#architectural drawings

[uwmspeccoll]

Decorative Sunday with Henry P. Kirby

These charming sketches are the work of New York architect Henry P. Kirby (1853 - 1915). Architectural Compositions contains fifty loose plates printed on Whatman paper and housed in a portfolio. It was published in Boston in 1892 by Bates, Kimball & Guild, publishers of one of the United State’s leading architectural journals of that time, The Architectural Review (Boston), not to be confused with the longer running Architectural Review still in publication out of London. 

Kirby would have been working as a draftsman for George B. Post at the time of publication, for whom he later worked as lead designer before striking out on his own. Some of the subject matter also evokes Kirby’s time in France, where he studied at the École des Beaux-Arts after training with his father, also an architect. Per the subtitle, some of the sketches were “made in connection with actual projects,” while many were “the result of study during leisure moments.” I found Kirby’s eye for the human elements in his sketches particularly endearing, from the foreground figures to details on the buildings themselves, like open widows and overgrown foliage, or what looks like a duvet cover hanging out to dry (first image above). 

For any music buffs reading, the final sketch includes some bars of "Très-jolie" from the opéra comique smash hit La Fille de Madame Angot. 

Our copy of Architectural Compositions was gifted to UWM by Gustav A. Elgeti in 1966. 

Find more Decorative Sunday posts here.

-Olivia, Special Collections Graduate Intern

[germanpostwarmodern]

In 1951 Le Corbusier embarked on his „aventure indienne“, his Indian adventure, to design and build Chandigarh, the new capital of the Punjab. On February 20 he boarded a flight to Bombay together with his cousin Pierre Jeanneret and on February 23 the two met up with the players to be involved in the project: Maxwell Fry, engineer P.L. Varma as well as government official P.N. Thapar. At the time of their arrival at the designated site of the future capital it was a wide plain dotted with numerous villages and lush vegetation. On the same day Le Corbusier began writing and drawing in his so-called „Album Punjab“, a notebook he would continue to fill until March 11 and which today represents a unique source to the events, ideas and impressions preceding the design and construction of Chandigarh. The „Album Punjab“ has recently been published for the first time as a facsimile by Lars Müller Publishers and is accompanied by a volume written by Maristella Casciato providing additional context to LC’s commission, unpublished photographs taken by Pierre Jeanneret during the trip and a day-by-day synopsis of the notebook. Already the first entry tells of Corbusier’s deep interest in the existing landscape and villages, their scale and density as well as the daily life going on. At the same time he also began to search for solutions regarding water supply, spatial approaches to climate control and air circulation in residential buildings as well as he sketched a road system for the future capital and its capitol complex. Consecutively Le Corbusier elaborated these initial impressions and sketches and delved into the local architecture, the spatial organization of traditional houses and already drew planimetric arrangements of low-cost housing units. In terms of the overall urban planning LC harked back to the Pilot Plan he developed for Bogotá together with José Luis Sert. A pressing issue that also came up during the trip were construction costs and the high cost of wood which made the use of concrete even more appealing. In view of the far-reaching insights the book provides it is an important addition to the literature on Le Corbusier and highly recommended!

[all-kinds-of-blogs]

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[bentboxxx]

[noosphe-re]

The Manhattan Transcripts differ from most architectural drawings insofar as they are neither real projects nor mere fantasies. They propose to transcribe an architectural interpretation of reality. To this aim, they use a particular structure indicated by photographs that either direct or 'witness' events (some would say 'functions', others would call them 'programs'). At the same time, plans, sections, and diagrams outline spaces and indicate the movements of the different protagonists – those people intruding into the architectural 'stage set'. The effect is not unlike an Eisenstein film script or some Moholy-Nagy stage directions. Even if the Transcripts become a self-contained set of drawings, with its own internal coherence, they are first a device. Their explicit purpose is to transcribe things normally removed from conventional architectural representation, namely the complex relationship between spaces and their use; between the set and the script; between 'type' and 'program'; between objects and events. Their implicit purpose has to do with the twentieth-century city.

Bernard Tschumi, The Manhattan Transcripts

[detroitlib]

[spockvarietyhour]

Plaza Alexis Nihon Traffic study for the promenade on the Atwater metro station level. Stanley King, Draughtsman; Harold Ship, Architect. 1964 [City of Montreal Archives]

[books-and-ivy]

Welcome to No. 28 Leicester Square, otherwise known as the home of the Good Doctor Jekyll himself.

About this Drawing:

- This design is heavily inspired by the historic home of Dr. John Hunter (who is said to be a major influence on Stevenson’s work)

- The front elevation is a combination of the historic No. 28 Leicester Sq. and the modern building at the same site which features art nouveau ornaments

- Jekyll’s own tastes being more romantic, the inside of the home is decorated in rich colors and rococo elements

More to come!

[wxttxwxn]

Penelope Seidler’s handwoven tapestry of Rose Seidler House, 1950 Image: Dirk Meinecke; © Penelope Seidler

[thedraftrack]

Architectural Drawing Service

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[ur-daily-inspiration]

These Tiled Steps In San Francisco Glow At Night From The Moonlight

[germanpostwarmodern]

Some 50 years ago, on March 17, 1974, Louis Kahn passed away at Penn Station at a time when his office was buzzing with significant projects: the Franklin Delano Roosevelt Memorial, the Yale Center for British Art and the urban development of Abbasabad, a new district in Tehran, Iran, to be developed in collaboration with Kenzo Tange. Of these projects the Roosevelt Memorial was of the greatest significance for Kahn because he personally benefited from the president’s „New Deal“ policy of the 1930s and was thus highly motivated to design the memorial. Hence it is no wonder that he worked quite fervently on it as shows the notebook he filled with numerous drawings and variants of the project until his untimely death.

This last notebook of Louis Kahn, which he began in late February/early March 1973, has recently been published by Lars Muller Publishers as a facsimile, edited by the architect’s daughter Sue Ann Kahn and supplemented with a separate volume containing an essay by Michael J. Lewis.

Kahn was an accomplished draftsman who drew passionately and developed projects in his notebook first: in sometimes thumbnail-sized drawings the notebook documents the progress of the projects but also contains notes and addresses Kahn wrote down during meetings and events. In contrast to these quickly taken notes several of the drawings are carefully colored.

Beyond drawings the notebook also contains the outlines of two public lectures he gave in October 1973, one being the Tiffany Lecture at the University of Pennsylvania and the other his principal address delivered during the dedication of the new architecture building of the University of Maryland that coincided with the award of an honorary degree to Kahn himself. For each he merely laid down some key aspects he wished to address instead of formulating a complete text: in both Kahn dealt with the relationship between form and design but for the second occasion he outlined his speech in a visual manner to have it projected during his speech.

This workbook character is faithfully reproduced by the facsimile and once more proves the importance of drawing(s) for Louis Kahn’s creative process. A beautiful gem!

[stone-cold-groove]

Scenes from home, past and present.

[resdraft]

Why Construction Drawing is Essential for Obtaining Building Permits?

Construction drawings are crucial for ensuring that the building is constructed according to the intended design and meets all relevant codes and standards.

[hitechbimservices]

What are Construction Drawings (CD Sets) in Construction?

Construction drawings, also known as CD sets or working drawings, are prepared by architects to visualize the design of a structure before construction begins. These 2D documents, including architectural and structural drawings, help communicate the design intent, materials, and specifications to the construction team.

These drawings are crucial for contractors to understand the project's details, such as the structural use, appearance, materials, and connections between building components. Often referred to as IFC (Issued for Construction) drawings, they serve as a guide during the building process.

However, construction drawings may contain errors or ambiguities since they are created before fieldwork begins. To address this, they are often marked with "Verify-in-Field" labels to confirm measurements on-site.

The details included in these drawings cover various aspects of the project, such as interior and exterior elevations, framing and utility plans, sections, and schedules for doors, windows, and finishes. They also include essential MEP (Mechanical, Electrical, and Plumbing) information, which ensures the smooth integration of different building systems.

In summary, construction drawings are vital in estimating labor, materials, and costs, allowing contractors to plan effectively while offering a detailed roadmap for the successful execution of a construction project.