#anti castlevania

[empuratapatient]

Castlevania is the worlds most hatewatchable show. It didn’t start as a hatewatch but by god it ended as one

[nocturn-warrior]

Let me just remind you guys that...

AI fanfiction is not fanfiction

[batcastlesociety]

poorly constructed netflixvania rant under the cut,,, and yes i will be using capital letters for once! don't question it.

small warning because my rant is all over the place and by no means professional. i'm still relatively new to castlevania and may or may not get a few things wrong,,, sorry, if i do! 🙇🏻‍♂️ i plan on adding more to this later to make it seem less like alphabet soup, if you will.

Obviously, I'm aware that I'm a tad late to the whole "netflixvania ranting" thing, but honestly, I really don't care if I'm late or if this gains traction somehow or not. I just want to put this out there and get this OUT.

Now, I'd say that I'm awfully new to the Castlevania community itself. I'm a minor, so it's not like I grew up playing the games when they came out. 💀 Hell, I actually found out about Castlevania through watching its Netflix adaptation. But honestly, when I got Smash Bros Ultimate and found out about Richter and Simon, then doing further research and finding out about the games themselves, I'd say I abandoned the show immediately after that. Like, immediately. The games just interested me MUCH more!

Netflixvania is just... boring. It feels uncanny. Not canon, of course, just.. uncanny. Weird. Honestly, I feel horrible considering the large amount of people that actually LIKE Netflixvania compared to the games and say it's better, or even not have heard of the games in the first place! It's so stupid, when you compare the games and show.

Honestly, comparing the show to the games is... wild. I've seen people say that "oh, yeah netflixvania SUCKS, buuuut the first season is still badass!!!" Like... no, buddy... no... Netflixvania refuses to adapt Castlevania from the very start. The get-go, if you will. The very first season of this wretched show starts off completely off the rails. Not even the first season is above "sub-par".

The games have an immersive, charming, compelling storyline with a bunch of really well-constructed lore, at least in my opinion. I absolutely LOVE the whole plot of a massive feud going on between mortals who have to start a bloodline to fight this immortal Big Bad, and their reactions, their bad reputation with the Transylvanian townspeople despite the fact that the Belmont clan is pretty much the only thing keeping the former alive, and much more.

Anyway, back to this godawful adaptation.

First off, the goddamn showrunner of Netflixvania, Warren Ellis, literally CUT OUT A CHARACTER from the VERY VIDEO GAME THAT HE WAS ADAPTING INTO A SHOW, just because he thought that the character's name "sounded stupid", and that having a "pirate" character apparently wouldn't make sense, because ooh romania is a landlocked country!!! YOU IMBECILE. GRANT DANASTY IS NOT EVEN A PIRATE.💀💀💀 That was a mistranslation, for crying out loud! Isn't Grant a thief??? Not a pirate??? Also, who gives a shit if he even was a pirate?! This is the same adaptation that turned Trevor 'FUCKING' Belmont into a stumbling drunkard and Alucard into a horse-faced sex object. Everyone else is out-of-character enough by themselves! Who CARES if there's one single """pirate""" character??? This is the same show that has mages and Devil Forgemasters and, oh, let's not forget; FUCKING VAMPIRES??? This is a fantasy setting!! Why would you deny a canon character his chance in the spotlight for the sake of historical accuracy in a fictional world like this??

Besides, as aforementioned, Grant wasn't even a pirate in the first place! Ergo, it wouldn't matter if the story took place in a landlocked country or not!

Anyway, next point. Still about the characters, though. Mostly how they talk. Almost very single word these characters say is emphasized with a few "fuck"s and/or "shit"s, "bloody hell"s, etc., ESPECIALLY with Trevor. It's as if they're using curse words to sound more witty or mature, which is literally one of the first (and frankly, most obvious) of Red Flags for Horrendous Adult Media. In my opinion, at least. I just don't understand the reason why. I don't recall any of the Castlevania games having a single curse word in them (correct me if I'm wrong on that bit), but the games were still marketed for more mature audiences, too! You don't need profane language and a few splashes of vomit to make a compelling story for adults. Really, truly.

Back on that bit, it feels as if the writers REALLY wanted to make Trevor really witty. A bit of a whimsical jokester. Which, by the by, also if I recall correctly, isn't what his personality is really like at all. At least, not for the most part. In Curse of Darkness, Trevor was definitely a bit witty and cunning, but he also had a pretty damn big ego. He was confident, blunt and hotheaded. He's an arrogant bastard. CoD Trevor is intimidating as well. However, he's also honorable and likeable. Just a neat little guy.

Netflixvania Trevor, on the other end, is... odd. He's aloof, cynical, still having a bit of arrogance, but I don't know. It didn't feel like Trevor. I don't know how to explain it. Maybe I'll come up with something better someday else.

Well, now that I'm mostly rambling about Trevor now, I think I should talk about his actual outward design as well. Truly, none of the members of the Netflixvania cast have retained any of their ingame designs, at least for the most part. Except for Alucard, of course, but I'll mention that a bit more later. I'll only talk about the main trio (RIP Grant Danasty, you were never nasty and will be here in spirit...) and their designs right now.

Starting off with Treffy himself. His design is... a bit odd. Now, I feel as if it's his eye that irks me the most. Let me just pull up some visual aids for this one:

THIS is Netflixvania Trevor. I apologize in advance for the low-quality PNG I've just slapped here.

Anyway, look at his eye. It has a scar on it. Keep that in mind.

THIS is Trevor's actual, ingame design for the game that was supposed to be adapted correctly, and there's no sign of any eye injury here.

And in Trevor's CoD design, he ALSO has a scar... but this isn't all that similar to his DC design, either.

Personally, I feel as if Netflixvania Trevor looks more like Judgement Trevor, than anything...

You can see the scar on his eye (IGNORING the outfit...), but even then, JuD Trevor still has an eyepatch. Netflixvania Treffy does NOT have an eyepatch. These are just differences in design, mind you, i know absolutely nothing about Judgement itself.

Anyway, Treffy (i'll just be calling him that from now on) looks like a weird mix between JuD Trevor, because of the hair and body structure, and CoD Trevor, due to the visible scar, I guess.

...Which is even worse, because it just goes to show how much the creators of Netflixvania really deviated from the source material. Maybe I'm just fucking blind over here, but really I see no similarities between Treffy and actual DC Trevor. Except, maybe, like, the boots, but really?

Now, on to the rest of the party: (except for my boy Grant, who got fucking excluded...)

Sypha actually looks like this in DC:

She looks pretty different! Luckily, not the most different compared to what happened to my rotten soldier, my good time boy Trevor, but still quite different. Firstly, Sypha's face is covered, and her robes are quite big on her, and this was actually intentional!

For the record, if you haven't played DC, the whole reason why Sypha looks more boyish is because she was hiding her gender for the whole game in order to travel safely. Her true gender is only revealed at the end of the game. (Truly an iconic Samus Metroid moment you conjured up there, Konami.)

Anyway, this is Sypha's Netflix version.

Again, sorry for the weird pixel outline on the image. I didn't even edit these.

Anyway, luckily, this one isn't all that different, except the obvious fact that Sypha isn't hiding her gender in this one. Although, I still do definitely believe she was done dirty. I mean, look at that hair! Christ. I'm not sure why they didn't make Sypha hide her gender until the end like in the original game, but then again, a pretty concerning amount of canon events from DC and Castlevania as a whole I guess didn't make the cut, so I doubt it'd be wise to set the bar any higher than the floor.

Next up, oh no. Alucart. I'll be referring to his horse-faced counterpart as this, because although his design is still game-accurate... It was for the wrong game.

This is his Netflix design:

See, it's okay. It's a biiiit inaccurate to his SoTN version... (for SoTN swag, see here) but! This isn't a SoTN adaptation!!! THIS, chaps, chapesses, and chapsticks is supposed to be for Dracula's Curse! and this is Alucard's DC design:

See? Now, this is just completely different! In this version, Alucard definitely gives off traditional, pop culture vampire vibes, definitely taking after his father in this one. But Alucart... Poor Alucart... he's just an odd mix of SoTN and.. not SoTN. It's literally just his SoTN self, but in a more revealing outfit with random ass belts. It's as if they simply went on a quick Google adventure and looked no further for Alucart's to-be design. But seriously, why exactly are they showing his bare chest here? Why is he muscular? Huh?????

... These redesigns are... something else, that's for sure! Of course, I know that with every adaptation, there's bound to be some changes, but with Netflixvania, there are a LOT of changes, and absolutely none of them are necessary.

For one, characters like Godbrand and Lenore were never in the games! The writers just slapped in some random OCs and scrapped an actual, canon character for petty reasons. They also nerfed Hector because of a behind-the-scenes argument between writers. They let their own pettiness ruin a show. Hell, Warren Ellis himself didn't even know anything about Castlevania. He just took everything from secondhand sources! It's not professional or sane.

I honestly didn't even watch the full show myself. I probably should, so maybe I can edit this rant a bit. Anyway, I only watched S1 and a bit of S2. Honestly, I have no idea why they didn't just stop the show when Dracula got pounded into the ground for the umpteenth time. There wasn't any real need to continue the show for even more seasons. Just... I don't know. It's really weird??? The show just seems... boring. Like, seriously. What's even the point, at that point? Our favorite three stooges Johnny Test'ed Drac into oblivion, just as they needed to do, so why continue? It just seems as if they're milking it.

...Yeah i don't know how to continue this. In summary, play the games instead. Watch let's-plays, if you can. As I mentioned earlier, this rant may not be too professional or well-written, and I apologize if I mixed anything up. I plan on adding more to this later, but right now, my hands are getting numb q(╥﹏╥)p

[woodchipp]

i fucking love good writing!!!!!!!!!!!!!!!!

[nfcv-saltmine]

Netflixvania AU where the writing is good and the ideas well executed

[chibishortdeath]

Alright I’ve thought about, I’m gonna actually start posting some of my criticisms of Netflixvania starting with the first season. I actually have a notepad document on my computer somewhere that’s just various rants about it that I’m gonna take from lol

Rant under a cut cause it’s long, spoilers, and also cause uh tldr I do not like the show 💀

Ok let’s start from the beginning of the show, episode one.

The first episode isn’t terrible, it’s a bit rocky, some red flags here and there for what was to come, but that’s kinda expected of animations like this. It usually takes them a couple episodes to pick up and grow into their own, so I was skeptical, but not gonna knock it entirely when I first saw it.

My biggest criticism of this episode was the complete missed opportunity to introduce certain characters from this section of the series’s story. Imagine if they had shown Isaac and Hector in the background of the castle or something at this point for foreshadowing later, as they would’ve already been studying under Dracula at that time. Imagine if that old woman Lisa helped ended up being one of Lyudmil’s family members, cementing them as friends of her for later. Alas, Netflix just decided not to use most of the already written backstories for most characters. But eh, that’s getting into nitpick territory.

And then the second episode happens… I honestly genuinely hate the concept of the Speakers and it’s because they completely replace a much more interesting (especially for the tone and themes they were going for) group for Sypha to be a part of: The Church. In the game, Sypha is a witch, something that’s currently not very good to be at this time, however the church employs a bunch of male wizard soldiers. This is already a perfect opportunity set up and ready to go for them to make their points of the church being hypocritical, add some intense dramatic irony with maybe the audience getting to know Sypha is a witch before anyone else does and seeing her interact with a bunch of people who would have her dead if they knew, and create a super conflicted situation where these church soldiers all die during their encounter with the cyclops, but yet they scrapped it for uh random group of magic users that kinda exist entirely for a plot that didn’t need a new device to work. And Sypha just being all hood down and no hiding just takes away something interesting about her character, making her kinda bland in the process. Like it’s one thing to have the Girl™️ who owns the braincell trope and another to have a character with some actual immediate conflicts. They totally could’ve played up the “oh no if Trevor knew would he kill me” dynamic, especially with witches being commonly lumped in with ‘monsters’ in a lot of other media and Trevor being ya know a monster hunter. And already just from this one design choice she completely loses her symbolic putting the hood down scene for much later in the story to show that she actually trusts people and feels safe enough to not need to hide anymore because she’s got people on her side now.

Also the lack of Grant is just a crime in itself. Grant could’ve worked perfectly as like the everyman of the group. Hell, with his background of being a former noble turned thief presumably after hard times to straight up losing his entire hometown to flames and leading a revolution about it, Grant literally has like almost every common not magical vampire hunter person experience. He could’ve given the group any of those perspectives and been told the perspectives of the vampire hunting life he hasn’t had, ya know? And he’d help differentiate the personalities and humors of the group in general. I literally can’t think of a negative to having Grant in the group.

So we were robbed of character development for Sypha and the existence of Grant, what’s next—

The Bishop character is someone that could’ve been interesting if he was written with any kind of nuance, but instead he’s extremely on the nose and blatantly laughably evil. Otherwise this guy is pretty forgettable besides how lame it was that they used Blue Fangs to kill him instead of ya know an actually recognizable enemy. Like the Blue Fangs design wouldn’t be bad if it was in literally anything else, but compared to the designs of most Castlevania monsters it’s just really lame. I’d’ve even accepted a Warg or something, idk. Personally I think having Death walk in taking the form of Zead and going through that speech while eventually turning into the skeleton form we know him as woulda gone hard but for some reason Death isn’t a thing until seasons later which sucks.

I also absolutely hate Alucard and the Cyclops being in the catacombs! Hate it! The Cyclops kinda had like a courtyard area for it and made sense being there since it was standing guard on the way to the castle. Literally what it is even doing in the catacombs 💀💀💀. Standing guard for… eepy Alucard? Why??? And the whole sleeping soldier thing or whatever they called him is just so obviously an excuse to have him appear faster and make it seem like it tied into the plot. Alucard absolutely should not have been introduced to the main group this early on because again that robs him of a bunch of opportunities for background and character development. He got maybe the one oh no dad don’t commit mass death that’s bad scene and nothing else when they had plenty of time to show him initially following his fathers orders and eventually growing to stand against him. And again??? Missed opportunity for anything radio drama related??? Like if there’s any opportunity to get any of that story more known it’s in an animation? And besides, it’s less work to just use whatever materials and supplemental materials already existed for the game!

Dracula’s Curse and CoD have:

Two games

Two manuals

Three manga (TokyoPop and Preorder)

A couple game guides

Flashback sequences in a radio drama

Flashback sequences in SotN AKA: the game everyone knows

A ton of references in later games cause IGA is a big Dracula’s Curse fanboy

Pachinkos

That is plenty of material to make an animation based on, especially because most games don’t get half of that, especially not NES games. They were literally handed like the NES game to adapt lottery and decided not to scratch like half the ticket 💀💀💀.

Alucard also being able to levitate kinda negates a lot of things. Like what the hell is the point of having a bat/mist form and a double jump then? If he can just be flying vampire Jesus immediately or whatever people call him idk. And you can’t tell me Alucard wouldn’t be painfully embarrassed if someone ever saw him shirtless come on this is the guy that wears like 5 layers of clothing in every game he’s in to the point that even in the modern era he’s choosing a suit over casual clothes. Every action he makes in this introduction to him is obviously fanservice for the sake of fanservice with very little thought behind it, except I’m not feeling very served right now. And having Trevor kinda lose that fight is a reoccurring problem this show ends up having: putting down other characters just to make certain ones get the cool fanservice moment. Contrary to what the writers of this show may believe, it actually doesn’t make me go “oh wow, Alucard is so cool and much badas”, it just feels weird and uncomfortable that Trevor is getting cheated out of one of his canon achievements because the writers preferred one character’s tits more than him.

So, basically, the show starts out with missed opportunities, concepts and characters getting cut out, watered down versions of characters that did make it in, cheap fanservice, poor explanations for things, etc etc. this all culminates into a resounding m e h + dread for later seasons being worse (boy was I correct on that fear lol).

Here’s some other things for the first season I didn’t know where else to fit:

None of the humor hit for me at all, like not a single joke. The humor was either a no response at best, but definitely a physically wincing from secondhand embarrassment at worst. Related to this, I feel like most of the dialogue reads like either someone who just learned what swear words are and thinks they’re really cool and funny or genuinely forced. At times most of the characters talk with the same delivery, cadence, personality, etc, it’s really obvious they were all written by the same person or group. And that even goes for background and side characters, too. This is a criticism I’ve never seen said: I really don’t like the voice acting in this show. I’m sure it’s no fault of the voice actors at all, but there were times in this where I either could not hear characters properly or could not understand characters properly and I had to watch it with closed captions on. The clearness and volume of the characters voices varies A LOT even just between scenes sometimes. And that combined with all the characters having really similar speech patterns, there were a lot of times where if I looked away from the screen, I genuinely could not tell if it was Alucard or Trevor speaking cause it sounded like it could reasonably have been either of them (and in some cases it literally didn’t even matter that much which character was saying what). It’s an absolute tragedy that the color schemes in this show are not remotely similar to Dracula’s Curse too. I understand why some color combos wouldn’t make it for eyestrain reasons, but the pixel artwork in all the NES titles is beautiful. Same goes for music, like I am never going to forgive this series for using Bloody Tears for a Dracula’s Curse ‘adaptation’ and not Beginning or Aquarius or Dead Beat or Ghost Ship or Clockwork or— ya know? These are two things that the series are really known for so you’d think with some of the fanservice they did they’d be all kinds of ready to use stuff like that for more of it.

Anyway, past season one is when I started watching the series primarily through clips/episodes reposted on YouTube or elsewhere cause I had completely lost any interest in it. I’ll probably go through synopsises online again for season 2 just to try to better remember what happened in that one because I do remember having very little good to say about season 2 as well and I gotta do that research so I can hate things properly :3.

There’s a certain part of this where I just kinda blanked on things to even say, partially because Season one is kinda bland in general, but partially because I started getting sleepy while typing. So if I feel like I missed anything season one specific I’ll just put it in the beginning of the season two post. d(_ _ )

[jedi-enthusiast]

Castlevania and Non-Attachment, Part Three: Isaac and His Quest for Revenge

Another one of the larger character arcs we follow is in regards to Isaac and, side note, MY MAN IS SO FUCKING UNDERRATED!!! Y'ALL ARE TELLING ME THIS MAN ISN'T FINE??? THAT HE'S NOT AN INTERESTING, WELL ROUNDED, AMAZING CHARACTER???

Y'ALL ARE FAWNING OVER A DUMBASS WHO GOT MANIPULATED BY HOT VAMPIRE WOMEN TWICE- (lowkey relatable tho tbh) -AND A HALF-VAMPIRE WITH DADDY ISSUES, WHEN ISAAC---KIND, INTELLIGENT, LEARNING TO LOVE HUMANITY, BADASS, LOYAL, CURIOUS, AMAZING ISAAC---IS RIGHT THERE???

Put some respect on his name.

*cough* anyway-

His character arc, after Dracula is killed, revolves around him essentially learning to love humanity and accept his own, as well as learning that not every human is a terrible person and humanity as a whole shouldn't pay for the sins of the shitty minority.

Another aspect of his character arc and story, however, follows him wanting to get revenge for Dracula's death---blaming Carmilla, who came to Dracula's castle with the intent of killing him, and Hector, who was manipulated by Carmilla into betraying Dracula even though that's not what he wanted.

Isaac's anger is mostly at Hector, however, since Hector was supposed to be loyal to Dracula and---by letting Carmilla go through with her plans and act without Dracula's knowledge---he's essentially the reason that Dracula died, in Isaac's mind. And his betrayal cuts deeper because he swore his loyalty to Dracula, whereas Carmilla had always made her opposition to him clear.

So Isaac goes on a journey to find and then kill Hector, as well as Carmilla.

But once he finally finds Hector and Hector makes it clear that he won't put up a fight, and that he agrees that he should die, Isaac says this:

Isaac: I am not here to kill you. Hector: What? Isaac: You and I, Hector, we have been children. Revenge is for children. It is our duty to grow up, don't you think?

And, in this one sentence, Isaac proves himself better than a good chunk of SW fans and Anakin Skywalker himself. Because, instead of letting hate and anger and pain control him, Isaac lets go of all of that and forgives Hector for what he did---even helping him.

Which, believe it or not, is exactly what the Jedi teach.

They teach that, while the emotions you feel are valid, you cannot let them control you or make your decisions for you.

Which, frankly, is one of the reasons why I love Isaac so much.

Post List <- TBA

[ltadoriyuujl]

Nocturne was good idgaf was it peak no not even close but it had everything i want in a show (strong black women, found family, and alucard)

[almacambiondaughterofsaleos]

Helluva Boss Is On The Cartoon Base Awards (Including Velma And Harley Quinn)

Man, this is an abysmal choice of finalists. I don't care what people say Harley was only good in season one but after that just got worse. Velma was just shit and Mindy Kahling totally bribed someone. The only one I see worthy is Blue Samurai because Castlevania: Nocturne was crap as well. And we all know what Helluva Boss has become.

[bibibbon]

Do you think bnha treats the male victims of abuse narritavely worse than the female victims? (sorry if this sounds like I'm pitting them against each other or invalidating the female abuse victims in the story)

I've been reading your metas on how Horikoshi mistreats Deku in the narrative by sweeping Bakugo's bullying under the rug and meta posts by other fans dissatisfied with the way Dabi and the Todofam abuse as a whole was handled and I started recalling discussions on twitter how Denji from Chainsaw Man is a male victim of abuse, whose abuse is taken seriously by the manga and the mangaka, but not by most fans.

No absolutely not. I think MHA treats both of it's male and female abuse victims horribly. I have never viewed it to be something about gender it's just that horikoshi doesn't know how to handle abuse victims character whether thd abuser be a character he likes or hates.

Now I guess I can kind of see where this idea is coming from because the series itself shows us more abused male victims than female ones so there's definitely something there but even the female victims like toga, Rei himura or Eri aren't treated any better.

I remember getting ask that literally made me have a morbid realisation and it stated that Dabi ended up just like how Rei was in the beginning of the series. Also Rei never actually gets to escape her abuser either. She is still stuck as enjis caretaker and that's honestly tragic.

Toga's abuse is actually given the attention it deserves so she is probably the only character whose done a bit of justice in that area.

Eri still ends up getting hurt and used whether she is with the heroes or overhaul. The girl literally mutilated herself to make herself useful for her quirk to be used and you get the jist of it. This isn't a good look at all especially if you look at her history.

Now there are a lot male victims who have been abused like izuku, Dabi, shoto, hawks etc. Now these characters have much more screentime than the female characters but never actually get that part of their character focus on or they don't even bring it up so this just ends up making their characters feel so one dimensional and makes them badly written.

I honestly recommend you read @sapphic-agent post on bakugo and izukus relationship or her other posts about bakugo in general which are great in my opinion.

When it comes to chainsaw man fujimoto consistently recognises the abuse that denji goes through and (even though I haven't read csm) makes it clear that this isn't normal. It's usually the male audience that end up brushing denjis abuse or trauma to the side for example I have seen multiple posts talking about how what himeno did to denji wasnt a big deal or how makima never groomed denji.

Denji's character somewhat reminds me of hector from castlevania and how some fans would say that Lenore and Camilla did nothing wrong or that they never exploited/abused him.

[chorus-the-mutate]

This is an edited repost of the Erzsebet Bathory character analysis I wrote yesterday that I refuse to let go to waste. I tried doing the right thing and tagging all of the necessary trigger warnings only for this post to be completely hidden from the Castlevania Nocturne and Erzsebet Bathory tags. Since I can't afford to tag the proper trigger warnings without being punished please do not read this post if discussions of rape or sexual assault triggers or upsets you in any way. I don't take these topics lightly and they are vital to this analysis of Erzsebet Bathory.

This post also contains major spoilers for this first season of Castlevania Nocturne.

This may seem presumptive of me to say but this thought has been stuck in my head for several hours: Erzsebet Bathory is the most rapist adjacent villainess I've ever seen without her actually being a rapist.

The first and smallest point against her is how often she mentions virgins. I know that Erzsebet's initial mention of virgin sacrifices is supposed to tie into the origin of her alter ego and consumption of Sekhmet but it's super fucking weird that it played into why she wanted to sacrifice Maria.

Next point against her is the lawyer's daughter. I'm not sure if this lady was a virgin but when she's first brought to Erzsebet she's already terrified and too dazed to fight back. It's obvious that she doesn't want to be there and that even if she did that she can't really express that desire. But Erzsebet still takes this lady out of a literal gilded cage, sits down and sits this lady on her dress to admire her despair before drinking her blood. The next time we see the lady she's still dazed. The only differences are that she's dolled up and seems more suggestible. Even with hundreds of people in this ballroom scene the lady is literally ignored by everyone except for Erzsebet who dances with her and parades her around for her own amusement. Everyone else knows that Erzsebet likes to make her victims suffer and they still refuse to acknowledge the lady because Erzsebet has made it clear that she's her possession. Hell the only person who is unhappy enough with Erzsebet to go rogue at this point is Olrox and he STILL IGNORES THIS LADY. When the lady is dragged outside to be fed on again without anyone batting an eye it reminds me of a rapist roofying their target and proceeding to do everything in their power to seem interested in their victim's well-being in order to take them to a second location. And no one speaks up since Erzsebet is the Harvey Weinstein, Prince Andrew or Thomas Jefferson of the vampire world; the embodiment of people in power getting away with abuse until the damage has already been done.

The last and biggest point against Erzsebet is the entire scene where she turns Tera into a vampire. For me personally that is just an allegorical rape scene and it's executed very well. Erzsebet makes her entrance at the abbey as a lioness of a woman, a literal predator who wants to take Maria as a sacrifice and turn her into a vampire to ensure Emmanuel the Abbot's loyalty. Tera protests and offers herself to Erzsebet instead. This is such blatant coercion that Tera refers to herself as the ram Abraham sacrificed to God instead of Isaac. And the only question or concern Erzsebet has at this point is if her sacrifice should be a virgin. The only reasons she accepts the sacrifice are Emmanuel's genuine love for Tera and the fact that Tera is a powerful sorceress. Once Erzsebet settles for Tera and physically lifts her to her level no one can stop her. Maria gets knocked out for trying and Richter gets bodied immediately after. Their only option is to get the hell out of there once Annette makes an opening and Richter rightfully runs for his life. Even Maria, the only person that could look back and see Tera turn, is knocked out and that feels like an intentional writing choice to give Tera one last shred of dignity. Erzsebet holds Tera really close in this sort of hug as she feeds on her and once she's fed she literally sits Tera on her lap for her turn to feed. Then Erzsebet cuts herself and the blood starts dripping down on Tera, starting at her skirt, going to her blouse and reaching her face. At first Tera doesn't react but then her body responds to the blood and she feeds even though she doesn't want to. Even though no one wants this for her. And that is exactly what it's like when someone has an unwanted orgasm. Tera's body is protecting itself the same way a victim of assault would and that paired with the blood on her skirt being reminiscent of the blood on a woman's thigh in the aftermath of an assault hammers home the rape allegory. It's very sad and uncomfortable to think of Tera's turn to vampirism this way but the thought lingers hours after like a grimy film on my brain.

I 100,000% believe that Erzsebet would have been an actual rapist if Netflix Castlevania didn't romanticize Lenore raping Hector and ending their relationship on friendly terms. Not to mention Sumi and Taka's sudden shift from allies to sexually assaulting Alucard out of spite. Castlevania Nocturne seems to shy away from rape and sexual assault in favor of allegories or moments so brief that I missed them unlike its predecessor. So I'm blaming the gratuitous depictions of sexual assault in Castlevania on Warren Ellis, the creator of Netflix Castlevania, who doesn't work on this show for a very good reason.

Everything from her size as Sekhmet to her tendency to torture women and girls before killing them contributes to the allegory of Erzsebet being the vampire equivalent of a rapist. She exudes power and not only does she enjoy making others feel helpless she's also great at it. She is a sadist without honor, willing to parade her lady victim of choice around vampire high society or hang a young girl on hooks to drain dry rather than let any of them die a quick death. The dragged out, needless suffering Erzsebet inflicts along with her preference for women and virgins frames her feeding as something more sexual in nature than the other vampire nobles who simply indulge in their gluttony. Even Olrox feeding on his former boyfriend isn't framed sexually, it's framed as a desperate, romantic gesture to keep his lover alive. And every vampire I remember from Castlevania has their feeding framed as a tool for political power or sheer, simple gluttony. Even the vampire general Cho was shown to be more of a tyrant or a general sadist clinging to power in Japan than a deviant.

Erzsebet's sheer sadism actually contrasts quite well with Dracula's humanity and restraint. He understood humanity, only feeding to survive or strike down the merchants who slighted him. (He probably also used feeding as a tool for political power but I don't think we saw that directly.) Dracula ultimately came to understand humanity so well that he fell for Lisa Tepes, the exemplar of what it means to be human. And that love is why I believe he respected Lisa's wishes and let her keep that humanity instead of turning her into a vampire. And after Lisa's death Dracula stopped feeding entirely, hoping to extinguish his life and take out as many people as he could because he believed that humanity should've been better. He believed that the people who lived alongside Lisa would've stood up for her and they betrayed her out of a mix of fear, religious reverence and apathy. Meanwhile Erzsebet doesn't care about humanity, seeing people like the lawyer's daughter as possessions or people like Tera and Emmanuel the Abbot as pawns to further her own rule. She might be taken aback by Drolta's death once she learns of it but there's an equal chance that she wouldn't even bat an eye.

So what do these points of analysis mean for Erzsebet and Tera's future dynamic as master and pawn? The one thing that's certain is that Tera has been fundamentally changed, forced into an unprecedented nightmare scenario that will drag her down a dark path. But I'm an optimist and I believe that Tera will ultimately be redeemed. She may never be human again but her humanity, her love for her son and daughter will save her soul. Ultimately I hope that Tera lives and recovers from the trauma of Erzsebet turning her. I hope that she goes home to her children and is taken in with open arms. But if Tera dies she will die as Tera, not as a pawn, and that is because Erzsebet could never kill her humanity.

[akutouart]

Richtercard for my son’s bday

Anyway share if u wanna, my comms are open, feel free to dm if ur interested

Have a nice day

[sleepynegress]

On Greta Danesti...

I'm just taking this time to correct a certain anti-Black, (and anti-Romani) sadly typical fandom troll's misogynoir fuckery in the tag and establishing who Greta Danesti is in canon Castlevania animation lore. This is Greta Danesti's official character sheet:

She's the village headwoman of Danesti a few miles away from Alucard's castle. This is what her voice actress, Marsha Thompson looks like:

It's pretty obvious her character design took cues from the actress, who is Afro-British. In show canon, however, her family escaped from the Roman city of Carthage, which today, is located in the African country Tunisia. Alucard correctly speculated where her people are from while conversing with her, here (s4 e5):

Greta then confirms that her people did escape the Romans, but she now fully embraces her "family" in her village who are "from all over" and the responsibility of taking care of them.

This same troll used the g-slur to insist that she is Romani.

She is not. This troll used an early character design here, to make her case.:

And though it does have similarities to Romani clothing... It also looks like it takes cues from Tunisian clothing and likely local and non-local European clothing of the era with "fantasy" elements sprinkled in, as well, which would match the fact of her village's people coming from all over:

There definitely should be more Romani rep in media as it is so often whitewashed, but Greta is not Romani.

FYI, these women actors actually *are* of Romani descent: Fairuza Balk of The Craft, Oona Chaplin who played Robb Stark's wife in GOT (she's also Charlie Chaplin's granddaughter[!]), and Noomi Rapace from the Swedish movie, The Girl With The Dragon Tattoo says her father may have been of Romani descent, as well.

And because I can predict it, as people like to find ways of discounting blackness in every way...

Yes, there are plenty of non-Black indigenous POC in North Africa, including within Tunisia. Another fun fact... Africa has more indigenous human genetic variation among its peoples than every other people on the planet has with everyone else on the planet[!]. All this to say non-white POC AND Black people are indigenous to Tunisia.

I feel I have to say that because there is a lot of anti-Black anthropological fetishization of North Africa. Egypt is a major example of that (see: Rami Malek, an indigenous Coptic Egyptian who self-identifies as African man of color and has likely had to clarify that *often* because people keep wanting to mislabel him as an Arab, but I digress...) And sadly, there is a decidedly anti-black movement to totally disconnect certain North African countries' identities from a continental African one, and to largely see it as mainly a part of the MENA world (it is both kiddies, BOTH). Here is an informative article (linked in the image) about that struggle:

So, this got heavy...but between the post insisting that Greta is NOT Black and the one saying she's not bisexual because that same troll is purposefully and maliciously being obtuse about how words go together... I figured clearing some things up and educating folks might be helpful. BTW, the fact of those issues in the article makes her blackness all the more resonant as rep in pop culture. And hey, poly folks have disagreements, just like the het folks do... -Still bi. I'm gonna end here with two images from the linked article of anti-racist Tunisian protesters (MENA and Black):

P.S. I also side-eye those keen to make her muscular... I mean yeah she wields a big-ass hammer and shortsword/dagger, but the tendency to masculinize black woman characters deserves a hardy eye-squint. Especially, given that the show has *no problem* making muscular women look like that and they DIDN'T for Miss Greta.

See: Zamfir and the Berserk-style sword-carrying Vampire warrior, Striga. Both of whom had that flex going on.

[woodchipp]

lenore is a very well-written character that is written very well

[nfcv-saltmine]

To christen this blog, how about you compile your top 10 reasons NFCV should not be watched either as an adaptation or its own thing? :3c

Only ten? I have like. 40, at least. But oh well! I'll be happy to provide with ten, for a start. ❤️

(Warning for mentions of SA and death)

Reason number 10: The characters all suck, in one way or another. The only ones I have some sympathy for is Hector who was never given the chance to evolve, and was forced to be a victim the whole show, and Trevor, who is never taken seriously and is mostly there to be mocked by those who are supposed to be his friends.

The others? Dracula is a joke who can't keep his own men in line. He has to wait for a #girlboss to enter and insult his wife to his face. He spends most of his screentime being a poor little meow meow, gaslighting everyone into thinking he deserved the happy ending he got. Isaac is boring and his "deep arc" really is just inconsistent and a bad version of game!Hector's arc. Lenore is. Lenore. :) Going from a manipulative villain to a poor little meow meow so fast it's ridiculous. The lesbian vampires just exist to be lesbians and pretend the plot is more deep and complex than it is.... it's not enough to have good ideas. You need to execute them properly.

Concerning Nocturne? Only the girl who was kidnapped and used as Erzsebet's juice box has my compassion. Everyone else sucks, from Maria being twitter personnified, to Annette being a cunt who gets a pass because she's black. Tera doesn't do shit to defend her own children when Annette insults them right in front of her. Edouard is there for cheap drama. The Abbot Emmanuel's logic for why he does what he does doesn't make any sense. Erzsebet has no charisma and is a cheap replacement for the villain Dracula should have been (not to mention her plan is stupid because we saw vampires being touched by sunlight with no problem on multiple occasions. :) And Olrox literally went to met his future bf in plain daylight. Clearly the sun musn't be THAT much of a problem). Olrox and his bf are there to be gay. And Juste... Juste deserves his own post for how dirty they did him. Richter isn't THAT bad compared to the rest of the cast, but I do not care for him (except when he gets shit on for no reason), he's just a cheap mix of Trevor and Game!Richter. And Drolta is Game!Isaac with boobs. Would be cool if Game!Isaac wasn't constantly shat on by NFCV fans, the same who love Drolta. :)

Reason number 9: You like representation in your media? NFCV sucks at it. They have: man who gets raped by both a man and a woman, two lesbians who exist just to be lesbians and could very well be written out of the plot, two gay men with a rushed relationship who share very little screentime together (four scenes and the first one is them meeting) yet we are supposed to be affected by their romance, one man who is implied to have a bf so vaguely that most people probably have missed the one hint there was of it, and lesbian main villain who uses a random woman as a juice box and potentially is mindcontrolling her (would be hot if said villain had any charisma and random woman was more than a fridge)

Reason number 8: Character developments are either bad, meh, or inexistant. Isaac goes from ordering his night creatures to kill every survivor at the end of an episode, to build them graves and rebuild the town and pretend to be so deep and nice and caring for said innocents and future people of this town in the next. Hector started a nice guy trying to live in peace, has lived as a nice guy trying to live in peace while getting mocked and shit on and used and abused by everyone, and ended as a nice guy trying to live in peace but now in a Castle and with one finger less. I guess Trevor is less of a drunkard than before (but it's not like we saw him drink THAT much before). Lenore's development is not much of a development than it is the writers trying to convince us she was always sweet and tragic and Good Deep Down and make us forget her evil doings...

Reason number 7: There's lots of ACTUAL anime out there with prettier animation, if that's what you like. Or you could. Play the games. ❤️

Reason number 6: The couples are bad. Sypha is rude and never showed any interest or appreciation for Trevor's own interests or findings. They don't have an actual spark, despite "cute" moments here and there. The moment Sypha asked Trevor to travel with her just made me question what she saw in him considering now she's been treating him (also the moment she decides to nickname Trevor as "Treffy" is embarrassing more than cute. Doesn't help that it's the same moment where she pulled him aside to scold HIM for getting mad and defending himself against Alucard's bullying). They lack a proper build-up, because the show loves doing things offscreen and expecting us to go along with it, but they NEED to be together because they NEED to have sex because they NEED to have children even though they completely destroyed the reason why.

Alucard and Greta. Haha. Oh Alucard and Greta. You'll see in reason number 1 the biggest reason why Greta sucks big sweaty balls, but one of them is that she's just a generic girlboss. Her and Alucard are not an official couple, but considering the parellel they made with Draculisa at some point (Alucard bowing to welcome her in his home, like Dracula bowed to Lisa to welcome her in his lab), and her line "lucky you have me to run your life for you now", I think it's implied. And I do not buy it. :) (They both suck anyway, so who cares)

Richter and Annette DEFINITELY have NO chemistry at ALL. Annette spends most of her time HATING Richter, who is only, along with everyone else, trying to help her. And when they finally see each other again after multiple episodes of being away from each other, during wich everytime Annette mentions Richter it's to insult him, when dares to pretend she was worried for him and they have a little "cute" scene together...? NO. THEY DID NOT EARN IT. THEY BARELY SHOWED ANY INTEREST IN EACH OTHER BEFORE RICHTER DISAPPEARS, ANNETTE SEEMS TO DESPISE HIM MORE THAN ANYTHING. And one of the worst things is that thinking of HER, a woman he JUST met and who just kept insulting him, that Richter unlocked his powers??? I CALL BULLSHIT. YOU CANNOT RUSH THINGS TO THIS DEGREE, NO.

I ain't talking about the two gay couples because there's literally nothing to say. The lesbians are supposed to be cute and the gays are supposed to be hot. It's just fetishization at this point.

Reason number 5: Female characters are either fridged or girlbosses. That's it. Don't expect much variety here. Because apparently to be a woman you have to either shut up and die, or be super strong and rude. (Or be a BDSM mommy. :))

Reason number 4: CHURCH BAD mentality with no nuance. Because it's so cool and edgy. And that works for both shows. :)

Reason number 3: The villains sucks too, when you have your brain turned on. You might like the ideas or the designs (though Erzebet Sun Thundercat's design is so awful i can't understand why anyone would like it. Also Carmilla is ugly guys?? Her head melts into her hair, come on), maybe a scene here and there, but when it comes to the execution? Urgh. I already talked about Dracula being a poor little meow meow, but what I can add that him and Isaac are fucking stupid for going with Carmilla's plan. Isaac is fucking stupid for blaming Hector and going after him. And Carmilla is fucking stupid for treating Hector the way she did when he wasn't intending to go against her before she makes him her prisoner and beats him up.

Reason number 2: Play the games. The themes and ideas taken from them are bastardized and done poorly in the show, when they're not straight up ditched.

Isaac's arc? Game!Hector's but more inconsistent and pretentious. Trevor and his family being rejected and hated by the people? Castlevania 3 (and this fear and dislike of them won't end until centuries later, with Simon). Dracula welcoming Isaac and Hector and making them his generals? He did so in CoD and they were literal children seeking a home, wich he helped and shared his own essence with. Not two random dudes who happen to have powers of their own. Alucard vs Dracula and the tragedy of blood fighting blood? Symphony of the Night but way too early

Alucard literally steals Trevor's spot as the main character and the one who is supposed to kill Dracula first, wich is a MAJOR part of the games and the CV universe, completely taking away the Belmonts' purpose as the only ones capable of defeating Dracula. It was completely unnecessary, too, if what they wanted was family angst, as Alucard could have simply been about to stake his father, but because of his love for him, would have been unable to give the final blow. Leading to Trevor giving the final blow himself, so his "friend" wouldn't have to go through the pain of doing it himself, thus keeping the Belmonts' unfortunate purpose intact and still making for a poignant father/son tragedy. But no, they just had to make Alucard the MC and make him destroy the core of the games they are supposed to adapt, on top of making him a cunt.

Oh, and this idea of Dracula being the literal Lord of Darkness? Not just any vampire, but the most powerful of them, a straight-up demon, respected and feared by all creatures of the night, who has multiple terrific forms and cannot be killed by any weapon... other than the Vampire Killer? Out the window! Now we're SUPPOSED to think he's big and scary and dangerous, but he can be killed with a piece of wood and no one respects him! Barely fear him! Not even Death, who is supposed to be his closest confidant and most devoted servant, is now an entity that uses him in the dark and don't hold any respect for him. Pathetic.

There's no respect to the source material. The VK means nothing now, wich is coherent with the fact that Belmonts mean nothing now, because Dracula means nothing now and nothing is near as epic as it is in the games. Nothing that makes "Castlevania" Castlevania matters anymore, it's just bullshit, and chances are, what you like from the show you will prefer in the games.

Reason number 1: It handles trauma and sexual assault like the purest shit.

It's something to not give a shit about Trevor's trauma wich happened offscreen. It's another to treat the trauma the characters go through RIGHT IN FRONT OF US like it's nothing.

As much of a cunt Alucard is, I cannot excuse the way his case with Sumi and Taka was handle. Forget how their reasoning for betraying Alucard was shit and the way they decided to go at it was unnecessary. The fact is, they tricked Alucard with sex. Giving him the deepest kind of affection sexual creatures can share, making him so very vulnerable, making him believe he was loved and not alone anymore... only to betray him. Forcing Alucard to kill them before they kill him. It's a truly traumatizing experience that can easily lead to the victim struggling to trust anyone, on top of having a very complicated relationship with their own body from then on.

How does NFCV handles that? It makes Alucard piss on the corpses of his old friends, then have him tell his story to a random #girlboss who jumps on the occasion to make a joke out of it, comparing this very obvious sexual assault and betrayal of his trust with her willingly sleeping with a married man.

Funnily enough, Hector was going through the same thing at the same time! He has been manipulated and seduced by Lenore. She's the only one who treated him decently (because Carmilla is supposed to be a smart bitch who can trick Dracula and his court, but not smart enough to understand that physically assaulting Hector and letting him rot in a cell naked with only molded bread for food and freezing water thrown at him to wash is a bad idea.), the only one who talked to him, offered him gifts such as books, a bed, a desk. She worked her way into his heart until he fell for her and "willingly" had sex with her... and then, in this crucial moment, where Hector was at his most vulnerable, she stabbed him in the back. Made him her slave with a magic ring. Then went on to say "Shh, the real people are talking" to him when she talks about her brilliant plan to her sisters, and then going "i gave you what you always needed. i made you into my pet." when Hector expresses his horror and pain about the situation.

At the end of s3, there was absolutely no doubt that Lenore was an evil, two-faced villain. And there was hope that Hector would go back at her when he pensively looked into a fire, a parallel to when he burned down his home with his parents inside, and foreshadowing for chaos to come... but nope! Next season, he makes sex jokes with Lenore like we're supposed to believe they share chemistry, and he PROTECTS her from Isaac, and let her die on her own terms because she could not handle to be trapped in the same kind of life she tried to trap Hector in! And Hector's sexual assault is only mentioned ONCE, so Lenore can go "oh shush, you were having fun". :)

Actually, it's not that NFCV handles sexual assault and trauma badly. It's that it does not believe men can go through them, clearly. It uses very heavy topic for cheap drama and nothing else. Lenore did not need to have sex with Hector and trap him with a magic ring for her plan, not any more than Sumi and Taka needed to fuck Alucard if all they needed to do was use some magic object on him to trap him. Ellis just wanted something he could masturbate to. And THAT is supposed to be the Peak Adaptation Of All Time? Seriously?

Oh you also have Richter's trauma. They literally gave him a mom just to fridge her and use that for a little bit of drama that only really matters ONCE, when Richter runs away from Olrox in the dungeon, and Annette hates him for it... but then he quickly gets over this years-long trauma and next time he sees Olrox, it's as if he's just another vampire. It's not as bad as Alucard and Hector's cases, granted, but it's ridiculous. A clear case of bad writing who feels the need to rush things.

SO YEAH. Plenty of things wrong here, and plenty more to come. ❤️ I can't possibly tell them all in just one post. It wouldn't be fun. 🥰

[cabe0512]

Hector, as he appears in my fanfic: The Curse of Darkness.