge you basically have to gate access to some knowledge, either behind gameplay (exploring to find that knowledge) or a check. You could do both, and in many ways that can be rewarding, basically allowing characters with the requisite knowledge skill to skip the exploring to find that knowledge part of the gameplay. But at the same time, it can very much feel like robbing the group of gameplay because of a dice roll. A single dice roll used to resolve a question of "do your characters know a thing" will almost without fail be less interesting than a series of hurdles that characters overcome to answer the question of "how will your characters find out the thing."
As for good ways to handle knowledge and reward high character Intelligence in gameplay, I think there are ways to do it that can be tied to the process of finding a piece of knowledge: I am quite fond of @cavegirlpoems's application of it in The Stygian Library, where character Intelligence plays a part in the central point of the module, which is looking for a specific piece of information within the library. Character Intelligence does not act as a way to automatically solve the puzzle, but as one component of the greater library crawl that determines how long characters will have to spend in the fucked up library.
But yeah, knowledge-based gates are already kinda naff and having the key be a binary dice roll is effectively non-gameplay. I understand how knowledge skills made their way into D&D, as a way to make the process of figuring out what a character knows less arbitrary, but after almost thirty years of playing D&D and other games I kind of feel that especially in the context of fantasy adventure games knowledge skills are kind of a solution looking for a problem.
A few ways I have seen "knowledge" type skills handled in interesting ways in games:
A knowledge check basically lets the character bank a number of questions relevant to the check result that the GM has to answer truthfully when the player wants more knowledge about a situation relevant to the situation.
Fantasy Craft has Knowledge checks, but no single Knowledge skill. Instead, characters have Studies which translate to bonuses on Knowledge checks but can also grant bonuses to other checks given they relayed to the study. (This is one of my favorite ways of handling Knowledge within the context of d20 based fantasy adventure games.)
I can't actually think of a third example right now
36 notes
¡
View notes
Text
Amber is not a bad person, youâre just mad that âInvincibleâ rightfully so told you that a girlfriend isnât something the world owes you for being a good guy.
First of all, yes, Amber is flawed. Some of her actions were questionable, like threatening a bully to flirt with Mark or arguing with him in front of other people right before break up, which I see as her giving him a last chance to come clean, but, if I remember correctly, why in front of others? Also, she genuinely could have thought Mark ran away alone, leaving them, girlfriend and best friend, in danger, because him being Invincible is a theory from her POV, not a fact. Similar voice (even if itâs Steven Yuen), body and hair isnât enough to say âYep. Totally the same personâ. And, actually, when the theory was confirmed true, itâs even worse than him just being a coward who suddenly leaves all the time. Why?
Because how in the world do you expect a relationship work, if you keep half of your life a secret? Boundaries are good, but Mark put a concrete wall with barbed wire and laser guns and hoped Amber would be understanding enough to pretend sheâs blind until he decides itâs time. Amber did questionable things, she was impulsive at times, thatâs true, but fuck ups isnât a competition, itâs not healthy to treat them as such, which is why Amberâs anger was completely justified. Please take a look back at how he treated her.
He embarrassed Amber in front of her Mom by promising to come and not doing so. Mark showed up two hours later, when Amberâs Mom already wasnât there to meet him. Imagine the awkwardness, the judgement, the âhe will be thereâ. He mentioned things Amber was interested in, but due to him being able to do them thanks to superpowers, couldnât elaborate, and blatantly changed the topic, which can sting, not enough to make an accusation, but obviously is a way to hide truth, alternatively, can be seen a lie to win Amberâs affections. He bought her a gift to make up for incoming fuck up, which can also sting (even if Amber is materialistic, her being an activist makes it safe to assume she was wondering whether that apology gift came from the stereotype or not). And of course, all the times he left with a made up excuse.
Itâs important to note, that the show gave Mark a choice and that he made it. Eve told him that if heâs serious about Amber, he shouldnât keep such secrets from her. Her own relationship fell apart due to lack of trust (and that Rex is overall a dick). The show made it clear that Mark doesnât trust Amber, his girlfriend, enough to tell her. So what we have here is that Mark wants everything at once: a solid relationship, which requires both understanding and consent from Amber and trust from him, and safety of only chosen few to know his secret identity. He kept his identity secret, so next step should have been breaking up with Amber. Did he? No, he decided to string her along.
The show treats his decision to lie to Amber as a bad one because it is a bad decision. Markâs feelings are valid, Amberâs are too and Amber felt left behind, kept as a token girlfriend. Mark only came clean when Amber broke up with him, as a last resort to keep their relationship. Trust isnât a last resort, itâs the base of the base! Mark made his stance clear: âI donât trust you, but I will use my sensitive information to convince you to stay and ignore my previous fuck upsâ. Thinking about it, he practically used Invincible identity just like the expensive gift from fest: a grand gesture he made only when he risked losing Amber. This is not romantic, if you ask me and Amber.
What Iâm trying to say is: Mark can risk his life every single day, and as unfair as it may feel, no other person is required to give him understanding, especially if they donât know for sure whatâs going on. Mark ended up with two opinions from Amberâs POV, both of which are horrible:
Not Invincible. Heâs a coward, who leaves his girlfriend and best friend behind, not even trying to make them run away with him. He lies about being interested in same things as her. Brought a rock as a souvenir, which she regarded kindly. He upset Amberâs mom for no apparent reason. In response, all he could do is ask for forgiveness and not give any explanation. Conclusion: not a boyfriend material.
Is Invincible. He claimed to be serious about her, but kept half of his life, his genes a secret, which led to him stringing her along and only offering a âsorryâ without explanations. Conclusion: heâs not serious about her, he might not understand it, but heâs not, serious relationship requires trust.
Then, why did she kiss him after a fight with Omni-man? Well, since sheâs not an antagonist from any point of view, itâs safe to assume that Amber:
Still loved Mark. The amount of second chances she gave him, the amount of times she dosmissed his obvious lying speaks for her.
Wanted to comfort him and prevent awkwardness. Theyâre 17-18, how mature are any of them to accept Markâs ex as a part of the gang without making it awkward?
Combining those two is what she came up with. Is it a good decision? I donât think it is, they made up for now, but Mark trusts her now not because he decided he can, but because he was âforcedâ to tell (by plot or himself, so to speak, re-look at points made in paragraph 6. That didnât come from his almost trust is what I mean).
In the end, fandom has nothing to complain about. Mark DID get his âmy personality is to support youâ girlfriend. Amber calmed down for now.
So yeah, Amber is not a bad character, she just doesnât treat Mark like a god. You know who also doesnât? Eve. A thing to note: Mark trusted her without question. A parallel? A will they wonât they? Who cares, we all know what will happen with their relationship anyway.
In the end I want to say, that I enjoyed Amberâs character. Despite being main superheroâs girlfriend, she didnât feel generic, and thatâs what makes Invincible so good for me: itâs aware of superhero tropes it canât or chose not to avoid and executes them in a way that makes the characters ambiguous, in a way that makes me question the way I and fandoms categorise characters. Amber is flawed and thatâs what makes her human. Writers took a risk to make things complicated, to make an imperfect woman of colour (please donât say these donât matter unless you understand racism and sexism can be subconscious), which you can say didnât pay off, but Iâm glad they took the risk, I enjoyed how it all turned out.
113 notes
¡
View notes
Text
(Late) 2023 Simblr Gratitude Day!
I'm late but I still wanted to set some time aside to show my gratitude for all the lovely, amazing, and kind-hearted people in this community!
My Inspirations
⥠@amiisims: She deleted her account, but back in 2013, I came across her Tumblr (probably through the Sims Community Forum?). I read through her 100 Baby Challenge and made my little 13-year-old self want to create a Tumblr account and give the challenge a try too. It's really because of her that I learned I love being on here, sharing my sims, and seeing other people's sims and stories. I'm 23 now and things haven't changed.
⥠@misslollypopsims: She inspired me to try out the Joy of Life Challenge! I watch all the videos on YouTube and they're sooooooo good. I love her energy and creative mind. The way she cleverly uses the things that happen during her gameplays to develop a story is so fascinating to me.
@simelune: She created the Joy of Life Challenge! I love how thorough it is but still leaves a lot of room for freedom. The challenge is engaging and I don't feel so pressured trying to reach every goal. I also appreciate the meaning behind the challenge because it really is the small joys in life that make it worthwhile.
My Mutuals
I love all my mutuals and seeing what they do with their sims: @fayethegray, @babypeachx, @simiehoney, @loser-trait, @dumplingtrait, @coatedinhoney, @chocxuyu, @catfairysstuff, @sims-nation, @bergiesims, @xsidraax, @simmervlogs, @lilaclandscapes, @hyliedavenport, @eurosimmer, @katmk36, @tceesgamingworld, @simsgf, @thelovelysimz, @softsimming, @valerie-simblr, @enchantedsimmer93, @lunalovex0, @simdolls, @windslar, @d4isywhims, @simazinblr, @plasticpinkheart, @sooims, @clumsyteddy, @pixel-bloom, @okiyukiyo, @akitasimblr, and @onyey
A few honorable mentions:
⥠@miralure: Literally the sweetest person ever!! She's always commenting the nicest or funniest things on my posts, omg. She also reblogs a lot of them! I told her this, but it really means a lot coming from such a talented and creative person herself. Her sim style is so cute and the outfits she puts together are amazing.
⥠@lynnella: Ughhh, she's so nice and her sims from Attack on Titan are soo good. As far as I'm concerned, her posts are canon! She takes such beautiful screenshots too :)
⥠@linalinsims: I realized that she really keeps up with my posts and it's so sweet đ It'll be towards the end of the day and I see that she likes multiple of my posts in the span of a few minutes?? She doesn't have to do that and she does! Her sims and gameplay are lovely.
⥠@simsplymaddy: She's another kind person!! And the aesthetic of her entire blog?? The sims? The Holiday Gift Guides? My style is more emo/alternative/e-girl (I know it doesn't look like it by my Joy of Life Challenge, haha), but ugh, I love it. So well put together.
My Followers
I appreciate every single one of you and it makes me so happy knowing other people are enjoying seeing Noemi's journey :) I love your company.
54 notes
¡
View notes
Text
My English class TED Talk script
TED Talk Title: Why We Shouldnât Become Soup
Neon Genesis Evangelion is an anime that covers the relationships between several people with volatile personalities in a post apocalyptic world, uniquely fighting otherworldly beings while returning to the womb and experiencing intense pain, and suffering through their view of themselves and their idea of othersâ perspectives.
The buildup of the series comes to a climax during the movie, leaving some philosophical questions to ponder over. For example, the Human Instrumentality Project and a look at whether individuality is a gift or a curse by showing the alternative: eternal togetherness or unity. Once this project is put into motion, all of humanity is subject to be a sea of âLCLâ; soul fluid that melds into one eternal ocean of consciousness. The reason for this is the universal fear of loneliness, which was touched on earlier in the show with a discussion about the hedgehog's dilemma: the fear of hurting other people the closer you get to them, similar to a hedgehog trying to find warmth amongst others in its species during the winter.
Shinji shows this fear by continually running away from his caregiver, Misato, and his responsibilities as a pilot because he doesnât want to get closer to the other pilot, Rei Ayanami, who he has started to care for. This is similar to his father, Gendo Ikari, and his fear of being a poor father. Instead of getting closer to his son after his wifeâs death, he leaves his son behind which damages him more than his fatherâs presence would have.
Misato, the most recurring adult main character in the show, is afraid of getting close to Ryuuji Kaji because she is confident that she cannot open herself to him. Her personality is so cheerful on the outside, when in reality she has been stuck as a little girl who was sent away by her father who died in a nuclear explosion. She is afraid that Kaji will be like her father and leave her to fend for herself, and that she will be unable to reciprocate his feelings in the way that it matters. Ultimately, he dies and leaves Misato alone. Her fears are confirmed, but she is able to brave them through the closeness of Shinji as her pseudo-son in her final moments.
Asuka has a fear of others as well, taking it out more violently than Shinji by forming relationships where she thrives off of her superiority complex (which is really an inferiority complex) and can be considered the best. As she was a child prodigy who graduated college at age 14, she has all of the knowledge of an adult but little of the maturity that is expected of her, making her the extreme example of being a teenager: having all of the burden with none of the respect of experience that others want you to have already. She gets close enough to Shinji to be in sync as a fellow pilot, but never talks about her true drive to be considered good enough: her mother committing suicide while holding a doll of her, symbolizing that she wasnât enough for her mother to stay alive for and would be more beneficial if she had been exactly as her mother wanted.
The will of God was sent to turn everyone into LCL to rid all people of the inescapable loneliness that they feel because they cannot understand each other. Like the angels before humanity, that are single entities of a species and nothing more, becoming one in the ocean of consciousness would eliminate loneliness and the social suffering that so many people in the post apocalyptic world fear. To retake the importance of being the central descendants of god, humanity feels they must ascend individuality. But in doing so, there is an infinite amount of unwavering suffering and no amount of time to alleviate the pain of one's sense of self when there are no other selves. Similar to how we can fight with our family members, but if we were to be only one self, we would be alone. You canât be a family if you are just one person. In an effort to curb the societal loneliness felt by an entire population, the will of the few has caused an incurable loneliness that rids all of humanity of the chance to love another and try to understand by turning everyone into one thing. In summary, it is better to suffer for the sake of possible happiness and hope that you will understand people and make friends, than it is to give up and wallow in your own solitude.
The movie ends with Shinji understanding the sacrifice to live as an individual, which is the loneliness of consciousness. He lets the rest of the sea of consciousness decide whether they live for opportunity rather than be essentially comatose in an emotional stasis. The message of the series is that it's better to be lonely and try to be happy than it is to give up and be nothing at all. Even if everyone is unified in that nothingness.
#evangelion#end of evangelion#misato katsuragi#asuka langley soryu#shinji ikari#rei ayanami#gendo ikari#analysis#a cruel angel's thesis#anime analysis#neon genesis evangelion
13 notes
¡
View notes
Photo
2022 YA Reads by Authors of Color
After life (Blue Bloods) by Melissa De La Cruz:Â After defeating Lucifer and sacrificing the love of her life, Schuyler wakes up back in New York, only to discover that an alternate reality where Lucifer is alive and well and she is the only person who can defeat him.
Ainât Burned All the Bright by Jason Reynolds:Â A smash-up of art and text for teens that viscerally captures what it is to be Black in America right now.Â
Akata Woman (The Nsibidi Scripts #3) by Nnedi Okorafor: 15-year-old Sunny embarks on a mission to find a precious object and return it to the spider deity Udide, but defeating the guardians of Udide's ghazal will put all of Sunny's hard lessons and abilities to the test.
All My Rage by Sabaa Tahir: A story crossing generations and continents and addressing themes of cultural identity, family, forgiveness, love, and loss; told through the eyes of two best friends, Salahudin and Noor, growing up as outcasts and trying to find a way out of a world set on destroying them.
All the Right Reasons by Bethany Mangle: Cara Hawn and her mother go to Key West to join a reality show to pair single parents. There, Cara meets Connor and now she must juggle her growing feelings while helping her mom pick a bachelor they both love.
Almost There: Twisted Tales by Farrah Rochon:Â A year after Tiana makes a deal with Dr. Facilier, she has her restaurant, but soon shadows begin to gather and Tiana must work with Naveen and Charlotte to set things right or risk losing her soul.
Alone Out Here by Riley Redgate: AÂ thriller set in a future in which First Daughter Leigh Chen and 53 other teens end up on the only ship escaping a dying Earth and must contend with being the last hope for humanity's survival.
An Arrow to the Moon by Emily X.R. Pan: Star-crossed lovers Hunter Yee and Luna Chang must navigate their familiesâ enmity and secrets as everything around them begins to fall apart.Â
And We Rise: The Civil Rights Movement in Poems by Erica Martin:Â A powerful, impactful, eye-opening journey that explores through the Civil rights movement in 1950s-1960s America in spare and evocative verse, with historical photos.
Anne of Greenville by Mariko Tamaki:Â In this contemporary retelling, Anne Shirley, a queer, half-Japanese disco superfan, moves to a town that seems too small for her big personality and where she becomes embroiled in a series of dramatic and unfortunate events.
As Long as the Lemon Tree Grows by Zoulfa Katouh: Set during the Syrian Revolution, former pharmacy student Salama Kassab volunteers at a hospital in Homs. Secretly, though, she is desperate to find a way out. So desperate, that she has manifested a physical embodiment of her fear in the form of her imagined companion, Khawf .But even with Khawf pressing her to leave, Salama is torn between her loyalty to her country and her conviction to survive.Â
Ashes of Gold (Wings of Ebony #2) by J. Elle:Â In the heart-pounding conclusion to the Wings of Ebony duology, Rue makes her final stand to reclaim her peopleâs stolen magic.
Azar on Fire by Olivia Abtahi: 14-year-old Azar Rossi sets out to find her voice and win her local Battle of the Bands contest.Â
Bad at Love by Gabriela Martins:Â Ever since Daniel moved to L.A. from Brazil to join the band Mischief & Mayhem, heâs become the tabloidsâ bad boy. When a chance encounter brings Daniel and Sasha together, Sasha sees an opportunity to get close to Daniel and write a story that will make a name for herself at the celebrity gossip magazine where she interns. But Daniel is surprisingly sweet and extremely cuteâcould she be falling for him?
Ballad & Dagger by Daniel Jose Older:Â When 16-year-old Mateo and Chela discover each other and their powers during a political battle between neighborhood factions, they set aside their differences to unravel the mystery behind their sunken homeland.Â
Beasts by Ruin (Beasts of Prey #2) by Ayana Gray:Â Now separated,16-year-old indentured beastkeeper Koffi and 17-year-old warrior candidate Ekon will have to find their way back to each other as they face off against the god of death.Â
Beauty and the Besharam by Lillie Vale: Exhausted by Kavya Joshi and Ian Junâs years-long feud, their friends hatch a plan to end their rivalry by convincing them to participate in a series of challenges throughout the summer.Â
Before Takeoff by Adi Alsaid: Two teens, James and Michelle, meet and fall in love during a layover-gone-wrong at the Atlanta airport.Â
Beating Heart Baby by Lio Min: 17-year-old Santi Arboleda finally feels settled in his new life in Los Angeles with a growing found family and a relationship with musical prodigy Suwa - until Suwa is offered the chance to step into the spotlight that he has always denied himsel fand they must finally face their dreams, their pasts, and their futures, whether together or apart.Â
Beneath the Wide Silk Sky by Emily Inouye Huey:Â With the recent death of her mother and the possibility of her family losing their farm, Samantha Sakamoto does not have space in her life for dreams, but when faced with prejudice and violence in her Washington State community after Pearl Harbor, she becomes determined to use her photography to document the bigotry around her.
Bitter by Akwaeke Emezi:Â Pulled between old friendships, her creative passion, and a new romance, Bitter isn't sure where she belongs - in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?
The Black Girls Left Standing by Juliana Goodman: 16-year-old Beau Willetâs world is upended when her older sister is killed by a white cop who claims she was breaking into his house; desperate to find out what really happened, she sets out to find the only other witness who was there that nightâher sister's boyfriend.
Blood Like Fate (Blood Like Magic #2) by Liselle Sambury:Â While struggling with her new role as Matriarch, Voya has a vision of a terrifying, deadly future, and with a newfound sense of purpose, she vows to do whatever it takes to bring her shattered community together and prevent the destruction of them all.
Blood Scion by Deborah Falaye: 15-year-old Sloane can incinerate an enemy at willâshe is a Scion, a descendant of the ancient Orisha gods. But when she is forcibly conscripted into the Lucis army, Sloane sees a new opportunity: to overcome the bloody challenges of Lucis training, and destroy them from within.
Bloodmarked (Legendborn #2) by Tracy Deonn: When the Regents reveal they will do whatever it takes to hide an ancient war, Bree and her friends must go on the run to rescue Nick. If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them firstâwithout losing herself in the process.
Boys I Know by Anna Gracia: High school senior June Chu navigates messy boys and messier relationships.
Boys of the Beast by Monica Zepeda: Cousins Matt, Ethan and Oscar embark on a road trip through California and the Southwest come to terms with truths about their families and themselves.Â
Break This House by Candice Iloh:Â Yaminah Okar left Obsidian and the wreckage of her family years ago. She and her father have made lives for themselves in Brooklyn. But when a Facebook message about her estranged mother pierces Yaminahâs new bubble, she must finally reckon with the truth about her mother and the growing collapse of a place she once called home.Â
Briarcliff Prep by Brianna Peppins:Â In this coming-of-age story, Avi LeBeau juggles navigating her first year at a historically Black boarding school after she learns a devastating secret about her big sisterâs boyfriend.Â
Burn Down, Rise Up by Vincent Tirado:Â When an urban legend rumored to trap people inside subway tunnels seems to be behind mysterious disappearances in the Bronx, 16-year-old Raquel and her friends team up to save their city--and confront a dark episode in its history in the process.
Cafe Con Lychee by Emery Lee: AÂ dual pov enemies-to-lovers contemporary romcom following Theo Mori and Gabe Moreno, rival sons of competing family businesses--a Puerto Rican bakery and an Asian American cafe--who form an unlikely alliance running an underground coffee and boba shop at school after a new fusion cafe threatens their parents' stores.
The Chandler Legacies by Abdi Nazemian:Â At Chandler, the elite boarding school, five teens are brought together in the Circle, a coveted writing group where life-changing friendships are bornâand secrets are revealed.Â
The Charmed List by Julie Abe: 16-year-old Ellie Kobataâs summer plans to shed her wallflower persona are upended when she is forced to go on a road trip to the Magical Retailers' Convention with her former best friend Jack Yasuda, but what starts out as a punishment turns into an opportunity to find forgiveness and possibly love.
Cherish Farrah by Bethany C. Morrow: 17-year-old Farrah Turner manipulates her way into lives of her Black best friend Cherish Whitmanâs white adopted family, but she soon begins to suspect that she may not be the only one invested in engineering a place in the affluent household, and someone else's motives may be more disturbing than her own.
The Chosen One by Echo Brown: Anchored in magical realism, a personal account of a first-generation African-American student's first year at Dartmouth College.
Cinder & Glass by Melissa de la Cruz: In this lush, retold fairy tale classic, Cendrillon âCinderâ de Louvois catches the eye of the handsome Prince Louis and his younger brother Auguste at a royal ball. As Cinder grows closer to Auguste and dislikes Louis more and more, she will have to decide if she can bear losing the boy she loves in order to leave a life she hates.
Cold by Mariko Tamaki: Told in alternating perspectives, Todd replays the events that lead to his death in the local park, watching as detectives investigate his murder and talk to the students responsible for it, and meanwhile Georgia, who does not know Todd, cannot stop thinking about him.
The Color of the Sky Is The Shape of the Heart by Chesil: Inspired by a mysterious message, 17-year-old Ginny Park sets off to find herself as she reflects on her experiences of growing up Zainichi, an ethnic Korean born in Japan, and the incident that forced her to leave years prior.
Confessions of An Alleged Good Girl by Joya Coffney: In small-town Texas, preacherâs daughter Monique embarks on journey toward loving herself and her body, as well as discovering the value of a true friend.
The Darkening by Sunya Mara: Vesper Vale is the daughter of revolutionaries. Failed revolutionaries. When her mother was caught by the queen's soldiers, they gave her a choice: death by the hangman's axe, or death by the Storm that surrounds the city and curses anyone it touches. She chose the Storm. And when the queen's soldiers--led by a paranoid prince--catch up to Vesper's father after twelve years on the run, Vesper will do whatever it takes to save him from sharing that fate.
Daughters of the Dawn by Sarena & Sasha Nanua: Twin princesses Ria and Rani journey deep into dangerous new lands to save their home in this propulsive, immersive sequel to Sisters of the Snake.
Dauntless by Elisa A. Bonnin: Seri, Borderland teen and new assistant to Eshai Unbroken, local commander of the Valiants, may be the only person who can bridge the divide between the People who build their dwellings in the spreading trees and the "beasts" who roam the forest floors.
The Dawn of Yangchen by F.C. Yee: Plagued by the voices of Avatars before her for as long as she can remember, Yangchen has not yet earned the respect felt for her predecessor. When she travels to Bin-Er on political business, a chance encounter with an informant named Kavik leads to a wary partnership. As Yangchen and Kavik seek to thwart the corrupt shangsâ plan, their unlikely friendship deepens. But for Yangchen to chart her course as a singularly powerful Avatar, she must learn to rely on her own wisdom.
Dead Flip by Sara Farizan: 18-year-old former friends Cori and Maz reunite to solve the mystery of what happened to their other friend Sam--who disappeared 5 years ago and has now returned, not having aged at all.
Debating Darcy by Sayantani DasGupta: A life-long speech competitor, Leela Bose loves nothing more than crushing the competition. But when Leela meets the incorrigible Firoze Darcy, a fellow competitor in the state league, she canât stand him. But Leelaâs participation in the tournament reveals that she might have misjudged the debaters - including Darcy.
Deep in Providence by Riss A. Neilson: After Jasmine is killed, her remaining best friends Miliani, Inez, and Natalie plan to resurrect her using magic learned from Miliani's Filipino aunt, but their actions have dangerous consequences that threaten themselves and those they care about.
Diamond Park by Phillipe Diederich: When four Mexican-American teenagers from Houston travel to Diamond Park to buy a 1959 Chevy Impala from MagaĂąa's godfather, something goes very wrong, and one of them, Susi, ends up arrested for murder. Convinced that the real killer is a drug trafficker called Anaconda, Flaco and MagaĂąa head to Mexico hunting for him to clear Susi's name--but in the process of kidnapping Anaconda Flaco discovers how little he understands about what really happened in Diamond Park.
Direwood by Catherine Yu: After Ajaâs perfect older sister Fiona disappears when a strange weather event isolates their town, she must put her trust in a vicious but alluring vampire if she wants to see her sister again.
Does My Body Offend You? by Mayra Cuevas & Marie Marquardt: A coming-of-age story told in two points of view, about Puerto Rican teen Malena Rosario who seeks justice after running afoul of her school's sexist dress code, and Ruby McAllister, the white girl who wants to help her lead "the bra-bellion" but must first learn how to become an effective ally; exploring themes of implicit bias, social activism, and female friendship
The Dragonâs Promise (Six Crimson Cranes #2) by Elizabeth Lim:Â Princess Shiori made a deathbed promise to return the dragon's pearl to its rightful owner, but keeping that promise is more dangerous than she ever imagined.
The Dream Runners by Shveta Thakar: Spirited away to the subterranean realm of Nagalok as children, 17-year-olds Tanvi and Venkat are charged with harvesting human dreams for the entertainment of the naga court--until one of them begins to remember the mortal life she left behind.
Drizzle, Dreams and Lovestruck Things by Maya Prasad: Sisters Nidhi, Avani, Sirisha, and Rani experience romance and coming-of-age while working at their family's inn on Orcas Island.
Echoes of Grace by Guadalupe Garcia McCall: On the Texas-Mexico border, 18-year-old Grace's relationship with her older sister Mercy is fractured when Mercy's two-year-old son dies in an accident, bringing to the surface old family traumas and literal ghosts as the family struggles to heal.
The Empress of Time by Kylie Lee Baker: Half Reaper, half Shinigami soul collector Ren Scarborough must defend her title as Japan's Death Goddess from those who would see her--and all of Japan--destroyed.
Empress Crowned in Red by Ciannon Smart: Witches Iraya and Jazmyne must once again work together as a new enemy threatens Aiyca, even as betrayal lurks around every corner.
Even When Your Voice Shakes by Ruby Yayra Goka: After Amberley is raped by her employer's son she realizes she two choices--stay quiet and keep her job or live her truth and speak up for herself and for justice.
Every Variable of Us by Charles A. Bush: After she is injured in a gang shooting, 17-year-old Alexis Duncan's dreams of a college scholarship and pro basketball career vanish, but, encouraged by new student Aamani Chakrabarti, Alexis shifts her focus to the school's STEM quiz bowl team.
Everyone Hates Kelsie Miller by Meredith Ireland:  Kelsie Miller and Eric Mulvaney Ortiz, rivals for valedictorian, team up on an overnight road trip to the University of Pennsylvania to win back their exes.
Feather and Flame: The Queenâs Council #2 by Livia Blackburne: Mulan goes from a celebrated war hero to a reluctant Empress and must once again rise above expectations and prove she doesn't have to be anyone but herself to save China.
No Filter and Other Lies by Crystal Maldonado: 17-year-old Kat Sanchez uses photos of a friend to create a fake Instagram account, but when one of her posts goes viral and exposes Kat's duplicity, her entire world--both real and pretend--comes crashing down around her.
The Final Strife by Saara El-Arifi: Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the Empire from the red-blooded ruling classes' tyranny. Anoor has been told sheâs nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdomâand their hearts. Hassaâs invisibility has its uses: it can hide the most dangerous of secrets, secrets that can reignite a revolution. As the Empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
Finding Jupiter by Kellis Rowe: Teens Orion and Ray meet at the local Memphis skating rink and fall fast and hard into summer love, until a mystery from their past threatens to rip themâand their familiesâapart, even if their love is written in the stars.
Fireworks by Alice Lin: 17-year-old Lulu Liâs summer plans go awry when she learns that Kite Xu, her old next-door neighbor and childhood friend, returns. But how could a K-pop star ever fall for a nobody from home?
The First to Die at the End by Adam Silvera: Strangers Orion Pagan and Valentino Prince spend a life-changing day together after Death-Cast first makes their fateful calls.
Flip the Script by Lyla Lee: Korean American actress Hana Jin she can totally handle her fake co-star boyfriend and K-pop star, Bryan Yoon, who might be falling in love with her. But when showrunners bring on a new girl, Minjee Park, to challenge Hanaâs role as main love interestâcan  Hana fight for her position on the show while falling for her on-screen rival in real life?
Foul Lady Fortune by Chloe Gong:Â In 1931 Shanghai, two Nationalist spies, Rosalind Lang and Orion Hong, pose as a married couple to investigate a series of brutal murders causing unrest in the city.
The Genesis Wars (Infinity Courts #2) by Akemi Dawn Bowman: Nami has escaped Ophelia and the Courts of Infinity, and found refuge in the Borderlands; she has spent her days training her body and mind so that when the time comes she will be able to navigate Infinity and rescue her captured friends, and now she has made a breakthrough, gaining the ability to enter minds without permission--the answers she needs are in Prince Caelan's mind, but his betrayal has left her unsure.
The Getaway by Lamar Giles: After a global catastrophe, Jay discovers the world-famous vacation resort where he lives and works doubles as a luxury doomsday refuge for the cruel billionaires he's now trapped with.
The Ghosts of Rose Hill by R. M. Romero: Sent to stay with her aunt in Prague and witness the humble life of an artist, Ilana Lopezâa biracial Jewish girlâfinds herself torn between her dream of becoming a violinist and her immigrant parentsâ desire for her to pursue a more stable career.
The Girl Who Fell Beneath the Sea by Axie Oh:Â In this retelling of Shim Cheong, 16-year-old Mina is swept away to the Spirit Realm, where, assisted by a motley crew of demons, gods, and lesser spirits, she sets out to awaken the sleeping Sea God and save her homeland and family from deadly storms.
A Girlâs Guide to Love & Magic by Debbie Rigaud: 15-year-old Haitian American Cicely is excited to celebrate the West Indian Day Parade with her aunt, and voodoo dabbler, Mimose, but when Mimose's dabbling goes awry and she becomes possessed by a spirit, Cicely, Renee, and Kwame, her crush, must find a way to set things right.
Godslayers (Gearbreakers #2) by Zoe Hana Mikuta:Â Eris and Sona are pitted against each other in the ongoing war between Godolia and the Badlands.
Great or Nothing by Caroline Tung Richmond & Joy McCullough & Tess Sharpe & Jessica Spotwood: A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister's point of view, is one of grief, love, and self-discovery.
Heartbreak Symphony by Laekan Zea Kemp: When AarĂłn Medrano and Mia Villanueva cross paths, AarĂłn sees a chance to get close to the girl heâs had a crush on for years and to finally feel connected to someone since losing his mother. Mia sees a chance to hold herself accountable by making them both face their fears. But soon theyâll realize thereâs something much scarier than getting up on stageâfalling in love with a broken heart.
Her Rebel Highness by Diana Ma (Daughters of the Dynasty #2): High school senior Lei unexpectedly finds love amid the student protests in Beijing in 1989, forcing her to choose between her family and its legacy or her future with a revolutionary leader.
High Spirits by Camille Gomera Tavarez: a collection of eleven interconnected short stories from the Dominican diaspora, centered on one extended family, the BelĂŠns, across multiple generations.
Hollow Fires by Samira Ahmed: After discovering the body of 14-year-old Jawad Ali in Jackson Park, 17-year-old journalism student Safiya Mirza begins investigating his murder and ends up confronting white supremacy in her own high school.
How Maya Got Fierce by Sonia Charaipotra: When her dream of working at Fierce, a popular magazine, comes true, 17-year-old Maya Gera gets the scoop on a huge story, but wonders how long she can keep up the charade of being older than she really is
How to Date a Superhero by Cristina Fernandez: When Astrid discovers that her boyfriend is a superhero, she must learn how to survive their relationship, college life, and figuring out who she is.
How to Live Without You by Sarah Everett: 17-year-old Emmy returns home for the summer to uncover the truth behind her sister Roseâs disappearanceâonly to learn that Rose had many secrets, ones that have Emmy questioning herself and the sister Emmy thought she knew
How to Succeed in Witchcraft by Aislinn Brophy: Half-Black witch Shay Johnson is cast as the lead in her school musical and must decide between exposing her predatory drama teacher and getting the scholarship she desperately needs.
How You Grow Wings by Rimma Onoseta: Sisters Cheta and Zam's paths to break free of their oppressive home diverge wildly--one moves into an aunt's luxurious home and the other struggles to survive on her wits alone--and when they finally reunite, Zam realizes how far Cheta has fallen, leaving Cheta's fate in Zam's hands.
I Guess I Live Here Now by Claire Ahn: Korean-American teen Melody Lee is uprooted from her life in Manhattan and relocated to her father's villa in Seoul, plunges into a whirlwind of culture shock and family secrets as she struggles to reconcile her identity in a place she's supposed to call home.
I Rise by Marie Arnold: 14-year-old Ayo has to decide whether to take on her mother's activist role when her mom is shot by police. As she tries to find answers, Ayo looks to the wisdom of her ancestors and her Harlem community for guidance.
If You Could See the Sun by Ann Liang: Alice Sun, upon discovering she can no longer afford tuition at her elite Beijing boarding school, teams up with her academic rival Henry Li and monetizes her strange new invisibility powers by discovering and selling her wealthy classmates' most scandalous secrets.
If You Still Recognize Me by Cynthia So: Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they've never met in real life. But Elsie has decided it's now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.In a summer of repairing broken connections and building surprising new ones, Elsie realizes that she isn't nearly as alone as she thought.
In Every Generation by Kendare Blake: Follow the next generation of Scoobies and Slayers who must defeat a powerful new evil.
Inheritance: A Visual Poem by Elizabeth Acevedo: In her most famous spoken-word poem, author of the Pura Belpr-winning novel-in-verse The Poet X Elizabeth Acevedo embraces all the complexities of Black hair and Afro-Latinidad--the history, pain, pride, and powerful love of that inheritance.
The Iron Sword by Julie Kagawa: Prince Ash achieved the impossible and journeyed to the End of the World to earn a soul and keep his vow to always stand beside Queen Meghan of the Iron Fey. Now he faces even more incomprehensible odds. Their son, King Keirran of the Forgotten, is missing.
It Sounds Like This by Anna Meriano: A sweet and nerdy contemporary YA novel set in the world of marching band.
The Ivory Key by Akshaya Raman: Four estranged royal siblings, each harboring secrets and conflicting agendas, must learn to work together as they search for the Ivory Key, which will lead to a new source of magic.
Just Your Local Bisexual Disaster by Andrea Mosqueda: Following a self-described romantic disaster living in the Rio Grande Valley, bisexual Chicana Maggie Gonzalez tries to figure out whom she wants to ask to be her escort at her little sister's upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?
The Kindred by Alechia Dow: A royal, Duke Felix Hamdi and a commoner, Joy Abara, mistakenly mind-paired at birth, land on Earth after fleeing royal assassins, only to find the "developing" planet might hold the solutions to their divided and unjust lives back home.
Kings of Bâmore by R. Eric Thomas: Set in Baltimore, a celebration of queer Black friendship as two boys, Harrison and Linus, plan a day of fun and facing their fears.
Kiss & Tell by Adib Khorram: On Kiss & Tell's first major tour, lead singer Hunter Drake grapples with a painful breakup with his first boyfriend, his first rebound, and the stress of what it means to be queer in the public eye.
K-Pop Revolution (K-Pop Confidential #2) by Stephan Lee: She thought that debuting in a K-pop band was the finish line, but it was only the beginning. Because now it's not only Candace Parkâs company judging her--it's the entire world. How will she find the courage to stand by her beliefs, even when powerful forces are trying to shame and silence her?
Lakelore by Anna-Marie McLemore: Two non-binary teens, BastiĂĄn Silvano and Lore Garcia, are pulled into a magical world under a lake - but can they keep their worlds above water intact?
Lark & Kasim Start a Revolution by Kacen Callender: 17-year-old nurodivergent and nonbinary Lark pretends that they are the creator of a viral thread that their ex-best friend, Kasim, accidentally posted onto their Twitter account, declaring his unrequited love, but living a lie takes its toll on Lark, forcing them to deal with their own messy emotions.
The Lesbianaâs Guide to Catholic School by Sonora Reyes: 16-year-old Mexican American Yami Flores starts Catholic school, determined to keep her brother out of trouble and keep herself closeted, but her priorities shift when Yami discovers that her openly gay classmate Bo is also annoyingly cute.
The Lies We Tell by Katie Zhao: During her freshman year at college, Anna Xu investigates the unsolved on-campus murder of her former babysitter, as she and an old rival have to team up to look into the hate crimes happening around campus.
The Loophole by Naz Kutub: Sy, a 17-year-old queer Indian-Muslim boy, travels the world for a second chance at love after a possibly magical heiress grants him three wishes.
The Lost Dreamer by Lizz Huerta: In this fantasy inspired by ancient Mesoamerica, a lineage of seers defiantly resists the shifting patriarchal state that would see them destroyed.
Love, Decoded by Jennifer Yen: In this contemporary NYC-set retelling of Emma, high school junior Gigi Wong is determined to be picked for a contest that could lead to an exclusive tech internship, but when her matchmaking app goes viral Gigi must deal with the unexpected consequences of helping her friends find love.
Love From Mecca to Medina by S.K. Ali: Adam and Zayneb embark on the Umrah, a pilgrimage to Mecca and Medina, in Saudi Arabia, but as one wedge after another drives them apart while they make their way through rites in the holy city, Adam and Zayneb start to wonder if their meeting was just an oddity after all.
Love Radio by Ebony LaDelle: Clever teen DJ Prince Jones, always full of love advice for his friends and classmates meets his match in Dani Ford, who is an anti-romance and would rather be preparing to be the next great novelist.
Love Times Infinity by Lane Clarke: 16-year-old Michie is busy with big dreams for college and the biggest crush on the school's new basketball superstar, Derek de la Rosaâbut when her estranged mother suddenly reappears in her life, she faces important questions about the chances she's willing to take on herself and her future,
Loveboat Reunion (Loveboat #2) by Abigail Hing Wen: Sophie Ha and Xavier Yeh find themselves on a wild, nonstop Loveboat reunion, hatching a joint plan to take control of their futures. Can they succeed together or are they destined to combust?
Lulu and Milagroâs Search for Clarity by Angela Velez: Two sisters become begrudging partners on their school's cross-country field trip to college campuses as they uncover family secrets, confront weighty expectations for their futures, and discover the true meaning of sisterhood.
The Man or the Monster by Aamna Qureshi: Durkhanai Miangul sealed her loverâs fate when she sent him through a door where either a lady or a lion awaited him. But Durkhanaiâs decision was only the beginning of her troubles. Her presumed-dead father comes back with a vengeance, but her familyâs denial of his revenge forces Durkhanai to take matters into her own hands.
A Magic Steeped in Poison by Judy Lin: Ning enters a cutthroat magical competition to find the kingdom's greatest master of the art of brewing tea, but political schemes and secrets make her goal of gaining access to royal physicians to cure her dying sister far more dangerous than she imagined.
A Venom Dark and Sweet (The Book of Tea #2) by Judy Lin:Â A great evil has come to the kingdom of DĂ xi. The Banished Prince has returned to seize power and Ning has escorted Princess Zhen into exile. Joining them is the princess' loyal bodyguard, Ruyi, and Ning's newly healed sister, Shu. Together the four young women travel throughout the kingdom in search of allies to help oust the invaders and take back Zhen's rightful throne.
Meet Me in Mumbai by Sabina Khan: A novel in two acts, told 18 years apart; in the first, teenage mother Ayesha grapples with the decision whether to place her daughter Mira for adoption; in the second, her daughter wonders what she will find after discovering an old letter from her birth mother asking to meet in Mumbai on her 18th birthday.
Master of Souls (Kingdom of Souls #3) by Rena Barron:Â Arrah must decipher the legacy of her past and weave an uneasy alliance between her beloved Rudjek, the Demon King, and the remaining orishas, hoping to restore peace.
The Merciless Ones by Namina Forna: It's been 6 months since Deka freed the goddesses in the ancient kingdom of Otera and discovered who she really is. Yet hidden secrets threaten to destroy everything Deka has known. And with her own gifts changing, Deka must discover if she holds the key to saving Otera or if she might be its greatest threat.
A Million to One by Adiba Jaigirdar: An acrobat, an actress, an artist, and a thief, four girls who seemingly have nothing in common, work together and plot a heist to steal the Rubaiyat off the Titanic.Â
Monsters Born and Made by Tanvi Berwan: 16-year-old Korwal, from a family of sea-monster trainers, sacrifices everything to be the first of her caste to compete in a monstrous chariot race in an effort to save her sister's life.
Murder of Crows by K. Ancrum: Tig Torres investigates Hollow Falls' horrific history in this original novel based on the hit podcast Lethal Lit.
My Mechanical Romance by Alexene Farol Follmuth: High school senior Bel Maier has an aptitude for engineering and teams up with robotics team captain, Mateo Luna, but after a rough start together the nights of after-school work lead to romance.
My Sisterâs Big Fat Indian Wedding by Sajni Patel: 17-year-old aspiring violinist Zurika Damani must secretly juggle the obligations of her sister's extravagant wedding week with auditions for a prominent music competitionâall while trying to dodge her boisterous family's matchmaking scheme with the groomâs South African cousin Naveenâwho just happens to be a cocky vocalist set on stealing Zuriâs spotlight at the scouting competition.
The New Girl by Jesse Q. Sutanto: A transfer student and scholarship recipient, sophomore Lia Setiawan is angered when she discovers a cheating ring, but by the time she finds a dead body and shuts down the campus drug dealer, she fears she might be the biggest snake in the Draycott Academy nest of vipers.
Night of the Raven, Queen of the Dove by Rati Mehrotra: After a bloody palace uprising, Katyani, a young guardswoman to the royal family, discovers she is not who she thought she was and becomes a major pawn in the political games of a monster-filled land on the brink of war.
The Noh Family by Grace K. Shim: Chloe Chang travels to Seoul to meet her deceased father's ultra-rich family, but she soon begins to wonder if her new family's intentions are pure.
Nothing Burns As Bright as You by Ashley Woodfolk: A novel-in-verse that tells the story of a tumultuous romance between two queer girls in nonlinear chapters, anchored by a single day where they set a fire and their relationship spirals out of control.
Nubia: The Awakening by Omar Epps & Clarence A. Haynes: In a climate-ravaged New York deeply divided by class, Zuberi, Uzochi, and Lencho, three teens of refugees from a fallen African utopia, begin to develop supernatural powers.
Okoye to the People by Ibi Zoboi: Okoye is a new recruit for T'Chaka's royal guard: the Dora Milaje. But when Okoye is sent on her very first missionâto Americaâshe'll learn that her status as a Dora means nothing to New Yorkers and her expectations for the world outside of her own quickly fall apart.Caught between duty to her country and listening to her own heart, Okoye must find her own way and determine the type of Dora Milajeâand womanâshe wants to be.Â
Once Upon a K-Prom by Kat Cho: Instead of going to prom, 17-year-old Elena Soo wants to spend her time saving the local community center, and she is determined to keep her priorities straight even when her childhood best friend Robbie Choi--who is now a K-pop superstar--returns to make good on their old pact to go to prom together.
One True Loves (Happily Ever Afters #2) by Elise Bryant: While on a post-graduation Mediterranean cruise with her family, Lenore Bennett meets a hopeless romantic with a ten-year plan who helps her find something she's been looking for--love.
Only a Monster by Vanessa Len: Set in contemporary London, in which a 16-yer-old half-monster Joan must embrace her own monstrousness to stop the boy she loves, who turns out to be a legendary monster slayer, from killing everyone she cares about.
Only On The Weekends by Dean Atta: A romantic coming-of-age novel in verse about the beautiful--and sometimes painful--fallout of pursuing the love we deserve.
Ophelia After All by Racquel Marie: 17-year-old Ophelia Rojas, well known for her rose garden and her dramatic crushes on every boy in sight, begins to question her sexuality and sense of self when she starts to fall for cute, quiet Talia Sanchez in the weeks leading up to their prom and graduation.
The Other Side of the Tracks by Charity Alyse: In the racially divided towns of Bayside and Hamilton, Zach Whitman moves in and befriends Black siblings Capri and Justin Collins, until one of their friends is murdered by police, and the longstanding feud between the towns erupts into an all-out war, with the three caught in the middle.
Our Shadows Have Claws: 15 Latin American Monster Stories edited by Yamile Mendez & Amparo Ortiz: 15 original short stories from YA superstars featuring the monsters of Latine myths and legends.
Pixels of You by Ananth Hirsh & Yuko Ota: In a near future New York City of cyber augmentation and artificial intelligence, Indira and Fawn, two competitive interns in an art gallery, work together on a photography project, turning a rivalry into a friendship and perhaps something more.
Private Label by Kelly Yang: Chinese American Serene who gets help from the new boy in town, Lian Chen, to search for her dad after her successful fashion designer mother is diagnosed with cancer.
Queen of the Tiles by Hanna Alkaf: 15-year-old Najwa Bakri is forced to investigate the mysterious death of her best friend and Scrabble Queen, Trina, a year after the fact when her Instagram comes back to life with cryptic posts and messages.
Rebel Skies by Ann Sei Lin: Kurara has never known any other life than being a servant on board the Midori, but when her party trick of making paper come to life turns out to be a power treasured across the empire, she joins a skyship and its motley crew to become a Crafter. Taught by the gruff but wise Himura, Kurara learns to hunt shikigami - wild paper spirits who are sought after by the Princess. But are these creatures just powerful slaves for the Crafters and the empire, or are they beings with their own souls - and yet another thing to be subjugated by the powerful Emperor and his Princess?
Reclaim the Stars: 17 Tales Across Realms & Space edited by Zoraida Cordova: In this collection of stories by acclaimed young adult authors the Latin American diaspora travels to places of fantasy and out into space.
The Red Palace by June Hur: Set in 1700s Joseon Korea, while investigating a series of grisly murders, 18-year-old palace nurse Hyeon navigates royal and political intrigue and becomes entangled with a young police inspector.
Required Reading for the Disenfranchised Freshman by Kristen R. Lee: Upon arriving at the prestigious Wooddale University, 17-year-old Savannah Howard comes face-to-face with microaggressions and outright racism--but if she stands up for justice, will she endanger her future?
Right Where I Left You by Julian Winters: The summer before he leaves for college, 18-year-old Isaac Martin makes big plans with his best friend Diego that only the reappearance of an old crush can derail.
Road of the Lost by Nafiza Azad: Croi is compelled by a summoning spell leave her home in the Wilde Forest and travel into the Otherworld, where the enchantment that made her into a brownie begins to break, revealing her true identity, her hidden magick, and her forgotten heritage.
The Rumor Game by Dhonielle Clayton & Sona Charaipotra: At Foxham Prep, a posh private school for Washington, D.C.'s elite, a rumor gains momentum as it collects followers on social media, pulling three girls into its path--Bryn, who wants to erase all memories of the mistake she made last summer; cheer captain Cora, who desperately wants to believe in her boyfriend's faithfulness; and shy Georgie, newly hot after a summer at fat camp and ready to reinvent herself--but who can stop a dangerous rumor once it takes on a life of its own?
Rust in the Root by Justina Ireland:Â It is 1937, and Laura Ann Langston lives in an America dividedâbetween those who work the mystical arts and those who do not. In New York City, she embarks on a mission with Skylark, a powerful mage with a mysterious past, into the heart of the countryâs oldest and most mysterious Blight. There, they discover the work of mages not encountered since the darkest period in Americaâs past, when Black mages were killed for their powerâwork that could threaten Lauraâs and the Skylarkâs lives.
Salaam, With Love by Sara Sharaf Beg: Dua struggles to find her place in her conservative family's household, but as she spends the month of Ramadan with her cousin in Queens, Dua finds herself learning more about her faith, relationships, and place in the world.
Salt and Sugar by Rebecca Carvalho: A telenovela-esque rom-com debut that follows the grandchildren of two rival Brazilian bakeries, Lari Ramires and Pedro Molina, who fall in love despite their families' feud while working to win a contest that would save both of their bakeries from being driven out by a predatory supermarket chain.
Scoutâs Honor by Lily Anderson: Following a biracial Puerto Rican teen, Prudence Perry, born into a family of highly ranked Ladybird Scouts, elite monster hunters masquerading as a prim and proper ladies' social club who gave up her tea set and daggers after her best friend was killed, but now must return to the scouts to face the biggest monster of all: her past.
A Secret Princess by Margaret Stohl & Melissa De La Cruz: A romantic YA retelling-mashup of A Little Princess and The Secret Garden by bestselling authors Margaret Stohl and Melissa de la Cruz.
Self-Made Boys by Anna-Marie McLemore: Three teens, NicolĂĄs Caraveo, Daisy Fabrega, and Jay Gatsby, chase their own version of the American Dream during the Roaring 20s in this YA remix of The Great Gatsby.
Seoulmates by Susan Lee: Recently dumped high school nobody Hannah Cho must face her unresolved feelings for her childhood best friend, Jacob Kim, when he returns to their San Diego hometown as the newest K-drama heartthrobâand blackmails her into completing his summer bucket list with him.
Seton Girls by Charlene Thomas: The quarterback of Seton Academy prep school wants a state championship before his successor, Seton's first Black QB, has a chance to overshadow him, leading him to take bigger risks, and soon the team's awful secret leaks to a group of girls who suddenly have the power to change their world.
Shattered Midnight by Dhonielle Clayton:Â In 1920s New Orleans, 18-year-old Zora Broussard banished after an incident in Harlem, struggles with her overbearing family, magical powers, love of jazz, and forbidden romance with white pianist Philip.
She Gets the Girl by Rachel Lippincott & Alyson Derrick: Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other handâŚnot so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows sheâs in love with the impossibly cool Cora Myers. She justâŚhasnât actually talked to her yet.
A Show For Two by Tashie Bhuiyan: Minaâs ticket to winning a film competition falls into her lap when indie film starâand known heartbreakerâEmmitt Ramos enrolls in her high school under a secret identity to research his next role. They strike a deal to work together, and as Mina ventures across the five boroughs with Emmitt by her side, the city she grew up in starts to look different and more. With the competition deadline looming, Mina's dreamsâwhich once seemed impenetrableâbegin to crumble, and sheâs forced to ask herself: Is winning worth losing everything?
The Signs and Wonders of Tuna Rashad by Natasha Deen: Following Tuna Rashad, always on the lookout for messages from her Caribbean ancestors who have passed on, as she tries to win over her crush before she leaves for college.
The Silence That Binds Us by Joanna Ho: In the year following their son's death, May Chen's parents face racist accusations of putting too much pressure on their son and causing his death by suicide, and May attempts to challenge the racism and ugly stereotypes through her writing, only to realize that she still has a lot to learn and that her actions have consequences for her family as well as herself.
Slip by Marika McCoola & Aatmaja Pandya: An emotional coming-of-age graphic novel for fans of Bloom and Laura Dean Keeps Breaking Up with Me.
Somebody That I Used to Know by Dana L. Davis: Aspiring musician Dylan Woods is forced to reunite with her exâbest friend Langstonâwho just happens to be the worldâs biggest teen star.
Soul of the Deep (Skin of the Sea #2) by Natasha Bowen: To save those closest to her, Simi traded away everything: her freedom, her family, and the boy she loves. Now she is sworn to serve a new god, watching over the Land of the Dead at the bottom of the ocean.But when signs of demons begin to appear, it's clear there are deeper consequences of Simi's trade. With the fate of the world at stake, Simi must break her promise and team up with a scheming trickster of a god.
Spin Me Right Round by David Valdes: Luis Gonzalez just wants to go to prom with his boyfriend, but when a hit on the head knocks him back to 1985, he meets his parents' closeted classmate.
Squire by Sara Alfageeh & Nadia Shammas: Aiza has always dreamt of becoming a Knight. After she enlists in the competitive Squire program, itâs not how she imagined and sheâll have to soon choose between loyalty to her heart and heritage, or loyalty to the Empire.
Strike the Zither by Joan He: As three warring fractures try to gain control of the kingdom, orphaned Zephyr, a strategist serving Xin Ren, infiltrates an enemy camp where she encounters the enigmatic Crow, an opposing strategist who might just be her match.
The Summer of Bitter and Sweet by Jen Ferguson: Demisexual Metis teen Lou is settling in to spend the summer before college working at her close-knit family's small-town ice cream shack with her best friend, ex-boyfriend, and newly back-in-town crush, when a letter from her white biological father, recently out of prison, threatens to destroy everything she cares about.
The Sunbearer Trials by Aiden Thomas: Transgender demigod Teo is unexpectedly selected for the Sunbearer Trials, a fierce competition among demigod heroes where the winner sacrifices the loser to Sol, their blood fueling the Sun Stones that protect Reino del Sol.
Sunny Gâs Series of Rash Decisions by Navdeep Singh Dillon: Sunny G's brother left him one thing when he died: His notebook, which Sunny is determined to fill up with a series of rash decisions. Decision number one was a big one: He stopped wearing his turban, cut off his hair, and shaved his beard. Sunny debuts his new look at prom, which he's stuck going to alone. Enter Mindii Vang, a girl with a penchant for making rash decisions of her own, starting with stealing Sunny's notebook. When Sunny chases after her, prom turns into an all-night adventureâa night full of rash, wonderful, romantic, stupid, life-changing decisions.
Survive the Dome by Kosko Jackson: High school junior Jamal Lawson teams up with hacker Marco during a police brutality protest to shut down a device that creates an impenetrable dome around Baltimore that is keeping the residents in and information from going out.
This is Why They Hate Us by Aaron H. Aceves: 17-year-old Enrique "Quique" Luna decides to get over his crush on Saleem Kanazi before the end of summer by pursuing other romantic prospects, but he ends up discovering heartfelt truths about friendship, family, and himself.
This Place is Still Beautiful by Xixi Tian: A story about first love, complicated family dynamics, and the pernicious legacy of racism, following two estranged teen sisters Annalie and Margaret who have no choice but to reunite in their small Midwestern town when their family becomes the victim of a hate crime.
This Wicked Fate (This Poison Heart #2) by Kalynn Bayron: Briseis races to save her family even as she discovers more about their ties to ancient goddesses and deadly curses.
A Thousand Heartbeats by Kiera Cass: Princess Annika has lived a life of comfortâbut no amount of luxuries can change the fact that her life isnât her own to control. Miles away, small comforts are few and far between for Lennox. For Lennox, the idea of love is merely a distractionânothing will stand in the way of fighting for his people. But when love, against all odds, finds them both, they are bound by its call. They canât possibly be togetherâbut the irresistible thrum of a thousand heartbeats wonât let them stay apart.
A Thousand Steps Into Night by Traci Chee: In the realm of Awara, where gods, monsters, and humans exist side by side, ordinary Miuko is cursed and begins to transform into a demon with a deadly touch. Embarking on a quest to turn human again, she must outfox tricksters, escape demon hunters, and negotiate with feral gods if she wants to make it home again.
Three Kisses, One Midnight by Roshani Chokshi & Evelyn Skye & Sandhya Menon: A magical Halloween story pitched as told in the tradition of LET IT SNOW, set in a town reminiscent of Stars Hollow, featuring interconnected stories about three witchy best friends and their romantic quest involving love potions (that may or may not work) and true love's kiss before the clock strikes midnight,Â
TJ Powar Has Something to Prove by Jasmeen Kaur Deo: A charming rom-com about high school debater TJ Powar whoâafter becoming the subject of an ugly memeâmakes a resolution to stop shaving, plucking, and waxing, and prove that she can be her hairy self and still be beautifulâŚbut soon finds this may be her most difficult debate yet.
Together We Burn by Isabel Ibanez: 18-year-old flamenco dancer Zarela Zalvidar must work with a disgraced dragon hunter to learn the ways of a Dragador and save her ancestral home.
Tokyo Dreaming (Tokyo Ever After #2) by Emiko Jean: Princess Izumi of Japan will do anything to help her parents achieve their happily ever after, but what if playing the perfect princess means sacrificing her own? Will she find a way to forge her own path and follow her heart?
Travelers Along the Way by Aminah Mae Safi: In this reimagination of the legend of Robin Hood, Rahma al-Hud and her older sister Zeena travel to Jerusalem for a final mission, and on their way they assemble a ragtag band of misfits and get swept up Holy Land politics.
The Turning Pointe by Vanessa L. Torres: Following a dancer in 1980s Minnesota as she navigates complex family expectations, a new romance, and her own ambitions to dance for the Purple One himself, Prince.
Turning by Joy L. Smith: Before the "accident" Genie was an aspiring ballerina, now she is a bitter teenager, permanently confined to a wheelchair, but at physical therapy she meets Kyle, a gymnast whose traumatic brain injury has landed him in therapy--and through their growing friendship Genie realizes that she has to confront the things around her: like the booze her mother is hiding, or the fact that maybe her fall was not entirely accidental.
Twice as Perfect by Louisa Onome: 17-year-old Nigerian Canadian Adanna Nkwachi must deal with an estranged older brother, uncertainty about her future, and helping her cousin plan a big Nigerian wedding.
Valiant Ladies by Melissa Grey: In Potosai, a silver mining city in the new Spanish viceroyalty of Peru, proper ladies by day and teen vigilantes by night, Eustaquia âKikiâ de Sonza and Ana Lezama de Urinza set out to expose corruption and deliver justice after Kiki's brother is murdered and the prostitute he loved disappears.
Vinyl Moon by Mahogany L. Browne: Reeling from the scars of a past relationship, Angel finds healing and hope in the words of strong Black writers and the new community she builds in Brooklyn
We Are All We Have by Marina Budhos: After her mom is taken by ICE, 17-year-old Rania's hopes and dreams for the future are immediatly put on hold as she figures out how take care of her younger brother and survive in a country that seems to be closing around them.
We Are the Scribes by Randi Pink: Ruth Fitz, a black teenager surrounded by activism in a family rocked by tragedy, discovers that she has begun to receive parchment letters from Harriet Jacobs, the author of the autobiography and 1861 American classic.
We Deserve Monuments by Jas Hammonds: When 17-year-old Avery moves to rural Georgia to live with her ailing grandmother, she encounters decade-old family secrets and a mystery surrounding the town's racist past.
We Werenât Looking To Be Found by Stephanie Kuehn: Dani and Camilla find friendship on their path to mental health in a story of acceptance, recovery, and resilience.
The Weight of Blood by Tiffany D. Jackson: When a viral bullying incident reveals outcast Madison Washingtonâs secret of being biracial, student leaders come up with a plan to change their image: host the school's first integrated prom as a show of unity. The popular white class president convinces her Black superstar quarterback boyfriend to ask Maddy to be his date. But some of her classmates aren't done with her just yet. And what they don't know is that Maddy still has another secret, one that will cost them all their lives.
Well, That Was Unexpected by Jesse Q. Sutanto: After Sharlot Citra is whisked from L.A. to her mother's native Indonesia in order to "get back to her roots," whoâthrough a comedy of errors and overzealous parentsâshe finds herself fake dating the son of one of the wealthiest families in Indonesia, and is surprised when she actually starts to fall in love with the boy, with the country, and with the big family she never knew before now,
What Souls Are Made Of by Tasha Suri: As the abandoned son of a Lascarâa sailor from IndiaâHeathcliff has spent most of his young life maligned as an "outsider." Now he's been flung into an alien life in the Yorkshire moors. Catherine, the younger child of the estate's owner, a daughter with light skin and brown curls and a mother that nobody talks about, soon finds solace with Heathcliff. But when Catherine's father dies and the household's treatment of Heathcliff only grows more cruel, their relationship becomes strained and threatens to unravel.
Whatâs Coming to Me by Francesca Padilla: After the ice cream stand where she works is robbed, 17-year-old Minerva Gutiaerrez plans to get revenge on her predatory boss while navigating grief, anger, and dreams of escape from her dead-end hometown.
Whiteout by Dhonielle Clayton & Tiffany D. Jackson & Nic Stone & Angie Thomas & Ashley Woodfolk & Nicola Yoon: Atlanta is blanketed with snow just before Christmas, but the warmth of young love just might melt the ice in this novel of interwoven narratives, Black joy, and cozy, sparkling romance.
The Wicked Remain (Grimrose Girls #2) by Laura Pohl: At Grimrose AcadĂŠmie, Nani, Yuki, Ella, and Rory have discovered the truth about the curse that's left a trail of dead bodies at Grimrose. But the four still know nothing of its origins, or how to stop the cycle of doomed fates. Can the girls change their own stories and break the curse?
This Woven Kingdom by Tahereh Mafi: To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight.The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he canât put out of his mind, would one day soon uproot his kingdomâand the world.
Wrong Side of Court by H.N. Khan: 15-year-old Fawad Chaudhry has big dreams about being the world's first Pakistani to be drafted into the NBA.
The Witchery by S. Isabelle: Logan came to Mesmortes Coven Academy in Haelsford, Florida, to learn to control her powers, but she soon learns she has a role to play in the ancient curse of the hellmouth--whatever the cost to herself and her new friends.
You Truly Assumed by Laila Sabreen: Three Black Muslim teens, Sabriya, Zakat, and Farah, living different parts of the country start a blog to fight Islamophobia and find friendship and hope as they let their voices be heard.
Zyla & Kai by Kristina Forest: The story of how cynic Zyla Matthews and hopeless romantic Kai Johnson become friends, fall in love, and break up unfolds from their different perspectives.
#authors of color#booklr#book recs#book recommendations#yalit#IT'S MY FAVORITE TIME OF YEAR BABEYYY!!!#the list isn't totally done!!!#i still have to finish putting up the rest of the hyperlinks and descriptions#but wanted to get this up and posted before the year was actually over LOLOL#still going strong with the illustrated book covers trend!!!#which i personally dig tbh
245 notes
¡
View notes
Text
Draco Malfoy/Harry Potter
Mature | Alternate Universe - Canon Divergence, Spy Draco Malfoy, Draco Malfoy in the Muggle World, Hogwarts Eighth Year
1/10 - chapter two, three - read on ao3
june 1994 - may 1995
Itâs summertime and Draco Malfoy is nearly fourteen. He clambers up the garden wall with bare feet that are already covered in little cuts and scratches, wincing at the sting and the sharp metallic scent in the air. Heâs not afraid of heights in a serious way but when he makes it to the top, his head spins and his stomach drops and the soles of his feet itch.
He looks out over the woods behind the Manor. It was the first thing that Draco ever loved with any kind of intention. Not the house- it was too big, too quiet, too cold- but the grounds that surrounded it. He grew up hiding away here, running through these woods, discovering its secrets.
Like the enchanted clearing deep inside, where the weather is always exactly how you want it, and the way stars are brighter when you gaze at them through heavy green canopies. When he is lonely, he retreats into the thick foliage and treads the well-worn paths. When he wants to lash out, he goes to the clearing and he screams. His first manifestations of accidental magic were flowers growing behind him as he walked aimlessly through the trees.
He doesnât make sense anywhere else.
His father is away, leaving him to wander while his mother sleeps. He eats his meals in the kitchens, where the house elves fuss over him and load his plate with extra sweets. Twila is the oldest elf at the Manor, and the oldest person Draco has ever met.
âJust look at the state of you,â Twila says, clucking at Dracoâs dirtied and bloodied feet.
Twila told him once, years ago, that he would grow calluses on his feet and it would stop hurting so much but he never really did. His skin is still soft. She cleans the wounds with gentle hands and heals them with gentle magic. It feels wilder than the spells heâs taught at school, unruly but undoubtedly good. It doesnât obey the same rules.
âThank you,â he hugs her small, bony frame.
Sheâs mostly bald, like all house elves, but her head is covered in soft peach fuzz that tickles Dracoâs neck when they embrace.
âWear some shoes next time,â she scolds, but they both know he wonât obey. He likes the feeling of earth beneath his feet, of being surrounded so wholly by a world that bursts with life. A little pain, a little blood, is worth it.
Her daughter, Odie, works in the kitchens at Hogwarts. Together, the two of them make sure that Draco never feels too alone when heâs at school. Twila sends him hand made chocolates every month and Odie never turns him away, even though students arenât allowed. Itâs like a piece of home when heâs away, though never enough to completely ease the tension between his shoulder blades. He still ends up snapping at people, saying awful things, throwing fits over every inconvenience. He still ends up by himself, at the end of each day, staring up at the canopy of his bed, wishing that he was back in his woods.
He turns fourteen at the beginning of June, on a sunny day that seems endless. His birthday always falls just before or just after the term ends. Heâs been home for three days, and his father has not been home and his mother has not spoken a single word.
Twila makes a cake, dusted in sugar and topped with blazing red strawberries and cream. He eats a piece in the kitchens and another outside in the furious sun. Itâs meant to rain soon. The day passes quietly. Itâs his best birthday so far, and it will remain his best birthday for a long time.
His father returns home, but heâs still absent, far-away. He doesnât speak more than a few words at a time to Draco, and he has people coming in and out of the house at all hours. Draco would never say it out loud, but they all scare him a little. The men who slip into his fatherâs study are tall, and imposing, and sometimes they have this look in their eyes, like nothing in the world matters to them.
His father doesnât acknowledge his birthday until the summer is winding down, and then he presents Draco with tickets to the World Cup. In all truthfulness, Draco doesnât care that much about Quidditch when heâs not playing it. He doesnât understand why the competition matters if youâre not the one working for it. He likes flying. He likes being outside and he likes the way the broom becomes an extension of his own body. He likes winning, being lifted up on the shoulders of his teammates. He likes feeling like heâs done something right.
He doesnât like his fatherâs posturing. He doesnât like looking up to see a row of people who hate him, feeling unsteady boards beneath his feet. He doesnât like sitting in the Ministerâs box, too far up to see the interesting parts clearly. He doesnât like the noise of the crowd just below. He doesnât like the anticipation that has no use, the adrenaline that goes nowhere. He doesnât like that all he can think about right now is Harryâs dark, wild hair and even wilder eyes, the ones that have always made him remember the bright, endless green of the forest.
Afterwards, when the game has ended and Ireland has won, Lucius guides Draco down the steps on the stadium and looks over his shoulder at something. Some of the cheers have already shifted in screams. Lucius has that look, focused and determined, that Draco has seen enough to be wary of.
âFather,â he breathes, âWhatâs going on?â
Lucius wonât meet his eyes, âStay here.â
Normally, Draco wouldnât dare argue with him, but he reaches out and grabs Luciusâs wrist.
âPlease,â his voice shakes.
Lucius doesnât look annoyed or angry. Instead, he bends down slightly to stroke Dracoâs hair, a gesture he assumes is supposed to be comforting but only really feels patronizing.
âItâs alright. Nothing bad will happen to you, I swear it. Find somewhere quiet to stand. Iâll find you after.â
Draco knows that his father has been working on something. All those meetings shut up in his study, the long days spent away from the Manor, have been in service of some larger plan. He knows this is it, or at least part of it. He knew this was going to happen, and he brought Draco here without arranging a way for him to leave.
Later, when Draco looks back on this moment, he remembers the last flash of hesitation and guilt on Luciusâs face. He remembers Lucius squeezing his hand and then letting it drop.
âI love you, Draco.â
He remembers Lucius walking away, leaving him standing alone in the field. He remembers thinking, not enough. You donât love me enough.
***
The Dark Mark stains the black, overcast sky. Draco looks up at it and feels something change in him. He has spent his whole life alone, but this night is different, this night is a deeper, hungrier kind of loneliness.
He can already feel it eating at the edges of him.
The chaos lasts for hours. His father never does find him again, and Draco is taken home by a frazzled, overworked Auror who is unduly suspicious of him, given that he is only fourteen. The sun hasnât risen yet, hasnât even started to edge over the woods, but he can see it coming in the color of the horizon.
Twila makes him tea. He shakes in the kitchen, and then he shakes as he climbs the stairs, and then he shakes in his bed.
Draco looks in the mirror the next morning, and he no longer looks like a child. Heâs not sure when that happened. He doesnât grieve it, not quite yet, but he will. He will grieve it desperately, fruitlessly. For now, he only understands. He understands why the Auror had turned her narrowed, accusatory eyes on him.
He looks more like his father than he ever has before.
***
Pansy finds him on the platform and drags him onto the train without saying a single word. Heâs relieved and frightened in equal measure.
âTalk,â she demands as soon as theyâre seated across from each other in their usual compartment.
He squirms under her gaze, âWhat do you want to know?â
Pansyâs got a way of making you feel like youâre a bug pinned behind glass. Itâs a useful skill when sheâs on your side. Right now, Draco does not feel particularly grateful.
âI know something happened at the World Cup. Something big. I hate when things happen over summer hols.â
Pansyâs dad doesnât get the Prophet delivered. Itâs a frequent topic.
âI donât even know what happened, and I was there,â Draco says dejectedly. He hadnât thought about that part of it, about the fact that people were going to be gossiping about it and telling outrageously hyperbolic stories about some cousin that was there or a thing their parents know.
He canât exactly brag about getting abandoned in a field.
Pansy sighs, âUseless. I donât know why I even bothered.â
Draco takes this as a sign that sheâs going to drop it, and leans his forehead against the glass, staring out the window. They havenât left the station yet, so all he sees are other students saying goodbye to their families. He feels like crying, which is humiliating. He canât cry here, especially not in front of Pansy. She would never forget it, and sheâd never let him forget it either.
âYou must have seen something,â she needles.
âNot really. Everyone was screaming and running, and I was just standing around. A fucking Auror took me home.â
Pansy frowns at him, âWerenât you with your parents?â
Draco looks at her incredulously. Pansy may be allergic to sentiment or serious conversations, but theyâve been friends long enough that she knows his mother hasnât left the house in years, even if theyâve never spoken about it directly.
âI mean, your dad was there, right?â
âWe got separated,â Draco shrugs, and hopes that heâs pulling off unbothered, âLike I said, it was madness. Couldnât see anything.â
She purses her lips. It makes her look about forty, which is something he is never going to say to her out loud. There are a lot of things he doesnât tell her, beginning with anything about what his father is up to. Heâs fairly certain itâs mostly illegal, and probably not the kind thatâs cool in any way.
âSomeone put up the Dark Mark,â he says, because sheâs going to find out eventually if everyone is talking about it, âThatâs the only thing I saw.â
She reaches over to slap him upside the head, âAnd why didnât you lead with that? I swear to Merlin, you are the worst friend ever. Youâre going to tank my social standing if you keep going on like this.â
âI donât think your social standing can be tanked, to be fair. Everyoneâs too scared of you.â
She tilts her chin up in pride, âI suppose.â
The train begins to pull out of Kingâs Cross. The window is cold against his temple. Pansy begins to recount her entire summer- neither of them are very good at keeping up correspondence- in excruciating detail. Her half-brother, Aster, is ten years old and apparently very annoying. Draco doesnât really understand the mixture of venom and honey in Pansyâs voice when she talks about him, the devotion and the disdain.
Maybe itâs because heâs an only child. Maybe itâs because his mess of feelings towards his mother and father seem infinitely more complicated, and more shallow.
âI honestly donât know how Iâll cope next year when heâs at Hogwarts,â Pansy says, examining her fingernails, âI suspect itâll be the worst time of my life to date.â
He shrugs, âMaybe he wonât be in Slytherin and youâll hardly see each other.â
She looks horrified at that proposition, âOh no. He could be in Hufflepuff!â
Draco bursts into laughter.
âThis is serious,â Pansy hisses, âIâm going to have to take him under my wing, Draco. He needs to toughen up before that stupid hat gets a whiff of him.â
âPans, heâs survived ten years being related to you. Heâll have to be the toughest first year the sorting hatâs ever seen.â
Like always, the appeal to Pansyâs pride is successful. She calms a bit. Theyâre discussing the costs and benefits of having a Ravenclaw for a younger sibling when Blaise slips into the compartment.
âWhere have you been?â Pansy asks, narrowing her eyes. She may be angry at him, but it seems more like apprehension and curiosity. If heâs got a good story out of the last twenty minutes, heâll be forgiven instantly.
Blaise folds himself onto the bench wordlessly.
âPansyâs afraid Aster will be a Hufflepuff,â Draco supplies.
Blaise scoffs, âPlease. Heâs a halfblood, not an idiot.â
Pansy canât decide how to take it. Blaise has never been particularly adamant about blood purity, one way or the other, but as a relatively new addition to her inner circle, sheâs still a little wary of him. Sheâs never said any of this to Draco, of course, but he knows. Just like she knows that Draco tends to use whatever word will sting, regardless of how he really feels about it.
She knows he doesnât think Aster is less of a wizard than she is. Unfortunately, this also means she knows he doesnât think Hermione Granger is less of a wizard either. Itâs quite embarrassing sometimes, to have someone see through his blustering. Mostly, itâs another thing that keeps him sane at school.
âOh, stop looking at me like that,â Blaise complains, wrinkling his nose, âMy motherâs last husband was part yeti. Iâm not exactly in a position to judge.â
âI thought that was her current husband?â
He grins, âOh, she disposed of him before I made it to Florence for the summer. This oneâs a government official of some kind.â
Pansy leans forward, âHowâd she do it this time?â
This is what had drawn Pansy in, really. She overheard Blaise attempting to terrify a couple first years into leaving him alone, and she was hooked. She likes nothing more than a good story, defined by the amount of blood and scandal, and Blaiseâs are the best. As he tells it, in the same dry, almost reluctant tone his voice always seems to carry, Draco zones out.
He drinks in the faint warmth of the sun through the window and tries to relax. In the short few hours heâs been away from home, heâs already collected a store of tension in his shoulders and down his spine. His jaw is the worst of all, permanently clenched.
âThis isnât even the most exciting thing we could be talking about,â Blaise says slowly.
Pansy brightens, âDid you hear about the World Cup?â
He waves a hand dismissively, âYes, but thatâs not what I meant. Mumâs husband, the government official, let something slip when he was drunk a few weeks ago. Thereâs supposed to be a tournament at Hogwarts.â
âA tournament?â
Blaise tries to suppress his smile and remain aloof, but heâs still a fourteen year old boy.
âYes,â he pauses, âThe TriWizard Tournament.â
Pansy gasps audibly. Draco, for reasons he canât fully articulate, feels dread pooling in his stomach.
âOh, this is going to be the best year ever.â
Blaise glances at him, noting his silence but not calling attention to it. Draco decides then that Blaise can stay, not that it was ever up to him. Pansyâs always set the rules and parameters of their friendship and heâs not about to upset the balance.
When they arrive at the castle and Pansy is temporarily distracted by a group of fifth-year girls exclaiming over her manicure, Blaise tugs on his elbow.
âYou think itâs a bad idea,â he says seriously.
Draco is suddenly aware that Blaise witnessed all the gory details that Pansy delights over. He may put on a good show, cool and detached, but heâs not ignorant to the gravity of it all.
âWeâve all been going to the same school, right?â he replies quietly.
Blaise frowns, but itâs not directed towards Draco. Itâs like heâs agreeing. There was a mass murderer wandering the halls just last year, and now theyâre resurrecting a tradition thatâs infamous for its fatalities.
âItâs like Dumbledore is inviting this shit in,â Draco shakes his head, âThereâs no amount of money or glory that would make me participate.â
âWell, last time it was a simple lottery I think. You may not have a choice.â
Heâs on edge when they settle at their table in the Great Hall. Itâs a small miracle that Crabbe and Goyle have been partially absorbed into a group of third-year Slytherins. Pansy hates both of them, probably because they can barely string a sentence together, and Draco isnât exactly clamoring for more time with them. Heâd hung around with them because their fathers hung around Lucius. Both of them had been among the people circulating through the Manor this summer, which only makes Draco want to be friends with them less now.
Pansy taps a steady rhythm on the table with her nails, glossy and pitch black. Blaise picks at his food. The first years get sorted and Dumbledore stands up for his usual speech. Canceling quidditch for the year is an unwelcome surprise, but the three of them remain cool and disinterested when the tournament is announced. Itâs a relief that the rules have been amended- one must volunteer, and anyone under seventeen is ineligible.
âArenât you excited?â an older girl asks Pansy.
She sniffs, âHonestly.â
The other girl deflates a little. Itâs almost funny. Draco knows that Pansy has probably never looked forward to anything more. A front row to a potentially lethal competition? A slew of foreign students? Sheâs ecstatic.
Sheâd never tell anyone, of course. There are only two things she cares about more than drama: Aster and social capital. Draco suspects that the two are connected.
âWell,â Blaise drawls, âAt least the year wonât be terribly boring.â
Thatâs when it happens. Draco glances up from the table, surveying the room before him. He isnât looking for anyone in particular, which is strange in itself. He hasnât so much as thought about Potter since the World Cup, too much else on his mind, but he sees Harry at just the right moment, head thrown back in careless laughter.
He sees it and he feels a pins-and-needles sensation on the soles of his feet, the same one he feels when he stands on the garden wall or climbs the trees that line his clearing, the beckoning of a dead drop. Itâs a promise, he knows, of pain.
There is something burning in him. He already knows what it means to love, and to hurt, and to make his hope into something so quiet it can barely survive. He doesnât know that this will be worse. How can he? He is only just fourteen.
***
Pansy takes two and a half days to comment on it.
âYou better not be scheming without me,â she says with a withering glare, âYou know youâre no good at it.â
âNo scheming.â
âI donât believe you. Youâve been staring at Potter again. I mean, you look even more deranged than last year, and thatâs not exactly a low bar to clear.â
Blaise clears his throat. Theyâre sat around a table in the library, tucked away in a musty, forgotten corner. Still, someone could easily overhear their conversation.
Pansy lowers her voice to a whisper, âJust tell me what youâre planning. Itâs likely awful.â
âIâm not planning anything.â
His traitorous face heats. Pansyâs eyebrows shoot up. Blaise notices the unusually long silence and looks up from his Charms essay.
âHoly shit,â he says brightly, âSeriously?â
Pansy reaches over to poke at his ribs, but theyâre on opposite sides of the table so she doesnât quite manage it, âYou little disaster. Is that what this was the whole time?â
âYouâre both dead to me,â Draco announces.
âDonât avoid the question.â
âNo,â he mutters, âItâs a recent development.â
Blaise leans into Pansyâs side with a sly smile, âItâs more interesting, isnât it? Complex.â
Pansy gets this hungry look in her eyes, one that Draco is in constant fear of. He sends Blaise a scathing glare.
âI already have ideas,â she says, âSo many.â
Dracoâs face must reflect the mounting horror he feels.
Pansy cackles, âOh, this is going to be the best year ever!â
***
The students from Durmstrang and Beauxbaton arrive the day before Halloween. Everyone makes a big fuss about it, with classes ending early and the dramatic entrances and Viktor Krum among the Durmstrang students.
For some reason, Dumbledore has made the unilateral decision that the girls and boys from Durmstrang, who all look pale and slightly underfed, will be folded into Slytherin for the remainder of the school year. Itâs baffling, to say the least. Theyâd fit in better with the brash arrogance of Gryffindor, or the studied discipline of Ravenclaw. Slytherin house is lazier, indulgent, and entirely too underhanded.
Pansy makes a few passing attempts to befriend some of the prettier girls in the group, but they donât seem to respond to sarcasm or sly jokes. By the end of that first night, sheâs given up entirely. The three of them take refuge in the library between their afternoon classes and dinner the next day, when theyâd usually be capitalizing on the relatively empty dorms.
âTheyâre sort of⌠scary,â Pansy says, and Draco canât help but gape at her.
Itâs an impossible feat to get Pansy to admit sheâs afraid or intimidated in any way, or at least Draco had thought it was impossible.
âDonât look at me like that,â she snaps, flicking her hair over her shoulder.
Itâs grown just long enough for her to do that, and he knows itâs bothering her, but the last time sheâd used a spell on her hair, it had been a traumatizing experience. She doesnât trust anyone with her hair besides the French hairdresser she goes to in London now.
Blaise shrugs, âItâs a bit of a shock to the system, hearing you say that.â
âYou think theyâre scary too,â she insists.
âSure,â Draco says carefully, âBut youâre not scared of anything.â
Pansy rolls her eyes at the both of them, âI didnât say I was scared of them. I said theyâre scary. Thereâs a difference.â
âIf you say so,â Blaise replies, amused.
âI guess what I mean is⌠thereâs something unsettling about them. Unpleasant. Not because theyâre awful or annoying or anything, just. You donât like looking at them for too long, do you?â
Draco suddenly understands exactly what she means, âNo. No, you donât.â
Blaise looks like he wants to throw them off the astronomy tower, âThat makes no fucking sense.â
âLike, itâs uncomfortable.â
Draco feels something, a twinge or a tide, in his chest, âItâs sad. Itâs sad to look at them. Theyâre miserable and you can see it so clearly that you canât help but want to look away.â
Pansy doesnât voice her agreement, but he can see it on her face.
***
Draco fiddles with the enchantment and then presents it for Pansyâs judgment.
She giggles, âMerlin. You canât be serious.â
The photo of Harry has morphed into an illustration, in the style of the Japanese comics that Pansy and her brother are obsessed with. His startling green eyes are huge and watery, his black curls somehow even thicker and messier, scar striking out dramatically across his forehead. He, of course, looks like an action hero, even with the cartoon blush on his cheeks.
Draco adds bright red bubble letters, spelling out THE CHAMPION OF OUR HEARTS in an arc above the illustration.
âAre you really going to wear that?â Blaise asks, appalled.
Draco scowls at him, âOf course not. Itâs a joke.â
Pansy and Blaise exchange a skeptical glance. Heâs definitely not going to wear it, or anything like it. Heâd probably spontaneously combust the second someone saw him. For Merlinâs sake, he has a reputation to uphold, no matter how warm and floaty he feels when Harry smiles or rolls his eyes or does anything, really.
Pansy takes a crack at it. He has to explain the combination of charms to her a few times, pointing out where they overlap and intersect, and how to alter the different facets of the pin. It makes her ill-tempered for fifteen minutes or so, but once she gets it, she gleefully sets about making the buttons more and more atrocious.
First, she adds little hearts to Harryâs eyes and a large pink bow to his hair. The letters turn pink, too, and form the words GRYFFINDORâS SWEETHEART. Another says HARRY POTTER PROTECTION COMMITTEE. Another is a clumsy rendering of Cedric and NOT MY CHAMPION. After half an hour, theyâve amassed quite the collection and have collapsed on the floor, laughing.
Itâs possibly the most fun Dracoâs had all year, and itâs the first time he hasnât really worried about whether Pansy and Blaise are going to think heâs lame or too emotional. For one bright, sparkling moment, he imagines having this for the rest of school and he feels that, maybe, he isnât going to be missing the Manor quite so much.
âWhat are you doing?â Crabbeâs flat, sullen voice says from behind them.
They donât hesitate or even exchange a look before jumping into action. Blaise moves so that the buttons are obscured from vision, Pansy asks Crabbe some inane question that he surely doesnât know the answer to, and Draco closes his eyes and concentrates. With a subtle wave of his wand, he changes all of the buttons to a uniform image of Harryâs face and the text to read âPotter Stinksâ.
Itâs hardly his most original or groundbreaking work, but heâs running on adrenaline and a tight deadline. Itâll do.
Crabbe shrugs Pansy off and peers over Blaiseâs shoulder, âOh, those are brilliant!â
Theyâre so distracted trying to get rid of him that they donât realize heâd swiped a few buttons until the next day, when theyâve begun to spread through the school.
Pansy laughs in his face the first time a Hufflepuff comes up to him and asks if he has any more.
âYou do realize these things donât happen to other people?â she tries to catch her breath, âOnly you, Draco. This could only happen to you.â
Shockingly, this doesnât make him feel better.
âYeah, thanks for pointing that out.â
âYouâre welcome,â she says cheerfully and her giggles eventually taper off.
He pouts.
âWell, thereâs nothing to be done about it now.â
Pansy, ever the pragmatist, uses it as an opportunity to amass power. She hands out the pins to everyone who asks with the attitude of a gracious deity, too far above petty human squabbles to fully understand or care, but providing aid all the same. Thereâs nothing Slytherins like quite so much as a distant overlord, and with the three of them refraining from participating directly in inter-house warfare, theyâve never been so revered.
âI think,â she says, with a satisfied smile, âThis leaf youâve turned over is going to work out just fine.â
Theyâre lounging in the common room, under a muffling charm. Itâs become commonplace for them to cast it as soon as they settle anywhere, in the Great Hall or the library or even in the dorms.
âAnd what leaf would that be?â
âThe only person youâve bullied since the beginning of term is Potter, and really, no one could expect you to give up that particular pastime.â
âShut the fuck up,â he says lazily.
She pats his head, âIâm saying good job!â
He pushes her off, almost toppling her from the couch. She attacks him with a shriek, digging her nails into his forearms until he surrenders.
âOkay, okay, stop,â he gasps, âYou win.â
She smiles imperiously, âAs always. But really, itâs much better to just act like everyone is beneath your notice. Much more dignified.â
âWell Iâm glad to hear Iâm not embarrassing you anymore,â he replies sarcastically.
âYes,â she nods, âItâs been such a relief.â
***
Draco finds that he does not particularly like blood sport, especially not when it means Harry Potter facing down a dragon. Heâs in the stands, Blaise and Pansy on either side of him, crushing both of their hands in his tight, unyielding grip.
Pansy glares at him a few times when he squeezes especially hard, but she doesnât say anything or tug her hand away. Blaise doesnât even acknowledge it.
When Harry makes it out alive, wins, Draco has to force himself to stay seated.
***
The Yule Ball is possibly the worst thing that could have happened to him. He plans to ask one of the girls in the year below them, because they wonât reject him and itâll give them something to gossip about with their friends, but when he asks Pansy for suggestions, she just tilts her head.
âYou know, you could askâŚâ she doesnât bother finishing the sentence. They all know who sheâs talking about.
Blaise hides a smile. Draco gapes at her.
âAbsolutely not.â
Pansy shrugs, âFine. Iâll go with you.â
Draco thinks that might be even worse, but in the interest of self-preservation, he keeps his mouth shut. Pansy gets that dangerously hard look in her eyes, the look that means sheâs made up her mind. He is, as always, terrified of it.
âItâs up to you,â Pansy says with a grin, âAsk him, or take me.â
He chooses the lesser of two evils. Pansy is a terror on a good day, and he has no doubt that she has some sort of plan to make his night truly miserable, but there is no way heâs asking Harry to the Yule Ball. Not only would he get instantly rejected, heâd be a laughingstock in Slytherin. Even his friendship with Pansy wouldnât save him.
In the end, itâs not the worst thing heâs ever done. Pansy is in a merciful sort of mood, and she doesnât step on his toes too much while they dance. She even distracts him with an argument about the Potions final while the champions enter.
Heâs desperate to get home, to have two blessed weeks of quiet, but he finds that he will really miss Pansy and Blaise, in a way heâs never missed anything but home before.
***
Draco makes summer rain, falling light and warm on his face. Heâll spend all afternoon here, in his clearing, calling the sun when heâs ready and taking a nap while he finishes drying. He goes back to the Manor when the sun outside of the clearing starts to set, barely making it back in time for dinner. His father is absent. His mother makes her singular appearance of the day.
Sheâs distant. He tries to be gentle with her, ask her how sheâs feeling, be a good son. He kisses her forehead when heâs dismissed. Her fingers twitch on the table.
This is the only kind of love that Draco has ever known, the kind he keeps choosing, the kind that keeps aching. For the first time, itâs like he can see outside of it. He can see Pansy and Blaise, all that warmth and lightness and the unshakeable, unwavering support.
He can see Harry, as he was in the Great Hall on the first night of fall term, laughing.
***
Harry Potter comes out of the maze with a dead body and a look on his face that will haunt Draco for the rest of his life. He screams and clutches at Cedric. Draco sees death, real death, for the very first time and he cannot make a sound. They are fourteen years old.
#a hand outstretched#aho chapters#harry potter#harry potter fanfiction#draco malfoy#draco malfoy fanfiction#golden trio era#drarry#drarry fanfic
10 notes
¡
View notes
Text
Where I Can't Follow
Lewis Hamilton isn't sure that he wants to retire yet, but when the rest of the world seems so sure of the opposite, it's hard not to feel his confidence shrink. In times of stress, then, is it really such a surprise that he would go to Seb for help?
masterlist
Lewis Hamilton has been thinking. About a lot, actually, but mostly about expectations. Everyone in this strange alternate shade of reality known affectionately as Formula One have started to shift their expectations for him. It started when he didnât win a single race in all of 2022. It started when his car suddenly wasnât crushing everyone else by leagues.
There has been an undercurrent of whispers in the paddock about whether or not Lewis will continue his contract with Mercedes at the end of the 2023 season. It was never in doubt before, or not as much in doubt as this. If there were whispers before, Lewis always made sure no oneâs doubt was strong enough to influence him.
This is different, though. Lewis can feel his age in a way he never has before. He thought that time could only ever bring him maturity, knowledge, maybe even that humility people used to encourage him to developâ but he props it up with every step now. Aching bones, twisted back. He is not as young as he once was, and that is both for the best and for the worst.
Fernando was about 37 when he retired for the first time. He returned, of course, but he took a break anyway. Michael Schumacher was 37 too, also had a comeback. Sebastianâ Sebastian is 35 and gone somewhere Lewis canât seem to find him. Lewis would like to see him here again, but useless hopes donât bring back friends or rivals or the strange sort of both that happened to him and Seb.
So where does that leave Lewis, then? On the outskirts of infirmity? This whole thing is sort of ridiculousâ Lewis is 38 now, far from decrepit and elderly, yet everyoneâs treating him like heâll break a bone if heâs pushed down the stairs. Maybe that was why Fernando came back, both boredom and also the hesitance to make it seem like his best years were already behind him.
Lewis supposes he could go and talk to Fernando about the retirement dilemma, but that feels like giving up, in some weird way, so he keeps his mouth shut. There is, of course, the one person that Lewis would really like to speak with, but Sebastian is quite far away from him at the moment.
Sebastian. Of course Lewis is lying awake at night and thinking of Sebastian of all the rivals heâs had over the years. Lewis has had the pleasure and curse of meeting many a young upstart with something to prove, but for some reason Seb is the only one whoâs ever stuck around in Lewisâ head long enough to make an impression.
The preference goes both ways, actually. Lewis is the only driver on the grid with Sebastianâs personal phone number, heâs the only one who can show up unannounced and expect Seb to both be there and happy to see him.
The thought of visiting Sebastian out of the blue does something strange to Lewis when itâs actually a possibility. It makes him think of one time last year when Lewis had actually taken Seb up on his offer of an open welcome instead of brushing him off.
It wasnât as idyllic a trip as Lewisâ nostalgia for the past will let him believe. Lewis had offhandedly mentioned that he was travelling away from his place in Monaco for a bit and Sebastian had offered for him to drop by if he was in the neighbourhood. Lewis wasnât remotely close, but something in Sebastianâs tone made him switch around a flight or two and then there they were, out on Sebâs back porch like theyâd known each other from their cradles to the present day.
Sometimes, Lewis wants them to have been friends for longer, even beyond the tumultuous string tying them together before they got over themselves and started liking each other properly. Lewis lingers over photos of a teenaged Seb taped up on the refrigerator and wonders how he forgot how sharp that grin used to be, too many teeth showing for one smile and all that. The expression has softened on Sebastian now, it fits better in between the skin of his cheeks, but Lewis misses the infuriating adolescent Seb had been anyway.
Theyâve known each other for decades now, but Lewis wants more. He cannot help it, the wanting is in his blood:Â the need to win a race, the urge to keep his career moving forward, and now, the most recent want of all, this all-consuming desire to keep Seb with him for as long as Lewis can physically manage it.Â
Comparing the Polaroid with the genuine article just down the hall, Lewis feels an unruly monologue crash through his head, heavy with wanting and twice as burdensome on his heart. There's a kid that you're supposed to know, I think. He was supposed to have been me. We were meant to grow up together, but if you ended up being born several countries out of reach, that can't be held against you. All the same, Iâm certain that it was supposed to work out better than it did.
Then again, maybe it was for the best that Lewis had not known Sebastian as a child. Look what he did to Nico, after all; look how he fucks up the best parts of his life. Still, Lewis gets the feeling that it might have been different had Seb been the snarky boy by his side instead of the junior Rosberg. Did they not survive their rivalry? Did they not survive it all?
Sebastian comes to get him soon enough, chastising Lewis for getting caught up in someone elseâs photos (if you want to stalk me, Lewis, there are enough pictures out there on the Internet already, at least have some style) and gesturing for Lewis to join him out back. Lewis watches the sun progress through the sky, and just when his guard is finally lowered, Sebastian slips a knife in between his ribs.
When Lewis first hears Sebastian form the words, he thinks it must be the start of some awful joke. I think Iâm going to retire at the end of this season. He almost starts to laugh. See, this is the sort of thing Seb would have done, eyes sparking with malicious humor from underneath a Ferrari cap, maybe even a Red Bull. Lewis would have rolled his eyes and told Sebastian to stop trying to scare him like that. Maybe he would have even threatened to tell the tabloids so Sebastian would have to keep talking about it in press conferences until the beaten horse had long since died.
But they are not young men anymore, and Sebastian is no longer grinning down at him from the top step of a podium, and so Lewis knows with a glum certainty that he is not joking. The truth of it sits lodged at the base of his stomach, heavy and cold and terrible.
Seb looks over at him. âSay something.â
Lewis canât. Sebastian sighs, and for a brief, fleeting moment, Lewis can imagine exactly how the other man must see him:Â stubborn, morose, an old sap unable to accept the terms of his own world grinding on without him. For once, Sebastian would be in agreement with the media, and that breaks Lewisâ heart more than he expected.
And then Sebâs face splits in a self-satisfied smirk, so goddamn Seb-like that Lewisâ throat closes up, and he tells Lewis that heâs glad of it. âThat just means that youâre not sick of me yet,â Sebastian says, a touch of self-deprecating humor lancing through the words just sharp enough to startle, âand thatâs good news to me, I suppose.â
Lewis had tried to argue this, meant to ask Sebastian to name one instance Lewis had been sick of him (except perhaps Baku, although they are both satisfied with that result by now) but Sebastian had interrupted him, encouraged Lewis to finish his drink before the ice melted, and so he did. After that it was easier. The necessary words did not have to be spoken to be understood.
Lewis had wondered for weeks afterwards if he should have said something after all. If Lewis had known the right thing to tell Sebastian, would it have stopped him from retiring? The rest of the visit had been more than good, but at the end, it had been an excuse for Sebastian to tell him that truth, and they both knew it. Sebastian had still left. Sure, it would have been worse to find out from that depressing Instagram post like everyone else, but Lewis feels no better off with his knowledge. It just meant he had to sit with that sadness for longer.Â
Lewis had not understood why Sebastian would want to leave their ring of exactly 20 glorified car jocks for a quiet afterlife, not even after last year, but he thinks heâs starting to get it now. The urge to tear down his legacy like ripping up construction paper keeps flickering through Lewisâ head. They want him gone, donât they? They have since the start. He might as well give them a show while heâs at it, itâs what theyâve always wanted.
Maybe thatâs why he finds himself reaching out to Sebastian again. Seb gave him a warning when he left, Lewis found it right to do the same. Some part of him mainly just wants someone to shake him around the shoulders and tell him to get his head in order. Seb could do that too. Sebastian can do a great many things. The hold he has on Lewis is astonishing. That would explain why Lewis spent so much time last season talking about how Sebastian would most certainly come back. He could not find it within himself to accept the loss otherwise.
I am going to destroy myself, Lewis decides in the middle of the night to an imaginary Sebastian, I am going to destroy myself and all I have created, and I want you there to see my castle burn. You do not have to put the fire out. I just want you to know that it was me who did it and not anyone else.Â
The warning would be right, after all. If Sebastian suspected foul play, he would never let it go, and if this retirement is truly what he wants, who is Lewis to take that from him just because he needs an ally? Of course Seb would release a statement or ten if it seemed like Lewis was under fire. He is good like that, good in a way that makes Lewis want to never let him go.
Lewis types out one text message, makes it as inconspicuous as he possibly can. Sebastian responds within the hour, a screenshot of an upcoming flight to Lewisâ location. Lewis wonders if Seb can see through him as plainly as he did with Seb last season.
And then Lewis is opening up the door to his place and Sebastian is grinning at him, making fun of his wallpaper or something gloriously simple like that, and it is like no time has passed at all. Something relaxes in Lewisâ chest, a muscle he hadnât realized he was contracting. Itâs okay. Sebastian still wants him. This. All of it. Even without the forced proximity of the track.
He pours drinks, and they idly talk about small news and whatnot before Lewis poses the question thatâs been burning on his tongue, well, for months.
âHow did you know, man?â Lewis asks, âHow did you know it was time to leave?â
Sebastian tilts his head back, blows out a low breath. âThatâs a tricky question. Why?â
Lewis studies the glass in his hand very carefully. âJust. You know. You wonder sometimes.â
Lewis can practically sense Sebastian sitting straighter, the suspicion growing. âYou only wonder if youâre thinking about going. I thought you werenât interested in that.â
Sebastian is wonderful at fighting the world. He'd spit in anyone's eye so long as it was right, and doubly so if it was wrong, too. Lewis doesn't want someone to defend his honor, though. He just wants someone to listen.
That might have been harder at the start, back when they were just a few years past the end of boyhood, but they are older now, more prone to contemplation. Sebastian kicks up his feet on a nearby ottoman (he had the grace to take his shoes off at the door, Seb has learned by now how Lewis gets about stuff like that) and he listens to Lewisâ injustices turn from a well-organized and repeated mantra to rambling complaints.
At last, when Lewis pulls quiet back over himself like a favorite piece of clothing, Sebastian purses his lips thoughtfully and carries on. âAre you going to leave, then?â
Lewis blinks in surprise. He hadnât thought that Seb would even name that as an option, Lewis had always been so adamant about staying until his eighth world championship win at least. He supposes he had been hinting at it all this time, and of course it is what everyone else is wondering, so it shouldnât be much of a surprise that Sebastian wants to know, too.
âI donât know, really,â he says at last, âI think I want to keep going, but that depends on whoâll have me. Contracts, you know.â
Sebastian, of all people, knows how contracts can go. Lewis still tastes a smattering of anger on his tongue whenever he passes Mattia Binotto in the paddock. Seb taps his finger against his glass like heâs summoning a dinner party to a toast, then sets the vessel down on one of Lewisâ nearby coasters. Recycled wood. He tries when he can.
âDonât retire,â Sebastian says, âNot quite yet. It wonât be the right time.â
Lewis wants to ask if it was the right time for Sebastian, but he doesnât know that either of them would be able to come up with an adequate answer.
Instead, he sighs, turns his head towards Seb again. âDo you miss it?â
Itâs a ridiculous question, and were it asked by anyone except Lewis at this moment in this place, Sebastian would probably despise him for it. Seb knows Lewis enough to recognize the lack of condescending tone laced within the question, though, so he smiles and gives him a good answer this time.
âParts. Some of it Iâm glad to leave. Others were harder.â Sebastian pauses, then admits it, what theyâve both been wanting to hear. âI missed you most of all.â
An impatient part of Lewis makes itself heard before he can stop himself. âIâm here now, though.â
âI know,â Sebastian says softly, âI know.â
Lewis knows it too. That will make it okay when he has to leave, when they will both be pulled to their respective corners of the earth once more. At some point, he will be able to come back, and they will be the same as always. Nothing has changed. That heals Lewis more than he thought possible.
f1 tag list: @j-brielmalfoy
#sewis#sewis imagines#sewis oneshot#lewis hamilton#lewis hamilton imagines#lewis hamilton oneshot#sewis fics#sebastian vettel#sebastian vettel imagines#sebastian vettel oneshot#f1#f1 imagines#f1 oneshot#f1 sewis#f1 sewis imagines#f1 sewis oneshot#f1 sewis fics
89 notes
¡
View notes
Note
Hi Cyle, I hope you're well. In regards to recent news about tumblr's redesign, I'd like to bring into light a topic that I haven't really seen being mentioned explicitly, but that is very close to my heart.
The via chain. Being able to click on the previous reblog. Then the reblog before that. Even if they're empty reblogs. Is that all staying? Is the mechanics behind reblogs staying? Just an interface redesign?
The via chain is the single most unique and important thing on Tumblr for me. I hope and pray there will always be up to 3 usernames attached to a reblog, even if the reblog is displaying just the source content with all empty reblogs. 3 usernames goes as follows:
1. the current blog which the reblog is on (depending on which reblog you're viewing, even if it's an empty reblog)
2. The via (the blog that this particular post was reblogged from. This is not always the source, this is usually another blog which reblogs other posts and reblogs. This is likely to again have the via different to the source, but the via and source will be the same if this blog reblogged the post directly from the source blog)
3. The source (the blog which originally posted the post. This post will just have one username attached to it)
The via chain is sorta like a better way of doing are.na's list of channels (collections) under every block (post). Tumblr does it better with the via chain as this shows you which blogs are interesting to the current blog you're browsing through. It gives a much better sense of community for curators of Tumblr content who just want to collect stuff and don't have anything to say, so it's just an empty reblog.
Allow me to illustrate: blog A is getting this post from blog B's reblog, so I go to blog B and I browse that, and I see that blog B is getting another post from blog C's reblog. And I just keep going forever. I can't browse like this on any other site and I pray and hope it stays like this on Tumblr, because it makes this place truly enriching as a browsing experience.
I feel like a true internet adventurer, I'm going places I'd never dreamt of before in my life, and I'm able to get to the exact blogs that are important for communities, because those are the blogs that people are reblogging from - not always just the source blog. Thank you for reading.
personally i like this whole thing as well, what you are describing here, so please keep that in mind as i answer this. it's very close to my heart as well. i have spent countless hours thinking about this stuff, as a part of my job these days and months and years.
we are going to experiment with changing basically all of this behavior you describe. at least on web, you can no longer go to the parent post, the "via" (2), you describe here. instead, now you go to the blog, not the specific post. i think that change is now already also out in the Android app, and it's coming soon to the iOS app. that's one change among many changes we're going to try out and see what happens.
we're experimenting with these changes because they happen to be very common points of confusion and friction for people trying to use tumblr for the first time. so we're trying to strike a very difficult balance between keeping tumblr unique in the way the interface is laid out and preserving behavior everybody already on tumblr is used to, while acknowledging that there may be a better way to do it for a larger audience of people who we know just don't "get it" and end up leaving tumblr pretty quickly for that reason.
that's really really hard to do, and we're gonna get it wrong, but at least we're trying, because we need tumblr to be easier to use for more people.
all that having been said, an important part of the changes we're going to experiment with will hopefully provide new, alternative paths to do exactly what you describe at the end -- "I'm able to get to the exact blogs that are important for communities" -- but through new, hopefully better ways. that's what i'm excited about, tbh. i hope we can showcase some of those new things soon on the @labs blog.
50 notes
¡
View notes