#as human beings we say and do wrong things all the fucking time and we make situations and other people worse

[vi-sigoth]

This assessment mostly gets it, but it glosses over another glaring problem. OP says “George would have to have an awakening of virtue.” And there lies the big problem, the other massive can of worms you have to open when you discuss GRRM:

George R.R. Martin is an agnostic. Too spineless to commit to a religion, too spineless to commit to being an out-and-out atheist. He’s a lapsed Catholic, and he makes it very clear in his books for the most part that religion = bad, and devoutly religious people = REALLY bad. The Faith of the Seven is a lazy parallel to Catholicism, and aside from MAYBE two or three people in his entire universe, all adherents to the faith are awful people. Baelor Targaryen was was a stupid zealot volcel, the High Pope Septon who reigns at the beginning of the main series is lazy, fat, and decadent, the High Sparrow and his Faith Militant are all evil, corrupt, and stupid. The Septas who serve the High Sparrow are nasty, evil bitches. The Silent Sisters exist basically as a way to punish slutty women, and no other reason at all, none. (I was not raised Catholic so if someone wants to jump in and elaborate on all the ways the Faith of the Seven fails to be a good parallel to Catholicism, please feel free.)

Okay, Visigoth, you say. But that’s his “Christian” parallel. He’s a lapsed Catholic so he has negative feelings about Christianity. What about the other religions in his universe? Well, the Faith of R’hollr, which is basically his Zoroastrian/Manichaeism dualistic religion has two main representatives in OTL: Melisandre of Asshai, and Thoros of Myr. Melisandre is a slut and a liar, and frequently lies and uses illusions to get people to believe in her powers, and her “prophesies” and visions are almost always wrong. And she’s also a dumb zealot (see the pattern here?) She has used legitimate powers once, for evil (killing Renly). Thoros has the very real ability to bring people back from the dead, but every time Berric comes back from the dead, he emphasizes that there’s nothing, no afterlife, just a void. (You get it guys? Get it? People who believe in an afterlife are STUPID! You’re a fucking idiot for believing in that). Okay.

What about the Faith of the Old Gods? The Faith kept by the Children of the Forest and the people that inhabit the North of Westeros. Maybe this one is better, it’s modeled on European pre-Abrahamic pagan belief. Maybe GRRM writes this one in a less lazy, uninformed way?

UGH. No. As someone who is a Celtic/Gemanic pagan and has studied lots of history, myth and legends around that subject, I can give my resounding opinion on this—GRRM writes his Pagan parallel just as lazily as he writes his Christian and Zoroastrian ones. The Faith of the old gods involve praying to faces carved in trees. That’s it. Nothing else. Nothing. That’s not how pagan belief worked, AT ALL. Pagan belief amongst Europeans (I know nothing about any other region so if you want to know why Aztecs cut people open and threw them down pyramid steps, you’ll have to ask someone else), if I can generalize, had several main tenets, none of which GRRM apparently bothered to research.

1). Belief in many gods who were good and benevolent, and who created human kind and the world they lived in. These gods were prayed to, made temples and altars for, and offered things like burnt offerings and libations. These gods oversaw the natural universe, i.e., crops coming in every year, thunderstorms and snowstorms, the birth of children, marriage, deaths and so on. Northerners and Old God believers do pray, but not that much, and to no one. There’s NO named gods? At all? Nothing?

2). Belief in ancestor worship and reincarnation. Uh oh! We can’t have that! Being proud of your ancestry and your blood line is for FASCISTS.

3). Priests, shamans, druids, goðis, volkhovs—whatever you want to call them. People had religious officiates. The went to them for medical aid, to officiate weddings, to bless newborn babies—all the things you go to your local pastor to and probably them some. Yes, these officiates often had hierarchical rankings—if Julius Caesar can be believed, there was possibly a “High Druid” or, if you will, a “Druid pope.” The only example we have of any sort of “higher up” in this religion is Bloodraven, and is he a noble Druid who has been bestowed higher powers? No, he only gets his visions at the expense of him painfully growing into a giant Weirwood, and he speaks in riddles and half-truths to Bran.

4). Rules and laws that governed behavior and morality (blasphemy was particularly frowned upon among Germanics).

5). Worship and veneration of lesser beings like land or water spirits. Okay, so there’s some trees with faces in them. Anything else??

6). Holidays??? Does anyone in this entire made up fantasy universe have a single holiday???? No specific celebrations that follow the strange years-long weather patterns? Wouldn’t the beginning of spring be a pretty big deal in a world where winter can last years? Where’s the summer feasting and bonfires?

7.) SONGS AND PRAYERS? I can get that maybe GRRM wanted the Old God Faith to contrast with the Faith of the Seven, which does have a “Bible” I guess (The Seven-Pointed Star) but just because there’s no written tradition doesn’t mean there can’t be any oral tradition. No prayers or songs? No harvest songs? No silly songs for children so they can learn the god’s names or anything like that?

Uh-oh! It sounds to me like that might be a little…too…dare I say it…ORGANIZED for poor ol’ George.

8.) The Afterlife. This is where I just can’t with GRRM. Beric says there is no R’hlloric afterlife, and what about an Old God afterlife? Who are all the voices in the trees that Bran hears? They’re dead Children of the Forest greenseers. Okay, so there’s an afterlife? No, you just go into a tree.

WHO CREATED THE TREES. WHO CREATED THE CHILDREN OF THE FOREST. IF THE COTF HAVE SOULS, WHAT OR WHO GUIDES THESE SOULS INTO THE TREES? WHO MADE HUMANS IN THIS UNIVERSE? WHO CREATED THE WORLD?

The Old Gods? The Seven? R’hollr? The Great Stallion? The Lion of Night? The Drowned God? Pick one, George. Pick one, you fucking fat, lazy coward.

But that’s the thing. George won’t pick one. George will never present a good, uncomplicated example of a decent, moral person from any of his religions, and he won’t flesh any of them out properly, because George thinks that religion is for people that are stupid, or people that are evil.

What’s the oldest profession in the world? It’s a shaman. It’s a person that communed with the powers on high and made known those powers to humankind.

But if you asked George R. R. Martin? He would tell you it was a prostitute.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[space-blue]

It's horrible too if Jinx lives!!

OK, I guess we're doing this?

People keep coming at me for my post about Jinx dying being terrible writing and promoting suicide by heroics as a valid way out, and the argument is always "Actually, Jinx is alive because XYZ"

So let me makes myself clear : if Jinx lives, it's also terrible writing!!

Because for all intent and purposes, she DOES DIE! Even if she's alive and fucked off in that blimp, she's still dead to everyone who knew and loved her.

WORSE! Vi will go on thinking for the rest of her life that Jinx died because of her, or at the very least that she couldn't save her.

It's not for no reason that Vi has this scene in the cell with Caitlyn, where she says she always choses wrong. In the scene on the crumbling metal beam, Vi choses not to listen to Jinx!

People got in my comments saying I have no humanity for reproving Vi picking "Vander's corpse" over Jinx. But what we see happen is Jinx telling Vi multiple time to get away and how to get to safety, and Vi completely ignoring her to interact with Vander/WW, only for him to wake up, attack her, and force Jinx to risk her life to save Vi.

Vi made a choice, between more time with Vander and listening to Jinx, and the price paid in the end is Jinx dying.

What if she lived and escaped? Vi doesn't know that! Ekko doesn't know that! Or Sevika! Or anyone!

Thought exercise time: close your eyes and imagine a relative disappearing for your life after a lethal accident you're involved in. You never recover a body and never see them again. How do you feel about it? Mmh?

"Oh but Caitlyn sees the schematics that show a side tunnel…"

Firstly, Caitlyn was nowhere near the event, and she can't frame-by-frame the explosion as we do, so you can hardly claim she's looking for Jinx and not, for example, the arcane gem, or Warwick.

Vander/WW was shown to be entirely impervious to the bullets from Jinx's automatic gun. If anyone has a chance of surviving, it'd be him.

But do you know what? If Jinx is in that blimp, and Caitlyn then tells Vi, "From the schematic, I think your sister could have escaped" (ignoring entirely the fact that Jinx should be cut in half by WW's claws wrapped around her waist), then what would happen???

That would send Vi on a wild goose's chase!! How many years would she spend hunting through Zaun trying to find her sister? How many years until she starts resenting Caitlyn for giving her false hope? How many years until she's forced to accept Jinx isn't anywhere, and so must have died back then, and has to see herself as Jinx's killer all over again??

How is this good for Vi?

And Ekko? He pulled her out of suicide what? 5 times? Had some epic bonding with her painting all over each other, doing self-care and hair dyes and fixing a balloon so they could go on a big attack together.

Maybe he thought he could genuinely finally be close to his world's Powder. Silco just taught him the greatest thing he can do is forgive, and the girl he forgives fakes her death and runs away?

They're barely 20 ffs, Jinx would have plenty of time to struggle on the road to recovery, especially with his help. What if Ekko was ready to be there along the way with her? What about him?

How is it good if Jinx is NOT dead but has NOT told him? What difference does it make to him? She's dead for Ekko, and if he learns later on that she faked her death, all he'll know is that HE wasn't worth her staying. He wasn't even worth telling the truth to!!!

It's fucked! It's not healthy!! Jinx could have her ending removing herself from Zaun without having to fake her death.

But hang on, it gets worse!

Because it's straight up not good writing even on the meta level.

Arcane has millions of viewers. Nobody I know IRL thinks Jinx is alive. Plenty of people in my notes agree she's dead. Do you know what millions of people think? That she is dead!!! Because it's the TEXT OF THE SHOW.

Millions of fans will think Jinx was killed off, because they aren't willing to go frame by frame, extrapolating and make-believing their way into thinking she is alive. Most fans are normal people who aren't terminally online, theorycrafting all day long.

Most normal fans have moved on to watch Dune Prophecy or Sweetpea. And if Jinx comes out alive in another show, the "Somehow Palpatine Jinx returned" memes will abound.

Let's go over the common elements brought forth as arguments.

Jinx uses pink and blue in that bomb, and pink is how she gets away "quick".

No? The bomb she attached to Thieram in season 1 was pink and it was all for glitter and harassment. There is no strong canon association of meaning. If you watch frame by frame, there is a pink "light gleam" over the first blue detonation followed by a very large pink blast and ZERO smoke trails or anything indication someone getting away. Jinx uses the same bomb she used to kill herself very effectively earlier in the show, so we have no indication it wouldn't kill her here too.

We can see the inside of her bomb when she kills herself (with the two liquid vials) and it's the same she uses on Vander/WW and herself.

Besides, even if she used some part of the explosion to get away, WW's claws are around her like this:

She'd be bisected in half.

So some people say that means that Warwick is also alive and let her go! But no. That's make-believe. That's fanon, 100%. The TEXT of the show is that Vander is burnt away (we see the final image of himself burning up) and he has just attacked Vi, trying to kill her. We have no indication he'd want to spare Jinx here.

HOWEVER, he's literally bullet proof, so if there's anything we can conclude is that he's likely to be the one to have made it into a shaft and to safety.

Speaking of shafts: the next argument is that Caitlyn is looking at the tower's schematics to hint that she suspects Jinx lives.

Maybe, but you are reading a character's mind. We see her look at schematics while holding the monkey bomb head, yes, but you don't know what she's thinking, and if the show runners don't make it explicit, then Cait's thoughts about an explosion she hasn't even witnessed aren't worth much. She could think Warwick lived. OR she could think, despite not witnessing the fight, that Jinx lived. But she doesn't KNOW, she doesn't tell us, and so you are INVENTING the thoughts of a character to mean what you want it to mean.

This would be a lot more meaningful if it were Vi investigating this.

There's a blimp going away, it has blue smoke, and then it ends with a Jinx glitch.

No. There is a blimp going away, slowly, without any blue smoke. It's also THE EXACT SAME ONE that opens Season 1 act 1.

Instead of coming towards Piltover, it now is leaving over the sea. This can be fully interpreted as a sign that the hextech era is over. Blimps have to travel the old fashioned way again. It's also going away from Piltover/Zaun, symbolizing future stories taking place there.

Finally, the glitch is 3 frames long and spells "the End". IDK why the fact that it's a little Jinxy means anything to anyone. The end of credits for season 1 was Jinxy as well, and it could simply be about keeping the same visual identity and not a sign of Jinx being alive???

If I wanted to play subtext games, I could say "Wow Jinx writing "the end" would be appropriate if she were dead" and reverse the argument.

Finally, and the thing in most poor taste, IMO.

Jinx kills herself several times in the opening of the episode, and a sad emo song plays over it, with sad fucked up lyrics. Then Ekko comes and pulls her from this…

Only for that EXACT same song to be played while she and Vander/WW fall. They are both crying. Vi is crying and screaming while these lyrics are playing!!

If I could just lay my head down and rest. If there was nothing to fight or protect. Maybe then I could finally be free. Maybe death is like falling asleep. This world is a wasteland where nothing can grow. I used to have strength but I ran out of hope. I know it's my fault that I'm here all alone. This world is a wasteland. Please let me go. Go, go, go. Please let me go.

This is literally singing about suicide. When you say "Maybe death is like falling asleep" over the animation of a character pulling the pin, you are not dealing in subtext or metaphor of any kind.

One of the earlier shots literally has her framed in broken glass among shards that are WARWICK'S MAW. It's like a hint of her death being killed by him, furthering the parallel.

And I think it is in very bad taste to have suicide apologia music playing over characters screaming and bawling (Vi)

while others cry (Jinx and WW)

and a bomb goes off (with no hint of survival),

only for some of y'all to come around acting like Cait glowering at a blueprint and a recuring blimp all means Jinx is alive...

It would be grief porn on the part of the writers. It would mean slamming us in our feelings in a brutal way, in an ugly way, while playing a suicide song, only to turn around and say "Syke! didn't you get that Cait is suspicious about Jinx so it totally means it was all a fakeout?"

I don't want a fake-out at this point!! Why would I?? It's legit worse! Because then it means they couldn't spare 5min of animation time to have her rescued by Ekko and being on the mend with him. Even if she has a scene where she tells him "I need to leave. I can't stay in this city), at least it wouldn't be a cruel joke on the fans and the characters.

This entire ending means that either Jinx was better off dying taking out the mad monster made out of her dad with her (making her the ultimate dad killer, yay), or Jinx was better off removing herself from the equation SO THOROUGHLY that MOST fans believe it, everyone in world believe it, and the show offers no concrete textual clue for it.

It means Jinx didn't deserve/or wasn't able to get better. And so she has to die or do the exact-same-as-dying but kind of more fucked up somehow.

---

ULTIMATELY the message to impressionable viewers who struggle a lot with mental health and identified a lot with Jinx, are being told with soft sad music that yeah maybe dying is like going to sleep and your family should let you go, go, go, and that "leaving everything and everyone behind" is about the same.

It's fucked, and it saddens me that people are so focused on the "she lived" narrative that they miss out the fact that a hint she may be alive doesn't change the messaging.

And it saddens me knowing that if Viktor's arc ended with him being validated in feeling like his human body was "broken" and "inferior" and that his disability made him lesser as a human, people would have pitchforks and torches out.

Jinx's mental illness and struggles in interacting with the world were her disability, and she got fucking killed or wiped off the city incognito for it.

--

P.S: If you're warming up to post hate in comments or tags because you don't like my take and don't know how to politely disagree, please save us both time and block me. I'm open to polite discourse but the next person questioning my humanity over fandom wank will be nuked from orbit with prejudice.

[gracemain919]

(Not sure if you will answer this, but I’m going to ask anyway sorry if it’s long :P)

I can only imagine the STRESS having to do with seven (eight if you count “the mother”) fungus infected Yandere’s (+a whole military complex) so here’s my question:

How will they react to Y/N having a mental breakdown?

(sorry if angs)

(Thanks for the ask:), and yeah. The problem with having a decent amount of characters is that I have so many things to write/draw about them, but don't know what would and will be liked/needed. Also hoped I captured a good enough vision of a mental breakdown. Don't know if that is what you wanted;-;)

(The Fungus universe)

Tw: Yandere, manipulation, slight abuse.

Oh dear… it was anticipated you would suffer a lot of pressure and fear being randomly rocked from your old life to this one. Tears tainting your once joyful face while you lock yourself away from any prying eyes, and taking out your anger on any who dared to try and enter.

How the leaders react:

The Liar: Expected. You are only human after all. Humans crack under the slightest change, unlike his own kind. Still with you gone… No. He can't let you screw over his plans. If you want sympathy, then you won't get it.

You can't cry forever, and to be honest he doesn't care enough to take action. Sure, hide away from your problems. See if he does something about it, dear.

Still, if he really had to fix it, it would only take a simple lie. Nothing more.

Poison: Hmm… That was quicker than expected. Some people can endure the pressure for longer periods of time. That’s too bad. Poison will try to get to the source of the problem. Through the closed door, providing more drug-like, artificial solutions than actual support. Since she knows the only thing that would truly bring you joy is your freedom, and well… she can't give you that.

The Cannibal: Oh, oh, oh. Fuck did he cause that? No, no. How did he- How…?!

Imagine a buffering browser, that is him at that moment.

He really does not know what to do or what to say to make you feel better;-;

Doppelganger: What? Really? You hiding away in tears? Good god, always knows how to push his buttons in the middle of practice.

“Dear, open the door, please… I promise I can help you”

Can he help you? He is pretty sure he can, even if the ‘how’ of the matter is quite blurry. He will try to persuade you with pretty words and promises, but if those don't work… well… haha. That door might need to be broken off.

Illusionist: Why are you hiding? Did… did they do something wrong? They did… but it was for the betterment of everyone. You gotta trust them. Please…

You might hear muffled pleas from the other side of the door as the humanoid insect tries to get you to come out. Cries that closely resemble a child begging for their parent.

“Please, do you feel lonely? We won't ever leave your side again we promise! Do you need to see something cute? We will give you cats, please! Come. Out!”

That’s the most they will do… well until they decide the Doppelganger might be a good person to help them out.

The Eye in the Sky: What? He is too busy for that, god. Fine.

It might feel like an insult when you hear a worker coming to your aid instead of the man himself. He’s busy god dammit. He doesn't have time for your temper tantrum.

The Priest: Oh that happened? That's truly awful… Don’t worry he will help.

Standing behind the door he will simply wait.

“Don't worry, dear. I understand this might seem like the end of the world. Take the time you need. I will be waiting until you decide to come out”

He is a patient man. He can wait for as long as you need, and if you decide to leave he will be more than happy to hold you in a loving embrace.

His wife on the other hand… will smile and nod, but her aching fingers can't help but visualize the pretty idea of tearing that damn door off. Why would anyone want to hide from them? Preposterous! They are sweet as angels.

(edit… I will KILL MYSELF. Like I keep forgetting my own fricking oc ‘Poison’ is mute;-;)

[theinfamousmaybelle]

I know, right? Like, these motherfuckers think it's cool to just 'hate' on a character. Do they realize the character is meant to be written that way? Like, guess what: the world doesn't revolve around you (the haters). Being rude too someone is not cool. It does not make you seem cool. Hating on somebody is not fucking cool, it is shitty and pathetic. It does not make you seem like the coolest person ever, it makes you sound like an asshole and a dickbag.

Harassing someone is not cool, either. If you don't have anything nice too say, don't say anything at all. That's a rule I go by. Kat poured her heart and soul into her writing and people shitted all over the female characters. What about the males?

'Oh, Ruin killing billions upon trillions of innocent people is okay because he 'stopped something bigger' from happening'? Oh yeah definitely (sarcasm) 💀. 'Oh, Bloodmoon hurting Earth is okay because he was made too kill'. Yeah, sure it is, buddy 🙄 like, are we forgetting what Moon did? He abused Sun. But nooo, everyone glazes past that. I love Moon, but goddamn, you guys are oblivious!

Oh, and don't get me STARTED on the Earth and Pollux hate. Earth being a tool and walked all over is okay because she's a 'woman'? But the moment she is even a little selfish, people shit all over her character because they are pathetic little assholes who don't care about people. At least people who apologize for hating have some HUMANITY. People are shitting on Pollux as well, because she was acting 'childish' and being a 'hypocrite'. Whilst the hypocrite thing is true, she doesn't understand basic emotions, you can't expect her too know. Women get so hated on...like, stop being sexist!

If you childish ass fuckers think that you can get away with this, you are so fucking wrong. All you children who are immature? Get mature. Or leave this community. GET A LIFE. TOUCH SOME GRASS. DO ANYTHING OTHER THAN SHIT ON CHARACTERS. If you wake up every morning and think 'wow, time too hate on anyone who doesn't share my opinion' then you can go unfollow me. 'A little sensitive too getting blocked, so maybe don't do that. But please, if you're a hater, unfollow me.

It is genuinely not fair. Kat is living in a hell you haters created. She has a right too quit. Nobody can blame her. If I see any of you miserable fucks doing that, I will personally call you out and then block you. Nobody deserves too go through that shit. You haters are the reason she quit. You are responsible for this.

Thank you for reading.

Genuinely

If you think it’s funny or cute to harass Queenkatluv or mock her for stepping away from a fandom that has gone out of its way to make her feel unwelcome

Block me. I don’t want to see you. Unfollow me immediately. You are not welcome in my community

Kat is a wonderful writer, and voice actor, and extremely sweet and kind and the VAs stuck their necks out for me when I was being harassed for months on end. None of the VAs deserve the shit this fandom puts them through, and it’s this fandom’s fault that she is leaving. She already left the discord, she abandoned her askbox. She is now being harassed in her personal DMs on Twitter.

This is bullshit.

You do not belong in this community if you think this is acceptable behavior.

[beesorcery]

google how do i tell my dad that the reason i keep bringing up elon musk's transphobia isn't that i've got gen z political tunnel vision that makes me blind to his "innovation" in electric cars but because i am desperately crying out for you as the father of a trans child to feel just as outraged and angry as i am that that man has so much power

[rambles-on-dragon-age]

It's word vomit time because I can't help myself when it comes to this franchise and particularly when it comes to Solas. Even some old blogs that I really enjoyed the analysis from I had to unfollow because it seems that all that's being taken from the game is "Solas did everything bad in history ever but actually it was also Mythal" and going wildly between completely absolving Solas of all responsibility because "Mythal made him" or "Solas is actually the root of everything wrong in the world". That they're just two dimensional cartoon villains.

Which???? That's not what Veilguard was showing us!!

Much longer rambling under the cut but the tl;dr is Veilguard showed us the build up and exposed just how high the stakes are and just how deep Solas's regrets are as he tries to wade through the mess he was born into. We got just crumbs in Inquisition/Trespasser and Veilguard just handed us the whole loaf. Looking at this as them saying he's just an uber villain is y'all eating the crust and being pissed about how crusty it is. Dig down to the fluffy center!!! He says time and time again that he's not a god, he's just a man that made mistakes. He's a man burdened by war and when all you have are horrible choices he tried to pick the least bad of them. It just added layers and reaffirmed that in war, there are no good choices. There's survival. You can't apply black and white morals to war; it's messy as fuck and there's no good choices. Veilguard exposed the motivations of a broken man drowning in guilt and showed us how he got there. It pulled back the layers like an onion and exposed the heart in glaring light; it added so much nuance and so many layers to Solas and his motivations and actions.

The cut hides me just rambling and breaking this down further, be aware it's a wall.

First off; the first elves were spirits. We've learned time and time again that spirits don't think the same as humans. Especially when speaking to Emmrich about Manfred and his rambling included teaching Manfred morals. Human morals. You can't really apply human morals to ancient immortal creatures that decided to fashion bodies for themselves cause they thought it looked fun and was new and novel. They probably didn't think ahead to the future where the creatures they struck down might be upset. They don't care; it's a rock to them. Why should they care? They're spirits mucking about in this new world and having a ball. They didn't stop to think about the consequences of it.

Which brings me to the second thing we got reaffirmed; THERE WAS WAR. Even now we live in war times. War is fucking scary. War changes people. We have so much media from survivors trying to express how terrifying war is and share that with people that haven't been through it. (LOTR I'm looking very pointedly at you and waving you around.) The first war was the Titans striking back at the Elvhen for what they had done. (Very justified.) This is when Mythal pleads with Solas to give up his very much loved form and Fade to help her. As they were originally spirits and are effectively immortal, they would have probably a.) felt emotions far more deeply and richly (if more narrowly/with less range) than modern mortals and b.) their morals are probably very different considering they're new to physical bodies and their own growing complexity instead of remaining as more simple spirits and c.) it's clear he feels at least some sort of trust and devotion to Mythal in a fashion we can't really grasp. (The writers confirm that a romanced Lavellan is the first time he's fallen in love so we know that's not what he has for Mythal. But devotion and service? Those are still powerful.) Anyway, that war is wrapped up decisively in one fell stroke thanks to Mythal again making use of Solas's wisdom to craft the dagger that would sunder the Titans. (Even though she, herself, apparently doesn't even do the final blow she again has Solas do it with the weapon he crafted. In the art book, it shows him trapping their dreams in a small black cube and he himself bringing that prison cube back. This is probably why he becomes known as her lapdog/attack dog.) War over, their people are safe. Oooooo elves are just so evil. Except. What were the alternatives? Continue hunting and killing the Titans until they're all truly dead? Would the dwarves have survived this or would they have died with their creators? How would this affect the physical world if the "pillars" are struck down wholesale? The elves can't just fuck off back to the Fade anymore, they have physical bodies crafted from this world now. They're no longer spirits. Do they all just roll over and die? It's in your nature to survive no matter what and this fundamental truth means there would be no peace between the elves and titans, even if the elves stopped their colonizing bullshit. Instead, they were sundered from the fade and left in comas alive. The dwarves were sundered from the titans and each other, but they also lived on. It was a terrible choice when all there were were terrible choices. There were no good choices. The elves sacrificed the titans for their own peace and their war with their world ended.

The second war was the newly named Evanuris against the Forgotten Ones for not helping the Elvhen in the war with the Titans. This is when the elves would have been fearful and already fallen in behind the strongest of them in want of protection. The fight of "those that protected us" vs "those that abandoned us". It just set the stage for more intensely divided elves, more intensely dependent elves. The Evanuris were powerful enough to protect them and end the war with the Titans, they would be powerful enough to protect them and end the war with the Forgotten Ones. (In Bellara's quest, we learn that at least one of them crafted an army of demons to fight for him.) We also learn through Solas's memories that the Evanuris aren't above propaganda and lies; they slaughtered their own people and claimed the Dread Wolf did all of it. This was a war of vengeance, plain and simple, prettied up as good gods vs evil gods. Even the later legends paints it as the good Creator gods vs the evil Forgotten Ones.

After that, the war focus shifts to Fen'harel and his "rebellion". The game shows us that after their war with the Forgotten Ones, Elgar'nan decides they deserve to be gods. Why not? They're already incredibly powerful and rule as kings/queens. Why not be gods? Their people already serve them in body, lets just amp that up to in spirit and in mind. They're marked in blood writing to show who owns them. Just take their minds and have their total obedience, love, and devotion. It's what they deserve after all being so powerful and cool! (Sarcasm in case you miss it.)

Solas pushed back at every opportunity. He started with letters and moved on to freeing their slaves and moving against them period. He was making such progress against them they got desperate and delved into the Titan's prison, using it as power. "They were blind to the horrors." They didn't realize how horrible this new power was because they were already corrupted. He begged Mythal to stop them and they instead murdered her with her own dagger/the weapon Solas crafted for her. To save the living world, he had to imprison them and the Blight away. The Veil locking away all of the Fade was a mistake on his part; considering the power of the magic he was casting, kinda understandable.

We can see, through his own memories, how he changes through this time. Where he begins to make more and more "acceptable sacrifices". Where he cuts problems off entirely instead of taking the time and risk to try and save people. The greater good is what drives him and he can't risk getting caught up in the small details. Like individual lives compared to all the lives they're working to save. Like the trolley problem but more extreme; does he let this person die, or does he let them carry their infection out to kill untold people? Does he ask these spirits to die doing what they love making the distraction or does he have their very limited bodied forces serve as the diversion and die instead?

The memories we play through in the Crossroads and hear through the murals aren't painting him and/or Mythal as the worst villains ever. They're not simplifying their motives or actions. I mean, they're not even justifying their actions either. They fucked up, they did wrong, but they fucking survived and tried to do so with the least casualties possible. The writers are handing us the story, colored only by Solas's feelings/memories. No longer are they colored by the personal biases and limited perceptions of the unreliable narrators like the rest of the game lore and history that has been given to us. These were practically straight from the source! And instead of it being given to us through the distorted lens of other characters, y'all get to distort it all yourself. :)

I had a good conversation with @hyperions-light in the comment section of this post where they also pointed out that the meetings show us just as clearly how this is happening in real time.

The game showed us, IN REAL TIME, how being presented pretty straightforward information is filtered by each person based on their own life's perceptions and biases and their own motivations.

I'm sorry y'all walked away from all that with the most basic surface level understanding colored in black and white.

The whole fucking thing was heartbreaking. What Solas has been through, the situations he was in both of his making and out of his control, were terrible. He did his best but it still wasn't good. Veilguard didn't cheapen what he did or what he went through; it added layers and honestly made it more tragic. He was born into war and desperately fought his whole life like he was the only one standing between his people and total annihilation. You can't live thousands of years like that and not fuck some shit up. I'm also not above that and I don't think any person would be. I'm in my 30s and have fucked plenty of stuff up; gimme a few thousand years and multiple wars and I probably also would have committed war crimes trying to save my people.

Every time I see a new post complaining that Veilguard reduced Solas and Mythal to cartoon villains that did everything wrong, I want to start biting.

[slippery-minghus]

hmm. had an actual conversation with nightmare coworker today that seemed mutually productive. she apologized for saying some bullshit that hurt my feelings and i clarified that my intentions are to help not to undermine her, and we both agreed that there's no competition against each other and that it's the lack of growth in our role that's the problem. it was...productive.

and further cementing for me that it is time to begin making my Exit. i will be sending out my resume to a few places this weekend.

i'm still processing the conversation, and am struggling to place myself in where i am responsible to better my behavior. because i genuinely don't want to be an ass, even though i really don't like this lady and will jump for joy the day i never have to see her again. she stated that she knows my intentions aren't to hurt her, and that she thinks i'm very kind. i apologized for if my behavior came off as undermining her, and said that my intentions are only to better my own growth—and that i know she's trying to succeed too. i validated her feelings, and complemented the effort she is putting in.

where i'm struggling with is: am i in the wrong/causing harm and needing to change if the issue is that her feelings are incongruent with what she knows of my intentions? her feelings are her responsibility (WOW i almost typed "her feelings are my responsibility". i feel like that's a freudian slip) and she states that she knows i don't mean to hurt her. i'm going to try to be more clear in wording my intentions with her (she feels like me trying to take work off her plate is to undermine her. when really, i'm caught up and see her getting overwhelmed, and i want to help and also have something to do since i'm bored).

but i'm really struggling to look at my role in this and pass judgement on myself. i can and want to do better, and i don't think i did anything wrong, but i'm always so hesitant to say it's not my fault or i didn't do something bad. like i can't trust my judgement on that. my intentions were good, her bad feelings are ones caused by her insecurities, which she more or less has expressed to be aware that they are not true—the hurtful thing she said to me, she acknowledged was said out of hurt and not what she actually thinks. so, is it fair to say i'm not the bad guy? i'm not in the wrong? i know good intentions that still result in harm don't absolve anyone, but when the things that are clashing are insufficient communication and reactive insecurities... i'm not a monster, am i?

[lord-squiggletits]

Sorry for being negative, I’m just a bit disappointed that after looking through the Earthspark Optimus tags on and off on different occasions weeks apart, it seems like the only thing the fandom has to say about ES Optimus is finger snaps and dad jokes. :/ (And also a handful of people already trying to frame him as a bad person lmao)

Watch for it, when more episodes of Earthspark come out and a conflict with GHOST inevitably arises, people are going to be raging at Optimus for being “stupid” or “self-righteous” or “blind” for working with GHOST and start calling Megatron and/or the Decepticons right about everything because they spent so long focusing on “haha funny dad Optimus” that they forgot about the other parts of Optimus’ character like... idk, not wanting to colonize planets? Not wanting to start wars with entire species that didn’t want to be involved in the war in the first place? Being willing to make compromises even at risk to himself and his own because he wants to treat everyone fairly?

Idk I guess I’m just a bit salty because it genuinely seems like all this fandom wants is “funny dad Optimus” and nothing else. Like you will give them funny dad Optimus who’s ALSO complex and morally gray but people will only ever talk about the former part. And then when Optimus inevitably makes a mistake and bad things happen, people are probably going to treat him as if he’s stupid or an asshole when he ends up not being the Perfect Unproblematic Fave that people seemingly want him to be.

[angorwhosebabyisthis]

i keep having Thoughts about how in so many ways LL has so much potential to be a really hard-hitting, messy, no-punches-pulled exploration of what i call moral agency: not the agency to act on your beliefs, but the agency to have those beliefs at all. like, if you're being abused into internalizing a set of beliefs, or indoctrinated in such a way as to make you resistant to outside perspective, or having relevant information withheld from you even if you would be looking for it... you don't have nearly as much choice in the matter of what you believe as someone who isn't stuck in that position.

and like. the central antagonists alone are literally a massive, horrifically abusive cult that spans generations. and i really wish they had actually followed through on that, and done so with compassion for victims who might need to be held accountable, instead of treating them with hatred and dehumanization.

(and also, y'know. hadn't treated some characters who did bad things as if they had much, MUCH more agency, moral or otherwise, than they did at literally any point. COUGH FIVE COUGH COUGH COUGH)

there's just. so so so much interesting stuff to be dug into there, in a way that's deeply fundamental to the narrative where even a lot of stories about moral agency aren't, and i really wish i could scrape enough brain cells together to talk about it properly

[ukulelegodparent]

Apparently I'm feeling very strongly about language once again atm. Like just. I have to eat it. I have to let it wash over me and through me. I need to read good opinions on like. The connection between the heart and the soul and the language they are expressed and the language they developed and grew up in. Like. it is so intricate and so complicated and so personal and yet so simple and such a universal experience.

[starlooove]

Also what’s the difference between them and superbat in which ur not demonizing the brown boy quickly

[planariaareneat]

How The Nocturnal Bottleneck and Nipples Make Us Human

Almost every post here considers what humans do have, really. It’s a little tiring; realistically every world has its harsh environments and vicious species and a sophont to match. We probably wouldn’t be unique for our adaptability or our persistence or even adrenaline

But our evolution is fucked up as hell, to put it lightly.

Mammals went through what’s been dubbed the nocturnal bottleneck essentially since the start of the mesozoic right up until the Cretaceous ended the archosaur’s exclusive hold over the daylight. We lost a lot of things from every mammal spending most of its time in either a cramped, suffocating burrow or scrounging around in the faint hours of nighttime. Our blood cells lost their nuclei to hold more oxygen while we spent time deep underground, we lost protections against ultraviolet rays in our skin and eyes, we can’t even repair our own DNA using the light of the sun. Most aliens probably wouldn’t have such traits unless their evolution followed a very similar path to ours. They’d be able to see ultraviolet and wouldn’t have to worry about sunburn and all the wonderful privileges essentially all fish, birds, amphibians, and reptiles enjoy as we speak. 

There’s also what we gained from spending so much time in the dark.

Brown fat is only found in mammals, it’s a special type of fat which bear cells with several oil droplets and are utterly jammed with mitochondria. This lets it make heat, a lot of it, fast. We don’t even need to shiver to induce this heat generation from brown adipose tissue - factor in our downright hyperactive mitochondria, and we can warm up quickly. Sure, it doesn’t have too much use in adult humans, but it keeps our infants warm and still provides a little boost the whole run we have in this universe.

Unless aliens also went through a time where their small ancestors had to face cold nights, they’d have to produce heat the old fashioned way when chilled. Aliens might have to shiver the whole time they’re in a cold room while the human watches in confusion, quite literally unshaken, and wonders if the room is a lot colder than the thermostat set to 60 says. The aliens stare at their companion in confusion, it’s just a normal temperature to shiver at after all, how is the human sitting so still?

Our small ancestors spending all their time out foraging at night is also why we have such a good sense of touch, smell, and hearing. They were more important senses than vision (we’re lucky to have even redeveloped basic color vision, frankly) at the time and place and simply ended up continuing to serve us well. Birds and reptiles rarely have acute senses of smell and the latter especially are lucky to have acute hearing, and birds rarely have impeccable hearing themselves either. Our skin is free of scales and honed to sensitivity, and our external ears and complicated ear bones provide an immense range of hearing (from 20 all the way to 17,000 hertz!).

Aliens might not be able to pin down the chirp of a cricket or the light click of a lock being picked. The human might be the only one on board a ship that can pick out the finer sounds of the engine’s constant thrum and know the critical difference between when everything is fine and when something is wrong. The human could probably pick out the sounds of an approaching enemy’s careless footsteps - they’re only as light enough for *them* to stop hearing them, after all - and be the one to see the horrified expression (well, more on that later) on their face when we get the drop on them in spite of their perceived stealth. 

But perhaps the most versatile, convoluted, amazing, and utterly unique trait we have is right on your face this instant. Lips.

Lips in most animals are a simple seal to hold in the mouth’s moisture and protect the teeth, even if they’re supple they’re NEVER muscular except in mammals, and we have only one thing to thank for it; milk and nipples. Lips evolved exclusively to allow babies to suckle, it required a vacuum to be created in the mouth, and with no other animal having anything like a nipple it never happened in other animals. Many animals make milk, to be frank, but no other animal has nipples.

Your cheeks and lips are a marvel among tetrapods, no other animal can suck like mammals can. Aliens wouldn’t have straws or even be able to sip from the edge of a glass, they’d have to have a proboscis or simply tilt the whole thing back. Aliens likely won’t have woodwind instruments or balloons you can blow into. We take so much about our lips for granted. Hell, our muscular faces are vital for expressions, we’re probably absolute facial contortionists among a cast of creatures with mandibles and beaks and expressionless scaly maws. Aliens might find us ridiculously easy to read, if anything, compared to their own kind (all the better to deceive them) - or perhaps they’d find us hard to decipher anyways, with our lack of color-changing skin or erectable crests of bright feathers. Baring teeth might not be seen as a sign of aggression in most of the universe, smiling would be all too distinctly human. 

Perhaps with how infectious we are sometimes, that’s what we’d contribute to the universe; others might have to make do with opening their mouths just enough to show their teeth or splaying their innumerable mouthparts with just the right curve, but perhaps we’d teach the galaxy to smile, one ally at a time. 

Wouldn’t that be amazing?

[hrrtshape]

✶ THINGS TO REMEMBER WHEN YOU’RE DOUBTING SHIFTING.

𖥻  SPACE. just.. HELLO ?? we are literally a speck of dust in a ginormous cosmic playground that we can’t even fully explore because we’re too busy figuring out if cats can vibe to beethoven or if that godforsaken dress is white or blue. you think THIS is the only reality? somewhere out there, there’s a planet where the sky is pink, dogs talk, and you’re riding unicorns. shifting is NOT a crazy concept.

𖥻 DINOSAURS. THEY. WERE. REAL. like actual dragons without wings, stomping around, acting like they owned the place. if THAT can exist, why not shifting ? you think the universe peaked at “giant chickens with teeth”? no way. reality is way too wild for limits.

𖥻 DÉJÀ VU. EXPLAIN IT WITHOUT THE MULTIVERSE. I DARE YOU. why do we randomly feel like we’ve been here before, done this before, or even said this before? because we HAVE. somewhere, somewhen, sometime. you’re already living proof of infinite realities brushing shoulders.

𖥻 QUANTUM PHYSICS (4 da nerdies). scientists out here with their schrödinger’s cats and double-slit experiments proving that reality isn’t fixed. it’s ALL probabilities until you observe it.

𖥻 YOU'RE HUMAN. our brains are INSANE. dreams? lucid dreams? daydreaming? thinking of a time and feeling like you just tasted it? if your brain can already do ALL THAT, shifting is just another level. literally just....closing your eyes and opening them in another place.

𖥻 YOU'RE ALREADY DOING IT. every time you daydream or even think “what if,” you’re stepping closer to a version of yourself in another reality. you're peeking through the multiverse’s window. shifting is just diving in instead of peeking.

𖥻 YOUR DESIRES EXIST. if you can imagine it, it exists somewhere. that’s not wishful thinking; that’s logic. where do ideas come from if not from infinite possibilities? you’re not just dreaming—you’re remembering. nothing goes by you without a purpose. if it found you, it was supposed to !!!!!!!

𖥻 THE MANDELA EFFECT. remember when pikachu definitely had a black tail tip, or when the berenstain bears were called the berenSTEIN bears? reality’s already glitchy as fuck. shifting? just another glitch—but YOU’RE IN CONTROL.

𖥻 FAIRYTALES HAD TO COME FROM SOMEWHERE. you think someone just WOKE UP and said, “dragons, magic castles, enchanted forests!” no. no. no. those stories? they’re just whispers from realities where that’s NORMAL. you’re not making it up—you’re tuning in. experiencing it. liviiiiiiiing it.

𖥻 TIME IS FAKE. i said it. not to get too conspiratorial on my tumblr blog, but what even IS time? a straight line? a wibbly-wobbly thingy? we made clocks, but the universe? the universe is, like, “what is a ‘tuesday’?” shifting doesn’t care about time; it’s above all that silly nonsense. and so are you.

𖥻 PARALLEL UNIVERSE ARE A THING ('n' SCIENCE effing SAID SO). quantum mechanics already told us there’s an infinite number of realities where every possibility plays out. in one of them, you’re already living your best life. shifting is just YOU popping in to say hi to THAT version of you.

𖥻 REALITY IS (lowkey) BORING WITHOUT BELIEF. why settle for “this is it. this is my life. a 9-5 job. a life which i barely live out” when the multiverse is basically screaming, “come explore!!” ? you’re a creator. you’re a wanderer.

𖥻 "I FEEL IT" IS ENOUGH. don’t let anyone tell you otherwise. if you can close your eyes and feel that DR, the love, the magic, the LIFE—you’re already there. the multiverse doesn’t need proof; it needs belief. so don't let idiots with half a brain on tik tok tell you that you're wrong, when you're so, so, so, so, SOOOO close to BEING THERE and living your best life.

𖥻 finally, LITERALLY, WHY NOT ?  life’s already bananas. people thought flying was impossible, and now we’re out here booking ryanair flights to halfway across the world. people said sex with robots isn't true, and kim k is already siting on a robot's lap. people said the government cannot be stupid, and elon musk is already part of it. shifting is just the next “impossible” (and not to be cheeky...but the word literally has 'i'm possible' in it) thing that YOU are proving possible.

so. girl. dude. diva. bro. go shift.

part two of my series: DIVING INTO THE CONCEPT OF THE SOUL.

part three: MINDSETS.

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[renthony]

It's darkly amusing to me that some people thought my mom didn't "discipline" me enough as a kid, were not shy about making sure both she AND I knew it, and now as an adult I'm one of the only people in my friend group who still wants anything to do with their parents. The proof is in the pudding, as they say.

When I was a kid, I broke a ceramic soap dispenser. I burst into tears and was terrified that I was going to be in trouble. My mom told me that it was okay, because accidents happen sometimes, and the important thing was that I didn't do it on purpose and apologized.

When someone else I know was a kid, they broke a dish on accident and got screamed at and guilt tripped. To this day, they have to push down a panic attack at the sound of broken glass, and have had to actively work on healing from that trauma. They will always have to carry that.

I think maybe it's not MY mom who fucked up in the "how to discipline your child" department. Quite frankly, I think the idea of "disciplining children" is fucked up and deeply harmful on a fundamental level.

When a kid does something wrong, you have to teach them how to fix it and do better. Humans are messy and complicated and we don't know everything there is to know just by being born. Children are learning how to be human beings, and that's a really hard thing to learn.

Kids question and fight back against authority that mistreats them, but someone treating them like a human being with human emotions is usually going to have a lot of success. Kids just want to be respected, and it's our job as adults to give them that basic human dignity. The world is utterly terrifying, and made scarier when all the grown-ups seem to hate you and wish you would just shut up and go away, even the ones that claim they want you around.

Kids can be mean, because they're still learning how to socialize and communicate and collaborate. Sometimes you have to give them time to cool off, and sometimes you have to redirect them. Sometimes you have to be firm. Sometimes you have to be an adult, and hone your conflict de-escalation and resolution skills. None of that requires punishment.

And if a child does something truly cruel and fucked up and shitty, and it hurts someone in a big way? My first question isn't "what should their punishment be," my first question is always, "who taught this kid that, and is this child in active danger from them?"