#anyway i spent TOO LONG writing this
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baeshijima · 3 months ago
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thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.
as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!
of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.
(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)
to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!
well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.
he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,
no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!
and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!
you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!
it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!
however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)
well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...
"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.
oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?
sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.
you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.
"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"
oh.
...oh.
perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...
(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.
well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)
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wardingshout · 10 months ago
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Zelda goes mushroom girl
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mattodore · 2 months ago
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birthday boy 🎂
#river dipping#theodore doe#matthias evanoff#a burning house to live in#echthroi#ts4#ts4 edit#simblr#ts4 screenshots#theo i hope you're having the most insane birthday sex rn i hope it's ******** and ***** and ***'** **** *** **** ***** :)<3#sorry i put off making your birthday edit for so long that i had to pivot and post this edit instead of the one i wanted </3#...very funny how similar this is to that LAST render i posted... well so WHAT!! if i think matthias looming is sexy!!#this is based on a photo that everyone was drawing their ocs as so really it's not MY fault he's back there clinging and being a freak#actually if y'all want this pose lmk... i'll share it but fyi it's only meant to be seen from the waist up and idk how it'd look#on a sim that doesn't have the same muscle mass and like. bulk. that matthias has......................................#just got rock hard after typing that... anyway.#HAPPY BIRTHDAY THEO <333333333 LOVE YOU SO MUCH I PROMISE I'M GONNA KEEP WORKING ON THE //ACTUAL// BIRTHDAY EDIT!! like .#posted abt this on the sideblog but the real edit i have planned for him is making me lose my fucking gourd#and it'll probably take me :))) a few more days to figure out#expect a depressing theo-as-a-teenager edit eventually tho. with writing!! accompanying it!!#matthias's face has changed again btw 😭 i redid it almost immediately after i posted that first render attempt so he looks DIFFERENT!!#i posted screenshots of him in cas just the other day on my other acc and he looks so good in them i might post them here too#oh and!! this edit looks massively different than my last because this screenshot was taken with a new preset i made specifically for#the real birthday edit i'm working on... it's a hallway scene so i figured out depth and density to get this really cool fog effect#i'm really excited for it!! in my head the way it looks makes me crazy but idk if i can pull it off properly. but like i WAS SAYING!!#new preset is sooo sexy after i post this i'll reblog with the before and after to show you how good it looks even w/o any editing#like. the colors....... literally have always wanted a preset like this i'm so glad i spent yesterday fucking around with it#ALSO!! i've been doing those oc/ship dynamic templates for fun recently so i might post a few of them here soon#realize i'm rambling so much in these tags bc i haven't been here in forever kfjnkfjhn ummmmm. let me stop.#EVERYONE WISH THEO HAPPY BIRTHDAY RIGHT NOW 🫵‼
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doomedclockworkdotmp3 · 1 month ago
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heeyyy gaaanggg
the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.
#my art#digital art#digital painting#fanart#resident evil 7#ethan winters#goddd PLEAAASEEEE#i havent known if i was gonna post this or not multiple times in the process of drawin this. but ultimately i spent too much time on it to#NOT post it. embarrassment be damned#but at the same time what am i even doin yknow. what is this what is goin on pleaaseee PLEASEEEEE#I DONT KNOW ANYTHING ABOUT RESIDENT EVIL!!! I DONT KNOW N O T H I NG I KNOW LESS THAN NOTHING#HOW?? HOW DID I GET HERE??? WHY DID THIS HAPPEN???? i know exactly the answer to all those questions but it still boggles me how fast this#happened. usually it takes WEEKS if not MONTHS for me to start makin fanart. this was faaasttttt TOO FAST and im like. genuinely constantly#thinkin about this game. im ALWAYS thinkin about this game. part of why this took me so long to do is cause i always wanna play re7 or thin#about re7 in a strange and deranged way. ive actually genuinely been SICK WHAT HAPPENEDDDDDD#im losing it!! anyways this took me a looonggg ass time and i redrew it soo many timmmessss#i did like. 3 lineart passes. the album version i did 3 shading passes. i really struggled!! and ultimately i dont know how i feel about it#like i kinda resent it. for takin so long and makin me suffer so much#never again. never again will i spend that much time on a drawing. i HATE when drawins take a long time. i HATE that. it makes me madddd#ive been insane. ive been so insane. and im not gettin better like i cant sleep sometimes cause im thinkin about this game and this guy and#that gal like i think about them!! so! so much!! oh my god!!#in the time it took me to finish this ive done like 10 sketches for other pieces like. and ive had like 3 ideas ive written down.#and like 50 that i havent written or sketched.#IVE WRITTEN POETRY!! P O E T R Y !!!#i write the occasional poem when im feelin some kinda profound emotion but i NEVER write poetry about media SOBBING#anyways thats the post i think this is the beginnin of the end so lets hold hands and pray. ugh sorry if i get sick. im shakin.
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carnivalcarriondiscarded · 1 year ago
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PLEASE MORE BUTTERFLY HOWDY CONTENT HES SO FUCKING SILLY
OKAY HERE'S A COMIC SHENANIGANS THING
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kanerallels · 1 month ago
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In Saecula Saeculorum
My contribution for @inklings-challenge 2024! Content warning for death and injury
Playlist link (I HIGHLY recommend listening along I spent like four collective hours on this thing I'm super proud. I am, however, adding which songs are best listened to at which points. They will be the bold italicized captions at the beginning of different sections. All the songs mentioned can be found on the playlist! (also, when you finish Afraid Of Time, just listen to the rest of the playlist straight through. It should line up well enough!))
~Time~
When Stephen Reid was nineteen, he almost got hit by a truck while trying to cross the street. A young woman a few years older than him yanked him back onto the sidewalk as the massive garbage truck barreled past, seemingly unaware that it had almost caused his demise.
Stephen steadied his breathing, heart pounding so hard he could feel it in his throat, then turned to thank the young woman who’d saved him. His mother had drilled good manners into him from a young age, and she’d have scolded him soundly for wandering into the street without looking first, let alone not thanking the person who’d saved him.
But she’d already started moving down the sidewalk, shoulders hunched in her green jacket, her hair (the tips of which were dyed an electric blue) brushing her shoulders as she moved. She was hunched over her cupped hands, whispering to something she was holding, and Stephen frowned. Strange way to hold your phone.
But there were more pressing things on Stephen’s mind. Namely, the fact that the world was tearing itself apart.
When he was little, things were so simple. It wasn’t just that he was a kid—Stephen remembered things had been happy, peaceful. He remembered summers spent digging holes in his backyard with his friends and raking leaves in the autumn. His mother and father had been happy, and life had been good.
As he got older, he saw the little ways things weren’t so good. The strain his father’s job put on him, the leaner times. But his family was still happy.
And then he turned eighteen. And things got really bad. Countries baying for each other’s blood, corrupt leaders turning their backs and doing nothing to help. Every day, the news showed more horrors. Every day, things got worse, and war was on the way. And Stephen knew he couldn’t just sit by and watch. His mother had taught him manners, common sense, and how to be fierce when it was needed. And his father had taught him that if you could help, you did help, and to care even when it was hard. 
So that was what Stephen planned to do. In every way possible.
He’d started out with volunteering as he started college classes. There were even more people living on the streets now than ever, and helping make meals at shelters was a step toward helping them.
But then things took an abrupt turn for the worse. And suddenly, they were at war. And Stephen found himself dropping out of school to enlist.
He was twenty when he saw his first dead body—a woman on the side of the road. Face pale, limbs at unnatural angles, blood still staining the front of her shirt. It was an image that didn’t leave his mind for a long, long time.
Two months later he killed someone for the first time. He tried not to remember that. But it wasn’t the last time. Every time he took a life, he found himself mourning, for what the world had come to, for the life that he’d ended.
Stephen may have known the reasons for what he was doing. But that didn’t make it hurt any less, or stop him from wondering if there was a better way he could help.
At twenty-two, he was shot in the line of duty.
It wasn’t the first time he’d been injured. But it was the first time it had been serious enough to warrant being sent to a hospital for a prolonged stay. And as it turned out, it was serious enough that he was discharged from the army. The bullet had shattered bones in his leg, leaving him with a serious limp and pain that never fully went away.
It was strange. One minute he was fighting for his life, the next he was home. Like nothing had changed, like he was supposed to pick up where he left off. Stephen found himself adrift, unsure of his next step. He went back to school, but his old major didn’t seem to fit anymore. Nothing did.
He was twenty-two and a half when one of his classmates dragged him to their local church. Howard was stubborn and usually said exactly what was on his mind, without thought toward how he’d affect others. It was an odd combination of refreshing and very irritating.
And yet, in that sanctuary, Stephen had never seen Howard light up the way he did when the singing started. And listening to the words, he started to understand why.
He’d gone to church growing up, and it had been fine. But this was different. This was something beautiful rediscovered, and he cherished it. Soaked in every word spoken from the front. It was like water after years in the desert, healing after pain for so long. It brought peace he hadn’t known could exist.
Stephen was twenty-three when he changed his major. Not to a pastor, though Howard joked that he might as well, with all the Bible reading and questions. But to a counselor. Someone who could guide others through what he’d gone through, and worse. Someone who could help.
It was a refreshing of his original purpose, a rewriting of his story. It was the right thing to do, and that was all he’d ever wanted.
When he was twenty-seven, he started on an internship. And that was where he met Marian.
She was an astrophysicist, and while Stephen admittedly didn’t understand a lot of what she did, he liked to listen to her talk about it anyway. He liked her smile, too, and her warm brown eyes that lit up like gold in the sunlight. They both loved music, and swapped favorite songs every time they saw each other. She loaned him her favorite book, and Stephen read it eagerly, looking for what she loved in every line.
It took him a while to gather the courage to ask Marian out. Howard—now graduated, running his own construction company, and happily engaged—teased him relentlessly about it. “She likes you, you clearly like her,” the young man would tell him. “What’s the problem?”
“I’m waiting for the right moment,” Stephen would respond, and Howard scoffed in response.
In the end, he didn’t ask her at the right moment. He simply asked her, one day when she was stopping by at his work to talk about the book she’d just finished, eyes bright with happiness. Her smile outshone the sun when she said yes.
One year and six months later, she said yes again when he went down on one knee on a date to one of the few functioning observatories left in the country. He would have given her every star in the sky if he could have, but Marian settled for a diamond ring and a small wedding at her brother’s farm. Stephen hadn’t known someone could hold this much joy within them without bursting.
Two years later, Stephen was thirty years old. And that was when things started to get strange.
~~~
~Prepping For Rescue~
“Are you sure you want to do this?”
She avoided his gaze as she strapped on her protective gear. While the technology they were using had come a long way since the beginning of its use, there were still dangers. Being pulled through time and space could cause serious injury or damage, and the cuffs she was locking into place would generate a field that could protect her from that. Strange, how they almost felt like shackles, weighing her down, when they were the only thing bringing her hope right now.
“You know I am,” she said. “We already tested it. We can go back now, not just forward. And if I have that chance—”
“You’re gonna take it. I know,” he said. “But we still don’t know everything about this. We don’t know how it could affect the timeline. You could start wars, cause innumerable deaths. You could prevent yourself from even being born.”
“I know the risks.” She finished with the cuffs and grabbed her jacket, pulling it on to hide the cuffs from sight. “I don’t care.”
He looked like he wanted to comment on that very much, but just sighed. “Okay. Do you have your location drone?”
“Her name is Penni,” she informed him, and he sighed again.
“It’s a robot. It doesn’t have a name.”
She couldn’t hold back a smile at the old argument. “She does now. And I have her here.” Slipping a hand into her pocket, she pulled out a flat, circular object about the size of her palm. The domed top flickered between different colors, trying to camouflage itself with its surroundings, and it zipped into the air, hovering right above her shoulder. She brushed a hand along Penni’s surface, taking a deep breath.
“Good. Keep her with you, and I’ll be able to bring you back,” he reminded her. “Otherwise…things could get ugly. Because this is all supposed to be theoretical.”
“Then I guess I’m a pioneer,” she said, mouth suddenly dry. Squaring her shoulders, she said, “Let’s do this thing.”
~~~
Exactly twenty-seven days before his thirty-first birthday, Stephen was on his way home from work. He stopped at a grocery store to pick up a few things for dinner—Marian was working later than usual, and he wanted to surprise her with a delicious home cooked meal when she got home.
When he stepped out of the store, a car drove by at top speed and shot him three times in the chest. Two other pedestrians were hit, but he was the only casualty.
Except he wasn’t.
He heard the car screech around the corner, and looked up in time to see the dark barrel of a gun pointing out a window—and then a girl slammed bodily into him, sending him crashing to the ground.
Glass from the store windows shattered upon the bullet’s impact, tinkling against the pavement. There were screams, and Stephen pushed himself into a sitting position with a groan, looking around as the car roared away.
Two other pedestrians lay on the ground—one hit in the shoulder, the other only grazed in the arm. Stephen automatically moved to help them, calling for someone to call the cops, his head spinning.
Because there had been a moment where he’d known, he’d been sure, that he was going to die. Not just fear. Utter confidence. He’d all but felt the bullets pass through his body.
But instead, a girl had saved his life.
The girl. Stephen glanced around—but there was no sign of her. And all he could remember, as he later recounted to the cops, then Marian, was a blur of green jacket and blue hair.
Something about the description itched at the back of his brain, but he wasn’t sure what. All he knew is that he was somehow, impossibly alive. And he was grateful for it.
Two days later they found out Marian was pregnant.
~~~
“It worked,” she gasped, stumbling away from the framework of the machine.
Her friend looked up, eyes widening. “It—it did? Are you okay?”
She nodded, then stumbled again, and he caught her by the arm, hauling her upward. “Whoa. Sit down, have something to drink. We should check you out—”
“I’m fine,” she said, waving away his worry. “It worked, Tad. He—he’s not dead. Is he? I can’t—I can’t think—”
Steering her into a chair, Tad said, “Disorientation is a common side effect after traveling. Let me look at the database—drink some water.”
Taking the water bottle he shoved into her hands before moving to the computer, she gulped down some of the contents, her head spinning. “Do you remember how it was before?” she asked. “You said that you might not—”
“I think being close to the temporal field distortion preserved my memory,” Tad said, typing rapidly. “It’s fascinating, and if we don’t get arrested for this, I’ll write a paper–oh.”
Her stomach dropped as his face fell. “What?”
“You…almost succeeded.” Reading from the screen, he said, “Stephen Reid, died age thirty-two, in the ‘65 train bombings.”
“What?” Rocketing out of her chair, she moved to his side, swaying a little. Tad put a hand out to steady her as she bent over the screen. “How?”
“Looks like he was injured, but didn’t let on because he was busy helping others to safety,” Tad read. Glancing at her, he said, “I know that’s not what you wanted to hear, but—”
She was already moving toward the machine. “We have to go again.”
“What? I don’t think that’s a good idea. You already somehow created a temporal loop when you first went in. Who knows what—”
Spinning around, she said, “We can’t save him from being murdered just to let him die in a freak accident. It’s not—no. We’re fixing this.”
“And you don’t think this has anything to do with—”
Fixing him with a fierce glare, she said, “We’re going. Again.”
~~~
~The Typewriter Theme~
If that was the only incident, Stephen would have accepted it and moved on. He wasn’t dead, and that was something he was fiercely grateful for. His wife was pregnant, and instead of being dead he was there. For the moment when their little girl came into the world, and he held her close for the first time.
They named her Zara Grace Reid, and Stephen’s heart was full. For two long years, they had peace.
Then, when he was thirty-two, things started getting bad again. The governments were all fighting, and groups of dissenters were getting angry at, well, everyone, no matter who they claimed to hold responsible for everything going badly. Danger of terror threats grew more and more present.
The day after Zara’s birthday, Stephen was taking the train to a meeting across town. But when he got to the door, his ticket was missing. Racking his brains, Stephen vaguely remembered slipping it into his jacket pocket—and a girl bumping into him as they crossed paths in the station.
Strange. Who would steal a train ticket? He considered buying another one, but it was a nice day and he was in no hurry. He decided to walk.
Two blocks later the world exploded. Four trains, all across the city, blew up at once, killing hundreds in a deadly attack.
Stephen not only saw it when it happened, he felt it. In his chest, like he was on the train when it happened. But no sooner had the feeling come then it was gone and he was running toward the rubble, hoping desperately that he could pull someone, anyone out.
He missed his meeting and saved twelve lives that day. All the while wondering at the phantom pain in his side, but there was too much to do for him to care.
Hours later, he made it home after Marian, cleaned up, and only by the time he fell into bed did he wonder—did the girl who took my ticket know?
~~~
“SIX MONTHS?”
Pacing back and forth, she glared into space. “I only bought him six months? What does he do that makes these people want him dead so badly?”
“It’s pretty fishy,” he agreed, typing rapidly. “Okay, the records are a little messy, but I think I know the exact date. Are you feeling okay?”
“I’m fine. Let’s go again.”
~~~
The thought didn’t really leave Stephen, as he racked his brain to remember what the girl looked like. He remembered dark hair with a splash of blue, and the girl had been holding something small. And those thoughts tugged at other memories—of a day almost twenty years ago, when someone had pulled him out of the way of a truck. Of the shooting before Zara was born.
He wasn’t able to really consider the idea, let alone voice it. Not until six months later, when there was a fire in his work building, and someone locked the door of his office, leaving him trapped inside while the flames grew and the smoke filled his lungs.
He’d been in tight spots before. He’d been trained, in the Army, not to panic, even when it was logical to do so. But as his oxygen seeped away and the door refused to budge, even as he bashed at it with a chair, Stephen found himself absolutely terrified.
No. No, this can’t be it. Images of Marian and Zara flickered through his head and he knew he had to fight, had to live at all costs. But if there was nothing he could do—
The door swung open, and someone pulled him forward.
~~~
~The Hornburg~
“I wonder what makes them choose the intervals they do,” Tad mused as he typed. “Is there someone else preventing them? Do we just do this for the rest of our lives? Are they experts or are they just trying everything and every year they can to kill him? Furthermore, what’s going to stop them from just going back to the same year and trying again—”
He stopped short when he saw her face. “Which…they definitely can’t do. Most likely. I think they can’t, anyway. It’s just that the science is so—I’m sorry. They haven’t done it yet, they probably won’t ever.”
“I hope not,” she said, checking her cuffs and scooping up Penni, who chirped a little greeting. “The last thing we need is more things to worry about.”
“Or to send you through more times.” His worry showed through the edges of his speech. “You don’t have to—”
“Let’s go again.”
“Okay.” 
~~~
Stephen made it out of the fire and he could have cried with gratitude. The firefighters who arrived on scene seemed very startled to see him stumble out of the building, coughing—they said that the last man to come out had sworn up and down that there was no one else inside.
And they swore with equal fervor that they hadn’t sent anyone else in. They claimed that he must have made it out under his own steam somehow—adrenaline, maybe?
Stephen knew better.
“There are two options,” he told Marian when he explained everything to her later that day. Her brow was furrowed like it always was when she tried to solve a problem. “Either I have a literal guardian angel, or somehow the exact same person is traveling through time and space to save me.”
“I’m not sure which is more improbable,” Marian said slowly. They were sitting at the table, and her fingers twitched against the surface like she wished she had something to write on. “Bending time and space isn’t…unheard of, per se, but we’re years away from being able to achieve it under our own steam. And if we assume they’re from the future, they’d be moving into the past, which is, theoretically, even harder.”
“But then there’s the guardian angel idea,” Stephen said, grinning at her expression. “Which you think is scientifically impossible?”
She let out a long sigh. “I’ve learned not to count anything out when it comes to our faith. So…I don’t know.”
Reaching across the table, Stephen caught her hand and gave it a squeeze. “We’ll just have to pray that whatever this is keeps ending up at the right place at the right time.”
Their prayers were answered when, two years later, someone tried to shoot Stephen again. And again, he was pulled out of the way just in time.
~~~
“So,” Tad said, staring at the screen.
“Yup,” she said.
“A sibling, huh?”
She rolled her eyes. “Let’s do it again.”
~~~
It started happening more frequently. A near knifing in an alleyway, a car barreling toward him as he crossed the street. Every time, it was thwarted. Sometimes, he didn’t even see it coming—the coffee knocked out of his hands that hissed alarmingly on contact with the concrete, leaving it pitted and worn, for instance.
But every time, the attackers failed. And eventually, Stephen started to wonder if they should stop prevention and start focusing on the attackers. The only problem? He had no idea how to do that.
So he decided to reach out to the person who did.
~~~
“How. Did he do that?” Tad asked, staring at the screen.
“He must have realized what we’re doing, somehow,” she whispered. “I mean, he’s married to an astrophysicist, he has to have picked something up.”
Shaking his head, Tad said, “Okay, then how do we respond?”
She stared at the screen for a moment longer, thinking as she reread the lines on the screen. More specifically, the email Tad had found during his usual archive wide search for anything pertaining to Stephen Reid.
He’d sent it to himself, apparently hoping that it would be good enough. And it had been.
To whoever is helping me:
Thank you. I don’t know who you are or if you’ll receive this, but I have faith it’ll end up in the right hands. 
Clearly someone wants me dead, for whatever reason. Instead of preventing it, why don’t we get rid of the attackers? Let me know how and when to help.
Stephen.
“What do we do?” Tad asked quietly
She studied it for a moment longer, then said, “We answer. I can slip him a message on my next trip. Have you located who it is and why yet?”
“I think so.” Opening a new screen, Tad tapped on the article he pulled up. “There’s a stabbing, two years from the next attempt, in an alley nearby his route to work. Exactly the kind of thing he’d get involved in and try to stop, right?”
Nodding slowly, she said, “Right. But why this person?”
“No idea. They’re dead in every timeline so far. They must do something that the attackers aren’t a fan of.”
Taking a deep breath, she said, “Then let’s hope we’re not actually on their side.”
~~~
~FREEPORT~
For a while, Stephen didn’t think his message had worked. Things were peaceful—no attacks, no poisonings. Marian found out she was pregnant again, and nine months somehow managed to fly and drag by until she gave birth to a healthy baby boy, who they named Isaiah.
And then three months after that, it happened again.
At exactly the right moment, he was pushed forward, just in time to avoid a bunch of tiles crashing to the ground from the roof. When he caught his balance and his breath, there was no one there. But when Stephen put his hands in his jacket pocket as he started onward again, he found a slip of paper.
10/11/71. Four in the afternoon on your way home from work. Watch the alleyway off Racine. Be ready.
This was it. This was the answer. A little under a year in future, he’d be able to fix this, for good. Whatever this was.
So he kept the paper tucked in his pocket until it grew worn, the folds flimsy. He kept going with life—worked and went to church and looked after his wife and children. He avoided two more attacks in that time, and every time, his mysterious helper was there just in time, only to disappear before he could get a good look at her.
Finally, the day came. Stephen usually carried a knife, out of habit, and this time he made sure he had it, just in case. The day passed in a haze of business as he worked with patients and did paperwork and wondered what exactly was going to happen.
And then work was over. It was 3:45, and he was walking home from work, hands tucked in his pockets, trying to pretend like his heart wasn’t thundering in his chest.
3:47. He passed the cart that sold churros. Oftentimes he stopped to buy one and chat with the owner, but for now Stephen just gave her a little wave and kept moving, pace brisk.
3:50. A couple of kids zipped by on bikes, laughing.
3:51. He heard footsteps behind him, and his heart lurched. Be ready, Stephen.
3:55. The sidewalk came to an end at an intersection, and he turned onto the sidewalk along Racine.
3:58. He wove through a group of teenagers and sped up a little. He could see the opening for the alleyway.
3:59. Heart pounding in his throat, Stephen came to a stop outside the alleyway.
4:00.
For a heartbeat, there was nothing. And then he heard a muffled scream from the alleyway.
Instinctively, Stephen started forward, concern rippling through him. It had been the voice of a girl—young, too young. Most likely not his helper, but that didn’t lower his concern.
He made it two steps forward before he was grabbed from behind. Stephen vaguely registered the cold press of steel against his throat for a heartbeat before he moved, driving an elbow backward into his attacker’s gut.
There was a grunt—a man’s voice, judging by the baritone—but the grip didn’t loosen. Until Stephen snapped his head backward , connecting solidly with the other man’s nose.
There was a crunch and a howl of pain, and Stephen felt the knife at his throat break skin—
And then the grip was gone, and he was stumbling forward, hand pressed against the shallow cut on his neck. Spinning around, Stephen registered a man in all black taking a swing at a young woman—green jacket, hair dyed blue at the tips, holding a weapon he didn’t recognize. What looked like a tiny flying saucer hovered next to her shoulder.
“Help her!” she shouted, dodging her opponent’s blow with ease.
For a moment, Stephen didn’t know what she meant. And then he remembered the scream from the alleyway, and turned. Pulling his knife from his pocket, he moved.
There were two men, both trying to subdue a struggling, terrified girl. One had a hand over her mouth, and the other held a wickedly curved knife. Stephen took a moment to wonder why these people insisted on using knives, and then he was on top of them.
Clearly, either of the men were expecting him. The one holding the blade went flying into the wall with a cry of pain, clutching his shoulder where Stephen’s knife had gone deep, tearing through muscle.
 The second tried to reel backward, avoiding Stephen as he clutched for his own weapon while clinging to his victim. But Stephen smashed his fist into the man’s face, catching hold of the girl’s arm and pulling her away at the same time, using the man’s momentum as he fell to tear her free.
He took a minute to glance at her—no sign of injuries, just bright red hair and freckles and shocked tears starting to escape—and then turned to face his opponents again.
Only to find them gone, a trace of blood on the ground the only sign that they’d been there in the first place.
What? Baffled, Stephen turned in a full circle, then glanced at the girl. “Are you okay?” he asked, and she nodded shakily. “Okay. Wait here a minute. Call if you need me.”
Moving quickly, he headed back to the mouth of the alleyway, to see if there was any sign of his mysterious helper, or her opponent. But there was nothing. Just the now oddly dusty sidewalk, passersby who seemed to have no idea what had happened, and—
A scrap of white paper. Stephen bent and picked it up, unfolding it, and read the now familiar lopsided script inside.
She’s safe. You both are, unless you see me again. Look after her. Don’t worry about the other attackers.
There was no signature, although Stephen hadn’t expected one. A wave of relief swept over him, and he breathed out a prayer of thanks.
He was safe. They were both safe. It was done.
~~~
~Afraid Of Time~
“It’s not done,” she said.
“What?” Tad stared at her, baffled. “How can it not be done? We saved the victims, including a victim we didn’t even know we had until now, helped catch time traveling murderers, and hopefully we’re not even getting arrested for using government property without permission. Your mom might not even yell at us. How is this not a win—”
He stopped short, looking at her. As she looked at the computer file in front of her, wishing the words were different.
Stephen Reid. Died 10/12/83
“Zee.” Tad’s voice was soft. “You can’t stop everything.”
“That’s kind of the point of this whole time travel thing, Tad. I can.” Taking a deep breath, she said, “I’m stopping this. I’m going in again.”
~~~
Stephen had always loved autumns. The crisp, cool air, the knowledge of the approaching season that heralded celebrations and wonder and joy and family time. How could he do anything but love it?
Sure, he’d almost died at this time of year a few times, but with his life, when was that not true? 
It had been 12 years since the last incident. He’d helped the girl—Jenny, a teenager who’d been alone and afraid and had no idea why those men had attacked her—to the hospital to get checked out. They repeated the same impossible story to the police over and over until they finally got tired of asking and declared the case closed. Stephen was fine with it. He’d been told they were safe, and he believed that.
Years had passed. Jenny became all but a member of the family, and he and Marian encouraged her and supported as she chose a career path and moved forward with her life. Stephen still wasn’t sure what the men wanted with her, but it didn’t matter. Her purpose was her own to discover.
His other two children were far too close to grown up for his taste, as well. Isaiah was thirteen, flirting with girls, and discovering a love for basketball paralleled only by his love for mischief. And Zara was in college, pursuing a degree in physics.
He held great hope and joy for both of them, that they would grow up to change the world in whatever small or big ways the Lord had planned for them. If Stephen was being honest, he held a very specific theory for one of them, as time passed and the similarity grew stronger and stronger.
And that was why, on his walk home from work, he wasn’t overly surprised to see a familiar figure at his bus stop.
She was sitting on the bench, knees pulled up against her chest. Her hair, dark like her mother’s where it wasn’t blue, covered her face in a curtain, and the tiny flying saucer hovered at her shoulder again. As Stephen drew closer, he heard it letting out soft little chirps, like it was trying to comfort her.
Sitting next to her with a grunt, Stephen set down his bag and leaned back. Glancing at her, he said, “Nice day, isn’t it?”
Her chin jerked up a little, like she was surprised to hear his voice, then lowered again. Stephen watched her for a moment, debating whether or not he should speak again, when she did, voice low and cautious.
“If you could know the day that you died, would you want to?”
Stephen considered for a moment, tapping a finger against his knee. “I don’t know,” he admitted. “My instinct would be no—why live in dread of something like that? But I can’t say I would be curious.”
“Who wouldn’t be?” the girl agreed, voice still quiet. “What if…what if you could stop it? If someone just told you the right things?”
A heavy feeling began to settle over Stepehn’s chest. “Can you?” he asked, abandoning all pretense.
She let out a choked sob, and Stephen felt a stab of sadness. “I tried,” she choked out. “I tried again and again, but no matter what I do—”
“It’s okay,” Stephen told her, gently reaching out to touch her shoulder. “It’s not your fault.”
Letting her feet drop down, the girl scrubbed a hand across her face angrily. “You don’t understand.”
“I think I might,” Stephen said, his voice very soft.
She shook her head. “No, you don’t. For you, it’s been another twenty years, but for me…I thought I’d get to go home and—” she stopped short, staring across the street, eyes red.
“And I’d be there?”
She swiveled to face him, eyes going wide. “What—how did you—”
“You’re my daughter, Zara. How could I not recognize you?”
Her face crumpled, and Stephen slid across the bench to pull her into a hug as she burst into tears. She pressed her face against his shoulder and he ran his hand over her hair, the way he used to when she was a little girl.
Closing his eyes against tears of his, he whispered, “It’s okay.”
“It’s not,” she mumbled, voice muffled by his shirt. “I was supposed to get you back.”
“You did,” Stephen pointed out. “Just not for as long as you wanted. But you were the one who saved me, so many times. You’re the reason I got to watch you and Isaiah grow up, and I will never stop being grateful for that. You’re the reason Jenny’s alive.”
“It’s not enough,” she whispered. “This shouldn’t be the last time I see you.”
Stephen almost laughed, tears springing to his eyes. “It won’t be. If there’s one thing I hope your mother and I taught you, it’s that.”
Pressing a kiss against the top of her head, he pulled back a little, taking a look at her. Zara had his wife’s beauty and dark wavy hair, and he wondered when she would dye the tips blue. Her eyes were the same warm brown as Marian’s—oh, Marian—and right now, they were wet with tears.
“I don’t want to let you go,” she said, voice shaking.
“I know,” Stephen said, heart aching. All he wanted was to tell his daughter that it was going to be okay, that he was going to be able to come home. But it was becoming increasingly clear that he couldn’t make that promise.
Instead, he asked, “Tell me about what you do next. Tell me everything.”
So they sat on the bench, and Zara told him about her work and her best friend Tad—whom Stephen had already met, but the two hadn’t grown close yet—and how Isaiah was coaching at a local high school and Marian was still working, still looking out for Jenny, still going to church every day. “She still loves you so much,” Zara told him. “Even when I never knew you, she’d tell me about you and how important you were to her. I—I thought I could bring you home to her.”
“You did,” Stephen pointed out, remembering all the days he’d almost died, and all the days his daughter had saved his life. His daughter.
Eventually, the bus came around the corner, and the little flying saucer at Zara’s shoulder let out a chirp. Zara’s eyes widened, and she glanced up. “I—”
“You have to go,” Stephen guessed.
“I don’t want to,” she whispered.
“I know. But if this is it, I don’t want you to have to watch it.”
Shaking her head, Zara said, “You shouldn’t have to be alone.”
“I’m not alone,” Stephen told her, and he meant it. Though his heart was heavy with grief, it wasn’t for him. And he knew—he was sure of it—that his family would be alright. They were strong enough to look after each other without him.
Getting to his feet, he waited until Zara did the same, then pulled her into a fierce hug. “I love you,” he told her. “And I’m proud of you. You and Isaiah, you’re the best thing I’ve ever done.”
She was openly crying now, but nodded, holding him tightly for another minute. “I love you, too,” she said.
And then stepped back and the bus was there. Stephen took one last look at her, taking in every detail. At last, he turned and boarded the bus, taking a seat in the back.
It lurched into motion, and Stephen glanced out the window at the now empty bus stop. I’ll see you again, he thought. And he knew, in his heart, it was true.
Pulling out his phone, he opened up his text messages and began one to Marian.
I love you, Mari. I love the life we’ve lived together for the past twenty years. Thank you for being the best wife and friend I could have ever asked for. 
Looking up, Stephen took one last look around him, and wondered what would come next. He knew more than most sitting on the bus did, and yet found himself frightened. And yet, at the same time, excited.
Whatever else happened, he was ready, with no regrets.
He sent the text.
~~~
Zara was still crying when she stumbled back into her own time, bones aching fiercely. Most trips, she’d taken a break in between, but for the past five or so, she’d gone in without stopping, time after time. Trying desperately to stop what she knew was going to happen.
It hadn’t worked.
But somehow, despite the tears and the ache in her heart, it was okay.
“Zara?”
Tad had moved to stand in front of her, face twisted with concern. “Are you okay? Or—are you hurt?”
Shaking her head, Zara took a shaking breath. “I’m okay,” she said, and he gave her an unconvinced look. “Fine, I’m not hurt. And I…” she trailed off.
“It didn’t work,” Tad said quietly. “Zee, I know you want to do this, but so many trips in a row are hurting you. And if this is so hard to stop—”
“I know,” Zara said, taking a deep breath. “It’s okay. I’m…I’m not going in again.”
Tad’s eyes widened. “Really? I—I didn’t expect that to work.”
“It didn’t,” Zara said, and couldn’t hold back a laugh at his expression. “I…I talked to my dad. It’s okay.”
“You’re sure?” Tad said slowly. “Because five minutes ago you were very ready to keep doing this or die trying.”
Nodding, Zara swiped a hand over her face, ridding herself of the last traces of tears. “I am. I got to say goodbye, and…he’s right. I’m gonna see him again. Someday.”
Resting a gentle, if slightly awkward, hand on her shoulder, Tad nodded. “I’m glad. He’d be proud of you, Zee.”
“Thanks, Tad.” Zara took a deep breath. It was time to stop living in the past, and start looking at the new, and slightly changed present she had waiting for her.
And when the time came to see her father again, she would greet him with joy and the knowledge that she’d lived her life to the fullest, like he had. Until then, all she could do was take the first step toward doing that.
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bookshelfdreams · 1 year ago
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do it. gimme the Izzy straight-coded meta 👀
I feel like I need to preface this by saying that Actually, Izzy Is Straightcoded would be the inflammatory clickbait title I'd give this if it were written to draw traffic & ad revenue to my shitty website. So don't take that term too seriously.
There has been a lot of ink spilled about Izzy thinking he's in a story where one can only be subtextually queer. Some even by yours truly, but the more I think about it, the less sense it makes. What would be the purpose of queercoding Izzy?
In general, villains* aren't queercoded to show that men being attracted to other men is bad. It's often the outcome; but it's not why the trope exists. It exists because cishet people tend to be (and are encouraged to be) profoundly uncomfortable with gender nonconformity, and so, making a character gnc becomes a quick and easy way to make him appear twisted and untrustworthy. If he** can't even obey the fundamental rules of his own gender (rules that are inherent and unchangeable!) what other rules does he disobey?
Or: If a man is insufficiently masculine, he can't be trusted to have morals. The villain isn't gnc because that's an evil trait to have; rather, the gender nonconformity is a symptom of his evilness. Being evil is what enables him to embrace his feminine side, and embracing his feminine side is what others him and marks him as a villain.
This only really works when he's contrasted with a hero (or heroine) who is Doing Gender Correctly. The villain is foul to highlight how good the hero is. The Hero will be honest and straightforward, brave, physically powerful; the Queercoded Villain treacherous, cowardly, and physically weak. The hero is a Proper Man, a Good Person. The villain an Improper Man, and therefore, a Bad Person.
Of course ofmd fundamentally rejects this. The shorthand wouldn't work, because ofmd simply doesn't think effeminacy is creepy. It's uninterested in moralizing self-expression; it just lets people be how they are. There's a wide range of expressions of masculinity on this show, and none of it is inherently bad. People are allowed to be hypermasculine, flamboyant, and anything inbetween, can express their gender in whatever manner they want, and it's all fine - as long as they are authentic about it. Be however you are, but be yourself, and this is what Izzy fails at. The repression marks him as a villain. The strict adherence to what he thinks a Real Man Pirate ought to be like. He's very preoccupied with enforcing a traditional (and toxic) masculinity on himself and others. It's no coincidence the characters he antagonizes the most - Stede and Lucius - are also the most effeminate ones. And I know, I know anglophones have a much more casual relationship to twat and cunt, those don't nearly feel as uncomfortable for y'all as they do for me, so I don't want to assign too much significance here, but he is the only character who constantly uses this kind of language, and also the one who uses the most gender&sexuality based slurs (as far as I remember).
All of this while being clearly, obviously queer himself! I do not feel like I need to explain this; his flustered reaction when Lucius asks him if he's ever been sketched speaks for itself. The fact that he meets Stede and immediately slices his shirt off of him, speaks for itself. And so on.
Izzy isn't straightcoded in the sense that the story wants us to believe he's exclusively attracted to women. Much like a queercoded villain doesn't need to be shown to be attracted to men (and can even be shown to be attracted exclusively to women!) to still be queercoded. He's straightcoded in the sense that he's a stand-in for restrictive and toxic gender roles that society enforces on people. He buys into the idea that there's a way of Doing Gender Wrong, and this is presented as a tragic character flaw. Something he has to overcome to be able to do the thing that actually marks a hero in this show: express himself authentically.
Part of why I found his death so moving is because it enables him to set right the toxicity he spread. His rehabilitation arc was about himself; about finally allowing himself to be, accepting love, accepting community. His death was about taking responsibility. About fully recognizing the hurt he caused. Looking death in the face enables him to finally abandon the last shreds of that toxicity, to apologize and be granted forgiveness. In the end, he was not beyond saving, and the harm he has done will be healed.
*Izzy is introduced as an antagonist to both Stede and the central romance of this romcom. I'm not gonna debate this; if you disagree, fine, but you clearly have such a fundamentally wrong different view of the show that it's pointless for us to try and convince each other.
**of course Queercoded Female Villains exist s well, but they are a whole different can of worms and less relevant to this discussion
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ganondoodle · 2 months ago
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some destiny (zelda comic) lore
i really have absolutely no problem with AUs, but in the case of my zelda comic i kinda dont like it being called that bc i made it specifically around the idea of offering an origin story to .. everything really that could be true and put the entire series in an entirely different light
like most things in the series around the creation of the world and the godesses etc are told to us, and i always ask questions when sth is just told to you especially in this black and white kind of way
idk if i ever talked about it, probably not bc its somewhat of a big reveal in the comic (though its at the very end) and given how slow i am thats years away so:
the three gods (gods as a neutral term here) exists outside the physical realm in a sort of void like darkness with an endless completely calm ocean they created the world we know as hyrules world, in fact they created two more, each of them filled with life, at some point choosing a mortal to kill and make into a deity as their right hand since the gods cant go into these worlds themselves
they want to enact the plan we see in skyward sword, they want a monster to invade the land, their chosen deity to seal it, die and be reincarnated and start the whole zelda cycle as we know it; why?maybe purely as entertainment, which is why each cycle is so widely different, they are gods and treating life and worlds like their little toys feels kinda right- and they really dont like when their toys act against them, thats not what toys are supposed to do after all
so, courage as i like to call them, was a deity they created using a mortal, but they failed to even make their mortals believe in them, instead they were seen as the monster, the gods lost their patience and drowned their world leaving only courage to survive, while they failed their orders and were hated, they still cared about their world, seeing it slowly drown and abandoned by the gods made them filled with despair, in an outburst they destroy the spring of the gods (an ancient spring that is the first to exist in a world when its created) and it opens up a gate into the realm of the gods, that dark calm ocean of nothing- they go into it and wander into the closest source of light and it brings them into demise's world
demise is the deity of his world, and when courage arrives there they start to attack it, filled with desperation and rage that their world was drowned while this one thrived- demise hasnt failed the gods yet, and he fights and seals away courage with easy, but it lets him doubt the gods words, courage was supposed to be some evil monster, yet they were similar to him and he defeated them so easily, why would he chose to die and be reincarnated as a mortal? he wanted to stay a deity and protect his world forever- he started to stall for time, halting the building of the temples for the hero in the future, and at some point courage broke out of its seal, nothing of it was like before it was a strange and now truly, a monster, and demise killed it to protect his lands, thus making the gods prophecy unable to be furfilled and so the gods abandon his world too, they let mortals turn against him as his world slowly dries out, until there is nothing left alive but him and ghirahim, trying to drive him to madness so he becomes the monster for the the next world in the row, but fail just barely- he too destroys the ancient spring and discovers the gate it creates
so demise travels to hylias world, and hylia, hesitates to seal him right away bc she notices he is not a mindless monster like she was told, despite the gods effort to raise her in isolation and make her into the perfect vassal, hylias curiousity is too much, so she lets demise live, over and over as they battle- which is the story of the comic, at the end they fall in love and uncover the gods plans, that demise was in the same position as hylia is, and he killed a deity jsut like them, that the reincarnation thing might be a lie to get rid of the biggest threat to the gods (the deities needed to be gotten rid of before they realized anything) and replace it with a more controllable mortal once the set up for the play was done, this too has been a cycle in the end the gods make sure this time it ends up how they want, more or less (im leaving out the details for now) and demise gets sealed and hylia dies, both of them taken by the gods but as both resisted them it is not perfect, demise still did not turn into the monster they needed so what you fight in skyward sword is an apparition of him, not him truly, and ghirahim knew he would never be himself again but his desperation and devotion made him try anyway only to end up playing right into the gods hands
and that is how the series started, a scheme of the gods to create their little play, inventing new little adversaries and eviil beings but short lived so easily to reinvent over and over, but its all based on lies, zelda isnt special, she was jsut a mortal that happened to be chosen by the gods to take the role she has now, shes no reincarnation of hylia, none of the things they tell you about hylia are true, its the gods lying to you, and the trio is stuck in this cycle not realizing they are merely being played with
(being sealed or dying as a deity send you to the realms of the gods, where they pin them down on a pillar like bugs (unconcious) and occasional borrow their magic for some tricks and schemes to play with in the world of hyrule, the deities are still there, and will be until the gods decide to kill them fully- and at the end of destiny as demise is take by them, in the last few moments before he is hung up like a trophy he not only sees that courage, who he thought he had fully killed, was already there, but in the darkness were countless remains of abandoned deities hanging dead on pillars, how many times have the gods done this before?)
(possibly not as interesting as i hope it is, but this is what im going for, and it only really works if the rest of the series exists just the same, otherwise the whole point of putting everything in this context would become kinda meaningless? at least thats how i feel about it so i dont like calling it an AU, but im not mad about it bc i guess if you take all the lore at face value it is completely different and doesnt work with canon at all? idk )
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keirawantstocry · 9 months ago
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writing idea!!! pac sees someone (can be anyone) flirting with tubbo and gets jealous because he is the one and only person (-fit) that gets to flirt with tubbo so he makes up a super elaborate unnecessary plan to get this person away from tubbo
okay listen anon idk what kind of crack cocaine you put in this request but after writing it I had the motivation to clean my room for the first time in over a month. so thank you 
Torrid shocks of jealousy and anger shot through Pac's body as he watched that fucking shark hybrid lean over Tubbo with low eyes and a wide smirk. He did not like that. Why the absolute hell did that other man think he had any permission to get close to his guy? 
Did Foolish not know who he belonged to? Well he was going to have to change that wasn't he? 
Without another thought he was looping over and behind Tubbo. He snaked his hands around Tubbo's waist and propped his head on the man's shoulder before looking up at the shark hybrid with thin eyes. 
A laugh rumbled deep in Tubbo's chest. “Hey, Pac.” 
“Hi, Tubbo.” 
Foolish's eyes darted between them both quickly with a confused glint to them, his eyebrows tilted down. Was he just gonna act like Pac didn’t know exactly what he had just been trying to pull? 
Pac gave him a sharp toothy smile like a predatory animal. 
“Ah,” Tubbo tsked, as his comm buzzed with a message. “I gotta go guys. I'll see you later, yeah?” 
Pac let him go and as he turned to see the both of them gave him a much kinder smile. “See ya!” 
After Tubbo warped away, Pac grabbed Foolish by the collar. “Hey! Listen to me.” 
Foolish's eyes went wide as he nodded, his Adam's apple bobbing as he swallowed hard. 
“Tubbo… he's mine okay? I don't mind if you do little adventures with him. I don't mind if you look at him because trust me, I know. But just know he's mine okay? I will cut you open like the Chester de Natal if you even try to get your hands on him.” 
Foolish laughed slightly. “Possessive little bastard aren't you?” 
Pac growled at him and he raised his hands in surrender. 
“Hey, hey. My bad, okay? I'm not trying to go after your guy. I wouldn't.” 
Pac took a step back, giving him another wicked grin. All teeth. “Glad to see we came to an agreement. Tchau!” 
Just as he started his walk away he heard Foolish mutter under his breath, “I wasn't even flirting with him, crazy bitch. Tubbo's got himself one protective asshole.” 
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twodiamondhoes · 18 days ago
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Rancher's Week, Day 1: Canary in the Deep Dark
Jimmy carries the heat of summer in his soul, and every season, he uses it to hold off the inevitability of the encroaching winter. When the unthinkable happens and he ends up in the midst of the Winter Court, depending on the kindness of strangers to survive, he finds himself juggling his own survival, a potential war, and a burgeoning understanding with the Winter King that leads him to wonder: are the Winter and Summer fae so different after all?
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simplyghosting · 1 month ago
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I’ll be honest, for as many years at I’ve seen October art/writing challenges (and art challenges the rest of the weeks/months of the year), I’ve only attempted a few and never finished any.
That being said, I think what I’m going to do for my umpteenth attempt this new October is to just.. do. Just do something every day. Any challenge, any prompt, any event, even if it’s mixed and mismatched. Doesn’t matter if it’s finished, though I will try for it. A few well-typed sentences, a sketched drawing, an unfinished study, I’ll still label them a success. I want my goal for this month to be to make improvements in my art and passions and to make an effort. Not bogged down by perfectionism or despair or lack of motivation or whatever else may stop me. I want to make the challenge of this month for me to live my life thoughtfully and love and respect what I bring into it again.
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bigcats-birds-and-books · 5 months ago
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Books of 2024: June Wrap-Up.
Okay, y'all have Convinced Me--I'm going to start doing little wrap up posts! Behold: a shelf of what I read in June (not pictured: the bookmark at page 466 of ORDINARY MONSTERS, because despite having read two (2) books worth of book so far, I'm still not quite done with that one).
June was kind of a slow reading month for me (I did a LOT of writing, looking back--nice). I wanted to take OTHER TERRORS and THE ELEMENTS OF ELOQUENCE a bite at a time so the horrors and figures of rhetoric (respectively) didn't all run together. Both of those, much like A SHINING, turned out to be pleasantly leisurely wanders, whereas MONSTERS is kind of a plod.
I already did bigger write-ups for TERRORS and SHINING, linked in the bullets below.
OTHER TERRORS - ★★★★ Great bite-sized horror anthology with a really inclusive mix, as promised! I enjoyed most of these (always nice in an anthology!)
A SHINING - ★★★★ Weird fucked up heavy little book in translation, lit-fic flavored, but very approachable, I thought. Tiny enough to swallow in a sitting, but also kind of exhausting to do it that way? I'll definitely reread this one in the future.
THE ELEMENTS OF ELOQUENCE - ★★★ Fun romp through rhetoric! The examples were fun, and I appreciated the humor, but I also find myself still uncertain what a bunch of the figures actually ARE, definitions-wise, despite having read a book full of so many of them (I did just buy his recommended A HANDLIST OF RHETORICAL TERMS to help with that, at least, which is. almost entirely. definitions by volume). Neat thing to have on my references shelf, but it wasn't as excellent as I was hoping it'd be.
ORDINARY MONSTERS - 466/658 pages read; will report back later (but it's not looking good, folks).
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befuddled-calico-whump · 9 months ago
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putting one more Cinderglass drabble request in your askbox (i am so sorry for the spam but i’ve been thinking about them nonstop aghfsk). again, feel free to ignore this!
i‘d love to see Sarah help Lex work through a panic attack or a traumatic flashback! maybe either so that he doesn’t have to drown himself in alcohol about it or she’s helping and calming him down while he’s drunk
Wildefire Masterlist
cw: alcoholism, emeto, hallucinations, withdrawals
He'd been sober for thirty seven hours.
Not long at all, really, but it was something, and he was trying, and it was fine.
Well, it was fine for thirty seven hours.
Outright quitting was the only thing Lex dared to do. Trying to just cut back wouldn't work, because what was cutting back? He didn't keep track of how much he drank anymore, he just drank until he felt like it was enough. Even just trying to regulate himself to one a day seemed risky business. Would he be able to stop, once he started?
He didn't want to find out.
Lex didn't tell Sarah, didn't want her saying it was a bad idea or insisting on staying with him. It was a rough ride ahead, and he didn't want to somehow hurt her in the throes of his panic or sickness. He... He didn't want her to see him like that.
So he locked himself in his room, told her not to bother him this week, that he'd be busy. The safehouse was old and decrepit but huge, and his room had a small bathroom attached, something he was doubly grateful for now.
He stocked his room with water bottles. It was impossible not to think of Sarah whenever he looked at their plastic cases now, Sarah staying up until early daylight, because she was worried. That was good. He could use his guilt there as a reminder; a reason to hold out.
He sipped at them and stared at the wall, every light in the room on, the old radio Sarah had gotten for him positioned at the foot of his bed. She'd given him a battered CD case with it, packed full of a few dozen discs. A Guns n Roses album was currently in, playing just loud enough to pull his thoughts.
She's got a smile that it seems to me, reminds me of childhood memories
By now, Lex was pretty good at doing nothing, letting himself sink into the thankfulness that nothing was being done to him. Even a year after the Tower and weeks free of Uriah, the talent hadn't faded. Day one turned into night, and he didn't dare fall asleep. Just swapped one CD for another and let his mind cling to the lyrics.
Too late, my time has come
Sends shivers down my spine, body's aching all the time
It was around hour twenty two that the headache started, and it only got worse from there. Not long after that, Lex was clinging to the toilet bowl, heaving up the half-dozen water bottles he'd drank throughout the day, his head swimming, the pit in his stomach insisting couldn't he just do this later? Would it hurt to have one drink, to get rid of this shitty feeling?
No. All or nothing.
He moved the radio to the bed, putting his ear to the speaker, trying to drown out everything else. The album came to an end, and he replaced it with another, as quick as he could without scratching the disc with his stupid metal fingers.
Suddenly someone is there at the turnstile
The girl with the kaleidoscope eyes
Fuck. He just needed to hold out, just for a few days, and this would be over. A little self control, and maybe he could call himself worthy of the people here. Not a loose end. Not an ex-enemy or a liability. Something better.
Lex wrapped the sheets around himself, held the pillow over his head to try and ease the pounding in his skull with the pressure. It didn't help. He almost fell asleep, but the nausea pulled at his stomach and his skin was crawling and too hot, and then he was throwing off the blankets; stripping down to his boxers in an effort to ease the heat.
Exhausted but unable to find sleep, he sat with his back against the cool wall and sipped water, trying to find the lyrics again and hold them.
I don't really want to stop the show
But I thought you might like to know
That the singer's gonna sing a song
And he wants you all to sing along
It didn't help, it wasn't enough. His own body was fighting him, roiling nausea and sickness insisting all he needed was one drink and it could all go away, it could all be okay (fray, gray, stay).
The radio hummed as the CD came to an end, a few seconds passing before the album began again.
What would you think if I sang out of tune?
Would you stand up and walk out on me?
At long last, his own exhaustion was catching up to him, and he dragged himself back onto the bed, the heavy feeling in his chest spreading to his eyes and mind, as the music faded to a buzz and sleep overcame him.
He woke in the Tower.
It was impossible, he knew it was, but the fear seized him all the same, the crushing weight of walls he couldn't escape, the knowledge that this time, there would be no one to free him; this time he was here for good.
And the floor was wrong and Lex knew there was never music, but he fucking knew where he was.
He sat up, wincing at the sharp pain that rang through his skull at the movement, forcing down rising nausea. No one here cared if he was sick, if he was hurt, they'd hurt him more anyway, they'd do what it took to keep him down, keep him in line. He wrapped his arms
(Arms? It's wrong, stop, you aren't---)
around himself, squeezing his torso with a pressure that wasn't comforting. He felt shaky, blurred, weak. Had they drugged him?
(just one drink and this all goes away)
He tried to reach for the techniques he'd used to get through the days, tried to remember the things he'd done to stay sane, to stay alive, but any useful memory fell through his hands like sand, leaving nothing but the shadows, the nightmares (snares, glares, spares).
He knew what happened here, in his cell (hell). He knew what was waiting to spring on him at any moment, what would surely come for him if he let his guard down (drown), if he fell asleep, if he---
"Morning, scum."
Lex froze as the door swung open. Morning? But it was so dark, but it was always dark, the light never hits you here, and when it does there are worse things waiting---
"I knew you'd come crawling back. This is where you belong, it's home."
He could hear the voice clear as day, but couldn't see its owner. It didn't sound like Wade. It almost sounded like...
"Alexei. Did you really think you could hide from me?"
Uriah Fox stood over the bed, a smug smile plastered on his face.
"No," Lex choked out. "Y-you can't--"
"You always knew it would end this way."
(Fray, pray, stray)
He climbed onto the bed, straddling Lex, easily pinning him despite being so much smaller, despite Lex being so much stronger, and he couldn't move, he couldn't breathe---
"Lex."
The pressure in his chest faded, and he gasped for air, squinting into the dim light, unable to make out anything. A hand fell onto his shoulder, giving it a light shake, and he flinched back.
"Sorry."
Sarah? He forced himself to breathe deeply, ease his eyes open. Her silhouette was blurry above him, and it was only then that he realized he was crying.
He brushed the tears away hastily with the back of his hand. "You... You should go," he managed to say.
She sighed. "I'm sorry if I scared you, I just... I heard you... screaming. Not loud or anything, but..." She tapped her earlobe. "Can't get much past these."
He swallowed, trying to push himself into a seated position, but his shoulders shook, his stomach twisting, and he fell back onto the pillow.
"Lex..." She bit her lip. "You could've told me. You know you don't have to do this alone."
He almost laughed out loud at that. What other way was there? It was his body, his choices, his mistakes. He'd drowned himself for too long, hoping it could save him, knowing it never would. He was reaping his rewards. No one else should have to deal with the mess that was him.
"I'm not your problem," he murmured, letting his eyes close again. What could she do, besides be there to fill the silence when music wasn't enough? Besides grounding him and telling him it wasn't real, he wasn't there?
"You're not a problem, Lex," she said, her voice serious. Tired. How late was it? Even trying to be fucking better, he was still screwing up her life.
"I just want you to take care of yourself, okay?" She kicked at an empty water bottle. "Is this the best way? I'm glad you're trying, I am, but don't you think it'll be easier on you if you come downstairs and hang out?"
He didn't want any of them to see him like this. "What good would that do?"
"Distract you, for one. For another, it'll be easier to remember meals. When's the last time you've eaten something?"
He sank further onto the bed, his gut twisting again at the thought of food. "I don't know."
"And have you been drinking anything besides water?"
"No, that's--that's the whole point, I'm not---"
"That's not what I meant. Electrolytes? A protein shake, maybe?"
"No," he answered after a moment.
She dropped her eyes, a grimace tugging at her mouth though she seemed to be trying to hold it back.
"Do you not think I can do this?"
"I think you're punishing yourself," Sarah said. "And I think you should stop."
Was he? His head spun almost too much to think about it. This wasn't self-inflicted punishment, it was cause and effect. It was something he had to get through if he ever wanted to move past the Tower.
"It'll be over soon," he muttered, and he hoped he was right.
She dipped her head, pressing her lips together tightly, and pushed off of the bed, moving to sit cross-legged on the floor.
"Sarah..."
"Look, I don't wanna push your boundaries, but I can't leave you like this. It's not safe."
"It'll get worse from here."
"Which is why I'm staying." She gave him a stern look. "If you want to be alone, I'll leave, but I'll be right outside your door."
Lex clenched his jaw. "I'll be fine."
"You're detoxing. You're already feverish. What if you start seizing up?"
"Then I've already dug my own grave."
"Lex." Her expression darkened. "You can't keep doing this."
"This is the only time--"
"Not this. Self-destructing. You..." She did grimace then, pinching the bridge of her nose. "You keep hurting yourself, and I can't keep watching."
He pressed his cheek further into the pillow, knees drawing to his chest. "Then why do you?" he said. "Why haven't you thrown me out yet?"
The words came out too angry. Accusatory. His own fault. Any filter he had was lessened by the pain in his head and the nausea and the fucking exhaustion. He didn't want her to throw him out, he... he needed her. Not in some bullshit emotional way, but as a reminder that there were still good things. Things worth fighting for, worth living for.
"I'd never throw you out," Sarah said, her expression turning to something that bordered playful. "I like you too much for that, you know. I just..." She exhaled through her nose, pushed soft dark hair over her shoulder. "I want you to try, okay? Can you agree to try to do what's best for yourself? To stop taking the harder path just because?"
Could he? Even if he wanted to? The harder path was what he was used to. Less traveled, less trapped. Suffering for a goal was a habit. Muscle memory.
Would the path to freedom be as clear if there was no pain to pave it?
Still, something in her voice pulled Lex to nod against the pillow. "I'll try."
Her smile shifted to something more genuine. "That's all I'm asking." She began to push herself up. "I'll, uh... I'll be in the hall then. You are eating breakfast in the morning, mister."
"You... You don't have to do that," he started.
"Do what? Bring you food? Or stand guard? I already said I'm not leaving you alone--"
"You don't have to stay in the hall." Lex swallowed (followed), and it took him a second to form the words. "You can stay here. If you... If you want to."
Her expression softened. "Yeah. I do."
She found a spare pillow and blanket in the room's closet and began to settle down on the floor beside him, picking out a new CD to start the music playing again.
While we're on the subject, could we change the subject now
"I'm here if you need me."
"I know." I need you.
It was a paradox. The easier path to recovery, to a clear head, to control being the more difficult one. Because it was untravelled. Because he almost felt he didn't deserve it, that he should bear the punishment for his own vices.
But even if the path was unchartered, he had a guide. For once, he didn't have to walk it alone.
oh, and we carried it all so well
•°•°•
Tag List:
@whumpacabra @enteredin2eternity @kixngiggles @whumpsday @kiichu @whump-for-all-and-all-for-whump @shywhumpauthor @distinctlywhumpthing , @bloodinkandashes , @fleur-alise , @whumpy-daydreams , @whumpwillow , @honeycollectswhump , @snakebites-and-ink
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shoshimakesstuff · 6 months ago
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you're gonna have to leave me now, i know. but i'll see you in the sky above, in the tall grass, in the ones i love. you're gonna make me lonesome when you go.
@shoshiwrites' jo + egan — read here.
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imminent-danger-came · 1 year ago
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continue being a little mean to toh fans please it is really irritating how some act like its got the best writing of any modern cartoon
Daawwwww I don't have it in me. TOH fans love it for a reason, and there are legitimately good moments! It's just not the most complex or well-written show out there—which it doesn't need to be—but I also totally get your exhaustion. It gets tiring seeing people praise it so highly over and over again when it's just like...fine. It didn't do nothing but it also didn't do something, you know? It's main couple is cute and queer, but that's pretty much all there is to them. It has a fun cast of characters, but they all tend to fall into archetypes. Luz is a sweet main character, but she doesn't have any real flaws and kinda takes a back seat to Hunter and Eda (the white people lol). Her foil with Philip was interesting...but then they kinda backed off and went the "you and Belos are nothing alike" direction.
((I'm also going to answer this anon with another: ))
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And It's not that an unsympathetic villian is bad, or that Belos would even be sympathetic with added backstory, it's just that...there were a lot of interesting things to explore with his character that were left hanging.
Like, while he's definitely not at all a good person, it's intriguing that he would bother to recreate his brother over and over again knowing that each time the grimwalker was going to betray him. It's intriguing that he was even willing to kill his brother to begin with (though Caleb was super underutilized in general). Like, you can give a villain depth without justifying or victimizing them (hi Finnegran from tdp, I'll also add Spider Queen & LBD here). So it just feels like a missed opportunity all across the board. It's still surprising to me that we got a confirmation on the Wittebane backstory through an unrelated background character, rather than Philip himself (who had literally possessed a main character, and mindscapes had already been well-established....the pieces were all there me thinks).
And obviously it's like, people can love something despite it's flaws, and they can cherish it for the good it has, but they still don't need to praise it as an ultimate form of media, you know? We don't need to pretend toh was this dark and complex story—it was just a story a lot of people liked and resonated with. Which I'm glad it's there for those people, and I'm glad there are options when it comes to queer pieces of media!
That said the show with the best writing of any modern cartoon is The Dragon Prince (streaming on Netflix).
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elekinetic · 2 years ago
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wip wonday
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