#tera castlevania

[wittyvitale]

Do you understand?? Did you hear that peal of laughter? This period of time was Tera’s happy place! In between the trauma of losing her Speaker tribe and becoming a vampire, Tera found true joy in watching her kiddos 🥹 Oh my heart

[shesalittlelost]

My heart 😭❤️

[droltatzuentes]

Castlevania: Nocturne + text posts

[prickly-paprikash]

Castlevania Nocturne really stepped up its game in the second season.

I had two major complaints for the premiere season of CN:

The pacing was erratic. From episode 2 onwards, it seems as if the story is obsessed with giving us nonstop climactic battles, at the cost of letting the characters and pacing breathe. I understand that a central theme of the first season was loss—not just loss of loved ones and the grief that comes with it, but simply losing at every turn. They make the Vampire Messiah feel more like an inevitability, and it works to some extent. But one thing that the original Castlevania series did well was how it handled the flow of conversation and combat.

Seasons 1-3 were all mostly slow, deliberate episodes centered on talking. Characters would simply converse. The very first scene of Castlevania literally embodies this.

Lisa and Dracula, having an organic yet expertly crafted conversation that feels sharp, poignant, and immediately tells us everything we need to know about these two characters. We get one Lisa scene, and then she dies and yet it hits so hard because of how one conversation was written.

Nocturne's first season, many times, felt more like a quip-fest. Castlevania's humor was dry and morbid, to better fit the sarcastic and dark tone of the series. When characters like Trevor or Sypha or even Isaac cracked a joke, it never felt out of place. They had a cold, callous sense to them. Like their humor was a coping mechanism for the dreary and bleak reality they lived in.

Richter on the other hand felt like a Phase IV MCU lead, being unbearably sarcastic and "witty". Watching Nocturne again, I struggled to like Richter in the first half but he really came into his own after he meets Juste.

In the second season, however, the pacing really knuckles down. It becomes deliberate. And when a fight scene happens pre-episode 7, it feels more like OG Castlevania again. It isn't being treated with extreme weight, but it feels more like a part of every day life for Belmonts and their peers. Whenever Trevor, Sypha and Alucard get into a scrap with Night creatures, it actually had a sense of levity to them. This was a job. An occupational hazard. A logical result of living in Wallachia. In Nocturne season 1, fights were treated with more weight than they should have, while character work felt secondary, barring someone like Annette.

Here, it really allows me to fall for these characters more. Being an OG Drolta stan was so rewarding this season. I really also liked Maria and Tera more here, with Tera becoming a vampire creating a really interesting dynamic between the two and pushing their characters into directions that I didn't expect to enjoy as much as I did.

Mizrak, Olrox, and Richter were sidelined a bit more here, but it makes sense. These three dominated the first season, so it made sense to shift the focus on others and let their characters grow and shine. But just because they didn't take up most of the spotlight doesn't mean their characters were ignored.

Mizrak and Olrox's romance was developed in more subtle ways this time, which I appreciated. The writers let the unspoken heat and budding romance speak for themselves here, and I really enjoyed Olrox's sadness and Mizrak's regret and grief here, though of course the best scene between them was at the end. The way the writers made that finale, weaving feelings of heartbreak, lust, love, and fear into that one sentence was so, so good. Mizrak's fear of death and torment. Olrox simply saying that the devil was easy to cheat.

Ugh. That's the good shit.

And Richter? They still let him be the dry, sarcastic quipster, but I appreciate the restraint here. He doesn't crack jokes as much. Instead, they really focus on his feelings with Annette, to the point that he feels more like the love interest rather than the MC for a good chunk of the season.

And I'm not complaining. I enjoyed the budding romance between them in the first season, but with the deliberate pacing here, the writers really sold me on this soft, chaste, tender love story. Richter and Annette feel like young adults falling for the first time and I really fucked with it.

I'll talk about Annette in a separate post, but sufficed to say, she was the best character of this season. Hands down.

My second complaint was Erzsebet Báthory. She felt so... she felt like she paled in comparison to the three other villains of the season.

Drolta was exquisite. She oozed charisma and charm, and she stole every single scene she was in. The animators loved her and I could tell. She had the most costume changes. She had the sharpest lines. She was gorgeous. And even her death felt euphoric because she got to introduce Alucard into the mix. Like, seriously, they used her perfectly in the first season and she was easily the best character by far.

Olrox? Sexy. Gay. Kill me. Him and Mizrak? Perfection. His voice was so smooth and seductive. His dialogue? Smartly written. Every scene he's in, he feels like he's always holding back something.

Rage. Pain. Lust. Desire. Grief. Hatred. Remorse. It is always there, an undercurrent of emotions so thick you could feel it in every scene they placed him in.

Abbott? Worthless. Pathetic. Hypocrite. I hated him every single time he was onscreen, and that was exactly what he needed to be. A counterrevolutionary bible thumper that would elicit powerful memories of unlikable relatives at a reunion. No notes. Perfectly utilized villain, and I fucking cheered when he got burnt to a crisp by his daughter.

But Báthory felt so underwhelming.

So either the writers knew this specific complaint from the fans, or more likely wrote her this way to purposefully hide the true final boss of the series.

Drolta.

See, Báthory doesn't hold a candle to any previous villains of the Castlevania story. Not as complex as Isaac. Not as iconic and important as Dracula. Not as enjoyable to both hate and love as Carmilla. Not as hilarious and memorable as Death. She was just there. I thought it was a waste, and that I wanted to see more of her shine in season 2.

So when the only bit of character work she got was her mourning Drolta and her small flashback, I was disappointed.

Make no mistake, she made a great physical threat. But that was it. She felt more like one of Death's elite guards from season 4 than her own true brand of evil.

Not as hate-worthy as the Abbott. Not as conflicted as Olrox. Not as charismatic as Drolta.

So imagine my surprise and subsequent glee as to when Drolta takes the power for herself. Killing her in the sky. That was perfect.

Drolta, who served Sekhmet. Who broke down at the loss of her goddess, her fellow priestesses, and the people she cared for. Who, blinded by grief, sought to resurrect her goddess by becoming a vampire herself and searching high and low for a worthy vessel.

Drolta became even more interesting. Thinking herself as only a follower, never seeking to gain the goddesses' power for herself. Becoming the first Vampire/Night Creature that gave Alucard, the son of Dracula himself who was leagues above Báthory before she became the goddess, quite a lot of trouble.

The way every villain was handled in this season was excellent. From Abbott's death, to Richter proclaiming his desire to avenge his mother to Olrox's face right after they worked together to beat Drolta, but still letting him go afterwards as thanks—I'm sorry, but that was some raw ass writing right there.

The only thing I have to complain about? Nothing from the writers or animators or directors. It's the production that I hate.

Streaming services fucked everything up. 8-10 episodes for every single show is such a dumb move, and making us wait 2-3 years for every single one of them is horrible.

On top of the fact that they will cancel something on a whim.

Nocturne would be unquestionably a masterpiece had it been allowed to have 24 fucking episodes each season. We could explore France more. See deeper into the revolutionary setting of the show. Really see the world of Castlevania, but no. And now there's still a threat of cancellation when animation has been carrying Netflix's worthless ass for years? Especially through the pandemic?

Watch Castlevania Nocturne. Support the studio. Show Netflix that this is where their energies and money should be going towards.

Their live actions, barring something like the big names of Stranger Things and Squid Game, have been flops. They fumbled the Witcher series. They killed Kaos. They ended Shadow and Bone. They fuck up every single time and it has been animation that has pulled through.

Arcane. Castlevania. Blue Eye Samurai. She-Ra.

Support this show, please. I would love to keep this series going, but it needs the attention it so rightfully deserves.

Please. I need to see Old Man Coyote. I need to see Tera go further into the darkness. I want to believe in the possible Maria x Alucard romance that was in the games that could be written really well here. I want to see more of these characters. I want to dive deeper into this world. But most importantly, I want every single person who worked on this show to keep having a job. To be able to do what they do best and get better at it.

This show is great. It deserves more seasons. More sequel series to explore other Belmonts. Other countries. More sexy vampires. More sexy hunters.

Support animation.

[alucarddaily]

"Do you really think you could kill him? He's someone you love. Even if he's become a monster."

[halpwhatdoiputhere]

My dad has REFUSES to call Olrox anything but Ollie since he saw the first episode

For example when little boy Belmont when running after Olrox appeared behind him my dad just yelled

“HERE COMES OLLIE!!!!”

“HES GONNA GETCHA”

With so much excitement

So when the ahem smexy after shot scene he just when “damn Ollie got some”

[memingursa]

Vampire Yuri but with yaoi size differences I see

[aquilaofarkham]

title: lady in bloodied white rating: MATURE (canon-typical violence, child death, gore, psychological trauma) word count: 13,851 summary: Something is hunting the children of Machecoul. While on the trail of this mysterious force, Richter begins to question his sanity until his target reveals itself to be more personal and horrifying than he could have ever imagined. likes/reblogs are greatly appreciated!

READ THE ENTIRE GHOST STORY

[ineedmoretrevorcardcontent]

As a pure trevorcard fan, I can't believe I'm saying this but...

If I can't have trevorcard in canon, I'll take Alucard x Tera as well. I DON'T KNOW WHY BUT I WILL. She is the only one I'll accept in canon at this point😭

(still can't believe I'm saying this btw)

[the-blue-sandglass]

Some icons of Tera because she deserves everything, damn it-

[shesalittlelost]

Oh Alucard and Juste got the worst babysitting job lmao

She is so going dark isn't she? I know my heart will break but Tera my darling I will not stop loving you 💔🥲

I like how she feels... idk younger? after turning. like less mature and so much smaller in the face of an uncertain eternity.

Can't wait for this ugly mf to get his ass handed to him by another Belmont.

[wittyvitale]

Tera’s gonna live for a really long time. No one will remember what an excellent mother she was or why she made this sacrifice. She’ll just be seen as a monster. She’ll be staked 100 years from Nocturne and Frenchmen will sing “No One Mourns the Wicked” around the Eiffel Tower. She deserves so much better

[prickly-paprikash]

The Bishop in the first Castlevania season is pure evil who believes himself good. He's nearly every crime and hypocrisy of the Catholic Church distilled into one neat, wrinkly, putrid man. He is easy to hate. He is supposed to be despised and we are expected to cheer and rejoice when Blue Fangs chewed on half this man's face.

He uses god to control and manipulate the powers and people that be. While his belief in god may be true, the church and the faith are more tools for him to retain control. It is glaringly obvious that this man is power-hungry.

There is nothing, and I mean nothing at all redeemable about that asshole.

The Abbott is every conservative relative who genuinely loves you, but is a blind idiot holding on to institutions simply because they are "right".

While the Bishop's character is real, most of us won't encounter him. We see him on the news. I'm not even American (been there once for two weeks) but even I've seen his like on news and media. He's a televangelist who consolidates wealth, clout and power through the fanaticism of his followers. He is drunk on the authority he possesses. His belief in god isn't the point; whether or not he holds faith, the man cares solely about power.

The Abbott is someone in our lives we know well. Your conservative mother who refuses to even show a modicum of tolerance towards queer people. Your father who is buying into the religious side of Youtube and Tiktok. Your brother who has grown up to carry terrifying, fascistic beliefs. Your sister who feels lost and found some semblance of acceptance in a church who still believes women are lesser. Your aunt who despises vaccines. Your uncle who tells you that you should've become a priest or a soldier.

The Abbott, deep down, has some redeeming features. But it's not enough to forgive him for his idiocy.

Ask any child who had to grow up with a religious parent, especially a Catholic or an Evangelical. They fucking love the story of Abraham sacrificing his child to God, and finding a ram in its place.

Evangelicals are bent on this tale. They will always preach that god comes before children. That children and their suffering and their needs must always take a backseat to the word of god.

A trans child asking their parents to understand—their words will fall on deaf ears because god and the holy man told them that 'transgenderism' is a vile philosophy that seeks to groom and twist kids. A college freshman debating with their parents about free healthcare and immigration will be stonewalled because the charismatic preacher said that god will provide. god will heal. god did not invite these foreigners into this land.

It is Maria, begging her father to listen and having her pleas fall on deaf ears.

The Abbott is someone I hate more than the Bishop.

Men like the Bishop exist, but they are few and far in-between.

But the Abbott? The Abbott is someone I share a table with at dinner. He's someone I see during family reunions. He's someone who shares misinformation online, and I see it on my timeline because we're social media friends.

I fucking hate him so much and I hope he gets what's his.

He never deserved Tera. He never once deserved Maria.

[alucarddaily]

The familial, platonic, & romantic physical affection of Castlevania: Nocturne season one 💙

[halpwhatdoiputhere]

YALL SAW A TICK TOCK VID ABOUT HOW RITCHER WAS STRUGGLING WITHOUT HIS MAGIC WHILE TREVOR WAS BEATING THE SHIT OUR OF NIGHT CREATURES WITH STICKS AND PUNCHED DRACULA IN THE FACE AND SOMEONE IN THE COMMENTS GOES

Trevor would have wrapped nocturne up by episode 3

GODDAMMMMMNNNNNNN