Danny, He/Him. former 80s-90s kid. Lots of Scifi and way too much media, too many gifs. It's Not a Stargate Rewatch Rewatch (SGU S2), V The Series (1984)Various other media.ko-fi.com/spockvarietyhour
Don't wanna be here? Send us removal request.
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t-boys when they grow out their facial hair for the first time tbh
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casey joiner
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THE WALKING DEAD: S5EP5 - SELF HELP
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Jodhi May as Empress Natalya
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It's nice for Travis Fimmell that he got to play in a second HBO Sci-Fi epic, looking basically the same.
#rip raised by wolves you certainly were interesting#Dune#Dune Prophecy#Travis Fimmel#Desmond Hart#Raised by Wolves#Danny watches Dune Prophecy
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concept: a death god that is actually surprisingly supportive and on the side of the good guys, supporting actions and promoting policies that will lead to the kingdom growing and thriving instead of being destroyed, because the more the kingdom grows, the more people there are, and the more people there are the more people will eventually die, and when you’re an immortal god of death, you know there’s no need to rush. you’ll get them all in the end
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TWIN PEAKS (1990–1991) 2.11 • "Masked Ball"
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EYES WITHOUT A FACE 1960, dir. Georges Franju
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OMG. Somebody said it out loud.
Disney is absolutely not the only studio doing this though.
It seems to have become standard practice across movies and series everywhere.
Anything that doesn't do it is like a breath of sunlight and fresh air inside a dank musty cave.
It's part of the 'fix it in post-production' epidemic sweeping through the studios. Fix it in post is often used as a time/money-saving measure - and is absolutely part of the same mess that the WGA is fighting against currently.
Rather than fixing things on-set - audio, lighting, something in-frame that shouldn't be, etc. (which is all handled by unionized crew) - they leave it for the CG folks (not unionized) to edit later.
(on ridiculously tight schedules that leave them scrambling, cutting corners, and working inhumane hours)
See also: that part where scripts aren't finished, because the studio won't fully staff the writers room, and won't pay to have writers on-set for day-of-filming script questions and fixes (which could resolve issues such as 'what kind of lighting do we need here?')
Anyway, all this shit we, as audiences, keep complaining about - bad lighting, bad sound, wonky visual effects, over-usage of not-great CGI, stilted acting on green-screen sets, scripts that seem not-quite-finished, costumes that look like they're cheap and flimsy, terrible hair and makeup, films and series that aren't as polished as they could be...
Plus the complaints we have about streaming services and their shenanigans...
All of that is enmeshed in the extreme capitalism that has taken over everything, including entertainment, to the point that studios are abusing their workforce and churning out material that - at best just doesn't live up to its potential - at worst, is just unwatchable shit.
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Mark Strong as Emperor Javicco Corrino
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“Angora”
Model/Stylist/Mentor: Tanya Dakin
Theodore H Lewis III | iStockPhoto | 500px | Instagram
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.: wall of sound: fifth wave 📼
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STAR TREK: VOYAGER // S1E6: The Cloud
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i hate viruses so fucking much. literally getting attacked by a fucking shape. a concept. consumes no energy. responds to no stimuli. its only existence is to fuck with you. like fuck offf
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